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Displayed below are some selected recent viaLibri matches for books published in 1948

        The Naked and The Dead

      Rinehart, New York 1948 - 1st Printing with colophon on copyright page, and no reviews on jacket flaps which has an introduction by Stanley Rinehart. Not price clipped ($4.00 at top of front flap). Jacket, now in a protective cover, has wear to all corners and book has minor wear on the bottom of spine. Boards are clean and the lettering is still bright. Considered the finest American WWII novel written and listed in the "Burgess 99" best novels between 1939 and 1983. Modern Library ranked it 51st on it's list of 100 best English-language novels of the 20th century. [Attributes: First Edition; Hard Cover]

      [Bookseller: FiSHWiSHING]
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        The Naked and the Dead

      New York, Rinehart & Company, , 1948. Octavo. Original wrappers printed in black and red. A pretty well-read copy, backstrip creased and with some chipping at the edges. First Edition, First Printing, Advance Issue put out in wrappers made out of the dust jacket of the published version sent out for review purposes. The author's first book.

      [Bookseller: Peter Harrington]
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        Nymph in Clover. Illustrated by the author.

      London: Arthur Barker Ltd., [1948] - Octavo. Original blue cloth, titles to spine in silver. With the dust jacket. Bookseller's ink stamp to rear free endpaper. Cloth rubbed and mottled, spine rolled and toned, spotting to edges and endpapers. A very good copy in the nicked, chipped, and creased jacket with a scuff to the upper panel. Illustrations throughout by the author. First edition, first impression. A gift from the comedians George Burns and Gracie Allen, inscribed by Allen on the front free endpaper, "To Leonard, Happy Easter, Merry Christmas, Happy Thanksgiving, Double Date, Fourth of July, Happy New Year, Happy Birthday, Happy Labor Day, Happy Halloween, Happy Chinese New Year, Happy Valentine's, and Ole Happy Day, George Burns & Gracie Allen" (and signed for Burns by his wife). [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Korstog i Europa. En personlig beretning om den anden verdenskrig.

      Oversat af Jørgen Rothenborg. 2. oplag. Kbhvn. 1948. Illustr. 403 s. Med lette brugsspor.. Portræt signeret af forfatteren. First Danish translation of 'Crusade in Europe'. Portrait signed by the author

      [Bookseller: Peter Grosells Antikvariat]
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        Intruder in the Dust

      New York: Random House. 1948. First. First edition. Spine lettering a trifle rubbed else fine in a bright, fine dustwrapper. A nice copy of this novel about murder and the mass mind, the popularity of which was instrumental in gaining Faulkner the Nobel Prize. Basis for the 1949 Clarence Brown film, considered one of the most powerful films about racial prejudice ever made. Haycraft-Queen Cornerstone. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        La Lampe dans l'horloge.

      Robert Marin 1948 - - Robert Marin, Paris 1948, 11x17cm, broché. - Edition originale, un des exemplaires non justifiés sur alfa. Notre exemplaire sous couverture verte illustrée est bien complet du frontispice de Toyen, ainsi que d'une photographie de l'auteur par Elise Breton au centre de l'ouvrage. Précieux envoi autographe signé de l'auteur à André Rolland de Renéville sur la page de faux titre. Bel exemplaire. Provenance : de la bibliothèque de André Rolland de Renéville. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Pearl: Originial Poster for the Bantam Books Paperback Movie Tie-In Edition.

      Bantam Books, New York 1948 - Color poster for the first Bantam Books paperback edition issued to coincide with the release of the motion picture starring Pedro Armendariz and Maria Elena Marques. Approximately 22" x 28". About fine. Boldly printed, the poster reproduces the front wrap of the paperback against a background of images of Armendariz and Marques from the film. Very uncommon. [Attributes: First Edition]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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      [Philadelphia. ca. ]. 1948 - Dry pigment, mastic varnish, and alcohol, on panel, 25 x 36 inches. Signed lower right: "Riggs." In fine condition, in a burnished gilt wood frame. This remarkable painting by the well-known artist and illustrator, Robert Riggs, depicts famous Cheyenne warrior Roman Nose in battle, dressed in the full regalia of the Elk Soldier warrior society. A dramatic, powerful image, it is one of a handful of paintings by Riggs. Robert Riggs (1896- 1970) was in his heyday one of the best-known artists and illustrators in the United States. After studies at the Art Students League and service during World War I, Riggs settled in Philadelphia, his home base for the rest of his life. In the 1930s and '40s he rose to national prominence as an illustrator, lithographer, and commercial artist, producing well-known images of boxers and circuses (two life-long obsessions), and of soldiers during World War II. In 1940, around the peak of his career as an illustrator, his drawings commanded $750- $1500 each, and his name was as well-known in the trade as that of Norman Rockwell. But Riggs loathed this commercial work, and after 1950 he slid increasingly into obscurity, although revered by those who knew him in the Philadelphia art world. When he died in 1970, he was almost forgotten. Riggs was never comfortable working in oils or watercolor, preferring dry mediums such as pencil and charcoal. For the few large paintings he created, he employed a technique of blending dry pigments with mastic varnish and alcohol, working on panels he had especially manufactured for his use. This technique, which creates a surface similar to the look of egg tempera, adds to the extraordinary character of Riggs' major compositions. Riggs had a particular fascination with American Indians. In his days of affluence during the Depression and World War II, he formed a major collection of American Indian artifacts. According to his biographer, he owned "an odd and unsettling collection of American Indian artifacts.He was a serious and widely read amateur anthropologist, whose hobby, an expensive one into which he happily poured much of his substantial income.was guided in part by Frank N. Speck of the University of Pennsylvania, a friend who was perhaps the foremost authority then on Indians of the Northeast." This collection played an important part in the creation of the present painting, and particular artifacts depicted are probably based on items in his collection. For example, Riggs owned several of the grisly "finger necklaces" of dried human fingers, one of which Roman Nose wears in the painting. Riggs clearly went to great lengths to make the finely realized details of his painting completely accurate. His own collections and his friendship with Speck aided him in this (Riggs did small drawings of artifacts for several of Speck's publications). Thus, such apparently bizarre details as Roman Nose's body paint are based on Riggs' understanding of the Elk Soldier war regalia, and he has faithfully reproduced what is known of Roman Nose's headdress, which supposedly had magical powers to ward off arrows and bullets. At the same time, the distortions of scale and perspective typical of Riggs' flamboyant paintings are fully in evidence. Roman Nose, a celebrated Northern Cheyenne warrior, was an apt subject for Riggs' heroic portrait. According to the ANB, "His contemporaries described [Roman Nose] as being over six feet in height and possessing great physical powers. A man of fine character, quiet and self-contained, he was held in high esteem by all the Cheyennes.and was so renowned among whites that they credited him with being a leader in a number of engagements in which he did not participate." He became active in fighting against whites only after the Sand Creek Massacre of 1864, most notably the Platte Bridge fight in 1865, along Powder River the same year, and in harassing railroad construction in 1866 and 1867. Refusing to participate in the Medicine Lodge peace

      [Bookseller: William Reese Company - Americana]
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        MONTMARTRE ( de Jadis et d Aujourd hui ) en Alger. Ilustradores Suzanne Valadon, Maríe Laurencin, Dignimont, Poulbot, Laprade, Bouche, Dunoyer de Segonzac, Roger Wild y Pablo Picasso. 1ª edición de 1000 ejemplares, aquí 801

      - Paris. Typographie François Bernouard. 1948. Infolio menor, 4-17 folios. Estampas adheridas y litografías grabadas con dibujos al texto. Encuadernación en rama, pliegos unidos por una trenza de seda, cubiertas originales a la rústica. Presentado con carpeta de protección tela estampada y estuche cartoné. Excelente ejemplar en primera edición de 1000 ejemplares sobre papel Arches dedicados a las exposiciones de las obras de los pintores de Montmartre, para servir de catálogo, al precio de 300 francos cada uno y numerados de 126 a 1125, aquí 801. En cubierta delantera patente de virtud cívica al membrete de la República de Montmartre y dibujado por Poulbot. Edición original de los textos de Colette, Jean Leymarie, Roland Dorgelés, Marcel Aymé, André Warnod, Pierre Mac Orland, Jean Vertex, Guillaume Apollinaire, Max Jacob, G. Tiret-Bognet, Francis Carco, André Salmon, Edmodnd Heuzé, Robert Le Masle, Léona Poulbot, Raumond Souplex, Paul Eluard, L. Pinoteau. Ilustraciones litográfícas originales de Suzanne Valadon, Maríe Laurencin, Dignimont, Poulbot, Laprade, Bouche, Dunoyer de Segonzac, Roger Wild y Pablo Picasso. Muy raro y curioso. No en CCPB.Imagen en sitio virtual de MIMO Libros [Attributes: First Edition; Soft Cover]

      [Bookseller: MIMO Libros]
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        The Double Axe and Other Poems

      NY: Random House, 1948. x, 150pp. Blue cloth, gilt and purple spine lettering and design, cream endpapers, maroon top-stain. Dust jacket price is clipped. SIGNED BY AUTHOR to half-title page. 2570 copies printed. The long narrative poem 'The Double Axe' and 27 shorter poems including 'Eagle Valor, Chicken Mind', 'Original Sin', 'Dawn'. Book is in crisp, tight condition. White and maroon dust jacket has some minor age-toning and is price-clipped o/w Fine. "In 'The Double Axe', Jeffers proves himself to be a political poet par excellence, an adept at the rougher aspects of political infighting. The howls of rage from his opponents testify to it. No other contemporary verse comes to mind that is quite so brusque, savage, and intransigent. What anti-war poetry of the sixties, for instance, equals "Eagle Valor, Chicken Mind" for incisiveness? The rhetorical skills he had developed denigrating the race were focused now on deploring the course of political issue, and if he could cow the species before the vision of God, he could certainly shatter the pretensions of crusading politicos before the awesome eventualities of their options. When he finished his book and signed his name to it, he put his signature on a death warrant. But though history may yet vindicate him, in terms of his poetic career his descent into the political arena was an unmitigated disaster. For one thing, political poetry itself was then out of fashion. In the thirties the Depression had produced a bond between political radicals and creative writers founded, as in the sixties, upon an anti-war rhetoric. This was cynically fostered by the Communist party up through the Stalin-Hitler nonaggression pact of 1939. With the collapse of that detente in 1941, followed by Pearl Harbor, the demoralized Left was assimilated into the war effort, the Communists jubilant, the dissidents succumbing to the doctrinaire tactic of "boring from within," a formula successful enough when used by the Bolsheviks in the defeated czarist armies of World War I, but utterly ineffectual amongst the confident GIs of World War II. On the home front the unenlisted dissident literati were reduced to grinding out government propaganda or retiring into hermeticism and the cultivation of aesthetic form. By the battle of Midway, the turning point of the war, 'Literature and Revolution' was out and 'Seven Types of Ambiguity' was in. Moreover, in 1948 the nation at large was enjoying an interval of rare self-esteem. Victory had proved American justice and she stood before the world as the savior of mankind. All the free nations looked to her for security and protection, and she felt worthy of it. She saw the ordeal of her triumph as heroic and self-sacrificial, and after very real privations she was enjoying the reward of an accelerating prosperity. Into this bland, complacent atmosphere Jeffers' book dropped like a bomb (a stink bomb, many thought). Certainly the reaction was violent enough. How dare this intransigent curmudgeon vilify the great ordeal of victory by such discredited isolationist ranting? His own publisher held his nose and quarantined the book with a pious disclaimer. Hustled out of decent society with antiseptics and rubber gloves, 'The Double Axe' was universally consigned to oblivion, effectively ending Jeffers' role as a creditable poetic voice during his lifetime.. . . "A necrophilic nightmare!" cried Time magazine, and a host of compeers bayed in response. . . . The Milwaukee Journal said, "In this truculent book, Robinson Jeffers . . . makes it clear that he feels the human race should be abolished." . . . The Library Journal said "his violent, hateful book is a gospel of isolationism carried beyond geography, faith or hope." Of the political content which produced this reaction little need be said. It pleads from the text, requiring no elucidation, only summarization. Jeffers believed American participation in World War II was a tragic mistake, wasting American lives and resources to fish in what he considered the witches' brew of Europe - a venerable American sentiment, to be sure, but expressed with such bluntness, and now timed so awkwardly, as to incense rather than convince. This was Jeffers' forte as a religious poet; it was his nemesis as a political one. Still, he made his points. The triumphant liberal slogans of those years he ruthlessly excoriated. All the presuppositions of post-war One World enthusiasm he punctured with powerful invective." - William Everson. . Signed by Author. First Edition. Hard Cover. Fine in Near Fine Dust Jacket/Near Fine. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: John Marston's Book Shop]
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        Cahiers de Georges Braque 1917-1947.

      - Paris, Maeght éditeur 1948. 38,6 : 28,5 cm. 100 unn. S. Faksimile nach 94 Zeichnungen mit Text von Braque. Orig.-Umschlag mit Orig.-Lithographie von Braque in Dunkelviolett, Blau u. Schwarz. Vallier 37 (mit falschen Angaben zur Umschlaglithographie). – Zweite Auflage. – Eines von 750 Exemplaren auf vélin du Marais von insgesamt 845 von Mourlot frères, Paris, gedruckten Ex. – Sehr schönes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Cahier de Georges Braque 1917-1947 (1947-1955)

      Maeght 1948 [1955], Paris - Unpaginated. 38 x 237 1/2 cm. Limited edition, one of 750 copies on velin de Marais printed by Mourlot., containing the separate supplement of sketches and drawings for the years 1947-1955. Fresh, bright and clean copy. Illustrated lithographic royal blue wrappers. Fine in illustrated cloth chemise decorated in in blue and black with brown lettering and cloth ties: two tiny spots front cover otherwise fine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Burford Church

      Manchester: Grove Galleries Limited,, c. 1970s. Colour offset lithograph on wove paper. Image size: 60.5 x 45.5 cm. Excellent condition. Presented in a gilt wooden frame. Edition of 850. Signed in pencil lower right by Lowry, numbered lower left. After a 1948 oil painting of St John the Baptist Church, Burford, North Oxfordshire.

      [Bookseller: Peter Harrington]
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        Pablo Picasso rare vintage silver print photo by Julia Pirotte

      Julia Pirotte, nd. OTHER:PHOTOGRAPH. Julia Pirotte silver print photo from original negative of Pablo Picasso 6 3/4 x 9 1/4 inch. Signed by Pirotte below her Copyright stamp on verso. Also in pencil on verso "342/7 Picasso Wroclaw-Pologna 1948". Rare. * Julia Pirotte, Polish Photographer. Worked as a Photojournalist. During WW II in Marseille she was active with the Resistance. In 1948 she covered the World Congress of Intellectuals for Peace of 1948 in Wroc?aw. Pablo Picasso attended the congress. Another photo in this series sold at auction in 2007 for 1400 Euros. Rare to come to market. Rare books make Fine Gifts. Shipped in new box. Free tracking USA. Quality, Value, Experience. . Very Good.

      [Bookseller: Robinson Street Books, IOBA]
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      Dodd, Mead & Company, [1948]., 1948. First edition. No comparable U. K. edition. Tiny bump to top corner of front cover, else a near fine, internally clean copy in dust jacket lightly soiled on the white rear panel, light wear to the spine ends and corners, and some light rubbing to the spine. The title story was memorably filmed in 1957, and starred Tyrone Power, Marlene Dietrich, Charles Laughton, Elsa Lanchester, and others. The film received nominations for six Oscars. A bright, sharp copy.

      [Bookseller: BUCKINGHAM BOOKS]
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      - Nobiliario de la Corona de Aragón.- Barcelona, Salvador Rosas Bayes, 1948 - 1952; 2 tomos en un volumen en folio holandesa, 1º, XX-267 pp. - 2 h. 1 mapa plegado. 2º, XI-209 pp. - 2 h. Los dos tomos con ilustraciones en el texto. Edición de 300 ejemplares. Facsímil de la págian 209 y las 2 hojas de índice del tomo 2º.

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        Masagid Misr (The Mosques of Egypt from 21 H. [A.D. 641) to 1365 H. [A.D. 1946]).

      Giza, Ordnance Survey, 1948. - Royal folio. 2 vols. V, 76 pp. III, 148 pp. Arabic text printed in red and black. With 2 chromolithogr. frontispieces, 2 chromolithogr. title pages, 243 phototype plates (27 in colour), 2 folding maps, folding table, and numerous text illustrations. Original blind- and giltstamped green cloth. First, original Arabic edition; much rarer than the English edition, which appeared a year later. "The finest piece of book production achieved in Egypt" (Creswell). A history of Islamic architecture in Egypt, containing several beautiful views of the principal mosques, with plans and notes. Both volumes include the double page with the preface by the Minister for Religious Foundations as well as Creswell's introduction (dated 1954), which supplanted the original pages 1-2 (probably a dedication to King Farouk). An unusually good, clean copy from the library of Tarek Wahby (his bookplate on the flyleaf). [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Histoire De Gil Blas De Santillane.

      Edmond Vairel, Paris 1948 - 3 volumes in 8° en feuilles sous chemises et étuis. Nombreuses illustrations en couleurs de Jean Gradassi. Un des 900 exemplaires sur Lana. Mouillures sur l'étui du tome II, quelques légères rousseurs marginales sur le même tome; sinon bel exemplaire.

      [Bookseller: La Basse Fontaine]
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        La Celestina. Tragicomedia De Calisto y Melibea.

      Jové, Barcelona 1948 - 240 págs. en muy buen papel de hilo. Y 10 láminas con 10 magníficos aguafuertes en color. Edición numerada de sólo 138 ejemplares. Excelente. Size: Folio [Attributes: First Edition; Hard Cover]

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      - Paris, Seghers, collection "Poésie 48", 1948. Plaquette in-12, brochée, couverture à rabats, 28 pages. Edition en partie originale. Un des 50 exemplaires numérotés sur papier de Chine, seul tirage sur grand papier. Non coupé. EXEMPLAIRE SUR GRAND PAPIER [Attributes: First Edition; Soft Cover]

      [Bookseller: LIBRAIRIE LE GALET]
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        The Dead Ringer

      Dutton, NY 1948 - First edition. Fine in dustjacket. Brown's second novel continues the adventures of Ed and Am Hunter which began in The Fabulous Clipjoint, and opens with the death of a naked midget at a carnival. Head and heel of spine softened and previous owner's name neatly written in ink at the top of the rear pastedown. Dustjacket is the best we've seen - bright and unfaded. All of our first editions are first printings unless otherwise noted. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Mysterious Bookshop]
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        Knock ou le triomphe de la medecine. Illustre par Jacques Touchet. Preface de Louis Jouvet.

      Editions Jacques-Petit, Angers 1948 - One of 1590 copies on velin pur chiffon de Johannot from a total edition of 2000. 8vo. Handsomely bound in 3/4 blue-green morocco and green paste- paper boards, blind-stamped with graph design wrapped around upper and lower covers, spine smooth, title gilt, top edge gilt, original covers bound in, fine. Illustrated with four double-page drawings in pen and watercolor after Touchet plus 71 drawings in-texte. Printed on the presses of Editions de l'Ouest, the color executed in pochoir by the publisher. Knock, a three-act comedy, was performed for the first time at the Comedie des Champs-Elysees on the 15 December, 1923 under the direction of Jacques Hebertot, with mise-en-scene and decor by Louis Jouvet, who also acted in the play. [Attributes: Hard Cover]

      [Bookseller: Priscilla Juvelis Inc., ABAA]
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        1. Physical principles involved in transistor action. 2. The theory of p-n junctions in semiconductors and p-n junction transistors. 3. Communication theory of secrecy systems

      1948. First edition. <p>First Comprehensive Report on the Transistor, with Shannon&#39;s Foundation of Modern Cryptography</p><p>(1) Bardeen, John (1908-91) and Brattain, Walter (1902-87). Physical principles involved in transistor action. In Bell System Technical Journal 28, no. 2 (April 1949): 239-77. (2) Shockley, William (1910-89). The theory of p-n junctions in semiconductors and p-n junction transistors. In ibid.: 435-89. (3) Shannon, Claude (1916-2001). Communication theory of secrecy systems. In ibid.: 656-715. Whole volume. iv, 753, [1], v-viii pp. Illustrated. 221 x 148 mm. Library buckram. Very good. Library stamps and label on endpapers.</p><p>(1) First Editions. No. (1), Bardeen and Brattain&#39;s paper, is the first comprehensive report on the point-contact transistor, created in December 1947 and announced in three brief papers published in the Physical Review in 1948. The transistor gradually replaced the bulkier vacuum tube, allowing heat reduction and miniaturization of electronic devices. Transistors began to be employed on a large scale in computer manufacturing in the late 1950s; they were eventually miniaturized and incorporated into microprocessors.</p><p>Bardeen and Brattain shared the 1956 Nobel Prize for physics with William Shockley (see below) for their investigations of semiconductors (the materials of which transistors are made) and for their discovery of the transistor. Origins of Cyberspace 450.</p><p>No. (2) is a detailed account of the junction transistor invented by Shockley shortly after Bardeen and Brattain&#39;s invention of the point-contact transistor. Shockley&#39;s design marked a substantial improvement over the point-contact transistor, whose "delicate mechanical configuration would be difficult to manufacture in high volume with sufficient reliability" (Computer History Museum, "The silicon engine: A timeline of semiconductors in computers" [internet reference]). Shockley disagreed with Bardeen and Brattain&#39;s explanation of how the transistor worked, claiming that "positively charged holes could also penetrate through the bulk germanium material-not only trickle along a surface layer. Called &#39;minority carrier injection,&#39; this phenomenon was crucial to operation of his junction transistor, a three-layer sandwich of n-type and p-type semiconductors separated by p-n junctions. This is how all &#39;bipolar&#39; junction transistors work today" (ibid.). Bell Laboratories began manufacturing junction transistors in quantity in 1951; they dominated the market for many years. Magill, Nobel Prize Winners: Physics, pp. 675-704.</p><p>No. (3), Shannon&#39;s discussion of cryptography from the viewpoint of information theory, "is one of the foundational treatments (arguably the foundational treatment) of modern cryptography. It is also a proof that all theoretically unbreakable ciphers must have the same requirements as the one-time pad [a secret random key used only once]" (Wikipedia). Shannon published an earlier version of his cryptography research in the classified report A Mathematical Theory of Cryptography (Memorandum MM 45-110-02, Bell Laboratories, Sept. 1, 1945). Shannon, Collected Papers, no. 25.</p>

      [Bookseller: Jeremy Norman's]
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        Biffures La règle du jeu - I

      Paris, Gallimard 1948 - Livre épuisé 20,7 x 14,4 cm, cartonnage bradel, pdt de chagrin noir, couv. cons. (P. Loutrel), 278 pp. Anthropologue et écrivain anglais, Geoffrey Gorer (1905-1985), publia en 1935 des notes de voyages intitulées Africa Dances que l'on peut rapprocher de L'Afrique Fantôme publié par Michel Leiris en 1934. Condition : Rare édition originale sur papier d'édition sans mention d&#146;édition (après seulement 18 ex. sur vélin pur fil Navarre) du premier volume de La règle du jeu. Ex. enrichi d'un envoi autographe de l'auteur à Geoffrey Gorer. Jolie reliure signée de Loutrel avec les couvertures (sur lesquelles figurent qq. taches). Très belle provenance. 400g. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Faustroll]
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        Dark Carnival

      1948. Hardcover. Near Fine. Michael Ayrton. First Printing of the First British Edition. Cloth boards in original Ayrton dust wrapper. Light chipping to jacket spine ends, corners rubbed, moderate soiling to rear panel; volumes spine ends with fading and slight crimping, two titles in the table of contents underlined, else very good or better in like jacket. Scarce U.K. edition.

      [Bookseller: Idler Fine Books]
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        Images de Paris. 12 burins de Michel Béret. [ Livre dédicacé par l'un des auteurs ]

      Atelier Paul Haasen , Editions Lambert-Marie 1948 - Présentés par Alexandre Arnoux, un des 15 exemplaires H. C. numérotés réservés à l'artiste, 1 vol. grand in-8 en feuillet sous chemise rempliée illustrée, Atelier Paul Haasen, Editions Lambert-Marie, s.d. (1948), avec 12 gravures sous passepartout : Ile Saint-Louis - Notre-Dame - Place de la Concorde - Place de l'Opéra - Place Vendôme - Place Pigalle - Les Tuileries - Place Contrescarpe - Saint-Germain-des-Prés - Les Invalides - La Tour Eiffel - Les Champs-Elysées. Envoi de Michel Béret. Un des 15 exemplaires H. C. numérotés réservés à l'artiste. Très bel exemplaire. Comme l'écrit Alexandre Arnoux, ces douze burins "possèdent une certitude aiguë et un charme précis ; par un assez étrange paradoxe ils forment une suite, très volontairement composée, poussée jusqu'à l'abstraction, et d'où se dégage sans que je sache pourquoi ni comment, une poésie qui s'empare de moi à mon insu, une sensibilité vaporeuse qui correspond magiquement au souvenir de ma ville". Un véritable album de "cartes postales exquisement choisies, à l'aide desquelles on peut rebâtir Paris dans sa plus irréelle exactitude, dans ses stylisations les plus vraies. Ces cartes postales-là, je les retirerai chaque soir de ma valise, je m'imaginerai que la colonne Vendôme en personne m'a adressé son élancement et son coeur percé d'une flèche, la place de la Concorde, sa sirène, la Tour Eiffel, son feu d'artifice, Saint-Germain-des-Près, son clocher roman, les Champs-Elysées, leurs chevaux de pierre, les arbres de l'Ile Saint-Louis, leur remorqueur et leur pêcheur à la ligne." Langue: Français [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie du Cardinal]
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        [The Second World War, Brazilian] A Segunda Guerra Mundial

      Companhia Editora Nacional, São Paulo,, 1948&#150;54. 10 volumes only (of 12, lacking pts. 9&#150;10). Original printed paper wrappers. A little wear to spine ends, an excellent set. First Brazilian editions, all ten volumes signed or inscribed by Winston Churchill. In fact what is here is; "Volumes I to IV in 6 parts, Volumes III and IV are in two parts each, and volume VI which is in two parts, a total of 8 parts. So we are lacking Volume V, presumed to be in two parts. There are also unsigned duplicates of Volumes I & II. Cohen states in his bibliography that despite slow sales "all twelve volumes were in fact issued", but it seems unlikely that the fifth volume would have required 4 volumes to complete, so we are presuming that the set in fact completed in 10 parts. I have tried to clarify this with reference to institutional listings for the edition, but as OCLC locates just a single copy of Volume I &#150; at the University of Toronto &#150; this has proved impossible. A very scarce edition. The inscriptions in the eight volumes are as follow; "Inscribed by &#133; 1948" in the first volume; "Winston S. Churchill, 1950" in the second; the 3rd and 4th, in two volumes each, are signed in each part with an abbreviated signature "WSChurchill" that he sometimes used when signing large numbers at a sitting; volume VI is signed, "Winston S. Churchill, 1956" in the first part, and "WSChurchill 1956" in the second." From the Estate of Emry Reves.

      [Bookseller: Peter Harrington]
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        The Second World War.1948 - 1954 - In Six Volumes - VOLUME SIX SIGNED AND DATED BY THE AUTHOR

      Cassell & Co, London 1948 - HARDBACKS - A near fine set of titles in their original dust wrappers. The boards of all six books are clean and unfaded. The inner pages are free of any foxing. There is a very small name to the ffep of volumes one, two and three, the other three titles are free of any owner names or Inscriptions Volume six has been signed and dated by the author to the ffep. The books are all very tightly bound with no spine lean. The dust wrappers are in near fine condition, with just a touch of fading to the spines of each title. The is no price clipping to any of the titles, with just the odd small closed tear, but both the books and dust wrappers are very nice indeed. Volume six comes with the scarce wrap around band. [Attributes: First Edition; Signed Copy]

      [Bookseller: West Hull Rare Books - P.B.F.A.]
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        *Signed* He Drew as He Pleased, a Sketchbook By Albert Hurter

      New York: Simon & Schuster c.1948. 1st Printing. Hard Back. Good/Fair. Signed. G+/Good-. rubbing corners, rubbing spine ends, Signed DJ in Plastic, Unumbered pgs, Light Brown & Red Illustrated dust jacket, large chips to dj spine/edges/corners, clear tape on rear dj, Closed tears to DJ, *AUTOGRAPHED/SIGNED* by Editor Ted Sears on fly page--Acknowlegement by the Publisher states "At the special request of Albert Hurter, the work of final selection, arrangement, and captioning was placed in the hands of Ted Sears, a long time friend and associate of Hurter&#39;s at the Walt Disney Studio". [Sears was hired away from Max Fleischer to be the first head of the Disney Story Department in 1931 he wrote dialogue and story lines for virtually every production the Disney Studio made: "Snow White, " " Pinocchio, " "Bambi, " "Dumbo, " "Fantasia, " "Saludos Amigos, " "Cinderella, " "Alice in Wonderland, " "Peter Pan" (for which he wrote song lyrics), "Lady and the Tramp, " and "Sleeping Beauty. " (Sears had initially provided Pinocchio&#39;s voice, although Disney ultimately went with a child&#39;s voice for the character). ] [Albert Hurter designed characters and settings for Silly Symphonies, Snow White and Seven Dwarfs, Pinocchio, Fantasia, Dumbo, Reluctant Dragon, and even films that were to be made long after his death such as Peter Pan (dozens of exploratory drawings for Peter Pan that can be found in He Drew As He Pleased). He Drew As He Pleased features over 700of Hurter&#39;s amazing doodles and drawings. ] see: http: //www. bpib. com/ hurter. htm.<p> Once Read Books, cover scan available - just ask, OnceReadBooks com<p> Orders shipped via USPS.

      [Bookseller: Once Read Books]
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        He Drew as he Pleased: a Sketchbook

      Simon and Schuster, New York 1948 - Unpaginated. "700 of his inspirational drawings created for the Walt Disney Studio" Born 1883 in Switzerland, Hurter was by 1915 ensconced in the fledgling animation industry doing Mutt & Jeff cartoons for Barre-Bowers in New York. In 1930, at the age of 48 he applied for an animation job at the Disney Studios in California. His sketches were the foundations for most of the Disney films of the Thirties, designing characters and settings for Silly Symphonies, Snow White and Seven Dwarfs, Pinocchio, Fantasia, Dumbo, Reluctant Dragon and even films made long after his death. Hurter, in his will, arranged for the publication of this work. He died in 1942. Chips with small missing pieces amd tears to DJ edges. [Attributes: Hard Cover]

      [Bookseller: ReREAD Books]
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        The Dispossessed

      New York: William Sloane Associates. (1948). First. First edition. Fine in very near fine, lightly rubbed dustwrapper, with none of the usual spine fading. Nicely Inscribed by the author to a close Princeton friend: "Jimmy affectionately John. 1949." Scarce inscribed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Heart Of The Matter.

      London, William Heinemann Ltd. 1948. - FIRST EDITION, INSCRIBED by the author to half title; For John Wilson/ from/ Graham Greene. Bound in publisher's navy blue cloth, top edge tinted red, beige endpapers, dust jacket. General wear to both book and wrapper; first two leaves have some dampstaining, worn jacket rubbed and creased, head of spine chipped, although the colour at same remains unfaded. A good-very good copy which still presents well. Signed copies of this title are uncommon. Classic tale of diamond smuggling and blackmail in a British Colony in West Africa, and basis for the 1953 film adaptation starring Trevor Howard and Peter Finch. Graham Greene's 'The Heart of the Matter' was awarded the 1949 James Tait Black Memorial Prize, founded in memory of a partner in the publishing house of A. and C. Black Ltd., and one of the oldest and most prestigious book awards in Britain. R.A Wobbe; Graham Greene-A Bibliography & Guide to Research [A21a]. Listed in Time Magazine's 100 Best Modern Novels. Steinbrunner & Penzler; Ency.of Mystery & Detection, p176-7. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Adrian Harrington Rare Books, ABA ILAB]
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        Cybernetics or control and communication in the animal and the machine

      Paris: Hermann et Cie., 1948. <p>The First Book to Discuss Electronic Computing</p><p>Wiener, Norbert (1894-1964). Cybernetics or control and communication in the animal and the machine. 8vo. 194 [2]pp. Paris: Hermann et Cie., 1948. 252 x 166 mm. Original printed wrappers, edges a little frayed. Lightly browned but a fine copy in a cloth case.</p> <p>First Edition, published in France; the New York edition published by John Wiley was offset from the sheets of the Hermann edition. </p><p>Cybernetics was the first conventionally published book, rather than a technical report, to include a serious discussion of electronic digital computing. Writing as a mathematician rather than an engineer, Wiener&#39;s approach was, of course, theoretical rather than specific. Because so many aspects of Wiener&#39;s thought were hardly known to the scientific world, let alone to the public at large, the revolutionary aspect of this work can hardly be underestimated. Among the most informative chapters is Wiener&#39;s thirty-nine-page rambling historical introduction, in which he described his report to Vannevar Bush in 1940 on the proposed development of an electronic digital computer. That 1940 report proposed the following requirements:</p><p>(1) That the central adding and multiplying apparatus of the computing machine should be numerical, as in ordinary adding machine, rather than on a basis of measurement, as in the Bush differential analyzer;</p><p>(2) That these mechanisms, which are essentially switching devices, should depend on electronic tubes rather than on gears or mechanical relays, in order to secure quicker action;</p><p>(3) That, in accordance with the policy adopted in some existing apparatus of the Bell Telephone Laboratories, it would probably be more economical in apparatus to adopt the scale of two for addition and multiplication, rather than the scale of ten;</p><p>(4) That the entire sequence of operations be laid out on the machine itself so that there should be no human intervention from the time the data were entered until the final results should be taken off; and that all logical decisions necessary for this should be built into the machine itself;</p><p>(5) That the machine contain an apparatus for the storage of data which should record them quickly, hold them firmly until erasure, read them quickly, erase them quickly, and be immediately available for the storage of new material (Wiener 1948, 10-11).</p><p>Wiener, independently of Claude Shannon, conceived of communications engineering as a brand of statistical physics, and applied this viewpoint to the concept of information. However, while Shannon concentrated mainly on applications of information theory to communications, Wiener stressed its application to control problems involving other physical and complicated biological phenomena-- indeed, what made Cybernetics so significant was Wiener&#39;s</p><p> "synthesis under his name of a vast variety of new developments that occurred in the 1930s and 1940s in modern technology and science. These were the times when there were rapid advances in computers, new findings in neurophysiology, tremendous progress in the development of communication systems, servomechanisms and other automation, new predictive methods connected with antiaircraft artillery. Wiener conceived all this rightly as a progress of a single science of "control." In fact the new breed of technological inventions of what came to be called information machines-which include computers and all means of communication-may be compared with the nervous system of an organism that serves the purpose of controlling its environment. . . . Information theory clearly plays an important role in Wiener&#39;s cybernetics, but what Wiener considered information theory is a more general scientific discipline than what is usually regarded in the United States, where information theory is more or less synonymous with coding theory. Wiener with his profound background in theoretical physics, particularly in Gibbsian statistical mechanics, knew that the entropy function has been around since the time of Boltzmann and that Szilard showed that information can be used to decrease physical entropy" (Watanabe 1985, 215-216). </p><p>Wiener&#39;s chapter on "Time series, information, and communication" contained the first publication of Wiener&#39;s formula describing the probability density of continuous information. This is remarkably close to Shannon&#39;s formula dealing with discrete time published in "A mathematical theory of communication" (1948). Cybernetics also contained a chapter on "Computing machines and the nervous system." This was a theoretical discussion, influenced by McCulloch and Pitts, of differences and similarities between information processing in the electronic computer and the human brain. It contains a discussion of the difference between human memory and the different computer memories then available. Tacked on at the end of Cybernetics were speculations by Wiener about building a chess-playing computer, predating Shannon&#39;s first paper on the topic.</p><p>Cybernetics is a peculiar, rambling blend of popular and highly technical writing, ranging from history to philosophy, to mathematics, to information and communication theory, to computer science, and to biology. Reflecting the amazingly wide range of the author&#39;s interests, it represented an interdisciplinary approach to information systems both in biology and machines. It influenced a generation of scientists working in a wide range of disciplines. In it were the roots of various elements of computer science, which by the mid-1950s had broken off from cybernetics to form their own specialties. Among these separate disciplines were information theory, computer learning, and artificial intelligence. </p><p>Though cybernetics was intended to apply electronic computing to the study of life processes, early efforts in this direction achieved very limited results. Perhaps the earliest successful electronic computer applications in biology were outside the scope of cybernetics in the study of molecular structure. Because of the great complexity of living systems it required the passage of nearly fifty years before sufficient advances in computing power enabled such endeavors as the human genome project and efforts to simulate living systems. By 2001 efforts to model extremely complex living systems using supercomputers were sometimes called "cybernetic cells." (Gibbs 2001, 53). Minsky 1963, 519. Origins of Cyberspace 991. DSB. Heims, John von Neumann and Norbert Wiener, pp. 300-301. <p>

      [Bookseller: Jeremy Norman's]
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        The Heart of the Matter

      William Heinemann Ltd 1948 - Published in London, England by William Heinemann Ltd. in 1948. First Edition indicated on copyright page, which states "First Published 1948." Book was awarded the 1949 James Tait Black Memorial Prize, one of the oldest and most prestigious book awards in Britain. Book very good, discoloration on some pages, previous owner's name stamped on front free endpaper, and old bookstore sticker on front paste-down. DJ very good, corners of front flap clipped (which includes the price). [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        The Book Of Job From The Translation Prepared At Cambridge In 1611 For King James I With A Preface By Mary Ellen Chase And Illustrations By Arthur Szyk.

      [New York]: The Limited Editions Club, 1948. - folio. pp. 148, [2 leaves: blank & colophon]. large initials in red & blue. 8 mounted colour plates. original half white morocco-grained sheepskin, gilt design on upper cover, t.e.g. (spine discoloured, very light wear to corners, internally fine; partly unopened), with felt-lined slipcase (some wear to extremities). Limited to 1950 numbered copies, signed by the Illustrator Szyk. Designed by George Macy, set in monotype Bodoni 175, printed by Lewis F.White on Rives Gua hand-made French paper, bound by Russell-Rutter Company, NY. LEC Quarto-Millenary 173. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: D & E LAKE LTD. (ABAC/ILAB)]
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        Two Typed Letters, signed ("Bruno") to designer Irv Koons, regarding the proposed publication by Random House of Munari's L'UOMO DEL CAMION, with related materials

      New York, Milan, december 9, 1947 - june 1, 1948 - Revealing correspondence between Bruno Munari (1907-1998) and Irv Koons (1922-) and between Koons and A. Mondadori Editore about the possibility of Random House (who Koons worked for at the time) publishing Munari's L'uomo del camion (1945), the second installment of his "I libri Munari' series of seven illustrated children's books. For reasons unknown, the deal fell through and it was not until 1968 that World Publishing began releasing the first American editions of Munari's now classic children's books. Munari wrote his children's book series "I libri Munari" when employed by the publisher A. Mondadori Editore. No longer with the firm (who maintained the books' copyrights) when these letters were written, he would receive half the royalties of an American edition. Munari makes it clear that he wants to be involved in the process (he had a bad experience with the French edition) but trusts Koons and respects his editorial and artistic tastes: "It is perfectly all right with me, if you are to do over the pictures: I have not seen any of your work, but when we met here we got along fine and we seemed to have the same ideas." In his next letter, Munari praises Koons work, which he has now had a chance to see. Munari's warmth and humor is apparent in these letters (translated from the Italian and typed by his cousin Maria), as when he laments that a planned exhibit of his work in New York was cancelled: "I am sorry to say the showing of my work in New York did not take place, because, during the voyage, damp sea air spoiled the balance of my wooden 'useless machines' and at the customs they completed the good work by opening the boxes and pulling out things pell mell and almost everything was ruined. Some of them which escaped 'ship wrecking' are hung in the office of Mr. Romeo Toninelli, who gave a party to show them." Included with these letters are two typed letters from A. Mondadori Editore to Koons giving estimated printing costs, suggested royalty arrangements, and a sample of the paper to be used. With their flip-books, cut-outs, and colorful illustrations, the seven "I libri Munari" are some of the most innovative and pleasing 20th-century children's books 8vo (11 5/8 x 8 1/4 in.). Two Typed Letters, signed ("Bruno") to designer Irv Koons; two Typed Letters (one signed) from Arnoldo Mondadori Editore to Koons; paper sample to be used by Mondadori in printing of American edition of L'UOMO. Light creasing, one letter docketed "Munari" in Koons hand; near fine [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Selected Short Stories of Thomas Hardy

      Allentown, PA: The Story Classics. 1948. First. First edition. Illustrated by Walter Emerson Baum, with an appended essay by the artist. Two-part cloth binding, fine in a lightly worn, very good or better slipcase as issued. This copy nicely Inscribed by Baum at the end of his essay: "With all good wishes this book goes forward to my dear friend William J. Conlen. Walter Emerson Baum. July 27 1948, Sellersville, Pa." Also laid into the book is a closely written Autograph Postcard Signed ("Walter") from Baum to Conlen, sending the book, acknowledging receipt of vignettes of Mexico, acknowledging that "Mrs. Baum and I will read your book when we start on our next sketching tour," and recounting what he is and isn&#39;t doing in the studio: "I&#39;ve been doing odds & ends in the studio so far. Was it Rembrandt or someone else who procrastinated until he could not look his friends in the face? Well I am him all over in that respect." Book shown without slipcase. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Original Photograph, Inscribed by Hemingway

      Approximately 10? wide x 13? tall; matted, framed and glazed, overall approximately 16? wide x 19 1/2? tall. Inscribed by the author, ?To Alfred Rice from his friend, client and admirer, Ernest Hemingway. 31/3/50.? Hemingway is photographed outdoors (probably in Cuba) holding a kitten. Framed with glass on the verso (cracked) to display the photographer?s stamp. On the death of Maurice Speiser in 1948, his assistant Rice became Hemingway?s attorney.

      [Bookseller: Peter L. Stern & Company, Inc.]
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        Genius Loci And Other Tales

      Sauk City, WI: Arkham House. Near Fine in Near Fine dust jacket. 1948. 1st Edition Thus; 1st Edition. Hardcover. Cover Art; SIGNED EDITION. This edition limited to 3000 (3047 according to the Arkham House Companion) copies. This book is in Near Fine condition and has a Near Fine dust jacket. The book and its contents are in clean, bright condition. The text pages are clean and bright. The dust jacket hs some beginning rubbing to the spine ends and some very beginning ground-in dirt. The book includes the short fiction : Genius Loci, The Willow Landscape, The Ninth Skeleton, The Phantoms of the Fire, The Eternal World, Vulthoom, A Star-Change, The Primal City, The Disinterment of Venus, The Colossus of Ylourgne, The Satyr, The Garden of Adompha, The Charnel God, The Black Abbot of Puthuum, and, The Weaver in the Vault. ; Signed by Author .

      [Bookseller: S. Howlett-West Books]
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        André Breton.

      José Corti 1948 - - José Corti, Paris 1948, 12x19cm, broché. - Edition originale, un des 50 exemplaires numérotés sur pur fil, seuls grands papiers après 20 Marais. En frontispice, un portrait de André Breton par Hans Bellmer. Deux infimes et discrètes restaurations en pied du dos, agréable exemplaire. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Fables choisies.

      André Gonin,, Lausanne, 1948 - Lausanne, André Gonin, 1948 Gross-8°. 125 (4) S. Mit zahlreichen Illustr. nach Hans Fischer. Lose Bogen in brosch. Orig.-Umschlag, Halbpergament-Chemise u. Papp-Schuber (minim angestaubt). = "Collection des Flambeaux", (letzter) Bd. 10. Nr. 110 v. 250 Ex. (GA 300). Vom Künstler und Verleger im Impressum signiert. - Résumé: With illustr. by Hans Fischer. Leafs loose in portfolio. Limited edtion, No 110 of 250 copies. Signed by the artist and publisher. Sprache: Französisch / Français / French Lose Bogen in brosch. Orig.-Umschlag, Halbpergament-Chemise u. Papp-Schuber [Attributes: Signed Copy; Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        LE CORNET A DES.

      - Paris, NRF - Gallimard, 1948. 17x26 cm. 210 pages. Ouvrage illustré de 113 gouaches de Jean Hugo gravées sur bois. Broché. Couverture rempliée de couleur orangée. Chemise-étui en carton recouvert de papier jaune. Nom de l'auteur, titre, et nom de l'illustrateur sur une étiquette collée au dos de la chemise. Dos de la chemise légèrement passée à la lumière, sinon ouvrage en très bon état général. Un des 422 exemplaires (n° 133). [Attributes: Soft Cover]

      [Bookseller: Librairie de l'Univers]
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        Studia Philosophica, Commentarii Societatis Philosophicae Polonorum. Volume III 1939-1946

      Cracoviae, Posnaniae 1948 - 465 pp, ex-lib copy with minor markings: small oval stamps to the front cover and the titlepage, sticker to the spine, ball pen mark to the corner of front cover, internally clean, top of spine slightly chipped, the lower end of spine has several cracks and is reinforced by glue which looks like stain, edges untrimmed, in overall good or better condition 8vo - over 7? - 9? tall [Attributes: First Edition; Soft Cover]

      [Bookseller: Secret Knowledge Books]
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