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Displayed below are some selected recent viaLibri matches for books published in 1950

        OBRAS COMPLETAS CHARLES DICKENS 6 VOL. COMPLETA OBRAS ETERNAS

      AGUILAR 1950 - Aguilar, Madrid, 1951.Papel biblia. Retrato del autor en todos los tomos. Ilustraciones. Guardas ilustradas por Juan Esplandíu. Plena piel roja editorial con algun roce, Primea edición. 6 v. (1500, 1820, 1878, 1862, 2031,1915 p.) ; 18 x 25 cm El volumen 2 es 2ª edición aumentada con 98 ilustraciones [Attributes: Hard Cover]

      [Bookseller: Pardellans]
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        London Britain....

      London. British Travel and Holidays Association. No date. Ca. 1950? Color poster, sheet size 39 1/4 x 24 1/4 inches. Professionally restored and mounted on linen, very good condition. George Ayling (1887-1960) had a long career with posters featuring his work appearing from the 1930s. This beautiful impressionistic view of the "House of Commons and the House of Lords, together with such adjuncts as Big Ben and Historic Westminster Hall...collectively known as The Palace of Westminster."...

      [Bookseller: oldimprints.com]
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        Eighd. Signatur, dat. Salzburg 24.VII.`54 auf Porträtpostkarte. [ca. 14,1 x 9 cm].

      Wien, Fayer, o. J. [um 1950]. Fotographen-St. a. Rückseite. - Furtwängler, (1886 - 1954), verlebte seine Kindheit in Berlin und in München, wo sein Vater seit 1894 als o.Prof. an der Univ. lehrte. Aufgewachsen in einem humanistisch bestimmten Elternhaus, erhielt Furtwängler früh Privatunterricht. Zu seinen Lehrern gehörten u.a. der Archäologe Ludwig Curtius, der Bildhauer Adolf von Hildebrand sowie der Kunsthistoriker und Musikwissenschaftler Walter Riezler, der später das Nachwort zu F.s Schrift Brahms und Bruckner verfaßte. Da seine musikalischen Begabungen früh zutage traten, erhielt er Unterricht in Tonsatz und Komposition von Anton Beer-Walbrunn, Joseph Rheinberger und Max von Schillings. Am Klavier bildete ihn der Liszt-Schüler Conrad Ansorge aus ... 1922 trat Furtwängler, der sich bereits zu diesem Zeitpunkt den Ruf als führender Kapellmeister Deutschlands erworben hatte, die Nachfolge Arthur Nikischs als Leiter sowohl des Berliner Philharmonischen Orchesters als auch des Leipziger Gewandhausorchesters an. In diese Zeit fallen seine intensive Studien mit dem befreundeten Wiener Musikgelehrten Heinrich Schenker, durch die er sich die Fähigkeit erwarb, ein musikalisches Kunstwerk gedanklich vollkommen zu durchdringen ... In zahlreichen Konzerten mit \"seinem\" Orchester, den Berliner Philharmonikern, und als Gastdirigent aller bedeutenden Orchester im In- und im (europäischen) Ausland behauptete Furtwängler auch nach dem Krieg seine unumstrittene Stellung als Orchesterleiter von Weltruf. (DBE) Versand D: 7,00 EUR Autograph; Musik

      [Bookseller: Antiquariat Weinek]
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        Il Borghese

      Rilegato tela (cloth) Periodico politico-culturale fondato a Milano da Leo Longanesi nel 1950. La presente collezione comprende tutto il pubblicato, dal n. 1 del 15 marzo 1950 al n. 26 del 25 giugno 1959, con esclusione del volume V (I° semestre 1954, dal n. 1 al n. 23) andato smarrito. L'opera è rilegata in volumi (dal n. I al n. XV, assente come detto il V) in linea con la suddivisione editoriale che identificava ogni semestre con un numero progressivo. Uscito dapprima come quindicinale si trasformò in settimanale a partire dal 1954. Rivista famosa per le copertine talora dissacranti, moltissime delle quali disegnate dallo stesso Leo Longanesi. Di grande interesse ed originalità le pagine pubblicitarie. Le pagine interne erano illustrate con disegni in nero ad opera di importanti autori (Ch. Baudelaire, A. Beardsley, J. Cocteau, G. Dorè, M. Maccari, E. Schiele, A.Bartoli, M. Chagall, E. Munch, Toulouse-Lautrec, Saul Steimberg, et al.) ovvero con riproduzioni a carattere tematico (Bambole e giocattoli meccanici, Carrozze, Disegni giapponesi, Maschere giapponesi, Disegni reclamistici del 1800, Francobolli, Umoristi tedeschi, Incisioni popolari americane, ecc.). Longanesi fu il direttore dal primo numero sino al settembre 1957 (mese della sua scomparsa). Gli successe nella direzione Mario Tedeschi. Tra le firme ospitate: Giovanni Ansaldo, Giovanni Artieri, Luigi Bartolini, Irene Brin, Piero Buscaroli, Elena Canino, Luigi Compagnone, Alberto Consiglio, Antonietta Drago, Julius Evola, Henry Fusrt, Alberto Giovannini, Wolf Giusti, Giovannino Guareschi, Indro Montanelli, Mario Monti, Orsola Nemi, Goffredo Parise, Guglielmo Peirce, Mario Praz, Gianna Preda, Giuseppe Prezzolini, Claudio Quarantotto, Nantas Salvalaggio, Liliana Scalero, Giovanni Spadolini, Orfeo Tamburi e tantissimi altri . 8vo. pp. 13304 . Molto Buono (Very Good). Carte talora leggermente brunite ma pagine sempre fresche e croccanti, alcuni segni del tempo alle copertine, rarissime riparazioni con adesivo ad alcune pagine. Tela della legatura con segni e piccole macchie, alcune spellature e mende alle vignette del. Prima edizione (First Edition).

      [Bookseller: Studio Bibliografico Marini]
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        Coma Dance scored for Pianoforte. Autograph musical manuscript. Signed and dated November 26, 1950 at conclusion

      - 1f. (recto title, verso blank), 5 pp. + 1p. sketch for an unrelated work "comprised of vocal sounds SATB around the word 'Leylye." Notated in black ink on 24-stave G. Schirmer Royal Brand No. 61 paper with dynamics and occasional textual notations in blue ink including "detached," "a vague impression with the right hand against a clear legato left hand, "a clear steady bass - as well as clear melody," and "with vigorous neurotic impression." With copyright notes to foot of first page of music: "1950. 2002 by Halim El-Dabh." With occasional erasures, deletions, etc. Slightly worn and browned; spine reinforced with tape; minor clear tape repairs and occasional small chips and tears to outer blank margins.Together with:Coma Dance scored for orchestra. Autograph musical manuscript. 1-1/2 pp. of a bifolium. Notated in black ink with some additional notation in pencil. Unfinished. Signed and dated 1950 at the foot of page 1. Slightly worn and browned; very small tears to outer margins. Coma Dance was "composed after El-Dabh heard that his father was ill and could fall into a diabetic coma. The work was intended to send healing energy to his father." Notes provided by Halim El-Dabh. The piece was first performed by El-Dabh at Tanglewood in Lenox, Massachusetts, onn July 28, 1951. It also received performances in New York; Kent, Ohio; Germany; Italy; and Switzerland. Published in 2007 as part of the series "Piano Music of Africa and the African Diaspora," Oxford University Press in 2007 and recorded on a CD released by MSR Classics in 2008m, "Piano Music by Composers of African Descent," Volume 2. An Egyptian-born American composer, performer, ethnomusicologist, and educator, El-Dabh came to the United States in 1950, becoming a part of the New York music scene that included Cage, Varèse, and Hovhaness. He went on to study composition with Krenek, Copland, Dallapiccola, and others. "El-Dabh's compositional style is influenced by Egyptian folk and traditional music. Frequently monodic, his works feature complex rhythms and much use of percussion. His career was launched in 1949 with a highly acclaimed performance of It is Dark and Damp on the Front (1948) at All Saints Cathedral, Cairo. In 1950 he made his début as a solo drummer, under the direction of Stokowski, in the first performance of Tahmeela. Other works include Clytemnestra (1958), One More Gaudy Night (1961), A Look at Lightning (1962) and Lucifer (1975), commissioned by Martha Graham; Sound and Light of the Pyramids of Giza (1960), written for the Cultural Ministry of the Egyptian Government and performed daily at the pyramids; and New Pharaoh's Suite, written for the Cleveland Museum of Art to accompany a visiting Ethiopian exhibit from the Louvre (1996). Spectrum no.1 ?Symphonies in Sonic Vibration' (1955) and Leiyla and the Poet (1959) have been recorded." Denise A Seachrist in Grove Music Online.An early pioneer of electronic music, El-Dabh composed one of the earliest known works of tape music, or "musique concrète," in 1944, The Expression of Zaar. He also scored four ballets for Martha Graham: Clytemnestra (1958), One More Gaudy Night (1961), A Look at Lightning (1962), and Lucifer (1975)."El-Dabh is probably the best known composer of Arabic descent and his works are highly regarded in Egypt, where he is considered the foremost living composer among that nations's 'second generation' of contemporary composers." Wikipedia. [Attributes: Signed Copy]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Zonder vorm van proces. een pantomine-gedicht in twee delen voor één stem, piano, fluit, gitaar en drums met een bruitage van vijf stemmen.

      Draak, Brusselles, 1950. Titolo in italiano [una poesia pantomima in due parti, una per voce, pianoforte, flauto, chitarra e batteria con un effetto sonoro e cinque voci] Brossura legata a filo, cm 23 x 18, pp. 31. Logo del CoBrA al primo risvolto. Due litografie di Pierre Alechinsky su velina gialla. Opera già apparsa sulla rivista "Tijd en mens". Esemplare dalla tiratura non venale Legatura stanca.

      [Bookseller: Libreria Menabò]
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        Harold's Leap.

      London: Chapman & Hall,, 1950. Illustrated by the author. Octavo. Original red cloth, titles to spine in black. With the supplied dust jacket. Line drawings in red throughout the text. Spine rolled and faded, extremities and joints rubbed with a few small portions of wear, isolated very faint markings to cloth, light toning, still a very good copy in the bright dust jacket with a toned spine. First edition, first impression, inscribed by the author "To Naomi Replansky, from Stevie Smith" on the front free endpaper, and with errata supplied in Smith's holograph. Beneath the title of The River God, Smith adds "(of the River Mimram, in Hertfordshire)", and makes minor revisions to Harold's Leap, Thought is Superior, Persephone, and Eugenie, all changes which were included in later editions. Smith's insertion of "in death" after "Despairing" in the poem Do Not! did not appear in later printings, but her substitution of "thoughtfully" for "angrily" in I rode with my darling did make its way into her public performances. Smith noted these changes in her correspondence with American novelist Kathleen Farrell, now held at the University of Texas. The titles of 'Oh stubborn race of Cadmus' seed' and The Ambassador are respectively annotated "The young Antigone" and "[Hermes] '?known also, among the Phoenicians, as Casmilus' (Lemprière)". Will May, editor of Smith, notes that this last change is found noted in Smith's own copy. Replansky, an American poet and translator (b. 1918), maintained a lengthy correspondence with Smith and visited her at her home in Palmers Green, London, in 1969, two years before her death; such of their letters as have been published show, notably, that Replansky raised the issue of Smith's much-discussed attitude to Jews ("When you talk about the practical common sense of Jews I too (Jewish) wince slightly") (Hult, ed., Readings from the Disciplines, p. 164).

      [Bookseller: Peter Harrington]
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        OITO SÉCULOS DE ARTE PORTUGUESA.

      - História e espírito. [Por]? Presidente da Academia Nacional de Belas-Artes. Empresa Nacional de Publicidade. Lisboa. S/ d. (196?). Obra em 3 volumes. De 30x24 cm. Com 381, 310 e 480 pags. Encadernações editoriais inteiras de pele; excelente exemplar. Profusamente ilustrado com fotogravuras p/b e a cores, na sua maioria de uma recolha fotográfica de Mário Novais, começada nos anos de 1950, em conjunto com o autor. Obra impressa sobre papel couché com excelente acabamento gráfico. Location/localizacao: 8-10-B-42

      [Bookseller: Livraria Castro e Silva]
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        The Roman Spring of Mrs Stone BRITISH FIRST with the ORIGINAL BRASS PRINTING PLATE for the Books Spine Title

      John Lehmann, London 1950 - Published in London in 1950, this is the attractive British First Edition of this well-known Tennessee Williams Novel with its striking Cecil Beaton designed dustjacket, the book was filmed in 1962 starring Vivien Leigh and Warren Beatty, and more recently in 2003 starring Helen Mirren in the title role. This example includes the original Brass Printing Plate that was used for the books cover spine titling, making this a very collectable and unique copy of this work, the jacket has a little edge wear and is price clipped on the inner front flap else a very nice example of the British First Edition with the original printing plate for the books spine titling Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition]

      [Bookseller: Andrew Cox PBFA]
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        AINOS: ITS HISTORY AND COINAGE, 474-341 B.C.

      London: Geoffrey Cumberlege, Oxford University Press, 1950. First edition. 8vo, original navy blue cloth, gilt. xvi, (2), 288 pages; maps; 10 fine double-page plates of coins. Previous owner's bookplate. Fine, or very nearly so. A rare and important work by John Maunsell Frampton May. Clain-Stefanelli 2378*. Daehn 3694: "A die study of the coins of Ainos." Grierson 61.

      [Bookseller: Kolbe & Fanning]
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        Small archive relating to Ludwig Wittgenstein and his time in Manchester in the period 1908-1912, with a copy of Hayek's unfinished draft of a sketch of a biography of Ludwig Wittgenstein.

      Manchester and elsewhere: , 1950s. Papers, correspondence and photographs from the library of the philosopher and phenomenologist Wolfe Mays, relating to the Austrian philosopher Ludwig Wittgenstein, with reference to his time spent at Manchester. A very interesting archive of biographical research material, as detailed below, housed in acid free folders in an archival box. In excellent condition. An interesting archive of material from the library of Wolfe Mays (1912?2005), philosopher and phenomenologist, student of Wittgenstein at Cambridge in the 1940s, subsequently professor of Philosophy at Manchester, focussing on his investigation into Wittgenstein's attendance at Manchester University in the period 1908?12, including correspondence with Friedrich von Hayek, and with a copy of Hayek's draft sketch of a biography of Wittgenstein, comprising: 1. HAYEK, F. A. von. Typed air letter signed, Chicago, 3 Feb. 1953, to The Registrar, University of Manchester, requesting help "to fill a gap in the account of the life of my kinsman, the late Professor Ludwig Wittgenstein of Cambridge, which I am trying to write. Both Lord Russell (Bertrand Russell) and Wittgenstein's surviving brother remember that L. Wittgenstein came to Cambridge in 1912 from Manchester, where he had been studying engineering. He had been studying engineering before in Berlin, but for some unknown reason and at an unknown date, left the Technische Hochschule there to continue his studies in Manchester. Practically nothing is known both of the periods in Berlin and Manchester . . . What I wonder is whether there is any possibility to find out from the records of Manchester University whether between 1910 and 1912 Ludwig Wittgenstein was a student there". One page, signed in ink, with pencil notes added. 2. Retained carbon typed letter, 10 Feb. 1953, from the Assistant Registrar of Manchester University, to F. A. von Hayek, acknowledging his letter and noting that "a student named Ludwig Wittgenstein came here in the autumn of 1908 and registered as a research student in Engineering . . . We have been unable to trace any reference to Professor Wittgenstein after 1910", mentioning C. M. Mason, assistant Director of the Engineering Laboratories, and Emeritus Professor A. H. Gibson. One page. 3. WRIGHT, G. H. von. Typed letter signed, Helsingfors, Finland. 14 Nov. 1953, to the Registrar of the University of Manchester, enquiring on behalf of Wittgenstein's literary executors about the dates of Wittgenstein's registration at and departure from the University of Manchester. One page, signed in ink. 4. Retained carbon typed letter, from the Assistant Registrar of Manchester University, to G. H. von Wright, 30 Nov. 1953, confirming Wittgenstein's attendance at Manchester, with added information. One page. 5. WRIGHT, G. H. von. Typed letter signed, Helsingfors, 7 Dec. 1953, to the Registrar of Manchester University, confirming receipt of his letter, with thanks. One page, signed in ink. 6. WRIGHT, G. H. von. Typed letter signed, Helsingfors, 28 Dec. 1953, to the Registrar of Manchester University, referring to correspondence between F. A. von Hayek and the Registrar, requesting a further check on the dates of Wittgenstein's registration and attendance at the University of Manchester. One page, signed in ink. 7. Retained carbon typed letter, from the Assistant Registrar of Manchester University, to G. H. von Wright, 22 Jan. 1954, apologising for previous confusion, and confirming the dates of Wittgenstein's attendance at the University of Manchester. One page. 8. MAYS, Wolfe. Retained carbon typed letter, 27 Jan. 1954, to the Editor of the Manchester Guardian, requesting publication of a letter appealing to readers for information regarding Wittgenstein's time in Manchester. One page. 9. MAYS, Wolfe. Retained carbon typed letter, to G. H. von Wright, 3 Feb. 1954, informing him that following the suggestion of Mr Walton, the Assistant Registrar of Manchester University, Mays is hoping to write a paper on Wittgenstein's time in Manchester, and seeking permission for publication of it in the Manchester Guardian. One page. 10. HAYEK, F. A. von. Typed air letter signed, Chicago, 28 Apr. 1954, to Wolfe Mays: "Somebody told me recently that he had seen a letter of yours concerning L. Wittgenstein's early years in Manchester in the Manchester Guardian. I am interested in this partly because I wonder whether your inquiries are perhaps a result of Professor von Wright's and mine inquiries to the Registrar of the University of Manchester, which in the first instance had brought up conflicting replies . . . and partly because I wonder whether you may be working on a biographical sketch of W. I had myself commenced such a sketch a little while ago and a first draft had been half finished for some time, when I put it aside on learning that I would not get permission to quote at length from W.'s letters to Br. Russell until W's literary executors had themselves published them . . . I have failed to get any real information on the Manchester period . . . I wonder whether you have been more successful and what you propose to do with the information you have obtained. My original plan, which I still hope to carry out some day, is to have a fairly full factual sketch of W's mimeographed for circulation among all his friends for comments and additions with the intention of later rewriting it in an appropriate form. But I have no idea now when I will actually do this." 11. HAYEK, F. A. von. Typed air letter signed, Chicago, 5 May 1954, to Wolfe Mays, thanking Mays for his letter of 1 May, and noting that he will be "most grateful for a copy of your article whenever it is completed since I am most anxious not to miss it when it appears." 12. HAYEK, F. A. von. Copy of a 58-page typescript by Hayek entitled "Unfinished Draft of a Sketch of a Biography of Ludwig Wittgenstein written in 1953 for private circulation by F. A. Hayek, with some later corrections and insertions". A footnote, dated Chicago, Nov. 1959, remarks: "At this point I broke off six years ago when Wittgenstein's literary executors refused me permission to quote from Wittgenstein's letters until they had themselves published them. They have still not done so, but I am not now likely to return to a task which I undertook largely to collect the available information while Wittgenstein's friends were still alive. Some of them have since died and I can no longer submit to their approval what I have written. Beyond this point I have only disconnected notes which would be of little use to anybody else. Moreover, the greater part of the remaining years of Wittgenstein's life are now fully covered by the recently published Memoir by Norman Malcolm." Pages 7?11 of this version incorporate Mays and Eccles's paper on the Manchester Years, quoting verbatim from it, but omitting part ? see item 19. Hayek's biography was never published, though typescript versions were distributed. Copy with tears and tape repairs to the first and last leaves. 13. ECCLES, William. Typed letter signed (with additional copy initialled), to Wolfe Mays, Altrincham, 5 May 1954, sending "all the information I have about Ludwig Wittgenstein which I understand you intend to deposit in the University. The information is in duplicate and I am retaining the originals at least for the time being, but will hand them over should this be considered desirable at some future date." The enclosures, all present with the typed letter are: a) 5-page typed document signed by Eccles; "Ludwig Wittgenstein ? Some memories of him." With ink corrections in Eccles's hand; b) Typewritten transcripts of 8 letters and 2 postcards from Wittgenstein to Eccles, together with the typed transcript of a letter from Wittgenstein's sister, Hermione, to Eccles, together 10 pages, July 1912 to Mar. 1939; c) Oval portrait photograph in black and white of a youthful Wittgenstein, roughly 150 × 190 mm, somewhat worn and a little creased, annotated on reverse in pencil, taken c.1910; d) Black and white photograph of Eccles and Wittgenstein holding a large kite on Glossop Moor, roughly 180 × 140 mm, taken c.1908, annotated on the verso in ink by Eccles, with a key to the image, signed and dated April 1954; e) Typewritten copy of a letter from the Secretary to the Royal Aeronautical Society, written to Eccles's son, H. H. Eccles, 4 Feb. 1954, enclosing a description of three pictures of early balloons, given to Eccles by Wittgenstein, and sent by his son to the Society. Two pages; f) University of Manchester envelope, 150 × 90 mm, containing 9 black and white photographs of the exterior and interior of the house designed by Engelmann and Wittgenstein in Vienna for Wittgenstein's sister; g) Four black and white photostat reproduction of architects' drawings of the house designed by Engelmann and Wittgenstein, roughly 420 × 330 to 350 × 300 mm in size; h) Three black and white photostats, roughly 420 × 330 mm, of drawings of the variable volume experimental combustion chamber. 14. MAYS, Wolfe. Retained carbon typed letter, 10 May 1954, to the Editor of the Manchester Guardian, advising that May's earlier enquiry through the pages of the Manchester Guardian had resulted in his meeting with William Eccles, who was able to supply "a good deal of information not previously known", announcing their decision to write an article (enclosed with the letter, but not present here), and enquiring whether the Manchester Guardian would be interested in publishing it. May further encloses copies of the two photographs (items c & d), offering them for illustration purposes and requesting their return. One page. 15. MASON, C. M. Typed letter (with carbon copy) to Wolfe Mays. Department of Engineering, University of Manchester, 6 May 1954, enclosing copy of a note received from J. Bamber, Wittgenstein's supervisor at Manchester, together with his own recollections of assisting Wittgenstein to "install and erect some heavy apparatus which he had removed from the Physics Department to the new research laboratory in the Engineering Department" and remarks on his character and personality. One page. 16. BAMBER, J. Typed copy of a note addressed to C. M. Mason offering recollections of Wittgenstein at Manchester, dated 8 Mar. 1954. Bamber was an assistant in the Engineering Department and Wittgenstein's contemporary there, and according to Mason "it would be to Mr. Bamber that Wittgenstein would turn for any practical help and advice while he was working in the Department." One page, with second copy. 17. MAYS, Wolfe. Retained carbon typed letter, to Professor Gilbert Ryle, 11 May 1954, recounting his recent research on Wittgenstein's Manchester period, listing the various documents in his and Eccles's possession, and offering a brief article on the subject for publication in the journal Mind. Two pages. 18. MAYS, Wolfe. Retained carbon typed article, "Note on Wittgenstein's Manchester Period". 3 pages, with manuscript additions in blue ink, stapled, together with a copy of the original offprint of the article, as published in Mind, vol. LXIV., N.S., No. 254, Apr. 1955. 19. MAYS, Wolfe. Retained carbon typed letter to G. H. von Wright, 24 May 1954, thanking von Wright for his letter (not present here), informing him of his discoveries, enclosing a copy of his and Eccles's article, "Wittgenstein in Manchester" (no longer present), advising von Wright that the Manchester Guardian "tells us that it is too long for them" and that he hopes to publish it elsewhere, and offering to send copies of all the documents in their possession. One page. 20. MAYS, Wolfe. Retained carbon typed letter, to G. H. von Wright, 1 June 1954, thanking him for his letter (not present here), and offering to deal with points raised by von Wright one by one, with reference to Wittgenstein in Norway and in Manchester in 1911, Eccles's retirement, and confirming that he will send copies of the documents to von Wright. Two pages. 21. WRIGHT, G. H. von. Typed letter signed, Helsingfors, 3 June 1954, to Wolfe Mays, thanking him for his letter of 1 June, referring to various points of that letter, and mentioning Wittgenstein's earlier time spent at the Technische Hochschule in Berlin. One page. 22. MAYS, Wolfe. Retained carbon typed letter, to G. H. von Wright, 4 June 1954, confirming the sending of the afore-mentioned documents. One page. 23. MAYS, Wolfe. Working typescript draft of an article, "Wittgenstein in Manchester". 18 pages plus one supplementary half page numbered 10, typed with double spacing, with numerous corrections in pencil and in ballpoint, correcting, deleting and adding to the typescript, held together with a rusty paperclip. Published under the same title in Proceedings of the 4th International Wittgenstein Symposium, Kirchberg am Wechsel [Austria], 28 Aug. to 2 Sept. 1979 (eds. Rudolf Heller and Wolfgang Grassl), pp. 171?177 (Hölder, Pilcher, Tempsky, Vienna, 1980), an ex-library copy of which is included here.

      [Bookseller: Peter Harrington]
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        La Sirene. Wood engraving in color, after. Signed and numbered in pencil by Chagall.

      

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Tete de Femme. Wood engraving in color, after. Signed and numbered in pencil by van Dongen.

      

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        L'Art d'aimer, dans une traduction nouvelle, ornée de 17 eaux-fortes originales par André Brunet

      Paris: René Kieffer, 1950. Livre. Illus. by André Brunet. Parfait. En Feuilles. Ed. limitée. In-8. Paris, René Kieffer, 1950. 22,5 x 14,5 cm, in-8, 156 pp. - 2 ff. - frontispice et 16 eaux-fortes hors texte (comprises dans la pagination), en feuilles sous forte couverture crème à rabats, titre doré en creux au premier plat, chemise et étui de l'éditeur. L'un des 500 exemplaires sur vélin pur-fil des papeteries du Marais, dernier papier (tirage total à 647 exemplaires).Quasiment à l'état de neuf. (MONOD, 8801).

      [Bookseller: Des livres autour (Julien Mannoni)]
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        The Lion, the Witch and the Wardrobe.

      London: Geoffrey Bles,, 1950. A Story for Children. Octavo. Original green cloth, titles to spine in silver. With the pictorial dust jacket. Housed in a green quarter morocco solander box by the Chelsea Bindery. Colour frontispiece and black and white illustrations in the text by Pauline Baynes. Slight ghosting through the jacket to spine, joints and top edges of boards a little faded, faint spot to rear endpaper and pastedown. An excellent copy in a lightly edge-chipped jacket with some toning to spine panel. First edition, first impression. Presentation copy, inscribed by the author on the first blank, "Elisabet Neumann, with kind regards from C. S. Lewis, 26/10/50". Extremely rare: Lewis was an infrequent presenter of books, and, although signed copies have occasionally appeared on the market, we are aware of no other presentation copy of this first published title in the Narnia series ever appearing in commerce. The inscription is dated ten days after first publication, which was 16 October 1950. We know that Lewis was in Magdalen College, Oxford, on the day of presentation, Thursday, 26 October 1950, as it happened to be the same day that he wrote the first of his Letters to An American Lady (published in 1967).

      [Bookseller: Peter Harrington]
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        Lohse, Carl. - "Kornpuppen".

      - Zeichnung / Kohlezeichnung, partiell gewischt, auf kräftigem Papier, um 1950. Von Carl Lohse. 59,0 x 79,0 cm (Darstellung / Blatt) / 70 x 99,5 cm (Passepartout). Verso Nachlass-Stempel. - Mit Zertifikat. - Im Passepartout montiert. Marginale Blattmängel. Guter Erhaltungszustand. Carl Lohse (1895 Hamburg -1965 Bischofswerda). Deutscher Maler und Zeichner, bedeutender Vertreter des Dresdner Expressionismus. 1909/10 Besuch der Staatlichen Kunstgewerbeschule in Hamburg. 1910-12 Künstlerische Ausbildung an der Malschule von Arthur Siebelist in Hamburg-Uhlenhorst durch Förderung von Alfred Lichtwark. 1912/13 Studium an der Weimarer Akademie. Freundschaft mit Otto Pankok.

      [Bookseller: GALERIE HIMMEL]
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        Lohse, Carl. - Blick ins Tal.

      - Aquarell, auf Pergamentpapier, um 1950. Von Carl Lohse. 30,7 x 25,3 cm (Darstellung / Blatt) / 44 x 35 cm (Trägerkarton). Links unten signiert: "Lohse". - Am Blattrand rechts unten kleine Fehlstelle. Ecke rechts oben mit Einriß. Papier insgesamt leicht wellig. Blattrand leicht braunfleckig. Auf Trägerkarton montiert. Insgesamt noch gut erhalten. Carl Lohse (1895 Hamburg -1965 Bischofswerda). Deutscher Maler und Zeichner, bedeutender Vertreter des Dresdner Expressionismus. 1909/10 Besuch der Staatlichen Kunstgewerbeschule in Hamburg. 1910-12 Künstlerische Ausbildung an der Malschule von Arthur Siebelist in Hamburg-Uhlenhorst durch Förderung von Alfred Lichtwark. 1912/13 Studium an der Weimarer Akademie. Freundschaft mit Otto Pankok. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        ORIGINAL BRASS PRINTING PLATE

      Published in London in 1950, this is the attractive British First Edition of this well-known Tennessee Williams Novel with its striking Cecil Beaton designed dustjacket, the book was filmed in 1962 starring Vivien Leigh and Warren Beatty, and more recently in 2003 starring Helen Mirren in the title role. This example includes the original Brass Printing Plate that was used for the books cover spine titling, making this a very collectable and unique copy of this work, the jacket has a little edge wear and is price clipped on the inner front flap else a very nice example of the British First Edition with the original printing plate for the books spine titling

      [Bookseller: Andrew Cox]
 18.   Check availability:     PBFA     Link/Print  


        The Martian Chronicles

      Doubleday, 1950. Hardcover. Very Good/Very Good. Doubleday, New York 1950. First Edition / First Printing. First Edition stated on the copyright page. No additional printings listed. Tan cloth boards. Jacket priced at $2.50 at the front flap. Book Condition: Very Good, stains on the boards, clean pages, tight spine. Dust Jacket Condition: Very Good, shelf wear, biopredation on the panels. Light age toning. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
 19.   Check availability:     IOBABooks     Link/Print  


        HANS ERNI : 12 original lithographien + 1 ORIGINALbleichtiftskizze [dessin original].

      - Zürich, 1950. En feuilles sous chemise cartonnée, emboîtage en pleine toile grise: 30 x 21.5 cm. Un des 25 exemplaires sur "Richard de Bas" (no. 11). Avec 12 lithographies originales (11/125) de Erni, toutes signées par l'artiste et un dessin original, également signé. Superbe exemplaire. Envoi de photographies sur demande. Hans Erni skizzierte diese 12 Blätter im September 1950 als Originallithographien. Die technische Vereinigung der Lithographia, Zurich, unter der Leitung von Emil Matthieu druckte sie auf der Handpresse der Freizeitwerkstatt in einer Auflage von 125 Exemplaren. Die Nummern 1-25 auf handgeschöpftem Bütten "Richard de Bas" gedruckt und vom Künstler signiert enthalten je eine Originalbleistiftskizze. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie de l'Univers]
 20.   Check availability:     AbeBooks     Link/Print  


        The Kon-Tiki Expedition: by raft across the South Seas

      George Allen & Unwin, 1950. 1st edition. Hardcover. Signed by the author on the front endpaper. Original terracotta cloth, blind-stamped to the front, gilt lettering to the slightly paled spine. Internally the pages are clean, though there is some spotting to the endpapers and lightly to the front text block. All photographs present and correct, without foxing. The dustjacket is near fine, unclipped, a few small nicks at the extremities. Overall, a nice copy of the first English edition of the explorer's famous account of his journey by raft across the Pacific from South America to the Polynesian Islands - and very scarce with his signature.

      [Bookseller: Shellhouse Books]
 21.   Check availability:     Biblio     Link/Print  


        I PROMESSI SPOSI

      FELICE LE MONNIER, 1950. ITALIANO 0,63 Con il commento di Enrico Bianchi, illustrazioni in nero in pagine lievemente ingiallite ai bordi e con leggera fioritura, per metà intonso, pagine leggermente usurate e con fioritura USATO

      [Bookseller: Biblioteca di Babele]
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        La Casserole Emaillee. Wood engraving in color, after. Signed and numbered in pencil by Picasso.

      

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
 23.   Check availability:     Biblio     Link/Print  


        Sunset Boulevard [Sunset Blvd.] (Archive of ten original reference photographs from the set of the 1950 film)

      Los Angeles: Paramount, 1950. Collection of ten vintage black and white reference photographs, wide margin, single weight, all being candid shots from the set of the film. Photographs prominently feature images of Gloria Swanson on the set, intimate moments between director Billy Wilder and Swanson, and an occasional appearance by actor William Holden as well. A down-on-his-luck screenwriter (William Holden) stumbles into the home of a forgotten movie star (Gloria Swanson), becoming enmeshed in her deranged plan for a comeback. A kingpin in the pantheon of films about Hollywood, yet another masterpiece from Wilder, his urban noir counterpart to the daylight rural world of "Ace in the Hole" (1951). Winner of three Academy Awards, and nominated for another eight, including Best Picture. Set in Hollywood, shot there on location. Prints 8 x 10 inches (20.5 x 25.5 cm), images 3.5 x 4.5 inches (9.5 x 11.5 cm). Near Fine, with a couple of short closed tears and creases at the extremities. Complete collation details available on request. National Film Registry. Hardy, p. 315. Selby Masterwork, p. 408. Silver, p. 288. Spicer, p. 420.

      [Bookseller: Royal Books, Inc.]
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        Nature Morte au Magnolia - Wood engraving in color, after. Signed and numbered in pencil by Matisse.

      

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
 25.   Check availability:     Biblio     Link/Print  


        Bushman Art. Portfolio number on.

      Red Fawn Press Post Box 706, Pretoria, [1950], 1 volume in-folio de 385x88mm environ, 1 page de titre et 25 pages, sous couverture rempliée illustrée, exemplaire complet, contient la planche supplémentaire. (Première édition 1939). Couverture légèrement insolée avec plis sur le dos, sinon bon état. Walter Wahl Battiss (6 janvier 1906 - 20 août 1982) était un peintre sud-africain, fondateur de l'île imaginaire de « Fook Island ».Passionné par l'archéologie et les arts primitifs, il commence en 1929 des études d'arts de dessins et de peintures au Witwatersrand Technical College. C'est à l'âge de 35 ans qu'il reçoit son diplôme en art appliqué de l'université d'Afrique du Sud. En 1938, il visite l'Europe pour la première fois de sa vie et en 1939 publie son premier livre consacré à l'art des Bushmen. Son travail est alors influencé par l'art bushman, par celui des Ndebele, la culture pré-islamique et la calligraphie. En 1949, il rencontre Picasso avec qui il lie amitié. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        Patria Mia

      Chicago: Ralph Fletcher Seymour, 1950 Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. Ezra Pound wrote Patria Mia in 1912, but it was somehow lost by the publishers until 1950. 97 immaculate pages. No other signatures, No marks. The lovely bookplate of Clare Boothe [Luce] is affixed on the left front endpaper. Bound in dark rose colored linen with titling on a dark brown background on the front cover and spine. Very light wear. Excellent uniform color from the front cover to the spine to the back cover. Comes with an unclipped dust jacket. The dust jacket has light wear. .

      [Bookseller: Peter Austern & Co. Books & Ephemera / B]
 27.   Check availability:     Biblio     Link/Print  


        Modèle 5 couleurs.

      Sérigraphie sur plaque de métal collée sur carton, piéces mobiles d'aimant découpé, scotch de couleur. Dimensions: 30 x 30 cm. Image sérigraphiée avec des pièces mobiles aimantées dont l'agencement règle l'apparition successive des couleurs. C'est au début des années 1950 que Claude Bellegarde apparaît sur la scène artistique, soutenu par le critique Pierre Restany, promoteur d'Yves Klein et des Nouveaux Réalistes. Il réalisera également en Mai 68 la célèbre affiche: "Mort aux vaches, bonjour les veaux".

      [Bookseller: Librairie Michaël Seksik]
 28.   Check availability:     Livre-rare-book     Link/Print  


        I PROMESSI SPOSI

      FELICE LE MONNIER, FIRENZE 1950 - ITALIANO Con il commento di Enrico Bianchi, illustrazioni in nero in pagine lievemente ingiallite ai bordi e con leggera fioritura, per metà intonso, pagine leggermente usurate e con fioritura

      [Bookseller: Biblioteca di Babele]
 29.   Check availability:     AbeBooks     Link/Print  


        I POETI GRECI COLLEZIONE DI 33 VOLUMI

      ZANICHELLI, 1950. I POETI GRECI TRADOTTI DA ETTORE ROMAGNOLI In-8°, 33 volumi, tela editoriale, tit. e fregi al dorso. L'opera è così suddivisa: ARISTOFANE COMMEDIE VOL I-V mediamente ogni volume ha 280 pagine circa, con molte belle illustrazioni e xilografie in bianco e nero a piena pagina e fuori testo. I POETI LIRICI VOL I-V con belle xilografie di PETTINELLI, una per ciascun poeta lirico a piena pagina e in b/n. I POETI DELL'ANTOLOGIA PALATINA VOL I-IV con complessivamente 70 tavole in b/n a piena pagina e numerate. SOFOCLE TRAGEDIE VOL I-III con 8 belle xilografia di DE CAROLIS ESCHILO TRAGEDIE VOL I-II con 7 belle xilografie a piena pagina e fuori testo OMERO ODISSEA VOL I-II con belle xilografie in bianco e nero a piena pagina di De Carolis OMERO ILIADE VOL I-II con 24 belle tavole a piena pagina EURIPIDE TRAGEDIE VOL II-III-V-VI-VII (mancano il primo e il quarto) con 14 belle tavole in b/n. TEOCRITO IDILLI pp. XXXV con 7 belle tavole a p. pag. ERONDA E MIMICI MINORI con 9 belle tavole OMERO MINORE pp. 216 con 8 belle tavole ESIODO I POEMI; pp. CIX con 4 belle tavole. Ottimi esemplari con le sovracop. originali meno una preservate di questa bella ed importante collana. Tela

      [Bookseller: Antiquariato Librario Bisello]
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        Note on the Last Kings of Saba

      Louvain: Imprimerie Orientaliste, 1950. First in English. Orig Printed Wraps. VG+. Extract (7 pp) translated into English from the Museon (French). Very scarce Philby items and this is INSCRIBED AND SIGNED - American Embassy Jidda with the compliments of H St J Philby 28/2/51. VG+ in original printed wraps. Surely scarce and perhaps rare or even unique when signed.

      [Bookseller: Trophy Room Books]
 31.   Check availability:     Biblio     Link/Print  


        Quelques aventures de Maître Renart. Burins de Joseph Hecht.

      - Paris, Éditions Michel de Romilly, la jeune gravure contemporaine, 1950; in-4, 77 pp., en feuillets, sous couverture rempliée, chemise et étui. Un des 185 exemplaires numérotés sur B.F.K. de Rives (tirage total de 265 exemplaires). Ouvrage illustré de quatorze superbes et délicats burins, in ou hors-texte, par Joseph Hecht (1891 - 1951), peintre-graveur français d'origine polonaise, injustement méconnu, qui s'était fait une spécialité de la gravure d'animaux au burin. Ce livre, établi avec le concours de la jeune gravure contemporaine, a été imprimé sur les presses du maître-imprimeur Ernest Aulard à Paris, pour la typographie ; les cuivres de Joseph Hecht ont été tirés sur les presses de Georges Leblanc. Bel exemplaire. 1950

      [Bookseller: Librairie de l'Amateur]
 32.   Check availability:     AbeBooks     Link/Print  


        The Simple Art of Murder (1st edition)

      Houghton Mifflin Company, New York 1950 - Houghton Mifflin Co. 1950. New York. 533 pages. First edition 1st printing in first issue DJ with $3.50 price intact on flap. 1950 date is on both the copyright page and the title page. Book is square and tight with clean panels. Only most minor soiling with one corner slightly less than sharp. Previous owner's name neatly written on FFEP. Vintage bookseller sticker on rear pastedown. Classic original 1st issue Artzybasheff DJ is attractive and bright. Small chips to DJ corner fold as well as at foot and crown of DJ backstrip. Rear of DJ shows soiling. A small closed tear to DJ rear edge. One of Chandler's more elusive 1st printings in DJ. [Attributes: First Edition; Hard Cover]

      [Bookseller: Medium Rare Books]
 33.   Check availability:     AbeBooks     Link/Print  


        The African Queen.

      London: Michael Joseph, 1950 - Octavo. Original orange cloth, titles to spine and upper board in blue. With the dust jacket. Spine just a little rolled, faint partial toning to free endpapers. An excellent copy in the rubbed and nicked jacket with fraying at the ends of the spine panel. Presentation copy inscribed by the author to the literary agent responsible for the film adaptation on the front free endpaper, "To Shirley, – a copy of a book which is as old as our friendship but not nearly as precious to me. With love from C. S. Forester". Shirley Palmer Collier was a well-known Los Angeles literary agent who began her career as a silent film actress, starring in at least twenty-three films between 1923 and 1934. She married the author and Hollywood screenwriter John Collier in 1936 and maintained strong links to the movie industry throughout her career. It was in all likelihood Shirley Collier who introduced The African Queen to Horizon Pictures as a potential film, and Collier's then ex-husband served as one of the screenwriters. The novel was originally published in 1935 and the completed film, starring Humphrey Bogart and Katharine Hepburn, premiered in 1951, the year after this edition was published. Forester must have obtained this copy to present to Collier as thanks for her role in the film's birth. A superb association. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Illuminationen.

      Zürich, Kratz, 1950. 12 Bll. mit 9 (3 doppelblattgr.) OLithographien (inkl. Umschlag). 4°, Lose in OU. Text von Selma Regula Gessner. Nr. XVI von 25 Ex. auf handgeschöpftem Richard de Bas Bütten.

      [Bookseller: Antiquariat Galerie Joy]
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        Sites et mirages

      Paris, Editions de la Cigogne, 1950 In-folio (33,9cm x 26,7cm) de 144-(2)pp. 47 illustrations dont 24 aquarelles et 23 dessins gravés sur bois par Albert Marquet. Tirage à 250 exemplaires dont 40 sur Montval, 185 Vélin de Rives & 25 Hors-commerce. Edition originale. En feuilles, sous couverture, chemise & étui éditeur. Un des 185 exemplaires sur Vélin de Rives, celui-ci N°95. Très bel exemplaire, Chemise & étui en bon état; couverture en très bel état; intérieur frais.

      [Bookseller: Librairie Eppe Frères]
 36.   Check availability:     Livre-rare-book     Link/Print  


        Four Volumes American Camellia Catalog

      1950 - Set of three volumes "American Camellia Catalog" with approximately 107 hand colored lithographs by Athos Menaboni (1895-1990). Each print is 11" X 8.5" and printed on one side of heavy watercolor paper suitable for framing and limited to 1000 prints of each. Each lifesize print has an accompanying sheet which includes a preferred name, synonyms, a description of the bloom, foliage traits and a history of the variety. The hand coloring was done by students from the University of Georgia. The three catalogs were from 1950/1952/1953. [Attributes: First Edition; Hard Cover]

      [Bookseller: Stuart Peckner]
 37.   Check availability:     AbeBooks     Link/Print  


        A Book of Mediterranean Food

      London: John Lehmann Ltd,, 1950. Decorated by John Minton. Octavo. Original red and white textured cloth, title to spine gilt on brown ground. With the dust jacket designed by John Minton. Frontispiece, vignette title, and illustrations by John Minton. An excellent copy in the jacket with some wear to spine panel, short closed tear to foot of front panel and chip to head of rear panel. First edition, first impression.

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  


        Seltene und ganz besondere Original-DDR-Buch-Sammlung von (DDR-) Autoren, die damals nur wenig bekannt waren .,

      diverse DDR-Verlage, ca. von 1950-1989. - Rarität! sehr seltene original DDR- Büchersammlung - Sie möchten die DDR-Literatur (Belletristik) in ihren ganzen Vielfalt kennenlernen? Dann ist diese ganz besondere und einmalige Büchersammlung genau das Richtige für Sie! ----------------- Konvolut / Sammlung / Bücherpaket = über 250 Büchern (insgesamt ca. 5-6 große Pakete, über 50 kg Gewicht) von heute nur noch wenig bekannten DDR-Autoren ------------------- meistens nur geringe Gebrauchsspuren, nur ganz vereinzelt ehemalige Bibl. Exemplare im Konvolut, häufig noch mit den Original-Schutzumschlägen, ansonsten aber alle altersentsprechend noch gut erhaltene Exemplare ------------------u. a. mit folgenden Buchtiteln: 1. Achim Metzkes - Das Haus des Vaters / 2. Karl Mundstock - Meine tausend Jahre Jugend / 3. Günter Josef Mai - Ankou (bretonische Erzählungen) / 4. Erwin Peter Close - Solang es solche Frauen gibt / 5. Ernst Wenig - Das Verhältnis / 6. Frank Weymann - Ein verhängnisvoller Frühling / 7. Jürgen Alberts - Landru / 8. Johannes Arnold - Aufstand der Totgesagten / 9. Erwin F. B. Albrecht - Das Sandskandal (Roman aus einem Wundermärchenwald) / 10. Marta Nawrath - Das letzte Gesicht / 11. Unvergessene Tage (mehrere Autoren) / 12. Annette von Droste-Hülshoff - Die Judenbuche + Bilder aus Westfalen / 13. Reinhard Delau - Ein heißer Wüstentag (Erzählungen) / 14. Hilde Flex - Vierzehn Rosen (neun Geschichten in einer) / 15. Anne Carius - Das Familientreffen / 16. Ingeborg Drewitz - Eingeschlossen / 17. Wolfgang Noa - Wieviel Stunden hat ein Tag (mit Autogramm) / 18. Christa Johannsen - Der große wunderbare Fisch (zwölf Erzählungen und ein Roman) / 19. Helmut Mansfeld - An der Ecke und anderswo (Geschichten aus unseren Tagen) / 20. Viktor Fink - Zwischen Paris und Moskau (literarische Erinnerungen) / 21. Gottfried Meinhold - Weltbesteigung (eine Fünftagefahrt) / 22. Wolfheinrich von der Mülbe - Die Zauberlaterne / 23. Heinrich Theissing - Was bleibt, ist die Freude / 24. Brigitte Martin - Nach Freude anstehen / 25. Gottfried Müller - Die Kirchenmaus / 26. Joochen Labs - Das Grashaus oder Die Aufteilung von 35000 Frauen auf zwei Mann / 27. Dietrich Mendt - Umfrage wegen eines Pastors / 28. Johann Karl Wezel - Satirische Erzählungen / 29. Rudi Wetzel - Der Mann im Lodenmantel - Geschichten aus den Dreißigern / 30. Joachim Rähmer - Bekenntnisse eines Einfältigen / 31. Christoph Geiser - Grünsee / 32. Hogo Loetscher - Die Kranzflechterin / 33. Christoph Geiser - Zimmer mit Frühstück / 34. Ernst Zacharias - Der Majoratsherr und sein Kantor / 35. Herbert Roch- Die Lawine / 36. Christiane Grosz - Die Tochter / 37. Greta Kuckhoff - Vom Rosenkranz zur Roten Kapelle / 38. Christa Borchert - Landschaft mit Regenbogen / 39. Harry Kampling - Tage wie ein ganzes Leben / 40. Regina Röhner - Holunderzeit / 41. Annemarie Reinhard - Treibgut / 42. Jan Koplowitz - Geschichten aus dem Ölpapier / 43. Bernd Ulbrich - Abends im Park und nachts und morgens / 44. Elisabeth Jachan - Bummelzug und Sechserbus (Geschichten von damals) / 45. Hans von Oettingen - Spielbankaffaire / 46. Käthe Recheis - Der weisse Wolf / 47. Gertrud Bradatsch - Spiegelmacher / 48. Wolfgang Buschmann - Kater Lampe mit Zwischenspiel = 15 Prosastücke / 49. Helmut Voß - Die Jahre dazwischen / 50. Helmut Voß - Die Heiligen von Biedersdorf / 51. Edith Müller-Beeck - westfälische Ernte / 52. Peter Breckwoldt - Maiglöckchen blühen überall / 53. Matthias Biskupek - Leben mit Jacke / 54. Martin Viertel - Sankt Urban / 55. Rolf Gerlach - Eselsbrücke / 56. Doris Brehm - Eine Frau zwischen gestern und morgen / 57. Rolf Floss - Dezemberlicht / 58.Hans Löffler - Die scheinbaren Verwandlungen eines Bürgers / 59. Kristian Elster - Ein fremder Vogel / 60. Max Eyth - Der Schneider von Ulm / 61. Jakob Eschweiler - Der Isenheimer Altar / 62. Jürgen Lehmann - Strandgesellschaft / 63. Stefan Andres - Der Mann im Fisch / 64. Gabriele Eckart - Der Seidelstein / 65. Otto Emersleben - Papiersterne / 66. Johannes Arnolf - Holk / 67. Bernhard Faust - D [Attributes: Hard Cover]

      [Bookseller: Agroplant GmbH, Antiquariat ts-buch]
 39.   Check availability:     ZVAB     Link/Print  


        Ihr Kinderlein kommet! Die schönsten Weihnachtslieder. (ca.1950)

      Es handelt sich um ein entzückendes Exemplar. Sehr sauber. Sehr rein. Sehr gut erhalten.

      [Bookseller: Bücherweib]
 40.   Check availability:     booklooker.de     Link/Print  


        Les journaux des dieux précédé d'Un essai sur la définition, l'évolution et le bouleversement total de la prose et du roman

      Edition of wich no leading copies exists.Preface by Maurice Lemaître followed by 50 boards Jean Isidore ISOU, printed in blue, red and yellow.spine silent slightly insolated, two tears in margins of two boards, otherwise good copy under the fragility of poor quality paper. Aux escaliers de Lausanne Paris 1950 19x23,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Territorial Papers of the United States (24 of 27 volumes)

      Ams Pr Inc, 1950. Hardcover. Acceptable. This precise set is pictured on the product details page. 24 of the 27 volume set ofThe Territorial Papers of the United StatesCompiled and edited by Clarence Edwin Carter and John Porter Bloom. United States Department of State. National Archives and Records Service. Washington, D.C. : Government Printing Office, 1935-1969.All are sturdily rebound library editions. Most feel like they have not been cracked open since rebinding. Markings include, call letter on spine, top edge of text block stamped, endpages stamped & copyright pages stamped. Inside pages are clean & unmarked. Bindings & boards are clean & sturdy with the title of each volume clearly printed in gold on the spine.The volumes in order include:Vollume II: Northwest Territory 1787 - 1803Volume III: Northwest Territory ContinuedVolume V: Mississippi Territory 1798 - 1817Volume VI: Mississippi Territory ContinuedVolume VII: Indiana Territory 1800 - 1810Volume VIII: Indiana Territory ContinuedVolume IX: Orleans TerritoryVolume X: Michigan Territory 1805 - 1820Volume XI: Michigan Territory 1820 - 1829Volume XIII: Louisiana Territory 1803 - 1806Volume XIV: Louisiana Territory 1806 - 1814Volume XV: Louisiana Territory 1815 - 1821Volume XVI: Louisiana Territory 1809 - 1814Volume XVII: Illinois Territory 1814 - 1818Volume XVIII: Alabama Territory 1817 - 1819Volume XIX: Arkansas Territory 1819 - 1825Volume XX: Arkansas Territory 1825 - 1829Volume XXI: Arkansas Territory 1829 - 1836Volume XXII: Florida Territory 1821 - 1824Volume XXIII: Florida Territory 1824 - 1828Volume XXIV: Florida Territory 1828 - 1834Volume XXV: Florida Territory 1834 - 1839Volume XXVI: Florida Territory 1839 - 1845

      [Bookseller: jonny8books]
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        Deutsche Homöopathische Monatsschrift. Offizielles Organ des deutschen Zentralvereins homöopathischer Ärzte. 1. Jahrgang 1950 ( hier beginnend mit Heft 5+6 ) - 11. Jahrgang 1960 in 10 Bänden.

      ( Erscheinungszeitraum 1950 - 1960 ) Hier fast vollständige Folge der ersten 11 Jahrgänge der bedeutenden Zeitschrift nach dem Kriege: Vorhanden sind: 1.Jahrgang 1950: Heft 5+6, 7+8 ( es fehlen Heft 1-4: Seiten 65 - 128 ) / 2. Jahrgang 1951: Heft 1-2 ( 192 Seiten - diese ersten beiden Jahrgänge in einem Bande aufgebunden ) / 3. Jahrgang 1952: Heft 1-12 mit 192 Seiten / 4. Jahrgang 1953: Heft 1-12 mit 568 Seiten / 5. Jahrgang 1954: Heft 1-12 mit 590 Seiten / 6. Jahrgang 1955: Heft 1-12 mit 554 Seiten / 7. Jahrgang 1956: Heft 1-12 mit 652 Seiten / 8. Jahrgang 1957: Heft 1-12 mit 616 Seiten (hier die Hefte lose im Oln-Schuber) / 9. Jahrgang 1958: Heft 1-12: Heft 1-2, 4-12 (es fehlt Heft 3 - Hefte lose im Schuber ) / 10. Jahrgang 1959: Heft 1-12 mit 576 Seiten ( Hefte lose im OSchuber ) / 11. Jahrgang 1960: Heft 1-12 mit 646 Seiten ( Hefte lose im Oln-Mappe ). Meist jeweils mit Register (vorn inliegend ). Meist im goldgeprägten Oln oder Bibliothekshalbleinen aufgebunden, teils lose Hefte im goldgeprägten Oln-Mappe, 8 ( 24 x 16,5 cm ). Die Hefte teils etwas gebräunt, teils in der Mittelfalz etwas geknickt ( durch den Postversand ), teils mit kleinen Anstrichen oder Randnotizen, Papier durchgehend gebräunt, einige Seiten angeknickt, wenige Seiten fleckig. Insgesamt recht wohlerhalten - in dieser Vollständigkeit selten. ( Gesamtgewicht ca. 11000 Gramm ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
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        Seltene und ganz besondere Original-DDR-Buch-Sammlung von (DDR-) Autoren, die damals nur wenig bekannt waren ...,

      diverse DDR-Verlage, ca. von 1950-1989. besondere Sammlung von Büchern (über 250!) von heute nur noch wenig bekannten DDR-Autoren, Leinen / Halbleinen, auch mit Schutzumschlägen Rarität! sehr seltene original DDR- Büchersammlung - Sie möchten die DDR-Literatur (Belletristik) in ihren ganzen Vielfalt kennenlernen? Dann ist diese ganz besondere und einmalige Büchersammlung genau das Richtige für Sie! ----------------- Konvolut / Sammlung / Bücherpaket = über 250 Büchern (insgesamt ca. 5-6 große Pakete, über 50 kg Gewicht) von heute nur noch wenig bekannten DDR-Autoren ------------------- meistens nur geringe Gebrauchsspuren, nur ganz vereinzelt ehemalige Bibl. Exemplare im Konvolut, häufig noch mit den Original-Schutzumschlägen, ansonsten aber alle altersentsprechend noch gut erhaltene Exemplare ------------------u. a. mit folgenden Buchtiteln: 1. Achim Metzkes - Das Haus des Vaters / 2. Karl Mundstock - Meine tausend Jahre Jugend / 3. Günter Josef Mai - Ankou (bretonische Erzählungen) / 4. Erwin Peter Close - Solang es solche Frauen gibt / 5. Ernst Wenig - Das Verhältnis / 6. Frank Weymann - Ein verhängnisvoller Frühling / 7. Jürgen Alberts - Landru / 8. Johannes Arnold - Aufstand der Totgesagten / 9. Erwin F. B. Albrecht - Das Sandskandal (Roman aus einem Wundermärchenwald) / 10. Marta Nawrath - Das letzte Gesicht / 11. Unvergessene Tage (mehrere Autoren) / 12. Annette von Droste-Hülshoff - Die Judenbuche + Bilder aus Westfalen / 13. Reinhard Delau - Ein heißer Wüstentag (Erzählungen) / 14. Hilde Flex - Vierzehn Rosen (neun Geschichten in einer) / 15. Anne Carius - Das Familientreffen / 16. Ingeborg Drewitz - Eingeschlossen / 17. Wolfgang Noa - Wieviel Stunden hat ein Tag (mit Autogramm) / 18. Christa Johannsen - Der große wunderbare Fisch (zwölf Erzählungen und ein Roman) / 19. Helmut Mansfeld - An der Ecke und anderswo (Geschichten aus unseren Tagen) / 20. Viktor Fink - Zwischen Paris und Moskau (literarische Erinnerungen) / 21. Gottfried Meinhold - Weltbesteigung (eine Fünftagefahrt) / 22. Wolfheinrich von der Mülbe - Die Zauberlaterne / 23. Heinrich Theissing - Was bleibt, ist die Freude / 24. Brigitte Martin - Nach Freude anstehen / 25. Gottfried Müller - Die Kirchenmaus / 26. Joochen Labs - Das Grashaus oder Die Aufteilung von 35000 Frauen auf zwei Mann / 27. Dietrich Mendt - Umfrage wegen eines Pastors / 28. Johann Karl Wezel - Satirische Erzählungen / 29. Rudi Wetzel - Der Mann im Lodenmantel - Geschichten aus den Dreißigern / 30. Joachim Rähmer - Bekenntnisse eines Einfältigen / 31. Christoph Geiser - Grünsee / 32. Hogo Loetscher - Die Kranzflechterin / 33. Christoph Geiser - Zimmer mit Frühstück / 34. Ernst Zacharias - Der Majoratsherr und sein Kantor / 35. Herbert Roch- Die Lawine / 36. Christiane Grosz - Die Tochter / 37. Greta Kuckhoff - Vom Rosenkranz zur Roten Kapelle / 38. Christa Borchert - Landschaft mit Regenbogen / 39. Harry Kampling - Tage wie ein ganzes Leben / 40. Regina Röhner - Holunderzeit / 41. Annemarie Reinhard - Treibgut / 42. Jan Koplowitz - Geschichten aus dem Ölpapier / 43. Bernd Ulbrich - Abends im Park und nachts und morgens / 44. Elisabeth Jachan - Bummelzug und Sechserbus (Geschichten von damals) / 45. Hans von Oettingen - Spielbankaffaire / 46. Käthe Recheis - Der weisse Wolf / 47. Gertrud Bradatsch - Spiegelmacher / 48. Wolfgang Buschmann - Kater Lampe mit Zwischenspiel = 15 Prosastücke / 49. Helmut Voß - Die Jahre dazwischen / 50. Helmut Voß - Die Heiligen von Biedersdorf / 51. Edith Müller-Beeck - westfälische Ernte / 52. Peter Breckwoldt - Maiglöckchen blühen überall / 53. Matthias Biskupek - Leben mit Jacke / 54. Martin Viertel - Sankt Urban / 55. Rolf Gerlach - Eselsbrücke / 56. Doris Brehm - Eine Frau zwischen gestern und morgen / 57. Rolf Floss - Dezemberlicht / 58.Hans Löffler - Die scheinbaren Verwandlungen eines Bürgers / 59. Kristian Elster - Ein fremder Vogel / 60. Max Eyth - Der Schneider von Ulm / 61. Jakob Eschweiler - Der Isenheimer Altar / 62. Jürgen Lehmann - Strandgesellschaft / 63. Stefan Andres - Der Mann im Fisch / 64. Gabriele Eckart - Der Seidelstein / 65. Otto Emersleben - Papiersterne / 66. Johannes Arnolf - Holk / 67. Bernhard Faust - Die Dongbatänzerin / 68. Karl Emil Franzos - Ein Kampf ums Recht / 69. Erhard Dix - Warte nicht auf jeden Tag / 70. Beate Morgenstern - Jenseits der Allee (Geschichten) / 71. Angelika Mechtel - Die andere Hälfte der Welt oder Frühstücksgespräche mit Paula / 72. Joachim Nauschütz - Urlaub in Sachen Familie / 73. Klaus Meyer - Zuckerkauken un Koem / 74. Rudolf Petershagen - Das Leben ist kein Würfelspiel / 75. Claus Nowak - Zugzwang / 76. Luftschlösser - Manfred Pieske / 77. Norbert Marohn - Plötzlich mein Leben / 78. Paul Tillard - Nacht über Paris / 79. Paul Tillard - Nacht über Paris / 80. Peter von Tramin - Die Herren Söhne / 81. K. H. Poppe - Der Bananenkrieg / 82. Jo von Tiedemann - Stern ohne Himmel / 83. Erhard Agricola - Im Bann der zaubermächtigen Kirke / 84. Günter Ebert - Das Atelierfest (Betrachtungen über die Kunst zu leben) / 85. Rudolf Eifler - Der schwedische Fähnrich / 86. Heinrich Ehlers - Königskinder (sechs Liebesgeschichten) / 87. Winfried Löschburg - Schatten über der Akropolis / 88. Horst Matthies - Der goldene Fisch (kein Märchenbuch) / 89. Hanns Maassen - Die Messe des Barcelo / 90. Adolf Görtz - Seine Freundin Ruth / 91. Bruno Frank - Cervantes / 92. Inge Meyer - Liebe auf Bewährung / 93. Auguste Lazar - Jura in der Leninhütte / 94. Renate Apitz - Evastöchter / 95. Ernst Ludwig Bock - Der letzte Tag / 96. Winfried Löschburg - Unter den Linden (Gesichter und Geschichten einer berühmten Straße) / 97. Walther Pollatschek - Herren des Landes / 98. Norbert Marohn - Plötzlich mein Leben / 99. Jürgen Lehmann - Hochzeitsbilder / 100. Angelika Mechtel - Die andere Hälfte der Welt oder Frühstücksgespräche mit Paula / 101. Christoph Meckel - Die Gestalt am Ende des Grundstücks / 102. Lore Mallachow - Im Morgenlicht / 103. Carmen Laforet - Die Wandlung der Paulina Goya / 104. Lis Kleeberg - Das andere Leben / 105. Paul Gratzik - Transportpaule / 106. Manfred Künne - Gummi / 107. Ingo Zimmermann - La Collas Weinberg / 108. Hildegard Zander - Einmal war Frost in die Blüten gefallen / 109. Miriam Margraf - Der Noten und des Glückes Lauf (Komponistengeschichten) / 110. Regina Röhner - Der Provokateur / 111. Christa Müller - Die Verwandlung der Liebe / 112. Wolfgang Trampe - Halbe Tage im Gras / 113. Hans Joachim Nauschütz - Die Unterbrechung / 114. Margarete Neumann - Der grüne Salon / 115. Manfred Jendryschik - Johanna oder Die Wege des Dr. Kanuga / 116. Albert Norder - Fälscher - Zur Geschichte der deutsch-sowjetischen Beziehungen / 117. Wolfgang Kellner - Der Ausbruch oder Der Fall Gengelstedt / 118. Hanns Glöckle - Wand ohne Tünche / 119. Hartmut Zenker - Vorkommnisse (Erzählungen) / 120. Heinz Zander - Das Max- und Moritz- Syndrom / 121. Hans J. Rehfisch - Lysistratas Hochzeit / 122. Lis Kleeberg - Das andere Leben / 123. Elisabeth Plessen - Mitteilung an den Adel / 124. Peter Menz - Schüsse unter den Linden / 125. Alfred Kurella - Kleiner Stein im großen Spiel / 126. Walther Victor - Atemzüge der Besinnung (Feuilletons) / 127. Helmut Bürger - Auf nach Mauretanien (Erzählung) / 128. Herbert Burgmüller - Gang in den Herbst / 129. Hans-Joachim Backhaus - Heimkehr in die Fremde (Die Geschichte des Dr. Hans Loeser) / 130. Walter Basan - Geliebte Feindin (abenteuerlicher Roman aus Marokko) / 131. Christa Borchert - Landschaft mit Regenbogen / 132. Claus Back - Drei Fräulein an der Jungfernbrücke / 133. Matthias Biskupek - Leben mit Jacke / 134. Clara Viebig - Die vor den Toren / 135. Peter Biele - Tod im Kostüm - Eine Komödiantengeschichte / 136. Kurt Biesalski - Duell / 137. Gerhard Brennecke - Brüder im Schatten / 138. Karl Bongardt - Alles und jedes ein Zeichen / 139. Paul Gratzik - Transportpaule / 140. Wera Inber - Als ich klein war /141. Helena Babinska - Die Rache des Kabunauri / 142. Christiane Barckhausen - Schwestern (Tonbandprotokolle aus sechs Ländern) / 143. Werner Gilde - Der Große Buddha lächelt / 144. Walter Basan - Geliebte Feindin (abenteuerlicher Roman aus Marokko) / 145. Rolf Guddat - Für jeden kommt der Tag / 146. Max Burghardt - Fürchtet euch nicht / 147. Ernst Bartsch - Neger, Jazz und tiefer Süden / 148. Annemarie Bostroem - Terzinen des Herzens / 149. Manfred Bieler - Bonifaz (oder der Matrose in der Flasche) / 150. Eduard Bass - Klapperzahns Wunderelf (illustriert von Werner Klemke) / 151. Heinrich W. Bräuer - Leuchtfeuer / 152. Heinz Glade - Karriere eines Staatsanwalts / 153. Albrecht Goes - Der Gastfreund / 154. Hartmut Biewald - Lichtpunkte / 155. Wolfgang Kröber - Häufige Besuche / 156. Rolf Gerlach - Eselsbrücke (Tagebuchroman) / 157. Annemarie Reinhard - Tag im Nebel / 158. Jürgen Weinbrecht - Vorsicht, Bauarbeiten! / 159. Christof Walther - Karriere für Käte / 160. Grete Weil - Generationen / 161. Karl Heinrich Waggerl - Fröhliche Armut (Erzählung) / 162. Manfred Wolter - Notwehr (kein Genre) / 163. Ernst Wenig - Abbruch der Beziehungen / 164. Walther Kauer - Schachteltraum / 165. Erwin Wittstock - Die Freundschaft von Kockelburg (... und andere Erzählungen) / 166. Ralph Wiener - Kein Wort über Himbeeren / 167. Hardy Worm - Das Hohelied vom Nepp / 168. Rudolf Kiefert - Die Schikane / 169. Utta Keppler - Die Falterfrau ( Das ungewöhnliche Leben der Maria Sibylla Merian) / 170. Rudolf Kiefert - Ein Fremder im Haus / 171. Kuba - Osten erglüht / 172. Heinz Klemm - Der Brautpreis / 173. Kein Duft von wilder Minze (Anthologie u.a. mit: Jördis Lademann + Matthias Härtel + Andreas Förster + Roland Lampe + Matthias Biskupek usw.) / 174. Manfred Künne - Buna / 175. Wolfgang Kohlhaase - Silvester mit Balzac / 176. Adam Kuckhoff - Eine Auswahl von Erzählungen, Gedichten, Briefen, Glossen und Aufsätze / 177. Erich Köhler - Hinter der Bergen / 178. Karl Georg Egel + Paul Wiens - Genesung - Eine Erzählung für den Film (mit Bildern aus dem gleichnamigen DEFA-Film) / 179. Jochen Wiesigel - Wir wollten doch alles anders machen / 180. Rainer Kerndl - Eine undurchsichtige Affaire / 181. Gabriele Wohmann - Paarlauf (Erzählungen) / 182. Hans-Joachim Backhaus - Vom anderen Ufer / 183. Walter Gorrish - Engel im Fegefeuer / 184. Hans Zappe - Das Stundenlied / 185. Hartmut Zenker - Die Uhr steht auf fünf / 186. Max Burghardt - Fürchtet euch nicht / 187. Ernst Ludwig Bock - Der letzte Tag / 188. Karl Grünberg - Brennende Ruhr (Roman aus der Zeit des Kapp-Putsches) / 189. Kurt Herwarth Ball - Majoll im Labyrinth / 190. Bodo Kühn - Gloriosa / 191. Ulrich Becher - Kurz nach 4 / 192. Harry Kampling - Der Mann aus der Siedlung / 193. Jürgen Kögel - Streit und kein Ende / 194. Andreas Klotsch - Betriebsausflug / 195. Martin Gregor - Catherine / 196. Max Kretzer - Der Millionenbauer (altberliner Roman) / 197. Kurt Kauter - Die Letzten vom Ende der Welt / 198. Bernt Karger-Decker - Wunderwerke von Menschenhand / 199. Jeremias Gotthelf - Uli der Knecht (Herausgegeben von Hans Franck) / 200. Otto Halle - Die Mansfelder (Erinnerungsroman) / 201. Eberhard Hilscher - Poetische Weltblder - Essays über Heinrich Mann, Thomas Mann, Hermann Hesse, Robert Musil und Lion Feuchtwanger) / 202. Friedrich Huch - Peter Michel / 203. Rosemarie Fret - Nachsaison / 204. Johannes Schöne - Das Apfelsinenmännchen / 205. Theo Harych - Im Geiseltal / 206. Anita Heiden-Berndt - Wendepunkte der Ina S. / 207. Achtung Rotlicht - Panne! (Scharfes und Unscharfes durch die Tele-Kamera gesehen von Annelore Habeck) / 208. Werner Schmoll - Zufällig Stefanie / 209. Rudolf Schmal - Kühl kommt jeder Morgen / 210. Kurt Sandner - Nacht ohne Gnade / 211. Ann-Charlott Settgast - Wagnis einer Frau (Roman über Bertha v. Suttner) / 212. Jo Schulz - Poesie und Purzelbaum / 213. Harald Heinze - Komm mal längseits / 214. Jutta Schlott - Roman und Juliane / 215. Jürgen Spitzer - Frühling ohne Carolin / 216. Karl Sitzer - Was es nicht alles gibt - Humoresken, Grotesken, Satiren / 217. Margarete Schultz - Ein Hochzeitstag und andere Erzählungen / 218. Maximilian Scheer - Spieler (Reisebilder aus Westdeutschland) / 219. Gisela Heller - Märkischer Bilderbogen (als Reporterin zwischen Spreewald und Stechlin) / 220. Die geheimgehaltene Reise eines Weltrekordlers / 221. Georg Honigmann - Chef weist an ... oder Der Fall des William Randolph Hearst / 222. Karl Hüllweck - Die an Gott leiden (Erzählungen) / 223. Jürgen Höpfner - Tote Tauben / 224. Dieter Schubert - Acht Unzen Träume / 225. Helmut Heißenbüttel - Franz-Ottokar Mürbekapsels Glück und ein Ende (Erzählungen) / 226. Paul Heyse - Das Mädchen von Treppi / 227. Elisabeth Szubert - Barbara und die Stadt des Goldregens / 228. Herbert Horn - Juhu - eine Wohnung! / 229. Rudolf Hirsch - Junge Leute und ihre Nöte vor Gericht / Eros und Ehe vor Gericht / 230. Kurt Huhn - 22 Erzählungen / 231. Ursula Hörig - Timmes Häuser / 232. Heinz Heydecke - Schatten eines Unfalls / 233. Joachim Schöne - Die wundersamen Wege des Tobias Schremm / 234. Christa Steege - Die Lästigen (Geschichten vom lieben Nächsten) / 235. Wolfgang Sämann - Das Haus des Dr. Pondabel (fünf Erzählungen) / 236. Harald Heinze - Ich bin erst neunzehn (Erzählungen) / 237. K. Heinz - Der Bruderbund (Illustration: Gerhard Gossmann) / 238. Hugo Loetscher - Die Kranzflechterin / 239. Friedrich Hebbel - Schnock und andere Erzählungen / 240. Angela Stachowa - Geschichten für Majka / 241. Ulrich Semmler - Nackte Straßen / 242. Karl Hüllweck - Italienische Impressionen / 243. Rudolf Scholz - Mein lieber alter Lukowski / 244. Günter Striegler - Augustäpfel / 245. Karin Simon - Drei Häute aus Eis / 246. Dietrich Hohmann - Londoner Skizzen / 247. Magdalene Hoffmann - Seitenlicht / 248. Georg Hermann - Rosenemil / 249. Armin Stolper - Geschichten aus dem Giebelzimmer / 250. Wieland Herzfelde - Immergrün - Merkwürdige Erlebnisse und Erfahrungen eines fröhlichen Waisenknaben / 251. Regina Hastedt - Die Bergparade ------------------------------------Büchersammlung, Bücherkonvolut, Sammlung, Konvolut, Bücherpaket Versandkostenfreie Lieferung DDR Belletristik Literatur wenig bekannte DDR-Literatur bzw. Bücher von DDR-Verlagen mit Schutzumschlag Hugo Hertwig Armin Stolper Gisela Simon

      [Bookseller: Agroplant GmbH, Unternehmenszweig Antiqu]
 44.   Check availability:     buchfreund.de     Link/Print  


        Die Newyorker Kantaten. - Cantates New-Yorkaises. Mit sechs Zeichnungen von Hans Arp. Vorwort von Michael Seuphor.

      8vo. (22,5 x 14 cm). Mit 6 Zeichn. v. Hans Arp auf grauem Büttenpapier. 2 w. Bl., 51 S., 2 w. Bl. OKart. m. Orig.-Umschlag mit Deckelillustration u. Rückentitel. WG 22. - Erste Ausgabe. - Eines von 500 Ex. auf Werkdruckpapier (Gesamt: 520), gedruckt von der Buchdruckerei Johannes Haupt in Basel. Die 6 "collages aux dessin" von Hans Arp, hier leicht verkleinert, sind 1950 in New York entstanden. Satzanordnung und Übersetzung des Vorwortes v. Jan Tschichold. - Deutsch und Französisch. Traduit par Robert Valancay. - Beiliegend: Teil eines Umschlages mit der eigenh. v. Hülsenbeck geschriebenen Absender-Adresse: "Charles R. Hulbeck... New York". - Umschl. etw. gebräunt, etw. ungleichmäßig durch nebenstehende Bände. Oben am Vorderdeckel leicht fleckig, an oberer Kante minimale Einrisse (ca. 3 mm.) u. winzige Fehlstellen. Innen sauber u. insgesamt von guter Erhaltung.

      [Bookseller: Antiquariat Düwal Berlin]
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