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Displayed below are some selected recent viaLibri matches for books published in 1952

        PLAYER PIANO

      New York: Charles Scribner's Sons,. 1952. Octavo,. boards.. A fine copy in very good dust jacket with 11 mm closed tear at top. center of front panel with associated horizontal crease to the left. and small abrasion below, some general dust soiling, more so to rear. panel than front and spine panels, and a touch of tanning to spine. panel and flap folds, internal reinforcement with brown paper tape at. spine ends and corners, and clipped price. Outwardly, a fairly nice. copy. (#102846). First edition. First printing with "A" and Scribner seal on copyright page. 7600 copies printed. The author's first book. Runner-up for the 1953 International Fantasy Award. "The United States has won the third world war. Production being totally automatic, almost the whole population is on a generous dole. Only the intelligent minority works." - Gerber, Utopian Fantasy (1973), p. 159. Anatomy of Wonder (2004) II-1202. Berger, Science Fiction and the New Dark Age, pp. 17-9. Sargent, British and American Utopian Literature, 1516-1985, p. 244. Survey of Science Fiction Literature IV, pp. 1697-1701. Pieratt, Huffman-klinkowitz, and Klinkowitz AA1.

      [Bookseller: L. W. Currey, Inc.]
 1.   Check availability:     Biblio     Link/Print  


        Player Piano

      Good Charles Scribner's Sons. J Book Condition: Hardcover Dust Jacket Condition: Near Fine. Player Piano FIRST EDITION Kurt Vonnegut FIRST PRINTING 1952 Book

      [Bookseller: 1st Editions and Antiquarian Books]
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        Shi Zhu Zhai Jian Pu (Shih Chu Chai Chien P'u - Shih Chu Chai Chien pu) (Zehnbambushalle Briefpapier - Ten Bamboo Studio). Complete 4 Vol. in 1 silk brocade case.

      (Peking) Beijing, Rong Bao Zhai, 1952.. 4°, Blockbuchbindung. 31,3 x 21,2 cm, 4 Bde. Mit meist farb. Wasserdrucken. Blockbuchbindung in Brokat-Schuber. Berühmtes Lehrbuch der Malerei von Hu Zhengyan (um 1582-1672), zuerst 1633 gedruckt; vorliegend der Nachdruck "im 13. Jahr der Republik China". - Mit Darstellungen von Pflanzen, Früchten, Vögeln, Steinen. Gutes Exemplar. Four volumes, each in plain paper wrappers, stitched as issued, calligraphic label mounted on wrappers. Contains woodblock prints on double-folded leaves, including colored, black and white, and embossed prints. The four volumes contained in original silk brocade folding case with ivory fastener, with calligraphic label on case. Good copy. - Rong Bao Zhai was the traditional name given to the new entity formed when the small artistic workshops of Peking were collected together after the founding of the People's Republic of China, --basically a collective consisting of the most skilled and experienced Chinese wood block illustrators.

      [Bookseller: Antiquariat an der Universität München]
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        Anne Frank: The Diary Of A Young Girl

      Doubleday , 1952. Hardcover. Very Good. Stated First Edition, First Printing...Hardcover Edition With Dustjacket.. Nice Copy With Brodart Dustjacket Cover Included..Text Unmarked..Pages Are Tanning..Nice Copy..Binding Is Solid..Dustjacket Is Not Priced Clipped With Original $3.00 Price...Dustjacket Is Bumped, Chipped, And Worn With Somewhat Faded Spine..Not Ex-Library..

      [Bookseller: Thomas Savage, Bookseller]
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        ORIGINAL 13 3/8" X 10 1/8" PHOTOGRAPH OF J. FRANK DOBIE BY RUSSELL LEE

      Photograph by Russell Lee, n. d. (ca 1952)., 1952. Original gelatin silver image. Pencil notation on the verso reads "circa 1952, near Austin, Texas." Also stamped on the back is "Photograph by Russell Lee, 3110 West Ave., Austin 5, Texas."The photograph was possibly taken at Joe Small's Barbeque in Austin. The same image in a cropped format, appears on the rear cover of the TEXAS OBSERVER of July 24, 1964. This issue is devoted to commemorating the life of J. Frank Dobie and is filled with recollections and tributes. The photograph exhibits minor creasing at the corners and three tiny chips along one side. Neither of these minor flaws impact Dobie's image. This item is from the estate of Edgar Kincaid and has an inked notation on the back of the photograph to "Return to Edgar Kincaid." Kincaid was the nephew of Bertha and Frank, who had no children. Russell Lee began his career as a professional photographer in 1935 selling his images to magazines. After a successful career with the Farm Security Administration, he remained active in documentary photography chronicling both rural and urban life. In 1947, Lee and his second wife moved to Austin where he became the University of Texas first instructor in photography. With this move his focus shifted more to topics dealing with Texas and the Southwest. He died in Austin on August 28, 1986. This is an important image of an iconic Texan taken by a renowned American photographer and photojournalist.

      [Bookseller: BUCKINGHAM BOOKS]
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        CORYMBE.

      - Genève, Pierre Cailler, 1952, 29x41. En feuilles, sous couverture repliée. Illustré de 8 gravures au burin de Thierry Vernet (qui fut le compagnon de route de Nicolas Bouvier). Ouvrage tiré à 50 exemplaires, celui-ci porte le numéro 28 est signé par l'auteur. Bel exemplaire, gravures superbes. La librairie offre aux clients d'AbeBooks 10% de réduction sur l'ensemble de son catalogue. Prix d'origine : 1000 EUR. [Attributes: Signed Copy]

      [Bookseller: Librairie de l'Univers]
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        Ancient Chinese Bronzes of the Shang and Chou Dynasties, An Illustrated Catalogue of the van Heusden Collection

      Tokyo, Japan, 1952. This is copy no. 216 of the first edition, privately published in an edition of 1000 copies, signed and sealed by the author. Printed and presumed bound in Japan. Green buckram binding with crisp gilt-stamped lettering and archaic design to the front board and lettering to the spine. Exceptionally clean binding. 12 x 8.5 inches. Generally unbumped spine head and tail, and with sharp corners. Text block firmly bound in. With color frontispiece, and xi and 193 numbered pages of text, interspersed with drawings and illustrations, and with LXIIIl monochrome plates accompanied by detailed notes. Most of the plates with tissue guards and the tissue guards generally in pristine condition. The plates on medium-weight, matte stock. No remainder marks. Tiny sticker from previous bookseller neatly pasted to the front pastedown. The rear hinge with the over-paper splitting here and there, a cosmetic issue only. Else a very clean copy, and quite tight. Very gently read. A Very Good Plus copy. All in all a lovely copy of an extremely scarce work featuring bronzes dating from the 2nd millennium B.C. until the dawn of the Christian era.. First Edition. Buckram. Very Good Plus/No Jacket. 4to - over 9¾" - 12" tall. Limited Edition.

      [Bookseller: Marc Sena Carrel]
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        Ctyri balady F. Villona (1431-1463). Balada - epistola; Balada o jazycich klevetniku; Rondeau; Balada - Petice. Zweite Band der Edition "J".

      Prag, Ludmila Jirincova - Ota Janecek, 1952,. OBrosch. im o. Umschlag aus braunem Papier, etwa 30 Seiten, Format 9,5x13 cm; sehr guter Zustand. Mit fünf handgedruckten Lithographien von Ludmila Jirincova, mit dem ursprünglichen lithographischen Umschlag, Editionzeichen u. eigenhändigen Unterschrift von Ludmila Jirincova; ein Probeausdruck (Buch erschien nur in einem Ausdruck u. mit etwa 30 Probeausdrücken). * Our books are stored in our warehouse, not in the shop. If you want to visit us and see a specific book, please notify us in advance.Unsere Bücher werden nicht in unserem Geschäft, sondern in einem Lager am Stadtrand Prags verwahrt. Bitte, teilen Sie uns vorher mit, wenn Sie uns besuchen und ein bestimmtes Buch ansehen wollen. *.

      [Bookseller: Antikvariát Valentinská]
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        Ctyri balady F. Villona (1431-1463). Balada – epistola; Balada o jazycich klevetniku; Rondeau; Balada – Petice. Zweite Band der Edition „J".

      Prag: Ludmila Jirincova – Ota Janecek 1952 - OBrosch. im o. Umschlag aus braunem Papier, etwa 30 Seiten, Format 9,5x13 cm; sehr guter Zustand. Mit fünf handgedruckten Lithographien von Ludmila Jirincova, mit dem ursprünglichen lithographischen Umschlag, Editionzeichen u. eigenhändigen Unterschrift von Ludmila Jirincova; ein Probeausdruck (Buch erschien nur in einem Ausdruck u. mit etwa 30 Probeausdrücken). * Our books are stored in our warehouse, not in the shop. If you want to visit us and see a specific book, please notify us in advance. Unsere Bücher werden nicht in unserem Geschäft, sondern in einem Lager am Stadtrand Prags verwahrt. Bitte, teilen Sie uns vorher mit, wenn Sie uns besuchen und ein bestimmtes Buch ansehen wollen. * Book Language/s: cs [Attributes: Hard Cover]

      [Bookseller: Antikvariat Valentinska]
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        French Country Cooking. Decorated by John Minton. [Third Impression]

      John Lehmann 1952 - 8vo., Third Impression, on laid paper, with a frontispiece, illustrated title, and numerous full-page and smaller illustrations in the text, some mild offsetting from fold-ins to free endpapers, fore-edges very lightly speckled; original holland cloth, gilt back, a very good, bright, clean copy in bright, clean unclipped dustwrapper, the latter chipped with minor loss (just affecting lettering) at head of backstrip and with small loss at upper edge of rear panel. Published nine months after the first impression. David's second book, and to many the finest of the three classic titles that changed the nature of English cookery for ever. In common with her first work 'A Book of Mediterranean Food' this volume is greatly enhanced by the wonderful Minton illustrations. All early issues are very scarce in anything like this condition [Attributes: Hard Cover]

      [Bookseller: Island Books [formerly of Devon]]
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        Typed Letter Signed and Autograph Letter Signed, n.d., New York City

      - Both letters to her attorney. In the typed letter, she first writes about her physical health and discusses her financial situation referring to Willem de Kooning as Bill. "Bill and I are both moving int new studios this month and spending a lot of time fixing them up and are caught up with numerous debts?Bill's bank account is at rock bottom?For the rest, Bill and I have been working night and day for the past couple of weeks on [Adlai] Stevenson's campaign making posters for the sound trucks and this coming weekend we and a group of artists are going to decorate the ballroom at the Commodore where he will speak next Tuesday?we'll all be able to rest after Nov. 4 when our man gets in - I fervently hope?." She signs, "Elaine." In the autograph letter she writes, "Hope you can come to my opening, Tuesday 5-7?." Signed, "Elaine. De Kooning refers to Democratic presidential contender, Adlai Stevenson who was defeated twice by Dwight D. Eisenhower in 1952 and 1956. [Attributes: Signed Copy]

      [Bookseller: Schulson Autographs]
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        MAD Volume 1, Number 2

      New York, Educational Comics 1952 - Comic Book Format and Size. First Edition. Cover art by Harvey Kurtzman with color interior illustration. Without page numbers. FINE. Covers bright and unmarked with some rubbing. A few stress marks to binding with slight curl. Staples strong and centerfold firmly attached. Covers and interior pages without tears or chips. Slight darkening to interior pages. Corners with some blunting but no major bumps. Without creases but for spine stress marks. Comic is very clean and without stamped or written distribution date. Additional photos available upon request. All comics carefully wrapped and sent boxed. [Attributes: First Edition; Soft Cover]

      [Bookseller: Tree Frog Fine Books and Graphic Arts]
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        Three Bear Witness

      London, Secker and Warburg,, 1952. Octavo. Original green cloth, titles to spine in silver. With the dust jacket. Endpapers very lightly spotted but an excellent copy in the slightly rubbed dust jacket with a few tiny pieces of internal repair. First Edition, First Impression. Uncommon in such nice condition.

      [Bookseller: Peter Harrington]
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        Conference on Automatic Computing Machines (first Australian computer conference)

      Melbourne, 1952. [Pearcey and Beard.] Conference on Automatic Computing Machines. Proceedings of conference on automatic computing machines held in the Department of Electrical Engineering, University of Sydney, August 1951. Reproduced typescript. Melbourne: Commonwealth Scientific and Industrial Research Organization, 1952. Original tan printed wrappers, cloth backstrip, light wear and creasing, one corner chipped. Boxed. 220pp. 12 plate leaves, text illustrations. 248 x 198 mm. Provenance: Signature of N. F. Astbury of the New South Wales University of Technology on the front wrapper. Astbury was one of the participants in the conference. First edition. Proceedings of the first Australian conference on electronic digital computing as well as analog devices. Trevor Pearcey, designer of CSIRO Mk 1 (later known as CSIRAC) and Maston Beard, the machine's chief engineer, held the conference to demonstrate CSIRO Mk 1, the first electronic digital computer built in Australia. Their research group at the Sydney-based Radiophysics Laboratory of the Council for Scientific and Industrial Research started to build the machine in 1948. It ran its first program in November 1949, becoming the fourth stored-program computer to operate, after the Manchester "Baby", EDSAC, and BINAC (which only ran for a short time). CSIRO Mk 1's main memory consisted of twenty-four acoustic mercury delay lines, each with the capacity to store sixteen twenty-bit words; this was later upgraded to 32 words to give the machine a total of 768 words of storage (a magnetic drum storage system was added in 1954). With two thousand vacuum tubes it could process about one thousand multplications per minute. In 1955 CSIRO Mk 1 was moved to the University of Melbourne, where it was renamed CSIRAC; it became operational again in 1956. The machine was retired in 1964.CSIRAC was notable for the originality of its architecture, which was not directly derived from ENIAC, EDVAC, the Manchester "Baby," or Turing's Pilot ACE, since Pearcey did not have close contact with the groups developing those machines. However, from the brief references in his 1948 report, it is clear that Pearcey did read von Neumann's First Draft of a Report on the EDVAC, and that he was influenced in his conception of CSIRAC by von Neumann's theoretical ideas. Considering that Pearcey was educated in England, and that the Cambridge EDSAC was being developed at the same time as CSIRAC, we may also assume that Pearcey and Beard had some contact with the Cambridge computing group. This might also explain why Douglas Hartree from Cambridge was the only non-Australian representative at this conference."The CSIRAC was in operation before the date of the first Computing Conference in Australia held in Sydney in June 1951, but the actual date of its first simple program run, late in 1949, was not properly recorded. It was first publicly demonstrated during the 1951 conference, which was attended by Hartree. From then until mid-1956 it was steadily improved and gave good service at the Division of Radiophysics; this was in spite of serious delays of six to nine months in its development caused by power shortages in Sydney that led to frequent prolonged power blackouts and subsequent fault-finding delays" (Beard and Pearcey 1984, 112).The first Australian computer conference proceedings is mimeographed from crude double-spaced typed text. Trevor Pearcey contributed four papers: 1. Digital calculating machines used by C.S.I.R.O. (pp. 42-50) This may be the first published description of the CSIRAC, which was then known as the "Radiophysics Mark 1 Automatic Computer."2. Programming for the C.S.I.R.O. digital machine. (pp. 81-92).This explains the differences in programming between the CSIRAC and the EDSAC, the programming for which Douglas Hartree described in another paper in the conference. Pearcey wrote, "Certain differences between the approach to programming for this machine and that for the EDSAC are due to the different methods adopted for coding commands in the two machines."3. Programming for punched card machines (pp. 107-126).4. The functional design of an automatic computer (pp. 127-142). A theoretical discussion.Of the remaining nine papers in the conference proceedings, four were contributed by Douglas Hartree. Other papers chiefly concerned analog machines, such as the C.S.I.R.O. Differential Analyzer, or analog to digital conversions.The bibliography of references on pages 210-11 of this work is notable in its omissions. References are given to the early works on the Harvard Mark I, which Pearcey visited in 1945. There are also several references to the works of Maurice Wilkes with whom Douglas Hartree, the only non-Australian speaker at the conference, worked in Cambridge. The list of about 150 registrants at the conference indicates that all attendees were from Australia. When we checked OCLC cited eleven copies (nine in the United States, one in Australia, and one in England). Origins of Cyberspace 832.

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Christmas at the Rose and Crown - A Little Brown Mouse Book

      Heinemann, 1952, Hardcover, Book Condition: Very Good, Dust Jacket Condition: Very Good, First Edition, Illustrated By: Wigglesworth, KatherineSize: 12mo - over 6?" - 7?" tall, Copies of this wonderful title are rare, but to find a copy in such wonderful condition as this is almost too much to hope for. Book is clean, bright and unmarked with minimal wear and a minor bump to the upper back corner of the backstrip. Dust jacket is clean and unmarked with light wear and no chips or tears. Dust jacket is not price-clipped and is now preserved in a clear protective sleeve. Original price on each flap of dust jacket has been overlaid with what may be a distributor's small sticker stating a new price of 4'- net. Truly a premium copy.

      [Bookseller: RareNonFiction.com]
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        Marilyn Monroe signs a contract an unprecedented eleven times for an appearance with the equally beloved Edgar Bergan and Charlie McCarthy. A rider in the contract is specifically aimed at keeping the sexually charged starlet in check, and preventing her from doing anything that might "insult or offend the community or public morals or decency"

      "Document Signed, ""Marilyn Monroe"" and additionally, ""MM"" (ten times), four pages, 8.5"" x 11"" (with two 8.5"" x 2"" slips attached to pages three and four), Los Angeles, October 7, 1952, countersigned ""Edgar Bergen,"" who also adds his initials, ""EB"" ten times (each below Monroe's). A contract concerning Monroe's radio appearance on The Charlie McCarthy Show, recorded on October 18, 1952. File holes at top, stapled at left, very light soiling, else fine condition. An important contract which underscores Monroe's rapid rise to stardom in 1952 as she took on more substantial film roles. In April 1952 she appeared on the cover of Life, who billed her as ""The Talk of Hollywood."" Briefly on loan to RKO, she appeared in Clash by Night with Barbara Stanwyick, which was released in June 1952. The following month, two films featuring Monroe appeared including We're not Married! and Clash by Night. In September 1952, Fox released Monkey Business, in which she appeared with Cary Grant and Ginger Rogers. It was in that film that Monroe appeared with her signature platinum-blond hair. The contract, heavily edited, required that Monroe and Bergan initial all of the changes. Revisions were required to note that the program was recorded as opposed to live. Monroe also had to agree to mention the show's sponsor, which in this case was changed from Coca-Cola to ""Richard Hudnut Products"". In a testament to her growing influence, an entire provision making her liable for breaches of contract was crossed out. Monroe also insisted on a rider prohibiting the use of her likeness or name in connection with a product for the purpose of an endorsement. Another rider, attached to page four, addresses Monroe's reputation for sex appeal, in which she agreed Bergen could cancel the appearance, ""... if I conducted or do conduct myself without due regard to public conventions and morals or have done or do anything which will tend to disgrace me in society or bring me into pubic disrepute, contempt, scorn or ridicule, or that will tend to schock [sic], insult or offend the community or public morals or decency or prejudice agency or sponsor or the entertainment industry in general ..."" This rider was especially important in light of the recent fracas concerning her nude photographs that had surfaced earlier in the year and threatened to derail her fledgling career. The same rider also reminds the reader of the high pitch of anti-communist hysteria at the time. Not only did Monroe agree not to offend any moral sensibility during the program, she also agreed that her appearance could be terminated in the event she was ""... held in contempt by any Congressional committee or other governmental body and any refusal to testify before any such committee or governmental body, whether for legally justifiable reasons or otherwise."" The language obliquely referred to the House Un-American Activities Committee (HUAC), which had become infamous after it began investigating Hollywood in 1947. Those who refused to testify before the committee were blacklisted by the industry, including Charlie Chaplain, Orson Welles, Paul Robeson and other greats. The activities of HUAC would be mimicked by another McCarthy, Senator Joe McCarthy, who, beginning in 1953, chaired the Senate Permeant Subcommittee on Investigations. The senator's well-publicized hearings and the aggressive methods employed to badger and intimidate witnesses became known as ""McCarthyism."" Judging from contemporary media reports, Monroe's appearance with Charlie McCarthy was an enormous hit. During the program, the pair announced their engagement, much to the consternation of Edgar Bergen who ""admitted that losing Charlie would be like having his pocket picked."" McCarthy, for his part, assured listeners that he would allow Ms. Monroe to continue her screen career. ""'Certainly I'm gonna let her work. I love the girl. I don't want to interfere with her career?"or her income.'"" (Charles Denton, ""Charlie McCarthy Captures Heart of Marilyn Monroe"", United Press, October 31, 1952)"

      [Bookseller: University Archives]
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        In Country Sleep (Signed)

      New York: New Directions, 1952. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. 8vo - over 7¾ - 9¾" tall. This copy is no. 36 of 100 numbered copies printed on stoneridge paper and SIGNED by Dylan Thomas. True first edition with a duo-tone portrait of the poet by Marion Morehouse tipped onto the title page. Bound in beige cloth with gilt lettering on cover and spine. In original slipcase with autor's name and title printed in red on a pasted label. The first book appearance of "Do Not Go Gentle Into That Good Night". Extremely rare in this near mint condition. Additional photographs on request. Google 'Ceebe100' to watch a video of this book..

      [Bookseller: Concept Books]
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        In Country Sleep

      New Directions, New York 1952 - First Edition. Signed. 34 pp. 8-3/4 x 6-1/4. Very Good condition. Edition evidence: First edition, not stated. Says copyright 1952 by Dylan Thomas. Signature notes: The signature is very nice and makes up for flaws in the dust jacket; written in dark blue ink with fountain pen, on first page inside cover. His signature is very clear, written with small elegant lettering, with a unique flair as he puts a tiny cross on his D. There is no inscription. Below the signature Thomas has written the venue and the date. Condition notes: The dust jacket is fully intact but has some stains or soiling on front upper left area. Stains are most visible in bright light and not so noticeable in normal display light. The edges have light wear. On back dust jacket there is a slight vertical split at top and some wear at top spine. Photographs show these flaws truthfully. The page opposite the photo portrait has some light staining, due to transfer from contact with the photo. The boards and pages are in very good to near fine condition. See photo with exposed board and photo of publisher page. There is a bit of staining on the very edges of some pages. I can send more photos via email if you wish. Item history and circumstances of purchase and signing: This book has had only one owner, my mother Mildred Cowell. She was part of a group of artists and academics who met in France in 1948 and 49 and later were reunited in New York and California. She met Elizabeth Reitell in Aix en Provence in southern France. A few years later she ran into Liz again in New York and learned that she had become the assistant director of the Poetry Center. At the suggestion of Liz Reitell, Mildred planned to attend a reading at the Poetry Center which was at the Y on 92nd St and not far from where she was living at that time. In 1952 one of the guest readers was Dylan Thomas, reading from his new book, In Country Sleep. Mildred attended the reading accompanied by Jean Stern, former wife of poet Gerald Stern. She recalled that the book purchase price at the reading was ten dollars, although the cover price says $2.00. She recounted that Dylan Thomas read to a packed house and was well received. Some time during the evening the poet signed books and Mildred was able to purchase a book and have Dylan Thomas sign it on the inside cover. Dylan Thomas read at the Poetry Center three times in the first half of 1952. I am still working on the provenance and we are trying to pin down which of the three readings it was. She believes it was the first appearance of the poet that year, but we can't confirm. The poet's signature confirms that the venue was Poetry Center and the year was 1952. Follow up: The following year, 1953, brought Mr. Thomas back to the Poetry Center for the first reading of the play Under Milk Wood, and Liz Reitell was a key figure in producing what would become a landmark event in theater and poetry. Storage of item: Book was not kept on shelves for most of the intervening years, it was stored flat, in a plastic bag and enclosing envelope and it has kept the binding tight and kept it from wear. Take the opportunity to acquire this very nice signed first edition in 2014, year of centenary of Dylan Thomas's birth. Prefer to ship by US or International Priority Mail. Prefer payment by Paypal. Please contact me for more photos or for further information. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Duggalentendre Books]
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        In Country Sleep and other poems

      New York: New Directions,, 1952. Octavo. Original green boards, titles to spine and upper board in red. With the dust jacket. Photographic portrait tipped-in on title page. Bookseller's ticket to rear pastedown. Dark marks to edges of boards. An excellent copy in the jacket that is lightly rubbed at the extremities with some areas of minor dampstain at the edges and a few very short splits. First edition, first printing. Signed by the author on the tipped-in portrait.

      [Bookseller: Peter Harrington]
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        CHARLOTTE'S WEB

      Harper & Brothers, Publishers, New York 1952 - A Very Good copy of the book in like dust jacket. The cloth is a bit mottled and foxed and the dust jacket is lightly chipped at the spine ends and corners, but on the whole a presentable copy. White's charming story of Wilbur, the runt of the litter, who becomes famous after his friend Charlotte spins words into her web advertising Wilbur's good qualities, in the hopes of his avoiding the butcher's block. A true children's classic, the kind of heart-warming story that is seen too infrequently. Very Good in Very Good. dust jacket. [Attributes: First Edition]

      [Bookseller: Whitmore Rare Books, ABAA, ILAB]
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        Forces All Star Bill: Episode 2

      Np [BBC], London 1952 - 27 mimeographed pp., secured with split pin to top left. Title page becoming detached at pin, heavily annotated throughout, a little edgeworn and dusty. First edition. SOUND ENGINEER'S STUDIO COPY, HEAVILY ANNOTATED FOR USE DURING RECORDING. In the summer of 1952, Calling All Forces became Forces All Star Bill, '.presenting the best of Britain's showbusiness for our Armed Forces serving overseas'. This was the second episode of the new incarnation, which featured a different compere every week. (This week's was Bernard Braden). The show was transmitted on 11 August 1952, and as well as the ever-present Graham Stark and Fred Yule, featured Lizbeth Webb, Lee Lawrence and Freddy Randall among the guest stars. A very early Galton and Simpson script dating from the first year of their career, heavily marked up for use during the recording of the show itself.

      [Bookseller: Neil Pearson Rare Books]
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        [Original Manuscript]: Wainer

      (1952). Fifteen-page typescript of a story submitted to the science-fiction magazine Galaxy, with a sixteenth page that consists of a story blurb by Shaara: "Certainly, life has a meaning / though sometimes it takes a lifetime to learn what it is." The first page bears Shaara's Highland Park, New Jersey address, and is dated in pencil, "9/23/52." The text, about 4300 words, has been edited in an unknown hand. The story appeared in the April 1954 issue, and was by our count his fourth appearance in Galaxy. The pages have been lightly folded in quarters and bear a small puncture in the upper right quadrant, partially affecting about a dozen letters throughout. Other light wear, but overall near fine. Shaara's first book, the boxing drama The Broken Place, was not published until 1968, followed in 1974 by his Pulitzer Prize-winning The Killer Angels. His science-fiction stories were not collected until 1982. We have seen very few examples of manuscript material by him appear on the market. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        I Am A Camera

      New York: Random House, 1952. First Edition. Near fine in a torn dust jacket. Presentation copy; inscribed by the author to an original cast member, ?Marian [Winters], With much love and admiration. From John.? Winters played the part of Natalia Landauer, for which she won a Tony award. Based on Isherwood?s Berlin Stories, the play was made into a movie (with Shelley Winters as Landauer) and formed the basis for the musical and film Cabaret. With two programs for the play.

      [Bookseller: Peter L. Stern & Company, Inc.]
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        The Hoods

      New York: Crown Publishers. (1952). First. First edition. Fine in very near fine dustwrapper with rubbing and tiny tears, mostly at the spine ends, and a bit of foxing on the rear panel. Fictionalized autobiography of a Jewish gangster and his friend and partner that was the basis for the controversial Sergio Leone film, Once Upon a Time in America, with a great cast featuring James Wood, Robert DeNiro, Elizabeth McGovern, Treat Williams, Tuesday Weld, Burt Young, Joe Pesci, and Danny Aiello. A lovely and exceptionally scarce title. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        1952 IMPROVISATIONS : ARTISTS EQUITY MASQUERADE BALL : HOTEL ASTOR MAY 15 : SPRING FANTASIA

      [New York]: Artists Equity Association, 1952. First Edition. Softcover. Very good. Numerous illustrators. Quarto. [12] pp. plus 103 original lithographic prints (including 99 leaves printed recto only, covers printed both sides). Original color pictorial self-wrappers, plastic comb binding. Some wear and toning to covers, with light creasing to lower outer corner of front cover. Internally near fine. Very good. Number 527 of 2000 copies. Volume III of the IMPROVISATIONS illustrated program for the New York Artists Equity Association's annual masquerade ball. The lithographs that represent the particular importance of the volume include the cover design (by Byron Browne) and 102 advertisements for masquerade ball sponsors by 88 different artists. The Equity Association member artists, who "were in most cases selected by the advertisers from our membership list and were given complete freedom of expression" in their work designed their advertisments "directly on the litho plate, thus making this a collection of original lithographs" (p. [1]). Artists include Milton Avery, T. Lux Feininger, Chaim Gross, Jacob Lawrence, Reginald Marsh, Ruth Reeves, Ben Shahn, and Max Weber. OCLC locates one copy, at the Art Institute of Chicago. Scarce.

      [Bookseller: W. C. Baker Rare Books & Ephemera]
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        Canadian Poems 1850-1952 (SIGNED BY BOTH EDITORS AND FIVE CONTRIBUTORS)

      Toronto: Contact Press, 1952. Second edition. Softcover. Near Fine. 127 pp. Signed by Louis Dudek on the title page and inscribed by Irving Layton on the front free endpaper. Also signed by Raymond Souster (p. 111), Dorothy Livesay (p. 79), Earle Birney (p. 68), A.J.M. Smith (p. 64) and F.R. Scott (p. 54). From the collection of Canadian author/literary impresario Greg Gatenby with his signature on the ffep. Light soiling and some darkening of covers and spine. A unique Canadian literary treasure.

      [Bookseller: Come By Chance Books (IOBA)]
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        Doting

      New York: Viking Press. 1952. First. First American edition. Corners a trifle bumped, near fine in a slightly soiled, very good dustwrapper with a short tear on the front panel. Inscribed by the author: "For Ivy Litvinov, with love from Henry Green 28/2/60." Litvinov was a Russian translator who wrote a considerable amount of fiction for The New Yorker. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Plexus

      Corrêa 1952 - - Corrêa, Paris 1952, 14,5x19,5cm, broché. - Edition originale de la traduction française, un des 100 ex numérotés sur vélin, seuls grands papiers. Deux traces d'ombres affectant les pages de garde, bel exemplaire complet de sa jaquette. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Old Man and the Sea

      Charles Scribner's Sons, 1952-01-01. Hardcover. Very Good. New York: Charles Scribner's Sons, 1952. 140 p. Blue cloth with silver lettering. First edition, first printing. (All first edition points present: letter "A" on copyright page with publisher's seal; no deboss spot on back board. Jacket has no mention of book club on front flap or Nobel mention.) About Very Good in Very Good dust jacket. Clean pages. Previous owner name in ink on front end paper. Spine letting mostly rubbed off. Dust jacket chipped at bottom of front panel, worn at extremities, light staining, price intact ($3.00). A nice copy of the classic novella.

      [Bookseller: Burnside Rare Books]
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        The Little Horse Bus

      Parrish, 1952, Hardcover (Original Cloth), Book Condition: Very Good Condition, Dust Jacket Condition: Poor, First Edition, Illustrated By: Dorothy CraigieSize: Quarto. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Slight foxing front/rear pages, but body of book mostly clean and unfoxed. Dust Jacket has large closed tears and associated wear. Dust Jacket un-clipped. All edges clean, neat and free of foxing. Illustrator: Dorothy Craigie. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Children; Antiquarian & Rare. Pictures of this item not already displayed here available upon request. Inventory No: 9007.

      [Bookseller: Mr Pickwick's Fine Old Books]
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        La chasse aux lions, avec un portrait de l'auteur par lui même.

      Paris, Le messager boiteux de Paris, Collection "La poésie dans la poche" n°2 1952 - Livre épuisé 15 x 10,4 cm, plaquette non paginé. Condition : Edition originale. Un des 30 ex. du tirage de tête comportant une pointe sèche signée de Camille Bryen. 25g. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Faustroll]
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        Typed Letter Signed

      Typed Letter Signed (in the form of contract proposal) from Victor Weybright at The New American Library of World Literature, Inc. 501 Madison Avenue, New York 22, New York, Murray Hill 8-3470, May 9, 1952. Addressed to Dylan Thomas c/o Mr. Oscar Williams 25 Water Street, New York 4, New York. Very good.Signed by Thomas at end, and initialed twice by him noting hand corrections.Contract for the purchase of the first part of Dylan Thomas' "Adventures In The Skin Trade."Thomas was in New York on his American lecture tour, having arrived on January 20th lecturing at Harvard, U.C. Berkeley, et.al.; leaving the U.S. on May 16th.Oscar Williams (born Kaplan, 1900-1964) was a poet, anthologist, friend and promoter of Dylan Thomas. He occupied a penthouse at 35 Water Street and Thomas most likely stayed there when in New York.Dylan Thomas contracts are uncommon on the market today.See Dylan Thomas "The Collected Letters" (2000 ed) pages 958-959 for a footnote detailing this contract, and a related letter to Oscar Williams.

      [Bookseller: George Houle Rare Books & Autographs]
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        A Baptist Bibliography. Being a Register of Printed Material By and About Baptists; Including Works Written Against the Baptists. Edited by Edward C. Starr, Curator of the American Baptist Historical Society and Librarian Crozer Theological Seminary.,

      Chester (Pensylvania), American Baptist Historical Society 1952-1976. - Bibliothekseinbände. Rücken mit kleiner Signatur, Vorsatzpapiere mit kleiner Signatur und handschriflichtem Vermerk in Bleistift. Titelblattrückseiten gestempelt. Einbände stellenweise minimal berieben. Bände sonst in gutem und durchgehend sehr sauberem Zustand. - First volume missing. Vol 2-25. Ex library copies. Covers occasionally a bit rubbed. Small shelf marks on back, title pages stamped. Else books in good and very clean condition. Sprache: en Gewicht in Gramm: 44156 4° (27,5 x 21 cm), Hardcover, gebunden, Halbleineneinbände. Bände 2-25 (von 25 Bänden; es fehlt der erste Band, sonst vollständig), insgesamt 24 Bände, [Attributes: Hard Cover]

      [Bookseller: Antiquariat Kretzer]
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        The War Speeches of the Rt Hon Winston S Churchill, presentation set inscribed by the compiler, Charles Eade, to fellow newspaper editor and author Bernard Falk

      London: Cassell and Company Ltd., 1952. First edition, first printing. Hardcover. Fine/Near fine. This is the first edition, first printing of the three-volume "definitive" edition of Churchill's war speeches, a presentation copy inscribed by the compiler, Charles Eade, to fellow newspaper editor and author Bernard Falk. The inscription on the volume one first free endpaper is inked in black in six lines and reads: "Presented to | Bernard Falk | by the | compiler | Charles Eade | September 3, 1952". It was Winston Churchill's leadership during the Second World War that made him a preeminent historical figure. Of Churchill, Edward R. Murrow said: "He mobilized the English language and sent it into battle." Between 1941 and 1946, Churchill's war speeches were published in seven individual volumes. Charles Eade played a critical role in their original publication, as well as in this edition issued during Churchill's second premiership. Charles Eade (1903-1964) was a noted figure in British journalism. In 1938 he became editor of the Sunday Dispatch, a post he held until 1957. Eade was also an early radio sports commentator, and during the Second World War served as public relations advisor to Louis Mountbatten. In 1942 Eade stepped in as compiler of Churchill's wartime speech volumes, replacing Churchill's son, Randolph, who had been called to wartime service. Notably, he offered his services free of charge, stating, "my reward for the task would be the pleasure of doing it" (7 May 1941 letter from Charles Eade to Kathleen Hill). Eade ultimately edited six of the seven wartime volumes - all except the first, Into Battle. For this "definitive" edition of Churchill's war speeches, Eade returned to the role. Eade would later serve as editor for Churchill By His Contemporaries. Bernard Falk (1882-1960) was also a newspaper editor, as well as author. Falk had preceded Eade as editor of the Sunday Dispatch from its founding in 1928 until 1932 when he retired. Falk subsequently authored successful autobiographies about his Fleet Street years (He Laughed in Fleet Street and Five Years Dead) as well as a number of historical biographies. In 1952, during Churchill's second premiership, the publisher reissued the War Speeches as this new, three-volume edition. This edition is, in many ways, superior to the original seven wartime editions in both aesthetics and content. Eade modified many speech titles, adding several speeches, and eliminating several for which he deemed "time has reduced their significance." The speeches "are linked, where necessary, with brief notes to form a complete, chronological story." Most welcome is the addition of an index, not present in the original wartime volumes. The three tall volumes (10 x 6.35 inches) are bound in smooth, dark blue cloth with stout boards and gilt spine print. Gone is the cheap economy paper of the wartime editions. The contents are printed on quality paper stock with generous margins. The uniform dust jackets are printed dark pink, grey, and black on pale yellow stock with an illustrated motif that Bibliographer Ronald Cohen calls a "dark grey line-drawn Romanesque architectural background." These sets have become quite scarce in the original dust jackets in collectible condition. This presentation set would be in noteworthy condition even absent the presentation inscription. Condition is fine in near fine dust jackets. The blue cloth bindings are square, clean, and tight with virtually no discernible wear. We note only two tiny corner bumps. The contents remain crisp and bright with no spotting and no previous ownership marks apart from the presentation inscription. The dust jackets are unclipped and complete, with no losses. We note only trivial soiling and incidental wear. The dust jackets are protected in removable, archival quality clear covers. Bibliographic reference: Cohen A263.1(I-III).a, Woods/ICS A136(a.1), Langworth p.303.

      [Bookseller: Churchill Book Collector]
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        Atlas De La France Vinicole, Les Vins De Bourgogne (1952 edition Larmat paperback with photos and maps)

      Larmat, 1952, Softcover, Book Condition: Good Condition, First EditionGood+ 1952 edition large format Larmat paperback, French language, with lovely cover design and coat of arms in colour, many fold-out maps and archive photos throughout - one of the scarcest titles in this series. Well-preserved tight and unmarked, a little spine-end wear and minor markings to cover, rubbing along spine and to corners else good+ tight and unmarked. Sent Airmail at no extra cost; Worldwide Shipping IMMEDIATE 1ST CLASS/AIRMAIL DISPATCH Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Cooking, Wine & Dining; Inventory No: 050941.

      [Bookseller: 84 Charing Cross Road Books]
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        Laughing to Keep from Crying

      New York: Henry Holt. (1952). First. First edition. Fine in a slightly soiled, near fine dustwrapper with modest tanning on the spine. Nicely Inscribed by the author in the year of publication, using most of the front fly: "Especially for Bill -- in gratitude and regard -- Sincerely, Langston. New York City, 1952." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 36.   Check availability:     IOBABooks     Link/Print  


        Sergei M Eisenstein A Biography

      London: The Bodley Head,, 1952. Octavo. Original black cloth, titles to spine and upper board gilt, black top-stain. With the dust jacket. Frontispiece and 56 plates with illustrations from photographs and film stills. Gift inscription to front free endpaper. Cloth lightly rubbed at extremities, some markings to endpapers. An excellent copy in the slightly rubbed jacket with faded spine panel. First edition, first impression. Presentation copy inscribed by the author on the front free endpaper, "To Krishna from Marie. Kew Green, August 1956. This copy went from here to India and back again. But for this book it's not improbable I would soon have fallen out of the blue in Madras with all the film business in a tangle. Thanks for having been there to rescue me. I was never gladder to see anyone, despite the filthy temper I was in at 7am". The recipient was Krishna Menon (1896?-1974), Nehru's long-time friend and advisor and the most powerful Indian politician and diplomat of the era, an eloquent, forceful, complex, and at times mysterious figure who so intimidated the British and American intelligence services that Sir Alec Clutterbuck described him as "Nehru's evil genius" (Outlook India, 19 March, 2007). Menon "had a string of disastrous love affairs" with women, including Marie Seton, the author of the present volume, who had been invited to India to work with the University Film Society after completing her work with Eisenstein in Russia. She spent much of the rest of her life in India, becoming close to Nehru's family. She later described Menon as "extraordinarily angular. It was hard to decide if he was a very handsome man in a hacked out sculptural manner, or if he was distinctly devilish to look at" (Outlook India). A fantastic association.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  


        En attendant Godot ( Piece En Deux Actes )

      Les Editions de Minuit, 1952, Wrappers, Book Condition: Good, Dust Jacket Condition: No Jacket, First Editionsince pagination starts with the front cover, 166 pp ( numbered 12 - 163 ), all edges untrimmed, in original wrappers with black text, and title on the spine, and front cover in blue, as is the decorative border." "The front joint has split for 1.5" from the bottom, the rear joint for 1" from the bottom. Foxing on the spine and left hand side of the front panel. Ownership inscription at top right of first page, with a newspaper clipping relating to the play, pasted immediately below, and sticker from original bookseller at the lower left of the same page. Mild foxing to this page. All edges of the text block show browning/foxing. the wrapper is partially detached from the block at the rear.Size: 8vo - over 7?" - 9?" tall. 166 pages. Please refer to the accompanying picture(s) Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Theatre & Plays; Inventory No: 0222155.

      [Bookseller: Syber's Books]
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        The Old Man and the Sea

      Charles Scribner's Sons, 1952-01-01. Hardcover. Very Good. New York: Charles Scribner's Sons, 1952. 140 p. Blue cloth with silver lettering. First edition, first printing. (All first edition points present: letter "A" on copyright page with publisher's seal; no deboss spot on back board. Jacket has no mention of book club on front flap or Nobel mention.) About Very Good in Very Good dust jacket. Clean pages. Previous owner name in ink on front end paper. Spine letting mostly rubbed off. Dust jacket chipped at bottom of front panel, worn at extremities, light staining, price intact ($3.00). A nice copy of the classic novella.

      [Bookseller: Burnside Rare Books]
 39.   Check availability:     IOBABooks     Link/Print  

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