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Displayed below are some selected recent viaLibri matches for books published in 1947

        Anthony McAuliffe

      May 27, [1947]. Rare early Autograph Letter Signed <I>“Tony,”</I> two full pages, 8” x 10.5”, front and verso. Washington, D.C., May 27. With original envelope postmarked Washington, D.C., May 27, 1947. Addressed by McAuliffe to <I>“Gen. Rex Chandler, / 204 Crescent Ave, / San Antonio, / Tex,”</I> marked <I>”Air Mail,”</I> signed <I>“McAuliffe”</I> in the upper left above printed return address. On letterhead of <I>“The Joint Research and Development Board / Washington 25, D.C.”</I> Fine condition.<br /><br />Before World War II, Anthony McAuliffe and Rex Chandler (1901-1964) were Captains, First Field Artillery, stationed at Fort Sill, Oklahoma. Chandler was promoted to Brigadier General in early 1945. Brigadier General McAuliffe parachuted into Normandy on D-Day on June 6, 1944. He replied “Nuts!” to a formal German surrender ultimatum six months later on December 22, 1944. On February 3, 1945, the 1st Cavalry Division commanded by Brig. Gen. Chandler advanced into Manila, beginning the battle which ended almost three years of Japanese military occupation in the Philippines and led to Gen. Douglas MacArthur’s promised return.<br /><br />On March 7, 1946, the War Department made public the list of 212 officers whose temporary appointments as Generals had been ended in line with the Army’s cut in General officer strength. As published in “The New York Times” on March 8, 1946, the list of 54 who were “Reduced to the temporary grade of colonel, effective March 6” included “Rex E. Chandler.” Chandler, addressed as “Gen. Rex Chandler” by McAuliffe on the envelope, evidently wrote to McAuliffe about retiring as a Brigadier General which would, of course, mean a higher pension.<br /><br />In full, “When I got home last night, I found your letter. I did get busy as soon as I returned from San Antonio. All those to whom I talked gave me the same answer, that Sec. 7 of Pub. Law 101, to which you refer in your letter, prevents retirement in the higher grade if application is made later than six months after reduction. I discussed your case with a number of people; several of whom know you well and displayed a keen personal interest; namely, Cal Smith, the authority in Paul’s office on retirements & Jack Suman, authority in the same field for AGF. I am told that Eisenhower has taken a personal interest in an identical case, the Cg of local Gables Hospital; Beck, I believe. The Chief has been told that he cannot legally retire him as a B.G.” General of the Army Dwight S. Eisenhower served as Chief of Staff of the Army from November 19, 1945 to February 6, 1948.<br /><br />McAuliffe continues, “Cal Smith testified yesterday on the Army list to retire all in their highest wartime grades. He thinks it is a cinch to pass. The Navy already has it. Your case had been acted on before I got back to the office on May 6th. However, if there is any way to get around that Sec. 7, people here would like to know it, as they have several deserving cases. If you have a suggestion, please write me again. I know the whole crowd here and all are most sympathetic and sincerely desirous of finding a solution. Will return your papers, which I left at home. Helen & Pat join me in love to you all. Yours, Tony.” Chandler retired in 1947.<br />

      [Bookseller: University Archives]
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        Les meutes et vénerie : pour le cerf, pour le sanglier, pour le chevreuil, pour le lièvre

      Edition établie pour la Librairie J. Thiébaud, par Plume & Presse, 1947-1948. 4 volumes in-4, en feuilles sous couverture imprimée et rempliée, sous deux chemises et étui simili velin. Premier volume : 1ère partie 164 p., 2è partie 181 p. - second volume : 1ère partie : 159 p., 2è partie : 164 p. Ex-libris. Tirage limité à 300 exemplaires numérotés sur vélin Lana. Bel exemplaire. Très belle édition, illustrée par F. Allain de planches h.-texte gravées sur cuivre, de lettrines, bandeaux et culs-de-lampe. Mouchon, 1181-1182. broché Bon étatDeCollection

      [Bookseller: Livres Anciens Lucas Philippe]
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        MAURIENNE, Numéroté

      Didier & Richard, Grenoble 1947 - MAURIENNE NUMEROTE par Joanny DREVET et Henri MENABREA, éd. Didier & Richard, Grenoble, ca 1947, volume grand in-quarto (39 cm par 29 cm), en feuillets sous chemise rempliée, numéroté n° 50 : exemplaire sur B. F. K. de Rives, complet de ses 20 eaux fortes et 20 dessins, état : l&#146;ouvrage est recouvert de plastique transparent non collant, l&#146;ensemble est en très bon état [Attributes: First Edition; Soft Cover]

      [Bookseller: Page8]
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        Le Selve

      MILANO: GARZANTI EDITORE, 1947. Brossura. BUONO. 11 16. Collezione Romana USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        The Pearl

      New York: The Viking Press 1947 - 8vo., brown cloth lettered in gilt with black cover illustration; first state dust jacket, slightly rubbed. First edition, first printing. A handsome copy graced with black-and-white drawings by Jose Clemente Orozco. [Attributes: First Edition; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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        Neve a Clavière (1947)

      Olio/cartone, cm 50x64 olio su cartone. Opera firmata e intitolata al retro. Autentica di Enrico Paulucci in data 8/1/1980 Già Galleria e Libreria d'Arte La Bussola, Torino (etichetta al retro), 1947. . Carlo Levi (Torino, 29 novembre 1902 – Roma, 4 gennaio 1975) è stato uno scrittore, pittore, politico e antifascista italiano, tra i più significativi narratori del Novecento. La profonda amicizia e l'assidua frequentazione di Felice Casorati orientano la prima attività artistica del giovane Levi, con le opere pittoriche Ritratto del padre (1923) e il levigato nudo di Arcadia, con il quale partecipa alla Biennale di Venezia del 1924. Dopo altri soggiorni a Parigi, dove aveva mantenuto uno studio, la sua pittura, influenzata dalla Scuola di Parigi, subisce un ulteriore cambiamento stilistico, proseguito poi con la conoscenza, tra il 1929 e il 1930, di Modigliani. Con il sostegno di Edoardo Persico e Lionello Venturi, alla fine del 1928 prende parte al movimento pittorico cosiddetto dei sei pittori di Torino, insieme a Gigi Chessa, Nicola Galante, Francesco Menzio, Enrico Paulucci e Jessie Boswell, che lo porterà a esporre in diverse città in Italia e anche in Europa (Genova, Milano, Roma, Londra, Parigi). Levi, per una precisa posizione culturale coerente con le sue idee, considerava espressione di libertà la pittura, in contrapposizione non solo formale, ma anche sostanziale alla retorica dell'arte ufficiale, secondo lui sempre più sottomessa al conformismo del regime fascista e al modernismo ipocrita del movimento futurista..

      [Bookseller: Libreria Antiquaria Pregliasco]
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      Ealing Studios, London 1947 - Large format paperback programme produced by Ealing Studios to accompany the 1947 film starring Cedric Hardwicke, Stanley Holloway et al, colourfully illustrated by Ardizzone to the whole of the cover and throughout. Some foxing and much discolouration to covers. 16pp colour illustrations B&W photographs. Pages browned at edges and have some foxing. Corners are a little dog-eared and covers are scuffed at edges. No inscriptions. Chapters: Nicholas and His Critics by Oliver Hunkin, list of Cast, The Story (brief synopsis), The Making of the Film, Leading Players in a Famous Cast, and The Men Behind The Film. Size: 10.75"/8.5" [Attributes: Soft Cover]

      [Bookseller: Michaelsbookshop]
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        William Douglas

      May 22, 1947. Autograph Letter Signed “Bill” as Associate Justice of the Supreme Court, on both sides of a Supreme Court card, 4.25” x 3.5”. Washington, D.C., May 22, 1947. Light paper clip mark and slight smudge on one word. With original postmarked Supreme Court envelope, 4.5” x 3.5”, torn open at top, addressed by Douglas to “Barnet Nover, Esq / Washington Post / Wash DC.” Fine condition.<br /><br />In full, <I>“Dear Barney, That was another magnificent piece you wrote the other day – on the D.P s of Europe. It’s the best statement and analysis of the problem I have seen. What we forget is that a policy of inaction can be as vicious and destructive as any of Hitler’s well-laid plans. Our innocence can do great damage.”</I><br /><br />From 1936-1947, Barnet Nover (1899-1974) was a columnist and an editorial writer for “The Washington Post,” becoming Washington bureau chief of “The Denver Post” in 1947, a position he held until his retirement in 1971.<br /><br />Included is a photocopy of Barnet Nover’s “Human Challenge” column from the May 20, 1947, edition of “The Washington Post,” titled “The United States And the DP’s.”<br /><br />In part, <I>“In displaced persons’ camps in Germany, Austria and Italy are approximately 900,000 men, women and children who, two years after the war, still await their liberation. For those unfortunates the war goes on. To them VE-Day represents the bitter memory of a terrible deception. The Allied victory in Europe was followed in a relatively short time by the fleeing from German captivity of many millions of Frenchmen, Russians, Belgians, Dutchmen, Norwegians, Poles and others who, during the years of Hitler’s domination of Europe, had been made slaves of the Nazi war machine … the 900,000 still left in DP camps represent the hard core of what, in the jargon of Military Government, are called the non-repatriables. They are the individuals who have no homes to go to, no country they can call their own.”</I><br /><br />Nover continued, <I>“About 20 per cent of the 900,000 are Jews, the surviving remnant who managed to surmount the tortures of the Gestapo and escape the crematoriums of Himmler’s SS. The one burning desire of most of them is to escape from the charnel house of Europe, preferably to Palestine. Of the remaining 80 per cent, the great majority are Poles and Balts – the Lithuanians, Estonians, Latvians – who, for understandable reasons have resisted every effort to get them to go back to their native lands. The United States, for the soundest of humanitarian reasons has supported their refusal to be repatriated. There can be little doubt that repatriation in many cases would mean death or at least imprisonment … Until June 30, the DP’s are, in effect, the wards of the armies of occupation and of UNRRA. On that day UNRRA passes out of the picture and is to be replaced by the International Refugee Organization which was set up at the last regular meeting of the United Nations General Assembly.<br /><br />“I.R.O. will not actually come into being and begin to function unless and until … funds have been appropriated by the members,” wrote Nover. “This means, in effect, that the I.R.O. will remain a paper organization until the United States has agreed to pay its share - $73,500,000 – which, incidentally, is just over half the sum we are spending annually for the maintenance and provisioning of the camps in our zones in Germany and Austria. Purely on practical grounds of economy, therefore, it is of the utmost importance that Congress act speedily to vote the necessary appropriations. Once it has done that, however, it cannot rest on its oars, comforted in the happy feeling that once again the United States has demonstrated its humanitarian concern with less fortunate individuals … The permanent solution must be to find new homes for the displaced…<br /><br />“There is a bill now before the House ... introduced by Representative William G. Stratton, Republican member from Illinois … Mr. Stratton would authorize the admission into the United States, outside the quota, of 400,000 displaced people over the next four years. Certainly a nation of 140 million can afford to provide a haven for so tiny an addition to American population …”</I><br /><br />Nover concluded, <I>“The enactment of the Stratton bill is the very least we can do to help solve a problem whose existence is a blot on our vaunted civilization. Failure to take constructive action on the DP problem will subject the United States to the charge that our professions of democracy and humanitarianism are the veriest mockery.”</I><br />

      [Bookseller: University Archives]
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        IL VANGELO: secondo MATTEO nella versione di Nicola Lisi. - MARCO nella versione di Corrado Alvaro. - LUCA nella versione di Diego Valeri. - GIOVANNI nella versione di Massimo Bontempelli, Litografie di FELICE CASORATI. Venezia, Neri Pozza editore, 1947

      Neri Pozza, 1947. in-folio, fogli sciolti sotto copertina d'editore cartoncino figurato, pp.264. con 4 magnifiche litografie fuori testo a piena pagina di Felice Casorati. Precedono: un Saggio di Don Giuseppe De Luca e le Note di Don Enrico Bartoletti. Accurata edizione impressa in 1025 esemplari su carta avorio della cartiea Favini di Bassano. Il presente è il n.463, in perfetto stato, entro cartella editoriale in cartone.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        The Junks and Sampans of the Yangtze.

      Shanghai: Statistical Department of the Inspectorate General of Customs,, 1947-8. A Study in Chinese Nautical Research. Two volumes, quarto. Original green cloth, diagonal ribbed patterning to cloth varies between volumes as called for, gilt titles to spines and front covers. Photographic frontispiece to each volume, 2 maps, 199 plates some of which are folding, 32 illustrations in the text. Ownership inscription in pencil to front free endpapers dated October 1949. Head and foot of spines slightly bumped, slight crease to front cover of volume II, slight marking and dent to rear cover of volume II, endpapers slightly browned. A very good set. First edition, first impression. Worcester had spent many years as a river inspector for Chinese Maritime Customs; he used his experience to produce these two profusely illustrated volumes, the definitive study of Chinese river craft, alongside offering observations on the culture and customs of Chinese boatman.

      [Bookseller: Peter Harrington]
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        Three Academic Pieces: The Realm of Resemblance, Someone Puts a Pineapple Together, Of Ideal Time and Choice (Signed First Edition)

      Cummington, MA: The Cummington Press, 1947. One of 52 copies (of which this Roman numeral XXII) Signed by the author at the rear. Fine condition. Hand-colored paper-covered boards, cloth spine with titles in blue, and hand-colored woodcut initials by Wightman Williams. Originally read at Harvard University in 1947, this volume represents a continuation of Stevens' constant theme of connecting imagination and reality. A lovely example of the smallest limitation of this edition. Housed in a custom clamshell box. Edelstein A12. Fine. Fine

      [Bookseller: Whitmore Rare Books]
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        Norges Krig 1940-1945 Volumes 1-3

      Oslo, Norway: Gyldendal Norsk Forlag, 1947. First Edition . Hardcover. Very Good. Size=7"x10. 100's of B/W Photos, Few Map. (full book description) Gyldendal Norsk Forlag, Oslo, Norway, 1947. 1st Edition VG+, Hard Cover, No Dust Jacket. Size=7"x10", 2388pgs(Index). 100's of B/W Photos, Few Map. NORWEGIAN TEXTS. Brown leather spines (with 4 raised ribs) and fore-edge corners, decorated boards and endpapers. Volume 1 has slight board and leather wear at bottom edge, fore-edge corner, ink gift note on Half Title Page and in VG- condition. Volumes 2 & 3 are clean, bright and tight. No ink names, tears, chips, foxing, etc. and in Fine condition. All 3 text blocks in Fine Like New condition. SELLING WORLDWIDE SINCE 1987. WE PACK WITH GREAT CARE, 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES!

      [Bookseller: Ed Conroy Bookseller]
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        The Masquerade

      Book Supply Company, 1947. First Edition. Hardcover. Very Good/Very Good. Signed. Very Good in a Very Good jacket. First Edition. Signed by Oscar Micheaux on the half-title page. Edges of text block show the typical age-toning. Jacket shows the typical darkening and mild spotting. A quite presentable copy. Photos available upon request.

      [Bookseller: Empire Books]
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        Lazzarino di Tormes.

      Istituto d'Arte di Urbino,, Urbino, 1947 - Cm. 26, pp. 93 (3). Con testate e 7 belle tavole f.t. a colori di Remo Brindisi. Leg. originale in cartoncino con titoli impressi a colori al piatto anteriore. Perfetta conservazione, in stato di nuovo. Edizione a titratura limitata di 150 esemplari numerati (ns. n. 110) impresso su carta distinta

      [Bookseller: Studio Bibliografico Benacense]
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        Industry and Switching Zone Map of Oakland, Alameda, and Berkeley, California.

      San Francisco, Calif.: Southern Pacific Company, revised 1949. 1947 - Map. Blueline print on vellum. 35 x 78 inches. With multicolor lines indicating switching zones. Map from San Francisco Bay to San Leandro, and North Berkeley to Alameda and Oakland Airport. Index of Industries with approximately 600 entries. Scale: 1 inch = 1000 feet.

      [Bookseller: Wittenborn Art Books]
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        The Harder They Fall

      NY:: Random House,. Very Good in Very Good dust jacket. 1947. Hardcover. B000NUSSPG . A novel. The author's second book. The basis for the 1956 film starring Humphrey Bogart and Rod Steiger. Stated first printing. SIGNED by the author. Very good in a very good (minor edge wear at the spine ends and corners, age toning) dust jacket. ; 343 pages; Signed by Author .

      [Bookseller: Grendel Books, ABAA/ILAB]
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        Eigenhändiger Brief mit Unterschrift an Otto Basil.

      Ohne Ort, eigenhändig datiert 1947. - 1 S. mit 11 Zeilen. Eigenhändiger Brief mit Unterschrift "Doderer" und Datum "10.IX.47" von Heimito von Doderer an Otto Basil. - ". nach zwei ländlichen Monaten gedenke ich am 15. September wieder nach Wien zurückzukehren . mir die Correcturen der großen Besprechung von Gütersloh`s `Sagenhafter Figur` . zu senden". Anfangsinitiale, eine weitere Initiale und Datum in Rot. Bläuliches Briefpapier etw. gebräunt. Knickfalte. *** /// *** Copyright: Matthaeus Truppe - Stubenberggasse 7 - A-8010 Graz - +43 316 829552 *** /// *** Sprache: Deutsch Gewicht in Gramm: 0 [Attributes: Signed Copy]

      [Bookseller: Matthaeus Truppe Antiquariat]
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        Letters to Malaya: Written from England to Alexander Nowell M.C.S. of Ipoh. Part I & II (1947), Part III & IV (1946), Part V (1946)

      London: Putnam, 1947. Near Fine/Very Good. The first volume is a first edition, the other two are reprints. Five parts in three volumes. Octavo. 62; 94; 78pp. Each volume is very near fine or better in near fine dustwrapper. Volume Three has a wraparound band noting that it was chosen for the Heinemann Award. Volume Two won the 1943 Hawthornden Prize. Each volume has the bookplate of Marie C.C. Stopes on the front pastedown. Stopes was a British author, birth control advocate, and campaigner for women's rights.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Sauk City, Wis: Arkham House, 1947. First edition. Octavo. Hardcover in dust jacket. Bradbury's first book. Dust jacket designed by George Barrows. VG/VG-. Interior age-toned, with some foxing to endpapers. Boards rubbed at extremities. Binding tight. Jacket rubbed, with chipping to corners, and two large chips at spine ends. Shelve in Case #2. Dupont.

      [Bookseller: Second Story Books ]
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        C. Brancusi: Atteindre un Nouveau Plan de la Réalité

      Bucarest: Standard Graphica Marvan, 1947. Plates and folder in fine condition, photo-illustrated portfolio close to near fine with a little loss at the spine heel (and a small, inoffensive repair). Excellent copy of a rare book devoted to the ethereal photography of Constantin Brancusi. OCLC locates eight copies, but this is the first one I have handled.. First Edition. Tall quarto. Loose plates in folder, housed in portfolio. Of 275 total copies, this is one of 150 unnumbered copies, as issued. With 27 photographs by Brancusi, described as clichés zincographiques in the colophon, interspersed with various texts.

      [Bookseller: Harper's Books, Inc.]
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        Knizhka malyshke [A little book for a little kid]

      München-Schleissheim: Zlatoust (Russkoe Zarubezhnoe Izdatel'stvo), 1947. Oblong octavo (20.5 × 14 cm). Original pictorial wrappers; 40 pp. Publisher's device to rear wrapper and numerous small black-and-white drawings throughout. About very good; some rust to staples and light wear to spine extremities. Rare anthology of Russian children's verse published by this publishing house of the Russian "displaced persons" (DP) camp Schleissheim, in the American occupied zone of Germany. Both the editor of the book, A. Kudriavtseva, and the illustrator, Robert Shlykevich, were likely displaced persons (nothing is known about them). The book consists of poems by a range of Russian authors, including Agniia Barto, who went on to win the Stalin Prize in 1949 for her work. Others represented in the book include: the nineteenth-century poet K. A. Peterson; Korney Chukovsky, a popular children's writer; and Sasha Chernyi, a Silver Age poet, children's author, and satirist, who emigrated after the Russian Revolution. Interestingly, in some instances the poems vary slightly from other versions of the well-known verse. For example, in Barto's "Snegir'" (1939) the first line is changed from "on the Arbat" (the famous boulevard in Moscow) to the more generic "on the prospect". The DP publisher Zlatoust was founded in 1946 and had anti-communist leanings; it published political works as well as children's literature, translations, high liter- ature and more popular books such as detective novels. Rare, with no copies in KVK, OCLC; not at the Russian State or National Library.

      [Bookseller: Penka Rare Books, ILAB]
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        PLATERO Y YO.

      - Editorial Gustavo Gili, Barcelona, 1947. Estado de conservación: Buena. Ilustrado con litografias de José Mompou.De la coleccion " La Cometa". Se ha hecho de este libro un tiraje de 200 ejemplares numerados, siendo el nuestro, el nº. 184, en papel de hilo Guarro. Encuadernacion original, en rustica, lomo pergamino, y las hojas en pliegos, todo ello con su estuche ( petaca). Size: 31 X 24.

      [Bookseller: Reus, Paris, Londres]
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      Zurich: Amstutz, Herdeg & Co, 1947. Second edition. Folio-size portfolio volume, with eight facsimile reproductions in 13-color photochrome. Introduction by Lin Tsiu-Sen. "This work was awarded a prize at the 1944 Swiss Book Exhibition for the artistic excellence of its production." Portfolio somewhat soiled and heavily scratched, particularly on rear board; one of the fastenings is broken; internally clean. Lacks slipcase. Good solid copy. NOTE: This oversize volume will incur extra shipping costs. LO Consignment. Shelved above case 0. Dupont.

      [Bookseller: Second Story Books]
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      HACHETTE, 1947. Francese 0,21 Rilegatura editoriale cartonata, scolorita e con usura ai bordi, punte leggermente piegate, sovraccoperta illustrata, brunita, con strappetti ed alcune mancanze ai bordi, pagine brunite da fattore tempo, con lieve fioritura ed illustrazioni in nero nei testi a cura di Henri Faivre USATO

      [Bookseller: Biblioteca di Babele]
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      GIUSEPPE PRINCIPATO, 1947. ITALIANO 0,55 Nuova versione italiana a cura di Mario Casalino, brossura editoriale illustrata, ingiallita, con sottile fioritura e strappetti ai bordi, pagine lievemente ingiallite, con fioriture sparse ed alcune gore, numerose illustrazioni in nero nei testi USATO

      [Bookseller: Biblioteca di Babele]
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      New York: Works Publishing Co., 1947. Eleventh printing of the first edition, June, 1947. Dark blue cloth with blind-stamped title on front, gilt lettering on spine. Edges and endpapers foxed, otherwise clean. Tight and unworn. In the original dustjacket, worn and stained, still quite bright. . Hardcover. Very Good/Fair.

      [Bookseller: Warren Berry]
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      New York: Harcourt, Brace and Company, 1947. Cloth. Cloth a bit flecked at edges, some foxing to endsheets and edges, some occasional dark marginal spotting to early leaves, but a sound copy in heavily worn dust jacket. First Harcourt edition, the text reset from Welty's copy of the British edition. Appropriately inscribed by Welty on the front free endsheet to Lambert Davis of Harcourt: "For Lambert Davis with pleasure & pride in the new dress - Eudora Welty April, 1947." Davis, previously the editor of THE VIRGINIA QUARTERLY (1937-8), served as one of Welty's editors until he left Harcourt in 1948 to head the University of North Carolina Press. He retired in 1970. This new edition was undertaken at his instigation. Review copies of this new edition were sent out on 14 April, formal publication took place on 1 May, and the first printing consisted of 2500 copies. Porter's Introduction was reprinted in this edition, although not noted on the title-page. POLK A2:3.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Gentleman's Agreement

      New York: Simon & Schuster, 1947 - First Edition. Cloth frayed and soiled; only good, but an association copy, inscribed to her editior, Peter Schwed, "To Peter - who wouldn't take Ôno' for an answer. Gratefully, Laura Z. Hobson." Made into a film of the same title which was directed by Elia Kazan and starred the not very Jewish-looking Gregory Peck, which was, of course, the point. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        [Stock catalogues, numbered series: 40-41 § 42, 42 (Supplément) § 43-75 § 76, 76 (Supplément) § 77-93 [Stock catalogues, hors série] Notices de livres rares, anciens et modernes, de diverses valeurs, proposés en automne 1980

      Paris, Pierre Berès, 1947-2005. Fifty-six volumes (26 cm), as issued, in the publisher's bindings. - An unbroken run 1947-2005 of the principal series of catalogues issued by Pierre Berès (a lesser series of 112 "Bulletins" was published May 1958-December 1967; and three "Circulaires" were distributed in 1954). For publication dates and other details, see Dominique Coq, Bibliographie exhaustive des catalogues Pierre Berès (Paris 2006). Offered with one stock catalogue, hors série (1980). ¶ Good, unmarked copies. ● Catalogue 42 (Supplément), Catalogue 85, and the catalogue hors série are inadvertently omitted from our photograph. [Stock catalogues, numbered series: 40] Beaux livres des XVIIème & XVIIIème siècles;(26 cm), 160 pp., colour frontispiece, illustrations. 351 items; priced. Publisher's printed wrappers.[Stock catalogues, numbered series: 41] Livres anciens des XVème au XVIIIème siècles;(26 cm), 176 pp., frontispiece, illustrations. 661 items; priced. Publisher's wrappers. ¶ Retaining fragment of original glassine wrapper.[Stock catalogues, numbered series: 42] Livres romantiques et modernes § Supplément : Livres illustrés, éditions originales;Two volumes (26 cm), I: 108 pp., frontispiece, illustrations. 507 items; priced. II: 62 pp. Items 508-1130. Publisher's wrappers. - For the supplement, see Domnique Coq, Bibliographie exhaustive des catalogues Pierre Berès (Paris 2006), p.4. ¶ Spine of Supplément damaged.[Stock catalogues, numbered series: 43] Livres d'histoire, provenant principalement de la bibliothèque du [Robert de Orléans] duc de Chartres;(26 cm), 176 pp., frontispiece, illustrations. 1250 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 44] Livres anciens des dix-septièmes et dix-huitième siècles, provenant principalement de la bibliothèque du [Robert de Orléans] duc de Chartres;(26 cm), 84 pp., illustrations. 320 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 45] Bibliographie [other title:] Manuscrits - typographie - illustration - héraldique - paléographie - catalogues - sciences - littérature;(26 cm), 58 pp. 343 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 46] Beaux-arts [other title:] Peinture - sculpture - gravure - dessin - musique - théâtre - cinéma - danse - architecture - ornements;(26 cm), 70 pp., illustrations. 747 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 47] Livres romantiques et modernes [other title:] Éditions originales d'auteurs des XIXe et XXe siècles, la plupart en exemplaires choisis tirés sur grand papiers, portant des dédicaces intéressantes ou revêtus de très belles reliures;(26 cm), 96 pp., illustrations. 711 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 48] Beaux livres anciens [other title:] Manuscrits à miniatures, gothiques, classiques français, livres illustrés, livres à provenances, ornements, architecture, suites de gravures, livres espagnols, typographie, mémoires;(26 cm), 100 pp., illustrations. 312 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 49] Livres français des quinzième et seizième siècles;(26 cm), 118 pp., illustrations. 260 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 50] Autographes anciens & modernes;(26 cm), 135 pp., illustrations. 635 items. Publisher's wrappers. ¶ Wrapper worn across the back.[Stock catalogues, numbered series: 51] Livres italiens des quinzième et seizième siècles, xylographies;(26 cm), 116 pp., illustrations. 273 items; priced. Publisher's wrappers. ¶ Wrapper worn, damaged across the back.[Stock catalogues, numbered series: 52] Choix de livres illustrés par les principaux artistes modernes [other title:] Exemplaires avec suites enrichis de dessins originaux et revêtus de reliures décorées;(26 cm), 83 pp., illustrations. 166 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 53] Livres romantiques et modernes [other title:] Éditions originales d'auteurs des XIXe et XXe siècles tirées sur grands papiers et portant des dédicaces intéressantes, Manuscrits originaux, oeuvres complètes, Traductions;(26 cm), 85 pp., illustrations. 445 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 54] Beaux livres des XVIIème & XVIIIème siècles;(26 cm), 116 pp., illustrations. 307 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 55] Livres rares des quinzième et seizième siècles;(26 cm), 54 pp., illustrations. 110 items; priced. Publisher's wrappers. ¶ Wrapper worn across the back.[Stock catalogues, numbered series: 56] Ecrivains des XIXème et XXème siècles, éditions originales, manuscrits & lettres autographes;(26 cm), 180 pp., illustrations. 691 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 57] Livres et manuscrits, XIII-XVI siècles;(26 cm), 248 pp., illustrations. 345 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 58] Livres anciens et modernes [other title:] Littérature française, classiques, livres illustrés, voyages, sciences naturelles, histoire;(26 cm), 126 pp., illustrations. 596 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 59] Beaux livres XVIIe-XVIIIe siècles;(26 cm), 180 pp., 119 illustrations. 272 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 60] Manuscrits et livres du quatorzième au seizième siècle;(26 cm), 187 pp., illustrations. 165 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 61] Littérature française [other title:] Auteurs des XIX et XX siècles, premières éditions, manuscrits, lettres et portraits;(26 cm), 171 pp., 107 illustrations. 497 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 62] Autographes et documents évocateurs de cinq siècles d'histoire;(26 cm), 78 pp., 108 illustrations. 220 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 63] Ouvrages de lecture en éditions agréables, utiles ou excellentes;(26 cm), 152 pp., illustrations. 650 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 64] 350 livres illustrés, illustratifs ou illustres du dix-septième au dix-neuvième siècle;(26 cm), 290 pp., illustrations. 350 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 65] Premières éditions 1803-1973, signes insignes;(26 cm), 108 pp., illustrations. 544 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 66] Manuscrits & enluminures du onzième au dix-huitième siècle [other title:] France, Italie, Allemagne, Espagne, Flandres, Arménie, Éthiopie;(26 cm), 111 pp., 38 illustrations. 49 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 67] Un groupe de livres Pillone;(26 cm), 78 pp., 38 illustrations. 46 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 68] Livres du dix-neuvième siècle [other title:] Editions originales, livres illustrés, albums et suites de gravures, livres avec dessins originaux, reliures mosaïquées et décorées, manuscrits autographes, livres d'enfants, histoire naturelle, littérature, histoire, voyages, costumes; provenant, pour la plupart, de collections célèbres: Duchesse de Berry, Duc d'Orléans, Duc de Chartres, Robert Hoe, Descamps-Scrive, Beraldi, etc.;(26 cm), 196 pp., 98 illustrations. 384 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 69] Dix-septième siècle : Romans, poésies, etc [other title:] Entrées, livres de fêtes, recueils d'ornementation, livres scientifiques, etc. Livre de thèmes latins du jeune roi Louis XIV; livres annotés par Bossuet et autres livres ayant appartenu à des personnages célèbres. Une des trois reliures signées de Florimond Badier et quelques autres reliures remarquables. Provenant, pour la plupart, des collections de Fréderic Lachèvre et du général Willems, ou des collections de personnages et bibliophiles fameux du dix-septième au vingtième siècle;(26 cm), 278 pp., 250 illustrations. 514 items; priced. Publisher's printed wrappers. - Issued "A la mémoire de Georges Heilbrun, grand libraire." Contains books from the libraries of Frédéric Lachèvre (1855-1943) and Alphonse Willems (1839-1912), the bibliographer of the Elzevier press. The dedication copy of Lemaistre Les Plaidoyez (1657) bound for Nicolas II Pompone de Bellièvre by Florimond Badier was bought by Paul Getty. Noticed in The Book Collector, Winter 1977, pp.571-575.[Stock catalogues, numbered series: 70] Éditions originales, reliures, autographes;(26 cm), 200 pp., 200 illustrations. 925 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 71] Pays-bas anciens;(26 cm), 258 pp., 213 illustrations. 261 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 72] Livres illustrés, dessins and estampes;(26 cm), 310 pp., 91 illustrations. 314 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 73] Beaux livres du dix-septième au dix-neuvième siècle [other title:] Beaux livres et dessins du dix-septième au dix-neuvième siècle;(26 cm), 232 pp., 90 illustrations. 432 items. Publisher's wrappers. ¶ Binding cracking down spine.[Stock catalogues, numbered series: 74] Livres précieux des XVIe et XVIIe siècles;(26 cm), 180 pp., illustrations. 161 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 75] Bibliothèques littéraires du romantisme à nos jours;(26 cm), 256 pp., illustrations. 859 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 76] Dix-neuvième siècle : essais, études, art [other title:] Livres illustrés, reliures, collections d'œuvres, mémoires, botanique, chasse, histoire naturelle, Napoleonica, topographie, voyages, etc.;(26 cm), 158 pp., illustrations. 370 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 76, Supplément] Dix-neuvième siècle, art et illustration;(26 cm), 36 pp., illustrations. 39 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 77] Livres à figures des XV and XVI siècles;(26 cm), 208 pp., 140 illustrations. 106 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 78] Livres illustrés modernes et contemporains;(26 cm), 136 pp., 119 illustrations. 194 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 79] Belles-lettres au temps des Lumières;(26 cm), 120 pp., 83 illustrations. 150 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 80] Impressions italiennes des XVe et XVIe siècles;(26 cm), 86 pp., 300 illustrations. 136 items; priced. Publisher's wrappers. Publisher's wrappers.[Stock catalogues, numbered series: 81] Passionnément littéraires : romantiques, naturalistes et autres;(26 cm), 119 pp., 56 illustrations. 260 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 82] Nourritures;(26 cm), 101 pp., 75 illustrations. 136 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 83] L'art de la chasse et le métier de la guerre;(26 cm), 76 pp., 41 illustrations. 100 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 84] Livres badins, érudits, curieux, dévots, libidineux, etc.;(26 cm), 256 pp., 111 illustrations. 904 items; priced. Publisher's wrappers. - Noticed in The Book Collector, Winter 1994, pp.565-566.[Stock catalogues, numbered series: 85] 350 livres et manuscrits des Valois à Henri IV;(26 cm), [392] pp., 300 illustrations (some in colour). 350 items. Price list loosely inserted. Publisher's printed wrappers, pictorial dust jacket. - "Exposition de 350 livres & manuscrits du 19 décembre 1994 au 28 janvier 1995".[Stock catalogues, numbered series: 86] Livres et manuscrits significatifs et choisis, 1470-1895;(26 cm), 200 pp., illustrations. 109 items; priced. Publisher's wrappers. - Noticed in The Book Collector, Spring 1996, p.104.[Stock catalogues, numbered series: 87] Livres modernes et contemporains : Textes, images et reliures;(26 cm), 136 pp., illustrations. 209 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 88] Fragments d'histoire;(26 cm), 280 pp., illustrations. 650 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 89] Vingtième siècle [other title:] Livres d'écrivains français et de quelques-uns de leurs émules et amis d'ailleurs;(26 cm), 366 pp., illustrations. 1265 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 90] Poésie ancienne de l'Antiquité à la fin du seizième siècle;(26 cm), 200 pp., illustrations. 706 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 91] Poésie ancienne de l'Antiquité à la fin du seizième siècle : Suite;(26 cm), 96 pp., illustrations. 138 items; priced. Publisher's wrappers. - Early books, from the 1557 Aeschylus to 1590 Tasso; "the clou was the 1526 Homer in modern Greek in an original alla greca binding" (notice in The Book Collector, Winter 2000, p.559).[Stock catalogues, numbered series: 92] Stendhal, Baudelaire, et leurs émules;(26 cm), 408 pp., illustrations. 1131 items; priced. Publisher's wrappers.[Stock catalogues, numbered series: 93] Livres rares : Six siècles de reliures;(26 cm), 316 pp., illustrations. 283 items; priced. Publisher's wrappers. - "This is not just a catalogue; it is a fundamental work of reference for all students of bookbinding. Buy it now. It will only get more expensive" (from a notice in The Book Collector, Spring 2005, pp.97-98). ¶ Few pencil annotations; binding cracking down spine.[Stock catalogues, hors-série] Notices de livres rares, anciens et modernes, de diverses valeurs, proposés en automne 1980;(26 cm), [240] pp., illustrations. [1200] items; priced. Publisher's wrappers.

      [Bookseller: Robin Halwas | Rare Books]
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        Fairmount High School Black and Gold Yearbook, 1947

      Fairmount High School, Fairmount, IN 1947 - Black cloth binding rubbed at extremities; outer leaves foxed & smudged, else a very sturdy, tight & clean yearbook. ; Many b&w photo ils.; includes 7th grade through senior class photos & rosters; INCLUDES PHOTOS OF JAMES (JIM/JIMMY) DEAN in Sophomore, F Club & Basketball photo sections, and listed on Sophomore Plays roster. (see photos); 4to; 85 pages [Attributes: Hard Cover]

      [Bookseller: Hyde Brothers, Booksellers]
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      Henry Hold and Company (1947), New York - Preface by Allen Tate. Elizabeth Bishop's copy SIGNED by her on the front endpaper. In a letter to Robert Lowell dated 27 June 1950 Bishop writes of THIS book: "I spent most of the weekend reading Samuel Greenberg--have you? I got so mad at the introductions, particularly Tate's--and if you haven't read the poems I recommend them highly. He was certainly one of the finest poetic characters I know anything about, and phrases are magnificent--and no critic has ever apparently appreciated either at their real value" (ONE ART: ELIZABETH BISHOP'S LETTERS, p. 204). In another letter to Robert Lowell dated August 1950, Bishop writes: "I'm reading The 'Green Huntsman' and it's marvelous--also just finished Samuel Greenberg and Isaac Rosenberg who have many strange points in common" (WORDS IN AIR: THE COMPLETE CORRESPONDENCE OF ELIZABETH BISHOP AND ROBERT LOWELL). Clearly even two months later this book was still in the forefront of Bishop's mind. While we have handled several copies of Bishop's books signed by her as well as correspondence, this is the first book from the poet's library that we have encountered. It appears, also, to be a book that had some influence on Bishop's development as a poet. Greenberg was also a huge influence on the poet Hart Crane, who first read Greenberg in manuscript. Crane was so taken by Greenberg, he lifted entire lines for his own poems. The cloth was damaged by water at some point with the result that it is discolored. There is only slight water damage to the dustwrapper. Still Very Good in a Very Good dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Amsterdam, Stad van Rembrandt - 1946, Reguliersgracht.

      1947. Original photograph, silver print, 30,4 x 23,7 cm. Singned on reverse. KEYWORDS:photo/netherlands/amsterdam

      [Bookseller: Krul Antiquarian Books]
 32.   Check availability:     Biblio     Link/Print  

        INTO THE NIGHT LIFE. (Inscribed and signed by Henry Miller and Bezalel "Lilik" Schatz).

      [Berkeley: Henry Miller & Bezalel Schatz, 1947]. Large quarto (14.5 x 12 inches), [86] pp., text (reproducing Henry Miller's cursive hand) and color illustrations by Bezalel Schatz are reproduced in serigraph (silkscreen); bound in blue cloth with silkscreen decoration and red felt patch on front board, spine lettered in black, slipcase. The concept for this production was that of Palestinian artist Bezalel (Lilik) Schatz who, desiring to produce enlisted Henry Miller as textual collaborator. The text used is from Miller's "Black Spring." The book was printed entirely by Bezalel Schatz at his Berkeley home/studio over a period of 16 months. 800 copies were printed, but according to Shifreen & Jackson's Bibliography of Henry Miller "somewhat less than 200 copies" were bound up for sale in 1947. From the stored first edition sheets and binding materials, approximately 20-25 copies were issued in 1971 and another 190 were issued in 1977, while "Approximately 400 of the original 600 sets of sheets stored in Miller's closet were destroyed by 'worms' [also described by Miller as 'rats and fungus'." The 1977 copies were essentially those that could be salvaged and most exhibit small wormholes "on approximately 20% of the pages." Again referring to Shifreen & Jackson, among other points of identification, the primary difference between the first issue and the later ones is the absence of spine title lettering on the 2 later issues. Issued copies were signed and numbered in the colophon and S & J note that first issue copies have been seen "numbered through at least copy No. 164 . . ." The bibliographers make no statement concerning the numbering of the second issue, but the third issue copies were "numbered in the low 200's to the upper 300's." Which brings us to speculate that our copy - bearing all the first issue points but numbered in the colophon "This is copy #800" when coupled with Henry Miller's cryptic inscription on the front free endpaper: "For Theodore Bernardi who believes that the last shall come first - Bravo! (signed) Henry Miller" - was actually the first copy issued. Bezalel Schatz has also inscribed to the SF Bay Area architect and lecturer at UCB Theodore Bernardi (1903-1990): "For Theodore, a wonderful man and great architect, with warm friendship. Lilik, Berkeley." Shifreen & Jackson A60a. Slight fading to spine, rubbing to spine foot, slipcase recovered in style of original materials.

      [Bookseller: Chanticleer Books, ABAA]
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        Oda Takeo in Niigata

      Original b.-w. print measuring 13x17,5cm, from the Gakugei Shoka Series [Scholars, Artists, & Writers] taken in 1947, but later printing. Signed by Hamaya on verso. Ca. 

      [Bookseller: Maggs Bros. Ltd.]
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        Livret de folastries de Pierre de Ronsard à Janot parisien. Edition conforme au texte de 1553.

      Publié aux dépens d'un amateur, 1947 - In-folio, 96 pp + achevé d'imprimé. Quatorze cuivres en couleurs de Jean Berque dont six hors-texte, ont été tirés à la poupée et au repérage sur les presses de La Tradition à Malakoff. No.197/380 exemplaires sur grand vélin de Lana à la forme. Contemporary binding by René Keiffer. Brown and citron pictorial morocco by René Kieffer, with gilt centre-pieces of a nude lady to front and rear covers, spine faded, housed in a marbled board slip-case. [Attributes: First Edition; Hard Cover]

      [Bookseller: Roe and Moore]
 35.   Check availability:     AbeBooks     Link/Print  


      Budapest; Kossuth, 1947. Original Cloth. 8vo. 482, [12] pages. 25 cm. First edition. In Hungarian. 'You are the Witness! From Ukraine to Auschwitz. ' With 12 pages of plates (printed in blue ink) . Includes name register of Hungarian Jewish victims of the holocaust on pages 209-482. Finely bound in buckram with gilt title. Subjects: Holocaust, Jewish (1939-1945) - Registers of dead

      [Bookseller: Dan Wyman Books LLC]
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        On the Interaction Between Neutrons and Electrons

      The Physical Review, [ Lancaster, PA ] 1947 - First Edition. 1139-1146 pages. 7 3/4 x 10 1/2 inches (8vo). Original green printed wrappers. Offprint from The Physical Review, Vol 72, No 12, pp. 1139-1146, December 15, 1947. A touch of fading to the edges, otherwise a fine copy. Wraps. The Nobel Prize in Physics 1938 was awarded to Enrico Fermi "for his demonstrations of the existence of new radioactive elements produced by neutron irradiation, and for his related discovery of nuclear reactions brought about by slow neutrons". (Nobel site)"The possible existence of a potential interaction between neutron and electron has been investigated by examining the asymmetry of thermal neutron scattering from xenon." (abstract) "When the neutron experiments were at the end of their obvious and interesting extension, Leona Marshall and Fermi sat down and discussed the various possible neutron interactions. Mrs. Marshall recalls that her suggestion and urging led to the experiment on neutron-electron interaction (in xenon gas) described in this paper. The result was negative, but with a limit of error smaller than the magnitude of the effect which they estimated from meson theory. They were not aware of the interaction between the Pauli moment and the electric field of the electron, discovered only later by Foldy." (H. L. Anderson in the Collected Papers of Enrico Fermi Vol II)."Leona Woods [Marshall] was 23 in 1942, the only woman present when Enrico Fermi's nuclear pile at the University of Chicago went critical and into the history books. She moved to Hanford in 1944 with her husband, fellow physicist John Marshall. Mrs. Libby was one of the few women scientists in the Manhattan Project and probably the most well known." (Voices of the Manhattan Project). [Attributes: First Edition; Soft Cover]

      [Bookseller: Kuenzig Books ( ABAA / ILAB )]
 37.   Check availability:     AbeBooks     Link/Print  


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