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Displayed below are some selected recent viaLibri matches for books published in 1958

        A Distraction of Wits Nurtured in Elizabethan Cambridge

      Cambridge: The University Printer. 1958. First. First edition. Edited by George Rylands. Illustrated by Michael Ayrton. Small label on front board, else near fine. One of 500 copies. From the library of the artists Ben Shahn and Bernarda Bryson Shahn, with an estate label designed by their son, Jonathan Shahn. Inscribed by the illustrator: "For Ben Shahn from Michael Ayrton. March 1959." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      New York: Random House. Very Good in Very Good dust jacket. [1958]. First Edition; First Printing. Hardcover. 12mo, orig yellow cloth, top edge stained blue; light to moderate dust soiling primarily to edges, d/j (light edge wear, some dust smudging, discoloration to spine panel). VG So stated 1st ed 1st ptg. $3.50 price is present. ; 0 .

      [Bookseller: poor mans books]
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        Stride Toward Freedom: The Montgomery Story.

      New York: Harper & Brothers, 1958. First edition of Dr. Martin Luther King's first book. Octavo, original half cloth. Henry Lee Moon was an American journalist, author and civil rights activist. In 1948, Moon began working for the NAACP as their public relations director. Moon held the position until 1974. During his tenure at the NAACP, he promoted voting rights and encouraged the organization to work harder to elect politicians friendly to their cause. While at the NAACP, he also wrote the book Balance of Power and edited a collection of W. E. B. Du Bois' writings. In 1988, the library at the NAACP's headquarters in Baltimore was renamed in his memory. Near fine in a very good dust jacket. A nice association. Stride Toward Freedom is Dr. Martin Luther King, Jr.'s account of the first successful large-scale application of nonviolence resistance in America is comprehensive, revelatory, and intimate. King described his book as "the chronicle of fifty thousand Negroes who took to heart the principles of nonviolence, who learned to fight for their rights with the weapon of love, and who, in the process, acquired a new estimate of their own human worth.''

      [Bookseller: Raptis Rare Books]
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        Paraprosodies précédées de 7 dialogues

      Editions du Rocher 1958 - - Editions du Rocher, Monaco 1958, 12,5x24,5cm, broché. - Edition originale, un des 40 exemplaires numérotés sur vélin B.F.K. de Rives, seuls grands papiers. Bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 40 numbered copies on vélin B.F.K. de Rives, the only large paper copies. A very good copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Matisse, Henri. Dernières oeuvres de Matisse 1950-1954. Verve Vol. IX, Nos 35 et 36.

      Éditions de la Revue Verve, Paris. 1958. - 4°. OPb. 182(2) S. Enthält 40 Farb-Lithographien (bei Mourlot gedruckt) und 38 s/w Heliogravuren. Der Rücken fachmännisch restauriert, schönes Expl. [Attributes: Hard Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
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        Catalogue de l?oeuvre gravé de Dunoyer de Segonzac. En 8 volumes + 1. Tome premier: 1919 - 1927. Avec une préface de Julien Cain. Tome II: 1929 - 1930. Avec une préface de Jean Vallery-Radot. Tome III: 1930 - 1932. Avec une préface de Jean Adhémar. Tome IV: 1933 - 1935. Tome V: 1927 - 1947. Tome VI: 1948 - 1952. Tome VII: 1953 - 1856. Tome VIII: Dernières gravures - Planches retrouvées - Etats retrouvés - Index et tables. + 1 Volume: Dessins, 1900 - 1970.

      Pierre Cailler 1958 1959 1963 1964 1965 1966 1968 1970, Genève, - Bel exemplaire. reliure d'éditeur sous jaquette.

      [Bookseller: Bouquinerie du Varis]
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        Doctor Zhivago - a very nice copy

      Collins Harvill, 1958 A first edition, first printing published by Collins/Harvill in 1958. A near fine book (or better) in a near fine unclipped wrapper with a little darkening to the spine. One of the best copies we have seen.

      [Bookseller: John Atkinson Books]
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        La belle et la bête - Journal d'un film

      First edition, one of 40 numbered copies on vélin pur fil, the only large paper copies.With black and white photographs.A fine copy, as issued. Editions du Rocher Monaco 1958 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Autograph Letter Signed in French with translation, to 'Chère Madame', (Jean, 1889-1963, French Poet, Playwright and Film Director)

      1958 - confirming that he "will talk for the Belgians on the 19th and on the 20th for you", saying that he would "be extremely grateful if you could write" to Baron Moens de Fernig "with our two dates and ask him which our hotel will be . (I am going to Belgium with Madame Weisweiller whose guest I am here and my adopted son Edouard Dermit). With warmest regards", signature followed by his '*' mark, 1 side folio, no place. [Santo-Sospir, St. Jean Cap-Ferrat], 10th May light pin marks in top left blank corner On 19th September 1958, Cocteau gave a lecture at the Brussels Exhibition on 'France's Secret Weapons'. He and Princesse Marthe Bibesco had been elected to the Royal Belgian Academy on the same day, and the present letter may be to her. In 1950 Cocteau had gone to stay 'for a few days' at Madame Francine Weissweiller's villa of Santo-Sospir, a stay that lasted with many breaks till shortly before he died. Cocteau always kept his house at Milly-la-Forêt and his apartment at the Palais Royale, but decorated his 'monastery' at Madame Weissweiller's with frescoes, mosaics and tapestries. With the final greeting and signature in the right hand margin. Cocteau would fill all four margins rather than turn over the page.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Slovník Jazyka Starolovenskeho, Lexicon linguae Palaeoslovenicae, Ceskoslovenska Akademie VED, Kabinet Cizich Jazky. Hier Tome 1, (Hefte 1- 14) 2, (Hefte 15- 24) 3, (Hefte 25- 32 und 34- 38) Heft 3 fehlt. Mehrsprachig: Czech, Russian, German, Greek and Latin.

      Nakladatelstvi Ceskoslovenská Akademie Ved, 1958 bis 1985. poro Band mehrere hundert Seiten 4°, Softcover/Paperback Kleinere Gebrauchsspuren, innen sauber und ordentlich Q26 Versand D: 4,90 EUR

      [Bookseller: ABC Versandantiquariat]
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        Superb photo signed by both (Sir Winston Spencer, 1874-1965, Prime Minister) & his wife Clementine (1885-1977)

      1958 - showing them seated at a banquetting table either side of the Lady Mayor of Bath, Churchill is speaking to her and Clementine is leaning over to join the conversation, behind them stands a footmen and on the white tablecloth in front of them is the remains of their meal, coffee cups and an array of different wine glasses, 8½" x 6½", no place, (Bath), no date, circa

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Vivien Leigh writes to Joyce Huddart, a personal friend with a theater connection in London

      n.p., April 15, 1958. 5.5" x 7". "Single page TLS on pale blue stationary, 5.5"" x 7"" with Vivien Leigh's personal letterhead. Dated April 15, 1958, and signed by Vivien Leigh as ""Vivien Leigh"". Right edge is slightly discolored, else near fine condition.Vivien Leigh writes a letter to her close friend, Joyce Huddart. One can project that she perhaps met Joyce during her period acting in the theaters of London. Joyce was head of wardrobe and also participated as stage crew for the London Tower Theatre, and the two corresponded regularly over a period of many years. Vivien Leigh's ultimate passion was for roles in theater. She was quoted as saying, ""I'm not a film star - I'm an actress. Being a film star - just a film star - is such a false life, lived for fake values and for publicity. Actresses go on for a long time and there are always marvelous parts to play.""This letter to Joyce was written during her role in the Shakespeare play Titus Andronicus, in which she played the role of Lavinia alongside her husband who played Titus Andronicus. Her letter thanks her loyal friend for the ""lovely freesias and tulips"", and noted she was ""happy to know that you enjoyed the play: I am looking forward to coming to London with hit"". Vivien had already endured an extended and turbulent battle with bipolar disorder, which had taken a long and exhausting toll on Lawrence. By 1958, both considered their marriage to be over. Larry was already having an affair with actress Joan Plowright and Vivien had taken up with actor Jack Merivale. But these turned out to be more than mere affairs as both would stay with their new partners until their death.A wonderful signed letter to her personal friend."

      [Bookseller: University Archives]
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      The Cummington Press 1958 - Van Duyn, Mona. VALENTINES TO THE WIDE WORLD. Iowa City: The Cummington Press, 1958. #14/180cc. 55pp. illustrated Fred Becker. 4to. 2 small stains on outer edge of rear cover, spine and edges slightly darkened, else fine hardcover copy with ribbon marker. [Attributes: Hard Cover]

      [Bookseller: Columbia Books, ABAA/ILAB]
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        Une Capitale Turque Brousse Bursa ( TWO PARTS).

      E. de Boccard, Paris 1958 - Folio. (380 x 276 mm), Volume I: (Texte): 218 pp, 143 figures in text / Volume II: Planches: 9 pp. + 93 plates out of 99 (Lacking plates XI, XII, XVI, XXII, XXIII & XXVI bis), + 10 colour plates mounted on thick paper, copy includes the following plates in bis 21 and 96, + double page Planche a: map of Bursa, unbound as issued, contemporary cloth-backed boards and portfolio, covers slightly soiled & rubbed, otherwise set clean inside and in good condition, Publié sous les auspices du Ministère Turc de l'Instruction Publique par l'Institut Français d'Archéologie de Stamboul and printed by E. de Boccard. Gabriel's monograph on Bursa, the Turkish town second only to Istanbul for its wealth of monuments, was based on research begun in 1926 and continued up to 1940 'à un rythme variable'; young Turkish architects helped complete it after the war. All the coloured plates are of the Green Mosque. The French architect, art-restorer and art historian, Albert Gabriel, who came to Istanbul in 1926, lived in Turkey for many years. He gave courses in archaeology and art-history at Istanbul University and made a study of Ottoman constructions in Anatolia. He was a pioneer in the founding of the French Archaeological Institute of which he became an administrator. Gabriel's book on Bursa has a place among works on Ottoman architecture. The Author describes the city's history and topography, he takes up each building one by one. Gabriel's work is an inclusive one containing particular details of the history, plan, materials and structure of all the constructions in Bursa from the early Ottoman period. The book contains around 300 photographs of constructions, a large number of which have today disappeared or been one way or the other altered. Bibliographic references: Osmanische Bibliography: 217; Creswell 447. Size: Folio - over 12" - 15" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: FOLIOS LIMITED]
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        TIERRA DE INFANCIA. Prologo de Eduardo Mayora

      San Salvador, El Salvador: Ministerio de Cultura, Departmento Editorial, (1958).. (1958).. Very good. - Octavo, softcover bound in decorative tan & brown wraps titled in black on the spine with a printed paper label on the front wrap. The binding is very lightly rubbed, bumped & soiled. The top 1-1/2 inches of the front wrap is detached & there is a light crease to its bottom edge. 205 & [3] pages plus colophon. Very good. <p>First edition.<p>A remarkable association copy. The book is inscribed by Claudia Lars to the great master of Salvadoran literature Salarrue, using the name of his alter ego Euralas Sagatara, and with a reference to his famous book of tales "O'Yarkandal". The book is inscribed by the poet on the half-title in the year of publication and the inscription reads: "Para Eur-Alas-Sagatara, contador de los mas lindos cuentos de America, y para Namira, del pais de Oyar-Kandal, con el eterno amor de Claudia / Navidad de 1958". <p>Salvadoran poet Claudia Lars [1899-1974] was born in Armenia, El Salvador, as Carmen Brannon Vega, daughter of Peter Patrick Brannon and Carmen Vega Zelayandia. In addition to this memoir of her childhood [translated as "Land of Childhood", Writers Club Press, 2003], she wrote fourteen books of poetry, among them "Estrellas en el Pozo" [1934], "Girasol" [1961], "Sobre el Angel y el Hombre" [1962] and "Poesia Ultima" [1972].

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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      New York Graphic Society, Greenwich, CT 1958 - 96pp, 94 b&w and 17 tipped-in color illustration. This is the comprehensive 1958 monograph on Salvador Dali compiled by the artist's prolific American collector A. Reynolds Morse - who subsequently founded the Salvador Dalí Museum. A presentable example only of this standard work lacking the publisher's original printed acetate jacket additionally BOLDLY INSCRIBED "Pour Alexander Eliot / Hommage de Dali / 1959" in blue fountain pen across the entire blank leaf facing the half title page showing moderate age-toning, soiling, wear, and abrading to the boards along with foxing to the inside covers, endpapers, and edges of the textblock. Noted late historian, critic, and author Alexander Eliot - for whom this was inscribed - was the "Time" magazine art editor between 1945 and 1960 and a close friend of the artist. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Arcana: Books on the Arts]
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        Stride Toward Freedom: The Montgomery Story.

      New York: Harper & Brothers, 1958. First edition, later printing of Dr. Martin Luther King's first book. Octavo, original half cloth. Inscribed by the author on the front free endpaper, "To Ronald Roberts with best wishes, Martin Luther King Jr." The recipient Ronald Roberts was a Texas State Representative. With his card laid in. Fine in a near fine dust jacket with light rubbing. Stride Toward Freedom is Dr. Martin Luther King, Jr.'s account of the first successful large-scale application of nonviolence resistance in America is comprehensive, revelatory, and intimate. King described his book as "the chronicle of fifty thousand Negroes who took to heart the principles of nonviolence, who learned to fight for their rights with the weapon of love, and who, in the process, acquired a new estimate of their own human worth.''

      [Bookseller: Raptis Rare Books]
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        Superman #123 comic book 1958- 1st Supergirl- DC Silver Age

      DC 1958 - 1st Supergirl. 1/4" tear on opening edge cover, some creasing on cover. Complete, no restoration. Condition: VG+

      [Bookseller: DTA Collectibles]
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        Portrait of Dr. Albert Schweitzer

      United States: Helen B. Ripley painter, 1958. Original; unframed. Unframed. Fine. Helen B. Ripley. Portrait of Dr. Albert Schweitzer, oil on canvasboard (22" H x 18" W), signed lower right "H.B.R., 1958," and inscribed in pencil on verso "Painted by Helen B. Ripley in 1958 for Jerome Davis," unframed. Dr. Albert Schweitzer, OM (1875-1965) was a famous Alsace-Loraine & French/German theologian, organist, philosopher, physician, and medical missionary in Africa. He is also well known for his historical work on Jesus. He won the Nobel Peace Prize in 1952 for his philosophy that emphasized "Reverence for Life." This handsome and well-executed oil depicts Dr. Schweitzer at his desk in his medical compound at Lambarene, Gabon, French Equatorial Africa. Dr. Schweitzer, a Lutheran, wrote about the psychology and behavior of Jesus from a clinical and historical perspective, thus challenging both the secular view of Jesus then dominant which used historical-critical methodology, as well as the traditional Christian view of Jesus as divine. Schweitzer also emphasized that the apostle Paul's mystical faith of "being in Christ" was more important than the doctrine of "Justification by Faith." When reviewing the many historical studies of Jesus, Schweitzer emphasized that such biographies usually reflected the temperament and period of the biographers. The good doctor was also a revered music scholar and organist who was famed for his interpretations of German composer Johann Sebastian Bach. For his philosophy of "Reverence for Life" and caring behavior, Dr. Schweitzer received the 1952 Nobel Peace Prize. He most famously founded and sustained the Albert Schweitzer Hospital in Lambaréné, West Central Africa (then French Equatorial Africa; now Gabon) which did much to treat tropical diseases affecting local natives. We have been unable to identify the artist Helen B. Ripley, though her technique, attention to detail, and delicate color are remarkable. (We often have letters and other materials relating to Dr. Schweitzer.).

      [Bookseller: Borg Antiquarian]
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        New phenomenon of narrow germanium p-n junctions, " in Physical Review, 109, No. 2, 15 January 1958

      American Institute of Physics, Lancaster 1958 - FIRST EDITION, FIRST ISSUE IN ORIGINAL WRAPS OF THE LANDMARK, NOBEL PRIZE WINNING DISCOVERY OF QUANTUM TUNNELING IN SEMICONDUCTORS, a discovery that opened the way to the invention of the Esaki (or tunnel) diode, the FIRST quantum electron device. Esaki's work provided the first physical evidence that the phenomenon of tunneling, a key postulate of quantum mechanics, was more than an intriguing theory. "Esaki discovered that electric current could be made to cross those junctions. When he applied a voltage to a semiconductor junction, electrons in the current jumped over the junction, resulting in a quantum mechanical "tunneling" effect. He was surprised to learn that the electrons' resistance to the barrier decreased with the intensity of the voltage, the opposite of what was expected. This tunnel diode allowed electrons to pass through junctions that were only a hundred atoms thick. Tunneling was possible using wave equations of quantum mechanics, rather than approaching the phenomenon using classical theories of physics, in which electrons are thought of as particles" (Encyclopedia of World Biography). One of the most fundamental tenets of quantum mechanics, the foundation of modern physics, is that the exchange of energy at the subatomic level is constrained to certain levels, or quantities--in a word, quantized. Esaki's paper was essential in explaining that exchange of energy. "Esaki diodes actually provide a beautiful illustration of the interplay of two quantum effects, viz. energy bands in solids and tunneling. Charge carriers can tunnel from one energy band into a different energy band in heavily doped pn junctions" (Dick, Advanced Quantum Mechanics, 40). His paper answered questions "about electron tunneling through solids that scientists had been asking for decades, and opening a new field in development of solid-state physics that spread to research laboratories around the world" (Encyclopedia of World Biography). CONDITION & DETAILS: Lancaster: American Physical Society. Volume 109, Number 2. Original Wraps 4to (10.5 x 8 inches; 263 x 200mm). Original paper wraps in near fine condition in every way. [Attributes: First Edition]

      [Bookseller: Atticus Rare Books]
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        Religions of Man (The World's Religions)

      NY:: Harper & Brothers,. Very Good in Very Good dust jacket. 1958. Hardcover. B0012DR32M . The author's second book - widely considered the most important introductio n to comparative religion - it was revised and updated in 1991 and the title was changed to THE WORLD'S RELIGIONS. The basis for the PBS television series. Stated first edition. Very good in a very good (moderate edge wear with a fair sized chip at the crown of the spine that extends onto the upper corner of the rear panel) dust jacket. The book has sold over 2.5 million copies - this is the scarce first printing. ; 328 pages .

      [Bookseller: Grendel Books, ABAA/ILAB]
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        Marc Chagall-Engraved Work-1958 Mourlot Lithograph

      1958 - "Engraved Work" by Marc Chagall, Unsigned Lithograph printed in 1958. The overall size of the Lithograph is 28 x 19.5 inches. The condition of this piece has been graded as B-: Good Condition, Signs of Handling and Age. Here is some supplemental information about the Lithograph: Paper breaking along the top of the print. [Attributes: Signed Copy]

      [Bookseller: Art Wise]
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        DON JUAN Avec lithographies de Mariano Andreu.

      Paris, H. Lefèbvre, 1958. - Grand in-4, en ff. sous double emboitage, dos titré et orné en rouge, couverture rempliée imprimée et titrée en noir et rouge (inf. piqûres), 151pp, illustrée de 14 lithographies originales à pleine page avec le frontispice de l'artiste, qui a également dessiné la couverture; la page de titre et les lettrines de cette EIDITION ORIGINLE; tirage à 260 ex. + qqs. H. C., sur vélin de Rives. Un des 30 ex. num. sur grand vélin d'Arches, contenant une suite sur le même papier. Dorure du bord de l'étui estompée par endroits, Infimes piqûres sur les ff. préliminaires, n'affectent pas le corps de l'ouvrage, ni les lithographies, bel ex. Réf. bibliographiques : Monod 8359.

      [Bookseller: Librairie Le Trait d'Union sarl.]
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        Der Donauraum - Zeitschrift des Forschungsinstitutes für den Donauraum. 3.Jg.1958 - 8.Jg.1963, 13.Jg.1968 - 19.Jg.1975, 21.Jg.1977 - 25.Jg.1980. (19 Jahrgänge in 10 Bänden gebunden).

      Wien, Fachverlag für Wirtschaft und Technik, 1958-1980. - ca. 200-400 Seiten mit einigen Abbildungen pro Jahrgang, Einband etwas berieben, sonst guter und sauberer Zustand Sprache: Deutsch Gewicht in Gramm: 19000

      [Bookseller: Antiquariat Deinbacher]
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        German Expressionism Walter Jonas Mixed Media Drawing Landscape 1958 Signed

      German Expressionism Walter Hermann Jonas, German Swiss Jewish Artist Mixed Media Pastel Watercolor Drawing "Landscape" 1958 Signed lower right Size: 29 x 41.8 cm. (11.4 x 16.4") Brown paper  Tear to right edge - 2.5 cm. (1") and small tear ca. 0.5 cm. Biographical notes on Walter Jones *27.3.1910 Oberursel im Taunus (D), †12.6.1979 Zurich. Becomes a Swiss citizen (Mellingen) in 1933. Painter and graphic artist. Invented Intrapolis, an urbanistic vision. Art commentator, critic and teacher. Book illustrator. Walter Jonas, a German by birth, moved to Baden with his parents shortly after he was born. In 1918, his father was appointed head of the patents department of Brown Boveri & Co in Baden. From 1929 to 1932, after passing his Matura (the Swiss baccalaureate) in Zurich, he attended the Reimannschen Kunstschule, an art school in Berlin, where he studied under Moritz Melzer, a member of the Brücke movement. Journeys to South Africa, Corsica and Spain. 1932 moves to Paris. Member of Porza, the international community of artists. Acquaintance with Robert Delaunay, Albert Marquet, Manès Sperber, Otto Freundlich, Antoine de Saint-Exupéry and Erich Mühsam. 1935 returns to Zurich. Before the outbreak of WWII, travels to Dalmatia and Corsica, alone or accompanied by Zoran Music and Albert Marquet. 1939 to 1944 military service in Switzerland. Orientation towards classical themes: Etchings for the Magical Flute, aquatint etchings for Judith by Friedrich Hebbel, for the Gilgamesch Epos, the Buch einer Nacht with Werner Y. Müller and young Friedrich Dürrenmatt, who still wanted to become a painter at the time. In his biographical work, Friedrich Dürrenmatt later acknowledged turning to writing because of Walter Jonas. At the time, Jonas's studio was a meeting point for writers, artists and scientists such as Karl Kerényi, François Bondy, Zoltan Kemeny, Fritz Hochwälder, Theo Otto, Katja and Thomas Mann, Alexander Gosztonyi et al.. 1942 marries Rosa Maria Kemmler. Jonas teaches drawing to make ends meet. Among his students are Carlotta Stocker, Alex Sadkowsky, Walter Grab, René and Hanspeter Mühlemann, Wladimir Sagal et al. 1946. Première of the dance suite composed by Alfred Baum for flute, viola and piano, inspired by Jonas's aquatint etchings. 1947 participates in the Venice Biennale (at the invitation of Italian painter friends). 1949 journeys to North Africa (Tunis). 1951 journeys to India to search for a disappeared artist friend. Stay in Almora. Discovers oriental philosophy. Produces a significant series of paintings. From 1954 (to 1964). Regular art commentator for the newly established Swiss television broadcasting station. Swiss television's first direct broadcasting from the Zurich Kunsthaus (Vincent van Gogh exhibition). Cycle of television broadcasts on famous painters, the magic of form, a painter visits India, etc. Jonas illustrates the complete works of Jeremias Gotthel (Ex Libris), Don Juan or the Love of Geometry by Max Frisch. His exploration of oriental philosophies has a decisive influence on his expressionism. Intense literary activity, including as columnist and art critic for Die Tat, NZZ, Werk, Weltwoche and the Zürcher Woche 1955 solo exhibition at the Kunstmuseum St. Gallen. 1957 travels to Spain. 1958 his journey to Brazil triggers another important series of works. 1958 solo exhibitions at the Museu de Arte Moderna, São Paulo and at the Helmhaus, Zurich. Develops the idea of Intrapolis, a funnel-shaped city, his vision for a new, dignified and environment-friendly urbanism. 1960 awarded the Gleyre prize. 1963 second journey to Brazil. 1962 publication of the book Das Intrahaus - Vision einer Stadt (Origo-Verlag, Zurich). The Intrapolis concept achieves global recognition. Many publications and international speaking engagements follow. 1965 Founding member of GIAP (Groupe International d'Architecture Prospective) together with Michel Ragon, Yona Friedmann, Nicolas Schoeffer, et al.; GIAP Manifesto 1966 exhibition in Bordeaux. 1967 participates in the project for a floating cultural centre (schwimmenden Kulturzentrum) in Zurich. 1968 travels to Dakar at the invitation of Léopold Sédar Senghor, the President of Senegal. Exchange of correspondence with Senghor. 1969. Intrapolis project for the World Exhibition in Osaka, Japan. 1970. Feasibility study for Intrapolis commissioned by the German Ministry for planning, construction and urbanism, Bonn. 1971. The German tenants' association plans to build 10 Intrapolis units in Wulfenm Haltern and Freiburg i.Br. Founding of Intrapolis AG (Walter Jonas, Alfons Matt, Hans Rudolf Haller, Alfred E.Urfer). Up to 1975, numerous solo exhibitions in Switzerland and abroad, especially at Chichio Haller's gallery in Zurich. From 1975, progressive aggravation of a gruelling illness. Commemorative exhibition at the Zurich Kunsthaus in 1980, and at the Seedamm cultural centre in Pfäffikon in 1985-86. Walter Hermann Jonas (born March 27, 1910 in Oberursel, Germany; † 12 June 1979 in Zurich) was a Swiss painter, graphic artist, art critic and creator of the urban vision Intrapolis. youth Walter Hermann Jonas (* 27. März 1910 in Oberursel, Deutschland; † 12. Juni 1979 in Zürich) war ein Schweizer Maler, Grafiker, Kunstkritiker und der Schöpfer der urbanistischen Vision Intrapolis. Jugend Walter Jonas wurde am 27. März 1910 in Oberursel am Taunus, Deutschland, als Sohn von Israel Salomon Julius und Agnes Schaupp geboren. Jonas hatte zwei Schwestern. Die drei Jahre ältere Schwester, Edith Oppenheim-Jonas (1907-2001), war die Schöpferin der berühmten Papa-Moll-Figur. Jonas Vater wurde 1910 als Patentingenieur eine Stelle bei der Firma Brown, Boveri und & Co. in Baden angeboten. Das Stellenangebot für den Vater zog eine Übersiedelung der Familie in die Schweiz nach sich. Im Ersten Weltkrieg diente der Vater als deutscher Offizier im Feld, die Familie lebte deshalb von 1916 bis 1918 im Elsass und kehrte 1918 nach Baden zurück. Nach dem Besuch der Bezirksschule in Baden erlangte Jonas den Maturitätsabschluss am Kantonalen Gymnasium in Zürich. Berlin Von 1929 bis 1932 besuchte Walter Jonas die private Kunstschule Reimann in Berlin, eine international bekannte avantgardistische Kunst- und Kunstgewerbeschule, und wurde Meisterschüler von Moritz Melzer[1]. Dieser war Lehrer für dekorative Malerei und Bühnenbild. Melzer gehörte zusammen mit Ernst Ludwig Kirchner, Fritz Bleyl und Erich Heckel der Künstlergruppe Brücke an. Von seinem Lehrer beeinflusst, entwickelte Jonas eine dem Expressionismus nahestehende Malweise. Jonas belegte neben Malerei auch die Fächer Architektur und, bei Professor Max Deri, Kunstgeschichte. In die Ausbildungszeit an der Reimann-Schule fallen ebenfalls Studienreisen nach Südfrankreich, Korsika und Spanien. Paris Nach Abschluss des Studiums an der Reimannschen Kunstschule zog Walter Jonas 1932 nach Paris. Dort schloss er unter anderem Bekanntschaft mit Robert Delaunay, Albert Marquet und Antoine de Saint-Exupéry und wurde in die internationale Künstlergemeinschaft Porza aufgenommen. Während seiner Zeit in Paris befasste er sich vor allem mit der Darstellung von Figuren und Landschaften und beteiligte sich an ersten Ausstellungen. Obwohl Jonas in Paris mit dem Kubismus und Surrealismus in Kontakt kam, blieb der Expressionismus, wenn auch ein „Expressionismus eigener Prägung",[2] die sein künstlerisches Schaffen bestimmende Ausdrucksform. Zürich Aufgrund der prekären politischen Grosswetterlage in Europa beantragte die Familie in Mellingen, Kanton Aargau, das Schweizer Bürgerrecht, das ihr 1933 zugesprochen wurde. 1935 kehrte Walter Jonas nach Zürich zurück, wo er sich als Zeichnungslehrer am Kantonalen Gymnasium und mit Privatunterricht über Wasser hielt. Bis zum Ausbruch des Krieges unternahm er Reisen nach Korsika und an die dalmatische Küste, zu der Jonas, gemäss Dürrenmatt, ein geradezu „mystisches Verhältnis" hatte.[3] Als Grafiker befasste sich Jonas hauptsächlich mit klassischen Themenbereichen. Auf Einzelblätter mit figürlichen Themen folgten Zyklen und Buchillustrationen. Erwähnenswert ist insbesondere der von ihm in Aquatinta-Technik angefertigte, aus 20 grossformatigen Blättern bestehende, Gilgamesch-Epos. Der Zyklus zeichnete sich durch seine dichte und spannungsgeladene Bildfolge aus, die sich intensiv mit dem Motiv Leben und Sterben auseinandersetzt. Ausserdem illustrierte er eine Gesamtausgabe von Jeremias Gotthelf und fertigte Bildzyklen zu Werken von Horaz, Cervantes, Friedrich Hebbel und Radierungen zu Mozarts Zauberflöte an. Obwohl allgemein in künstlerischen Drucktechniken bewandert, bevorzugte Jonas Handzeichnungen und Radierungen[4]. Jonas Atelier an der Kronenstrasse 46 wurde zu dieser Zeit zum Treffpunkt von Künstlern, Wissenschaftlern und Literaten, so gehören auch Friedrich Dürrenmatt und Max Frisch zu seinen regelmässigen Besuchern. In der Nacht vom 13. auf den 14. Januar 1941 stellte Jonas mit Friedrich Dürrenmatt und Werner Y. Müller das Buch einer Nacht her. Die sich darin befindenden Radierungen von Jonas zählen gemäss Dürrenmatt „zu seinen Schönsten."[5] Mit Friedrich Dürrenmatt verband Jonas damals eine produktive Freundschaft und Dürrenmatt erklärte gar später: „Von Jonas lernte ich die Schriftstellerei als Metier, [...]."[5] 1942 heiratete Jonas Rosa Maria Kemmler (1908-1990), die ihm während vierzig Jahren eine treue Gefährtin war. 1948 nahm Jonas auf Einladung italienischer Maler an der 24. Biennale di Venezia teil. Dort konnte Jonas zwei seiner Radierungen, Aquatinta II und Aquatinta III, präsentieren. In den folgenden Jahren reiste Jonas nach Nordafrika (1949) und Indien (1951). Die Indienreise und die östliche Geisteswelt beeinflussten ihn und sein Werk nachhaltig. onas widmete sich in jenen Jahren auch weiterhin seiner Malerei und entwickelte einen farbigen und eindringlichen Malstil. Die Zeit in Indien und seine späteren Reisen nach Südamerika gelten als prägende Zeit für sein malerisches Schaffen. Dabei steht immer die Thematik Zivilisation versus Natur im Zentrum. Neben seinen Landschaften und Stadtbildern galt Jonas als begabter Porträtmaler. Als bekanntestes Beispiel lässt sich das in Privatbesitz befindende Porträt des jungen Dürrenmatt von 1944 nennen. Dennoch ist Walter Jonas malerisches Wirken pluralistisch angelegt und verarbeitet viele Kunstströmungen des 19. Jahrhunderts und lässt sich deshalb keiner bestimmten Kunstrichtung zuordnen. Kunstkritiker und Kunstvermittler In den 50er Jahren betätigte sich Jonas auch als Kunstkritiker und Feuilletonist und verfasste, unter anderem für Die Tat, die NZZ und die Weltwoche, Artikel zum Thema Kunst. Gleichzeitig widmete sich Jonas auch der Kunstvermittlung und verfasste 1950 die Schrift Wie betrachtet man ein modernes Kunstwerk. Ab 1954 wurde Jonas vom Schweizer Fernsehen als Kunstkommentator und Gestalter von Sendungen über Kunst eingestellt. Noch im selben Jahr wurde eine Sendung von Walter Jonas über die Ausstellung Vincent van Goghs direkt aus dem Kunsthaus Zürich übertragen. Sendereihen wie z. B. Mit Pinsel und Stift, Berühmte Maler und Atelierbesuch bei ..., aber auch Berichte über Kunstaktualitäten und Berichte zu Ausstellungen folgten und waren in den 50er Jahren fester Bestandteil des Schweizer Fernsehens. Von einer Reise nach Brasilien (1958) inspiriert, entwickelte Jonas die Vision einer neuen humaneren Stadtform: Der Intrapolis. Diese richtet sich gegen die traditionelle Art des Städtebaus und der damit einhergehenden Labyrinthbildung, Vermassung und Wucherung[6]. Das von Jonas geschaffene Konzept der Intrapolis geht über den heute gebräuchlichen Begriff Trichterstadt hinaus und verbindet die beiden Termini Introversion und Polis. Jonas sah das Prinzip der Introversion nicht nur als wichtiger Bestandteil für das Gleichgewicht einer Gesellschaft, sondern auch als Gegenpunkt zur hektischen Extroversion der unruhigen Welt seiner Zeit an.[7] Im architektonischen Sinne meint Introversion aber auch, dass im Gegensatz zur herkömmlichen Bauweise von Häusern und Städten der eigentliche Wohnraum nach innen verlegt wird, während die Verkehrswege, Treppen und Aufzüge ausserhalb der Wohnfläche platziert werden. Jonas sieht sein Konzept der Intrapolis im Bau von Trichterstädten realisiert. Die Bauweise der terrassenförmig, nach innen angeordneten Wohnungen ist raumsparend und ermöglicht gute Licht- und Sichtverhältnisse. Durch die trichterförmige Gebäudestruktur steht mehr unbebaute Grünfläche für die

      [Bookseller: judaica-market]
 25.   Check availability:     Direct From Seller     Link/Print  

        Dr. No (a James Bond novel).

      London: Jonathan Cape, 1958. FIRST EDITION. Octavo, pp.256. Publisher's black cloth-effect paper over boards, silver titles to spine, in pictorial dust-wrapper designed by Pat Marriott. This issue with the 'Dancing Lady' design on cloth; the earlier binding has plain boards.No inscriptions or price-clipping, some edge-spotting, cloth bumped to crown, jacket benefitting from some light professional restoration, chiefly to the spine tips (there was no significant paper loss previous to repair). Wrapper now show as a fine example. Filmed by Broccolli/Saltzman in 1962, and with a John Barry soundtrack, this was the one that started it all and introduced the world to Sean Connery... Many of the now familiar elements appeared in this first entry of the series: M, Moneypenny, Felix Leiter, Q/Major Boothroyd, SPECTRE, the Walther PPK, a Casino and a Vodka Martini! The plot was simple and the movie was low-key and down to earth; there were no overblown gadgets to save the day, only Bond's cunning and intuition. This made it a more realistic film and more like Fleming's novel; a first-rate thriller. Penzler; Ian Fleming's James Bond (1999). Biondi/Pickard; Firsts Vol 8 No4 (1998). Campbell; Ian Fleming- A Catalogue of a Collection (1978), Steinbrunner & Penzler; Ency.of Mystery & Detection (1976). Eric Quayle; Detective Fiction (1972).

      [Bookseller: Adrian Harrington]
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        Gregorii Nysseni opera. 14 volumes of the series (I, II, III.1, III.2, III.4, V, VI, VII.1, VII.2, VIII.1, IX, X.1, X.2 & Supplementum.).

      Leiden, E. J. Brill, 1958 - 1996. 14 volumes [of 18 / vol. 3/3, 3/5, 4/1 and 8/2 are missing]. Original blue cloth, (hardcovers), gilt. 25 cm. - (volume 1 & 8 sl. worn and with some notes in pencil) Otherwise very good/ fine and clean, see picture. Volumes present are: I: Contra Eunomium Libri. Pars Prior Liber I et II (Vulgo I et XII B). 1960. xvi,410 pp. II: Contra Eunomium Libri. Pars Altera. Liber III (Vulgo III-XII) Refutatio Confessionis Eunomii (Vulgo Lib.II). 1960. lxxii,412 pp. III,1: Gregorii Nysseni Opera Dogmatica Minora. Pars I. 1958. lxii,236. III,2: Gregorii Nysseni Opera Dogmatica Minora. Pars II. 1987. clxxviii,122 pp. III,4: Gregorii Nysseni Oratio Catechetica. Opera Dogmatica Minora, Pars IV. 1996. cxl,112 pp. V: In inscriptiones psalmorum in sextum psalmum in ecclesiasten homiliae. 1962. x,454 pp. VI: In canticum canticorum. 1960. lxxxii,492 pp. VII,1: De vita moysis. 1964. xx,146 pp. VII,2: De oratione dominica de beatitudinibus. 1992. lii,180 pp. VIII,1: Opera Ascetica. 1963. viii,416 pp. IX: Sermones Pars I. 1967. x,508 pp. X,1: Sermones Pars II. 1990. cclxiv,176 pp. X,2: Sermones Pars III. 1996. lx,378,(2) pp.& Supplementum. Auctorum incertorum.... Sermones de creatione hominis. Sermo de paradiso. 1972. clxxiv,102 pp.

      [Bookseller: Second Hand and Antiquarian Books Emile ]
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        Genii, the Conjurors' Magazine [68 Issues; June, 1944 - August, 1982]

      Los Angeles; William W. Larsen, JR. [1944 -1982], 1958, Paperback, First Edition. Fine paperback copies all. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Scans and additional bibliographic detail on request. ; 1 pages; Description: 147 issues; ill. ; 29 cm. Subjects: Magic -- periodicals. 1 pages. Inventory No: 146604.

      [Bookseller: MW Books Ltd.]
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        ROBINSON: A Novel.

      London: Macmillan & Co. Ltd. 1958. First edition, first printing. First edition, first printing. Original green cloth with gilt titles to the spine, in dustwrapper. A lovely fine copy, the cloth bright and unfaded, the contents without inscriptions or stamps. Complete with the fine very lightly spine darkened dustwrapper. Not price-clipped. A lovely example of the author's second book. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        The Carpentered Hen and other tame creatures

      Harper & Brothers, New York 1958 - First edition. viii, [iv], 82 pp. 1 vols. 8vo. AUTHOR'S FIRST BOOK. Black cloth and grey boards. Blue unclipped (priced $2.75) dustjacket and with with "two small children." on the rear flap [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Mezentian Gate

      Plaistow: Curwen Press, 1958. First edition, first printing. Hardcover. Fine/Fine. Keith Henderson. xxiv, 246pp. Illustrated by Keith Henderson. Decorated endpapers. Publisher's green buckram, spine gilt. Upper inner hinge partially cracked else a fine, bright copy. The dustwrapper is clipped at the bottom of the front flap else is fine as well and with an unfaded spine.

      [Bookseller: Thorn Books]
 31.   Check availability:     Biblio     Link/Print  


      Charles Scribner's Sons [1958]., New York - Octavo, cloth. First edition. 1959 Hugo nominee. Anatomy of Wonder (2004) II-510. Pringle, Science Fiction: The 100 Best Novels 27. A fine copy in good first printing dust jacket (priced $2.95 on front flap) with light wear at edges, chips from spine ends, and dust soiling to yellow background ink. (#132908) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Doctor Zhivago

      London: Collins and Harvill Press,, 1958. Translated from the Russian by Max Hayward and Manya Harari. Octavo. Original red cloth, spine lettered in gilt. With the dust jacket. Ownership signature to front free endpaper on recto and verso. Edges of text block and endpapers foxed, contents toned; a very good copy in the price-clipped jacket with toned spine, spot to centre of spine panel, rear panel foxed, a little rubbing and a couple of nicks to extremities. First edition in English, first impression of the book that earned Pasternak the Nobel Prize for literature. The award was offered in mid-October 1958, but before the end of the month, under intense pressure from the Soviet authorities, Pasternak was forced to reject the award.

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  

        The Carpentered Hen and other tame creatures

      New York: Harper & Brothers, 1958. First edition. viii, [iv], 82 pp. 1 vols. 8vo. Black cloth and grey boards. Blue unclipped (priced $2.75) dustjacket and with with "two small children." on the rear flap. First edition. viii, [iv], 82 pp. 1 vols. 8vo. AUTHOR'S FIRST BOOK.

      [Bookseller: James Cummins Bookseller ]
 34.   Check availability:     ABAA     Link/Print  

        Los encuentros. DEDICADO Y CON CARTA MANUSCRITA.

      Ediciones Guadarrama, Madrid 1958 - Vicente ALEIXANDRE: Los encuentros. Madrid, Ediciones Guadarrama, 1958. 301p. 1h. Con numerosas ilustraciones de Zamorano. Ejemplar firmado y dedicado por el autor al poeta argentino Jorge Vocos Lescano, quien a su vez lo dedica al bibliófilo argentino Antonio Carrizo. Se adjunta una carta manuscrita de Aleixandre a Vocos Lescano donde menciona a Miguel Hernández y su familia, y al poeta argentino Ricardo Molinari. Rústica. Buen estado (la carta presenta un pequeño faltante que se puede observar en la fotografía). Primera edición. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librería del Signo]
 35.   Check availability:     IberLibro     Link/Print  

        The Rainbow and the Rose - SIGNED by the Author

      Heinemann, 1958 A first edition, first printing published by Heinemann in 1958. A near fine book with one name and date to the front endpaper. In a very good+ unclipped wrapper which is browned on the spine as usual. Some pushing to the spine tips. SIGNED without dedication as 'Nevil Shute Norway' to the title page. Rare signed.

      [Bookseller: John Atkinson Books]
 36.   Check availability:     Biblio     Link/Print  

        Dr No (a James Bond novel)

      London: Jonathan Cape, 1958.. FIRST EDITION. Octavo, pp.256. Publisher's black cloth-effect paper over boards, silver titles to spine, in pictorial dust-wrapper designed by Pat Marriott. This issue with the 'Dancing Lady' design on cloth; the earlier binding has plain boards. No inscriptions or price-clipping, some edge-spotting, cloth bumped to crown, jacket benefitting from some light professional restoration, chiefly to the spine tips (there was no significant paper loss previous to repair). Wrapper now show as a fine example. Filmed by Broccolli/Saltzman in 1962, and with a John Barry soundtrack, this was the one that started it all and introduced the world to Sean Connery... Many of the now familiar elements appeared in this first entry of the series: M, Moneypenny, Felix Leiter, Q/Major Boothroyd, SPECTRE, the Walther PPK, a Casino and a Vodka Martini! The plot was simple and the movie was low-key and down to earth; there were no overblown gadgets to save the day, only Bond's cunning and intuition. This made it a more realistic film and more like Fleming's novel; a first-rate thriller.

      [Bookseller: Adrian Harrington Rare Books]
 37.   Check availability:     Biblio     Link/Print  

        Stride Toward Freedom: The Montgomery Story.

      New York: Harper & Brothers, 1958. First edition of Dr. Martin Luther King's first book. Octavo, original half cloth. Boldly signed by Martin Luther King, Jr. on the front free endpaper. Fine in a very good dust jacket with some fading to the spine and a few small chips. First printings are uncommon signed. Stride Toward Freedom is Dr. Martin Luther King, Jr.'s account of the first successful large-scale application of nonviolence resistance in America is comprehensive, revelatory, and intimate. King described his book as "the chronicle of fifty thousand Negroes who took to heart the principles of nonviolence, who learned to fight for their rights with the weapon of love, and who, in the process, acquired a new estimate of their own human worth.''

      [Bookseller: Raptis Rare Books ]
 38.   Check availability:     ABAA     Link/Print  


      Selznick Studios, Los Angeles 1958 - A FAREWELL TO ARMS (the 1958 Motion Picture) - COMBINED DIALOGUE AND CUTTING CONTINUITY SCRIPT - "In Cinemascope". Continuity Script dated January 10th, 1958. Length of the film 13,677 Ft. 8 Frs. A SELZNICK STUDIOS FILM of ERNEST HEMINGWAY'S NOVEL. Printed gray paper covers, 8.5" x 11", side-bound with 3 brass brackets, pages numbered consecutively and by reel, 238 pages / Reel 18 Page 5. Pages printed on one side only. The front and rear covers are stained from a spill, the first 2 pages are also heavily stained, the next ten or so pages have staining to their top margin, then the stain disappears. The covers are well worn, have a couple 3" closed tears, lots of edge chips and closed edge tears. Internally, after the staining on the beginning pages, all the pages are bright and clear. SCARCE Reel by Reel Dialogue and Cutting Continuity to A FAREWELL TO ARMS, the film based on Hemingway's Masterpiece. Continuities (Continuity Scripts) were an important part of the film industry in its early days. They were typically created after a film was "in the can", but before it was released, in order to create a written "copy" of the film. A good "Continuity" provided a transcription of every shot and scene in detail as it occurred in the finished film, something that could obviously not be known until a film was completed. Continuities were created both for copyright protection and for a "record" of a film. Many early films easily degenerated, and many others were wiped out to recover their silver. A true continuity script was therefore often the only archived, scene-by-scene, record of many early films. Provenance of the late Peter Howard, and his now shuttered Serendipity Books, Berkeley, California. Peter was a long time member, and at one time President, of the Antiquarian Bookseller's Association of American. He was very well known in the antiquarian book arena. Years ago Peter bought much of the archives of Selznick Studios, This continuity script is from that archive. [Attributes: First Edition; Soft Cover]

      [Bookseller: Blank Verso Books]
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        A History of Technology

      Clarendon Press, Oxford 1958 - 7 Volumes. lv, 927; lix, 802; xxxvii, 766; xxxiii, 728; xxxviii, 888; xxv, 689; xix, 693-1530. 26 cm. Over 200 plates in addition to maps and other illustrations. Third Impression. Grey cloth hardcovers. Shelf wear. Earlier dustjackets darkened and chipped. All dustjackets worn with small tears and chips. A touch of thumbing. A fantastic reference set covering Ancient Empires, Mediterranean Civilizations, the Middle Ages, the Renaissance, the Industrial Revolution, the late Nineteenth Century, and the Twentieth Century. [Attributes: Hard Cover]

      [Bookseller: Attic Books (ABAC, ILAB)]
 40.   Check availability:     IberLibro     Link/Print  


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