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Displayed below are some selected recent viaLibri matches for books published in 1954

        Shane

      NY: Houghton Mifflin, 1954. Book. Illus. by John McCormack. Very Good. Hardcover. Signed by Author(s). 1st Illustrated Edition. 8vo.. Minor foxing at boards and end papers, else very nice..

      [Bookseller: Peter Austern & Co. Books & Ephemera / B]
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        Die Fragmente der Griechischen Historiker. (F GR HIST). 19 Bände.

      Leiden E J Brill 1954 - (24,5 x 16 cm); gr.8°; Orig.-Leinwandbände. (1) Erster Teil: Genealogie und Mythographie. A. Vorrede. Text. Addenda. Konkordanz. Photomechanischer Nachdruck des vermehrten Neudruckes von 1957. Brill 1968. (2) Erster Teil.: Genealogie und Mythographie. A. Kommentar. Nachträge. Photomechanischer Nachdruck des vermehrten Neudruckes von 1957. Brill 1968. (3) Zweiter Teil: Zeitgeschichte. A. Universalgeschichte und Hellenika. Photomechanischer Nachdruck. Brill 1961. (4) Zweiter Teil: Zeitgeschichte. B. Spezialgeschichten, Autobiographien und Memoiren. Zeittafeln- Zweite und vierte Lieferung. Kommentar zu Nr. 106-261. Photomechanischer Nachdruck. Brill 1962. (5) Zweiter Teil: Zeitgeschichte. B. Spezialgeschichten, Autobiographien und Memoiren. Zeittafeln. Photomechanischer Nachdruck. Brill 1962. (6) Zweiter Teil: Zeitgeschichte. B. Spezialgeschichten, Autobiographien und Memoiren. Zeittafeln. Zweite und vierte Lieferung. Kommentar zu Nr. 106-261. Photomechanischer Nachdruck. Brill 1993 (7) Zweiter Teil: Zeitgeschichte. C. Kommentar zu Nr. 64 - 105. Photomechanischer Nachdruck. Brill 1963. (8) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). A. Nr. 262-296. Text. Autoren ueber verschiedene Staedte(Laender). Photomechanischer Nachdruck. Brill 1964. (9) Dritter Teil: Geschichte von Staedten und Voelkern (Horographie und Ethnographie). A. Kommentar zu Nr. 262-296. Photomechanischer Nachdruck. Brill 1964. (10) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). B. Autoren ueber verschiedene Staedte(Laender). Nr. 297-607. Photomechanischer Nachdruck. Brill 1964. (11) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). B. Kommentar zu Nr. 297-607. (Text). Photomechanischer Nachdruck. Brill 1969. (12) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). B. Kommentar zu Nr. 297-607. (Noten). Photomechanischer Nachdruck. Brill 1969. (13) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). B. (Supplement). A Commentary on the ancient Historians of Athens. (Nos. 323a-334). Volume I: Text. Photomechanischer Nachdruck. Brill 1954. (14) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). B. (Supplement). A Commentary on the ancient Historians of Athens. (Nos. 323a-334). Volume II: Notes. Addenda. Corrigenda. Index. Photomechanischer Nachdruck. Brill 1954. (15) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). C. Autoren ueber verschiedene Staedte(Laender). Nr. 608a-856. (Erster Band: Aegypten - Geten, Nr. 608a-708). Photomechanischer Nachdruck. Brill 1958. (16) Dritter Teil: Geschichte von Staedten und Voelkern. (Horographie und Ethnographie). C. Autoren ueber verschiedene Staedte(Laender). Nr. 608a-856. (Zweiter Band: Illyrien - Tharkien, Nr. 709-856). Photomechanischer Nachdruck. Brill 1969. (17) Part Four: Biography and antiquarian Literature. Edited by G. Schepens. IV A: Biography. Fascicle 1: The Pre-Hellenistic Period by J. Bollansee, J. Engels, G. Scheppens, E. Theys. Brill 1998. (18) Part Four: Biography and antiquarian Literature. Edited by G. Schepens. IV A: Biography. Fascicle 3: Hermippos of Smyrna by Jan Bollansee. Brill 1999. (19) Part Four: Biography and antiquarian Literature. Edited by G. Schepens. IV A: Biography. Fascicle 7. Imperial and undated Authors by J. Radicke. Brill 1999. Schnitte sind angestaubt und teils stockfleckig, ebenso einzelne Vorsätze . Einige Einbände mit Gebrauchsspuren, 1 Kapital ist berieben. * Versand mit/ shipping with Deutsche Post oder/ or DHL. - Ask for more pics ! * 21000 gr.

      [Bookseller: Heinrich Heine Antiquariat oHG]
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        THE SECOND WORLD WAR.

      - Volume One. The Gathering Storm. Volume One. The Gathering Storm. [Volume Two. Their Finest Hour; Volume Three. The Grand Alliance; Volume Four. The Hinge of Fate; Volume Five. Closing the Ring; Volume Six. Triumph and Tragedy.] «Chartwell» Edition. London. Educational BooK Company Ltd. [1954]. De 25x18 cm. 6 Volumes com xx, 641 +xx, 592 + xx, 725 + xx, 802 + xx, 587 + xx, 619 págs. Encadernações do editor com busto do autor em baixo relevo e títulos de cada volume nas pastas anteriores, lombadas decoradas com ferros a ouro. Obra muito ilustrada no texto e em extratexto com gravuras a cores e a preto e branco e mapas em folhas desdobráveis. Todos os volumes incluem prefácios do autor e o primeiro volume tem o prefácio do autor para esta 2º edição revista. Pormenorizada descrição da história da Segunda Guerra Mundial do ponto de vista de um dos mais importantes dirigentes das potências democráticas. Churchill marcou a história de forma indelével devido principalmente à sua capacidade de resistir a todos os falhanços que enfrentou durante a sua longa carreira política e á coragem com que fez frente, sozinho durante 1939-1941, à Alemanha. Várias referências a Portugal, Salazar, Cabo Verde, Açores e Moçambique. Importante fonte histórica, com qualidade literária, para o conhecimento da 2ª Guerra Mundial e da posição de Portugal durante o conflito. Location/localizacao: 8-4-G-24

      [Bookseller: Livraria Castro e Silva]
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        Mandrágora rey de gitanos

      Ediciones Mandrágora, Santiago de Chile 1954 - Ej. 71/500 signed and Inscribed by the author. 1 volumen(es)/volume(s) 83 páginas [Attributes: Signed Copy]

      [Bookseller: Libreria de Antano (ILAB & ABA Members)]
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        Per l'Italia per l'Europa per la pace Discorso pronunciato alla camera dei deputati il 16 ottobre 1954

      TIPOGRAFIA DELLA CAMERA DEI DEPUTATI, ROMA 1954 - ITALIANO pubblicazione in brossura con legatura spillata, copertina in cartoncino stampato con aloni, copia ex biblioteca

      [Bookseller: Biblioteca di Babele]
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        AUTOGRAPH LETTER SIGNED from James Michener to Pearl Buck

      23 June 1954, Tinicum, PA - Superb AUTOGRAPH LETTER SIGNED on Michener's personal 6" x 7" stationery to fellow Pennsylvanian Pulitzer Prize-winning author Pearl Buck. In full: "Dear Pearl Buck, I was delighted when Richard [Walsh, Buck's husband] told me that your biographical summary [her autobiography, MY SEVERAL WORLDS] was to be a Book of the Month. We need such a book. [Michener's first book, TALES OF THE SOUTH PACIFIC, was a Book of the Month in 1947]. I have just been reading Lafcadio Hearn and realize with a violent start how much he saw back in 1904. Common sense and honest observation do count for something, and I think yours is of his quality. Sincerely, Jim Michener." From The Charles E. Sigety Collection of Fine Printed Books and Americana sold at Christie's in 2015 Horizontal crease at center from mailing. Fine [Attributes: Signed Copy]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Birds of Arabia. Edinburgh, Oliver and Boyd, 1954.

      1954. 4to. XIII, (1), 624 pp. With 19 colour plates, 9 photographic plates, 53 text illustrations, 35 text maps, and a folding map of the Arabian Peninsula (48 x 50 cms) in a lower cover pouch. Publisher's original orange cloth with green spine title; no dust jacket. First edition of the author's magnum opus. - Stamp of the Göteborgs Museum (Zoological Dept.) on flyleaf; in excellent condition. OCLC 1836187.

      [Bookseller: Antiquariat Inlibris]
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        EDILIZIA POPOLARE. Rivista bimestrale dell'Associazione Nazionale fra gli Istituti Autonomi per le Case Popolari. Direttore: Camillo Ripamonti.

      Roma,, 1954-1959.. In-4, 5 voll., mz. tela con ang. Di questa rivista bimestrale, ca. 70/100 pagg. cad. numero, illustrata in b.n. e a colori e con tavv. f.t., offriamo una raccolta completa delle prime 5 annate: dal 1954 (Anno I, n. 1, novembre) al 1959 (n. 31, novembre/dicembre). Mancano le copertine di tutti i fascicoli. Solo alcuni numeri con qualche abras. altrim. esempl. ben conservato.

      [Bookseller: Bottega delle occasioni]
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        Carmen Jones (Original photograph of Dorothy Dandridge and Harry Belafonte from the 1954 film)

      Los Angeles: Twentieth Century-Fox, 1954. Vintage double weight borderless oversize still photograph of Dorothy Dandridge and Harry Belafonte from the set of the 1954 film. Based on the 1943 Rodgers and Hammerstein musical, which in turn was based on the 1875 opera by Georges Bizet, itself based on a 1845 novella by Prosper Mérimée. Nominated for the Palme d'Or at Cannes, as well as two Academy Awards, including one for Dandridge, making her the first African American to receive a nomination for Best Actress. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp and holograph notations on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images. Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009. Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?" Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 10.25 x 12.5 inches (26 x 32 cm). Near Fine, with light creasing to the corners. National Film Registry. Hirschhorn, p. 342.

      [Bookseller: Royal Books, Inc.]
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        Carmen Jones (Original photograph of Dorothy Dandridge from the set of the 1954 film)

      Los Angeles: Twentieth Century-Fox, 1954. Vintage double weight borderless still photograph of Dorothy Dandridge from the set of the 1954 film. Based on the 1943 Rodgers and Hammerstein musical, which in turn was based on the 1875 opera by Georges Bizet, itself based on a 1845 novella by Prosper Mérimée. Nominated for the Palme d'Or at Cannes, as well as two Academy Awards, including one for Dandridge, making her the first African American to receive a nomination for Best Actress. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images. Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009. Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?" Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 6 x 9.75 inches (15 x 25 cm). Fine. National Film Registry. Hirschhorn, p. 342.

      [Bookseller: Royal Books, Inc.]
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        Les Fondements du Judo par Yves KLEIN, Quatrième Dan du Kodokan. Préface de Ichiro Abe.

      Paris, Bernard Grasset, 1954.

      [Bookseller: Solstices Rare Books]
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        The Lord of the Rings, 1st UK Edition, 1st Impressions, Fine Red Leather Binding with Slipcase

      London: Allen & Unwin, 1954. First Edition. Full-Leather. Near Fine/No Jacket. J.R.R. Tolkien. 8vo - over 7¾" - 9¾" tall. The Lord of the Rings, by J.R.R. Tolkien. Published by George Allen and Unwin, 1954/54/55 1st UK Edition, all 1st impressions. The Fellowship of the Ring is a 1st impression published July 29th, 1954, one of 3000 printed for the UK. The Two Towers is a 1st impression published November 11th, 1954, one of 3250 printed for the UK. The Return of the King is a 1st impression published October 20th, 1955, one of 7000 printed for the UK. This copy is the Later State, as per Wayne Hammond's revised opinion, with the signature mark '4' and does have the slipped type on page 49. Correspondence with Wayne Hammond has indicated he revised his original definition of the 1st state, showing the slipped type and a signature mark "4" on page 49, in the Tolkien Bibliography, making this the Later State. All original maps are present and in Near Fine condition, no tears or extra folds, both the Fellowship and Two Towers maps show the 1st State point of a red dot off the Coast of Umbar. A beautiful set of first editions of this classic of fantasy literature, with no previous owners names or marks to any of the books. The set is recently rebound in Red Morocco Leather, all edges trimmed and the top edge stained red. The set is further characterized by matching cream colored endpapers, and is housed in a custom red cloth covered slipcase. The boards of the books feature dual embossed rules around the edges, with the spine gilt stamped with the titles, author, and published dates. All are very clean and bright, with a couple of small smudges on occasional page margins, no foxing or offsetting, and none have any writing or signatures. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / No Jacket.

      [Bookseller: The Tolkien Bookshelf]
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        A Fable

      New York: Random House, 1954 First edition, first printing. Publisher's original burgundy cloth, with three cross illustrations stamped in blind and black to the front board, light pink and metallic silver lettering to the spine; original dust jacket designed by Riki Levinson. A fine copy; unclipped dust jacket, with only a minor nick to the front panel, else bright and clean. Overall, a near fine and very handsome copy. Petersen A37.2b Written over the course of nine years from December 1944 through November 1953, A Fable is, as Random House proclaims, "the crowning achievement of William Faulkner's distinguished career." Partly based on the author's experience as a pilot during World War I, the plot is set in the trenches of France. The story takes place over the course of seven days and examines the internal conflicts each man must go through, a point which is emphasized by the parallels Faulkner draws between Corporal Stephan's struggles and the week-long Passion of Jesus Christ before his crucifixion. A Fable won both the Pulitzer Prize and the National Book Award.. 1st Edition.. Hard Cover. Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Les Appartements du Baron de Rede en L'Hotel Lambert, Isle Saint-Louis [INSCRIBED].

      Editions du Rocher 1954. First edition. Limited to 550 copies, this being no. 96 of 500 examples 'sur papier offset pour le texte et sur papier couche pour les illustrations'., Monaco - White paper wrappers, matching card chemise and slipcase with paper label pasted to front board. Unpaginated [40 pages]. Signed and inscribed by the Baron de Rede to the half-title - 'pour Monsieur Edwards / avec mes pensees les meilleurs / Alexis de Rede. / le 6. vii. 56.' 13 charbon photographs, tipped-in. 0.55kg. French. Near fine; very faint offsetting to wrappers; some browning to spine of chemise; browning to slipcase with light surface marks to white paper covering; an excellent copy of a delicate item. A presentation copy of a 1954 tribute to the Baron de Rede's magnificent Hotel Particulier. The main body of the book is composed of 13 photographs taken by Jean Vincent of the exterior and apartment rooms of the Hotel Lambert, transformed and restored by Rede in the preceding years. The residence was a society hub and the location for the Baron's infamous costumed balls. The photographs are preceded by two essays, 'La Chanson de l'Isle Saint-Louis' by Princesse Bibesco and 'Heurs, Malheurs et Bonheurs de l'Hotel Lambert' by Rene Heron de Villefosse. Beaux Books specialises in vintage, collectable and luxury books on art, design, fashion and style. All our books are in stock unless otherwise stated. Please contact us if you require any further information or need help in finding a book. Buy with confidence from an experienced bookseller. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Beaux Books, ABA, ILAB, PBFA]
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        Find a Victim

      Alfred A. Knopf, 1954 Near fine in a very good dust jacket. First Edition stated on the copyright page. Original price of $2.75 printed on the front flap of the dust jacket. Previous owner's name inscribed on the front free endpaper. A nice, bright, square copy. Minor edge wear. Dust jacket has some chipping at the corners and spine ends. A closed tear on the bottom of the front panel. Light soiling. Comes housed in a custom slipcase.. 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Das Auge der Liebe.

      Turnus Verlag, Zürich 1954 - Zürich, Turnus Verlag, 1954. Quer-4°. (18) Bl. Mit 25 Fotografien von René Groebli. Illustr. Orig.-Broschur mit Pergaminschutzumschlag. e-HLS. - SIKART. - René Groebli (*1927), Zürcher Fotograf und ausgebildeter Kameramann. War von 1951-53 Reportagefotograf in Afrika und im Nahen Osten für die Londoner Bildagentur Black Star und hatte von 1955-81 ein eigenes Studio für Werbe- und Industriefotografie. - Schutzumschlag leicht berieben. Vorsätze mit Stockfleckchen. [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        Enciclopedia dello spettacolo.

      Le Maschere, 1954-66. 10 voll., in 8°, p. tela ed. , ogni vol. è di ca. 1600 pp. con numerose ill. a colori. Lettere e fregi ai d. in o. Il 10° vol. è l' aggiornamento 1955 - 1965.

      [Bookseller: Libreria Cicerone M.T.]
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        [Leningrad in the Days of the Great Patriotic War.]

      [c.1954]. Portfolio. Original card folder, front with titles gilt and woodcut illustration. Single text bifolium and 18 woodcut plates within. Covers a little rubbed and spotted, the plates entirely clean. Very good condition overall. A handsome and scarce survival, this complete portfolio containing 18 large woodcuts of Leningrad during the Second World War by Russian-Jewish artist Solomon Iudovin (Yudovin in Yiddish - 1892-1954). He had been a peer of Marc Chagal in St Petersberg, though dedicated his art to more political and ethnographic themes, and the perfection of the woodcut technique. During the Second World War he lived in besieged St Petersburg and produced this portofolio, his last great work.

      [Bookseller: Peter Harrington]
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        CAKES and ALE: or The Skeleton in the Cupboard

      London: Heinemann, [1954]. Limited Edition. 1/4 Leather. Near fine in near fine clear wrapper in near fine slipcase. First signed limited edition #969/1000; signed by Maugham and illustrator on limitation page. 8vo (9 1/2 in. tall). Original lithograph and decorations by Graham Sutherland. Publisher's binding, clear wrapper and slipcase. White quarter calf over blue cloth ruled in gilt; spine with morocco label titled and ruled in gilt. Top edge gilt; others untrimmed. Novel. Some pages uncut. Spine ends with faint wear, else fine. Clear wrapper with two corners chipped, else fine. Publisher's black paper slipcase with two corners lightly rubbed, else fine. Exceptional copy in celebration of Maugham's 80th birthday (Maugham lived to be 91). Maughamiana 26.

      [Bookseller: EXCELSA SCRIPTA Rare & Collectible Books]
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        CRISTO SI E' FERMATO A EBOLI

      EINAUDI, NOVARA 1954 - SAGGI ITALIANO Pagine brunite ai bordi, coperta rigida con lievi segni di usura, brunita dal tempo e con tassello e titoli d'oro al dorso

      [Bookseller: Biblioteca di Babele]
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        Die Beichte des Don Juan. Dichtung von Rudolf Hagelstange. Zeichnungen von Gunter Böhmer

      Vereinigung Oltner Bücherfreunde, Olten 1954 - Olten, Vereinigung Oltner Bücherfreunde 1954. 8°. 47 S. Mit 22 reproduzierten Zeichnungen im Text und einer signierten Originaltuschfederzeichnung, eingebunden nach dem Vortitel. Halbpergamentband mit goldgeprägtem Rückentitel, illustriertem Deckel und Kopfgoldschnitt in Schuber. ( Hugo Peller). "64. Veröffentlichung der Vereinigung Oltner Bücherfreunde." . - Eines von 125 numerierten und signierten Exemplare der Ausgabe "B". (nach 30 Exemplaren in Ganzpergament). - Einzelexemplar mit der zusätzlichen schönen Federzeichnung. Sprache: Deutsch [Attributes: First Edition; Signed Copy]

      [Bookseller: Daniel Thierstein]
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        LA TRISTESSE DU ROI. Lithographie sur Arches pour VERVE Vol. IX, No. 35-36. Matisse dernières oeuvres 1950 - 1954.

      LITHOGRAPHIE EN COULEURS (36 x 52,8 cm) exécutée par Mourlot d'après l'

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        Goya, Revista de Arte. Números del 1 al 98. 1954-1970. 14 Tomos.

      FUNDACIÓN LÁZARO GALDIANO - Madrid. Sucesores de Rivadeneira. 1954-70. Infolio menor, 34x25 cm., 5000 pp. aprox. Fotograbados a todo color y negro, planos, plantas, facsímiles, grabados y publicidad al texto, láminas con cromos. Cubiertas originales. Excelente conservación y estado. // Relación de número y años de cada tomo.- T.1: 1 al 9 (1954-55). T.2: 10 al 18 (1956-57). T.3: 19 al 27 (1957-58). T.4: 28 al 39 (1959-60). T.5: 40 al 45 (1961). T.6: 46 al 51 (1962). T.7: 52 al 57 (1963). T.8: 58 al 63 (1964). T.9: 64 al 69 (1965). T.10: 70 al 75 (1966). T.11: 76 al 81 (1967). T.12: 82 al 87 (1968). T.13: 88 al 93 (1969). T.14: 94 al 98 (1970) [Attributes: First Edition; Hard Cover]

      [Bookseller: La Delicia de Leer]
 23.   Check availability:     IberLibro     Link/Print  


        Autograph Letter Signed By Harry S. Truman to Dean Acheson.

      Kansas City, Missouri 1954 - Autograph letter signed by Harry S. Truman to Dean Acheson. Five pages, with 2 page transcription of Acheson's 19 October response Truman recounts his near death from an infected gall bladder that required emergency, life-saving surgery, and reflects on his changing popular reputation. "Went to our outdoor theater [on June 19] in Swope Park to see 'Call Me Madam,' which I've never seen (and don't want to)." Truman, in fact, was going to appear in a cameo at the end of the play. But he never made it. While waiting to come on "A pain overtook me which I couldn't stop with all the will power I could exercise and the 'Boss' drove me home." Admitted into the hospital, the "Doc told me that the white corpuscles were increasing at the rate of 1000 an hour and that a little butchering would be necessary. I wrote a codicil to my will and went out - I mean out. They gave me about five or ten gallons of anti-biotics by sticking needles in veins. But they just couldn't kill me." His wife Bess "says I'm worse than a Bridge Club Lady--talk about my operation and bore people to death." He also talks about the difficult task of getting his memoirs published, with an impatient publisher waiting for the promised 300,000 words by the spring of 1954. But the hospital was flooded with flowers during his convalescence and Truman was touched by the genuine concerns expressed for "this still controversial former President." No one, he tells Acheson, "knew the travails of what we went through in those years from Apr. 12, 1945 to Jan. 20, 1953 as did you, Gen. Marshall, [Treasury Secretary] John Snyder and [Secretary of Agriculture] Charlie Brannan." A lengthy, revealing letter about Truman's near death experience. [Attributes: First Edition; Signed Copy]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 24.   Check availability:     AbeBooks     Link/Print  


        Contribution A l'Etude lithologique du terrain houllier de Belgique. Les Roches stériles de la zone de Genk (Westphalien a superieur) aux charbonnages de Helchteren et Zolder (Campine). (= Volume Jubilaire Victor van Straelen - Extrait de Tome 1),

      Sonderabdruck, Brüssel 1954 - 73 S. mit 9 Tafeln, Sprache: Französisch Gewicht in Gramm: 480 Groß 4°, Original-Karton (Softcover), Einband leicht angerndert, Deckel mit Namensstempel, insgesamt gutes und innen sauberes, noch unaufgeschnittenes Exemplar, [Attributes: Soft Cover]

      [Bookseller: Antiquariat Silvanus]
 25.   Check availability:     IberLibro     Link/Print  


        Longes mac n-Usnig: Being the Exile and Death of the Sons of Usnech

      (Dublin): Dolmen Press, 1954. Cranwill, Mia. Tall octavo. 32pp. One of 225 copies. Printed in black with red initials and with a decorative title-page spread, two full-page illustrations, and six pictorial headpieces by Mia Cranwill. The tragic myth of Deirdre and the sons of Usnech, who were slain by the jealous Conchobor, translated into English from the Irish text found in the Book of Leinster. The woodcut illustrations capture the heroine's desolation amidst a romantic Irish setting, with elaborately decorated borders and backgrounds framing the depictions of love found and lost. The image of Dierdre reaching toward the far horizon extends onto the boards, which are covered in paper printed with a repeating version of the woodcut. The boards are backed in white paper and protected with a glassine wrapper. Glassine shows some chipping and loss to edges, with a three-inch closed tear extending from the spine; otherwise, the book is in fine condition.

      [Bookseller: Bromer Booksellers]
 26.   Check availability:     Biblio     Link/Print  


        From the sermons of Rabbi Milton Steinberg;: High holydays and major festivals,

      Bloch 1954 - Very good hardcover in blue, no dust jacket. Name of prev owner on fep, otherwise unmarked, bright and clean with square and tight binding. Enjoy reading with a real book in your hands. Shipping from North Carolina. Dedicated to delighting our customers. Delivery confirmation provided on all domestic orders. Happy to ship to international locations. Consider expedited shipping - just a little more moves your purchase a lot faster. Digital photos available on request for any book. [Attributes: Hard Cover]

      [Bookseller: Cameron Park Books]
 27.   Check availability:     AbeBooks     Link/Print  


        Corpus Christianorum: Series Latina/ Series Mediaevalis (KONVOLUT aus 83 Bänden) - Series Latina (63 Bände) von I bis CLXXV (genaue Band-Nummern der Serie auf Anfrage)/ Series Mediaevalis (20 Bände) - hier vorhanden: Bd. I; IV; VI - XII; XVI - XVIII; XX - XXVII.

      Typographi Brepols Editores Pontificii; 1954 ff.. Gebundene Ausgabe Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind etwas staubschmutzig; Der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 83 Bände; Orig.Ganzleinen; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; LATEINISCH!! Das Bild zeigt nur eine Auswahl der hier angebotenen Bände; für mehr Bilder oder Informationen können Sie uns gerne kontaktieren; Versandkostenfreie Lieferung mfb

      [Bookseller: Petra Gros]
 28.   Check availability:     buchfreund.de     Link/Print  


        STUDIA PATAVINA, 160 TOMES (1954-2007), RIVISTA DI FILOSOFIA E TEOLOGIA

      1954. Tipografia del Seminario di Padova. 1954-2007. In-8.Carré. Broché. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur frais. 160 tomes (54 années). Manquent les n° 1 de 1970 et 1996. Quelques annotations (codes) et tampons de bibliothèque. Anno I, n° 1, gennaio-aprile 1954: Pres. da S.E. Mons. G. Bortignon (Padova). S. Offelli: Il pensiero del Concilio Lateranense V sulla dimostrabilità dell'anima umana. L. Sartori, 'Natura e grazia' nella dottrina di S. Bernardo. L. Stefanini, Filosofia e religione. U.A. Padovani, Agistinismo bonaventuriano e agistinismo tomistico. C. Fabro, Filosofia e Religione in Benedetto Croce. A. Cardin, U.A. Padovani, Filosofia e Teologia della storia. G. dal Sasso, Aristotele e l'Evoluzionismo. Recensioni, etc. Anno LIV, n° 3, sett.dic. 2007: A. Martin, Senso della fede e ambivalenze necessarie in Mc 4, 35-41. O. Todisco, Liberare la verità di Dio, il contributo di G. Duns Scoto. G. Segalla, L'orizzonte attuale della teologia giovannea. A. Latorre, Le origini di 'Antisemitismo' di Eugenio Zolli...

      [Bookseller: Le-Livre.Com]
 29.   Check availability:     maremagnum.com     Link/Print  


        Four typescripts for 'The Pinky Lee Show'

      1954. Together four typescripts: "Pinky and the Candy Machine". Show #9. January 14, 1954. 10 pages. -- "Dictionary B." n.d. 11 pages. -- "Bloopy's Christmas Gift." n.d. 8 pages. -- "Ticket Seller Catches Thief." n.d. 12 pages. The screenwriter Lee Wainer's copies, with his pencil notes and revisions throughout. Pinky Lee was the stage name of Pincus Leff, an American burlesque comic and host of the children's variety show 'The Pinky Lee Show' in the early 1950s. His is best remembered for his baggy pants and frequent use of his catchphrase: "Oooooh! You make me so mad!" The show received Emmy nominations as an afternoon children's program and inspired later imitators such as 'Pee-Wee's Playhouse'. It was followed each day by the popular 'Howdy Doody Show.'.

      [Bookseller: Riverrun Books & Manuscripts]
 30.   Check availability:     Biblio     Link/Print  


        Casino Royale - Rare U.S. w/Original Dust Jacket - Not Price Clipped NO SPINE SUN FADING

      MacMillan 1954 - IAN FLEMING - CASINO ROYALE, published by MacMillan, copyright 1953 (but published in the U.S. in 1954 as stated on the title page), First Printing (states "First Printing" on copyright page with no references to subsequent printings - there was a 2nd printing in this format which clearly states as such on the copyright page), off-white endpapers with dark green cloth boards and red lettering to spine and front board, $2.75 price on DJ front flap. Book has no creased page corners, no foxing to pages or endpapers or outer page edges, slight dusting/age darkening to outer page edges (primarily to top edge), endpapers are clean with no soiling or scotch tape marks, no former owner's markings or used bookseller stamps/stickers inside, no wear to board edges, corners or spine tips (hint of rubbing at spine tips only), no bumped board corners, no discoloration/soiling to boards, no wear to spine or front board lettering. Dust jacket has sliver loss at bottom spine tip otherwise no chipping, tearing or creasing, slight wear to spine tips, almost no wear to front flap crease (just at front flap crease corners), couple of tiny closed nick tears along top edge otherwise no edge wear, NO SPINE FADING (common defect with this DJ - the red & green on the spine almost always fades as compared to the colors on the front cover), no soiling to front panel, no foxing to white rear panel and almost no dust rubbing, no color rubbing to panels. Overall a FINE- book in FINE- condition dust jacket (not price clipped) of an Ian Fleming U.S. 1st printing hardcover book. I have a number of other U.S. and U.K. Ian Fleming James Bond 1st printing hardcover appearances up for sale. [Attributes: First Edition; Hard Cover]

      [Bookseller: Far North Collectible Books]
 31.   Check availability:     AbeBooks     Link/Print  


        Casino Royale.

      New York, NY: Macmillan, 1954.. FIRST US EDITION. Octavo, pp.176. Bound in original dark green cloth boards in the pictorial dustjacket designed by Leo Manso. Priced to the front flap ($2.75) but with both corners clipped, as was the publisher's method. Both book and wrapper show some wear and handling; rubbed to joints, frayed to spine ends, several short tears, but with no inscriptions or significant defects. Very good; a used but presentable copy.

      [Bookseller: Adrian Harrington Rare Books]
 32.   Check availability:     IOBABooks     Link/Print  


        ALS, APcS and 2 printed cards with autogr. signature ("Horthy"). Estoril, 1954 and 1955.

      1954. 4to and oblong 8vo. Altogether 3½ pp. on 4 ff. Comprises the fragment of an autogr. envelope. To Otto W. Rossegg (1890-1973). - All leaves with the exception of the picture postcard mounted on old backing paper; traces of replaced adhesive tape; letter on very thin paper and wrinkled.

      [Bookseller: Antiquariat Inlibris]
 33.   Check availability:     maremagnum.com     Link/Print  


        Pictures From an Institution

      Alfred A. Knopf 1954 - First edition inscribed by the author (on behalf of his second wife and children) on front free endpaper to his friend Harvard literary scholar Herschel Baker and his family in black ink. 277 p. + note on the type. Turquoise cloth with gilt lettering on spine. Near Fine in about Very Good dust jacket. Jacket spine panel sunned, head chipped, worn along edges with some tears along fold of front panel repaired with archival mending tissue on verso, unclipped ($3.50). Jarrell's only novel, an academic satire. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Burnside Rare Books]
 34.   Check availability:     AbeBooks     Link/Print  


        La nuova disciplina del digiuno eucaristico e delle messe vespertine Testi legislativi e commento

      Bollettino del Clero Romano-Roma, ROMA 1954 - ITALIANO Volume discretamente conservato, coperta in cartoncino, dorso e margini dei piatti bruniti, bordo stanco, punte piegate e consumate, su piatto anterore talloncino adesivo con catalogazione bibliotecaria, tagli e margini delle pagine appena bruniti.

      [Bookseller: Biblioteca di Babele]
 35.   Check availability:     IberLibro     Link/Print  


        Food In England

      The First UK Printing published by MacDonald in 1954. The BOOK is in Very Good++ or better condition. The binding remains tight. A little pushing and fading at the spine tips. The text-block is lightly toned and spotted which has encroached very slightly on the page edges in a few places. Mild offsetting to the end papers. Free from erasures and inscriptions. Small neat previous owner's bookplate to the front pastedown. The WRAPPER is complete and correctly priced at 30/- net. It is in Very Good++ or better condition and is amazingly clean for its age. Mild edge wear in places. A little loss on the folds in places but only slight. The spine is lightly spotted with far less toning than usually encountered. A small amount of supportive tape to the upper spine on the verso which does not show through to the front. The Hookaway Cowles period wrapper design looks very striking in the removable Brodart archival cover. A wonderful collection of history, anthropology and cookery enhanced by Cowles' B/W illustrations throughout. A very attractive and sharp copy. Highly collectible with such attributes. Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks ABA PBFA]
 36.   Check availability:     Biblio     Link/Print  


        F.D.R. meets Ibn Saud.

      New York: American Friends of the Middle East, Inc.,, 1954. Octavo. Original green combed cloth, lettered in gilt on the spine and front board. Very lightly rubbed, pale toning, a very good coopy. This copy inscribed on the title page; "For Toni and Don Fullerton with grateful memories of Jiddah from their devoted friend Bill Eddy". William Alfred "Bill" Eddy (1896?1962) was the son of Presbyterian missionaries, born in Sidon, Syria, and after graduation from Princeton served in the US Marine Corps during the First World War. He then entered academia, teaching literature at Dartmouth College and the American College in Cairo, president of both Hobart College and William Smith College (1936?42). Re-entering the services in the Second World War with the rank of lieutenant-colonel he was Naval Attaché and Naval Attaché for Air in Cairo, with significant intelligence roles. From 1943 his work as "Special Assistant to the American Minister" based at the American legation in Jeddah was crucial in forging bonds between the Saudi Arabia and the Allies. Post-war Eddy was crucial in the creation of the CIA, and retained his special relationship at the Saudi court. This privately published volume contains his account of the circumstances surrounding the meeting held on the Great Bitter Lake of the Suez Canal in Egypt on board USS Quincy in February 1945 between King Abdul Aziz Al Saud (Ibn Saud), and Franklin Roosevelt, which Eddy organised, and at which he acted as interpreter. It was the first time that the king had left Saudi Arabia.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  


        Portraits par Henri Matisse

      André Sauret - Éditions du Livre, Monte Carlo 1954 - In-4° (318x245mm), pp. 151, (2), cartonatura editoriale con sovraccoperta ripiegata, protetta da velina, con illustrazione di Matisse in nero, in blu e in giallo e camicia cartonata originale grigioazzurra con titolo in blu al dorso. Conservata la custodia cartonata originale, anch'essa di colore grigioazzurro. Una litografia originale f.t. sciolta, non firmata, con ritratto femminile. 60 riproduzioni in b.n. a p. pagina di dipinti a olio, disegni, litografie del grande artista francese e 33 riproduzioni a colori applicate f.t. di dipinti a olio a soggetto ritrattistico. Le pp. di testo contengono uno scritto di Matisse sulla pittura di ritratto. Perfetto esemplare. Edizione originale; copia n° 259 su una tiratura complessiva di 2.850 esemplari numerati, realizzati tipograficamente da André Sauret con la supervisione di Matisse stesso (il volume fu finito di stampare il 20 dicembre 1954, poco più di un mese dopo la scomparsa dell'artista, avvenuta a Nizza il 3 novembre; Matisse aveva avuto tuttavia il tempo di controllare i lavori tipografici prima che il libro fosse terminato di stampare; sia l'illustrazione per la sovraccoperta che la litografia furono realizzate da Matisse appositamente per la presente pubblicazione). La copertina e le tavole a colori furono tirate sulle presse di Mourlot; la fototipia fu realizzata da Louis Duval, mentre la stampa fu eseguita dall'Imprimerie Union. Duthuit, Catalogue raisonné des Ouvrages illustrés, n. 33. Monod, 7849. Francese [Attributes: Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
 38.   Check availability:     AbeBooks     Link/Print  


        Arcadie. Revue littéraire et scientifique. Première Année (1954).

      Paris 1954. Ca. 555 S. Brauner Halbleinenband der Zeit. Erster kompletter Jahrgang der von André Baudry unter der Schirmherrschaft von Jean Cocteau (1889 - 1963) und Roger Peyrefitte (1907 - 2000) gegründeten homophilen Zeitschrift \"Arcadie\". Die Zeitschrift erschien in Monatsausgaben, die jeweils einen Umfang von ca. 50 Seiten hatten. Mit zahlreichen ganzseitigen Abbildungen und Illustrationen auf Kunstdruckpapier. Zur Geschichte und Bedeutung der \"Arcadie\" vgl. Julian Jackson: Arcadie: Sens et Enjeux de \"l`homophilie\" en France, 1954-1982, in: Revue d`Histoire Moderne et Contemporaine, 2006/4. Sehr gutes Exemplar des kompletten ersten Jahrganges dieser kulturgeschichtlich bedeutenden Zeitschrift, durch die die französische Homosexuellen-Bewegung in ihren Anfängen maßgeblich beeinflußt wurde. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben). More photos on the homepage of the Antiquarian (please include item number on the supply side in the search box). Plus de photos sur le site web du librairie antiquaire (s`il vous plaît mentionner le numéro de l`article sur le côté de l`offre dans la zone de recherche). Versand D: 5,00 EUR

      [Bookseller: Das Konversations-Lexikon]
 39.   Check availability:     buchfreund.de     Link/Print  


        The Hobbit, or There and Back Again

      George Allen & Unwin, 1954. Hardcover. Acceptable. 1954. Sixth Impression Second Edition. 315 pages. No dust jacket. Green cloth with black lettering. Illustrated by the Author. Colour frontispiece with B&W illustrations throughout. Mild but noticeable foxing and tanning to endpapers and page edges. Front hinge cracked, thus the board is slack. Previous owner's name on half title page. Mild wear to spine, board edges and corners. Distinct sunning to spine, board edges & front board. Small (approx. 2cm) pale stains with few other dotted marks across the boards,.

      [Bookseller: The World of Rare Books]
 40.   Check availability:     Biblio     Link/Print  


        Madame De Pompadour.

      London: Hamish Hamilton, 1954. First edition. Octavo, original cloth. Inscribed by the author in the year of publication on the front free endpaper, "Mrs. Jean Jeffcoat with best wishes Nancy Mitford Paris 1954." Near fine in a very good dust jacket with a chip to the spine and front panel. Cecil Beaton designed the dust jacket art. Uncommon signed. When Madame de Pompadour became the mistress of Louis XV, no one expected her to retain his affections for long. A member of the bourgeoisie rather than an aristocrat, she was physically too cold for the carnal Bourbon king, and had so many enemies that she could not travel publicly without risking a pelting of mud and stones. History has loved her little better. Nancy Mitford's delightfully candid biography re-creates the spirit of eighteenth-century Versailles with its love of pleasure and treachery. We learn that the Queen was a "bore," the Dauphin a "prig," and see France increasingly overcome with class conflict. With a fiction writer's felicity, Mitford restores the royal mistress and celebrates her as a survivor, unsurpassed in "the art of living," who reigned as the most powerful woman in France for nearly twenty years.

      [Bookseller: Raptis Rare Books]
 41.   Check availability:     Biblio     Link/Print  


        La caccia al fagiano

      Firenze , Vallecchi,, 1954 - Una delle 200 copie con 7 acqueforti tirate a mano dai rami originali, numerate e firmate a matita (cm 12,6x23,2; 7,4x6; 9,5x7; 13x9,2; 12,4x7; 5,3x9; 11,5x9,4). 4to (cm 35x25). pp. 50 + incisioni. . Ottimo (Fine). Prima edizione di 800 + 200 es. mumerati. Prima edizione di 800 + 200 es. mumerati. . Brossura, custodia (wrappers, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 42.   Check availability:     AbeBooks     Link/Print  


        LUIGI BARTOLINI, LA CACCIA AL FAGIANO Vallecchi 1954

      1954. LUIGI BARTOLINI, LA CACCIA AL FAGIANO con 8 acqueforti  prima edizione Vallecchi 1954 edizione di 800 copie con l'incisione originale NOBILE FAGIANO sciolta non firmata né numerata e  la riproduzione  nel testo delle altre cartella editoriale  e volume di 52 pagine - ottimo stato

      [Bookseller: Libri Editoria Grafica Henry Beyle]
 43.   Check availability:     maremagnum.com     Link/Print  


        O Pale Galilean (With The Duncan Grant Wrapper)

      The First UK printing published by The Harvill Press in 1954.The BOOK is in near FINE condition with some toning to the text block and moderate offsetting to the end papers.The pages remain clean.The book is free from inscriptions and erasures.The WRAPPER is complete and is in near FINE condition.Light toning in places more-so to the spine.The rear cover is remarkably clean for its age.Jacket design and chapter vignettes by Duncan Grant.The wrapper looks very striking in the removable Brodart archival cover.One of the two major Duncan Grant book jackets even more difficult to find than 'Cheerful Weather'.

      [Bookseller: Ashtonrarebooks]
 44.   Check availability:     PBFA     Link/Print  

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