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Displayed below are some selected recent viaLibri matches for books published in 1958

        HAVE SPACE SUIT - WILL TRAVEL

      New York: Charles Scribner's Sons, 1958. First Edition. First Printing. About Fine in a Near Fine, unclipped dustjacket. A bright, Fine copy of the book, aside from a handful of very faint spots at the side of the textblock. The jacket is a bright, fresh example, retaining the $2.95 price. Imperceptibly sunned at the spine, with a few pinpoint rubs at the crown and upper corner tips to note. One of Heinlein's more difficult juvenile titles in collectable condition, with superb jacket art and illustrations by Ed Emshwiller.

      [Bookseller: Captain Ahab's Rare Books]
 1.   Check availability:     Biblio     Link/Print  


        Methuselah's Children

      New York: Gnome Press, 1958. First Edition. Hardcover. Very Good. First edition, first printing, first issue binding. Very Good in a first state dust jacket with publisher's address on rear panel reading "80 East 11th St., New York 3." Boards show rubbing at edges with small areas of exposure along the bottom; edges lightly dinged. Pages heavily toned. Dust jacket shows chipping and edge wear, toning and light soiling. A nice copy in a first state dust jacket with price intact.

      [Bookseller: Burnside Rare Books]
 2.   Check availability:     IOBABooks     Link/Print  


        Typed Letter Signed ("Felix Frankfurter") to Beryl H Levy, about Benjamin Cardozo

      Washington, D.C., 1958. 1 p.; .on Supreme Court stationery. 1 vols. 9 x 5 3/4 in. Faint horizontal creases, some light smudging; near fine. 1 p.; .on Supreme Court stationery. 1 vols. 9 x 5 3/4 in. "I had already read, and with interest, your happy recall of Cardozo on the occasion of the twentieth anniversary ... " Justice Frankfurter thanks Levy for sending his words written on the occasion of the twentieth anniversary of Justice Cordozo's death. Beryl Levy was the foremost scholar and editor of Cardozo's works.

      [Bookseller: James Cummins Bookseller]
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        A Bear Called Paddington

      Collins 1958 - A first edition, first printing published by Collins in 1958. A very good book with one previous owner's name at top of front paste-down, and another one at top of front free endpaper crossed out. Some discoloration on front and rear endpapers; spine slightly sun-faded, a couple of soiling spots on rear cover. In a very good dust jacket; not price-clipped; a couple of tapes on inside cover, dj has some chips and closed small tears. Housed in a custom-made slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Céramiques et Pâtes Blanches.

      Arnéra, Vallauris 1958 - Linogravure originale en couleurs, exécutée pour une exposition de céramiques au Musée Municipal de Céret. Tirage limité à 875 exemplaires (66 X 51 cm). Czwiklitzer N° 33. Poster from an edition of 875 prints 65 X 50 cm. Original linoleum-cut in 2 colors, plus text in blue. Arnéra printers. (CZ 33).

      [Bookseller: La Basse Fontaine]
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        Maestoso Orasa : Memoiren e. Lipizzaner-Hengstes (Leinen)

      Staneck, 1958 - Altersgemäß angedunkelt, Schutzumschlag mit Randläsuren und leicht lagerspurig Sprache: Deutsch Gewicht in Gramm: 378 [Attributes: Hard Cover]

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 6.   Check availability:     ZVAB     Link/Print  


        The Affluent Society

      Boston: Houghton Mifflin Company, 1958. First edition of the economist's landmark work. Octavo, original cloth with titles to the spine in silver. Boldly signed by John Kenneth Galbraith on the half title page. Fine in a near fine dust jacket with a touch of rubbing. Laid in is article on Galbraith. John Kenneth Galbraith's breakthrough as a best-selling author came with "The Affluent Society" for which he was honored with the American Economic Association's prestigious presidency. The book also influenced both the Great Society program and the rise of the American "counterculture" in the 1960's. Listed on Modern Library's 100 great nonfiction books of the twentieth century. Galbraith's ideas often addressed the influence of the potential market power of large corporations (Dunn and Pressman, 2005). He believed that corporations could become price makers, rather than price takers, by weakening the accepted principle of consumer sovereignty (Galbraith, 1970). This, in turn, allowed corporations to efficiently increase the production of their goods.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        The Lord of the Rings, 1st US Edition 1958 & 1959 Near Fine in Custom Leather Slipcase

      Boston: Houghton Mifflin, 1958. 1st Edition, Hobbits, Lord of the Rings. Hard Cover. Near Fine/Near Fine. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. The Lord of the Rings, Comprised of the Fellowship of the Ring, the Two Towers, and the Return of the King, by J.R.R. Tolkien. Published by Houghton Mifflin, these are the 8th impression of 1959 for The Fellowship of the Ring, the 6h impression of 1959 for The Two Towers, and the 4th impression of 1958 for The Return of the King. These books and dustjackets are in Near Fine condition. No foxing or offsetting to the text block or endpapers. No previous owners names or markings in any of the books. None of the dustjackets are price clipped. All maps are tipped in, and in Near Fine condition as well. Virtually no wear to the edges of the dustjackets, and only the lightest rubbing to the tips of the folds and spine, no loss. A beautiful, tight, bright set, with no fading or tanning of the spine. A custom red leather slipcase is provided to show and protect this valuable collection. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / Near Fine.

      [Bookseller: The Tolkien Bookshelf]
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        Edgar Poe, sa vie son oeuvre. Etude analytique

      P.U.F 1958 - - P.U.F, Paris 1958, 13,5x19,5cm, 3 volumes reliés en 1. - Nouvelle édition, un des exemplaires du service de presse pour chacun des volumes. Reliure en plein papier à motifs décoratifs, dos lisse, pièce de titre de maroquin vert sapin, plats de papier marbré, couvertures et dos conservés pour chacun des volumes, reliure signée de Thomas Boichot. Envoi autographe signé de Marie Bonaparte à Francis Ambrière sur le premier volume. Avant-propos de Sigmund Freud, iconographie. Bel exemplaire agréablement établi. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Nouvelle édition. bindings en demi maroquin, spine à nerfs, dates dorées en queues, plats de papier marbré, couvertures et spine conservés, têtes dorées, bindings signée de Goy & Vilaine. Envoi autographe signé de Marie Bonaparte à Francis Ambrière. Avant-propos de Sigmund Freud, iconographie. Bel exemplaire agréablement établi. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Moonraker

      London: Jonathan Cape. 1958., 1958. 1958 Reissue (being the THIRD PRINTING). The third James Bond novel. Octavo, 256 pp. Publisher's black cloth-effect paper over boards, titled in silver, in 'flame' design dust-wrapper by Kenneth Lewis. Minor wear to jacket, light soiling, price-clipped, some edge-spotting. A very good copy indeed. A rare printing- one of just 2,018 copies. Gilbert A3a (3).

      [Bookseller: Adrian Harrington Rare Books]
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        The Executioners (Signed First Edition)

      New York: Simon and Schuster, 1958. First Edition. First Edition. SIGNED by the author on the title page. Basis for both versions of the film Cape Fear, one a film noir from 1962 starring Gregory Peck and Robert Mitchum, and a strong, very different remake by Martin Scorsese in 1991, starring Nick Nolte, Jessica Lange and Robert DeNiro. Very Good in a Very Good dust jacket. Spine lean, backstrip faded, light shelfwear. Jacket has minute touch-up at the spine ends, and a scrape toward the bottom of the spine. Notably, this copy has not even a hint of fading at the sensitive jacket spine panel, making it uncommon in our experience. In a custom clamshell box.

      [Bookseller: Royal Books, Inc.]
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        Lolita (True First Hardcover Printing)

      The Olympia Press 1958 - First edition, first impression (thus) - the true first hardcover issue and the first issue as a single volume; printed by Steimatzky's Agency of Jerusalem for The Olympia Press (first printed in wrappers, and as two volumes, by Olympia in Paris in 1955). Less than 1500 copies were produced by Steimatzky, split between hardcover and wrappers, with each numbered – this copy is stamped ‘757’ to the foot of the front dustwrapper flap. Near Fine+: tight and square binding in sharp and clean blue Rexene boards; bright gilt lettering; tanned to the edge of the page block; some offsetting to the endpapers; bookseller’s label to the foot of the front pastedown; very bright, crisp and clean pages, free of marks, inscriptions and foxing. The unclipped (and unpriced) dustwrapper is Very Good+: vibrant, green colouring; tanning to the title label to the spine; soft vertical crease adjacent to the front gutter; 1.5cm closed tear to the head of the front spine fold; modest edgewear; presented in a removable, archival-quality Brodart protective cover. A lovely example of a scarce edition. All orders are sent carefully wrapped in bubble wrap and sturdy cardboard. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bradhurst Fine Editions]
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        John Masefield Collection of ephemera (signed), books and photo, including signed carbon copy of "August 1914" poem

      1958 - John Masefield Collection of ephemera include;? Signed mimeo or carbon copy typescript (ND circa 1914 presumed] of Masefield's famous WWI historic and only war poem entitled"August, 1914". It was the first poem to see print after war was declared. It's a powerful, long and movingpoem that connects seamlessly between the beauty of life in the Berkshire landscape and the sadness and tragedy of life inthe trenches.The following is quoted from Wikisource John Masefield's Place In English Poetry;"One can think of no other poet since Chaucer so purely English in derivation and in spirit. His intense nationalism has no doubt contributed to the marking down of his talents in some critical quarters, for nationalism nowadays receives a cold scrutiny. Masefield's is of the kind that will not be stared down. Its basis is spiritual, in. . . the heartfelt things past-speaking dearTo unknown generations of dead men.Out of that nationalism of his came the noblest utterance in poetry that the War brought forth. If Masefield had written nothing else besides "August, 1914," his name would be remembered among the English poets. No blustering patriot, no facile glorifier of war, wrote those lines. If men died for love of England they also . . . died (uncouthly, most) in foreign landsFor some idea but dimly understoodOf an English city never built by handsWhich love of England prompted and made good.The mood in which Masefield watched the approach of war, as it is here recorded, is not the eager consecration to which young men like Rupert Brooke gave expression. Masefield's poem has lost nothing of its poignancy in the aftermath of disillusion, because it was written from an embracing vision. It does not ennoble war; it merely perceives it as the agency through which men reach down intoThe depths and sunken gold of being alive." ? Issue of Harper's Weekly (12 September 1914) with the "August, 1914"poem. First American publication probably after the September 1 issue of The English Review.? Book with signed drawing of Masefield, 5 June 1931, matching the frontispiece sketch) and American ed. of (New York: Macmillan, 1914), both in very good condition in slightly chipped jackets, with the poem; ? Book; English ed. of Philip the King and Other Poems (London: William Heinemann, 1914); ? ALS to Mr. Cross, n.d., stating that he hopes to be at the Library on Wednesday and will have to leave after the reading.? ALS to Mrs. or Miss Packard, thanking her for the ticket and hoping to meet her when he comes to the Club (with news clipping of Masefield's poem on Queen Elizabeth's marriage). ? TLS to Hilda E. Woodruff, 28 March 1929, in appreciation that his poems have been read by her class of students. ? TLS with envelope, post-marked 19 May 1939, to John Chester Adams, Professor of English at Yale University, stating that he is "sending off a book to Mr. Wilcox, with a letter about the poem which you sent to me with your letter of the 2nd of May." ? TLS to Mr. Blayney, n.d., thanking him for his letter and the setting of music ("Alas, I am not musical, and must send this back unheard.") and advising him to apply to the Society of Authors. ? B&W photo of Masefield looking at a book and standing by a book shelf ("At Home with Poet Laureate in His Eighteeth Year"), Keystone Press Agency, [1958]. Books and documents housed in a light green cloth pictorial clamshell box.John Masefield (1878-1967). Laureate 1930-67. Born in Ledbury, Herefordshire, England, Masefield apprenticed to be a merchant marine officer. While training, he became ill in Chile, returned to England, then worked in factories and bars in the United States. In 1897 he returned to England, working on newspapers and his own writing (poems, stories, and plays). Masefield published his first volume of poems in 1902. He served during World War I in the Red Cross in France and on a hospital ship at Gallipoli. His simple and moving poems include the famous "August 1914"This collection is on consignment w

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        Moxon & Co., Edward- Autograph Letter Signed] To Bernard Bolingbroke Woodward

      - 3 pages. A fascinating and informative letter in the backdrop of the historical dispute between many key players (Moxon & Co; its acting manager and later partner, J. Bertrand Payne; the poet Alfred Tennyson; and the illustrator Gustave Dore). A complicated and intertwined series of events (beginning with Edward Moxon's death in 1958) had transpired, culminating in Payne's rise to power in the company and the resultant estrangement of Tennyson (as well as Browning and Swinburne), all factors leading to the decline and ultimate closure of the famed publisher. Signed Moxon & Co., and probably written by one of the principal partners (other than Payne, who is mentioned in the letter), to Bernard Bolingbroke Woodward, influential nonconformist, antiquarian collector, and librarian to the Queen at Windsor Castle. A letter written seemingly in response to queries concerning Gustave Dore as well as the availability and prices of some original illustrations and proofs. On Moxon's 'Dover Street Stationary,' March 6, 1867. "Dear Sir, We will send for a copy of Dore's 'Elaine' for notice in the next No. of the 'Fine Arts Quarterly Review.' Dore was quite mistaken as to the motives which led to his having a commission for the "Idylls of the King." He adds, "Our literary partner, J. Bertrand Payne, who has studied art as applied to book illustration rather deeply, was long of opinion that the Frenchman's talents would be profitably employed in the depiction of those grandly chivalrie scenes.he discussed the subject with the Laureate & Mr. Palgrave very fully." He goes on to explain in detail the nature and quality of Dore's illustration, adding, "These drawings are for sale & are thrice the size of the Engravings." He discusses an edition published in Paris, by Hachette et Cie and adds, "so much approved by the Emperor, that through the intervention of Lord Cowley he accepted its dedication for the editor and is about to confer upon him the baron of the region." etc., much more. Glue and mounting marks along outside edges, else very good.

      [Bookseller: Nudelman Rare Books]
 14.   Check availability:     IberLibro     Link/Print  


        Dr No

      London: Jonathan Cape, 1958. First Edition. Hardcover. Very Good. First British edition, first printing. Second state binding with dancing girl silhouette; First state dust jacket with price 13s 6d net intact. Very Good in a Good dust jacket. Light lean to spine. Edge of page block lightly soiled, else a rather nice copy. Dust jacket shows rubbing at folds and chipping at corners. A nice example of Fleming's sixth James Bond novel.

      [Bookseller: Burnside Rare Books]
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        John Masefield Collection of ephemera (signed), books and photo, including signed carbon copy of "August 1914" poem

      1958. . John Masefield Collection of ephemera include;• Signed mimeo or carbon copy typescript  (ND circa 1914 presumed] of Masefield's famous WWI historic and only war poem entitled "August, 1914". It was the first poem to see print after war was declared. It's a powerful, long and moving poem that connects seamlessly between the beauty of life in the Berkshire landscape and the sadness and tragedy of life in the trenches.The following is quoted from Wikisource John Masefield's Place In English Poetry;"One can think of no other poet since Chaucer so purely English in derivation and in spirit. His intense nationalism has no doubt contributed to the marking down of his talents in some critical quarters, for nationalism nowadays receives a cold scrutiny. Masefield's is of the kind that will not be stared down. Its basis is spiritual, in. . . the heartfelt things past-speaking dearTo unknown generations of dead men.Out of that nationalism of his came the noblest utterance in poetry that the War brought forth. If Masefield had written nothing else besides "August, 1914," his name would be remembered among the English poets. No blustering patriot, no facile glorifier of war, wrote those lines. If men died for love of England they also . . . died (uncouthly, most) in foreign landsFor some idea but dimly understoodOf an English city never built by handsWhich love of England prompted and made good.The mood in which Masefield watched the approach of war, as it is here recorded, is not the eager consecration to which young men like Rupert Brooke gave expression. Masefield's poem has lost nothing of its poignancy in the aftermath of disillusion, because it was written from an embracing vision. It does not ennoble war; it merely perceives it as the agency through which men reach down intoThe depths and sunken gold of being alive." • Issue of Harper's Weekly (12 September 1914) with the "August, 1914"poem. First American publication probably after the September 1 issue of The English Review.• Book with signed drawing of Masefield, 5 June 1931, matching the frontispiece sketch) and American ed. of (New York: Macmillan, 1914), both in very good condition in slightly chipped jackets, with the poem; • Book; English ed. of Philip the King and Other Poems (London: William Heinemann, 1914); • ALS to Mr. Cross, n.d., stating that he hopes to be at the Library on Wednesday and will have to leave after the reading.• ALS to Mrs. or Miss Packard, thanking her for the ticket and hoping to meet her when he comes to the Club (with news clipping of Masefield's poem on Queen Elizabeth's marriage). • TLS to Hilda E. Woodruff, 28 March 1929, in appreciation that his poems have been read by her class of students. • TLS with envelope, post-marked 19 May 1939, to John Chester Adams, Professor of English at Yale University, stating that he is "sending off a book to Mr. Wilcox, with a letter about the poem which you sent to me with your letter of the 2nd of May." • TLS to Mr. Blayney, n.d., thanking him for his letter and the setting of music ("Alas, I am not musical, and must send this back unheard.") and advising him to apply to the Society of Authors. • B&W photo of Masefield looking at a book and standing by a book shelf ("At Home with Poet Laureate in His Eighteeth Year"), Keystone Press Agency, [1958]. Books and documents housed in a light green cloth pictorial clamshell box.John Masefield (1878-1967). Laureate 1930-67. Born in Ledbury, Herefordshire, England, Masefield apprenticed to be a merchant marine officer. While training, he became ill in Chile, returned to England, then worked in factories and bars in the United States. In 1897 he returned to England, working on newspapers and his own writing (poems, stories, and plays). Masefield published his first volume of poems in 1902. He served during World War I in the Red Cross in France and on a hospital ship at Gallipoli. His simple and moving poems include the famous "August 1914"This collection is on consignment with LDRB.

      [Bookseller: Lord Durham Rare Books (IOBA)]
 16.   Check availability:     Biblio     Link/Print  


        These Thousand Hills (Original screenplay from the 1959 film, signed by actor Don Murray)

      Los Angeles: Twentieth Century-Fox, 1958. Final script for the 1959 film. Based on the novel of the same name by Pulitzer Prize winning author A.B. Guthrie, Jr., the third installment in Guthrie's trilogy about the Old West. SIGNED by actor Don Murray on the title page. An unusual Western, with touches of the darkness characteristic of film noir, "These Thousand Hills" is a character study of a cowboy played by Don Murray who aspires to ascend the ranks of the burgeoning Wyoming society. He borrows the life savings of a saloon girl to start his ranch, and then marries into a higher rank. Though at first he distances himself from the saloon girl in order to run for US Senator, Murray must then come to her aid when a rancher has beaten her. An ambitious film from director Fleischer in which we are asked to question the value of financial success and the labels of "good" and "evil." Some beautiful cinematic moments, with Lee Remick giving a standout performance as Callie the saloon girl. Set in Wyoming. Blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 181 and production No. 740, dated May 22, 1958. Title page present, noted as Final Script, with credits for screenwriter Hayes. 114 leaves, mimeograph, with blue revision pages throughout, dated variously between May 26, 1958 and June 2, 1958 Pages Very Good plus, wrapper Very Good plus, bound internally with three gold brads. Pitts 4333.

      [Bookseller: Royal Books, Inc.]
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        Autograph musical quotation signed "G. Francesco Malipiero."

      - 1 page (ca. 85 x 218 mm). Dated Asolo (Treviso), February 27, 1958.Three measures, being the opening of the Notturno di canti e balli per orchestra. Notated in blackl ink on treble and bass clefs on 2 printed staves. In 3/4 time. Slightly worn; creased at fold, with small tape repair to verso, not affecting music. The Notturno was first performed at the Teatro alla Fenice in Venice on September 11, 1957. The present quotation is from the Editions Salabert, Paris version of the work. Malipiero was an Italian composer and musicologist. "Although very uneven, and less influential than Casella and Pizzetti, he was the most original and inventive Italian composer of his generation." John C.G. Waterhouse in Grove Music Online.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        The Memoirs.

      London: Collins, , 1958. Octavo, original rose madder cloth in price-clipped dust jacket. Portrait frontispiece and numerous other plates and maps. Very good, the jacket just a little rubbed and toned. First edition. This copy neatly inscribed on the front free endpaper, "Inscribed for Terence Young by Montgomery of Alamein, May 1959". The recipient was the maverick film-maker who directed the first three Connery Bond movies. During the Second World War, Young served was an intelligence officer attached to the Field Security Section of the Guards Armoured Division, and saw heavy fighting at Normandy and Arnhem. Monty's Memoirs are an autobiography every bit as spiky and controversial as its author, ruffling feathers in the highest places, his comments on Eisenhower's leadership led to a breach in what was once a close friendship. It was inevitably, however, a runaway success. On hearing that Monty's Memoirs had made more money than his History of the English-Speaking Peoples, Churchill is said to have remarked, "I'm not at all surprised that the Field-Marshal lived up to the finest tradition of Englishmen by selling his life as dearly as possible." Not an uncommon book signed or inscribed, but this a particularly nice copy.

      [Bookseller: Peter Harrington]
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        THE ORDEAL OF WOODROW WILSON

      McGraw-Hill Book Company (1958), New York - Copy #45 of 500 of the special presentation edition SIGNED by the author on the limitation page. The only instance of a former U.S. President writing a book about another former President. Fine in glassine and a close to Fine slipcase [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        NORTH BY NORTHWEST

      [Hollywood]: Loew's / [MGM], 1958. 1-116,124-129 leaves. Quarto. Mimeograph typescript, printed on rectos only of pale green and salmon stock. Bradbound in studio wrappers. Pencil ownership inscription and a few ink annotations on upper wrapper, a few early leaves with ink revisions, else very good. An incomplete copy of a revised draft of this original screenplay, with dated revises spanning the period above. This copy belonged to cast member Pat[rick] McVey, who played Sergeant Flamm. The draft is complete up until page 8 of scene 124, and then resumes briefly to include scenes 128 and part of 129 -- McVey's character appears in scene 127 and he evidently extracted the leaves for his scene, and then, having made his appearance, received no further additions to the script (i.e. scenes 129 through 281). One of Hitchcock's iconic films, NORTH BY NORTHWEST starred Cary Grant, Eve Marie Saint, James Mason, Leo G. Carroll, et al. Lehman was nominated for an Oscar for his script. Screenplays for Hitchcock's major films are generally scarce -- this substantial fragment is not without merit.

      [Bookseller: William Reese Company - Literature ABAA-]
 21.   Check availability:     Biblio     Link/Print  


        Phyical Review Letters Volume 1 July 1 - December 15, 1958

      AMERICAN PHYSICAL SOCIETY, FREEPORT, NEW YORK 1958 - gilt on spine, pages clean, US Airforce stamped on inside of front cover and title page, 12 issues (bimonthly) july to december, "containing short communications dealing with important new discoveries or topics of high current interest in rapidly changing fields of research, and abstracts of articles to be published in future issues of THE PHYSICAL REVIEW", additional postage required DATE PUBLISHED: 1958 EDITION: 499 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Points of view

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Storia del teatro

      Garzanti 1958 Opera in quattro volumi. Rilegati in pelle e carta marmorizzata. Scritte e decorazioni su costa e copertina in oro zecchino. Legatura "Rigodi". Copia numero 259 di 300 Stato dell'opera: come nuovo.

      [Bookseller: Libreria Antiquaria e Moderna Tarantola ]
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        John Masefield Collection of ephemera (signed), books and photo, including signed carbon copy of "August 1914" poem

      1958. . John Masefield Collection of ephemera include;• Signed mimeo or carbon copy typescript  (ND circa 1914 presumed] of Masefield's famous WWI historic and only war poem entitled "August, 1914". It was the first poem to see print after war was declared. It's a powerful, long and moving poem that connects seamlessly between the beauty of life in the Berkshire landscape and the sadness and tragedy of life in the trenches.The following is quoted from Wikisource John Masefield's Place In English Poetry;"One can think of no other poet since Chaucer so purely English in derivation and in spirit. His intense nationalism has no doubt contributed to the marking down of his talents in some critical quarters, for nationalism nowadays receives a cold scrutiny. Masefield's is of the kind that will not be stared down. Its basis is spiritual, in. . . the heartfelt things past-speaking dearTo unknown generations of dead men.Out of that nationalism of his came the noblest utterance in poetry that the War brought forth. If Masefield had written nothing else besides "August, 1914," his name would be remembered among the English poets. No blustering patriot, no facile glorifier of war, wrote those lines. If men died for love of England they also . . . died (uncouthly, most) in foreign landsFor some idea but dimly understoodOf an English city never built by handsWhich love of England prompted and made good.The mood in which Masefield watched the approach of war, as it is here recorded, is not the eager consecration to which young men like Rupert Brooke gave expression. Masefield's poem has lost nothing of its poignancy in the aftermath of disillusion, because it was written from an embracing vision. It does not ennoble war; it merely perceives it as the agency through which men reach down intoThe depths and sunken gold of being alive." • Issue of Harper's Weekly (12 September 1914) with the "August, 1914"poem. First American publication probably after the September 1 issue of The English Review.• Book with signed drawing of Masefield, 5 June 1931, matching the frontispiece sketch) and American ed. of (New York: Macmillan, 1914), both in very good condition in slightly chipped jackets, with the poem; • Book; English ed. of Philip the King and Other Poems (London: William Heinemann, 1914); • ALS to Mr. Cross, n.d., stating that he hopes to be at the Library on Wednesday and will have to leave after the reading.• ALS to Mrs. or Miss Packard, thanking her for the ticket and hoping to meet her when he comes to the Club (with news clipping of Masefield's poem on Queen Elizabeth's marriage). • TLS to Hilda E. Woodruff, 28 March 1929, in appreciation that his poems have been read by her class of students. • TLS with envelope, post-marked 19 May 1939, to John Chester Adams, Professor of English at Yale University, stating that he is "sending off a book to Mr. Wilcox, with a letter about the poem which you sent to me with your letter of the 2nd of May." • TLS to Mr. Blayney, n.d., thanking him for his letter and the setting of music ("Alas, I am not musical, and must send this back unheard.") and advising him to apply to the Society of Authors. • B&W photo of Masefield looking at a book and standing by a book shelf ("At Home with Poet Laureate in His Eighteeth Year"), Keystone Press Agency, [1958]. Books and documents housed in a light green cloth pictorial clamshell box.John Masefield (1878-1967). Laureate 1930-67. Born in Ledbury, Herefordshire, England, Masefield apprenticed to be a merchant marine officer. While training, he became ill in Chile, returned to England, then worked in factories and bars in the United States. In 1897 he returned to England, working on newspapers and his own writing (poems, stories, and plays). Masefield published his first volume of poems in 1902. He served during World War I in the Red Cross in France and on a hospital ship at Gallipoli. His simple and moving poems include the famous "August 1914"This collection is on consignment with LDRB.

      [Bookseller: Lord Durham Rare Books (IOBA)]
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        Verve Vol IX, Nos 35-36, 1958: The Last Works of Matisse 1950-1954/Dernieres Oevres de Matisse 1950-1954

      Paris: Revue Verve, 1958 Hardcover First edition. Complete Very Good+ hardcover with light wear to the extremities and a moderate bump to one tip; none of the gatefolds are creased. The French edition was not issued with a dust jacket but this copy has a clear acetate wrap which is chipped and torn but has protected the covers over the years. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The summer 1958 issue of Verve, Vol. IX, No. 35-36, the penultimate issue of the famed arts magazine devoted entirely to the last works made by Henri Matisse, between 1950 and his death at the end of 1954. The volume is a work of art itself with 40 bound-in lithographs printed by Mourlot Freres (8 of which are double-page, 2 are three-page, and 3 are four-page) and 38 heliogravure plates finely printed by Draeger Frere (who also printed the text pages.) The cover was reportedly designed by Matisse and the process of converting his cut-outs to lithographs began under his supervision in 1954. Essays by Pierre Reverdy and Georges Duthuit; edited by Teriade (Stratis Eleftheriades.) 186 pages with 8 gatefolds; 40 full-page or multi-page color and b&w lithographs + 38 full-page offset-printed b&w plates; 10.5 x 14.25 inches. Text in French. Due to size and weight, international and expedited shipping will be more than quoted.

      [Bookseller: A&D Books]
 26.   Check availability:     Biblio     Link/Print  


        Nouveau théatre d'opérations dans la culture

      Paris: Section française de l'I.S., , 1958. Ottimo (Fine). Volantino originale della sezione francese dell'Internazionale Situazionista con la presentazione del programma artistico del movimento (''La dissolution des idees anciennes va de pair avec la dissolution des ancienness conditions d'existence''). In bianco e nero una veduta aerea di Parigi. Senza data ma risalente al gennaio del 1958 [Gérard Berreby, ''Textes et documents situationnistes: 1957-1960'']. Folio (Cm 40x21). . Ottimo (Fine). .

      [Bookseller: Studio Bibliografico MArini]
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        Nervenruh! Keine Experimente!

      Munchen: Die Situationistische Internationale, , 1958. Ottimo (Fine). Primo manifesto della sezione tedesca dell'Internazionale Situazionista, pubblicato il 1 gennaio 1958 a Monaco, che annuncia la propria nascita. Firmato da Asger Jorn e Hans Platschek. Stampato in nero su foglio fucsia. [Gérard Berreby, ''Textes et documents situationnistes: 1957-1960'']. Cm 30 x 21. . Ottimo (Fine). .

      [Bookseller: Studio Bibliografico MArini]
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        OUR MAN IN HAVANA

      

      [Bookseller: Lucius Books]
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        Breakfast at Tiffany's

      Random House, 1958 A fine first edition in a fine dust jacket, signed by Truman Capote on a tipped-in page. First Printing stated on the copyright page. Original price and date code on front flaps of the dust jacket. Housed in a custom-made collector's slipcase.. Signed by Author(s). 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
 30.   Check availability:     Biblio     Link/Print  


        Broad Peak 8047 m. Meine Bergfahrten mit Hermann Buhl. Mit 60 teils mehrfarbigen Kunstdruckbildern auf Tafeln sowie 5 Kartenskizzen und graphischen Darstellungen.

      Salzburg u.a., Das Bergland-Buch, 1958. 359 + 6 S. OLwd. m. OSch. EA. Mit der Traueranzeige aus den Salzburger Nachrichten und der Blattes des Alpenvereines sowie zum 70.Geburtstag und einem Artikel zum Broad Peak 2007. - OSch. m. kl. Läsuren. Im Ganzen leichte Gbrsp., schönes Exemplar. - Mit dem seltenen Schutzumschlag dieser alpinen Rarität. Versand D: 7,00 EUR Alpinismus

      [Bookseller: Antiquariat Weinek]
 31.   Check availability:     buchfreund.de     Link/Print  


        SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1958 - 59

      

      [Bookseller: Tavistock Books, ABAA]
 32.   Check availability:     Biblio     Link/Print  


        Lolita

      Paris: Olympia Press. Very Good. FIRST EDITION of one of the most important novels of the twentieth century. WITH IMPORTANT PROVENANCE: From the Bureau Littéraire Clairouin, Nabokov's literary agency who was instrumental in its publication. "Vladimir Nabokov is an artist of the first rank, a writer in the great tradition ... [and] Lolita is probably the best fiction to come out of this country (so to speak) since Faulkner's burst in the thirties. He may be the most important writer now going in this country. He is already, God help him, a classic" (Critic Conrad Brenner, in 1958).Controversial since its conception, Lolita was rejected by American publishing houses until finally accepted by the avant-garde Olympia Press in Paris and published in a fragile two-volume format.First issue, with 900 Francs on rear wrappers and no evidence of later price sticker.WITH IMPORTANT PROVENANCE: with stamp of the Bureau Littéraire Clairouin, Nabokov's literary agency, on front free endpaper of each volume.Nabokov on the Bureau Littéraire Clairouin and the publication of Lolita:"Lolita was finished at the beginning of 1954, in Ithaca, New York. My first attempts to have it published in the US proved disheartening and irritating. On August 6 of that year, from Taos, New Mexico, I wrote to Madame Ergaz, of the Bureau Littéraire Clairouin, Paris, about my troubles. She had arranged the publication in French of some of my Russian and English books; I now asked her to find somebody in Europe who would publish Lolita in the original English. She replied that she thought she could arrange it. A month later, however, upon my return to Ithaca (where I taught Russian Literature at Cornell) I wrote to her saying I had changed my mind. New hopes had arisen for publication in America. They petered out, and next spring I got in touch with Madame Ergaz again, writing her (Feb. 16) that Sylvia Beach 'might perhaps be interested if she still publishes.' This was not followed up. By April 17 Madame Ergaz had received my transcript. On April 26, 1955, a fatidic date, she said she had found a possible publisher. On May 13 she named that person. It was thus that Maurice Girodias, [founder of The Olympia Press], entered my files…" (Nabokov in Strong Opinions).Paris: Olympia Press, 1955. Octavo, original green paper wrappers; custom box. Two volumes. A little edgewear and a few spots of soiling, usual spine creases. An excellent copy with an important provenance of the rare first issue.

      [Bookseller: The Manhattan Rare Book Company ]
 33.   Check availability:     ABAA     Link/Print  


        Binder Trade Marks Schutzmarken von Binder,

      New York, Los Angeles, Montevideo, Beilstein/Wttbg, An Expo Publication, 1958. 1. Auflage, Überwiegend illustriert, ca 85 Seiten (unpaginiert), 4°, beiges illustriertes O Ln im OFolienumschlag SEHR SELTEN! Beiliegend kleine Mappe mit Porträt Josef Binders und Arbeitsproben. Gutes Exemplar. Joseph Binder (* 3. März 1898 in Wien; † 25. Juni 1972 in Wien) war ein österreichischer Grafikdesigner. Von 1922 bis 1926 studierte Joseph Binder Malerei an der Kunstgewerbeschule in Wien bei Berthold Löffler. Er gründete 1921, parallel zu seiner Ausbildung, gemeinsam mit Elisabeth (Lilly) Auböck, Adolf Streit und Friedrich Tauber das nach den Gründungsmitgliedern benannte Grafikatellier ESBETA, das er 1924 als Atelier Joseph Binder – Wiener Graphik weiter führte.Mit Aufträgen von Meinl, Persil, Arabia Kaffee und mit Fremdenverkehrsplakaten etablierte Binder sich als einer der führenden Gebrauchsgrafiker Österreichs. 1934 unterrichtete er in den USA und brachte sein Buch Colour in Advertising heraus. Nach seiner endgültigen Emigration 1938 richtete er in New York ein neues Studio ein.Seit 1996 wird in Österreich jährlich der Joseph Binder Award von designaustria ausgeschrieben. In diesem internationalen Design-Wettbewerb werden in zwei Kategorien Preise und Auszeichnungen vergeben: die Gestaltungsbereiche Grafik-Design & Illustration (2D) im eigenständigen Wettbewerb sowie Raumgestaltung (3D) als Kategorie im Rahmen des Adolf Loos Staatspreises Design im Bereich Produkt-Design. (Quelle: Wikipedia u.a.) Versand D: 5,00 EUR VR 43418, Werbung, i

      [Bookseller: Antiquariat im Baldreit]
 34.   Check availability:     buchfreund.de     Link/Print  


        The Carpentered Hen (Signed)

      NY: Harper & Brothers, 1958. Previous owner's neat name/address to top of ffep. Bound in black cloth and grey boards. Beautiful copy of this, the first edition of the author's first book. In the first state dustwrapper which final sentence ends in "and two small children". Signed by Mr. Updike on a bookplate affixed to the half-title page. One of only 2000 copies in the first edition.. Signed by Author. First Edition. Hard Cover. Near Fine/Near Fine.

      [Bookseller: abookshop]
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        I Wanted to Write a Poem (Signed)

      Boston: Beacon Press, 1958. Housed in a VG+ dustwrapper that shows some chipping to extremes, but is overall bright and whole. This book is inscribed by the interviewer, Edith Heal, to Walter Mielcke and then Ms. Heal (who was a long time Rutherford writer/friend of W. C. Williams), had Mr. Williams sign the book (in a stroke-shaken hand) across the front free endpaper. Signed books by Mr. Williams are becoming exceedingly hard to locate. 99 pp.. Signed by Author. First Edition. Hard Cover. Near Fine/Very Good +.

      [Bookseller: abookshop]
 36.   Check availability:     Biblio     Link/Print  


        Progress in Medical Virology/ Fortschritte der medizinischen Virusforschung/ Progrès en Virologie médicale (CONVOLUTE of 30 vols./ KONVOLUT aus 30 Bänden) - Bd. 1 - 30.

      Karger; 1958 - 1984. - Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Schnitt und Einband sind etwas staubschmutzig; Der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 30 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; ENGLISCH! Sprache: Englisch Gewicht in Gramm: 15000

      [Bookseller: Petra Gros]
 37.   Check availability:     AbeBooks     Link/Print  


        Autograph Quotation Signed.

      - This legendary R & B tenor hit the charts in the mid-50s with the Drifters and such hits as "Money Honey," "Such a Night" and "Honey Love" before going solo. AQS, 1p, irregularly-trimmed (roughly rectangular) 8" X 4½", n.p., n.d. [January 1958]. Very good. Yellowed tape stain at each corner and two more small tape stains along right edge, touching slightly upon a couple of words. Curious free verse poem or song lyrics -- whether to one of McPhatter's published songs is uncertain. "I want to walk in the shadow of your arms," it begins. "I want to live by the touch of your lips. I want to be in the River with you, while the sea's calm, I want to live and love I don't want to miss. I want to live with a love that's divine, I want to be with you and give you all my love. I want to say that you are mine. I want to ask faith from the one above." Boldly signed at the conclusion. An unheard-of McPhatter rarity, quite intriguing and exceedingly scarce -- and worthy of further research. The alcoholic McPhatter died of a heart attack at age 39, making his autograph material quite uncommon. [Attributes: Signed Copy]

      [Bookseller: Main Street Fine Books & Mss, ABAA]
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        Dr No

      London: Jonathan Cape,, 1958. Octavo. Original black boards, titles to spine silver. With the dust jacket. An exceptional copy in the jacket with a little rubbing and small nick to fold of front flap. First edition, first impression, first state, binding A, in Type B cloth (Linson). The binding is without the "Honeychile" silhouette; this was later added to the front cover to bring it in line with other titles in the series with designs on the front board.

      [Bookseller: Peter Harrington]
 39.   Check availability:     Biblio     Link/Print  


        Richter, Hans Theo. - "Mutter, ihr schlafendes Kind im rechten Arm".

      - Lithografie / Kreidelithografie, auf Maschinenbütten, 1958. Von Hans Theo Richter. Auflage Exemplar Nr. 42/100. 34,0 x 25,1 cm (Darstellung) / 48 x 31,5 cm (Blatt). Schmidt 396. Unterhalb in Bleistift signiert. Am Blattrand rechts unten Auflagenbezeichnung. - Tadellos erhalten. Hans Theo Richter (1902 Rochlitz ? 1969 Dresden). Deutscher Maler und Grafiker. 1919?23 Studium an der Kunstgewerbe-Akademie in Dresden. 1926?31 Studium an der Dresdner Kunstakademie u.a. bei Richard Müller, Meisterschüler von Otto Dix. 1929 bezog er ein Atelier in Dresden. Ab 1932 freischaffend. Freundschaft mit Karl Kröner und Paul Wilhelm. Ab 1932 Mitglied im Deutschen Künstlerbund. 1933 Auszeichnung mit dem Rompreis des Deutschen Künstlerbundes. 1938 Auszeichnung beim Internationalen Graphikwettbewerb in Chicago. 1941 Dürer-Preis der Stadt Nürnberg. 1943 Besuch bei Käthe Kollwitz in Berlin. 1944?46 Dozent für Grafik an der Staatlichen Akademie für Grafische Künste und Buchgewerbe in Leipzig. 1947?67 Professor für Grafik an der Hochschule für Bildende Künste Dresden. Freundschaft mit Josef Hegenbarth und Wilhelm Lachnit. 1956 Berufung zum ordentlichen Mitglied der Deutschen Akademie der Künste zu Berlin. 1959 Wahl zum ordentlichen Mitglied der Bayrischen Akademie der Schönen Künste in München. 1965 Burda-Preis für Grafik in München und Nationalpreis der DDR. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 40.   Check availability:     ZVAB     Link/Print  


        L'attente

      Botteghe Obscure 1958 - - Botteghe Obscure, Roma 1958, 14x23,5cm, agrafé. - Edition originale imprimée à petit nombre de ce tiré à part. Précieux envoi autographe signé de Maurice Blanchot : "Que votre amitié veuille bien accepter passagèrement ce commencement extrait d'un récit, peut-être destiné à rester inachevé, votre Maurice." Rare et agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition originale imprimée à petit nombre de ce tiré à part. Précieux envoi autographe signé de Maurice Blanchot : "Que votre amitié veuille bien accepter passagèrement ce commencement extrait d'un récit, peut-être destiné à rester inachevé, votre Maurice." Rare et agréable exemplaire. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Fouque und einige seiner Zeitgenossen. Biographischer Versuch.

      Darmstadt, J.G. Bläschke Verlag, 1958,. - 587(4) S., OBroschur. Auflage: 1000 Exemplare. Auf dem Titelblatt mit Kugelschreiber eine mehrzeilige handschriftliche Widmung. Datiert (Bargfeld (?), am 20. VIII. 59) und von Schmidt signiert. WG 2.15. Reihe: tendenz und experiment. Gutes Exemplar. Empfindliche Broschur und fragile Leimbindung. Der Einband lichtrandig. In dieser Form sehr selten. Einbandgestaltung von Gisela Andersch. Handsigned and dedicated by the author. Very rare. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Uta-Janine Störmer]
 42.   Check availability:     ZVAB     Link/Print  


        50 Years of Westvaco Christmas Classics Archive

      West Virginia: MeadWestvaco, West Virginia Pulp and Paper Company. 1958-2007. A collection of 50 books in the Mead-Westvaco American Classics Series also known as The Westvaco Christmas Classics published consecutively between 1958 and 2007. The titles are all octavos in decorated slipcases, near fine with some toning and tiny tears. The volumes were sent out as a limited edition at Christmas by the West Virginia Pulp and Paper Company, later MeadWestvaco. Each title is an American Literary Classic that include notable authors such as Benjamin Franklin, Edgar Allan Poe, Herman Melville, F. Scott Fitzgerald, and Langston Hughes. Each book features an artfully produced binding and custom illustrated slipcase; later volumes in the series also include interactive extras such as DVDs and music CDs. A handsome collection of 50 years of limited editions. The complete list is available upon request. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        LES AMERICANS: PHOTOGRAPHIES DE ROBERT FRANK

      (FRANK, ROBERT). Frank, Robert & Alain Bosquet. LES AMERICANS: PHOTOGRAPHIES DE ROBERT FRANK. Paris: Robert Delpire, Editeur, 1958. First Edition. Oblong 8vo. Illustrated Boards. Photography Monograph. Very Good -/No Jacket - As Issued. 174pp, 83 b&w illustrations. Text in French. In a protective clear acetate dustwrapper. "The Americans" is the iconic book that established transplanted Swiss photographer/filmmaker Robert Frank's reputation as one of the great socially conscious post-war essayists. Frank's images reveal America as an emerging cold war superpower wrestling with its past as it hurtles toward a decade of tumultuous change. This French edition - "Les Americains" - was published under the supervision of Robert Delpire the year before the American Grove Press, Inc. version, and is the first appearance of Frank's landmark classic in book form. It features a cover illustration by Saul Steinberg, and a lengthy text by poet Alain Bosquet in place of Jack Kerouac's later jaunty contribution. An internally bright, handsome example of the uncommon true first edition (cited on page 39 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 332-333 of The Hasselblad Center's "The Open Book", and pages 252-253 of "The Book of 101 Books") showing overall very light wear and handling to the glazed boards, a bit of trivial soiling on bottom edge of the textblock, and age-toning along the spine. Additionally, there is some starting of the top front hinge and laminate of the front cover with a tiny spot of fraying alongside at the head of the spine. All in all this is an unusually nice copy of a significant book that has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025044

      [Bookseller: Arcana: Books on the Arts]
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        SOCIETE PARITYS Et Les TISSUS LEBOTYS. Collection Hiver 1958 - 59....

      Paris: Societe Paritys / Lebotys, 1958. 80 pp. 12 color fashion drawings; ~590 pasted and tipped-in fabric samples 16-1/8" x 12-1/8" Light extremity wear to boards; bumping to upper corner of front board; short split to front and rear joints. Page block lightly foxed, foxing/spotting scattered throughout. Few white nylon fabric samples discolored by paste beneath. Fabric samples otherwise clean and bright, with only minor occasional creasing/fraying. Overall, VG....

      [Bookseller: Tavistock Books]
 45.   Check availability:     Direct From Bookseller     Link/Print  


        M.S. Hosanger. Kockums Mek. Verkstads AB, Malmø. Sjösättning: 16.4.1958. Gudmoder: Fru Elsa Lundeqvist.

      [Bergen 1958]. Liten tverr-4to. Oppklebete fotografier, på kartong, fra sjøsettningen (29), fra middagen (13) + "Placeringslista" og "Menu", fotografier (18) fra "lunchen för Dir. G. Lundeqvist den 21 april 1958" + "Placeringslista", samt fotograferte oversikt (7) over Kockums Mek. Verkstads 449 nybygg i perioden 1873-1960. Samtidig meget fint helskinnb. i orig. kassett

      [Bookseller: Ruuds Antikvariat]
 46.   Check availability:     Antikvariat     Link/Print  

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