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Displayed below are some selected recent viaLibri matches for books published in 1944

        1944 New York State Women Recital - Original Program

      - A very rare original single sheet program from one of the notoriously awful soprano's private song recitals, given by the New York State Women association on February 4, 1944. The program included "Old English Songs," the "Bell Song" from Lakmé, and "Like a Bird," a song with music by her accompanist Cosme McMoon and words by Jenkins herself. 1 p. One horizontal crease; otherwise in fine condition. 5.5 x 8.5 inches (14 x 21.5 cm).Florence Foster Jenkins, an American girl born in 1868 in Wilkes-Barre, Pennsylvania to a well-to-do family, has become a legend as "the world's worst opera singer."  She made some vanity 78 rpm records for the Mel-o-tone label during World War Two, and in October 1944 hired Carnegie Hall for a recital.  The bad reviews that resulted from that recital were said to break her heart and she died a few weeks later at age 76, but the recordings have kept her name and her art alive.  In recent years there have been several plays about her, and this year there are three full-length movies.  The first, a French comedy-drama titled "Marguerite," was released earlier this year.  A second, produced in Britain and starring Meryl Streep as Jenkins, is being released in the USA in August, 2016, and later this year a German docu-drama starring soprano Joyce di Donato as Jenkins will premiere.  Two different full-length biographies of Jenkins have appeared within the last weeks in England, one by Darryl Bullock and the other by Jasper Rees. However, autograph material and other historical memorabilia of Jenkins is of the utmost rarity.  

      [Bookseller: Schubertiade Music]
 1.   Check availability:     AbeBooks     Link/Print  


        L'espace du dedans

      First collected edition, an advance (service de presse) copy.Elegant half green morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, gilt date at foot, marbled endpapers and pastedowns, covers and spine (sunned) preserved, top edge gilt.Handsome autograph inscription from Henri Michaux to Maurice Blanchot.A very good copy in a perfectly suited binding. Gallimard Paris 1944 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        The Razor's Edge A New Novel

      London: William Heinemann, 1944.. FIRST EDITION. Octavo, pp.[4]; 284. Publisher's blue cloth with gilt titles, in the typographic green dust-jacket. Attractive bookplate to front pastedown, slight rolling to spine ends and corners, some spotting to edges. Dust-jacket shows well with some creasing to the top and bottom of the spine, closed tear along the bottom of the fold between spine and rear panels. Very good.

      [Bookseller: Adrian Harrington Rare Books]
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        Drawing of a Landscape Signed 'E.A.' (Edward, 1900-1979, Artist and Illustrator)

      1944 - in black crayon on brown-pink paper, of farmhouses (one with a well) among trees with hills rising behind, 9¼" x 12½" in window mount 14½" x 17½", no place, no date, circa Besides the children's books he illustrated, Edward Ardizzone was an official British War Artist. From the character of the houses we think this drawing may date from the time he was in Italy towards the end of WWII.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Untitled Abstraction

      1944. In 1944 Rexroth specified on the back of a photo of this painting what is the top and the bottom. He dated it "1926" and noted the colors: "blues, yellows on blue and blue green, white and black circles." The composition uses Mondrian's palette of primaries with black and white, and is a good example of Rexroth's use of solar and lunar polarities (the white and black circles) combined with the magnet form, which also carries the association of musical notation (as in linked eighth notes). Rexroth was particularly interested in music because (like mathematics) its complex interrelationships are recorded in a precise, universal notation. San Francisco Museum of Art label on the back, title given is "Abstraction"; date "in" is "6/29/42". There is a remnant of another label on the back, the little bit of text remaining is illegible Untitled abstract on Masonite (which Rexroth referred to as "Beaver Board"), 12 1/4" wide x 17 3/8" high, ca. 1926, with a double frame (inner frame is glazed and is by Rexroth, outer frame is contemporary and executed to style). Some minor surface abrasion at top-edge (perhaps from the frame), otherwise in fine condition.

      [Bookseller: James S. Jaffe Rare Books LLC ]
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        The Case of the Black-Eyed Blonde

      Morrow, 1944 A very good first edition, second printing in a very good dust jacket.. 2nd Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Very Ordinary Seaman. THE ORIGINAL EDITION IN FULL MOROCCO

      Gollancz, 1944. 8vo., First Edition; handsomely bound in navy blue full morocco, sides with gilt frame border, back with raised bands ruled in gilt, second and fourth compartments lettered and ruled in gilt, all other compartments tooled and ruled in gilt, uncut, a most attractive copy ideal as a gift or for presentation. Fictionalised but accurate account of the author's five months in a destroyer on the Murmansk run. Generally considered one of the finest accounts of life at sea; certainly a minor classic of WWII. A lovely copy of the scarce original edition. Law, 1062.

      [Bookseller: antiquarian bookshop Island Books]
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        FICCIONES

      Editorial Sur 1944 - Primera edicion. Encuadernacion original de editorial. Cubiertas en muy buenas condiciones. Ejemplar para coleccionista. 203 pags. Buenos Aires. [Attributes: First Edition; Soft Cover]

      [Bookseller: Valentin Peremiansky]
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        Situation Normal

      Reynal & Hitchcock, New York 1944 - SIGNED by Arthur Miller on the front free end paper. Octavo, 180 pages. Very Good in a Very Good dust jacket. Soiling to each board and some excess binder's glue to the upper right side of the spine. The dust jacket has some wear at the spine ends, a small tear to the top of the front panel and to the front flap and a chip at the top of the spine. Each flap shows toning to the upper edge. Overall, an attractive copy with the original $2.00 price intact on the front flap. Arthur Miller's debut book, a look at army life. Signed copies are uncommon, especially in a condition this nice. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Le Bookiniste]
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        Printed form letter signed to Emil Hills, with autograph additions.

      1 page. Large octavo, 266 x 184 mm. Dated Los Angeles, October 3, 1944. On printed stationery with watermark "Neenah Glacier Bond Rag Content." In English. Relative to Schoenberg's 70th birthday (September 13, 1944): "For more than a week I tried composing a letter of thanks to those who congratulated me on the occasion of my seventieth birthday... At this age, if one is still capable of giving once in a while a sign of life, everybody might consider this already as a satisfactory accomplishment. I acknowledged this when my piano concerto was premiered and to my astonishment so many were astonished that I still have something to tell..." Signed by Schoenberg, with name of recipient ("Mr. Emil HIlls") and salutation in Schoenberg's autograph. Creased at folds and slightly overall. Together with: A postcard photograph of Schoenberg published by Breitkopf & Härtel reproducing an early portrait. The first performance of Schoenberg's piano concerto, op. 42, took place in New York on February 6, 1944.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        L'AVVENTURA 001-226 SERIE QUASI COMPLETA

      S.E.P.I. - SOCIETA' EDITRICE PERIODICI ILLUSTRATI, 1944. L'AVVENTURA le più belle storie - i migliori disegnatori anno I - nn. 1-18 anno II - nn. 1-33 anno III - nn. 1-48 anno IV - nn. 1-126 Serie quasi completa rilegata in 7 volumi S.E.P.I. - Società Editrice Periodici Illustrati 1944-49 cart. vari formati b/n e a colori Stato di conservazione: OTTIMO! Macchie nel n. 11 del 1946 anno III (è presente però una copia sostitutiva del n. 11 del 1946 non rilegata). L'Avventura esce a Roma dopo due mesi dalla liberazione della città (6 agosto 1946) come ideale continuazione dell'Avventuroso di Nerbini. Presenta Gordon l'intrepido (Flash Gordon) di Don Moore, Alez Raymond e Austin Briggs, Audax (King of the Royal Mounted) di Zane Gray e Jim Gary, Cino e Franco (Tim Tyler's Luck) di Lyman Young, Nat Edson, Clark Haas e Tom Massey, Mandrake di Lee Falk e Phil Davis, Jim della giunga (Jiungle Jim) di Don Moore e John Mayo, Marco Spada (Birck Bradford) di William Ritt e Clarence Gray, L'Uomo Mascherato (The Phantom) di Lee Falk, Ray Moore e Wilson McCoy, Agente Segreto X-9 (Secret Agent X-9) di Mel Graff e Steve Canyon di Milton Caniff. La serie qui proposta è rilegata in 7 volumi: Vol. 1 - 1944-46 I anno I nn. 1-14 Vol. 2 - 1944-46 II anno I nn. 15-18; anno II nn. 1-33 Vol. 3 - 1944-46 III anno III nn. 1-25 Vol. 4 - 1944-46 anno III nn. 26-48 Vol. 5 - 1947 anno IV - nn. 1-50 Vol. 6 - 1948 anno V - nn. 51-102 Vol. 7 - 1949 anno VI - nn. 103-126 Mancano gli ultimi due numeri: 127 e 128

      [Bookseller: Supergulp di Rem Srl]
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        Dantes Hoelle / Deutsch von Benno Geiger

      Halbfranzband mit Lederecken mit 5 falschen Bünden, marmorierter Überzug. Braune Rückenschilder mit Goldtitel, Rücken minimal verblasst und mit minimalen Spuren von [Locheisen?-]Abdrücken. Verblasster Goldschnitt am Kopf. Hss. Vermerk auf Vorsatz "Mailand März 1944". Umschlagteile der Orig.-Broschur sind mit eingebunden. Auf dem Titelblatt verso der Vermerk: "Dreihundert Exemplare dieser Auflage sind auf handgeschöpftem Bütten gedruckt". Buchbinderisches Schmuckstück aus den 40-er Jahren, schön und sauber gemacht. - Es handelt sich nicht um ein Exemplar auf Bütten.

      [Bookseller: antiquariat birk]
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        Proclamation No. 1

      1944. First Edition . EISENHOWER, Dwight D. Proclamation No. 1. Military Government—Germany. Supreme Commander's Area of Control. No place, [1944]. Printed broadside (measures 19-1/2 by 21 inches); matted and framed, entire piece measures 27 by 27 inches. $5000.1944 World War II broadside of Proclamation No. 1, General EisenhowerÂ’s powerful message to the German people announcing the Allied ForcesÂ’ arrival in Germany, their intent to “overthrow Nazi rule, dissolve the Nazi Party andÂ… eradicate that German Militarism which has so often disrupted the peace of the world,” text printed in both German and English.On September 28, 1944, two weeks after U.S. troops cross the Siefried line and entered Germany, Eisenhower issued Proclamation No. 1. This momentous document proclaims a turning point in history with its immortal line: “We come as conquerors, but not as oppressors.” EisenhowerÂ’s Proclamation further reads, in part: “We shall obliterate Naziism and German Militarism. We shall overthrow the Nazi rule, dissolve the Nazi Party and abolish the cruel, oppressive and discriminatory laws and institutions which the Party has created. We shall eradicate that German Militarism which has so often disrupted the peace of the world Military and Party leaders, the Gestapo and others suspected of crimes and atrocities will be tried and, if guilty, punished as they deserve.” Eisenhower additionally provides for the suspension of all German courts and the continuation of essential public utilities. The United Press reported from Allied Supreme Headquarters in London that same September: “A broadcast message directed to Western and Southwestern Germany said that Eisenhower will exercise supreme legislative, judicial and executive authority in the theatre under his commandÂ…The broadcast, sent by a Supreme Headquarters spokesman over ABSIE (American Broadcasting Station in Europe) said that ‘this process begins immediately on the arrival of the Allied armies in each area and the inauguration of the Allied Military GovernmentÂ… Front dispatches have told of the posting of Allied Supreme Headquarters announcements in such towns as Roetgen, Echternach and Vollendorf, towns which the Allied armies are known to have occupied.” With printed September 1944 date “(9/44)” present in the lower left corner; future printings did not have a date. Text printed on the recto in both English and German. Text fresh and clean, light edge-wear, some expertly repaired closed tears along foldlines. Beautifully framed.

      [Bookseller: Bauman Rare Books]
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        Der Panzerknacker 1944

      German Army High Command 1944 - German military handbook. German WW2 anti-tank manual "Der Panzerknacker". Published in 1944 by German Army High Command. Enemy armor recognition guide and anti-armor operation and tactics. Good condition. 22 pages. Rare. Softcover. [Attributes: First Edition; Soft Cover]

      [Bookseller: K&K Antiques]
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        WWII UNDERGROUND PRINTING - POETRY & FINE ART: Jama [The Pit].

      [Topusko, Croatia: Naprjed] Izdanje kluba kulturnih radnika Hrvatske [Publishing House of Cultural Workers of Croatia] [End of November] . 1944 - A superlative edition of one of the great classics of Croatian and World War II poetry, Ivan Kovacic’s Jama, printed by a secret underground Partisan press, and bound in a parachute linen. A numbered example, signed by the illustrator and publisher. - Ivan Kovacic, with a nickname Goran, was born in Lukovdol in Croatia, on the southern Slovenian border to a Croatian father Ivan Kovacic and Jewish mother Ruža, neé Klein. After unfinished study of Slavistics in Zagreb, he became journalist, writer and poet. In 1942 he joined the Partisans and participated in battles through the difficult terrain of Bosnia. In the months of seeing cruel battles and slaughtering of civilians, he wrote his most famous poem Jama (The Pit). This epic poem was inspired by a genocide made by the Croatian Nationalistic Army, Ustashe, upon the Serbian people. In first person, with cruel, yet beautiful verses, he describes torture, and eventual death as a part of mass killings. In 1943, only 30 year old Kovacic was killed in Case Black – a joint attack by the Axis, which aimed to destroy the main Yugoslav Partisan force in Bosnia, mostly known by its final phase final phase, the Battle of the Sutjeska. After the battle of Sutjeska, Kovacic was hiding in a farmhouse, weakened by a lung illness, listening the Serbian Nationalist Army Chetniks killing wounded Partisans. Eventually he was also tracked down by Chetniks, slaughtered and buried in an unmarked grave. Kovacic’s death was accepted by the Partisans with great sadness. The journalist and politician Mosa Pijade (1890-1957) described his death:Goran Kovacic did not survive the horrendous fifth offensive. This young Croatian poet, who in "The Pit" formed the strongest poem of a protest against the Ustasha massacres against the Serbs, was killed by "Serbian vigilante" Chetnik degenerates, these Swabian and Ustasha allies. They cut the throat, which had so sincerely and strongly thundered from the Croatian fraternal soul against Ustasha crimes against Serbian youth. Never before a more honest and humane work of a poet was punished and never a forehead of a murderer was tainted by more disgraceful crime. Reading the Goran's "Jama", hearts of generations and generations of Serbian youth will tear over the crimes, which caused such a cry of a poet, but also over the crime, which slit the throat of this beautiful seagull. The poem is considered one of the most beautiful war poems ever made and one of the greatest poems of Croatian literature. The artists of lithographs, Edo Murtic (1921–2005) and Zlatko Prica (1916-2003), were both famous Croatian academic painters. Their original signatures are on page 2. The most known translation of the poem was made already in 1948 in French language, with a title La fosse commune. The illustration in it was made by Pablo Picasso. - Circumstances of printing: This edition was printed by a Partisan press, during WWII on so called "Liberated area", or in the "Federal State of Croatia", in the German occupied area. This underground state was founded on May 8th-9th 1944 in Topusko, Croatia, by the Croatian anti-Fascist movement and was not a constitutionally socialist state, or even a republic, as the war in Yugoslavia lasted for another year. The woody area around Topusko was at the time controlled by the Partisans, which enabled them to print this book with more time consuming techniques, then their colleagues in other underground secret presses could use. As written on the title page the work has been printed in 250 examples on normal paper and bound in parachute linen. The lithograph press has been constructed in a Partisan workshop. The first 150 examples have been signed by the authors of lithographs. (Ove je djelo tiskano u 250 primjeraka na obic?nom papiru i vezano u padobransko platno. Litografska presa konstruirana je u partizanskoj radionici. Prvih 150 primjeraka provi?eno je originalnim potpisima autora litografija). This is nr of the numbered and signed copies. I

      [Bookseller: Antiquariat Dasa Pahor]
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        Autograph letter signed on both sides of a plain postcard to 'Dear Miss Kraty' (Grand Duchess, 1875-1960, Sister of Nicholas II and Wife of his Cousin Grand Duke Alexander)

      1944 - thanking her for her letter "& sending me Nadia's", (Princess Nadejda Dmitrievna, 1933-2002, only daughter of the writer's fourth son Dmitri Alexandrovich, 1901-1980), "& also for the book - it wasn't the one I meant so I suppose it is somewhere" among Nadia's mother's things, (Russian-born Marina, 1912-1960, née Countess Golenistcheva-Kutuzova), "The one you sent belongs to Xenia", (Princess Xenia Andreevna, 1919-2000, elder daughter of the writer's eldest son Andrei, 1897-1981), "& her brothers", Michael & Andrew, "Poor little thing - she does miss you & feels 'homesick'! I wonder what was the matter with her Mama. Not one of the family has ever written to me which I call beastly! I wonder why a french school was chosen for her, tho' on the other hand it is a good thing she is learning french", the Grand Duchess is very worried about her second son Feodor, (Feodor Alexandrovich, 1897-1968), "he had another hemorrage a week ago and is laid up again - too unfortunate and such a set back. He feels weak, very nervous, and is altogether very cut up! The D[octo]rs say it isn't alarming, but that doesn't help matters, as he feels none the better for it. He is going to the Sanatorium this week, probably dreads the thought of it - poor dear - as [he] hates the place! .", continuing about "M[other] Martha", whose presence in spite of deafness and other ailments "is such a comfort and help", at Balmoral it is "more like November", 2 sides postcard, Balmoral, 3rd April Written to 'Miss Kraty', who is no doubt at Wilderness House, since 1937 the Grand Duchess's 'grace and favour' home in the grounds of Hampton Court Palace. Many of Xenia's family lived there much or most of the time, especially the grandchildren mentioned. Dmitri Alexandrovich left Russia with his mother in 1919 on board HMS Marlborough. In the 1930s he worked briefly at Coco Chanel's in Biarritz, where he fell in love with and in 1931 married Marina, not yet 19, a Chanel model. In WWII, Dmitri was a Lieutenant- Commander in the Royal Navy Volunteer Reserve on convoys to Murmansk and taking part in the Dunkirk evacuation. Their daughter Nadejda had been born in France, but at this date the Grand Duchess must be talking of a French school in England. In 1947 Nadejda's parents separated and both later re-married. Mother Martha, a formidable Russian mystic, was acquired by the Grand Duchess in 1938 as a companion. She went on to dominate Xenia's life and control all who visited.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Der Öffentliche Gesundheitsdienst. Jahrgang 1 - 10 (mehr nicht erschienen) in 14 Bänden. Zeitschrift des Reichsausschusses für Volksgesundheitsdienst E.V., der Staatsmedizin Akademie Berlin und der Wissenschaftlichen Gesellschaft der deutschen Ärzte des öffentlichen Gesundheitsdienstes.

      (1. Jhg, A.) XXVIII, 1010 (2. Jhg, A.) XIV, 998 (3. Jhg. A/B) XIV,1016, XII, 844 (4. Jhg. A/B) XIV, 1024, X, 764 (5. Jhg. A/B) X, 770, VI, 528 (6. Jhg. A/B) X, 756, VI, 564 (7. Jhg. B) VI, 528 (8. Jhg. B) IV, 332 (9. Jhg. B) IV, 296 (10. Jhg. A/B in einem Band) 196, 144 S. Mit Abb. Hln. mit Goldprägung. Schnitt tls. stockfleckig. Papierbedingt tls. etw. gebräunt. Guter Gesamtzustand. Ohne die "Teilausgaben B" des 1. und 2. Jahrgangs und die "Teilausgaben A" des 7 - 9 Jahrgangs. ("Während die Ausgabe A dieser Zeitschrift sich mit den ärztlichen Aufgaben und Wissensgebieten befassen soll, wird die Ausgabe B sich an Verwaltungsbeamte, Lehrer und Erzieher sowie an die nicht ärztlichen Hilfskräfte der Gesundheitsämter wie an alle diejenigen wenden, die innerhalb der nationalsozialistischen Bewegung oder in der privaten Wohlfahrtspflege sich mit den oben gekennzeichneten Wissensgebieten und praktischen Erfahrungen beschäftigen wollen." Gütt, aus dem Vorwort). - Umfangreicher und eindringlicher Einblick in das medizinische Feld zur Zeit des Nationalsozialismus. Der Herausgeber Arthur Gütt, Urheber der nationalsozialistischen Zwangssterilisationspolitik, möchte mit dem Blatt die bis dato verschiedenen Organisationen des Gesundheitswesen einigen, und "ermöglichen, die Ärzte und Hilfskräfte der Gesundheitsämter im Sinne nationalsozialistischer Staatsführung und nationalsozialistischer Weltanschauung zu erziehen, um sie zu befähigen, das nationalsozialistische Wollen der Gesetze Adolf Hitlers und seiner Regierung auf dem Gebiet des Gesundheitswesens praktisch durchzuführen". Die Zeitschrift enthält somit nicht nur medizinische Fach- und Forschungsberichte, Statistiken, Personalia, (Fach-)Referate (alles zum zeitgenössischen Trend), sondern auch gesetzliche Anordnungen, Erlasse und Leitfäden zur Durchführung. Selbst im Kriegsjahrgang 10 (1944) wird die Ärzteschaft im Vorwort des Reichsgesundheitsministers Conti motiviert, gerade in Zeiten des "Bombenterrors", "Gesundheit und Leistungskraft des deutschen Volkes zu erhalten" sowie "Mit Einsatz des ganzen Könnens (..), Verletzte und Erkrankte wiederherzustellen, ihren Lebensmut und Leistungswillen anzuspornen, Weichheit und Schwäche entgegenzutreten und darüber hinaus in der Abwehr allgemeiner gesundheitlichen Gefahren, wie in der Seuchenabwehr, Entscheidendes zu leisten. (...) Ihre Erfüllung wird der Beitrag des deutschen Arztes zum Siege sein."

      [Bookseller: Antiquariat Hamecher]
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        Diary of an Ad Man

      1944. First Edition . Signed. YOUNG, James Webb. The Diary of an Ad Man. The War Years, June 1, 1942-December 31, 1943. Chicago: Advertising Publications, 1944. Octavo, original green cloth, original red paper spine label, original dust jacket. $2200.First edition of the groundbreaking work by Young, one of the ""giants"" of early advertising, inscribed, ""To Frank Rand Jr., With regard, Jim Young."" Young's leadership at the J. Walter Thompson agency revolutionized advertising. Together with Stanley Resor, he used research ""to study the working of advertising in psychological and behavioral terms, and they made advertising an international activity. Under the guidance of Resor and Young, J. Walter Thompson was the leading player on the advertising stage from the late 1920s to the late 1950s"" (Jones, Advertising Organizations, 322). David Ogilvy, ""the original Mad Man"" (Wall Street Journal), often ""invoked the giants of earlier generations: James Webb Young"" in particular (Jones, International Advertising, 174). Diary of an Ad Man is Young's ""most interesting work. The book is made up of the weekly writings that Young had sent to Advertising Age magazine between June 1942 and December 1943: an exceptional testimony to an era seen through the eyes of a true expert in customs and lifestyles. Because of his standing, President Truman called on Young to chair the War Advertising Council (the predecessor of the American Advertising Council)"" (Elliot, Just Doing It). The pivotal works of advertising forerunners such as ""Bernbach, Burnett, Ogilvy and Young are informed by profound knowledgeÂ… There are not many such works"" (Jones and Slater, What's in a Name, 11). Recipient Frank Rand Jr., the prominent New Mexico publisher, was also a onetime president of New York's Turf and Field Club, ""where he owned a racing stable. His thoroughbreds won featured raced at major tracks, including Belmont. In the 1940s Rand was the publisher and owner of The New Mexican, Santa Fe's only daily newspaper, and was active in the state's Republican Party"" (New York Times).Book fresh and clean, only lightest edge-wear to dust jacket. An about-fine inscribed copy.

      [Bookseller: Bauman Rare Books]
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        THE DIARY OF AN AD MAN. The War Years June 1, 1942 - December 31, 1943.

      Chicago, IL: Advertising Publications, Inc., 1944. 256 pages of text. Hardcover binding with minimal soiling to the top edge. Unclipped dustjacket with a large closed tear at the bottom of the spine, a few small tears and creases, and minor soiling and shelfwear; protected in archival mylar. A tiny stain to the bottom edge of the closed pages. The first printing of the First edition, uncommonly found in a dustjacket.. First Edition. Hardcover. Near fine condition/Very good+ condition (DJ). 12mo - over 6¾" - 7¾" tall.

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
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        Photograph album. WITH: Photographs of Abraham Lincoln

      , 1944. 1944. (LINCOLN, Abraham) MESERVE, Frederick Hill. Photograph album. WITH: Photographs of Abraham Lincoln. No place, no date; New York: Harcourt Brace, 1944. Loose album sheets (9 by 12 inches) featuring 191 photographic images. Housed in a cloth four-fold portfolio binder. WITH: Octavo, original navy cloth, original dust jacket. $22,000.Extraordinary album comprising over 191 photographs, primarily silver and platinum prints, of Abraham Lincoln, his family, and contemporaries assembled by Frederick Meserve. Accompanied by the first trade edition of Meserve's landmark work, accomplished in collaboration with Carl Sandburg, Photographs of Abraham Lincoln, featuring 100 images of the 16th President, in daguerreotypes, cartes-de-visite, stereoviews, and more by photographers including Matthew Brady, Alexander Gardner, and Alexander Hesler.Photographer ""Frederick Hill Meserve was an important collector of Lincoln photographs. Sandburg asserts… that 'it is quite probable that certain Lincoln photographs would not have come to light but for Meserve'"" (University of Illinois). This unbound photograph album appears to confirm that assertion. In 191 photographs, some of which bear penciled identification in Meserve's hand, Meserve carefully creates a tableau of Lincoln's life in portraiture, capturing both Lincoln and his social circle

      [Bookseller: Bauman Rare Books ]
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        Steep Ascent

      1944. First Edition . Signed. LINDBERGH, Anne Morrow. The Steep Ascent. New York: Harcourt, Brace, (1944). Octavo, original blue cloth, original dust jacket. $3200.First edition, inscribed by Charles Lindbergh: ""To John Oldrin and Gin Oldrin, from their friend, Charles A. Lindbergh."" With an autograph postcard signed ""Anne"" by Anne Morrow Lindbergh, mentioning ""working like mad to get my book into galleys"" laid in.""A fictional account of an actual incidentÂ… the story of a dangerous flight over the Alps made by a young couple."" The 3-1/2 by 5-1/2-inch postcard, dated ""Friday, Dec. 8,"" is penned entirely by Anne Morrow Lindbergh and reads, ""Dear John – Thank you so much for letting me see this. I also liked very much the Hymn to Orion — didn't you? The story of Lucy & the shells given to the sand-baby is enchanting — but not surprising. Lard has a little girl, too, born yesterday. I had to share the news with you. 'Thank heaven for little girls!' In haste — I am working like mad to get my book into galleys before we leave for Aspen & Xmas — gratefully, Anne.""Book fine; dust jacket with two small chips around head of slightly toned spine, extremely good.

      [Bookseller: Bauman Rare Books]
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        La Reine Morte

      1944. MONTHERLANT, Henry de. La Reine Morte [The Dead Queen]. Drama en Trois Actes. Illustrations de V. Stuyvaert. Paris: (Aux dépens dÂ’un groupe de Bibliophiles, 1944). Tall quarto (10 by 12-1/2 inches), contemporary full crushed black morocco with decorative inlays to front board, gilt raised spine emblem, marbled endpapers, top edge gilt, uncut, original wrappers bound in, original slipcase. $1800.Limited first French edition, number 46 of 599 copies, of MontherlantÂ’s first play, one of only 50 copies printed on Lana with an additional double-suite of color plates (20 total), from original watercolors au pochoir by renowned artist Victor Stuyvaert, each text and plate leaf richly bordered in gilt filigree, handsomely bound in full morocco with pictorial inlays on the front board. A gorgeous production.The notorious award-winning French novelist and dramatist Henry de Montherlant was “one of FranceÂ’s finest playwrights Admired by such as Malraux, Camus, Graham Greene and Peter QuennellÂ… Montherlant will live as one of the outstanding writers of the century.” La reine morte (The Dead Queen), MontherlantÂ’s electrifying first drama, premiered in Paris in 1942 at the Comédie Francaise. This limited first edition of La reine morte, published in 1944 amidst the rubble of Nazi occupation, contains striking full-page color illustrations after watercolors au pochoir by Belgian artist Victor Stuyvaert. MontherlantÂ’s play, set in Portugal, draws “on the grisly legend that after the death of Inez de Castro, ‘her husband, when he became King, had her body disinterred and crowned Queen beside himÂ… The legend is all Montherlant needs. It sets him off on a bitter, ruthless inquiry into the nature of power” (New York Times). Limited first edition of 599 copies with ten full-page color plates: one of only 50 copies printed on Lana and containing an additional double-suite of the volumeÂ’s ten color plates (20 total). Text in French. A fine and bright copy, scarce in original slipcase.

      [Bookseller: Bauman Rare Books]
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        Archive related to the sinking of Japanese Submarine I-52

      1944. (WORLD WAR II). Archive related to the sinking of Japanese Submarine I-52. No place: 1944. Various sizes and formats, mostly quarto, many items staple-bound or in original wrappers. $5500.Historically important archive of documents concerning the June 24, 1944 sinking by a U.S. bomber of the Japanese Submarine I-52, which had left Japan for Nazi-occupied France on March 10, 1944, with a cargo which included over two tons of gold bullion and three tons of opium. Includes signed statements of military and civilian personnel involved in the attack, including the statement of Lt. William Gordon, one of the two pilots credited with the sinking of Japan's ""Golden Submarine.""""Lost Japanese Sub With 2 Tons of Axis Gold Found on Floor of Atlantic"" headlined the March 18, 1995, New York Times article by William J. Broad. The Japanese submarine I-52 was part of a secretive exchange of raw materials and technologies between Hitler and Emperor Hirohito. With Allied attacks making surface transport impossible, the Axis powers resorted to submarines sneaking half way around the globe. Longer than a football field, I-52 was a cargo submarine of the Imperial Japanese Navy used during World War II for a secret mission to Lorient, France, then occupied by Germany. The I-52 had left Japan in March 1944, with 2.2 metric tons of gold on board, then stopped in Singapore to pick up the other raw materials including 228 tons of tin, molybdenum, and tungsten, 54 tons of raw rubber, and 3 tons of quinine. She also carried 109 men, including 14 experts from such concerns as the Mitsubishi Instrument Company, who were along to study and procure German technology. In late April, she set out again, traveling through the Indian Ocean and around Africa, bound for the seaport of Lorient in Nazi-held France. She traveled the usual way, submerged during the day and surfaced at night, charging batteries. Unbeknownst to Tokyo and Berlin, the I-52's route and cargo were known to the Allies, who had broken a host of Axis ciphers for secret communications, including German military orders and Japanese naval codes. On the moonless night off June 23, 1944, under a clear sky, the Japanese sub rendezvoused with a German sub in the mid-Atlantic. Food fuel, and two German technicians were taken aboard, as well as a radar detector meant to help the Japanese submarine evade enemy planes as she neared Europe. Near midnight, just after the rendezvous, Lt. Cmdr. Jesse D. Taylor, flying as part of a naval task force, took off from the aircraft carrier ""Bogue"" in an Avenger bomber. He picked up the I-52 on his radar. Zeroing in, he dropped flares and two 500-pound bombs and watched as the submarine desperately sought to dive. Taylor, listening to undersea sounds radioed by acoustic buoys, heard an explosion and a metallic groan as the submarine lost air and sank with more than 100 men. AS Taylor's patrol ended, he was relieved by Lt. William Gordon who, hearing faint propeller noises, dropped a second acoustic torpedo.Far away, both the ""Bogue"" and the escaping Nazi submarine saw the flares of the distant battle, and both of them noted the position of the blaze above the I-52's grave. The U.S. Navy credited both Taylor and Gordon with the sinking of Japan's ""Golden Submarine."" The I-52's sunken gold consisted of 146 bars packed in 49 metal box, according to a manifest that was radioed from Tokyo to Berlin and decrypted by its American interceptors.The archive includes:(1) Lieutenant (jg) William D. Gordon. Typed manuscript, not signed but with 30 words, as edits, in his hand including initials ""W.D."", four separate pages, 8 by 10-1/2 inches, stapled in upper left corner [June 30, 1944]. Marked ""Top Secret"" on each page. In part, it reads, ""On the morning of 24 June 1944 at 0028½, I was launched from the USS BOGUE [aircraft carrier]… I was vectored 226º 54½ miles to the scene of Lt. Commander Taylor's attack against an enemy submarine, with orders to drop a Mark 24 Mine if sonobuoy [a buoy that emits a radio signal on receiving an underwater signal from a vessel] indications revealed the presence of a submarine in the area. At about 0055, Mr. Price Fish, a Civilian Technician and underwater sound expert, who had been requested to accompany me, informed me that he was hearing faint propeller noises on the orange and yellow sonobuoys… I informed Mr. Taylor that I had been sent out to the area to relieve him and that he was to return to the ship…""(2) Three groups of identical statements, each personally signed; 44 signatures in all. One is marked in ink at top corner of the cover page ""Copy 13"" and the other, ""Copy 14."" The third cover page indicates that it is an incomplete set; but it is not. The Scale Map and stamping on verso of the map, ""U.S.S. Bogue, dated June 30, 1944"" is present but not attached. However, this set has a duplicate signed statement of Quentin R. Kelso.""Attack of Lt. (jg) William D. Gordon… 24 June 1944,"" 19 separate mimeographed pages, 8 by 10-1/2 inches, stapled together at top. Each page is marked ""TOP SECRET."" Each statement is individually signed at its conclusion. Includes:(a) Statement of Lt. (jg) W.D. Gordon, signed ""W D Gordon"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(b) Statement of Mr. Price Fish, ""Civilian Technician from Columbia University, Division of War Research, United States Navy Underwater Sound Laboratory, New London, Connecticut,"" signed ""Price Fish"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(c) Statement of Lieutenant (jg) A. Hirtsbrunner signed ""Arthur L. Hirtsbrunner"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(d) Statement of Lieutenant (jg) Francis L. Brady signed ""Lt. (jg) Francis L. Brady A-V(N)"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(e) Statement of I.E. Martin, ARM2c, USNR, signed ""I.E. Martin"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(f) Statement of D.P. Knox, ARM1/c, USN, signed ""Donald Phillips Knox"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(g) Statement of Q.R. Kelso, AOM3/c, USNR, signed ""Quentin R. Kelso"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.Also: List of ""Debris and Other Materials Recovered from Area of Attck by Lt. Cdr. J.D. Taylor & Lt. (jg) W.D. Gordon on 24 June 1944"" and Scale Map of the ""Attack of Lt (jg) W.D. Gordon A-V(N) USNR 24 June 1944.""(3) ""Report of Operations of Composite Squadron 69 for period of 4 May 1944 to 3 July 1944."" Mimeographed, 21 separate pages, stapled at top. Marked ""TOP SECRET."" ""From: The Commanding Officer"" [Lieutenant Commander J.D. Taylor]. ""To: The Commander in Chief, U.S. Atlantic Fleet"" [Admiral R.E. Ingersoll].(4) ""Performance of Japanese Aircraft,"" 14 mimeographed pages, 8-1/2 by 11 inches. Naval Air Combat Information School, Quonset Point, Rhode Island, December 26, 1944. Marked CONFIDENTIAL. Over 100 words of handwritten notes on last page about some of the aircraft in this report.(5) Collection of five ""Flak Information"" Bulletins, numbered 3 (October 1944), 4 (November 1944), 5 (December 1944), 6 (January 1945), and 8 (April 1945). Each noted ""CONFIDENTIAL"" on the cover, 8 by 10-1/2 inches, each 16-32 pages long. Each illustrated with charts, maps, and/or photographs. Published by the Air Intelligence Group, Division of Naval Intelligence, Office of the Chief of Naval Operations, Navy Department, Washington, DC. The April 1945 issue is signed at the upper edge of the cover ""Lt (jg) Earl"" by William H. Earl, interrogator of the statements above.(6) ""Report of Antisubmarine Action by Aircraft,"" four six-page forms, 8 by 10-1/2 inches, marked ""Confidential,"" not filled out; Naval Air Combat Intelligence School, Quonset Point, Rhode Island, three small identification photo charts of Japanese aircraft used as examinations, December 1944, January 1945, and April 1945; 9-3/4 by 7-1/2-inch transparency of a map of the Northern Atlantic marked ""Restricted.""(7) National Geographic 2009 DVD titled ""Submarine I-52: Search for WW2 Gold."" Fine condition.

      [Bookseller: Bauman Rare Books]
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        Typed letter signed, with envelope

      1944. Signed. HEMINGWAY, Ernest. Typed letter signed, with envelope. Paris: no date [July 21 stamped on envelope]. One sheet of typing paper, 8-1/2 by 11 inches, and original air mail envelope, matted and framed together; entire piece measures 14-1/2 by 23 inches. $18,500.Fascinating typed letter signed by Ernest Hemingway written while covering the Second World War in France as a war correspondent, to his friend and boxing trainer George Brown, discussing his severe head injury, subsequent effects of the concussion, and the D-Day landing. Other than for members of his own family, Brown was likely the only friend for whom Hemingway ever signed letters or books as ""Ernie."" Framed with the original air mail envelope addressed to Brown at his New York City gym, which Hemingway has inscribed in ink, ""Ernest Hemingway, war correspondent.""Undated letter listing Hemingway's address as ""Ernest Hemingway, War Correspondent, PRO HQ ETOUSA, APO 887, c/o Postmaster New York, NY"" reads in full: ""Dear George: Have been very bad about not writing you pal but it is because am so damned busy all the time. First got conked on the head with that car going into the static water tank. That is a metal tank set in the road to hold reserve water in case of fires. It wasn't lighted and the driver hit it square and I went through the shatter-proof glass. Kept my head down and didn't even break my glasses but bunged up my good knee and one hand where I braced against it and and [sic] cut the head from above the left ear in a horse shoe shaped cut through that old scar and way back into the scalp straight back from that old scar. Doctor did a swell job; [f]ifty two stitches and there is no welt and it really does not look bad now the hair is grown out. But I lost about two quarts of blood and for a while thought might bleed out. I got out of the hospital four days after it happened by lying about no headache and feeling fine etc. but was awfully weak and wobbly. Had the last stitches out on the attack transport and the life there; no drinking; lots of good chow, salt air and finally lots of salt water on the head the day we went in with the assault boats cured it well. But if you would have seen me, with two bad legs going up and down those landing nets in the dark (we had to go over to another ship after lowering our own boats), you would have had a laugh. I couldn't do that landing net stuff in a heavy sea before I hurt my knees.""After the landing, (have a piece on it in Colliers) came back here and wrote the story and since then have been attached to the R.A.F. and have had a chance to do quite a lot of flying. I like flying in the fast planes very much and often wonder why we used to pay out good money to hunt those animals in Africa when you can have this for nothing. Lately, though, my head doesn't feel good all of the time but I suppose that is natural after getting conked like that and not haveing a chance to rest and then workout and get in shape. But am surely grateful to you for putting me in shape so had a reserve to work on.""Marty [Martha Gellhorn, Hemingway's third wife, who was also a writer and war correspondent] has gone to another front because on this front it it very hard for a woman correspondent to work.""This is a wonderful town, rich and beautiful and I would like to be here some time in peace-time with lots of money. We will have to come over sometime.""Take care of yourself kid and I can never thank you enough for how good you were to me. xxxxxx Bumby is okay. Heard from him a couple of weeks ago. The kids are at Cataloochee Ranch, Waynesville, North Carolina. You might write them you heard from me in case they do not get my letters. I wrote them to Key West and again to the ranch but I gave the letter to Marty to mail and more than likely she forgot the hell about it.""If you read the piece in Colliers you will have pretty good idea about how it was going in to the beaches. Have some good stories to tell you when we get together again.""Could you call Colliers and ask them to send one of those good pictures of me to Grantland Rice? Ask for Henry LaCossitt. He is the editor. Tell him you had a letter from me and I was ok but tired because hadn't any chance to rest yet after the accident. May have to take some time off later on because of these damn headaches. If lie perfectly flat on my back it is ok. But if turn either side it acts up. If you spend your time in bed perfectly flat on your back you don't have so much fun probably though doubtless something can be worked out. You probably went through all this with your head or didn't you notice it? You're probably tough. Actually I don't feel any worse than when we were bangeing after came home from China. Don't tell any of this to Shipwreck Kelly or he will probably try to get me the first day I come home. And we will fool him. Haven't had any letters from anybody. Write, will you, to the address at top of this. I weigh 205. Get plenty of cinders for when Ernie comes home.""Your pal[signed in pencil] Ernie [and additionally] Ernest HemingwayThe envelope is additionally inscribed and signed by Hemingway in ink in the lower left corner: ""Censered [?] by Ernest Hemingway, war correspondent."" The envelope is additionally stamped and resealed by the U.S. Army Examiner (censor).Hemingway was still in London preparing to accompany the D-Day invasion force as a war correspondent when he was involved in the car crash he mentions in this letter. ""Around three in the morning, the Gorers offered to drive Hemingway back to the Dorchester. Because of the blackout, the streets were dark, while the Gorers were somewhat the worse for alcoholic wear. When their car collided with a steel water tank, Hemingway's head went forward into the windshield and his knees banged hard against the dashboard. At St. George's Hospital at Hyde Park Corner, it took the doctors two and a half hours and fifty-seven stitches to close the wound in his scalp. The swelling in his knees made walking painful and the throbbing headaches caused by his concussion were almost incessant, he found… Dr. Herrera later told him in Havana that in the aftermath of the concussion in London the doctors should have opened up his head and drained the hemorrhage, and Herrera deplored the fact that Hemingway had concealed from the doctors the gravity of his headaches in order to get out of the hospital in time for D-Day"" (Lynn, Hemingway, 508, 512). ""George Brown, the erstwhile trainer of Harry Greb and the proprietor for many years of a gymnasium in New York, knew Hemingway very well for a quarter of a century. While he considered him 'one of the finest men I've ever known,' Brown's opinion both of his ability and his ethics as a boxer was low… the gym manager had a completely straightforward view of the novelist's psychology in these set-to's—he was out to win, any way he could"" (Lynn, Hemingway, 422-23). During the filming of The Old Man and the Sea, Hemingway brought Brown to Cuba to be his trainer: ""As his trainer for this strenuous venture, he imported his old friend and boxing coach, George W. Brown. Brown gave him postoperative rubdowns and delighted him with his unfailing solicitude… Ernest reveled in such treatment, and called on George to be one of the witnesses to his will"" (Baker, Ernest Hemingway, 531). Brown drove Mary and Ernest home to Idaho from Rochester when he was discharged from the Mayo Clinic, and was still present as a guest in Idaho when Hemingway killed himself not long after. He was also one of the pallbearers at Hemingway's funeral.Very handsomely framed.

      [Bookseller: Bauman Rare Books]
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        Archive related to the sinking of Japanese Submarine I-52

      , 1944. 1944. (WORLD WAR II). Archive related to the sinking of Japanese Submarine I-52. No place: 1944. Various sizes and formats, mostly quarto, many items staple-bound or in original wrappers. $5500.Historically important archive of documents concerning the June 24, 1944 sinking by a U.S. bomber of the Japanese Submarine I-52, which had left Japan for Nazi-occupied France on March 10, 1944, with a cargo which included over two tons of gold bullion and three tons of opium. Includes signed statements of military and civilian personnel involved in the attack, including the statement of Lt. William Gordon, one of the two pilots credited with the sinking of Japan's ""Golden Submarine.""""Lost Japanese Sub With 2 Tons of Axis Gold Found on Floor of Atlantic"" headlined the March 18, 1995, New York Times article by William J. Broad. The Japanese submarine I-52 was part of a secretive exchange of raw materials and technologies between Hitler and Emperor Hirohito. With Allied attacks making surface transport impossible, the Axis powers resorted to submarines sneaking half way around the globe. Longer than a football field, I-52 was a cargo submarine of the Imperial Japanese Navy used during World War II for a secret mission to Lorient, France, then occupied by Germany. The I-52 had left Japan in March 1944, with 2.2 metric tons of gold on board, then stopped in Singapore to pick up the other raw materials including 228 tons of tin, molybdenum, and tungsten, 54 tons of raw rubber, and 3 tons of quinine. She also carried 109 men, including 14 experts from such concerns as the Mitsubishi Instrument Company, who were along to study and procure German technology. In late April, she set out again, traveling through the Indian Ocean and around Africa, bound for the seaport of Lorient in Nazi-held France. She traveled the usual way, submerged during the day and surfaced at night, charging batteries. Unbeknownst to Tokyo and Berlin, the I-52's route and cargo were known to the Allies, who had broken a host of Axis ciphers for secret communications, including German military orders and Japanese naval codes. On the moonless night off June 23, 1944, under a clear sky, the Japanese sub rendezvoused with a German sub in the mid-Atlantic. Food fuel, and two German technicians were taken aboard, as well as a radar detector meant to help the Japanese submarine evade enemy planes as she neared Europe. Near midnight, just after the rendezvous, Lt. Cmdr. Jesse D. Taylor, flying as part of a naval task force, took off from the aircraft carrier ""Bogue"" in an Avenger bomber. He picked up the I-52 on his radar. Zeroing in, he dropped flares and two 500-pound bombs and watched as the submarine desperately sought to dive. Taylor, listening to undersea sounds radioed by acoustic buoys, heard an explosion and a metallic groan as the submarine lost air and sank with more than 100 men. AS Taylor's patrol ended, he was relieved by Lt. William Gordon who, hearing faint propeller noises, dropped a second acoustic torpedo.Far away, both the ""Bogue"" and the escaping Nazi submarine saw the flares of the distant battle, and both of them noted the position of the blaze above the I-52's grave. The U.S. Navy credited both Taylor and Gordon with the sinking of Japan's ""Golden Submarine."" The I-52's sunken gold consisted of 146 bars packed in 49 metal box, according to a manifest that was radioed from Tokyo to Berlin and decrypted by its American interceptors.The archive includes:(1) Lieutenant (jg) William D. Gordon. Typed manuscript, not signed but with 30 words, as edits, in his hand including initials ""W.D."", four separate pages, 8 by 10-1/2 inches, stapled in upper left corner [June 30, 1944]. Marked ""Top Secret"" on each page. In part, it reads, ""On the morning of 24 June 1944 at 0028½, I was launched from the USS BOGUE [aircraft carrier]… I was vectored 226º 54½ miles to the scene of Lt. Commander Taylor's attack against an enemy submarine, with orders to drop a Mark 24 Mine if sonobuoy [a buoy that emits a radio signal on receiving an underwater signal from a vessel] indications revealed the presence of a submarine in the area. At about 0055, Mr. Price Fish, a Civilian Technician and underwater sound expert, who had been requested to accompany me, informed me that he was hearing faint propeller noises on the orange and yellow sonobuoys… I informed Mr. Taylor that I had been sent out to the area to relieve him and that he was to return to the ship…""(2) Three groups of identical statements, each personally signed; 44 signatures in all. One is marked in ink at top corner of the cover page ""Copy 13"" and the other, ""Copy 14."" The third cover page indicates that it is an incomplete set; but it is not. The Scale Map and stamping on verso of the map, ""U.S.S. Bogue, dated June 30, 1944"" is present but not attached. However, this set has a duplicate signed statement of Quentin R. Kelso.""Attack of Lt. (jg) William D. Gordon… 24 June 1944,"" 19 separate mimeographed pages, 8 by 10-1/2 inches, stapled together at top. Each page is marked ""TOP SECRET."" Each statement is individually signed at its conclusion. Includes:(a) Statement of Lt. (jg) W.D. Gordon, signed ""W D Gordon"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(b) Statement of Mr. Price Fish, ""Civilian Technician from Columbia University, Division of War Research, United States Navy Underwater Sound Laboratory, New London, Connecticut,"" signed ""Price Fish"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(c) Statement of Lieutenant (jg) A. Hirtsbrunner signed ""Arthur L. Hirtsbrunner"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(d) Statement of Lieutenant (jg) Francis L. Brady signed ""Lt. (jg) Francis L. Brady A-V(N)"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(e) Statement of I.E. Martin, ARM2c, USNR, signed ""I.E. Martin"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(f) Statement of D.P. Knox, ARM1/c, USN, signed ""Donald Phillips Knox"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.(g) Statement of Q.R. Kelso, AOM3/c, USNR, signed ""Quentin R. Kelso"" and by interrogator ""William H. Earl,"" Ensign, A-V(S), USNR.Also: List of ""Debris and Other Materials Recovered from Area of Attck by Lt. Cdr. J.D. Taylor & Lt. (jg) W.D. Gordon on 24 June 1944"" and Scale Map of the ""Attack of Lt (jg) W.D. Gordon A-V(N) USNR 24 June 1944.""(3) ""Report of Operations of Composite Squadron 69 for period of 4 May 1944 to 3 July 1944."" Mimeographed, 21 separate pages, stapled at top. Marked ""TOP SECRET."" ""From: The Commanding Officer"" [Lieutenant Commander J.D. Taylor]. ""To: The Commander in Chief, U.S. Atlantic Fleet"" [Admiral R.E. Ingersoll].(4) ""Performance of Japanese Aircraft,"" 14 mimeographed pages, 8-1/2 by 11 inches. Naval Air Combat Information School, Quonset Point, Rhode Island, December 26, 1944. Marked CONFIDENTIAL. Over 100 words of handwritten notes on last page about some of the aircraft in this report.(5) Collection of five ""Flak Information"" Bulletins, numbered 3 (October 1944), 4 (November 1944), 5 (December 1944), 6 (January 1945), and 8 (April 1945). Each noted ""CONFIDENTIAL"" on the cover, 8 by 10-1/2 inches, each 16-32 pages long. Each illustrated with charts, maps, and/or photographs. Published by the Air Intelligence Group, Division of Naval Intelligence, Office of the Chief of Naval Operations, Navy Department, Washington, DC. The April 1945 issue is signed at the upper edge of the cover ""Lt (jg) Earl"" by William H. Earl, interrogator of the statements above.(6) ""Report of Antisubmarine Action by Aircraft,"" four six-page forms, 8 by 10-1/2 inches, marked ""Confidential,"" not filled out; Naval Air Combat Intelligence School, Quonset Point, Rhode Island, three small identification photo charts of Japanese aircraft used as examinations, December 1944, January 1945, and April 1945; 9-3/4 by 7-1/2-inch transparency of a map of the Northern Atlantic marked ""Restricted.""(7) National Geographic 2009 DVD titled ""Submarine I-52: Search for WW2 Gold."" Fine condition.

      [Bookseller: Bauman Rare Books ]
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        The Razor's Edge

      Garden City, New York: Doubleday, Doran, 1944. First edition, one of 750 copies signed and numbered by the author. viii, 343 pp. 1 vols. 8vo. Full black morocco, spine gilt, a.e.g., for Asprey. Fine. First edition, one of 750 copies signed and numbered by the author. viii, 343 pp. 1 vols. 8vo. Stott A63a

      [Bookseller: James Cummins Bookseller]
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        Lovely Tableau Vivant photo titled 'Old Mother Red Riding Boots', by Studio Lisa, Herts., (b1926, Queen of Great Britain) and her sister MARGARET (Rose, 1930-2002, Princess, Sister of Queen Elizabeth II, Countess of Snowdon) ]

      1944 - the image shows the young Princesses together with the full cast and the Royal Horse Guards Orchestra dressed in costume for a play devised by the Princesses and Hubert Tanner as the Christmas Pantomime, Elizabeth in the character of 'Lady Christina Sherwood', Margaret, 'The Honourable Lucinda Fairfax', 12" x 8

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Photograph album. WITH: Photographs of Abraham Lincoln

      1944. (LINCOLN, Abraham) MESERVE, Frederick Hill. Photograph album. WITH: Photographs of Abraham Lincoln. No place, no date; New York: Harcourt Brace, 1944. Loose album sheets (9 by 12 inches) featuring 191 photographic images. Housed in a cloth four-fold portfolio binder. WITH: Octavo, original navy cloth, original dust jacket. $22,000.Extraordinary album comprising over 191 photographs, primarily silver and platinum prints, of Abraham Lincoln, his family, and contemporaries assembled by Frederick Meserve. Accompanied by the first trade edition of Meserve's landmark work, accomplished in collaboration with Carl Sandburg, Photographs of Abraham Lincoln, featuring 100 images of the 16th President, in daguerreotypes, cartes-de-visite, stereoviews, and more by photographers including Matthew Brady, Alexander Gardner, and Alexander Hesler.Photographer ""Frederick Hill Meserve was an important collector of Lincoln photographs. Sandburg asserts… that 'it is quite probable that certain Lincoln photographs would not have come to light but for Meserve'"" (University of Illinois). This unbound photograph album appears to confirm that assertion. In 191 photographs, some of which bear penciled identification in Meserve's hand, Meserve carefully creates a tableau of Lincoln's life in portraiture, capturing both Lincoln and his social circle—the friends, acquaintances, political figures, and social reformers who shaped him. The photographs, primarily silver and platinum prints, each measure 2-1/4 by 3-1/2 inches, and are inserted into double-sided loose album pages, which are housed in a cloth portfolio. The first portion of the album, hand-numbered from 1-100 in pencil, featured 94 portraits of Lincoln arranged chronologically. The subsequent pages house an additional 91 images, which include additional portraits of Lincoln, as well as Mary Todd Lincoln, Robert Todd Lincoln, John Wilkes Booth, John Brown, Harriet Beecher Stowe, Stephen Douglas, Jefferson Davis, General Grant, General Sherman, President Hayes, and many other luminaries of the period. The purpose of the album is unclear, but it may have served as a working set of prints used by Meserve as he prepared the first volume of Photographs of Abraham Lincoln for publication. In 1911, Frederick Hill Meserve privately published his landmark work, Photographs of Abraham Lincoln, featuring 100 photographs of the 16th President that he had collected over many years including daguerreotypes, cartes-de-visite, stereoviews, and other formats by photographers such as Matthew Brady, Alexander Gardner, and Alexander Hesler. Meserve published additional volumes over the ensuing years featuring other portraits of Lincoln and his associates, an endeavor that coincided with the growth of his personal photograph collection, which grew to over 70,000 pieces. It was only recently acquired by the Beinecke Rare Book and Manuscript Library at Yale. This trade edition of Photographs of Abraham Lincoln is preceded by numerous privately printed editions and privately printed supplements that commenced publication in 1911. Album extremely good, with mild toning to page edges and a few corners torn, some photographs lightly silvered. An exceptional photographic archive.

      [Bookseller: Bauman Rare Books]
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        The Cetniks.

      [Caserta?:] G-2 (PB) AFHQ, printed by Printing and Stationery Services, Central Mediterranean Forces, September, 1944. A Survey of Cetnik Activity in Yugoslavia, April 1941 – July 1944. Octavo. Perfect-bound in the original pale grey wraps. Front wrap slightly rubbed and marginally browned, the lower a little spotted, text-block toned, but overall very good. First and only edition, the print run shown as 1,000 copies, but remarkably uncommon for that, with just four locations on Copac - BL, IWM, LSE, and Oxford - to which OCLC adds four more - LoC, Harvard, Columbia, and University of Wisconsin. Classified as Confidential, this is a detailed study of Drazha Mikhailovic's Serbian Nationalist movement. Set up in 1941, the Cetniks were initially encouraged by the British, receiving official support including the kudos of attached British Liaison Officers sent under the aegis of SOE. However, doubts emerged over time, partially based on Enigma decrypts, concerning "the wholeheartedness of Mikhailovic's anti-German commitment", and it became clear that "the Communist forces of the mysterious Tito were far more effective at harrying the Germans than the Cetniks were", leading the British to switch their allegiances (Sykes, Evelyn Waugh: A Literary Life, p. 145). Evelyn Waugh, who was attached to the military mission, inevitably took a contrarian position, expressing his opposition to official policy by spreading the rumour - not his own invention - that Tito was in fact a woman. The survey contains much on recruitment, organisational structure, and the activities of Mikhailovic and his group in Serbia, Bosnia, Montenegro, Herzegovina, Dalmatia, and Slovenia, based largely on material supplied by BLOs attached to the Cetniks, the first of them being Lt. Col. "Bill" Deakin, who became one of the leading members of Churchill's literary "Syndicate", and published his own account of British involvement, The Embattled Mountain, in 1971. It includes an index of several hundred leading Cetniks, linking to the text, and in many cases providing useful outlines of their activities. The attribution to Clissold is drawn from a letter accompanying the IWM copy; he was chief Yugoslav analyst for the SIS. A valuable primary source.

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  


        Lady on a Train (Original screenplay for the 1945 film)

      Universal City, CA: Universal Pictures, 1944. Revised Draft script for the 1945 film. Carbon typescript, with brief notations throughout in holograph pencil. Noted as "Cockle Script" on the front wrapper. Leslie Charteris wrote the original screen story (but not the screenplay) for this film, and subsequently published the story as a novel in conjunction with the film's release. A light mystery with a terrific Woolrich-esque plot wherein a young girl (Deanna Durbin) sees a man being murdered from her train car window. Known for her addiction to mystery novels, she is not taken seriously by the police, and begins her own investigation. Gray titled wrappers, undated, with credits for screenwriters Beloin and O'Brien. 200 leaves, with last leaf of text numbered 131. Carbon typescript on onionskin stock, with revision pages throughout, dated variously between 10/17/44 and 2/22/45. Pages Near Fine, wrapper Very Good, now encapsulated in mylar, bound with three gold brads. Grant, p. 363. Spicer, p. 413.

      [Bookseller: Royal Books, Inc.]
 30.   Check availability:     Biblio     Link/Print  


        Original Photograph of Carnegie Hall Audience

      - An original photograph of the audience for the notoriously awful soprano's 1944 Carnegie Hall concert, her last and only public recital. Photographed by Jenkins' friend Adolf Pollitz from the dress circle, with a facsimile autograph caption, and also identified on the verso in a later hand. Some light creases and show-through from the writing on the verso; overall in fine condition. 10 x 8 inches (25.5 x 20.5 cm).Florence Foster Jenkins, an American girl born in 1868 in Wilkes-Barre, Pennsylvania to a well-to-do family, has become a legend as "the world's worst opera singer."

      [Bookseller: Schubertiade Music]
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        Kingsmill primer]. [Ponape Island (Micronesia), Mission Press, 1858]. 4to (24 x 20 cm). Set in roman type with rules dividing the page into 5 compartments.

      - J.E. Alden, "A press in paradise: the beginnings of printing in Micronesia", in: Papers of the Bibliographical Society of America, 38 (1944), pp. 269-283, item 14. A rudimentary one-page primer for the language of the Gilbert Islands in the South Pacific, printed in "a few copies" for the missionary Hiram Bingham junior (stationed on Apaiang Island), whose wife had prepared it, and produced by the printing office of the American Board of Commissioners for Foreign Missions (ABCFM) at their mission on Ponape Island. It was intended as an aid to teach the natives the alphabet and take the first steps toward teaching them to read. The language, very close to that of the Caroline Islands where it was printed, is a member of the Austronesian family of languages, which includes Maori. The Gilbert Islands were often called "Kingsmill" in the 19th-century, hence the title "Kingsmill primer" in the manuscript note on the copy in the ABCFM collection at Harvard College Library, which continues: "printed at Ponape, Sept. 1858". With the upper right corner torn off, not approaching the printed letters or rules, a couple small marginal tears, 1 small hole in a blank area and a few small spots, but still in very good condition. An ephemeral teaching aid and one of the earliest examples of printing in Micronesia: an extraordinary survival.

      [Bookseller: ASHER Rare Books]
 32.   Check availability:     ZVAB     Link/Print  


        Clef de la poésie

      - Gallimard, Paris 1944, 14x19,5cm, broché. - Prima edizione, una copia del servizio stampa. Autografo Precious firmata dall'autore Raymond Queneau: "... questo piccolo regalo di Natale dal suo amico ..." arricchito con una citazione di Lie-Tzu: "Chung-Ni, dopo aver sognato che era pesce nelle acque e uccelli in aria e poi uccello in acqua e pesce in aria, quando si svegliò vide molto onesto ... " Torna un po 'come generalmente insolated. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Précieux envoi autographe signé de Jean Paulhan à Raymond Queneau : "... ce petit cadeau de Noël de son ami..." enrichi d'une citation de Lie-Tzeu : "Tchoung-Ni, ayant d'abord rêvé qu'il était poisson dans les eaux puis oiseau dans les airs et un peu plus tard oiseau dans l'eau et poisson dans les airs, à son réveil y voyait très juste..." Dos légèrement insolé comme généralement.

      [Bookseller: Librairie Le Feu Follet]
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        Le souci de sincérité. Manuscrit autographe et tapuscrit complets

      Autograph manuscript of the author of 2 and a half pages in-4 published in the issue dated 2 March 1944 the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary review published on the occasion of the publication in the new collection Gallimard devoted to "The Young Philosophy" from the book "The concern sincerity" Yvon Belaval complete typescript is attached. In the writings of Blanchot, philosophical criticism acquires its own autonomy which makes it impossible to distinguish between the original thought Belaval and luminous interpretation of offers in a few pages, Maurice Blanchot. "The true man wants to break with loneliness when locked both reflection and weakness. He dreams of a return to "we" primitive, but simply the dream: he delights in his scruples, he speaks only to himself and speaks only of itself, it fails, and enjoys his failures. " No concern for fairness, so Blanchot, but a rigorous intellectual mechanics that do not not fear to overcome the limitations of text designed to develop its philosophical potential. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of the intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" his first steps in the field of literary criticism and inaugurates a theoretical work that develop later Many in these essays, "The Share of fire" to "The Infinite Conversation" and "The Writing disaster." From the very first articles, Blanchot demonstrates a sharp analysis far beyond the current literature that motivates writing. Oscillating between classical and modern writers of the first order and minor novelists, he puts in his columns, the foundations of critical thinking which will mark the second half of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exerted "on behalf of the other," with violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism philosophical act of intellectual resistance to barbarism at the heart of an "openly marechalist" newspaper: "Burning a book, write, are the two acts between culture which registered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers de la NRF together under the direction of Christophe Bident all literary chronic unpublished volumes with critical analysis of the relevant work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer his own rhetoric, delivered more to echo the impossible or the lure of extinction. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed during the chronicle necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1944) 13,5x21,5cm & 2 pages in-4 2 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
 34.   Check availability:     Direct From Seller     Link/Print  


        L'art d'André Dhôtel. Manuscrit autographe et tapuscrit complets

      Autograph manuscript of the author of 2 and a half pages in-8 published in the issue dated 16 March 1944 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary review published on the occasion of the publication of Gallimard Nowhere Andre Dhôtel. Full typescript is attached. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of the intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" his first steps in the field of literary criticism and inaugurates a theoretical work that develop later Many in these essays, "The Share of fire" to "The Infinite Conversation" and "The Writing disaster." From the very first articles, Blanchot demonstrates a sharp analysis far beyond the current literature that motivates writing. Oscillating between classical and modern writers of the first order and minor novelists, he puts in his columns, the foundations of critical thinking which will mark the second half of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exerted "on behalf of the other," with violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism philosophical act of intellectual resistance to barbarism at the heart of an "openly marechalist" newspaper: "Burning a book, write, are the two acts between culture which registered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers de la NRF together under the direction of Christophe Bident all literary chronic unpublished volumes with critical analysis of the relevant work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer his own rhetoric, delivered more to echo the impossible or the lure of extinction. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed during the chronicle necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1944) 13,5x21,5cm & 2 pages in-4 2 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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        Les secrets du rêve. Manuscrit autographe et tapuscrit complets

      - S.n. (Journal des débats), s.l. (Paris) s.d. (1944), 13,5x21,5cm & 2 pages in-4, 2 1/2 pages in-8. - Manoscritto autografo dell'autore delle pagine 2 e mezzo-8 pubblicati nel numero del 6 aprile 1944 la Gazzetta di dibattiti. Manoscritto completo di scrittura molto denso, con molte cancellature, correzioni e aggiunte. Cronaca letteraria del lavoro di Luc Durtain. Dattiloscritto completo è allegato. Tra aprile 1941 e il 1944, Maurice Blanchot pubblicato nella "Cronaca della vita intellettuale" del Journal of Dibattiti 173 articoli su libri di recente pubblicazione. In un giornale di mezza pagina (circa sette pagine in-8), il giovane autore di "Thomas l'oscuro" i suoi primi passi nel campo della critica letteraria e inaugura un lavoro teorico che si sviluppano più tardi Molti in questi saggi, "Il Capitale di fuoco" a "The Conversation Infinito" e "Il disastro di scrittura." Fin dai primi articoli, Blanchot dimostra un forte un'analisi ben oltre la letteratura che motiva la scrittura. Oscillando tra scrittori classici e moderni del primo ordine e romanzieri minori, mette nelle sue colonne, le basi del pensiero critico che segneranno la seconda metà del ventesimo. Trasformato da scrittura e dalla guerra, Blanchot rompe, su un pensiero esercitata "in nome degli altri", con maurassiennes violenti certezze della sua giovinezza. Non senza paradosso, poi si trasforma critica letteraria atto filosofico di resistenza intellettuale alla barbarie nel cuore di un giornale "apertamente marechalist": "Bruciare un libro, scrivere, sono i due atti tra la cultura che ha registrato le sue oscillazioni opposti "(il libro, in Journal of Dibattiti, 20 gennaio 1943). Nel 2007, Cahiers de la NRF insieme sotto la direzione di Christophe Bident tutti i volumi pubblicati croniche letterari con l'analisi critica del relativo lavoro di romanzi Blanchot ", poesie, saggi danno luogo ad una riflessione singolare, sempre più sicuro la sua retorica, consegnato più per riprendere l'impossibile o il richiamo di estinzione. (...) Non senza contraddizioni o farsi da parte, e la certezza di un lavoro febbrile comincia (... ) questi articoli rivelano la genealogia di un critico che ha trasformato durante la necessità cronaca del pensiero ". (C. Bident). I manoscritti autografi di Maurice Blanchot sono di grande rarità. - [FRENCH VERSION FOLLOWS] Manuscrit autographe de l'auteur de 2 pages et demie in-8 publiée dans le numéro du 6 Avril 1944 du Journal des Débats. Manuscrit complet à l'écriture très dense, comportant de nombreuses ratures, corrections et ajouts. Chronique littéraire publiée à l'occasion de la parution des secrets du rêve de Luc Durtain. On joint le tapuscrit complet. Si Blanchot ouvre et conclue cette chronique sur Freud, s'il invoque les autres grands penseurs du rêve, c'est aussi un regard personnel que nous dévoile cette chronique onirique. Déviant sans cesse de son sujet d'étude, le livre de Durtain, Blanchot imagine ainsi une histoire par les rêves : "une chronique n'ayant pour lien apparent que le mouvement des nuits, comme les autobiographies n'ont d'autres loi de composition que la suite des jours. [...] Ce journal extraordinaire que serait l'oeuvre de la durée telle que le sommeil la vit et où l'auteur lui-même, établissant le mémento de sa vie diurne, aurait le sentiment de pénétrer dans une forêt de transposition, dans un palais fermé de miroirs dont nulle clé ne pourrait dissiper l'enchantement. " Car, précédant les nombreuses interprétations de "la nature du rêve" par les penseurs et poètes, c'est une question plus fondamentale que pose cet article, une problématique qui traversera toute l'oeuvre critique et romanesque de Blanchot : "décrire simplement ce que c'est que : réver." Entre avril 1941 et août 1944, Maurice Blanchot publia dans la "Chronique de la vie intellectuelle" du Journal des Débats 173 articles sur les livres récemment parus. Dans une demi-page de journal (soit environ sept pages in-8), le jeune auteur de "Thomas l'obscur" fait ses premiers pas dans le domaine de la critique littéraire et inaugure ainsi une oeuvre théorique qu'il développera plus tard dans ces nombreux essais, de "La Part du feu" à "L'Entretien infini" et "L'Écriture du désastre". Dès les premiers articles, Blanchot fait preuve d'une acuité d'analyse dépassant largement l'actualité littéraire qui en motive l'écriture. Oscillant entre classiques et modernes, écrivains de premier ordre et romanciers mineurs, il pose, dans ses chroniques, les fondements d'une pensée critique qui marquera la seconde partie du XXe. Transformé par l'écriture et par la guerre, Blanchot rompt, au fil d'une pensée exercée "au nom de l'autre", avec les violentes certitudes maurassiennes de sa jeunesse. Non sans paradoxe, il transforme alors la critique littéraire en acte philosophique de résistance intellectuelle à la barbarie au c

      [Bookseller: Librairie Le Feu Follet]
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        Le pèlerinage aux sources. Manuscrit autographe et tapuscrit complets.

      - S.n. (Journal des débats), s.l. (Paris) s.d. (1944), 13,5x21,5cm & 2 pages in-4, 2 1/2 pages in-8. - Manoscritto autografo dell'autore delle pagine 2 e mezzo-8 pubblicati nel numero del 13 gennaio 1944 del Journal of dibattiti. Manoscritto completo di scrittura molto denso, con molte cancellature, correzioni e aggiunte. Rivista letteraria pubblicata in occasione della pubblicazione di Denoël del libro "Il pellegrinaggio alle sorgenti" Giuseppe Lanza del Vasto, poeta pacifista italiano e francese che fu il fondatore di L'Arche Comunità, le repliche delle ashram apostolo della non-violenza di Gandhi. Dattiloscritto completo è allegato. Tra aprile 1941 e agosto 1944, Maurice Blanchot pubblicato nella "Cronaca della vita intellettuale" del Journal of Dibattiti 173 articoli su libri di recente pubblicazione. In un giornale di mezza pagina (circa sette pagine in-8), il giovane autore di "Thomas l'oscuro" i suoi primi passi nel campo della critica letteraria e inaugura un lavoro teorico che si sviluppano più tardi Molti in questi saggi, "Il Capitale di fuoco" a "The Conversation Infinito" e "Il disastro di scrittura." Fin dai primi articoli, Blanchot dimostra un forte un'analisi ben oltre la letteratura che motiva la scrittura. Oscillando tra scrittori classici e moderni del primo ordine e romanzieri minori, mette nelle sue colonne, le basi del pensiero critico che segneranno la seconda metà del ventesimo. Trasformato da scrittura e dalla guerra, Blanchot rompe, su un pensiero esercitata "in nome degli altri", con maurassiennes violenti certezze della sua giovinezza. Non senza paradosso, poi si trasforma critica letteraria atto filosofico di resistenza intellettuale alla barbarie nel cuore di un giornale "apertamente marechalist": "Bruciare un libro, scrivere, sono i due atti tra la cultura che ha registrato le sue oscillazioni opposti "(il libro, in Journal of Dibattiti, 20 gennaio 1943). Nel 2007, Cahiers de la NRF insieme sotto la direzione di Christophe Bident tutti i volumi pubblicati croniche letterari con l'analisi critica del relativo lavoro di romanzi Blanchot ", poesie, saggi danno luogo ad una riflessione singolare, sempre più sicuro la sua retorica, consegnato più per riprendere l'impossibile o il richiamo di estinzione. (...) Non senza contraddizioni o farsi da parte, e la certezza di un lavoro febbrile comincia (... ) questi articoli rivelano la genealogia di un critico che ha trasformato durante la necessità cronaca del pensiero ". (C. Bident). I manoscritti autografi di Maurice Blanchot sono di grande rarità. - [FRENCH VERSION FOLLOWS] Manuscrit autographe de l'auteur de 2 pages et demie in-8 publié dans le numéro du 13 janvier 1944 du Journal des Débats. Manuscrit recto-verso complet, à l'écriture très dense, comportant de nombreux ratures, corrections et ajouts. On joint le tapuscrit complet, avec une correction autographe à l'encre noire.   Chronique parue à l'occasion de la publication de Le pèlerinage aux sources de Joseph Lanza del Vasto.   Cette chronique de Maurice Blanchot fait un étonnant écho à l'un de ses tout premiers textes publiés (1931), consacré aux Mémoires de Gandhi, et qui contenait déjà l'essentiel de sa pensée des années 1930. Publié dans les pages des Cahiers mensuels, revue catholique proche de la pensée de Jacques Maritain, Blanchot y défendait l'idée d'une révolution nécessairement spirituelle mais aussi d'une lutte contre l'impureté des influences étrangères. Dans « Le pèlerinage aux sources », Blanchot revient à Gandhi par le biais d'un ouvrage de Joseph Lanza del Vasto récemment paru, dans lequel le philosophe italien analyse « l'espoir de rénovation que beaucoup d'Occidentaux cherchent, souvent à la légère, dans les profonds secrets de l'hindouisme ». Mais pour Blanchot, l'action de Gandhi ne saurait constituer véritablement un exemple à suivre : « Naturellement, nous comprenons tous que la politique de Gandhi ne tend pas seulement à une victoire politique, mais à une victoire spirituelle : il veut délivrer le peuple de ses maux, de son ignorance, lui faire vivre la vérité ; tout cela est fort clair ; ce qui l'est aussi, c'est que parmi ces maux il y a d'abord la présence de l'étranger et que le régime recommandé par le Mahatma et en vue duquel il met en jeu des forces spirituelles est un régime de libération politique, économique et sociale. Il est impossible de ne pas voir [...] dans cette réhabilitation de l'action extérieure, le gauchissement de l'idéal spirituel. A l'homme il n'est plus demandé de se dépouiller de lui-même, pour rien (sans qu'aucune fin formidable puisse le justifier de ce total anéantissement), mais il reçoit le mot d'ordre d'aménager le monde, de se vaincre en vue de rendre la réalité meilleure. C'est un retour sans gloire à la morale de salut la plus vulgaire. »   Intéressante critique de l'action politique du Mahatma Gandhi. Entre avril 1941 et août 1944, Maurice Blanchot publia dans la "Chronique de la vie intellectuelle" du Journal des Débats 173 articles sur les livres récemment parus. Dans une demi-page de journal (soit environ sept pages in-8), le jeune auteur de "Thomas l'obscur" fait ses premiers pas dans le domaine de la critique littéraire et inaugure ainsi une oeuvre théorique qu'il développera plus tard dans ces nombreux essais, de "La Part du feu" à "L'Entretien infini" et "L'Écriture du désastre". Dès les premiers articles, Blanchot fait preuve d'une acuité d'analyse dépassant largement l'actualité littéraire qui en motive l'écriture. Oscillant entre classiques et modernes, écrivains de premier ordre et romanciers mineurs, il pose, dans ses chroniques, les fondements d'une pensée critique qui marquera la seconde partie du XXe. Transformé par l'écriture et par la guerre, Blanchot rompt, au fil d'une pensée exercée "au nom de l'autre", avec les violentes certitudes maurassiennes de sa jeunesse. Non sans paradoxe, il transforme alors la critique littéraire en acte philosophique de résistance intellectuelle à la barbarie au c

      [Bookseller: Librairie Le Feu Follet]
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        Le roman d'Aïssé. Manuscrit autographe et tapuscrit complets.

      Autograph manuscript of the author of 2 and a half pages in-8 published in the issue dated 24 February 1944 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Full typescript is attached. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of the intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" his first steps in the field of literary criticism and inaugurates a theoretical work that develop later Many in these essays, "The Share of fire" to "The Infinite Conversation" and "The Writing disaster." From the very first articles, Blanchot demonstrates a sharp analysis far beyond the current literature that motivates writing. Oscillating between classical and modern writers of the first order and minor novelists, he puts in his columns, the foundations of critical thinking which will mark the second half of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exerted "on behalf of the other," with violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism philosophical act of intellectual resistance to barbarism at the heart of an "openly marechalist" newspaper: "Burning a book, write, are the two acts between culture which registered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers de la NRF together under the direction of Christophe Bident all literary chronic unpublished volumes with critical analysis of the relevant work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer his own rhetoric, delivered more to echo the impossible or the lure of extinction. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed during the chronicle necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1944) 13,5x21,5cm & 2 pages in-4 2 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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        Les secrets du rêve. Manuscrit autographe et tapuscrit complets

      Autograph manuscript of the author of 2 and a half pages in-8 published in the issue dated 6 April 1944 the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary chronicle of the work of Luc Durtain. Full typescript is attached. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of the intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" his first steps in the field of literary criticism and inaugurates a theoretical work that develop later Many in these essays, "The Share of fire" to "The Infinite Conversation" and "The Writing disaster." From the very first articles, Blanchot demonstrates a sharp analysis far beyond the current literature that motivates writing. Oscillating between classical and modern writers of the first order and minor novelists, he puts in his columns, the foundations of critical thinking which will mark the second half of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exerted "on behalf of the other," with violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism philosophical act of intellectual resistance to barbarism at the heart of an "openly marechalist" newspaper: "Burning a book, write, are the two acts between culture which registered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers de la NRF together under the direction of Christophe Bident all literary chronic unpublished volumes with critical analysis of the relevant work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer his own rhetoric, delivered more to echo the impossible or the lure of extinction. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed during the chronicle necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1944) 13,5x21,5cm & 2 pages in-4 2 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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        D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.

      Autograph manuscript of the author of 2 and a half pages in-8 published in the issue dated 20 January 1944 of the Journal of Debates. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary chronicle of literary news of the moment. Full typescript is attached. "The subject is not limited to the plot: it depends both incidents of language, the details of the composition, and most of these images that reveal the meaning of creation; the subject of a novel, it is the world's foremost he is born. " This principle of novelistic art could also apply to chronic it initiates. The topic of "From a novel to another" is so literary news that crosses the thought Blanchotienne it engenders. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of the intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" his first steps in the field of literary criticism and inaugurates a theoretical work that develop later Many in these essays, "The Share of fire" to "The Infinite Conversation" and "The Writing disaster." From the very first articles, Blanchot demonstrates a sharp analysis far beyond the current literature that motivates writing. Oscillating between classical and modern writers of the first order and minor novelists, he puts in his columns, the foundations of critical thinking which will mark the second half of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exerted "on behalf of the other," with violent maurassiennes certainties of his youth. Not without paradox, then it transforms literary criticism philosophical act of intellectual resistance to barbarism at the heart of an "openly marechalist" newspaper: "Burning a book, write, are the two acts between culture which registered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, Cahiers de la NRF together under the direction of Christophe Bident all literary chronic unpublished volumes with critical analysis of the relevant work of Blanchot "novels, poems, essays give rise to a singular reflection, always safer his own rhetoric, delivered more to echo the impossible or the lure of extinction. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed during the chronicle necessity of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1944) 13,5x21,5cm & 2 pages in-4 2 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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        Nouvelles et récits. Manuscrit autographe et tapuscrit complets

      Autograph manuscript of the author of two and a half pages in-8 published in the April 20, 1944 of the Debates of the Journal. Complete manuscript writing very dense, with many erasures, corrections and additions. Literary Chronicle of the work of Claude Roy. Complete typescript is attached. Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of intellectual life" of the Journal of Debates 173 articles on recently published books. In a half-page newspaper (about seven pages in-8), the young author of "Thomas the Obscure" made his first steps in the field of literary criticism and inaugurates a theoretical work that develop later Many in these essays, "The Fire Part" to "Infinity Maintenance" and "The Writing of the Disaster." From the first articles, Blanchot demonstrated an analysis acuity far beyond literary news that motivates writing. Oscillating between classic and modern, first-class writers and novelists minors, he asks, in his chronicles, the foundations of critical thinking that will mark the second part of the twentieth. Transformed by writing and by war, Blanchot breaks, over a thought exercised "in the name of the other," the violent maurassiennes certainties of his youth. Not without paradox, then transforms literary criticism in philosophical act of intellectual resistance to barbarism at the heart of a newspaper "openly marechalist": "Burn a book, write, are the two acts between which culture entered its oscillations opposites "(The Book, In Journal of Debates, January 20, 1943). In 2007, the Cahiers NRF together under the direction of Christophe Bident all literary chronicles not yet published in volumes with the relevant analysis of the critical work of Blanchot "novels, poems, essays give rise to a singular thought, ever safer of his own rhetoric, delivered more to echo the impossible or the lure of the disappearance. (...) Not without contradictions or step aside, and the certainty of a feverish work begins (... ) these articles reveal the genealogy of a critic who has transformed the occasion of the headlines in need of thought. " (C. Bident). The autograph manuscripts of Maurice Blanchot are of great rarity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. (Journal des débats) s.l. (Paris) s.d. (1944) 13,5x21,5cm & 2 pages in-4 2 1/2 pages in-8

      [Bookseller: Librairie Le Feu Follet]
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        Tombeau de Pascin

      First edition, one of 130 numbered copies on pur fil paper, the only printing along with 20 others on pur fil with a suite of the illustrations. With frontispiece portrait, woodcut and 6 original etchings by Jules Pascin. A very good copy. Textes et pretextes Paris 1944 25,5x33cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Allegretto innocente. FINE COPY.

      In Agris Occupatis (= Groningen), 1944. Original stiff wrappers (softcover) printed in seven colors [frontwrapper], 221 x 13,7 cms., 13, (1) pp. First Edition. 'Volière-Reeks 5'. Edition: 100 (110) copies. Staples show the beginning of corrosion (as usual), very faint diagonal fold of approximately 1,5 cm. to lower left of front wrapper, lower spine loose 1 cm., however, a copy hardly to be seen in this condition. Werkman, Hendrik Nicolaas.

      [Bookseller: Luïscius Books]
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        De 7 vloeken. Poëtisch pamflet.

      [Groningen], In agris occupatis, 1944. 25,0 x 16,3 cm. Ingenaaid (naaigaren ontbreekt). (12) p. + omslag. Gedrukt door H.N. Werkman in een oplage van 110 genummerde exemplaren. Met een druksel in drie kleuren op het omslag. 1e druk. Omslag deels zeer licht verkleurd, enkele vlekjes op voorzijde omslag.* Eén van de 15 Romeins genummerde luxe-exemplaren (dit is nummer XV), gedrukt op Dührer-text en gesigneerd door de dichter (met het kenmerkende bloemetje). De kleuren van het druksel op het omslag van dit luxe-exemplaar verschillen van de kleuren op het omslag van het gewone exemplaar: het effect van de irisdruk is hier sterker. We hebben andere luxe-exemplaren gezien met dezelfde kleuren: zou Werkman opzettelijk andere kleuren inkt hebben gebruikt bij het sjabloneren van de luxe-exemplaren (die immers ook op ander papier werden gedrukt)? Volière-reeks 4. De Jong 976. Dekkers G-248. Hot printing 44-g11. Simoni S 15.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
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