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Displayed below are some selected recent viaLibri matches for books published in 1961

        Lettera sul matrimonio

      MILANO: IL SAGGIATORE, 1961. IVED. Rilegato. BUONO. 12 19. Biblioteca delle Silerchie USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 1.   Check availability:     Biblio     Link/Print  


        Niemeyer-Holstein, Otto. - "Windflüchter".

      - Farblithografie / Pinsellithografie, in Dunkelgrün & Gelb, auf Papier, 1961. Von Otto Niemeyer-Holstein. Auflage 15 Exemplare. 41,5 x 56,5 cm (Darstellung / Druckbild) / 49 x 62 cm (Blatt). Schmidt-Sohler-Lau 28 a. Rechts unten in Bleistift signiert und datiert. Dazu Technikbezeichnung. - Papier im Rand etwas angeschmutzt. Insgesamt guter Zustand. Otto Niemeyer-Holstein (1896 Kiel - 1984 Lüttenort). Deutscher Maler und Grafiker. 1914-16 Kriegsfreiwilliger. 1919 Malkurse bei Arthur Segal in Ascona, später in Berlin. 1920 einige Monate in der Kunstakademie in Kassel. 1923 lernt er Paul Klee und Lyonel Feininger kennen. 1924 Gründungsmitglied der Künstlergruppe "Der große Bär" in Ascona. Lebt im 2. Weltkrieg zurückgezogen auf der Insel Usedom. 1953 gerät er zwischen die Fronten der Formalismusdebatte der DDR. 1954 Ausstellung in der Kunsthalle Mannheim, 1961 in der Nationalgalerie Berlin. Zahlreiche Auslandsreisen. 1964 zum Professor berufen. 1969 Mitglied der Akademie der Bildenden Künste Berlin. 1981 Ausstellung in der Kunsthalle Rostock. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Sicilia

      MILANO: TOURING CLUB ITALIANO, 1961. IED. Rilegato. BUONO. 22 29,5. Attraverso l' Italia USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Genovesato Parte Occidentale e Parte Orientale dedicato all'Eminentis.mo, e Reverendis.mo Principe il Sig.r Cardinale Carpegna, Vicario di Sua Santità.

      1961. Mappa su due fogli delle parti orientali e occidentali della Repubblica di Genova, pubblicata da Coronelli a Venezia. La mappa è riccamente decorata con cartigli decorativi e stemmi. Grande scala di miglia italiane sorretta da putti marini nell'angolo inferiore destro della mappa dedicata alla parte occidentale. Carta geografica comprendente il basso Piemonte e la Liguria con la Riviera di Ponente, da Nizza ad Arenzano. Fine pair of maps of the Eastern and Western portions of the Republic of Genoa, published by Coronelli in Venice. The map is richly embellished with decorative cartouches and coats of arms. Large cartouche with scales, in the lower right corner of the map dedicated to the west side. Geographical map including part of Piedmont and Liguria, from Nizza to Arenzano.

      [Bookseller: Libreria Antiquarius]
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        Cadastre

      Seuil 1961 - - Seuil, Paris 1961, 13,5x19cm, broché. - Edition originale, un des exemplaires du service de presse. Envoi autographe signé d'Aimé Césaire au bulletin critique du livre français. Exemplaire complet de sa bande annonce. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of the review copies service. Autograph signed by Aimé Césaire to the critical bulletin of the French book. Full copy of his trailer. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Catch-22

      New York: Simon & Schuster, 1961. Uncorrected Proof. Softcover. Very Good. First Edition. Advance Reading copy in printed wrappers. "First Printing" statement on the copyright page. In About Very Good condition. Wraps are lightly soiled, toned and a bit worn. A rare.

      [Bookseller: Burnside Rare Books, ABAA ]
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        Jazz][California] Photo Album and Scrapbook of the Kern County Hot Jazz Society.

      Bakersfield, California 1961 - 12¾" x 12¼". Embossed imitation leather over boards, disbound scrapbook. 36 pages with 70 mostly black and white photographs and around 40 items of ephemera either pasted or laid in. Photos measure from to 3½" x 3½" to 3¼" x 4¼" and about half are captioned; some of the ephemera captioned with context as well. Album good: disbound with toned leaves; photographs generally near fine or better, ephemera very good or better; lacking two photos. The Kern County Hot Jazz Society was founded in Bakersfield, California in July 1961. The group's purpose was for"Families [to] meet and enjoy modern Jazz music and playing music together" and their motto was "A Non-Profit Organization for the Prevention of Rock-And-Roll and Progressive Jazz. " This scrapbook documents the formation and progression of the KCHJS throughout 1961. It includes at least 30 performance photos, many noted with date and location. Other images show them participating in a parade and engaging in social gatherings. The ephemera includes eight mimeographed handbills on card stock promoting the organization and its meetings. Letters include correspondence between founding members and Jazz Report. One small typescript shows what transpired at their first meeting, and numerous news clippings trace their meetings, performances and advertisements. We're not sure how long the organization lasted. Archived internet news reports regarding them disappear after 1962. According to the Austin Traditional Jazz Society's website, there are at least 27 extant jazz societies in California as of 2015. A unique visual record of one of their forebears. Live performances of the KCHJS may be found online. This item is offered by Langdon Manor Books, LLC, antiquarian booksellers. Please do not hesitate to contact us for additional information and/or photos and we will respond promptly. We package our items carefully, ship daily, and have a no hassle returns policy--your satisfaction is guaranteed. We are members of the Antiquarian Booksellers' Association of America (ABAA) , the International League of Antiquarian Booksllers (ILAB) and the Independent Online Booksellers Association (IOBA) and adhere to their rules of ethics. [Attributes: Hard Cover]

      [Bookseller: Langdon Manor Books]
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        [Jazz][California] Photo Album and Scrapbook of the Kern County Hot Jazz Society

      Bakersfield, California. 1961. 12¾” x 12¼”. Embossed imitation leather over boards, disbound scrapbook. 36 pages with 70 mostly black and white photographs and around 40 items of ephemera either pasted or laid in. Photos measure from to 3½” x 3½” to 3¼” x 4¼” and about half are captioned; some of the ephemera captioned with context as well. Album good: disbound with toned leaves; photographs generally near fine or better, ephemera very good or better; lacking two photos. The Kern County Hot Jazz Society was founded in Bakersfield, California in July 1961. The group's purpose was for“Families [to] meet and enjoy modern Jazz music and playing music together” and their motto was “A Non-Profit Organization for the Prevention of Rock-And-Roll and Progressive Jazz. ” This scrapbook documents the formation and progression of the KCHJS throughout 1961. It includes at least 30 performance photos, many noted with date and location. Other images show them participating in a parade and engaging in social gatherings. The ephemera includes eight mimeographed handbills on card stock promoting the organization and its meetings. Letters include correspondence between founding members and Jazz Report. One small typescript shows what transpired at their first meeting, and numerous news clippings trace their meetings, performances and advertisements. We're not sure how long the organization lasted. Archived internet news reports regarding them disappear after 1962. According to the Austin Traditional Jazz Society's website, there are at least 27 extant jazz societies in California as of 2015. A unique visual record of one of their forebears. Live performances of the KCHJS may be found online. This item is offered by Langdon Manor Books, LLC, antiquarian booksellers. Please do not hesitate to contact us for additional information and/or photos and we will respond promptly. We package our items carefully, ship daily, and have a no hassle returns policy--your satisfaction is guaranteed. We are members of the Antiquarian Booksellers' Association of America (ABAA) , the International League of Antiquarian Booksllers (ILAB) and the Independent Online Booksellers Association (IOBA) and adhere to their rules of ethics. .

      [Bookseller: Langdon Manor Books LLC]
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        Thunderball.

      London: Jonathan Cape, 1961 - Octavo. Original dark brown boards, titles to spine gilt (Gilbert's Binding A, no priority), skeletal hand design on front board in blind. With the pictorial dust jacket. Ownership signature to front free endpaper. A little foxing to edges of text block; an excellent copy in the bright jacket with a little rubbing and a few nicks to extremities. First edition, first impression. Ian Fleming's novel Thunderball incorporated material from an unproduced screenplay he had worked on in 1958 in collaboration with Kevin McClory, Jack Whittingham, and Ivar Bryce, with the result that Fleming found himself in a well-publicised case in the High Court defending himself against McClory's accusations of plagiarism, though Fleming and McClory eventually settled out of court. Gilbert A9a (1.1). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        HELIKON ANNO I RIVISTA DI TRADIZIONE E CULTURA CLASSICA

      RONDINELLA, 1961. INTERLINGUE 1,47 Annualità completa composta da 4 fascicoli trimestrali rilegati assieme mantenendo per tutti la copertina originale, pagine brunite attorno ai testi, in italiano, inglese, greco, francese,tedesco e latino, rilegatura in mezza pelle, con velo di polvere ai piatti, dorso bordeaux, con titoli d'oro, 5 nervature e presenza di piccole abrasioni USATO

      [Bookseller: Biblioteca di Babele]
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        ATENE E ROMA n.s. ANNO VI FASC. 2 3 4 RASSEGNA TRIMESTRALE DELL'ASSOCIAZIONE ITALIANA DI CULTURA CLASSICA

      G.D'ANNA, 1961. INTERLINGUE 0,29 3 fascicoli di 4, con brossure editoriali morbide, ruvide, beige con titoli ,arroni e neri, ingiallite ai bordi ed ai dorsi e con usura da scaffalatura, pagine brunite attorno ai testi da fattore tempo, intonse, in italiano, francese e con parti di testo in latino e greco USATO

      [Bookseller: Biblioteca di Babele]
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        Rivista studi tradizionali

      , - Rivista studi tradizionali. , , AA. VV. Rivista studi tradizionali Riproduzione anastatice dell'opera completa: 12 volumi di cui 11 volumi di raccolta e 1 volume di Indice Formato: 17 x 24 cm ISBN: 9788879844413 È nota l'importanza attribuita da René Guénon tanto alla nozione di regolarità iniziatica, e alle organizzazioni che soddisfacessero questa condizione essenziale per la trasmissione dell'influenza spirituale, quanto alla preliminare comprensione della natura, delle condizioni e delle finalità della Via, attraverso lo studio e la meditazione dei simboli. Fu Roger Maridort, colui che, nelle parole di Denys Roman, è stato «senza dubbio l'ultimo corrispondente di Guénon (al quale scriveva ogni giorno), il "fedele tra i fedeli"» a determinare, stabilitosi a Torino, la fondazione delle Edizioni Studi Tradizionali e della «Rivista di Studi Tradizionali». Edita dal 1961 al 2003, la «Rivista» ha dedicato 97 numeri, ininterrottamente, proprio a quella chiarificazione teorica che è stata tradizionalmente definita, in funzione della realizzazione spirituale, come «il primo lavoro da compiere». Si tratta di circa 7000 pagine consacrate esplicitamente all'approfondimento del patrimonio simbolico, rituale e metodologico delle tradizioni orientali e occidentali: dall'esoterismo cristiano dei Fedeli d'Amore fino al Vêdânta, dal linguaggio sintetico del Tao fino all'Islâm, dallo Zen all'Arte della Costruzione; traduzioni e commentari di testi profondissimi in cui l'ispirazione ai princìpi metafisici è trasparente, cristallina, frutto di un ricollegamento spirituale «organico» e cosciente con il Centro, e quindi del tutto imparagonabile a una sterile erudizione di taglio accademico. Presentare l'intera riproduzione anastatica della «Rivista di Studi Tradizionali» è stato un compito straordinariamente importante. Abbiamo deciso di ripubblicare i testi come sono apparsi in questi decenni, senza modificare nulla, mantenendo la stessa griglia e dimensioni originali, omettendo qualsiasi introduzione o uno sterile «apparato critico» di note o un inevitabilmente arbitrario indice «ragionato» (a cui ne abbiamo preferito uno semplice, ma funzionale), certi così di rispettare le indicazioni della «Rivista» stessa, che ha sempre preferito una limpida presentazione dei testi, mai inquinata da congetture ed elucubrazioni di ordine individuale. L'operazione è stata, comunque, delicata e impegnativa: recuperare l'intera raccolta, in parte grazie ai collezionisti e in parte attraverso le librerie antiquarie, riprenderla professionalmente e impaginarla, suddividere le annate in volumi che non lasciassero una cesura tra i fascicoli originali. Il nostro intento è stato quello di rendere nuovamente fruibili al pubblico i contributi intellettuali della più autorevole pubblicazione in materia di studi tradizionali mai apparsa in Italia, ormai da anni introvabile; e per altro verso, di rendere onore a chi ha dedicato la propria intera esistenza alla realizzazione di questo progetto, in particolar modo al signor Bruno Riva e al signor Pietro Nutrizio, il cui straordinario lavoro ha consentito in Italia la diffusione, e per alcuni anche la vera comprensione, della magistrale opera di René Guénon. PIANO DELL'OPERA VOLUME I (624 pp) - Anni 1961-1963 VOLUME II (656 pp) - Anni 1964-1966 VOLUME III (672 pp) - Anni 1967-1970 VOLUME IV (672 pp) - Anni 1971-1974 VOLUME V (560 pp) - Anni 1975-1978 VOLUME VI (608 pp) - Anni 1979-1982 VOLUME VII (608 pp) - Anni 1983-1988 VOLUME VIII (528 pp) - Anni 1989-1992 VOLUME IX (656 pp) - Anni 1993-1996 VOLUME X (624 pp) - Anni 1997-2000 VOLUME XI (496 pp) - Anni 2001-2003 VOLUME XII (144 pp) - Indici Per spedizioni internazionali scriveteci per sapere le tariffe applicateFor international shipping please contact us to find out the fees chargedPour les envois internationaux s'il vous plaît nous contacter pour connaître les frais facturés [Attributes: Hard Cover]

      [Bookseller: Danilo Vanelli]
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        LETTRES TOME VII

      LES BELLES LETTRES, 1961. INTERLINGUE 0,42 In latino con testo francese a fronte, a cura di J.Labourt, pagine leggermente ingiallite ai bordi rimanendo comunque in buonissimo stato di conservazione, con barbe, brossura editoriale scolorita al dorso, sempre al dorso appunti numerici e lievissimi segni di usura da scaffalatura USATO

      [Bookseller: Biblioteca di Babele]
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        Signature on a typed letter addressed to the artist.

      Aix-en-Provence, 1961 - 4to. 1 p. Envelope. Letter addressed to the artist in German language by an autograph collector. - The artist underlined the word „ein Autogramm" and signed next to it. [Attributes: Signed Copy]

      [Bookseller: Kotte Autographs GmbH]
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        Thunderball.

      London: Jonathan Cape, 1961 - Octavo. Original dark brown boards, spine lettered gilt, skeletal hand motif on front board blocked in blind. With the dust jacket. Ownership inscription to front pastedown. A fine copy in a bright jacket. First edition, first impression, of the ninth Bond book. Ian Fleming's novel Thunderball incorporated material from an unproduced screenplay he had worked on in 1958 in collaboration with Kevin McClory, Jack Whittingham, and Ivar Bryce, with the result that Fleming found himself in a well-publicised case in the High Court defending himself against McClory's accusations of plagiarism, though Fleming and McClory eventually settled out of court. Gilbert A9a (1.1). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Senza titolo, 1961

      1961. Gouache originale (nero e grigio). Cm 63x47. pp.. . Ottimo (Fine). . . . Scultore, ha firmato con Lucio Fontana il Manifesto Blanco nel 1946.

      [Bookseller: Studio Bibliografico Marini]
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        A los Toros avec Picasso. Text von Jaime Sabartes. Mit vier Originallithographien (1 farbig).

      Monte Carlo, Sauret, 1961. Querformat: 25 x 33 cm. 153 Seiten mit zahlr. Abb. Orig.-Leinenband in rotem Orig.-Schuber. *Bloch 1014-1017. Originalausgabe, Text in deutscher Sprache. - Enthält 4 Originallithographien, die Picasso speziell für dieses Werk geschaffen hat. - Tadellos erhalten, wie neu / Complete with the 4 orig. lithographs, which made by Picasso special for this book. In overal fine condition, as new. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Braun]
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        El Coronel No Tiene Quien le Escriba

      Medellin: Aguirre Editor [Americalee, Buenos Aires], 1961. First edition of the author's second book. 90, [3]. 1 vols. 8vo. Printed wrappers. Spine and textblock somewhat toned, foot of spine rubbed. Very good copy of a fragile book. First edition of the author's second book. 90, [3]. 1 vols. 8vo. The second novel by Gabriel García Marquéz (1927-2014), winner of the Nobel Prize in Literature 1982. Tanslated into English by S. Bernstein as No One Writes to the Colonel (1971).

      [Bookseller: James Cummins Bookseller]
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        The Phantom Tollbooth

      Epstein & Carroll 1961 - The Phantom Tollbooth by Norton Juster. Illustrations by Jules Feiffer. Epstein & Carroll, 1961, New York. Card catalog 61-13202. Signed by both author and illustrator. First edition. Previously purchased for $4000. Minor wear & tear to book cover, otherwise a solid collectible book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arcadian Books]
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        I don't wanna miss Mississippi - autograph manuscript score from the collection of Jack Teagarden.

      New York: , 1961. Large oblong folio (440 × 180 mm), red ownership stamps of Jack Teagarden on front and rear covers, along with the ink-stamped title and additional small stamp "Arr. by Sid Feller", dated May 25, 1961 in pencil. 10-page manuscript in graphite and red pencil, scored for trumpet, clarinet, trombone, drums, piano and bass. Staples rusted and with some associated discolouration, folded at the centre, else very good. Autograph manuscript musical arrangement of the popular song by Seger Ellis in the hand of Sid Feller. Teagarden's wife, Addie, gave this copy to a friend, explaining that it was apparently was used by Teagarden for his 1961 recording of this song, which appeared on his Misery and the Blues LP of that year. The American musician, conductor and arranger Sid Feller worked with Teagarden in the 30s, and again after the Second World War, before becoming a record producer, arranger and conductor for first Capitol Records and then ABC, working with such artists as Peggy Lee, Mel Torme, Jackie Gleason, Nancy Wilson, Dean Martin, Edye Gorme and Paul Anka. In 1960, he began a long collaboration with Ray Charles following Charles' departure from Atlantic Records. Charles' style changed considerably with his move to ABC. To die-hard R & B fans, the shift to a more mainstream repertoire and the introduction of string and vocal choir arrangements was criticised, and Feller took much of the blame. Charles, however, not only made a conscious choice to broaden his approach but gave Feller much of the credit for making it possible. On the breakthrough album, Modern Sounds in Country and Western Music, Charles said, "Sid researched the hell out of it and came up with 250 tunes. I picked the ones I liked, and of the ones I picked, they were all new to me except 'Bye Bye, Love'". The album produced Charles' biggest career hit, 'I can't stop loving you'. Charles was later to remark, "If they call me a genius, Sid Feller is Albert Einstein".

      [Bookseller: Peter Harrington]
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        The Song of Songs: A Portfolio of Engravings

      The Upstairs Gallery, Toronto 1961 - 32 p. + tissue guards. 15 signed colour prints. Limited edition of 100 copies of which this is no. 85. In cream folder and matching slipcase. Ends worn on case. Folder has penciled no. 85. Tissue guards a little creased. Born in Montreal in 1936, David Silverberg studied under Group of Seven master Dr. Arthur Lismer before going on to study art in Paris. He taught many students at Mount Allison University during his 32-year association with that school. He's also been Acadia University’s Artist in Residence. Over the years Silverberg has developed his own style of engravings.concerned with a variety of subjects, in particular nature, erotica, scenes from the many countries he's visited, and various Jewish themes. In a 1980 interview, the artist describes how Judaism has affected his art, despite the commandment, "Thou shalt not make unto thee any graven image." [Attributes: First Edition; Signed Copy]

      [Bookseller: Attic Books (ABAC, ILAB)]
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        [Pair of embossed silver book covers, with two engraved silver clasps].[Netherlands?, ca. 1725?]. Pair of embossed silver book covers (34 x 25 x 3 cm); each cover with a large scrollwork cartouche surrounded by extensive vine and flower decorations and with medallion portraits in each of the four corners, the front showing the crucifixion flanked by Mary and St. John (with an "INRI" scroll above, flanked by a crescent moon and a sun, and a scull and crossbones below), with portraits of four saints, each with a blank scroll (above left bearded with a regal crown; above right clean-shaven with a round-topped mitre; below left and right bare-headed and bearded), the back showing the resurrection with an angel and two astonished guards, with portraits of the four Evangelists.

      Cf. J.W. Frederiks, Dutch silver, vol. 4 (1961), nos. 238-239 & plates 235-237 (vaguely similar silver bindings from 1732 & 1738); nothing similar in J.F. Hayward, Silver bindings from the J.R. Abbey collection. Beautiful, richly decorated early 18th-century Dutch silver binding. The large silver covers, together weighing about 750 grams, bear no silver marks. Although no spine is present, the clasps show that the binding was made for a book about 2 cm thick, suggesting 200 or 300 pages, so most likely made for a folio missal. The clasps are hinged to the back cover, each with a round hole that fastens to a round-headed pin on the fore-edge of the front cover.With a 1 cm crack on the fore-edge of the back cover, another slightly affecting the arm of one guard and a few tiny holes where the tips of the noses of some figures have worn, but still generally in good condition. A lovely and unusually large pair of embossed silver book covers.

      [Bookseller: Antiquariaat FORUM BV]
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        Pablo Picasso: Toros y Toreros (Bulls and Bullfighters)

      Harry N. Abrams, 1961-01-01. Hardcover. Very Good. Handsome folio. 38 cm. Hardcover in slip case. Good binding and cover. 32 pages of text followed by numerous color and black and white illustrations by Pablo Picasso. A few spots to outer edge. Toros y toreros. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.

      [Bookseller: SequiturBooks]
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        Rivista studi tradizionali

      Rivista studi tradizionali. , , AA. VV. Rivista studi tradizionali Riproduzione anastatice dell'opera completa: 12 volumi di cui 11 volumi di raccolta e 1 volume di Indice Formato: 17 x 24 cm ISBN: 9788879844413 È nota l'importanza attribuita da René Guénon tanto alla nozione di regolarità iniziatica, e alle organizzazioni che soddisfacessero questa condizione essenziale per la trasmissione dell'influenza spirituale, quanto alla preliminare comprensione della natura, delle condizioni e delle finalità della Via, attraverso lo studio e la meditazione dei simboli. Fu Roger Maridort, colui che, nelle parole di Denys Roman, è stato «senza dubbio l'ultimo corrispondente di Guénon (al quale scriveva ogni giorno), il "fedele tra i fedeli"» a determinare, stabilitosi a Torino, la fondazione delle Edizioni Studi Tradizionali e della «Rivista di Studi Tradizionali». Edita dal 1961 al 2003, la «Rivista» ha dedicato 97 numeri, ininterrottamente, proprio a quella chiarificazione teorica che è stata tradizionalmente definita, in funzione della realizzazione spirituale, come «il primo lavoro da compiere». Si tratta di circa 7000 pagine consacrate esplicitamente all'approfondimento del patrimonio simbolico, rituale e metodologico delle tradizioni orientali e occidentali: dall'esoterismo cristiano dei Fedeli d'Amore fino al Vêdânta, dal linguaggio sintetico del Tao fino all'Islâm, dallo Zen all'Arte della Costruzione; traduzioni e commentari di testi profondissimi in cui l'ispirazione ai princìpi metafisici è trasparente, cristallina, frutto di un ricollegamento spirituale «organico» e cosciente con il Centro, e quindi del tutto imparagonabile a una sterile erudizione di taglio accademico. Presentare l'intera riproduzione anastatica della «Rivista di Studi Tradizionali» è stato un compito straordinariamente importante. Abbiamo deciso di ripubblicare i testi come sono apparsi in questi decenni, senza modificare nulla, mantenendo la stessa griglia e dimensioni originali, omettendo qualsiasi introduzione o uno sterile «apparato critico» di note o un inevitabilmente arbitrario indice «ragionato» (a cui ne abbiamo preferito uno semplice, ma funzionale), certi così di rispettare le indicazioni della «Rivista» stessa, che ha sempre preferito una limpida presentazione dei testi, mai inquinata da congetture ed elucubrazioni di ordine individuale. L'operazione è stata, comunque, delicata e impegnativa: recuperare l'intera raccolta, in parte grazie ai collezionisti e in parte attraverso le librerie antiquarie, riprenderla professionalmente e impaginarla, suddividere le annate in volumi che non lasciassero una cesura tra i fascicoli originali. Il nostro intento è stato quello di rendere nuovamente fruibili al pubblico i contributi intellettuali della più autorevole pubblicazione in materia di studi tradizionali mai apparsa in Italia, ormai da anni introvabile; e per altro verso, di rendere onore a chi ha dedicato la propria intera esistenza alla realizzazione di questo progetto, in particolar modo al signor Bruno Riva e al signor Pietro Nutrizio, il cui straordinario lavoro ha consentito in Italia la diffusione, e per alcuni anche la vera comprensione, della magistrale opera di René Guénon. PIANO DELL'OPERA VOLUME I (624 pp) - Anni 1961-1963 VOLUME II (656 pp) - Anni 1964-1966 VOLUME III (672 pp) - Anni 1967-1970 VOLUME IV (672 pp) - Anni 1971-1974 VOLUME V (560 pp) - Anni 1975-1978 VOLUME VI (608 pp) - Anni 1979-1982 VOLUME VII (608 pp) - Anni 1983-1988 VOLUME VIII (528 pp) - Anni 1989-1992 VOLUME IX (656 pp) - Anni 1993-1996 VOLUME X (624 pp) - Anni 1997-2000 VOLUME XI (496 pp) - Anni 2001-2003 VOLUME XII (144 pp) - Indici Per spedizioni internazionali scriveteci per sapere le tariffe applicateFor international shipping please contact us to find out the fees chargedPour les envois internationaux s'il vous plaît nous contacter pour connaître les frais facturés

      [Bookseller: AMARCORDLIBRI]
 24.   Check availability:     maremagnum.com     Link/Print  


        Horseman, Pass By -- with Personal Letter

      Harper & Brothers, 1961. First Edition (first printing). The first novel by the author of LONESOME DOVE and THE LAST PICTURE SHOW, a story which paints a realistic picture of "ranching Texas as it exists today." Basis for the film, HUD. Near Fine/Very Good -- a few spots of deep rubbing to the front dust jacket panel and two closed tears (one of which is repaired by tape on the reverse side). Crimping at the head and foot of the spine. Significantly, inscribed on the front free end paper by McMurtry in an early, very legible, hand, as follows: "For Larry Moskowitz. This elusive Book By someone I don't recognize. Best, Larry McMurtry." Moskowitz is a long-time book dealer who was a partner with Joseph the Provider for many years. Included with the book is an unrelated handwritten letter (in its original envelope) on McMurtry's business ("Booked Up") letterhead, which reads as follows: "14 Oct 03. Dear Mr. Loblolly (i.e., Moskowitz) Next Time you're in A C (i.e., Archer City) remind me to show you the 1st issue of item 145 in cat 21 -- one of which luckily I have. Best, L.". Signed by Author. 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bill Leone, Bookseller ABAA]
 25.   Check availability:     Biblio     Link/Print  


        [Photo Albums]: Two Albums of a Colonial Police Officer serving in Northern Rhodesia

      Africa, 1961. Fine. Two string-tied oblong albums measuring 12" x 14" and 10" x 14". A collection of 295 black and white or color photographs affixed to stiff black paper measuring 2.25" x 3.5" to 6.5" x 8.5", with captions. Both albums are fine with fine photographs. Two photo albums from a colonial police officer with squad 39/60 while serving in Northern Rhodesia from 1961, before independence, to 1965 when Zambia was formed. Both albums are extensively captioned with hand drawn maps as well as ephemera tipped-in and kept as documents detailing his time in Africa. The first album begins, "on the afternoon of 4 February 1961 I flew out over the coast of Sussex in a Vickers Viscount of British United Airways bound for Northern Rhodesia." It shows photos of the barracks and recruitment offices as well as squadrons of officers including some native Africans used as constables who had historically been allowed reluctantly to participate in the police force by the British. The album shows the leisure time at the barracks as well. Here officers are shown playing Karamoja, an African version of Rugby, with native Rhodesians, playing guitars and singing at the mess hall. At the Ndola location police can be seen participating in riot drills and parades. The "main location," as it's captioned, included a mosque, market, and a Catholic church.The second album starts in 1962 with a trip to "visit friends in Fort Rosebery" which includes a hand drawn map of the territory. The photos show men standing around the officers club before returning to their posts. One page shows a "day of peace" which resulted in a football (soccer) match between the Police Reserve and the Regulars. In February of 1963 the officer took a trip to Mombasa, Kenya, marked here with a small map. He took in some sightseeing, drinking, hiked in the jungle with friends, and visited a Giriama village. The country and natural beauty can be seen here with photos of the jungle, Indian Ocean, and various rivers. Later in the album the officer's "annual pistol shoot" is documented, which included women (as participants, not targets). One photo of an African prisoner is captioned, "Our adulterer. He was beaten up by a crowd after fornicating with somebody's wife." The political unrest of the region is shown through pictures of protests with African's holding signs decrying the British government, stating the terrible unemployment rate, and telling them to "quit Africa." The album ends in 1965 with a final group shot of the company which followed a page captioned, "thank God we're still British."A large accumulation of photographs and firsthand accounts of the waning days of British involvement in Africa.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 26.   Check availability:     IOBABooks     Link/Print  


        La vie et la mort de M. de Tournèves. Avant-propos de Yves Gandon. Illustrations de Henry Lemarié.

      - P., Marcel Lubineau, 1961, In-8, 92 pp., en feuilles sous chemise cartonnée et étui gaufré de l'éditeur . Tirée à 750 exemplaires numérotés sur vélin de Rives et ornée de 25 compositions en couleurs de Henry Lemarié. Livres [Attributes: Hard Cover]

      [Bookseller: pages volantes]
 27.   Check availability:     AbeBooks     Link/Print  


        Vitraux pour Jérusalem

      First edition, one of 300 numbered copies and justified by Marc Chagall including an original lithograph in black .Illustrated book reproductions of works by Marc Chagall.Pleasant copy despite a little minor on the margin of the first board. Musée des Arts décoratifs Paris 1961 18x24,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Direct From Seller     Link/Print  


        MITOS, SUENOS Y MISTERIOS

      COMPANIA GENERAL FABRIL EDITORA, BUENOS AIRES 1961 - COLLECION EXPERIENCIA SPAGNOLO Traduzione di Lysandro Z.D.Galtier, rilegatura editoriale cartonata, ingiallita ai bordi ed al dorso, con usura alle punte, al piede ed alla cima, sovraccoperta ingiallita, con usura e strappi ai bordi, pagine leggermente ingiallite ai bordi, fioritura ai tagli

      [Bookseller: Biblioteca di Babele]
 29.   Check availability:     AbeBooks     Link/Print  


        Moshe Dayan

      , 1961. 1961. 1.) Typed letter signed "Moshe Dayan", in Hebrew, as Minister of Defense, on official letterhead, 1969, responding to a series of questions from Knesset member Avraham Werdinger (a photocopy of Werdinger's letter is present). He asks of Dayan: "According to items in foreign papers, the terrorist organizations recruit volunteers from various countries around the globe. According to these items foreign citizens are already present in the terrorist bases. I will thank His Honor if he replies:[ 1. Did the security forces capture terrorists whose citizenship is not of a Arabic country? 2. If so - from what countries? 3. Did the interrogation of the terrorists captured reveal they trained together with citizens of other countries? 4. According to our information - Do terrorists from Algiers and Sudan reside in Sounthern Lebanon? Dayan's replies: "In accordance with paragraph 41 of Kenesset regulations I refuse to reply to questions 3-4 in your question 8629, because I think the answers might harm the country's interests.".[ 2.) Typed letter signed "Moshe Dayan", in Hebrew, as Minister of Defense, on official letterhead, 1969, Dayan reinforces his response to Werdinger. Two (torn) file holes at the right margin, folds. Fine.

      [Bookseller: University Archives ]
 30.   Check availability:     ABAA     Link/Print  


        [Photo Albums]: Two Albums of a Colonial Police Officer serving in Northern Rhodesia

      Africa, 1961. Fine. Two string-tied oblong albums measuring 12" x 14" and 10" x 14". A collection of 295 black and white or color photographs affixed to stiff black paper measuring 2.25" x 3.5" to 6.5" x 8.5", with captions. Both albums are fine with fine photographs. Two photo albums from a colonial police officer with squad 39/60 while serving in Northern Rhodesia from 1961, before independence, to 1965 when Zambia was formed. Both albums are extensively captioned with hand drawn maps as well as ephemera tipped-in and kept as documents detailing his time in Africa. The first album begins, "on the afternoon of 4 February 1961 I flew out over the coast of Sussex in a Vickers Viscount of British United Airways bound for Northern Rhodesia." It shows photos of the barracks and recruitment offices as well as squadrons of officers including some native Africans used as constables who had historically been allowed reluctantly to participate in the police force by the British. The album shows the leisure time at the barracks as well. Here officers are shown playing Karamoja, an African version of Rugby, with native Rhodesians, playing guitars and singing at the mess hall. At the Ndola location police can be seen participating in riot drills and parades. The "main location," as it's captioned, included a mosque, market, and a Catholic church.The second album starts in 1962 with a trip to "visit friends in Fort Rosebery" which includes a hand drawn map of the territory. The photos show men standing around the officers club before returning to their posts. One page shows a "day of peace" which resulted in a football (soccer) match between the Police Reserve and the Regulars. In February of 1963 the officer took a trip to Mombasa, Kenya, marked here with a small map. He took in some sightseeing, drinking, hiked in the jungle with friends, and visited a Giriama village. The country and natural beauty can be seen here with photos of the jungle, Indian Ocean, and various rivers. Later in the album the officer's "annual pistol shoot" is documented, which included women (as participants, not targets). One photo of an African prisoner is captioned, "Our adulterer. He was beaten up by a crowd after fornicating with somebody's wife." The political unrest of the region is shown through pictures of protests with African's holding signs decrying the British government, stating the terrible unemployment rate, and telling them to "quit Africa." The album ends in 1965 with a final group shot of the company which followed a page captioned, "thank God we're still British."A large accumulation of photographs and firsthand accounts of the waning days of British involvement in Africa.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 31.   Check availability:     ABAA     Link/Print  


        Photo Albums]: Two Albums of a Colonial Police Officer serving in Northern Rhodesia

      Africa 1961 - Two string-tied oblong albums measuring 12" x 14" and 10" x 14". A collection of 295 black and white or color photographs affixed to stiff black paper measuring 2.25" x 3.5" to 6.5" x 8.5", with captions. Both albums are fine with fine photographs. Two photo albums from a colonial police officer with squad 39/60 while serving in Northern Rhodesia from 1961, before independence, to 1965 when Zambia was formed. Both albums are extensively captioned with hand drawn maps as well as ephemera tipped-in and kept as documents detailing his time in Africa. The first album begins, "on the afternoon of 4 February 1961 I flew out over the coast of Sussex in a Vickers Viscount of British United Airways bound for Northern Rhodesia." It shows photos of the barracks and recruitment offices as well as squadrons of officers including some native Africans used as constables who had historically been allowed reluctantly to participate in the police force by the British. The album shows the leisure time at the barracks as well. Here officers are shown playing Karamoja, an African version of Rugby, with native Rhodesians, playing guitars and singing at the mess hall. At the Ndola location police can be seen participating in riot drills and parades. The "main location," as it's captioned, included a mosque, market, and a Catholic church.The second album starts in 1962 with a trip to "visit friends in Fort Rosebery" which includes a hand drawn map of the territory. The photos show men standing around the officers club before returning to their posts. One page shows a "day of peace" which resulted in a football (soccer) match between the Police Reserve and the Regulars. In February of 1963 the officer took a trip to Mombasa, Kenya, marked here with a small map. He took in some sightseeing, drinking, hiked in the jungle with friends, and visited a Giriama village. The country and natural beauty can be seen here with photos of the jungle, Indian Ocean, and various rivers. Later in the album the officer's "annual pistol shoot" is documented, which included women (as participants, not targets). One photo of an African prisoner is captioned, "Our adulterer. He was beaten up by a crowd after fornicating with somebody's wife." The political unrest of the region is shown through pictures of protests with African's holding signs decrying the British government, stating the terrible unemployment rate, and telling them to "quit Africa." The album ends in 1965 with a final group shot of the company which followed a page captioned, "thank God we're still British."A large accumulation of photographs and firsthand accounts of the waning days of British involvement in Africa.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 32.   Check availability:     AbeBooks     Link/Print  


        Thunderball.

      London: Jonathan Cape, 1961 - Octavo. Original dark brown boards, titles to spine gilt, skeletal hand design on front board in blind. With the pictorial dust jacket. A little foxing to top edge, faint tape residue to endpapers. An excellent copy in the bright jacket, with small mark and nick to head of spine, tiny tape repair to verso. First edition, first impression. Ian Fleming's novel Thunderball incorporated material from an unproduced screenplay he had worked on in 1958 in collaboration with Kevin McClory, Jack Whittingham, and Ivar Bryce, with the result that Fleming found himself in a well-publicised case in the High Court defending himself against McClory's accusations of plagiarism, though Fleming and McClory eventually settled out of court. Gilbert A9a (1.1). [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 33.   Check availability:     ZVAB     Link/Print  


        This Sweet Sickness

      -Heinemann (1961)-. First UK edition, 1961. This copy signed by the author. Cloth. A particularly nice copy, cloth bright and clean. Pages clean and unmarked. Very good indeed in like dustjacket. I have just catalogued 49 Patricia Highsmith first editions and proof copies from my own collection. Please ask for a list if you are also a collector.

      [Bookseller: Studio Bookshop]
 34.   Check availability:     Biblio     Link/Print  


        The Moviegoer

      New York: Alfred A. Knopf, 1961. First Edition. Hardcover. Very Good. First edition stated, first printing. Very Good or better with a faint cup ring to the front board and two water spots to the rear, end papers lightly foxed, in a Good dust jacket with waviness to the top portion of the front panel, light edge wear, foxing and several tape repairs made to blank verso, with publisher's original price of $3.95 intact.

      [Bookseller: Burnside Rare Books, ABAA ]
 35.   Check availability:     ABAA     Link/Print  


        THE WOODEN FISH: BASIC SUTRAS & GATHAS OF RINZAI ZEN

      [First Zen Institute of America](1961). First Edition, Published by the First Zen Institute of America in Japan and bound in the original string-tied brown wraps with a white decorative woodblock label printed in red on the front cover. A very scarce Snyder production, one of only 500 copies printed in Japan. Attractively SIGNED by him on the title page. Errata slip tipped in at rear., wraps, Several minor ink corrections in text in an unknown hand, likely done at time of publication or distribution. The rear pastedown has detached from the back cover, not a serious defect given the nature of the binding, and it could easily pass as a rear blank if one were not familiar with the binding.Near Fine with minor wrinkling. Fragile and scarce item, especially when signed

      [Bookseller: Charles Agvent, ABAA]
 36.   Check availability:     Bibliophile     Link/Print  


        The Wooden Fish: Basic Sutras & Gathas of Rinzai Zen

      (No Place): The First Zen Institute of America in Japan, 1961. First Edition. Paperback. Good. First edition. (One of only 500 copies printed. McNeil A5) 56pp. Japanese square-sewn brown wrappers. A Good or better copy. Typical writing in margins, perhaps more so than in other copies, with rear blank filled with written explanation of "Heart Sutra," small stain there. Title page corner-clipped. A scarce early Gary Snyder item.

      [Bookseller: Burnside Rare Books, ABAA]
 37.   Check availability:     Biblio     Link/Print  

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