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Displayed below are some selected recent viaLibri matches for books published in 1941

        The Excavation of Medinet Habu, Volume III, The Mortuary Temple of Ramses III, Part I

      Chicago, Illinois, U.S.A.: Univ of Chicago Press, 1941. This is NOT an ex library book. This is Part I only. Published June 1941. Translated from the German by Mrs. Keith C. Seele. Brown buckram heavy-duty binding, with crisp gilt-stamped lettering to the spine. Generally unbumped if lightly rubbed spine head and tail, with lightly bumped and rubbed corners. 16 x 12 inches. Text block firmly bound in. T.E.G. With xiii and 87 numbered pages of text, interspersed with numerous B&W figures and also with 40 full-page plates, the first two of which are in color. Many of the plates are of archival photos. To the top corner of the front pastedown, in a very neat and small ink hand, previous owner name and date. Else a clean volume, and rather tight. Respectfully read. No dust jacket [as issued?]. A Very Good Plus copy. With thanks to The Oriental Institute, University of Chicago: "Ramesses III’s great temple complex at Medinet Habu is distinguished from other royal mortuary temples in Egypt above all by the circumstance that much of the temple structure itself still stands and that excavation has made comparatively clear the entire temenos with all subsidiary structures, fortifications, and the like. Thus in Medinet Habu as nowhere else in Egypt are revealed the entire plan of such a large and rich temple complex and to some extent the cult and administration carried on within its walls. This extensive architectural creation of Ramesses III is the subject of Volumes III and IV of The Excavation of Medinet Habu. Each individual structure can really be understood only in its relation to the entire layout. On the other hand, it is impossible to gain an idea of the whole without first understanding the significance of each part. We therefore begin our treatise with a discussion of individual structures and groups of buildings and close with a comprehensive picture of the entire complex. The present volume is concerned only with the structures of the inner temple area, and a description of the Ramesseum is included for purposes of comparison.". First Edition. Buckram. Very Good Plus/No Jacket. Elephant Folio - over 15" - 23" tall.

      [Bookseller: Marc Sena Carrel]
 1.   Check availability:     IOBABooks     Link/Print  


        The Case of the Empty Tin

      William Morrow and Co., 1941 INSCRIBED first edition. 1941 stated on title and copyright page. Inscribed on the front free end paper to fellow writer "Tee" Rose, whose article on the "U.S. Male" appeared in a 1948 Argosy magazine with a Gardner piece. Book near fine, dust jacket very good, some wear, small stain on upper left of back and upper left corner of front flap, front flap separated from front of dj. Comes with a card from the sale at Bonhams.. Inscribed by Author(s). 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books ]
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        Walt Disney's Story of The Reluctant Dragon,

      Garden City Publishing Company (1941), New York - Thin 4to. Illustrated in color and black and white throughout. Publisher's cloth spine, pictorial boards, pictorial endpapers. Based on a story from Kenneth Grahame's 'Dream Days'. This is a fine, bright copy with only the barest trace of wear along the edges. Very scarce in this condition. The dustwrapper has a little roughness along the edges and some light soil but is in near fine condition, and also scarce in this condition. It is not clipped.The nicest copy of this title we have seen. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Ignazio di Loiola Generale di Cristo

      Casa Edtrice Adriano Salani-Firenze, 1941. ITALIANO 0,22 Volume in buono stato, coperta in tessuto con bei caratteri in bassorilievo su dorso, rametto stilizzato in bassorilievo su piatto anteriore, punte, cima e piede consunti, punte del piatto anteriore poco piegate, tagli bruniti con accenno di fioritura, pagine con margini lievemente bruniti, su alcuni margini tracce di fioritura. Disegno in nero di A. Zardo su anteporta. Belle illustrazioni monocrome fuori testo, riproduzioni dell'edizione pubblicata a Roma nel 1622 in occasione della Canonizzazone di S. Ignazio. USATO

      [Bookseller: Biblioteca di Babele]
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        Eight original art works for different versions of a theater poster advertising Oscar Serlin's production of the Broadway debut of John Steinbeck's play The Moon is Down, New York, 1942. Together with one version of a printed poster

      (New York, 1941-42), 1941. Overall condition is very good. An itemized and illustrated description is available.. Nine pieces in all, sizes ranging from 35 x 24 cm to 71 x 50 cm, on thick poster-board or monted from drawing paper. An interesting collection, from the archives of the play's producer, Oscar Serlin, of nine variations, all demonstrably different and apparently by different artists, as well, only one of whom is identified: Witold Gorson, who was known for his New Yorker magazine covers.

      [Bookseller: The Brick Row Book Shop]
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        Portrait du maréchal Philippe Pétain tissé sur soie nacrée (23,2x17 cm) fixé sur un carton. Lyon, Syndicat des fabricants de soieries. Ecole de Tissage.

      Le maréchal est en uniforme militaire, avec képi de maréchal et une seule décoration, la médaille militaire ; le portrait se détache sur un fond semé de feuilles de chêne et dessous, la signature Ph. Pétain. Le Musée des tissus de Lyon possède 2 portraits du Maréchal Pétain en 1941, un de Lyon, école municipale de tissage, mis en carte par Max Buchmann (51 x 40,4 cm) et un de Saint Etienne par Neyret Frères ; celui-ci semble être une version plus petite que la première version de Lyon ; le catalogue "La Fabrique des grands hommes" ne mentionne pas l'existence de la signature. Bel état. Rare. La réalisation d'un portrait apres mise en carte, reste toujours une belle prouesse technique.

      [Bookseller: Librairie Ancienne Clagahé]
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        The Pure Theory of Capital

      London: Macmillan and Co., Limited, 1941. First Edition. Hardcover. Very Good. First edition, first impression. xxxi, 454, (2) pp. Original navy cloth with gilt spine lettering. Near Fine with offsetting to endpapers, small nick in spine edge, lightly bumped corners and rubbed extremities, small stain on fore edge and two light small marginal spots in text near there. A very nice copy of an often-overlooked work by the Austrian economist. It was an ambitious attempt to, in his own words, make capital theory "useful for the analysis of the monetary phenomena of the real world.

      [Bookseller: Burnside Rare Books]
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        Typed letter signed. Stuttgart-Zuffenhausen, 11. XII. 1941.

      1941. Folio. 1 p. With printed letterhead. A letter of condolence to Wilhelm Kissel (1885-1942), member of the board of directors of the Daimler-Benz AG, whose son had become a victim of WWII. - Slightly yellowed.

      [Bookseller: Antiquariat Inlibris]
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        The Pure Theory of Capital

      London: Macmillan and Co., Limited, 1941. First Edition. Hardcover. Very Good. First edition, first impression. xxxi, 454, (2) pp. Original navy cloth with gilt spine lettering. Near Fine with offsetting to endpapers, small nick in spine edge, lightly bumped corners and rubbed extremities, small stain on fore edge and two light small marginal spots in text near there. A very nice copy of an often-overlooked work by the Austrian economist. It was an ambitious attempt to, in his own words, make capital theory "useful for the analysis of the monetary phenomena of the real world.

      [Bookseller: Burnside Rare Books]
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        Framed Typed Letter Signed to a producer at Paramount Pictures

      1941. unbound. 1 page, 9 x 6.25 inches, no place, June 3, 1941. Written to Mark Sandrich, a director and producer at Paramount Pictures, in part: "I had a session with Elmer Rice today and he read the script, and I played the songs in 'HOLIDAY INN' for him. He is very much interested and wants to talk to you about it. He leaves Friday for Hollywood so will get in touch with you. I made it perfectly clear that you were negotiating with Allan Scott and that all this was very tentative..." Faint horizontal folds; near fine condition. Double-matted in gray and white beside a 6.5 x 5-inch photo of Berlin sitting at a piano. Set in a black and gold frame measuring 16.75 x 20.5 inches.

      [Bookseller: Argosy Book Store]
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        Signed & Inscribed Photograph of Queen Mary].]

      41 New Bond Street 1941 - Gelatin silver print on card, full length portrait of the Dowager Queen dressed in her coronation robes in the drawing-room at Marlborough House, signed and dated on mount, and inscribed on verso of mount, very good condition, photograph 210 x 155mm., framed and mounted with glass back to view inscription on the reverse of the photograph, 425 x 330 mm. Inscription reads: "Taken at Marlborough House in the dress I wore at the Coronation of King George VI & Queen Elizabeth 12th May 1937." The same image is to be found in the Royal Collection. Royal Collection Trust. [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
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        Marino Marini presentato da Filippo de Pisis

      Milano, Edizioni della Conchiglia, 1941. Vol. II della collana Pittori e Scultori italiani contemporanei. Monografie a cura di Giampiero Giani. In 4°, p. nn. 6 + 8 con testo bilingue italiano / tedesco. Seguono 60 tavole f.t. su carta patinata. Tiratura di 800 esemplari. Il nostro è una delle 50 copie che dovrebbero contenere un disegno originale del maestro, che invece manca. Sono presenti invece, le due litografie originali, le prime in assoluto realizzate da Marini. Cartonato editoriale. Dorso rifatto in tela. Rinforzate internamente le cerniere.

      [Bookseller: Studio Bibliografico Marisa Meroni]
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        THE BLACK STALLION (1st Printing Inscribed By the Author in Original 1st Printing DJ)

      New York: Random House, 1941. Farley, Walter. THE BLACK STALLION. New York: Random House, 1941. FIRST EDITION, FIRST PRINTING (so stated). A Very Good copy (trace of finger-soiling, spine slightly darkened, and two corner tips restored) in a Very Good or better original priced first printing dust jacket with all correct first printing points. The dust jacket is Very Good or better, still bright with only minor wear to the extremities. This is a PRESENTATION COPY given by the young author to an erstwhile girlfriend, one of only two presentation copies known to us (the other still residing with the author's heirs). "To Delores -/ My very extra-special/ girlfriend. / Love, / Walter/ Sept. 3rd 1940]/ P.S. Let your sister Sue, and/your mother and your dad/take a "peek" at the Black, too, / won't you?" This is a chance to acquire THE copy of the enduring and endearing book which gave birth to what the New York Times called "the most famous fictional horse of the [20th] century." Housed in a new custom matching black-and-red slipcase. . Signed. First Edition. Hard Cover. Very Good/Very Good Plus. Illus. by Keith Ward.

      [Bookseller: Lakin & Marley Rare Books ]
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        Waffen-SS im Westen. Ein Bericht in Bildern von SS-Kriegsberichter Friedrich Zschäckel, SS-PK.

      München, Zentralverlag der NSDAP, Franz Eher Nachf., 1941. 4°, unpaginiert, ca. 140 Seiten mit durchgehend Schwarz-weiß-Aufnahmen, Vorwort von Gunter d´Alquen, Orig.-Karton - Umschlag fehlt, Einband fleckig, Buchrücken mit Fehlstellen, letzte unbeschriftete Seite mit kl. Fehlstelle - 1941 S 5853 Versand D: 4,50 EUR Bildbände, 2. Weltkrieg, 3. Reich

      [Bookseller: Antiquariat Kirchheim]
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        THE LAST TYCOON: AN UNFINISHED NOVEL; TOGETHER WITH THE GREAT GATSBY AND SELECTED SHORT STORIES [“May Day,” “The Diamond as Big as the Ritz,” “The Rich Boy,” “Absolution” and “Crazy Sunday”]

      New York: Charles Scribner's Sons, 1941. First Edition; First Printing. Hard Cover. near Good dust jacket. Octavo. A scarce first printing of Fitzgerald's final novel, edited by Edmund Wilson after Fitzgerald's death. Many feel it was shaping up to be his finest. Given its size it was packaged with several of his early short stories as well as The Great Gatsby. Surprisingly, this was only the fifth appearance of The Great Gatsby, preceded by the first two Scribner's printings in 1925, a British edition, and the scarce Modern Library edition in 1934. Also included in this edition are some of Fitzgerald's most successful short stories; a very nice copy in blue cloth; offsetting at the endpaper else contents clean and binding sound; there is a faint vertical soft crease to the first dozen or so leaves running parallel with fore-edge about 1/2” in (very minor); dust jacket retains its $2.75 price on the front flap; generally shelfworn with loss at the top and bottom of the spine affecting the author's name; now protected in a mylar cover; additional images available upon request. Bruccoli A18.i.a.

      [Bookseller: Michael Pyron, Bookseller]
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        SOLOMON'S VINEYARD

      London: Methuen & Co. Ltd. 1941. First edition, first printing. First edition, first printing. Publisher's original blue cloth with black titles to the spine, in dustwrapper. A very good or better copy, the binding a little rubbed and bumped at the extremities. The contents are clean and without previous owner's inscriptions or stamps. Complete with the rubbed and nicked original dustwrapper. which has small chips at the spine tips and a closed tear to the upper panel. Not price-clipped (7s. 6d. net to the front flap). An attractive example. The author's most notorious novel, banned in the US and therefore the only one of his books to be first published in the UK. A hard-boiled classic. Born in Chicago and working as a journalist for the Chicago Herald Examiner, Latimer served in the US Navy during World War Two after which he moved to California and went on to enjoy a successful screenwriting career. Aptly a year after the publication of Solomon's Vineyard he racked up a scriptwriting credit on Dashiell Hammett's The Glass Key. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        ???????? Picture-Story Show: Ikky?-san

      Tokyo: Shink?-sha ???. Showa 16. [1941]. Scarce Japanese kamishibai (paper theatre) stage, glass screen and complete set of 14 cards. Kamishibai frame illustrated by Koide Shin’ichi ????. Text and illustrations of the Ikky?-san story by Kiyohara Takashi ?????. Paper and card theatre shows some insect damage and wear with a few occasional marks. First card a little creased, cards foxed and soiled in places. Kamishibai or Japanese paper theatre had its heyday in the first half of the 20th century before television sounded the beginning of its demise. Kamishibai men, or very occasionally women, were most commonly itinerate street story tellers who sold sweets to their eager audiences of children as a way of ekeing out a living. They had wooden stages which they usually transported around by bicycle. When they arrived at the place where they would give their performance they attracted the attention of local children by clapping two wooden sticks together. With an audience assembled they began by selling sweet and then told their story using the illustrated boards, slipping one in front of another in the grooves of the stage as the story progressed. Kamishibai was influenced by the culture in which it thrived, with cinema being a particularly strong influence. It covered all styles almost always with a strong moral tone. During the Second World War kamishibai was extensively used to send out a nationalist message. Stories were exciting! The kamishibai men often leaving the story mid-point on a cliff hanger, so the children would return the next day. Kamishibai may not be performed on street corners in Tokyo anymore but its influence lives on in the many manga artists who emerged from the kamishibai industry. The theme of this toy kamishibai is Ikky?-S?jun ???? [1394-1481] a Buddhist priest of Daitoku-ji Temple who is well known to Japanese audiences as an intelligent, witty, problem solver. Since childhood Ikky?-S?jun was regarded as a very talented and witty person and there are many anecdotes and stories which tell of his wit. There are three stories in this kamishibai set, Ikky?-san and his friend Chikusai feature in two of them and their master in a third. (Manga Kamishibai. The Art of the Japanese Paper Theater - Eric P. Nash. 2009). .

      [Bookseller: Asia Bookroom]
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        Thomas l'obscur

      Paris, Gallimard, 1941 In-12 (20,8 x 14,3 cm), broché, couverture imprimée, 232 pp., 1 f. n. ch. Edition originale sur papier d'édition (pas de grand papier). Exemplaire du SP comportant un bel envoi autographe signé de l'auteur rédigé de sa fine écriture : «Les messieurs ne rêvent jamais (Un enfant, daprès Jean Piaget) à Raymond Queneau avec vive sympathie Blanchot» Rare et bel exemplaire. .

      [Bookseller: Librairie Faustroll]
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        BAMBI. A Cut Out book.

      FIRST EDITION. Folio. (14.6 x 9.5 inches). An obscure Disney title which features 4 pages of colour cut outs to make a play set, featuring scenes from the Disney animated film. A fine copy with the cut outs intact. Original full colour illustrated card wraps. A lovely fresh and bright copy of this rare War Time volume.

      [Bookseller: Paul Foster Books]
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        [War Speeches]. Into Battle [with] The Unrelenting Struggle [with] The End of the Beginning [with] Onwards to Victory [with] The Dawn of Liberation [with] Victory [with] Secret Session Speeches. COMPLETE SET OF FIRST EDITIONS

      Cassell,, [1941-46]. 7 vols., 8vo., First Edition, with portrait frontispieces and numerous plates, tops lightly dust-soiled, neat signature on front free endpapers; blue cloth, gilt backs, fore-edges lightly spotted, a very good, bright, clean set. The set comprises Into Battle (1941), The Unrelenting Struggle (1942), The End of the Beginning (1943), Onwards to Victory (1944), The Dawn of Liberation (1945), Victory (1946), Secret Session Speeches (1946). Randolph Churchill edited the first volume, Charles Eade the subsequent six volumes. Although published as a series and uniform in size, complete sets of first editions are seldom offered for sale. Woods A66(a), A89, A94, A101, A107, A111 and A114 respectively.

      [Bookseller: Island Books]
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        War Speeches]. Into Battle [with] The Unrelenting Struggle [with] The End of the Beginning [with] Onwards to Victory [with] The Dawn of Liberation [with] Victory [with] Secret Session Speeches. COMPLETE SET OF FIRST EDITIONS

      Cassell, [1941-46] - 7 vols., 8vo., First Edition, with portrait frontispieces and numerous plates, tops lightly dust-soiled, neat signature on front free endpapers; blue cloth, gilt backs, fore-edges lightly spotted, a very good, bright, clean set. The set comprises Into Battle (1941), The Unrelenting Struggle (1942), The End of the Beginning (1943), Onwards to Victory (1944), The Dawn of Liberation (1945), Victory (1946), Secret Session Speeches (1946). Randolph Churchill edited the first volume, Charles Eade the subsequent six volumes. Although published as a series and uniform in size, complete sets of first editions are seldom offered for sale. Woods A66(a), A89, A94, A101, A107, A111 and A114 respectively. [Attributes: First Edition; Hard Cover]

      [Bookseller: Island Books]
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        Leif The Lucky

      Garden City, Doubleday, Doran and Co.,, 1941. Quarto. Original pictorial printed boards, pictorial endpapers. With the dust jacket. colour illustrations by the authors. Spine cloth lightly faded, else an excellent copy with the dust jacket with chip to top end of spine, creasing and closed short tears to rear top edge, a very attractive copy. First edition, first printing. Laid in is a hand written letter on the authors' stationery to Miss Julia Carter thanking her for her hospitality when they visited her in Cincinnati. Julia F. Carter, was the first full time children's librarian at the New York Public Library. Miss Carter was also the first national president of the Division of Library Work with Children and Young People of the American Library Association. She presented the first ever Caldecott Medal in 1938. Carter's library initials are pencilled in on the front free endpaper. A lovely association copy of this title.

      [Bookseller: Peter Harrington]
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        Original Book Contract for "Mildred Pierce," signed by Cain and Knopf

      N.p., N.p. 1941 - Purchase, Rights, and Royalties agreement between James M. Cain and Alfred A. Knopf for Cain's book, "Mildred Pierce," SIGNED by both Cain and Knopf, and dated May 8, 1941. Cain has also initialed several corrections and deletions.The book went on to become one of Cain's best-loved and best-selling titles, the film version of which ressurected the career of Joan Crawford and became a milestone in film noir. Remade as a critically acclaimed mini-series in 2011 by Todd Haynes, starring Guy Pearce and Kate Winslet, and restoring the intended third act from Cain's novel.Near Fine in an attractive, pre-folded, six-page contract document with Knopf corporate seal. [Attributes: Signed Copy]

      [Bookseller: Royal Books, Inc., ABAA]
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        Evil Under the Sun

      UK: Collins Crime Club, 1941. 1st Edition 1st Printing. Hardcover. Fine/Fine. Evil Under the Sun by Agatha Christie First Edition Collins Crime Club 1941. No inscriptions, no browning, very light foxing to preliminary pages. Covers fine, bright and completely unblemished in like dust jacket, with no fading or toning.

      [Bookseller: Brought to Book Ltd]
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        SHE FADED INTO AIR

      London: Collins, The Crime Club. 1941. First edition, first impression, dated 1941 to copyright page. First edition, first impression, dated 1941 to copyright page. Original orange cloth with black titles to spine in pictorial dustwrapper. A beautiful near fine clean and square copy, one tiny patch of fading to the top of the spine corresponding with a small nick to the wrapper. Internally clean and bright throughout with a small previous owner?s name and date to the front free endpaper. Complete with the original near fine dustwrapper which has a single tiny nick to the top of the spine, without loss. Not price-clipped (7s 6d net to the front flap clearly visible underneath the publisher?s 4/6 paper label). A lovely copy. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        Portraitskizze eines Kindes, in Original Pastell-Kreide hinter Passepartout und Glas gerahmt,

      August 1941. - schönes signiertes Blatt. Wilhelm Schnarrenberger (* 30. Juni 1892 in Buchen im Odenwald; † 12. April 1966 in Karlsruhe) war ein deutscher Maler. Wilhelm Schnarrenberger zählt zu den Vertretern der Neuen Sachlichkeit. Er ist der Sohn eines Gymnasialprofessors und machte 1911 sein Abitur. Von 1911 bis 1915 besuchte er die Königliche Kunstgewerbeschule München und studierte parallel in München Architektur. Ab 1913 war er Schüler des Gebrauchsgrafikers Fritz Helmuth Ehmcke und ein Freund von Karl Rössing. 1918 wurde er zum Dienst im Ersten Weltkrieg eingezogen. Er war 1919 für die Zeitschrift Der Weg und ab 1920 für die Zeitschriften Wieland und Simplicissimus tätig. Schnarrenberger unterrichtete von 1921 bis 1933 an der Badischen Landeskunstschule. 1924 war er Gründungsmitglied der ORNA-Werkstätten für Werbung und Innendekoration. Unter den Nationalsozialisten war seine Kunst verpönt und wurde 1937 als entartet gebrandmarkt und verboten, nachdem er bereits seit 1933 nicht mehr unterrichten durfte. 1933 übersiedelte er mit seiner Familie nach Berlin, wo er versuchte, als freischaffender Gebrauchsgrafiker seinen Lebensunterhalt zu verdienen. Den bevorstehenden Krieg voraussehend zog er 1938 nach Lenzkirch im Schwarzwald, wo er zusammen mit seiner Frau Melitta (1909-1996) eine kleine Ferienpension eröffnete. Hier entdeckte er das für sein späteres Werk so wichtige Thema des Stilllebens. 1947 wurde er zum Professor an die Staatliche Akademie der Bildenden Künste Karlsruhe berufen. 1962 erhielt er für sein künstlerisches Werk den Hans-Thoma-Staatspreis. Schnarrenberger legte stets auf das handwerkliche Können seiner Schüler großen Wert, so mussten diese zuerst das Zeichnen von architektonischen Gebäuden und Alltagsgegenständen erlernen, bevor er sie malen ließ. Wilhelm Schnarrenberger war der ältere Bruder des Generalmajors der Wehrmacht Ernst Emil Schnarrenberger (* 27. Juli 1893 in Buchen im Odenwald; † 10. Juni 1966 in Bad Mergentheim).[1][2]. Quelle: Wikipedia Sprache: Deutsch

      [Bookseller: Antiquariat Im Baldreit]
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        Attack Alarm.

      London: Collins, 1941 - Octavo. Original grey cloth, titles to spine in red. With the dust jacket. Previous ownership signature to front pastedown has been heavily blacked out in ink, occasional spotting to pages, spine gently rolled, light soiling to boards, in the price clipped dust jacket with light wear to extremities, shallow chipping to corners, toning to rear panel, splitting along front flap fold. A very good copy. First edition, first impression. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 27.   Check availability:     AbeBooks     Link/Print  


        Raskens. En soldatfamiljs historia. I-II. Elfte upplagan.

      Stockholm; Bonniers, 1941. (Vår egen tids bästa moderna svenska berättare, utvalda av Radiotjänst). 19x13 cm. 210 & (4, 1 blank), 212-380 s. Två volymer i förlagets tryckta linneband. Pärmhörnen lätt tilltryckta. Fina inlagor. Dedikation i första volymen: ''Till Kristina med tillgivenhet från hennes Vilhelm''. Mottagaren Kristina Odelberg/Hedenblad (1917-2005) hade under 40-talet och möjligen även senare en kärleksaffär med Moberg, som döpte Kristina i Utvandrarserien efter henne. Kärleksaffären upptäcktes via en svit om 30 böcker som Moberg dedicerat till henne. I exemplaret av Utvandrarna (1949) skriver han: "Till Kristina, min älskade, som lånat sitt namn åt den kvinnliga huvudpersonen i denna bok, med tacksamhet och kärlek från Författaren", ett intyg som upprepas så sent som 1969 i pocketupplagan av Utvandrarserien: " Den 29/3 1969. / Till Kristina -- hon som givit sitt namn åt den kvinnliga huvudpersonen i utvandrarromanen och till Minnet / med innerlig tillgivenhet från Författaren", vilket visar att hon var fullt närvarande i hans tankevärld under hela denna tid och därmed mycket väl kan ha påverkat hans senare litterära produktion. Vad som ytterligare talar för detta är exemplaret av Vår ofödde son, en pjäs från 1945 som behandlar abort-problematik. Detta är den enda av böckerna som Kristina låtit binda in i ett påkostat rött skinnband, med en pärmficka längst bak där hon samlat tidningsartiklar om boken och dess författare. I Kristinas exemplar av den danska utgåvan av samma bok, utgiven 1947, finns en dedikation från översättaren: "Kaera Kristina! / Denne Bog, den til Dels handler om dig, sendes dig til Erindring -- ikke om Forfattaren, men om Oversatteren. / Din Carl Erik''.

      [Bookseller: Patrik Andersson Antikvariat]
 28.   Check availability:     Antikvariat     Link/Print  


        The Black Cat (Original screenplay for the 1941 film)

      Universal Pictures, Universal City, CA 1941 - Draft script for the 1941 film. The 1941 version of "The Black Cat" is neither a remake of Edgar G. Ulmer's 1934 Karloff-Lugosi film of the same name, nor does it bear much relation to the Edgar Allan Poe story (though, in fairness, neither did the 1934 version). It is more of a horror-comedy affair than its predecessor, with Broderick Crawford and Hugh Herbert in the lead, Bela Lugosi reappearing (now in the more minor role of "Eduardo"), and Basil Rathbone ably handling the part of the shady Mr. Hartley. Shot by the legendary Stanley Cortez of "Magnificent Ambersons" fame. (Hal Erickson, Rovi)Gray titled wrappers, noted as FILE COPY on the front wrapper, rubber-stamped production No. 6856, dated January 29, 1941. 91 leaves, mimeograph, dated variously between 5/23/40 and 6/1/40. Pages Near Fine. Wrappers Very Good plus or better, with slight toning and a few short creases and tears at the extremities, a small faint stain on the front wrapper, and a professionally repaired vertical tear at the rear wrapper, bound with three gold brads. Weaver, pp. 250-255. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 29.   Check availability:     IberLibro     Link/Print  


        'De notaris spreekt'.

      Origineel handschrift. 24,9 x 20,7 cm. Eén blad. Alleen recto. Met een enkele doorhaling. Tweemaal gevouwen (geweest).* Sonnet waarin de notaris van een dorp sprekend wordt opgevoerd: 'Als wij de beek nu volgen, ziet u, zijn we alras/ aan 't klooster onzer goedertieren witte vrouwen:/ het toevluchtsoord der arme meisjes van berouwen'. Deze versie wijkt vooral in spelling en interpunctie af ten opzichte van de in Parlando. Verzamelde gedichten (1941) opgenomen versie. In de beginregel staat hier nog 'bezig' in plaats van 'naarstig'.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 30.   Check availability:     NVvA     Link/Print  


        The Third Biggles Omnibus. Comprising: Biggles in Spain, Biggles Goes To War and Biggles in The Baltic.

      London, Oxford University Press. 1941 - First Thus. Large 8vo. Publisher's blue cloth titled and decorated in brown to spine and front board. Slight rubbing and edgewear, a very good copy indeed, front inner hinge starting. In a very good example of the scarce dustwrapper, bright and clean with some very light wear to extremities and minor chipping and fraying to the head of spine. A remarkably good copy of a scarce early Biggles collection. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
 31.   Check availability:     AbeBooks     Link/Print  


        LITTLE TOWN ON THE PRAIRIE

      SEWELL, HELEN. WILDER,LAURA INGALLS. LITTLE TOWN ON THE PRAIRIE. NY: Harper & Brothers (1941). 8vo (6 x 8 1/4"), pictorial cloth, fine condition in VG attractive dust wrapper (dw with some very small chips at spine ends and 5 very small holes on back panel, not price clipped). Stated 1st edition. Illustrated with color wrapper and frontis by HELEN SEWELL and in line throughout the text by MILDRED BOYLE. Laura turns 15 and gets her teaching certificate. LAID-IN IS A CHRISTMAS CARD WITH A HELEN SEWELL DESIGN SIGNED BY HER. Nice copy, very scarce.

      [Bookseller: Aleph-Bet Books, Inc.]
 32.   Check availability:     Biblio     Link/Print  


        Prométhée enchaîné.

      Paris, Société des Médecins Bibliophiles (impr. Théo. Schmied), 1941. In-folio en ff. libres, 107-(7) pp., sous couverture illustrée rempliée, chemise et étui (étui un peu frotté, sinon bel exemplaire). La dernière oeuvre de Schmied, illustrée de 38 compositions, gravées sur bois par son fils, et tirées en couleurs. Tirage limité à 150 + 20 exemplaires numérotés (sur Arches). * Voir photographie(s) / See picture(s).* Frais de port en sus. * Membre du SLAM et de la LILA / ILAB Member. * La librairie est ouverte du mardi au samedi de 14h à 19h. * Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *

      [Bookseller: Chez les Libraires Associés]
 33.   Check availability:     Livre-rare-book     Link/Print  


        Selvaggina

      Milano , HOEPLI, 1941 - Ricette raccolte da Luigi Ghidini. 13 litografie in nero di Leonardo Dudreville, di cui 12 a piena pagina e una in copertina (cm 31x24). 4to (cm 33x25). pp. 172. . Molto buono (Very Good). Una piccola mancanza di 1,5 cm alla custodia in corrispondenza del dorso (Little lack of 1,5 cm to the slip-case). Prima ed. di 200 + 10 es. numerati e firmati. [Jentsch, 1993]. Luigi Ghidini (Cologno al Serio 1883-1963) fu autore di molti libri sulla caccia. Per quest'opera raccolse ricette tratte da antichi libri di cucina francesi e italiani risalenti fino al XVI secolo. Una delle sue fonti fu il celebre trattato ''La scienza in cucina e l'arte di mangiar bene'' di Pellegrino Artusi. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 34.   Check availability:     AbeBooks     Link/Print  


        THE CASE OF THE TURNING TIDE

      William Morrow and Company, 1941., New York - First edition. Former owner's name and address stamped on upper portion of front fly leaf, else fine in dust jacket with restoration to the spine ends, corners and extremities by a paper conservator. Introduces "hell-raising, foxy old Grandpa Wiggins who comes in like a lamb and goes out like a lion." [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB, IOBA]
 35.   Check availability:     AbeBooks     Link/Print  


        The Case of the Turning Tide

      Morrow, 1941 A very good first edition in a good dust jacket, inscribed warmly by Gardner to a female friend and fellow writer, "with much love" and "yours for keeps." Probably given to the recipient as a gift. Jacket is missing portions on the front edges and at the top of the spine.. Inscribed by Author(s). 1st Edition. Hardcover. Very Good/Good.

      [Bookseller: Bookbid Rare Books]
 36.   Check availability:     Biblio     Link/Print  


        Citizen Kane (Two original keybook photographs from the 1941 film)

      Santa Monica, CA: RKO Radio Pictures, 1941. Two vintage borderless black-and-white double weight keybook photographs from the 1941 film. Both stills linen backed as issued, one still with a mimeo snipe on the verso, the other with the RKO Radio Pictures rubber stamp on the verso. The first still shows a young Kane (Orson Welles), smoking a pipe and smiing, signing his "declaration" with advisors Jedediah Leland (Joseph Cotten) and Mr. Bernstein (Everett Sloane). The second still shows Kane as an old man, looking on as his young bride (Dorothy Comingore) completes a giant jigsaw puzzle at a table. Both stills 9.5 x 7.5 inches. Near Fine. Complete collation details available on request.

      [Bookseller: Royal Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        THE COUNT OF MONTE CRISTO

      New York: Limited Editions Club, 1941. Hardcover. Slight darkening to some gutters; gilt on spines clear. About Fine in a Very Good, intact slipcase. Lynd Ward. Four quarto (7-3/4" x 10-3/4") volumes bound in full black linen with gilt stamping on the spines. Introduction by Andre Maurois. Illustrated with line drawings by Lynd Ward. Copy #845 SIGNED by the illustrator on the colophon page. The popularity of this title has caused it to become fairly uncommon, especially in nice shape.

      [Bookseller: Charles Agvent]
 38.   Check availability:     Biblio     Link/Print  


        "Cavalier marocain".

      1941 1Aquarelle signée et datée en bas à droite, 1918, 14,8 x 21,7 cm., encadrée. Henri DELUERMOZ (1876-1943), peintre animalier reconnu représente ce cavalier marocain traversant le désert sur son cheval blanc.

      [Bookseller: Librairie Chrétien]
 39.   Check availability:     Livre-rare-book     Link/Print  


        Der Untermensch. (Hg. vom Reichsführer-SS (Heinrich Himmler). Bearb. vom SS-Hauptamt-Schulungsamt in Verbindung mit der Graphischen Arbeitsgemeinschaft Jupp Daehler).

      Berlin, Nordland, (um 1941). Fol. (ca. 35,5 x 26 cm). Mit ganzseitigen Abbildungen. 26 Bl. Originalklammerbindung. - (Verlagsnr. C 1538). Erstes und letztes Blatt mit wenigen Läsuren. Versand D: 6,00 EUR

      [Bookseller: Antiquariat Sander]
 40.   Check availability:     buchfreund.de     Link/Print  


        The Great American Broadcast (Original screenplay for the 1941 film)

      Twentieth Century-Fox, Los Angeles 1941 - Revised Final Script for the 1941 film musical, "The Great American Broadcast," directed by Archie Mayo, written for the screen by Edwin Blum, Robert Ellis, Don Ettinger, and Helen Logan, and starring Alice Faye, John Payne, Cesar Romero, and The Ink Spots. This Alice Faye vehicle was put together as a tribute by Fox to the twentieth anniversary of commercial radio, with appearances by airwaves favorites such as Dick Powell, Fred Allen, The Ink Spots, The Nicholas Brothers, and The Wiere Brothers. A little shaky on history, heavy on nostalgia, and thoroughly entertaining. Blue titled wrappers, stamped REVISED SHOOTING FINAL on the front wrapper, rubber-stamped project No. 531 and copy No. 96, dated January 13, 1941, and with the holograph file notation "Env. 1356" at the top right corner of the front wrapper. Distribution page present, with receipt intact. Title page present, with a date of matching the front wrapper and credits for screenwriters Logan and Ellis. 153 leaves, with 3 pages of added scenes bound in at the rear (on blue stock), mimeograph, with a few blue revision pages throughout, all dated 1/21/41. Pages Near Fine wrapper Very Good with some shallow creasing to the yapped edges, bound with three gold brads. Hirschhorn, p. 190. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 41.   Check availability:     IberLibro     Link/Print  


        Economics of Khadi

      Navajivan Press Ahmedabad, 1941 Very good first edition, as stated on copyright page. There was a total of 2,000 copies published. Comes in a custom-made slipcase.

      [Bookseller: Bookbid Rare Books]
 42.   Check availability:     Biblio     Link/Print  


        Poesie ad Anna Stichler

      Cavallino, 1941. Rilegato (hardback) Con 7 acqueforti di Anna. Riproduzione di un biglietto autografo di Giuseppe Ungaretti applicata in prima pagina. Allegato il quartino sciolto con riproduzione di un'acquaforte di Bartolini, "Anna". 8vo. pp. 48. Ottimo (Fine). Prima edizione di 400 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
 43.   Check availability:     maremagnum.com     Link/Print  

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