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Displayed below are some selected recent viaLibri matches for books published in 1940

        The Boners Omnibus

      Blue Ribbon Books, Inc., 1940. 1st Thus. Hardcover. Near Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. Geisel, Theodor (Dr. Seuss). The Boners Omnibus, Alexander Abingdon, Illustrated by Dr. Seuss (Theodor Seuss Geisel, 3/2/04-9/2424/91), Blue Ribbon Books, 1940, 1st thus, (states Reprinted January, 1940), Three books in one volume, 102, plus 89, plus 99 pages, plus four blank pages at the end. Description: Book; Red boards with brown lettering to the front board and spine only, top edge red. Contain all three "Boner" books which contain some of the earliest children's illustrations by Dr. Seuss, first published separately by Viking in 1931, this edition is the first of the three published together and predates all but his earliest works. For most of his career, Geisel was reluctant to have his characters marketed in contexts outside of his own books, and these wonderful illustrations depict such character-to-come as the cat in The Cat in the Hat, and famous feet that will carry the Grinch to steel off Christmas some four decades later. Many other such examples of his works, over 50 in all, all done while in his late 20's. Dust jacket; Yellow and black design with caricatures by illustrator, design carries to the spine in checkerboard fashion, black and white lettering, rear panel list other books by this publisher and carries the catalog number 59 along the lower edge. Front panel carries synopsis, rear panel is price clipped and carries an advertisement for Hoyle's Games. Condition: Book; Near fine example with no signs of sunning except for the top edge stain which has lost its luster. Bright and clean boards and pages without marks, booksellers small, neat plate on inside of rear board, points and all edges are clean and not rubbed. Dust jacket; Very good. Bright with little signs of sunning to the spine, all edges show slight chips most evident against this jacket's black background, gutter of front panel is rubbed and both the front and back boards shows signs of noticeable but not heavy soiling, still very presentable. Jacket is price clipped and now protected in Brodart.

      [Bookseller: Birchwood Books]
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        Old Lights for New Chancels. Verses topographical and amatory. SIGNED PRESENTATION COPY TO DAVID ROWLANDS

      John Murray [1940]. 8vo., First Edition, with a portrait frontispiece, endpapers lightly spotted; original blue cloth, backstrip with paper label printed in black, blue silk marker, a very good, clean copy. A PRESENTATION COPY FROM THE AUTHOR TO DAVID ROWLANDS WITH THE FORMER'S SIGNED HOLOGRAPH INSCRIPTION (DATED CHRISTMAS 1941) ON FRONT FREE ENDPAPER. This copy was presented in return for a copy of Rowlands' 'Autumn Twilight' (published in an edition of 50 signed copies). A splendid literary presentation copy of an early collection of Betjeman's verse. Peterson A8a; Stapleton, I.18. . Catalogs: john betjeman.

      [Bookseller: Island Books [formerly of Devon]]
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        Kirchliche Dogmatik. 4 Bände in 13 Bänden.,

      Zollikon-Zürich: Evangelischer Verlag bzw. Zürich: Theologischer Verlag, 1940-1979. - Im Ganzen gutes Exemplar. Teils papierbedingt leicht gebräunt. - BAND 1: Die Lehre vom Wort Gottes. Prolegomena zur Kirchlichen Dogmatik. 1. Halbband, 7. Aufl, 1955; 2. Halbband, 5. Aufl, 1960 -- BAND 2: Die Lehre von Gott. 1. Halbband, 5. Aufl., 1940; 2. Halbband, 6. Aufl., 1942 -- BAND 3: Die Lehre von der Schöpfung, 1. Teil., 4. Aufl., 1970; 2. Teil, 4. Aufl., 1979; 3. Teil, 3. Aufl. 1979; 4. Teil, 3. Aufl., 1969 -- BAND 4: Die Lehre von der Versöhnung, 1, Teil, 3. Aufl. 1975; 2. Teil, 3. Aufl. 1978; 3. Teil. Erste Hälfte, 3. Aufl. 1979, Zweite Hälfte 3. Aufl., 1979; Die Taufe als Begründung des christlichen Lebens (Fragment) 1967. Sprache: de Gewicht in Gramm: 10550 Originalleinen mit Schutzumschlag in Schuber.

      [Bookseller: Fundus-Online GbR Borkert SchwarzZerfaß]
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        HELHESTEN. Tidsskrift for kunst.

      Udg. af R. Dahlmann Olsen. 1.-2. årg. (Det udkomne). Kbhvn. 1940-44. Rigt illustr. med orig. grafik af bl.a. Else Alfeldt og Ejler Bille. Indbundet med de originale foromslag i ét privat halvlæderbind. Edit. by R. Dahlmann Olsen. 1.- 2. year. Copenhagen 1940-44. (All publ.). Richly illustr. and with orig. graphic by Else Alfeldt, Ejler Bille, Sv. Engelund, Svavar Gudnason, Henry Heerup, Hjorth Nielsen, Egill Jacobsen, Asger Jorn, Harald Leth, Vilh. Lundstrøm, Egon Matthiesen, Richard Mortensen, Olivia Holm Møller, Carl-Henning Pedersen, William Scharff, Dan Sterup Hansen and others. Bound with frontcovers in one halfleatherbinding.. Van de Loo 34, 41, 68, 69, 70, 71

      [Bookseller: Peter Grosells Antikvariat]
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        Why England Slept

      New York: Wilfred Funk, Inc, 1940. First Edition First Printing . Hardcover. Very Good/Good+. 8vo - over 7¾ - 9¾" tall. This book is clean, tight, square and unmarked in an about very good dust jacket that is unfortunately glued to the paste downs. The front corners are bumped, the ffep has been torn out, and the end papers are toned. The dust jacket is rubbed surface and more so at the edges and there is a split at the spine. It has 252, bright, clear pages in red cloth covered boards with bright gold titles in a black box on the spine. There is a stylized black & white drawing of the sleeping British lion on the front. NAP indicates first edition.

      [Bookseller: mdpinc Books]
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        THE OX-BOW INCIDENT

      NY: Random House, 1940 First edition, first prnt. Signed and dated "Sept. 25, 1940" by Clark on the front free endpage. Previous owner name and date neatly inked on front pastedown under dustjacket front flap, faint spoting to topstain; dustjacket with chipping at corners and spine ends, two inch closed tear on front panel spine fold and two shorter tears, one on the front panel bottom edge and the other on the rear panel topedge with shallow creases, edgewear, mostly on the front panel topedge. A bright, tight copy in Very Good+ conditiuon in a Very Good dustjacket with an archival cover. Clark's first novel. Signed & Dated by Author. Hardcover. 8vo - over 7?" - 9?" tall. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
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        Biggles in the South Seas [2]

      Published by Oxford University Press, Amen House, London First Edition 1940. First edition hard back binding in publisher's original pea green cloth covers, dark green lettering and a scallop shell with seaweed to the spine, dark green lettering and another shell with a twin prop aeroplane to the upper panel, top edge green but fading. 8vo true first edition 1.9 inches thick 7½'' x 5¼'' with 255 printed pages of text. Colour frontispiece and six monochrome illustrations throughout. A little brown ghosting to the end papers, ink name and address to the front paste down and front free end paper, light fox spotting to the text block edges when closed. Very Good condition book in Very Good condition original first edition price clipped dust wrapper with 10 mm piece of paper missing across the top of the spine affecting the top half of 'Biggles', scuffing of the paper down the front fore edge and lower spine edge, spine colour very slightly sun faded. Nine Oxford W. E. Johns listed books to the rear in a blue zigzag frame starting with Biggles Flies East and ending with Biggles Goes to War.

      [Bookseller: Little Stour Books PBFA]
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        Speaking-Picture-Book (Hardcover)

      New York: F.A.O. Schwarz, 1940. Hardcover. A short picture book with red wooden balls on strings that, when pulled, make approximations of farm animal noises. An attractive copy of this uncommon and charming precursor to modern children's speaking books.& & About Near Fine in a wooden, book-shaped box with a red spine and gold "page edges." Slightly soiled, with light rubbing to the bottom edge. Professional repair to the interior front hinge.

      [Bookseller: Royal Books, Inc.]
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        You Have Seen Their Faces

      New York: Duell, Sloan and Pearce, 1940. Second edition. Hardcover. Published three years after the Viking edition. This issue is as uncommon as the first edition. The first collaboration of Bourke-White and her then future husband Caldwell. One of the single best books to come out during the depression. A very good plus copy with some minor fraying to the spine ends and some offsetting to the front endpapers in an about good plus dust jacket that has a good number of chips and tears and some fading to the spine. A presentable copy of this book which is very scarce in any dust jacket. (Parr & Badger v1 140-141: Roth 94-95)

      [Bookseller: Jeff Hirsch Books, ABAA]
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        PHOTOGRAPH OF RALPH WALDO EMERSON

      @1880s. Photograph. Not examined out of the frame but appears to be Fine. Fine portrait of Emerson, image size 8-1/2" x 12-1/2" matted and framed to an overall size of 15" x 20". On the rear of the frame are two labels from Holman's Print Shop of Boston, circa 1940, on which is stated the following: "This photograph was in J. J. Hawes' studio at the time of his death and was stored with the rest of the contents until 1934, when it came to us for sale. It is a photographic copy of a daguerreotype portrait made by Mr. Hawes in the 1840's. The negative was a collodion-process plate ('wet plate'). This print could have been made as late as the 1890's, but more probably dates from the 1880's. When Mr. Hawes made the copy of the daguerreotype is not known." Southworth and Hawes produced some of the finest daguerreotypes of the 19th Century. Among their subjects, besides Emerson, were John Quincy Adams, Zachary Taylor, Daniel Webster, Harriet Beecher Stowe, and Henry Wadsworth Longfellow. Hawes died at the age of 94 in 1901, operating his studio up to the end. During the Depression his daguerreotypes were dispersed among a few museums and private collections.

      [Bookseller: Charles Agvent]
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        Original Signed Photograph of Pittsburgh Jazz Musicians by Charles "Teenie" Harris

      ca 1940, Pittsburgh - Original Teenie Harris silver gelatin photograph, 10 x 14 inches, in archival mount and framing, 17 x 20.5 inches. The image shows a drummer, horn section, and guitarist playing in Pittsburgh, and is signed in the lower right corner. A lively image, in very good condition with very small flecks of white and gold which produce and almost dreamlike effect, and seem to add to the sense of history in the photograph. There is light glue residue to the verso and mild edgewear which has been matted over. There is no studio stamp from Harris on the verso of the photograph but this appears to be a vintage silver gelatin print with his actual signature and not a Dennis Morgan restrike from the negative. Charles "Teenie" Harris (1908–1998) photographed Pittsburgh's African American community from c. 1935 to c. 1975. His archive of nearly 80,000 images is one of the most detailed and intimate records of the black urban experience known today.

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        COLONEL CROCKETT

      [New York. ca. 1940, after the original executed in 1839].. Handcolored mezzotint engraving. The image is 19 1/2 x 13 1/2 inches, plus wide margins. Fine. This wonderful image is a mid-20th-century impression from a plate originally engraved by Charles Stuart in 1839, after a contemporary painting by John Gadsby Chapman. Davy Crockett (1786-1836), frontiersman, Indian fighter, and defender of the Alamo, is an archetypal hero of the early United States. From his activities as a scout for Andrew Jackson during the War of 1812, through his service in the Tennessee legislature and the United States House of Representatives, to his death at the Alamo in 1836, his fame grew ever larger. Chapman (1808-89) met Crockett in the early 1830s and executed a portrait study of him. Crockett was very conscious of his public image as a frontiersman, and worked hard to foster that image while serving as a Congressman from Tennessee. When Chapman's original painting was done, in 1834, Crockett was contemplating a run for the Presidency in the next election. After Crockett's death Chapman worked the study into a full-length portrait. It was exhibited in the fall of 1838 at the Apollo Gallery in New York, an exhibition space that had been founded by a group of artists including Chapman. That painting was acquired by the state of Texas and hung in the capitol in Austin, where it was later destroyed by fire. Chapman painted another version of the portrait, which now hangs in the Harry Ransom Research Center at the University of Texas in Austin. The present engraving states: "New York. Published at the Apollo, 1839." A catalogue issued by the Apollo Gallery in October 1839 describes an engraved version of the present image. Charles Stuart was a mezzotint engraver working in New York at the same time. In the portrait Crockett stands in his buckskins, looking to his left, his right arm outstretched, holding his broad-brimmed hat. In his left arm he cradles a long rifle, and a knife is tucked into his belt. Three obedient dogs gaze up at him, and he stands in a small clearing with a shock of wheat and some trees behind him. The original 1839 version of this print is so rare as to be unobtainable, and is lacking from most major institutional collections. The last we can trace for sale was one offered by The Old Print Shop on the front cover of the PORTFOLIO, in May 1963 for $200 (this at a time when the major Audubon prints were still in the three-figure range). A striking and lovely image of a central figure in the mythology of America.

      [Bookseller: William Reese Company - Americana]
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        For Whom The Bell Tolls

      New York, Charles Scribner's Sons, 1940., 39. FIRST EDITION. Octavo, pp.471. Publisher's beige cloth in the first issue dustwrapper priced $2.75 [without the photographer's credit on the rear panel]. A lovely bright copy of the book with discreet bookseller ticket to endpaper, in a very good example of the jacket, with some edgewear and a few chips to spine ends. Remains an attractive example of a book that wears easily. Hanneman [A18]. Listed in Modern Library's Top 100 Novels [1998].

      [Bookseller: Adrian Harrington Rare Books]
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        Photographic archive documenting the vaudeville and circus career of Jim and Renee Darling, 1940s-1960s

      Various: Unpublished, 1940. The collection consists of over 90 publicity photographs, vernacular photographs, advertising cards, posters, flyers, and one full-page newspaper article. About half of the items are related to the Darling's act and show how it evolved over the course of their career. The act started with outside performances on a sway pole at fairs and small circuses. After several friends were killed or seriously injured during sway pole performances, the Darlings switched to a revolving ladder. After Jim was badly injured in a fall from the ladder, the couple began to train chimpanzees "to do everything but talk." Their chimpanzee act was a major success on the theater circuit where they played with major acts like Kate Smith, Martha Raye, and the Mills Brothers. They were also popular on both regional and national television where they repeatedly were guests on hits like the Arthur Godfrey and Gary Moore shows. The other half of the items are related to the Darlings professional friends and fellow performers. There are photographs and advertising cards for cycling acts clowns, acrobats, sway polers, dog acts, a high wire family, big cat acts, a risqué seal act, jugglers, a wonder horse, cowboys, an elephant act, a hypnotist, a singer, roller skaters, a stripper, accordion/violin players, and a ring master. Most of the material is in very nice shape. Many items are signed and many have additional information about the acts annotated on their reverse. Some items have dog-ears, clipped corners, or short closed tears. . Notebook. Very Good. 4tp.

      [Bookseller: Read'Em Again Books]
 14.   Check availability:     IOBABooks     Link/Print  


        The Monuments of Sanchi.

      The Government of India Press, c.1940., Calcutta, - With the texts of inscriptions edited, translated and annotated by N.G.Majumdar. Folio. 3 vols. xxiii, 396, xxxiipp. 141 engraved plates. Original decorated cloth, very slightly water stained & torn on vol.1 margin, but no effect on contents. [Attributes: Hard Cover]

      [Bookseller: The Isseido Booksellers, ABAJ, ILAB]
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        "La Griffonière, Danielle Darrieux, la chambre sous le toit": aquarelle sur papier par Bailhache

      Aquarelle sur papier, 32,5 x 25 cm. Il s'agit d'un projet de l'architecte Bailhache pour l'appartement de Danielle Darrieux, avenue Paul-Doumer. (tv) Très bon couverture souple Edition originale

      [Bookseller: Librairie Dejolibelle]
 16.   Check availability:     maremagnum.com     Link/Print  


        FAREWELL, MY LOVELY

      New York: Knopf, 1940.. Cloth. First edition. Endsheets a bit darkened, with small early ownership signature on front free endsheet, some shallow top-edge stain bleed to fore-edge of last third of text-block, else a good copy in somewhat darkened dust jacket with shallow chipping at head and toe of spine panel. Chandler's second novel and a H-Q Cornerstone. BRUCCOLI A2.1.a.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Farewell, my Lovely

      New York: Knopf, 1940. First edition. Good/True first edition that has been around the block. Writers at BBC Radio 4 came up with a brief summary of Raymond Chandler (1888-1959) that beats the hell out of anything I could come up with: "Philip Marlowe is a moral man in an amoral world. California in the 1940s and 1950s is as beautiful as a ripe fruit and rotten to the core, reflecting all the tarnished glitter of the American Dream. ..." Farewell My Lovely (1940) was Chandler's second novel, and has been adapted for film three times. When Philip Marlowe sees a huge, loudly dressed man casually throwing a bouncer out onto the the pavement as he goes into a bar, he knows it's time to walk away, so he follows him inside. The big guy is Moose Molloy, recently released from an eight-year prison sentence and now on the hunt for his old sweetheart, a red-haired nightclub singer named Velma Valento. Marlowe follows a trail which includes a stick-up, blackmail, an irresistable blonde, a psychic, drugs and murder, and it leads him all the way to the top of a corrupt state of California. & . 20 cm; 375, [3] pages. Cloth in dust jacket. Dust jacket frayed, chipped with some loss, and stained lightly on upper panel. Text unblemished, if well read.

      [Bookseller: Rodger Friedman Rare Book Studio]
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        The Bride Wore Black

      New York: Simon & Schuster, 1940. 1st Edition 1st Printing. Hardcover. Good/Good. 8vo - over 7¾ - 9¾" tall. --- FIRST EDITION / FIRST PRINTING ---

      [Bookseller: Culture Merchants LLC]
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        To the Finland Station

      New York: Harcourt Brace, 1940.. First edition of the author's masterpiece. Octavo, original cloth. Inscribed and dated by the author. Near fine in a very good price-clipped dust jacket with a small chip to the top front panel and minor edge wear to the spine crown. A very sharp copy, uncommon signed.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        You Can't Go Home Again

      New York and London: Harper & Brothers,, 1940. Octavo. Original blue cloth, titles to spine and front board gilt on a red ground. With the dust jacket. Tiny nicks to corners; an exceptional copy in the lightly rubbed jacket. First edition, first printing (with the "H-P" slug on the copyright page).

      [Bookseller: Peter Harrington]
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        A History of Northumberland. Volume 15: Simonburn, Rothbury, Alwinton, etc

      Newcastle-upon-Tyne Andrew Reid, Sons & Co 1940. VG : in very good condition without dust jacket. Spine and cover fade First Edition Red decorated hardback cloth cover 280mm x 220mm (11" x 9"). xxiii, 526pp. Simonburn, Rothbury, Alwinton, etc.

      [Bookseller: Barter Books]
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        YOU CAN'T GO HOME AGAIN. Signed

      New York: Harper and Brothers,, 1940 Wolfe, Thomas. YOU CAN'T GO HOME AGAIN. New York: Harper and Brothers, 1940. 8vo., 743pp. Early Edition [7th]. Inscribed on the front free endpaper to family friends: "Xmas - 1940 / Presented to John / and Essie Simmons / With all best wishes / that you will / enjoy and appreciate / my Brother Tom's last / book / Sincerely / Fred Wolfe / Dec. 25th / 1940". A very good or better copy [minor tape shadows to the endpapers from old clippings - not present] in a near fine supplied price clipped dustwrapper. Fred Wolfe Correspondence 1945 through 1955 with John and Essie Simmons are on deposit in The Thomas Wolfe Collection, University of North Carolina at Chapel Hill. Since the publication of the autobiographical "Look Homeward Angel" in 1929, the Wolfe family has held a revered place in American Literature. Fred Wolfe's fictional character, the extroverted Luke Gant lives here and returns in "Of Time And The River". For over 40 years, Fred Wolfe devoted his life to perpetuating his brother's memory. Fred passed in 1980.. Signed by Author. First Edition, 7th Printing.

      [Bookseller: TBCL The Book Collector's Library]
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        The North American Review and Miscellaneous Journal, 238 Volumes (1820-1940)

      Cummings and Hilliard; et al. Boston; New York: Cummings and Hilliard; [et al.]. (1820-1940). First. Magazine. 238 bound volumes. Octavos. A near-complete run of the North American Review, America's most important literary journal of the 19th and early 20th Century. A consecutive run of volumes 10-248 dating from January 1820 through the final 1939-40 Winter issues, lacking only the first nine volumes, one quarterly issue from 1868 (October), and six monthly issues from 1894 (January-June). Most volumes are bound in full beige or blue cloth (13 are in half calf and marbled paper boards); volumes 174-248 have the original wrappers bound in.Founded in 1815, the NAR established itself as the most intellectual magazine in America. It quickly gained an international reputation and was a leading literary force in American letters throughout its 125-year history. Known for its long essay reviews of contemporary American and European literature, it also published scholarly articles on American society and current affairs, serving both as a platform for much of the most exciting social and literary commentary in the country, and as an arena for public debates on slavery and other controversial issues of the day.Most importantly, the magazine published contributions by some of America's best writers, ranging from Ralph Waldo Emerson to Thomas Wolfe, and including Henry Wadsworth Longfellow, Walt Whitman, John Russell Lowell, Mark Twain, Henry James, John Steinbeck, and others. Among the many complete works featured in this long run are Emerson's lectures on "Michael Angelo," "Milton," and five other essays and lectures; Washington Irving's "The Northmen"; and Longfellow's "Defense of Poetry." Walt Whitman contributed seven essays over a 10-year period, including: "The Poetry of the Future," "Old Poets," and "Have We a National Literature," and Mark Twain contributed five satires and essays, including: "In Defense of Harriet Shelley," "To the Person Sitting in Darkness," and "Edmund Burke on Croker and Tammany."Also noteworthy is Chief Justice Lemuel Shaw's "Slavery and the Missouri Question" from 1820, and Lewis Cass's influential articles on American Indian Policy. Edgar Allan Poe's first published work, Tamerlane, and Other Poems, received its first national notice in the October 1827 number, Sidney Fisher published his influential review of Uncle Tom's Cabin in 1853, and Edward Hale published his famous early review of Whitman's Leaves of Grass in January 1856. During the Civil War Lowell became editor and published influential articles on Lincoln and Seward. After the war he contributed the many important lectures on literature that made him famous. Important works from the 20th Century include The Ambassadors by Henry James serialized in twelve monthly issues in 1903, "A Paper on Free Verse" by Robert Bridges from 1922, and five short stores by John Steinbeck, two of which: "The Red Pony" (a.k.a. "The Gift") and "The Great Mountains," were later published as the first two chapters of The Red Pony.An ex-library set with ink stamps or bookplates on most front pastedowns, a small embossed stamp or occasional ink stamp on most title pages, and an occasional ink number stamp on some bottom page margins. The 13 volumes in contemporary half calf are scuffed and worn, thus good only, about ten volumes have a few loose or detached leaves, and one short story by Thomas Hardy was neatly removed from the October 1903 issue, else overall a very good set. A scarce large assemblage of first appearances of major American literary works and articles. A list of notable selections is available. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Journey Into Fear

      New York: Knopf, 1940.. First American edition of this classic suspense novel. Octavo. Near fine in a very good plus dust jacket that shows light wear. Inscribed by the author on the half title page. "One of the best stories of international intrigue you'll ever find." [The New Yorker]. "Journey Into Fear confirms Ambler's reputation as the foremost thriller writer of our time." [Time]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        The Yearling

      Pages in good condition! harcover has slight water stains but otherwise a great collector book!New York: Scribner, 1940. First. hardcover. fine. 12 color illustrations by N.C. Wyeth. Colored pictorial end-papers. Large 8vo, black cloth, colored pictorial label. New York: Scribner, 1940. First Scribner Classic Edition. Fine, in the original board publisher's box with large colored pictorial label. . No Dust jacket April First printing , 421 pagesCHARLES SCRIBNER'S SONS, 1938. Hardcover. Book Condition: Good. Rare. Winner of the Pulitzer prize in 1938, The Yearling is Marjorie Kinnan Rawlings' timeless and tender story of young Jody Baxter and his pet fawn, Flag, in the backwoods of Florida.

      [Bookseller: Kim Luttrell]
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        One Two Buckle My Shoe

      For The Crime Club, by Collins, London, 1940., 1940. First Edition. A Hercule Poirot mystery. 8vo., pp. 252 + 3 ads. Publishers' orange cloth with black titles in original dust-wrapper. A very good copy; some minor wear and rubbing, jacket would be fine but for an accidental tear and crease to top of spine (matching faded area to cloth beneath). Ten scenes from the nursery rhyme decorate the purple and green jacket, which is price-clipped. Cooper & Pike; Detective Fiction

      [Bookseller: Adrian Harrington Rare Books]
 27.   Check availability:     Biblio     Link/Print  


        POETA EN NUEVA YORK... Con Cuatro Dibujos Originales. Poema de Antonio Machado. Prologo de Jose Bergamin

      Mexico City: Editorial Seneca, 1940. First Illustrated Edition, the First Edition solely in Spanish, following the bilingual Spanish-English edition translated by Rolfe Humphries and published just a few weeks earlier in New York. With four full page plates from drawings by Garcia Lorca, two in colour and two in black and white. Titlepage printed in black and red. 4to, publisher’s original printed wrappers and with the jacket band announcing “Un libro inedito de Federico Garcia Lorca.” Now preserved in a folding case. 187pp. A fine, uncut copy, very well preserved indeed. FIRST ILLUSTRATED EDITION AND FIRST SOLELY IN SPANISH OF Garcia Lorca’s final published cycle of poems. The poems were published posthumously in 1940, but were written during his residency in New York in 1929 and 1930. His experiences in New York, amongst the disenfranchised African American population, transformed him into a passionate advocate of the theatre of social action. This edition followed the bilingual New York publication by only a few weeks. It is the first to include his art work. Lorca rose to international acclaim as one of the members of the Generation of ‘27, an influential group of poets that arose in Spanish literary circles. He was presumed killed by anti-Communist forces just days after the outbreak of the Spanish Civil War.

      [Bookseller: Buddenbrooks, Inc.]
 28.   Check availability:     Biblio     Link/Print  


        THE POET IN NEW YORK

      New York: W.W. Norton & Company, 1940 "Then I realized I had been murdered. / They looked for me in cafes, cemeteries and churches .... but they did not find me. / They never found me? / No. They never found me." - Lorca, Federico Garcia. THE POET IN NEW YORK. New York: W.W. Norton & Company, Inc. 1940. 8vo., 240pp. True First Edition, preceding all others, issued just a few weeks in advance of the Mexican Edition. Bi-lingual text, with translation into English by Rolfe Humphries, brief Introduction & closing Biographical Note by Hershel Brickell. Dull pumpkin orange cloth boards, gilt-stamped at spine, brown topstain, fore & bottom edges untrimmed. A fine example in a very good or better example of the uncommon light tan original correctly priced dustwrapper with the New York skyline cameo on front panel. The dustwrapper with some neat reversible Japanese paper & methyl cellulose archival repair primarily to some small loss at the spine crown, corners & top edge. An important book & one of the great rarities in the field of Modern Literature. A very nice copy. Custom TBCL embossed orange cloth slipcase. Federico del Sagrado Corazón de Jesús García Lorca [1898-1936] Spanish dramatist, theatre director; the greatest Spanish poet of his age, a Surrealist in technique. In June 1929, García Lorca travelled to America with Fernando de los Rios on the SS Olympic, a sister liner to the Titanic. They stayed mostly in New York City, where Rios started a lecture tour & García Lorca enrolled at Columbia University School of General Studies, funded by his parents. He studied English but, was more absorbed by writing than study. He also spent time in Vermont & later in Havana, Cuba. This collection Poeta en Nueva York (A poet in New York, published posthumously in 1940) explores alienation & isolation through some graphically experimental poetic techniques & was influenced by the Wall Street crash which he personally witnessed. This condemnation of urban capitalist society & materialistic modernity was a sharp departure from his earlier work & label as a folklorist. Lorca was rounded up and shot during the Spanish Civil War, but it remains unclear precisely why. His homosexual life-style may have contributed to the charges against him. Whatever the true cause, his death was a great loss to Spanish literature and art.. First Edition.

      [Bookseller: TBCL The Book Collector's Library]
 29.   Check availability:     Biblio     Link/Print  


        Original etching of a naked satyr and two girls

      No Publisher, [ca. 1940?], 1940. 1st Edition. Description: 1 original ink etching on white paper, 19.5cm x 14cm. Subjects: Erotic art -- Illustration -- John Buckland Wright -- Book illustrators -- Erotica -- Original works. Notes: Some addtional background detail in pencil. Near fine copy. Very slight dust-toning evident around the margins. Remains particularly well-preserved overall.

      [Bookseller: MW Books Ltd.]
 30.   Check availability:     Biblio     Link/Print  


        The Trail of Beauty

      San Francisco: ALLEN PRESS, 1940. Octavo. 47, (xi)pp. One of 100 copies signed by the author. With an original watercolor illustration by William Gaskin tipped-in. Designed, hand-set, and hand-printed in three colors by Lewis and Dorothy Allen "at their home letterpress." A list of quotes, things, and experiences which the author thought beautiful, with blank pages at the end for "your own trail of beauty." Bound by William Wheeler in cloth-backed patterned boards. The very first book produced by this important American private press, this title represented a true family effort, as the author was Lewis Allen's father, and Gaskin was his brother-in-law. The distribution of copies was limited to family friends, including John Henry Nash, who declared that the typeface used to print this edition "belongs in the bay ... in the deepest part". Spine faded and faint wear to corners, else a fine copy; owner's name on front endpaper.

      [Bookseller: Bromer Booksellers]
 31.   Check availability:     Biblio     Link/Print  


        A Straggler. Broadbill

      New York: The Derrydale Press, 1940 - Number 31 of 250. 13-3/4 x 16-1/2 inches. Hand colored aquatint etching, signed by the artist at lower right in pencil. Framed. Ordeman (2005) p. 104; Siegel, pp. 194-5; Ordeman, Aquatints, Drypoints and Etchings of the Derrydale Press, pp. 29-31

      [Bookseller: James Cummins Bookseller, ABAA]
 32.   Check availability:     AbeBooks     Link/Print  


        On a Darkling Plain

      New York: Harcourt, Brace and Co., 1940. First edition. Hardcover. A terrific early novel from the author of "Big Rock Candy Mountain" and "Angle of Repose." A clean near fine copy in a very good plus dust jacket with some small chips to the spine ends and corners as well as some small tears and minor edge wear. Signed and warmly inscribed: "For Dorothy Viets, in gratitude for many deadlines extended and much annoyance cheerfully borne. Wallace Stegner." Reportedly Viets was one of his editors but I haven't been able to confirm that.

      [Bookseller: Jeff Hirsch Books, ABAA]
 33.   Check availability:     Biblio     Link/Print  


        Sång och strid.

      Stockholm, Albert Bonniers förlag, 1940. 124 s. Förlagsband med skyddsomslag (ngt nött med några riss och obetydlig pappersförlust). En papperslapp ligger som bokmärke vid s. 109 (dikten »Källan»). Med bilagt handskrivet placeringskort - »Fil. Dr. Pär Lagerkvist» - från festmiddagen efter promotionen till hedersdoktor i Göteborg, med en handskriven hälsning av Lagerkvist (till Emil Zilliacus) på baksidan i blyerts: »Pär Lagerkvist gladde sig oändligt åt att träffa dig igen - du har betytt mycket för mig under årens lopp. Pär».. Första upplagan. Mycket fint associationsexemplar med anknytning till Göteborgs högskolas 50-årsjubileum den 11 oktober 1941, då åtta hedersdoktorer promoverades, däribland Pär Lagerkvist, Ernst Cassirer och den finlandssvenske författaren Emil Zilliacus (1878-1961).Denna bok med placeringskort har tillhört den sistnämnde.<p>Emil Zilliacus hörde till vägledarna för ett intensivt greklandsintresse under 1920- och 30-talen, med Akropolis sedd som humanistisk kultplats. Detta torde ha påverkat Pär Lagerkvist, för vilken Akropolis blev en symbol för den västerländska humanismens kamp mot barbari och diktatur, »Den knutna näven». Under andra hälften av 1930-talet hörde Zilliacus, liksom Lagerkvist, till gästerna hos prins Eugen på Waldemarsudde, en inte oväsentlig motståndscell under de mörka krigsåren. Valet av bok är passande, diktsamlingen Sång och Strid hör till Lagerkvists »beredskapsdiktning» under andra världskriget

      [Bookseller: Lorenz B. Hatt]
 34.   Check availability:     Antikvariat     Link/Print  


        Darkness At Noon

      London: Jonathan Cape, 1940.. First English edition of the author&#39;s masterpiece. Octavo, original cloth. Light wear, else near fine in a very good price clipped dust jacket. Warmly Inscribed by Koestler on the front endpaper. The English edition is of legendary scarcity in dust jacket and most rare signed and inscribed.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 35.   Check availability:     Biblio     Link/Print  


        SOUVENIR PROGRAM DARRYL F. ZANUCK&#39;S PRODUCTION OF THE GRAPES OF WRATH BY JOHN STEINBECK A 20TH CENTURY-FOX PICTURE DIRECTED BY JOHN FORD [wrapper title]

      [Np]: 20th Century-Fox, [1940].. [16]pp. Oblong octavo (18 x 25.5 cm). Plates. Printed self- wrappers, deckled fore-edges. Very faint tanning, otherwise fine. The very uncommon Souvenir Program offered for sale in select theatres during the first run of the 1940 film adaptation of Steinbeck&#39;s novel. It is enhanced by the presence of six high-quality tipped-in reproductions of Thomas Hart Benton&#39;s artwork that was used to promote the film, including character portraits of the principals and a fine view of the Joads and their truck against a landscape. There is also a cast list, as well as a page of commentary on the production.

      [Bookseller: William Reese Company - Literature ABAA-]
 36.   Check availability:     Biblio     Link/Print  


        The Grapes of Wrath, in a scarce 1940 full leather binding with card signed by Steinbeck mounted on the title page

      New York: Garden City Pub Co. 1940. First edition thus. Hardcover. Fine. 1940, First thus. 619 pp. Hardcover, 8vo., full red leather, gilt title. Fine copy in a glassine jacket, in original cardboard slipcase. Very light rubbing to tips of spine. Else, a tight, clean copy with Fine, unmarked text. Square and sound binding. Glassine jacket shows chips to spine ends, and a few other nicks along edges. Slipcase shows light soil; wear at corners and joints; sturdy. A40. Very scarce, esp. with glassine jacket. There is a 2x3-inch card with Steinbeck&#39;s signature on it mounted to the title page.

      [Bookseller: Caliban Books ABAA-ILAB]
 37.   Check availability:     Biblio     Link/Print  


        Buick Glass-Top Torpedo Concept Art

      - 1940-1941. Mixed media on paper. 11 3/4 x 22 3/4 inches. Framed. 20 3/4 x 30 3/4 inches. The title is based on a label from a previous owner on the back of the piece, but which is unverified at present. In any event, the design is forceful and intriguing, and representative of the Buick "character" in the 1950's and 60's: powerful, even aggressive and luxurious. Interesting features that never really developed very far are the glass bubble roof, which may have been impractical, and which does not give the passengers the option to be less visible when they want to be, and the reticulated glass seam that adorns the hood.

      [Bookseller: Donald A. Heald Rare Books (ABAA)]
 38.   Check availability:     AbeBooks     Link/Print  


        Partly printed document signed by Franklin D. Roosevelt and countersigned by Secretary of State Cordell Hull, appointing Thomas M. Wilson as Consul General at Kabul, Afghanistan

      Washington, D.C, 1940. Approximately 20 x 18 inches. . Fine, in attractive wood frame

      [Bookseller: James Cummins Bookseller]
 39.   Check availability:     Biblio     Link/Print  


        President Roosevelt Sends His Best Wishes To American Samoa ?On The Happy Anniversary Of The Fortieth Anniversary Of Hoisting The American Flag?The National Emblem Will Be A Token In This Far-Flung Possession Of That Spirit Of Democracy And Free Institutions Which It Has Symbolized Ever Since Our Beginnings As A Nation?

      TLS. 1pg. 8? x 5?. April 16, 1940. The White House. A typed letter signed ?FDR? on unusual ?The White House? yellow telegram paper. The President wrote to Navy Captain Edward W. Hanson, the Governor of American Samoa: ?Hearty congratulations on the happy anniversary of the fortieth anniversary of hoisting the American Flag of Tutuial. I hope through all the years ahead that the national emblem will be a token in this far-flung possession of that spirit of democracy and free institutions which it has symbolized ever since our beginnings as a nation.? The President signed in blue ink at the bottom. Edward Hanson was the 28th Governor of American Samoa from June 26, 1938 to July 30, 1940. The letter is in very fine condition.

      [Bookseller: Stuart Lutz Historic Documents, Inc.]
 40.   Check availability:     Biblio     Link/Print  


        [Wien - Parlament]

      1940.. Orig.-Farbradierung, v. Künstler eh. signiert. 63 x 54 cm. (Bildausschn.). In ausgezeichnetem Zustand. vgl. Thieme-B. XIX, 582f.; Schüttler, Wien 1944

      [Bookseller: Antiquariat Burgverlag]
 41.   Check availability:     Biblio     Link/Print  


        CHARACTERISTICS OF THE ROCKET MOTOR UNIT BASED ON THE THEORY OF PERFECT GASES

      Philadelphia: The Franklin Institute, 1940. First Edition. Cloth. Very Good. [2], 806 pages. Dark blue buckram with gilt title and volume numbers to spine panel. Journal of the Franklin Institute, Volume 230 (July-December 1940), entire volume offered. The Malina article is found on pages 433-54. Library bookplate to front pastedown, no other library markings, properly deaccessioned. Frank Malina was an early rocket pioneer whose name is not nearly as well known as Goddard or von Braun, but whose work contributed significantly to advancements in early theory and practice. Among his many contributions, Malina (with Rocket Research Project of GALCIT engineers) developed "red fuming nitric acid (RFNA) and aniline, a propellant combination that achieved great use in American rocketry" (previously Goddard had used liquid oxygen which was hard to handle and store). Malina with H.S. Tsien continued a "theoretical study of the thermodynamic characteristics of rocket motors", which research was used in 2 American firsts: the first successful American use of solid fuel JATOs (jet assisted take-offs) and a JATO of an American bomber. "Malina made a number of other important contributions to rocketry during his career. With von Kármán, he developed in 1940 the theory of constant-thrust long-duration solid fuel rocket motors. In 1942 he and another associate, Mark Mills, designed and patented a safety pressure relief valve for solid propellant rocket motors. In 1943, with Martin Summerfield, Malina introduced and patented improvements in methods of applying rocket propulsion to flying boats. In 1946 they formulated the &#39;Malina-Summerfield Criterion&#39; for step-rockets. This criterion stated that each step of the optimum step-rocket has an equal ratio between its payload mass and the total mass of the step-rocket propelling that payload." "As an early pioneer in the field of rocketry and propulsion, Malina made many valuable contributions. His innovations in long-duration propulsion and solid and liquid fuel propellants were particularly important. According to a 1958 letter to Malina from Rear Admiral D. S. Fahrney, U.S.N. (retired), &#39;It was based on your findings that we produced the first jet propelled guided missile in this country.&#39;" (see American National Biography online for quotation citations) The present work is a further study of the general theory of operation of the constant pressure rocket motor unit, and references work done by Goddard and others. These theoretical studies were undertaken before practical trials were undertaken due to the high costs of building and testing actual rockets. Much of this research resulted in the practical development of solid-fuel rocket motors.

      [Bookseller: Kuenzig Books, ABAA/ILAB]
 42.   Check availability:     Biblio     Link/Print  


        Every Nib

      Boston, MA. 2012. Artist&#39;s book, one of 18 copies, all on Magnani Pescia paper, each signed and numbered by the artist, Laura Davidson. Page size: 5-1/8 x 3-1/16 inches; 6pp; + covers. Bound by the artist: wire (Coptic style page assembly) and hand-sewn with linen; front cover with red bordered label on which title EVERY NIB is hand-lettered, back cover with collaged hand- written artist&#39;s statement, housed in custom-made tray case holding seven "nibs" formed from paper and painted with ink, tray case with hand-painted and lettered label 5-1/2 x 3 inches on front, lined with paper drawn with ink and wash, the grey clamshell box by Marie Oedel, housed in tan card stock fold-over portfolio with original woodcut of pen nib on spine. & The artist&#39;s statement reads, "Artists and pen nibs. Whether frequently used or not, we have them squirreled away, often in small tin boxes originally made for something else, like lozenges, gummed reinforcements, or tea. Sorting mine and using...was the starting point for this...Written with a Shaeffer&#39;s fountain pen, c. 1940". The five pages each of five pen nibs are woodblock prints, each on a different colored ground, all in shades of buff, each nib with the catalogue information about the nib written in ink. On each of the five pages there is a silverpoint drawing with ink wash of a different pen. The colophon is the sixth pen and is the Shaeffer&#39;s used to letter this book. & Laura Davidson has created an elegant homage to this supremely utilitarian tool with EVERY NIB. Her silverpoint drawings, set perpendicular to the pen nibs on each page which are printed across the top, are so very refined. One can almost feel the weight and balance of each instrument as well as know the inherent significance. <br>See an <A HREF= http://www.bookrouter.com/im/juvelisbks/10607.jpg >Image.</A><br>

      [Bookseller: Priscilla Juvelis, Inc.]
 43.   Check availability:     Biblio     Link/Print  


        How "Bigger" Was Born

      New York: Harper & Brothers, [1940]. First edition. 8vo. . Yellow printed wrappers, somewhat soiled and darkened at edges, but sound. In cloth clamshell box. $5000 NET . With a wonderful inscription from Wright to his close personal friend, Abe Aaron: "To Abe, in memory of the Old John Reed Club days. Dick. 10/11/40 Brooklyn." Wright met Abe Aaron in 1930 in Chicago, where both were working in the Chicago Post Office, nicknamed "The university." Aaron helped introduce Wright to the circle of intellectuals and radicals in the area. In 1934, Aaron helped promote Wright&#39;s poems into publication, writing to his friend Jack Conroy, publisher of ANVIL: "Isn&#39;t he swell? And he is absolutely self-educated ... He also writes short stories. On that score he considers me as a kingpin compared to himself. He sees what luck I&#39;m having. So he never submits ... " Conroy, impressed with Wright&#39;s work, published a poem in ANVIL and referred both Aaron and Wright to the John Reed Club. Named for the author of TEN DAYS THAT SHOOK THE WORLD, a history of the communist revolution in Russia, the clubs were founded nationwide in 1931, lasting only until 1934. During his brief membership before the clubs were dissolved, Wright became an officer of the chapter. The disbanded groups of artists and intellectuals fed the ranks of the League of American Writers, of which Aaron and Wright became prominent members A wonderful association copy

      [Bookseller: James Cummins Bookseller]
 44.   Check availability:     Biblio     Link/Print  


        PRIMATO Lettere e arti in Italia. Direttori Giuseppe Bottai e Giorgio Vecchietti.

      Roma,: Mondadori/Vallecchi/Atena,, 1940-1943.. In-4 p. (mm. 370x260), brossura figurata, pp. 20/24 cad., con numerose illustrazioni in bianco e nero nel testo.<br>& Di questo importante periodico quindicinale offriamo "tutto il pubblicato" in 82 fascicoli, dall&#146;1 marzo 1940 (n. 1, Anno I) al 15 agosto 1943 (n. 15-16, Anno IV). <br> & L&#146;ultimo numero (15-16) e&#146; in fotocopia.<br>& & &#147;Fondata a Roma e diretta da Giuseppe Bottai e Giorgio Vecchietti, la rivista nacque con il fine di chiamare gli intellettuali alla collaborazione per la guerra (editoriale del n. 1: "Il coraggio della concordia").. Fu una rivista che poggiava soprattutto sui giovani: rappresenta la crisi della cultura fascista e contiene i motivi della cultura del dopoguerra.<br>& Si pubblicano racconti di Vergani, Emanuelli, Comisso, Tecchi, Monelli, Pavese, Pratolini, Brancati, Piovene, Montanelli - e poesie di Montale, Luzi, Gatto, Quasimodo, Penna, De Pisis e altri. Numerosi e importanti gli articoli di critica letteraria (dibattito sull&#146;ermetismo, studi sull&#146;800, sui contemporanei), critica d&#146;arte (fra gli altri Guttuso e Maccari), di storia letteraria (Piovene, Monelli, del Bo, Emanuelli Brancati).& Belle le copertine con disegni di importanti artisti: Cantatore, Maccari, Tamburi, Gentilini, Tosi, Casorati, Scipione, Longanesi ecc.&#148;<br>& Così Diz. Autori Italiani Contemporanei (Vallecchi, 1974),II, p. 1081.& Esemplare ben conservato.

      [Bookseller: Bottega delle occasioni]
 45.   Check availability:     Biblio     Link/Print  


        Tarzan in the Forbidden City

      Los Angeles: Bantam Publications, Inc. / L.A. Bantam # 23 , 1940 ----------vintage paperback. This is a 100-page abridged edition of "Tarzan AND the Forbidden City". It is an important book, as it is the first Edgar Rice Burroughs title to be published as a paperback. There are at least 3 cover variants of this title, 2 with text only covers, and this one, with an illustrated/pictorial cover by an unknown artist. Zeuschner 570. All 3 variants are rare, with this pictorial cover variant, apparently the rarest of all. In fact, it is one of the rarest of all paperbacks. Slight spine tilt, cover creases, edgewear, 2 small scuffs to the illustrated lion, tiny (1/4 inch) split to spine bottom, a good copy.. .. Mass Market Paperback. Good. Note: our prices on Biblio are the LOWEST of any of the sites on which we list our books.

      [Bookseller: John McCormick]
 46.   Check availability:     Biblio     Link/Print  


        THE HARDY BOYS: The Disappearing Floor- #19

      New York: Grosset & Dunlap, 1940. THE HARDY BOYS: The Disappearing Floor- #19- Franklin W. Dixon- Illustrated by Paul Laune- Grosset & Dunlap, New York- 1940- 1st Edition- (Carpentieri 1940A-1)- Hardcover:-12mo-VG++-Near FINE/VG++ dj is unclipped, bright color with small nicks and rubs at extremities. Wear at lower corner of dj. Tan covers with dark brown titles and silhouette illustration. Textblock and spine tight, no loose pages-illustrated frontis with PO name at rear. 218 pages are clean, no tears or writing. 1st Edition points Carpentieri Bibliography: 5050, 120-160 on inner jacket flap with no mention of title in list which ends with &#39;The Twisted Claw (#18). Lists to itself on the copyright page. Tip page edges bluestain. Red orange Gretta endpapers. Western Stories For Boys on inner back flap of dj lists to &#39;At Triangle Mine&#39;. Rear of jacket has Spotlight Books For Boys! has 13 titles ending in &#39;The G-Men In Jeopardy&#39;. Book has 25 chapters.- A nice addition to your collection of a scarce book especial in this condition with dj. Fiction-juvenile-series-Hardy Boys-Illustrated (3874). 1st Edition-1st Printing. Illustrated Cloth. VG++-Near FINE/VG++. Illus. by Paul Laune. 12mo - over 6¾" - 7¾" tall.

      [Bookseller: jakoll]
 47.   Check availability:     Biblio     Link/Print  

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