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Displayed below are some selected recent viaLibri matches for books published in 1952

        MUSIC AND IMAGINATION. [The Charles Eliot Norton Lectures 1951-1952].

      Harvard University Press., Cambridge 1952 - First Edition. 8vo - over 7¾" - 9¾" tall. A very good or better copy in green cloth, spine slightly faded, showing light use, in an unclipped dustwrapper that shows minor use; xii,11 6pp. 215x140mm. 290g. INSCRIBED on the FFEP "For Mirna on her birthday, affectionally, Aaron". 'This book consists of a set of six lectures delivered at Harvard University in 1951 & 1952 in two parts. In the first part the author discusses with luc idity & exactness the role of imagination in performing, writing, & listening to music. Under this heading he deals with many topics, from the composer's ability to imagine the sound which will result from an entirely new combination of instruments, to the listener's ability to hear a work intelligently & to understand it. In the second part the author, himself a distinguished composer, discusses recent developments in music, & English readers will find especially interesting his objective acc ount of the past & present state of musical composition in America. The whole book is in its own way a worthy successor to those by Stravinsky & Hindemith as an expression of the thoughts of a composer on music & musicians.' [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Assassin for Hire

      London: Frederick Muller. (1952). First. First edition. Foxing to the page edges and first and last few leaves, else about fine in very good plus dustwrapper with some tiny nicks and tears. Hired assassin Antonio Riccardi hides behind his false identity as a rare stamp dealer. Adapted and novelized by the author from his own radio scripts, this was the first of several of this Australian writer's books to be filmed, in 1951 directed by Michael McCarthy, and featuring Sydney Tafler, Ronald Howard, and Katharine Blake. This book also includes the text and first book appearance of the author's short story (again adapted from his own play) "Wide Boy," which was banned by the BBC, about a petty criminal who becomes involved in blackmail and murder, and which was also made into a 1952 film by Ken Hughes, and featuring Tafler, Howard, and Susan Shaw. A nice copy of a very scarce and poorly manufactured title. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Autographed Letter Signed to Katherine Cornell

      New York, 1952. unbound. 2 pages on personal letterhead, 10.5 x 7.25 inches, New York, February 5, 1952. Written to actress and friend Katherine Cornell, in part: "Darling Kit - thank you and Guthrie for a most perfect weekend in your magical house. I shall long remember sitting in the dusk with the great fire glowing on the golden ceiling...I am sending 'round to the theatre a record which we've always loved...I do hope you have not already got it...With so much love from your devoted...Vivien Leigh." Natural folds; near fine condition. Accompanied by the original handwritten envelope, which is gently browned on the left edge and has a tiny smudge.

      [Bookseller: Argosy Book Store]
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      ED. HARPER'S BAZAAR 1952. IN 4. REL TOILE [BE]. 226 + 244 + 230 + 176 + 124 ENV 1000 ILL EN NOIR ET EN COULEURS. [BE], NEW YORK - MODE MODE

      [Bookseller: Librairie Courant d'Art]
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        Robinson Crusoe (Original screenplay for the 1954 film, with a TLS from the producer and a still photograph from the film)

      Ultramar Films, Mexico City 1952 - Draft script for the 1954 Mexican film. A rare pre-production script from Luis Bunuel's first color film, one of the key productions from his Mexican period, written with Hugo Butler, who was at the time living in self-imposed exile in Mexico with Dalton Trumbo (both blacklisted by the HUAC) and writing under various pseudonyms. Single substantive holograph pencil correction toward the end of the text. Laid in is a single weight studio still photograph, along with a typed letter signed from the film's producer Edward L. Alperson, on his custom rough-edged stationery, discussing the possibility of distribution within the US. Distribution was eventually taken on by United Artists, and Daniel O'Herlihy received a Best Actor nomination for his performance. One of Bunuel's more straightforward narratives, quite faithful to the source material, but with a whopping dream sequence as bizarre as anything one might find in the director's later work. Tall side-stitched self-wrappers, dated "Mexico / 1952," with credits for director-screenwriter Bunuel, screenwriter Butler (under the Roll pseudonym) and producers Oscar Dancigers and Henry F. Ehrlich. 95 leaves, mimeograph. Very Good condition, toned at the edges, some offsetting to the front wrapper, and a 1-inch tear at the left margin. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        L'Odyssée [chants V et VI]. [Bois originaux de Henri Laurens]

      Creuzevault, Paris 1952 - Paris, Creuzevault, 1952. 32,5 x 22 cm, in-4, 32 ff. n. ch., 14 bois originaux en noir par Henri Laurens dont un sur la couverture, un au titre, un hors texte et onze dans le texte, en feuilles sous couverture de papier floqué gris pâle rempliée et illustrée, chemise et étui. Premier tirage des bois de Henri Laurens. Cette édition contient uniquement les Chants V et VI de L'Odyssée, dans la traduction de Victor Bérard. Tirage à 175 exemplaires. Celui-ci l'un des 125 exemplaires numérotés sur vergé de Montval, signé par l'artiste au colophon (n° 144). Une très belle réalisation, d'une grande pureté. Très bel exemplaire. (MONOD, 6079) [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        ELS EX-LIBRIS I L´EX-LIBRISME. Assaig Históric Raonat (2 vols.)

      - Barcelona, 1952. 8º M. 2 vols: Vol. I. Frontis, 123 p. 1 h. // Vol. II. 122 p. 1 h. Holandesa puntas piel, nervios, cabeza pintada y decorada. - Primera edición. Papel de hilo sin desbarbar. Tirada de 300 ej. Muchas ilustraciones fuera de texto, algunas en color. Bellísimo. [Attributes: Hard Cover]

      [Bookseller: Berrocal Libros Antiguos]
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        The Royal Philatelic Collection

      The Dropmore Press, [1952] - Two collotype royal portraits, colour and black-and-white plates, the colour plates showing stamps with tissue guards Folio Sides a little marked and small wormholes to head of upper joint, otherwise a very nice copy in slightly worn slipcase Original red morocco with royal arms gilt on upper cover, spine with five raised bands ruled in gilt and spine lettered and decorated in gilt, top edge gilt [Attributes: First Edition; Hard Cover]

      [Bookseller: Bertram Rota Ltd]
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        The Royal Philatelic Collection. Editor - Clarence Windsor.

      London: The Dropmore Press 1952 - Folio, (xiv), 85, (13), 76, 48, 64, 64, 75, (1) pp. Portrait plates of Georges V and VI, 12 coloured plates with captioned tissues (plate V bound in upside down) and 64 pages of black and white illustrations showing hundreds of stamps, marbled endpapers. Contemporary wine red crushed morocco, spine slightly sunned, a.e.g., a near fine copy held in the original red cloth slipcase - the latter a little worn. Comprising both a history of the collection and a catalogue, arranged geographically by (the then) British territories on the different continents.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        Christmas at the Rose and Crown - A Little Brown Mouse Book

      Heinemann, U.K. 1952 - Copies of this wonderful title are rare, but to find a copy in such wonderful condition as this is almost too much to hope for. Book is clean, bright and unmarked with minimal wear and a minor bump to the upper back corner of the backstrip. Dust jacket is clean and unmarked with light wear and no chips or tears. Dust jacket is not price-clipped and is now preserved in a clear protective sleeve. Original price on each flap of dust jacket has been overlaid with what may be a distributor's small sticker stating a new price of 4'- net. Truly a premium copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: RareNonFiction, IOBA]
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      - René Kister et Godefroy Schmid Editeurs. 1952. 2 volumes In-4, reliure demi-chagrin fauve à coins sous étui, dos à nerfs, tête et petis fers "cynégétiques" dorés, étui. T. I, 231 pp.; T. II, 222 pp., illustrations : nombreuses photographies en noir, en couleur, deux eaux-fortes. Exemplaire de luxe numéroté sur papier d’arches. Exemplaire N° 87Belle publication moderne traitant des différents types de chasse (au bois, à courre, en plaine, en montagne, en mer, la recherche du gibier blessé, etc. ), la gastronomie du gibier, la photographie de l'animal sauvage, la chasse dans les Arts, la zoologie, les chiens de chasse, le tir, la migration, le plumage. Quelques grandes plumes ont participées à la rédaction de cet ouvrage : Tony Burnand, Hettier de Boislambert, H. Hediger, J. Castaing., avec des articles sur : les bécassiers et bécasses, les chiens d'arrêt, les gibiers à plumes, la chasse à courre, les appeaux. Kaps p. 295.

      [Bookseller: Philippe Lucas Livres Anciens]
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        The Sword of Honour trilogy:] Men at Arms; Officers and Gentlemen; Unconditional Surrender.

      London, Chapman and Hall, 1952–61 - 3 volumes, octavo. Finely bound by The Chelsea Bindery in full dark blue morocco, titles to spine gilt, raised bands, twin rule to turn-ins, plain cream endpapers, all edges gilt. Housed in a dark blue cloth slipcase. A fine set. All First Editions. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        MEN AT ARMS TRILOGY. Men at Arms. -- Officers and Gentlemen. -- Unconditional surrender.

      Chapman & Hall. London. 1952-61 - FIRST EDITION. Three volumes. 8vo. Fine, clean copies finely bound in recent full dark blue morocco, raised bands, gilt. Single gilt ruled border to boards. Top edges gilt. A fine set, housed in a felt lined, blue cloth covered slip case with a black ribbon tie-pull. [Attributes: First Edition; Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
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        Wisdom from Atlantis *SIGNED BY DR. RUTH B DROWN*

      USA: DeVorss & Co.. Hardcover. 153 pages. Signed and inscribed by author (dated 1952) upon second blank leaf. Prior owner's signature upon same page. Average wear. Binding sound. Dr. Drown "... produced stunning photographs of soft and hard tissue anywhere within the body using only a dried drop of the patient's blood on a piece of blotter paper." - Trevor Constable. A very rare signed item by this incredibly gifted woman. . Good. 1946. First Edition.

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        Woodcut from Petrouchka.

      (Hingham, MA Püterschein-Hingham 1952) - One of 100 copies. A woodcut in four colors cut by W. A. Dwiggins in 1921 and printed for the first time by Dorothy Abbe in 1952 from the original blocks. The lovely woodcut, in blue, yellow, orange, and black, illustrates Stravinsky's ballet Petrouchka, which tells the story of a Russian puppet that longs to be human. In Dwiggins's illustration, the puppet sits in front of a wall covered in blue and yellow jacquard wallpaper holding a book and looking wistful. Originally mounted on a single sheet folded to make four pages, on the inside of which was printed the musical theme from Stravinsky's ballet. The woodcut is now matted separately. The print measures 9 1/2 by 6 1/2 inches.

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        IN COUNTRY SLEEP And Other Poems. Signed.

      New Directions, 1952, New York: - "Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light." First Edition and the first book appearance of Dylan Thomas' most often quoted poem, Do Not Go Gentle Into That Good Night, Signed by Dylan Thomas on the front free endpaper, additionally with the ownership signature of American poet, William Everson (Brother Antoninus) to the front free endpaper, 'William Everson's copy'. 8vo. 34 pp. Tipped-in black and white photograph by Marion Morehouse of the Welsh poet to the title page, as issued. Fine in green paper covered boards, rust titles in a fine dustwrapper. An excellent example of an important Thomas title. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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      New York: Harcourt, Brace and Company,. [1952]. Octavo,. original gray boards, spine panel lettered in gold.. Upper corner tips lightly bruised, touch of sunning to spine ends, a. nearly fine copy in nearly fine dust jacket with light rubbing at. spine ends and front corner tips and 35 mm closed tear at top edge of. rear panel with small internal tape mend. The jacket is clean,. bright, and attractive. (#95148). First edition. First printing with "first edition" on copyright page; jacket priced $3.00. The author's first book. Like Isaac Bashevis Singer, he is "fascinated by the intersection of the commonplace and the grotesque ..." - Harte and Riley (eds), 200 Contemporary Authors, p. 174. Kosofsky A1.

      [Bookseller: L. W. Currey, Inc.]
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        Gravure] Frontispice pour Le Con d'Irène [épreuve d'artiste signée]

      Jean-Jacques Pauvert, Paris 1952 - 32,5 x 25 cm (feuille), 16,5 x 12 cm (sujet). Rare épreuve d'artiste, tirée sur vélin et signée de cette gravure pour le frontispice de l'édition du Con d'Irène donnée par Jean-Jacques Pauvert en 1952. Le livre, tiré à 100 exemplaires, est rare. Le frontispice, un peu moins profond que notre épreuve, n'y est pas signé. Il n'existe probablement que peu d'épreuves, comme la nôtre, signées, tirées à part et grandes de marge. Bel état. (DUTEL, 1764) [Attributes: First Edition; Signed Copy]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Copper engraving: "Minetta Street"

      n.p., 1952. One of 100 signed. 18 x 7 inches (image size). . Matted, framed, and glazed. Signed in pencil by the artist on the mount. Fine. Kraeft

      [Bookseller: James Cummins Bookseller]
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        Phantom Song

      Naples: (Frederic Prokosch). 1952. First. First edition. Decorated self-wrappers with printed paper label. 24mo. Fine. Extra label tipped-in. Out of a total edition of 44 copies, this is copy "j" of 10 small case lettered copies in Lombardy paper. Inscribed by the author. A brief poem, one of the author's rare "butterfly books", this one issued as a Christmas Greeting. Prokosch was an American novelist of remarkable promise who later fell under a cloud for manufacturing some spurious "rare first editions", which he did while experimenting with the handpress he used to manufacture the butterfly books. Additionally he reprinted some of the books between 1978-1980, but the provenance of this book, and the owner's notes that accompany the book indicate that it was obtained in the 1950s. His reputation has suffered despite the fact that his books were both a critical and popular success at the time of publication. Rare. OCLC locates five copies (of the total edition) in institutions. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The decisive moment

      New York: "Simon & Schuster in collaboration with Verve Editions, Paris". [1952]. "First edition, folio, pp. 29, and 126 photographic illustrations (some double-page) on rectos and versos of 62 plates; dust jacket with 2 or 3 small black ink marks on front panel, and slight wear at edges, else generally a fine copy in original printed pictorial boards by Henri Matisse, repeated design on jacket. Laid in, as issued, is the 12-p. pamphlet The Decisive Moment - Captions."

      [Bookseller: Rulon-Miller Books ]
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        PARIGI 1615. PARIS 1615. Lettera sulla stranezza della moda e dei costumi Parigini. Illustrata da litografie originali di FABRIZIO CLERICI e tradotta in francese da Jacques Audiberti.

      Roma 1952 - Folio 38x33 cms - colourful printed wrappers housed in a matching slipcase. Half title, titles in French and Italian as is the text. Illustrated with 10 lithographs and with an extra suite of 10 lithographs after the text. ONE OF 10 COPIES (no 5) on Velin de Zerkall from an edition of 100. SIGNED on the Italian limitation leaf AND signed on the half title and dedicated to Maria Carmela (Viscountess Hambleden). Good copy of an Italian Surrealist work. FABRIZIO CLERICI- Italian Surrealist 1913-1993 [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Charles Russell, ABA, ILAB, est 1978]
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        Parigi 1615. Lettera sulla stranezza della moda e dei costumi parigini. Illustrata da litografie originali di Fabrizio Clerici e tradotta in francese da Jacques Audiberti.

      Roma 1952 - pp. 54, a ff. sciolti su velin Zerkall a bordi intonsi, con num. e grandi litogr. in b/n, Rara e ricercata ediz. di 100 esempl. numer. e firm. dal celebre artista surrealista ed impressa al torchio di P. Fornasetti a Milano. Manca allo Jentsch. bross. alla francese con bella copert. in litogr. orig. a col., frontesp. a due col., testo italiano e francese.

      [Bookseller: Studio bibliografico LE MUSE]
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        Werke von Karl Kraus, : neu hrsg. v. Heinrich Fischer. 14 Bd. + 2 Supplementbde. + 1. ( vollständig ). Bd.1: Die dritte Walpurgisnacht, Bd.2: Die Sprache, Bd.3: Beim Wort genommen, Bd.4: Widerschein der Fackel, Bd.5: Die letzten Tage der Menschheit, Bd.5: Die letzten Tage der Menschheit, Bd.6: Literatur und Lüge, Bd. 7: Worte in Versen, Bd.8: Untergang der Welt, Bd.9: Unsterblicher Witz, Bd.10: Mit vorzüglicher Hochachtung, Bd.11: Sittlichkeit und Kriminalität, Bd.12: Die chinesische Mauer, Bd.13: Weltgericht, Bd.14: Dramen, Supplemente: Shakespeares Dramen I+II, Shakespeares Sonette

      München, Kösel, 1952 - 1970. - 308, 447, 462, 433, 769, 355, 540, 454, 341, 434, 345, 300, 367, 496, 295, 416, 47 unpagin. S. Einbände etw. berieben, Papier unterschiedlich nachgedunkelt, auf Kopfschnitt von Supplementbd.2 kl. Kaffeefleck, sonst einwandfrei. Guter Zustand. Sprache: de Gewicht in Gramm: 10000 8° , Leinen (ohne Schutzumschl.) alles 1. Aufl., außer Bd. 2: 2., durch einige neue Stücke erg. Aufl. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Blaeschke]
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      A Paris, Chez Pierre Bricage 1952 - Lithographies de Théo Van Elsen. Couverture, frontispice, 8 titres, 11 hors texte, 16 dans le texte et 1 dessin original en couleurs dédicacé. (Complet & Contrôlé) Édition tirée à 60 exemplaires et quelques exemplaires nominatifs. Celui-ci n°52 est enrichi d'un dessin original en couleurs avec envoi dédicacé de l'artiste sur la page de garde. A Paris, Chez Pierre Bricage 1952. Pages volantes sous couverture rempliée illustrée. Chemise avec titre au dos et étui toilés. Très bon état. Format in-4°(34x27). Edition illustrée Dédicacé par l'illustrateur

      [Bookseller: EURL Livres et Collections]
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      1952 - HOOVER, Herbert. THE MEMOIRS OF HERBERT HOOVER: THE CABINET AND THE PRESIDENCY 1920-1933. New York: The Macmillan Company, 1952. First edition. Warmly inscribed by Hoover to former Massachusetts Governor Christian Herter on front flyleaf. xii + [2] + 405 pp. 8vo., blue cloth stamped in gilt. Minor shelfwear to heel and crown, else fine; in a worn dust jacket with light soil and nicks and small closed tears at edges, front flap price-clipped, some tape reinforcement to reverse. Very good overall, with a nice association.

      [Bookseller: Boston Book Company, inc.o ABAA]
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      New York, Harcourt, Brace and Co. 1952. - 252pp. 8vo. Original cloth in price-clipped dustwrapper, short tear to upper panel, minor wear to extremities. An otherwise very good copy. . First US edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Grant's Bookshop]
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        Elogios al Santíssimo Sacramento, a la Cruz Santíssima, y a la Purissima Virgen María Señora Nuestra. Al Serenissimo Señor Infante, y Cardenal de España, por. / Edición presentada (y dirigida) por Antonio Perez Gomez

      - EDICION LIMITADA Y NUMERADA.- Valencia: La Fonte que Mana y Corre, (Talleres de Tipografía Moderna), 1952.- [2 h.] + 8 h., 60 folios de la reedición + [1 h.]: Portada facsímil de la original; 4º (24,6 cm.); Excelente impresión sobre papel de hilo verjurado; Magnífica encuadernación en Plena Piel Chagrén verde intenso, rueda dorada en tapas, lomo dorado y con 5 nervios, cabeza pintada, consrva las cubiertas originales.- (La Fonte que Mana y Corre).- Es una reedición de la que fué impresa en "Madrid, En la Imprenta del Reyno, Año de 1630". Ha sido compuesta a mano en los Talleres de la Tipografía Moderna con caracteres Bodoni, especialmente hecha para bibliófilos, bajo el cuidado de María Amparo y Vicente Soler. Ha sido dirigida por Antonio Pérez Gómez. Edición limitada de 209 ejemplares sobre papel de hilo ahuesado, verjurado, SIENDO ESTE EL Nº 58, además otros seis marcados de I al VI, y diez sobre papel Royal Annam, marcados de A a J.- RARISIMA EDICION DE BIBLIOFILO, MAGISTRALMENTE ENCUADERNADA Y EN IMPECABLE ESTADO. Libro en español [Attributes: Hard Cover]

      [Bookseller: Librería Miguel Miranda, AILA ILAB]
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        EAST OF EDEN

      Heinemann London 1952 - 1st British Edition. First state of the true first regular edition, with the incorrect version of "bite" instead of "bight" on line 23, page 244. This copy of the book is in frankly brilliant condition because the talented and sensitive book binder, Andrew Sims, has taken what was always regarded as a cheap and disappointing piece of book production and given it a fabulous Fine Binding. It is in full red leather, with gilt titling, five raised bands, and stunning hand marbled endpapers. The text block has been gilded on all three edges. This transforms the original tatty book into a resplendent heirloom standard volume, as befits this wonderful novel. "The subject is the only one man has ever used as his theme - the existence, the balance, the battle, and the victory in the permanent war between wisdom and ignorance, light and darkness - good and evil." (John Steinbeck). This novel was made into the fine Elia Kazan movie, which established its young star, James Dean, as a brilliant and hugely iconic actor. Utterly collectable. [Attributes: Hard Cover]

      [Bookseller: THE BOOKSNIFFER]
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        From Major Jordan's Diaries *Signed and Inscribed By Author to Radio Personality Mary Margaret McBride*

      New York: Harcourt, Brace and Company. Hardcover. 284 pages. Index. Photo illustrated endpapers. Black and white photographic plates. "This startling story, never revealed in its entiretly before, is told with full documentation by Major Jordan, who served as liaison officer with the Russians at Great Falls, Montana - the staging base for Russian Lend-Lease supplies... Documents the two known shipments of uranium; explains how engraving plates from the U.S. Treasury were made available to Russia with the help of Harry Dexter White... This book could well be titled 'How We Helped Russia and How the Russians Helped Themselves'." - from dust jacket. Unmarked book bears moderate wear and sound binding. Average wear to dust jacket which is now preserved in a glossy new archival-grade Brodart cover. Quality copy of this important record. . Good. 1952. First Edition.

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        Calling All Forces: Series 2, Episode 12

      Np [BBC], London 1952 - 39 mimeographed pp., secured with split pin to top left. Lower right corner missing from title page, not affecting text. Edgeworn and age-toned, pencilled deletions and amendments scattered through the script. First edition. ALAN SIMPSON'S COPY OF THE SECOND EVER GALTON AND SIMPSON SCRIPT, WITH HIS PENCILLED OWNERSHIP SIGNATURE ('Alan'), DELETIONS AND AMENDMENTS. Series Two, Episode Twelve, first broadcast 30 June 1952. Galton and Simpson had been given their break in late 1951, when producer Dennis Main Wilson hired them to write the final episodes of a Derek Roy vehicle called Happy-Go-Lucky. The 60-minute variety show had been a total disaster, and since it was impossible to make it any worse it proved an ideal place for the pair to begin their careers. Among the supporting cast of Happy-Go-Lucky were Benny Hill, Dick Emery, Graham Stark.and a 27-year-old Tony Hancock. Hancock's segment of the show was scripted by others, but a Galton and Simpson sketch featuring Benny Hill and Frances King as squabbling children had caught his attention, and the following year he asked the duo to write him a piece for him to perform on Worker's Playtime. Shortly after that, Galton and Simpson found themselves writing Calling All Forces (a show Hancock and Charlie Chester had taken over from Ted Ray) and the partnership which would go on to produce Hancock's Half Hour was born. Galton and Simpson wrote the last three episodes of Happy-Go-Lucky -- but other scriptwriters were also providing material for that show. The first script to be broadcast written entirely by them was Series Two, Episode Eleven of Calling All Forces, transmitted on 23 June 1952 -- which makes the script offered here, broadcast the following week, the second. It carries Simpson's pencilled name on the title page, and his occasional amendments throughout. (It's testament to the tautness of Galton and Simpson's writing, even in the early years, that there are relatively few of these). A stunning survivor from the beginning of one of the most important partnerships in the history of British comedy.

      [Bookseller: Neil Pearson Rare Books]
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        Contribution à une théorie de l'architecture.

      André Wahl 1952 - - André Wahl, Paris 1952, 12x19cm, broché. - Edition originale, un des 50 exemplaires hors commerce numérotés sur pur fil du Marais, tirage de tête. Envoi autographe signé de l'auteur. Très bel et rare exemplaire. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Small archive of correspondence

      First. Three Typed Letters Signed, and one Autograph Letter Signed, all from James T. Farrell to Eleanor Anderson, the widow of author Sherwood Anderson, dated between 1952 and 1954. The holograph letter is on cheap paper and is quite browned and has a few small chips, the others are fine. Friendly letters, on a variety of subjects including Sherwood Anderson, a UAW convention, Farrell's essays and other incidentals. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sonatina in G Major. For Anne Field

      No place, Christmas, , 1952. Folio. Pp 6. White wove paper lined in six double staves, with plain front wrapper titled in ink by Burgess. Wire stitched. Housed in a blue cloth ribbon tied chemise by The Chelsea Bindery titles to front gilt. Worn at fold with old repair newly conserved. Some signs of damp in a small area slightly effecting three of four notes. Some further edge wear. Holograph music manuscript comprising the complete Sonatina written by Burgess as a Christmas gift to his first wife. Titled and annotated by him and signed at the end with the rare complete form of his signature John Burgess Wilson. Burgess famously wanted more than anything to be considered a composer and the present score comes some 6 years before his first published work of fiction. He wrote two books on music including his "Musical Autobiography" This Man And Music in which he boasts of his greatest work the "unplayable" Guitar concerto. Manuscript versions of his compositions are very scarce indeed - only one has appeared at auction in the past 35 years. We cannot imagine a more personally motivated example as this.

      [Bookseller: Peter Harrington]
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        Typescript]: First Draft of Final Version of Camino Real [with Revisions]

      1952 - Carbon typescript. Quarto. 140pp. Sheets bradbound in the blue "Liebling-Wood" folder of Williams's agent, Audrey Wood. The light blue wrappers moderately worn with tears at the extremities, very good plus. A drama that was expanded from Williams's one-act play, *Ten Blocks on the Camino Real*, after Elia Kazan showed interest in the original story. It debuted on March 15, 1953, and was the first of Williams's plays to feature fantasy elements with a story that follows various literary characters, such as Don Quixote and Casanova, trying to escape an isolated and unidentified Spanish town. This copy, which is divided into 14 blocks instead of the 16 of the final published version, includes a note at the bottom of the first page that reads: "This draft to be kept 'under cover' - only for Audrey Wood, Kazan, and possible producer. T.W."This first draft of the final version but with 23 pages of inserts and revisions scattered throughout the play, most notable are four pages affecting character interaction in the final scene, but retaining the original final draft ending. This version was produced around the time of a November 17, 1952 letter from Kazan to Williams outlining his thoughts on the play. It still includes are the characters Mr. Big and Miss Small but none of the additional lines for the Kilroy character, as suggested by Kazan and played by Eli Wallach, or Esmeralda's prayer in the final scene that sums up the play's message and showcases Williams at his most poetic.Unfortunately, none of these changes worked because the play received some of the worst reviews of Williams's career. One of the harshest comments came from *New York Herald Tribune* theater critic Walter Kerr who said "Williams is our greatest playwright and this is his worst play." Needless to say, the play did not do well, running for only eight weeks and 60 performances. A revival was produced in 1970 by director Jules Irving with Al Pacino, Jessica Tandy, and Susan Tyrrell with similar results. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Illustrated Man

      Rupert Hart-Davis, London 1952 - Red hardback with silver print on spine. Minor bumping to edges of spine and top outside corner of front board. PO's library stamp on ffep (in blue ink). Half-title page has author signature with personalized inscription: "For Charlotte Tufts! Best From Ray Bradbury" (This book was purchased from the estate of Mrs. Tufts who I knew personally). Pages are tight; clean/unmarked. 192 pages. DJ is a light blue with black and white illustration. Title of book is at top of front DJ and is in white and black with author's name in black at bottom of front DJ. Small pieces missing from top and bottom ends of spine. Fading/browning to spine. Bumping along top edges of DJ. Jackst design by John Minton. DJ not price clipped (IIs. 6d. net). Though not stated, this appears to be a First UK Edition. Very Good/Fair grading is probably lower than actual condition, but I try to be conservative on a book of this price. Pictures available on request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Village Books]
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        Three Bear Witness

      Secker and Warburg 1952 - A mint copy of the variant yellow cloth with red lettering ,in a mint wrapper ,a wonderful copy [Attributes: First Edition; Hard Cover]

      [Bookseller: Dick Neal Fine Books]
 37.   Check availability:     AbeBooks     Link/Print  



      [Bookseller: JOHN LUTSCHAK BOOKS]
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