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Displayed below are some selected recent viaLibri matches for books published in 1940

        Romans et Contes.

      - P., La Belle Edition, vers 1940, 10 volumes, In-8, demi chagrin vert à coins, dos à nerfs, tête dorée, étuis cartonnés. Série complète de cette collection illustrée en couleurs à tirage limité et numéroté, un des 88 exemplaires sur vélin Pur Fil du Marais, enrichi d'une suite en noir.Nez de Cuir illustré par Paul Jarach avec un portrait gravé de l'auteur par Raoul Serres, Les manants du Roi (Raoul Serres), Man d'Arc (G. de Sainte Croix), Le Centaure de Dieu (Pierre Leroy), La dernière fête (G. de Sainte Croix), Heureux les Humbles (Pierre Noël), Le Troisième Jour (G. de Sainte Croix), Eaux-Vives (Raoul Serres), Pays d'Ouche 1740-1933 (Georges Capon), L'homme aux gants de toile (André Roux). [Attributes: Hard Cover]

      [Bookseller: pages volantes]
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        Die sechs berühmten Maler der Ch'ing-Dynastie.; ( cplt. mit allen Abb. und Pergaminblättern)

      E A Seemann Verlag Leipzig, 1940 - Gebundene Ausgabe Pappkasette mit Textband und 58 nummerierten Abb. ( 1 - 57 und 56a) auf Tafeln - davon 2 Faltabb. / Rollbilder . Teils 2 selten 3 num. Abb. pro Lichtdrucktafel . Jede Tafel mit Pergaminzwischenblatt sowie weitere 3 bedruckte Pergaminzwischenblätter ( Eines dieser bedruckten Zwischenblätter hat ein kleines Loch. Die Tafeln sind textsauber und ordentlich. Der Textband ist ebenfalls textsauber , hat eine kleine Stauchspur ( klein / schwach) an der unteren Blattkante ( teils) . Auf dem Broschurdeckel eine handschriftliche Nummer ( schwach) Die Pappkasette hat deutliche !! Lagerspuren und ist lichtgebräunt /auch fleckig. Pappkasette auch mehrfach best, eine Kante etwas eingerissen. ((Wang Shih-mim, Wang Chien, Wu Li, Wang Hui, Yün Shou-p'ing, Wang Yüan-ch'i )) T31 Sprache: Deutsch Gewicht in Gramm: 1500 [Attributes: Hard Cover]

      [Bookseller: Versandhandel Rosemarie Wassmann]
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        "Andiamo nel separé". No place, c. 1940.

      1940. Signed drawing, felt-tip pen on cardboard, c. 430 x 300 mm. Erotic sketch in red felt-tip pen on ochre cardboard, the result of Manzu's collaboration with his friend and colleague Edmund Georg Pielmann.

      [Bookseller: Antiquariat Inlibris]
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        ANGELES DE COMPOSTELA

      - Angeles de Compostela. Poema. Dibujos de J. Escassi. Fotografías de Ksado.- Madrid, Talleres Graficos Informaciones, Ediciones Patria, 1940; en folio holandesa piel chagren con puntas, papel pintado a mamo, conserva cubiertas originales, retrato del autor por Escassi, 23 hojas, 6 láminas con 2 dibujos de Escassi y 4 fotograbados de Ksado. Cuidada impresión a dos tintas. Primera edición de esta obra que según consta en el colofón el autor escribió entre 1935 y 1936. Muy rara en comercio. Ejemplar de la tirada de 650 en papel lito-extra. Perfecto ejemplar.

      [Bookseller: LIBRERIA ANTICUARIA SANZ]
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        Program signed

      1940 - SUPREME COURT. Program signed. [Washington]: (Government Printing Office), 1940. Octavo, cord-bound with tassel as issued, original printed self-wrappers; pp. 5. $5000.Original program for the sesquicentennial celebration of the Supreme Court of the United States, February 1, 1940, presentation copy, signed by all nine justices of the Court, additionally inscribed on the front wrapper by Justice Owen J. Roberts: "To Owen Roberts Hamilton from his affectionate grandad. 2/7/40."This program commemorates the 150th anniversary of the Supreme Court. In addition to the engraved front wrapper, it also features a gilt and color seal, and a complete list of Chief and Associate Justices of the Court. The program is signed by the entirety of the Supreme Court in 1940, led by Chief Justice Hughes and filled out by Associate Justices McReynolds, Stone, Roberts, Black, Reed, Frankfurter, Douglas, and Murphy. Stone would ultimately succeed Hughes just one year later. Associate Justice Owen J. Roberts has also inscribed this copy to his grandson. Fine condition, most rare and desirable signed by the entire Supreme Court and additionally inscribed by Roberts. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Superman #5 1940 Summer Series

      Superman #5 CGC 2.5 1940 Lex Luthor! Ad Batman #1! Justice League! JLA! E9 cm Please look at the photos for a good illustration of the condition.

      [Bookseller: Bay Shore Emporium]
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        CARNET DE DESSINS ET CROQUIS

      - Vers 1940, - Carnet cartonné bleu dos toilé noir in-12 (170 mm par 105 mm). 122 pages dont 87 pages de croquis, et un feuillet libre d'écriture. Pages détachables. Tampon humide au dos du premier plat "The Paris American Art C°, Montparnasse). - Intéressant carnet de 87 pages de croquis au crayon, visages, femmes nues, études de chevaux de trait, Costumes, décors et personnages de (théatre), études diverses. -------CHAPELAIN Roger, dit Roger Chapelain-Midy, né le 24 août 1904 à Paris, mort dans cette même ville le 30 mars 1992, est un peintre, lithographe, illustrateur et décorateur de théâtre français. École des beaux-arts de Paris, académies de peintures du quartier de Montparnasse. Il deviendra professeur chef d'atelier de 1955 à 19742. Il expose en 1927 au Salon d'automne et à partir de 1929 au Salon des indépendants et au Salon des Tuileries. Il reçoit le prix Carnegie (en) en 1938. Il réalise des décorations murales pour la mairie du 4e arrondissement de Paris, le foyer du théâtre national de Chaillot, l'Institut agronomique de Paris, ainsi que des décorations pour des paquebots, dont le France. Décorateur et costumier de théâtre, dès 1942, il a notamment travaillé pour Les Indes galantes de Rameau en 1952, et pour La Flûte enchantée de Mozart à l'Opéra de Paris en 1954. Le succès de ses travaux lui permettent de travailler à l'opéra de Cologne. Il recevra à ce titre le grand prix du théâtre à la biennale internationale de Sao-Paulo en 19624. On lui doit aussi des illustrations pour des textes de Jean Giraudoux, André Gide, Charles Baudelaire, Fontenelle (Entretiens sur la pluralité des mondes), Jean de La Fontaine, Charles Vildrac, Georges Simenon (La Fenêtre des Rouet, 1945), etc. Il a illustré la couverture de La Chanson de Maguelonne de Michel Mourlet pour la Table Ronde (1973). Valéry Giscard d'Estaing, alors président de la république française, lui commande un Portrait du Général de Gaulle destiné au palais de l'Élysée à Paris. Dans une lignée tardive du symbolisme et du surréalisme, toute une partie de son

      [Bookseller: Rolin Librairie Ancienne BERNARD MARIE R]
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        Faked Passports

      Hutchinson, London 1940 - The book is inscribed by Wheatley: " For E. W. Shepherd With best wishes from Dennis Wheatley". It is firmly bound in slightly marked, bumped and rubbed black cloth, with minor tears to the cloth at the spine ends, it is lettered in gilt, which has oxidised to the spine. The text block is slightly foxed, dusty and age toned. The dust jacket is the original and not price clipped, it has minor loss and closed tears to the edges, also slight rubbing and some minor marks and staining. Gregory Sallust's further wartime adventures, Wheatley pitching the reader straight into the action with the novel commencing where 'The Scarlet Imposter' finished, with Sallust wounded on the plane out of Germany, but determined to get back to ground to pursue his feud with Gruppenfuhrer Grauber and save the beautiful Erika von Epp. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: J and M Books Limited]
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        Horton Hatches the Egg

      Random House, 1940 A near fine later printing inscribed by Dr. Seuss on the verso of the front free endpaper. In a very good dust jacket with the original price of 2.50 still present on the front flap.. Inscribed by Author(s). 5th or later Edition. Hardcover. Near Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        Benny the Bunny Liked Bean.

      New York: Alfred A. Knopf, 1940 - Octavo. Original printed pictorial boards, illustrated endpapers. With the dust jacket. Boards lightly bowed in the the toned dust jacket with light soiling to panels, short closed tears along edges. A very good copy. Illustrations throughout by Harriet Weed Hubbell. First edition, first printing. A very scarce picture book by the author of Rudolph, The Red-Nosed Reindeer. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        [Five Original Stills based on Benton's Character Portraits for THE GRAPES OF WRATH]

      [Los Angeles: 2oth Century-Fox, 1940. Five original 8 x 10" glossy b&w stills. Pencil numbers on two versos, otherwise near fine. Thomas Hart Benton prepared several works as publicity pieces for John Ford's 1940 film version of Steinbeck's novel, most famously a version of THE DEPARTURE OF THE JOADS that was incorporated in several of the differing styles of posters. He also prepared a series of portraits of the characters, but these were not incorporated in the posters, but rather utilized in the theatre program that was offered at the opening exhibitions of the film. They were also reproduced in the form of six stills (according to the negative numbers - only five are present here), evidently in very limited quantities as they are quite scarce. Apart from an appearance by this same group at auction in 2008, we've not encountered another.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Deyrolle-Le pain-Lithograph

      - "Le pain" by Deyrolle, Unsigned Lithograph. The overall size of the Lithograph is 33.5 x 26 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Lithograph: Circa 1940. Published by Les Editions Deyrolle. Teaching Charts. Printed by E Kapp. Small tear in the bottom margin. The image is not affected.

      [Bookseller: Rare Posters]
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        Notholirion campanulatum.

      Dulau & Co. Ltd. / The Royal Horticultural Society. [London.] [ 1940]. - Handcolored lithograph, sheet size approximately 21 3/4 x 14 3/4 inches, matted to 25 3/4 x 18 inches. Area of the print that was exposed in the mat opening has evenly toned; otherwise very good, clean condition with bright color. This handcolored lithograph was published with Part VII of the Supplement to Henry Elwes 1880 Monograph of the Genus Lilium. This important botanical monograph highlights the extraordinary wealth of China and surrounding countries in the species Lilium. As Elwes' friend and collaborator Arthur Grove states in the introduction to the Supplement: "When Elwes prepared his Monograph about fifty species of Lilium were known to exist, and it was then the general opinion among experts that few remained to be discovered. With his customary acumen, Elwes himself expressed the view that 'The only regions from which much novelty can be expected are the Eastern Himalayas and the immense tract of unexplored and difficult mountain country which surrounds our Indian Empire on the north and east, and which lies round the head-waters of the Irrawaddy, the Bramputra, and the Yang-tse-kiang.' These words were written in 1880, some years before the botanical exploration of Western China began, and Elwes proved a wiser prophet than he knew. At that time, however, no one in England suspected that the area indicated by him was soon to prove richer in lilies than either Japan or Western North America." The first 7 parts of the Supplement were issued between 1933 and 1940. These were limited to 250 copies with a total of 30 handcolored plates drawn and lithographed by Miss Lilian Snelling. The large folio size is used to great advantage to showcase this stunning bloom, with botanical details at the lower left. The habitat of this lily is noted in the text (supplied in facsimile) as being Western China, north-west Yunnan and Northern Burma.

      [Bookseller: old imprints ABAA/ILAB]
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        Oeuvres complètes - 20 Bände.

      (Lausanne) : Mermod 1940-41. 23*17 cm. Illustr. OHalbpergamentbände mit Rückentiteln, OSchutzumschläge mit eingebunden. Schöne erste Werkausgabe - Gedruckt in 1500 numerierten Exemplaren (hier Nr. 880) auf zweiseitig unbeschnittenem Papier Verge chiffon. In den 1950er Jahren sind noch 3 Nachtragsbände erschienen, welche hier - wie meist - fehlen. Ramuz gilt als bedeutendster französischer Schriftsteller der Schweiz. - Bringolf 200 - - - Kanten teils leicht berieben und / oder leicht bestossen, Einbände teils gering fleckig, in Band 1 einige S. etwas unsauber aufgeschnitten. Insgesamt noch schöne Ausgabe. L07-7 Versandkostenfreie Lieferung

      [Bookseller: Antiquariat BehnkeBuch]
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        They Don't Dance Much

      Boston: Houghton Mifflin Company, 1940. First Edition. Hardcover. Very Good. First edition. Near fine with rear bottom tip slightly exposed and name on front free endpaper in very good+ dust jacket with chipped head, wear and few closed tears along fore and top edges, tiny dampstain on back panel bottom tip. The author’s only book, an unjustly-obscure “country noir” novel acclaimed by the likes of Daniel Woodrell, George V. Higgins, Flannery O’Connor and Raymond Chandler. Quite scarce in its original pictorial jacket illustrated by George Kelley, ominously depicting the roadhouse/filling-station where the story takes place.

      [Bookseller: Burnside Rare Books]
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        Typed and Signed Letter.

      - Lillehammer, dated "January 13, 1940". One sheet, typed on the author's stationery. 22,5x19,5 cm. 13 lines. Folded twice. With four punched holes in the inner and lower margins. Signed by Undset. The letter is an answer to an inquiry from Swedish librarian Folke Dahl (1905-1970), organiser of the Pro Finlandia charity auction of books and manuscripts for the aid of Finland during WWII. Undset has been asked to support the cause by donating one or more of her books to the auction. She answers that she would be happy to donate one of her manuscripts instead, and that she has already submitted a manuscript to a similar auction in Oslo. The auction was held in Stockholm in 1940, Undset?s manuscript of the novel Madame Dorthea was sold for 185 Swedish Kronor to Erik Kempe. Madame Dorthea, Undset?s last novel to be published during her lifetime, was intended as the first volume in a series of historical novels set in late 18th century Norway, but she was never able to continue the project. In April 1940, when German troops invaded Norway, she fled first to Sweden, then to the USA, where she pleaded for assistance to Norway through lectures and pamphlets. She did also sell her Nobel Prize medal in order to contribute to Finland?s cause (while Hamsun gave his medal for free to Goebbels in 1943). The manuscript of Madame Dorthea was added to the collections of the Norwegian National Library in 2013. [Attributes: Signed Copy]

      [Bookseller: Patrik Andersson, Antikvariat.]
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        Sylt: Sonnenuntergang hinter Dünenlandschaft am Meer. Ölgemälde und Mischtechnik auf Platte.

       1940 Bildmaß: 34 x 49 cm ( Höhe x Breite ), alt unter Glas und Passepartout gerahmt ( wohl in Künstlerrahmung. Rahmenmaß: 53 x 68,5 cm ). Öl ( und wohl auch Mischtechnik ) auf Platte. Rechts unten mit *S.Sprotte* signiert und mit *(19)40* datiert. Gezeigt wird hinter hohen Dünen der Sonnenuntergang am Meer auf Sylt. Das Bild etwas fleckig mit einigen geringen kleinen Farbabplatzungen im Bereich des Meeres ( möglicherweise aber auch hier nur dünner Farbauftrag durch den Künstler ), das umlaufende Passepartout stärker fleckig, der Rahmen etwas bestoßen und fleckig. Nur das Ölgemälde selbst ist unter Glas gerahmt, nicht aber das Passepartout. Ungeöffnet. ( Bitte beachten: Hier aufgrund der Größe und wegen Bruchgefahr leider kein Versand - hier nur Selbstabholung ) ( Literatur: Vollmer: Künstlerlexikon, Band IV, Seite 334 u.a. ) ( Pic erhältlich // webimage available ) ( Lagerort Richey ) Versand D: 5,00 EUR Kampen, Sylt, Dünen, Sprotte, Siegward Sprotte, Sonnenuntergang, Google, Ölgemälde, 1940

      [Bookseller: Antiquariat Friederichsen]
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        Le cinque piaghe di Cristo Studio anatomico e sperimentale sui dati della Sindone

      società editrice internazionale, 1940. ITALIANO 0,38 15 tavole in b. e n. fuori dal testo. Coperta e pagine con lievi segni di fioritura ed ingiallimento. Prima versione con introduzione ed aggiunte per cura del Sac pietro Scotti. USATO

      [Bookseller: Biblioteca di Babele]
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        FAREWELL, MY LOVELY

      New York: Alfred A. Knopf, 1940. First Edition. First Printing, one of 7,500 copies. Octavo (19.25cm); orange cloth, with titles stamped in blue on spine and front cover; dark blue topstain; dustjacket; [8], 275, [5]pp. Base of spine gently nudged, mild rubbing to lower board edges, with three small spots to right edge of textblock; topstain is bright and unfaded; Near Fine. Dustjacket is unclipped (priced $2.00), with a vertical fold and sunning to spine panel; wear along spine ends and flap folds, rear panel slightly dusty, with a few closed edge tears; verso of front flap shows several penciled dates contemporary with time of publication, erased by a previous owner; still a presentable, unrestored example, Very Good+. Chandler's second novel, a Haycraft-Queen cornerstone title. Basis for Edward Dmytryk's film noir Murder, My Sweet (1944), starring Dick Powell, Claire Trevor, and Anne Shirley, as well as the 1975 adaptation starring Robert Mitchum as Philip Marlowe. Bruccoli A2.1.a; The Dark Page, Vol.1, pp.60-61; Hubin, p.75.

      [Bookseller: Captain Ahab's Rare Books]
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        Typed Letter Signed to Edna Gellhorn

      1940 - HEMINGWAY, Ernest. Typed letter signed. Cuba, 1940. Single sheet, measuring 8-1/2 by 11 inches. $8500.Typed letter from Ernest Hemingway to his future mother-in-law, Edna Gellhorn (the mother of Martha Gellhorn, his third wife), signed: "much love from Ernest."Martha Gellhorn had been in Finland to cover the war for Collier's magazine at the end of 1939 and returned in January, 1940. In this letter, written shortly after Martha's return, Hemingway tells Edna Gellhorn about her daughter's physical condition and declares how much he loves her. The letter reads, in part: "Dear Mother". [Martha] is wonderful and healthy and un-nervous and getting rested. She is 13 pounds over-weight but those were the 13 pounds that brought her home healthy instead of broken down and a wreck so I am fond of every one of them. She had to eat and drink plenty to survive that cold and if she had not been in the fighting cock condition she was in when she left Sun Valley she never could have stood up under that trip. I love her so much and am so proud of her that I know how much you must love her and how proud you are. Well if she was a horse that had just won the Derby it could be that you bred her and I trained her. Only I trained her damned little. But we have both trained each other very well. Then there wasn't anything I could do to please Marty in the last days before she got here except maybe be neat so hell went in so for that and for organization etc. that was terrific. You see I never ran a house before but it just the same thing as a boat really and these servants are absolutely unspoiled and fine to work with. Now we are going to take about ten of the 13 pounds off and I am going to work hard and not worry. We have been so happy and haveing [sic] risked it all know what it was we risked and what loneliness is. All the good part I would never think about while Marty was away because it made me too lonely to live but now it is just as though your soul had come back into your body and we are awfully good for each other too in every way". And I know now how it was a great and lucky thing for me that the three of you came into Mr. Josie's [Sloppy Joe's in Key West] that time in spite of all breakage. Almost no one gets what they should have and I have. This is just a note (very illiterate as usual) to tell you how much I love you and to thank you again for sending Marty and to tell you how much I look forward to when we can all be together again. [signed] Much love from Ernest." Hemingway and Martha Gellhorn met in Key West in December 1936 and were married on November 21, 1940. Although they divorced on December 21, 1945, Hemingway maintained a close friendship with his mother-in-law. The year 1939 has been written in ink on the bottom of the letter, possibly by Edna Gellhorn.Original faint fold marks. Fine condition. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Photograph. WITH: Autograph note signed

      1940 - (CAPA, Robert) HEMINGWAY, Ernest. Photograph. WITH: Autograph note signed. Sun Valley, Idaho: (Life), [1940]. Vintage gelatin silver print (9-1/2 by 12-inches), Capa/Life magazine inkstamp on print verso, partial leaf in manuscript (1-1/4 by 3-1/2 inches) centered below print, each window-matted, together framed (total measures 13-1/2 by 18-3/4 inches). $6500.Scarce 9-1/2 by 12-inch vintage gelatin print of Hemingway from a wonderful photograph by his friend, famed photographer Robert Capa, taken in Sun Valley, Idaho in the fall of 1940, with Hemingway's inscription on a partial leaf inscribed by him, "From Ernest Hemingway, Sun Valley, Idaho," handsomely framed together.This wonderful 9-1/2 by 12-inch vintage gelatin silver print of Hemingway, framed with his inscription, is from a photograph by renowned war photographer Robert Capa. Capa took the photograph in October 1940, when the two men were joined by Hemingway's three sons and future wife, writer Martha Gellhorn, at Sun Valley Lodge in Sun Valley, Idaho. Hemingway, Capa and Gellhorn had become close friends during the Spanish Civil War, where Hemingway's "dispatches provide a vivid accuracy of how the war was fought"" and his experience would later inform his writing of For Whom the Bell Tolls" (Putnam, Prologue Magazine). That novel, published the same month as this stay in Sun Valley, earned immediate praise as "one of the major novels in American literature" (New York Times). In a 2008 interview, Hemingway's son Patrick recalled that it was on this trip that Hemingway's nickname of Papa "was started by Capa". [who] was sent out to do a shoot on Hemingway sort of relaxing after coming back from the Spanish Civil War in Sun Valley. And all of Hemingway's children were there, my half brother, Jack, and my full brother, Gregory. The three of us were all there, and we kept calling him papa because he never wanted to be called dad. And so Capa said, is it all right if I call you papa, too? And that's when it started" (NPR). During their time in Sun Valley, Hemingway and company enjoyed several hunting and road trips, and Hemingway and Gellhorn's marriage on November 21 would "figure in a two-part photo essay in Life by their friend Robert Capa. The second part was a series of quotations from For Whom the Bell Tolls accompanied by Capa's [Spanish] Civil War photographs" (Mellow, 522). This exceptionally scarce vintage print of Hemingway shows the writer standing at road side next to a parked vehicle. His hair touseled by the wind and squinting against the sun, Hemingway raises a hand toward the camera in what appears to be an offer of food. Capa and Hemingway later had a falling out at the break-up of Hemingway's marriage to Gellhorn, whose novella Till Death Do Us Part (1958) speaks to her relationship with Hemingway and friendship with Capa. Photographs from this trip were included in Capa's book, Slightly out of Focus (1947), and his photographs of Hemingway were also featured in Life's 1961 issue paying tribute to the writer shortly after his tragic suicide in Ketchum, Idaho. Inkstamp stating "Life Photo by Robert Capa" on print verso, visible in windowed cut-out on frame verso. Two small framer's labels to frame verso. Inscription bold and clean. A fine framed print. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        Les Saints patrons des métiers de France. Douze images gravées par Jean Chièze. Collection dirigée par Renée Moutard-Uldry.

      1940 1 en feuilles, sous portefeuille de l'éditeur (bordures de la couv. très lég. passées). in-folio (400 mm x 305 mm) de 1 f. de texte + 12 planches gravées sur bois par Jean Chièze et mises en couleurs au pochoir (320 mm x 250 mm pour la partie gravée) ; Paris, Henri Lefebvre, s.d. [1940], Edition originale. Tirée à 450 exemplaires sur Ingres des papeteries d'Arches.Les planches gravées représentent Saint Nicolas (marins, enfants et marchands de vin), Saint Yves (avocats), Saint Vincent (vignerons), Saint Come et Saint Damien (médecins, chirurgiens et pharmaciens), Saint Fiacre (jardiniers, horticulteurs et fleuristes), Saint Crépin et Saint Crépinien (cordonniers), Saint Eloi (orfèvres), Saint Hubert (chasseurs et forestiers), Sainte Catherine (couturières), Saint Honoré (boulangers), Saint Bernard de Menthon (alpinistes) et Saint Jean Porte Latine (imprimeurs)."Chièze s'est essentiellement consacré à partir de 1923 à la gravure sur bois : xylographies et bois de bout. [] Par la qualité de ses gravures, il a remis à l'honneur une forme d'illustration tombée plus ou moins dans la vulgarisation." (J. Bailly-Hezberg, Dict. de l'estampe en France p. 68)."Intéressante tentative de rénovation de l'imagerie populaire." (Benezit II-p. 720).

      [Bookseller: Librairie Philippe Sérignan]
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        The rugged flanks of the Caucasus.

      London Oxford University Press 1940 - 2 volumes 4to (27.5 x 18 cm). xv, 272; ix, 318 pp., 38 plates printed by Emery Walker after drawings by the author, and nine maps (8 folding). Original brown buckram gilt, a fine copy. The very handsome first edition printed on thick paper. After visiting Russia for seven months in 1879, Baddeley became the St. Petersburg correspondent for the London Standard, and began a lifelong relationship with that country, travelling widely and writing several important books on its history. In the summer of 1900 he made his first of several journeys to Siberia and the Russian Far East. He was a Fellow of the Royal Geographical Society, 1902-1940. Posthumously published, the book describes the author's journey through the region on horseback, 1898-1902. The work deals with the geography, topography, ethnology, history, archaeology, botany, zoology, and folklore of the Caucasus. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shapero Rare Books]
 23.   Check availability:     ZVAB     Link/Print  


        The Reluctant Dragon (Original screenplay, copy belonging to Disney producer-director Ben Sharpsteen)

      Walt Disney Productions / RKO Pictures, Los Angeles 1940 - Final Shooting Script for the classic 1941 Disney film, "The Reluctant Dragon," based on the short story by Kenneth Grahame that originally appeared in the 1930 collection "Dream Days," directed by Alfred L. Werker, and starring Robert Benchley, Walt Disney, and a host of Disney's greatest animators. Copy belonging to Disney director and producer Ben Sharpsteen (with his name in holograph pencil at the top of the front wrapper), who contributed to over 30 Disney features between 1934 and 1960, including "Snow White and the Seven Dwarfs" (1937), "Fantasia" (1940), "Pinnochio" (1940), "Dumbo" (1941), and "Cinderella" (1950). "The Reluctant Dragon" was the first Disney animated feature to include live-action footage, a behind-the-scenes documentary about the studio's animation process including the cartoon short of the title, which in later years was often exhibited separately from this film. Robert Benchley stars as himself, a visitor to the Disney lot, where he intends to pitch an animated version of the children's fairy tale The Reluctant Dragon by Kenneth Grahame to Walt Disney. Benchley wanders away from his studio-appointed guide and tours the facilities himself, where he sees various new cartoons in the process of being storyboarded, including a "Baby Weems" short. Benchley meets Clarence Nash (the voice of Donald Duck), famed Disney animator Ward Kimball, another "animator"(played by Alan Ladd), and Walt Disney himself before being corralled to Disney's screening room, where he is shown the company's new short, none other than "The Reluctant Dragon." In addition to being a landmark in animation development, the film has become perhaps the ultimate record of the Disney studio at work during its peak. Olive wrappers, with a white title label at the center of the front wrapper in manual type, noting that this Copy No. 104, the title, "Final Shooting Script," and a date of 9-30-40. Title page present, with a list of screenwriter credits that, interestingly, includes Benchley (who was not credited in the final film). 170 leaves, mimeograph, with blue revision pages throughout. Pages Near Fine, wrapper Very Good plus with light yapping to the edges, bound with three silver screw-style brads. In a custom quarter leather clamshell box. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 24.   Check availability:     IberLibro     Link/Print  


        Poesia dei Ferri Chirurgici. Con una sintesi della teoria delle parole in libertà di F.T. Marinetti e uno studio su la teoria delle parole in libertà di Pino Masnata.

      Edizioni Medici Domus (Tipografia Enrico Zerboni), 1940 (Gennaio).. In-8°, legatura editoriale in brossura con titoli in rosso e azzurro a dorso e al piatto, pp. 136(4). Rarissima edizione originale, curata graficamente dall'autore, di questa raccolta di parolibere. (Cammarota, Futurismo, 311.8). Dorso leggermente brunito, così come i margini delle carte; vecchie tracce di punti di colla ai contropiatti, ed una piccola leggerissima abrasione al piatto posteriore. Esemplare complessivamente molto buono.

      [Bookseller: Daris S.R.L.]
 25.   Check availability:     maremagnum.com     Link/Print  


        TEBEO ZAS, REVISTA NACIONAL DE LA SECCION DE LOS ASPIRANTES DE LA ACCION CATOLICA 1940-1950

      Gráficas Edición - TEBEO ZAS, REVISTA NACIONAL DE LA SECCION DE LOS ASPIRANTES DE LA ACCION CATOLICA 1940-1950. Gráficas Edición. Con los numeros, 1, 3, 4, 6, 7, 10, 11, 12, 14, 15, 16. Posibilidad de comprar sueltos a 100 Eu/U. Ref A 6 Language: eng [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Anticuaria Marc & Antiques]
 26.   Check availability:     AbeBooks     Link/Print  


        War Orphans

      1940 - SZYK, Arthur. "War Orphans." London: 1940. Original signed watercolor and gouache painting on paper (image 9-1/2 by 10-1/2 inches, sheet measures 12 by 16 inches); very handsomely framed (18 by 20 inches). $25,000.Extraordinary signed original watercolor and gouache painting of two young Jewish refugees, huddled together, by anti-Nazi caricaturist Arthur Szyk, whose wartime portrayals of brutality, heroism and suffering strongly influenced American attitudes toward the war effort.Polish-born Arthur Szyk considered his work to be "weapons of war." Upon the German invasion of Poland in 1939, his life and career were altered forever. Syzk lived in London at the time, and, in an effort to sway American public opinion against the Nazis, British authorities dispatched him to New York City. There he was to assume the role of unofficial propagandist for the Allied powers, contributing a steady stream of anti-Nazi cartoons and caricatures for major U.S. publications, including Time, Collier's, Esquire, The New York Times, the New York Post (where he eventually served as editorial cartoonist) and the Chicago Sun. For this mission, Szyk developed a new and different approach from his established style of "illumination," creating caricatures that combined the precise detail and fine craftsmanship of his miniaturist illustrations with the barbed satire of political commentary. A survey conducted in 1941 by Esquire magazine proclaimed that Szyk's political cartoons were more popular with American military trainees than photos of pin-up girls. His drawings were used to promote U.S. war bonds, and were credited with boosting more sales than any other vehicle. In his wartime work, Syzk focused primarily on three major themes: the brutality of the Germans, the heroism of the Poles, and the suffering of the Jews. These themes were present in his 1940 exhibition, "War and "˜Kultur' in Poland," which opened in London, and later in Toronto and New York. This striking original watercolor and gouache painting of "War Orphans," signed by Szyk and dated "London, 1940," was apparently among the images in that exhibition. According to the exhibit catalogue, Szyk's series of paintings and drawings portrayed Poland in a state of "distress and fury." Many of the works in the show attacked Nazi leaders and later appeared in his The New Order (1941). "Szyk's extraordinary virtuosity has not, however, been impaired by the tragedy of his country and his religion, and those who care for exotic coloring combined with the medieval miniaturist's precision of detail could not but be interested in his work" (Thomas MacGreevy). Fine condition. A beautiful piece. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bauman Rare Books]
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        The Bride Wore Black

      Simon and Schuster 1940 - Advance reading copy of the first edition. Self-bound in the iconic skeleton bride-illustrated dust jacket. About Very Good. Wraps worn. Spine creased, somewhat cocked, slight loss at head with a small tear to rear joint. The basis of Francois Truffaut?s 1968 film La Mariee etait en noir. Extremely scarce in this format. [Attributes: Soft Cover]

      [Bookseller: Burnside Rare Books]
 28.   Check availability:     AbeBooks     Link/Print  


        Oeuvres complètes 1 à 23 - Avec l'Album C.F. Ramuz - Photographies.

      Lausanne, Mermod, 1940 à 1954.24 volumes in-8 brochés, couvertures bleues décorées rempliées. Petites fentes aux mors du vol. 1, tout petit manque en queue des vol. 1 et 7 et minimes déchirures en bords des vol. 1 et 8, légers plis au dos de l'album. Pour le reste, belle condition générale, partiellement non coupé. Tirage limité à 1565 exemplaires numérotés, celui-ci un des 1500 sur vergé chiffon de Biberist (250).

      [Bookseller: La Librairie Ancienne Alexandre Illi Bom]
 29.   Check availability:     Livre-rare-book     Link/Print  


        Oeuvres complètes. 23 volumes complets et un album de photographies.

      Lausanne, Mermod 1940-1954 230x160mm,reliés demi parchemin pour les 20 premiers, brochés pour les tomes 21-22-23 et l'album.Edition originale des oeuvres complètes, tirée sur papier vergé chiffon Biberist (1500 ex. numérotés).

      [Bookseller: Bouquinerie du Varis]
 30.   Check availability:     Livre-rare-book     Link/Print  


        Soldatisches Führertum - Band 1 - 10,

      - Hamburg, Hanseatische Verlagsanstalt, ohne Jahr (1940), Gebundene Ausgabe, Ganzleineneinband, Großformat, 530 + 471 + 495 + 495 + 496 + 512 + 511 + 500 + 512 + 512 Seiten, mit Abbildungen, Bibliotheksstempel auf dem Einband, Beiliegend Inhaltsverzeichnis als Fotokopie, Zustand 2 (OA2065) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Helmut Weitze]
 31.   Check availability:     ZVAB     Link/Print  


        Eigenh. Brief mit U. ("Schröder"). Bad Hofgastein, 13. IX. 1940.

      1940. 1 S. Gr.-4to. Beiliegend eine faks. Dankeskarte und ein eh. adr. Kuvert. An Friedrich Herrmann, Herstellungsleiter beim S. Fischer Verlag in Berlin, über Korrekturen bei der Drucklegung seines Buches "Die weltlichen Gedichte": "[...] Auf Seite 450 sind versehentlich die vorigen Korrekturen alle nicht durchgeführt [...] Die Rückkorrektur auf Seite 453 ist beabsichtigt. 'Lebendig strebende' steht oppositionell zu 'Welle', was zwar nicht ganz durchsichtig aber jedenfalls sinnvoller ist wie die Fehlkorrektur 'strebender'. Auf Seite 457 war ein falsches 'euer' noch falscher in 'eure' korrigiert. Jetzt ist's richtig [...] Hier ist es schön, gesund u. vor allem bombenfrei. Ich denke mit Mitgefühl der armen Berliner [...]". - Auf Briefpapier mit gedr. Briefkopf; Papierbedingt leicht gebräunt und mit einem kleinen Ausriß in der rechten unteren Ecke.

      [Bookseller: Antiquariat Inlibris]
 32.   Check availability:     maremagnum.com     Link/Print  


        Original Animation Cel of Jiminy Cricket

      - Possibly from the characterÕs debut in DisneyÕs Pinocchio (1940), although this character often appeared in later Disney productions. Approximately 8Ó wide by 6 1/4Ó tall; on a plain yellow background; matted by the Courvoisier Gallery (sold at Disneyland) with their printed label on the verso. Very slight cracking; the mat is somewhat spotted.

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 33.   Check availability:     AbeBooks     Link/Print  


        Die Hermetischen Schriften: Corpus Hermeticum. Deutsche Ausgabe mit Einleitungen und Kommentaren von Maria Magdalena

      Olms Georg Ag, 1940. Das Corpus Hermeticum, auch bekannt unter dem Namen Die 17 B?cher des Hermes Trismegistos, ist der Nachwelt in verschiedenen Handschriften in griechischer Sprache ?berliefert. Hinzu kommen weitere Einzelfragmente, sowie der lateinisch ?berlieferte Asclepius. Maria Magdalena Miller, Altphilologin und Privatgelehrte, hat in den Jahren 1940 bis 1944 diese ?bersetzung aus den Original-Sprachen angefertigt, die damals aus zeitbedingten Gr?nden nicht erscheinen und erst jetzt ediert werden konnte. Eine ausf?hrliche Einleitung in die Thematik des Corpus Hermeticum und in die Hermetik ist den Texten vorangestellt. Hiermit wird die erste hermetisch-wissenschaftlich fundierte deutsche Gesamt?bersetzung des Corpus Hermeticum vorgelegt, mit Kommentaren und Einleitungen. Der Beitrag des Philologen Alexander Schmid Neues Licht auf alte Thesen liefert einen aktuellen ?berblick zur Forschung zum Corpus Hermeticum.

      [Bookseller: LLU-Bookservice]
 34.   Check availability:     maremagnum.com     Link/Print  


        "Couperin le Grand".

      1940 1Dessin à la mine de plomb sur papier vergé, signée en bas à gauche, (1940), 47.8 x 37.8 cm. "La figure de François COUPERIN, compositeur français, 1668-1733, se détache dans un rayonnement. Le très bel orgue occupant le fond de la composition rappelle la carrière de ce maître organiste. Ordonné avant l'âge requis par la maîtrise, ses oeuvres majeures ont été écrites avant vingt ans, dans le plus beau style de la musique d'orgue baroque. Il est représenté par Georges LEPAPE devant l'orgue de l'église Saint-Gervais. Ce dessinateur hors-pair, dont la vocation est née avec les ballets russes de DIAGHILEV présentés à Paris en 1909. Son style, serein, d'une matière fournie, perfectionniste est particulièrement caractéristique. Au début de sa carrière, il s'attache au portrait, intérêt qui ne se démentira pas, comme nous le montre ce rendu sensible du musicien." (Georges Lepape, par Jacques Crépineau, 1978).

      [Bookseller: Librairie Chrétien]
 35.   Check availability:     Livre-rare-book     Link/Print  


        The Wonderful City of Oz.

      Chicago: The Reilly & Lee Co, 1940 - Octavo. Original orange cloth, colour pictorial image pasted down to front board, titles and decoration to spine in black, illustrated endpapers. With the dust jacket. A bright copy with an inscription on the presentation page, in the dust jacket with just a touch of wear to extremities, small chip to front top edge. An excellent copy. Illustrated throughout in black and white. First edition, first printing, first state. The first John Neill authored Oz title. Bienvenue & Schmidt p. 124. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 36.   Check availability:     AbeBooks     Link/Print  


        Perachora. Vol. I: The sanctuaries of Hera Akraia and Limenia. excavations of the British school of archaeology of Athens 1930-1933. Architecture, bronzes, terracottas. Vol. II: Pottery, Ivories, Scarabs (complete set)

      Clarendon press, Oxford 1940 - Very rare complete set of 2 volumes. "and other objects from the votive deposit of Hera Limenia, edited by T. J. Dunbabin". At the Clarendon press, Oxford, 1940-1962. Large in-4. Vol. I: xii & 271 pages, 26 figures. Vol. II: xvi & 579 pages, 195 plates. Original cloth with dust-jacket. Jackets are worn and chipped, while the books themselves are in excellent condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meretseger Books]
 37.   Check availability:     AbeBooks     Link/Print  


        Perachora: The Sanctuaries of Hera Akraia and Limenia. Excavations of the British School of Archaeology at Athens, 1930-1933. Architecture, Bronzes, Terracottas.

      Clarendon Press, Oxford 1940 - Very rare. Clarendon Press, Oxford, 1940. First edition. Large in-4. This scarce title is the first of a two-volume set, belonging to the series "Excavations of the British School of Archaeology at Athens, 1930-1933. Architecture, Bronzes, Terracottas." Full brown buckram, with stamped gilt lettering and ornamentation to the spine. The exterior shows minor edge wear, with light bumping to the corners. The covers exhibit scattered minute tears. The front hinge is cracked. The rear hinge has been repaired. Two small pen markings are visible on page 7. On page 266, an errata slip is laid in. This volume has been collated and is complete. Pagination: v-xiv, followed by 1-271 with index. Present are 146 plates, including a frontispiece, with two plates (frontispiece and Plate B) in color. [Attributes: First Edition; Hard Cover]

      [Bookseller: Meretseger Books]
 38.   Check availability:     AbeBooks     Link/Print  


        Portrait Photograph of Ella Fitzgerald

      New York, 1940. Half-length, frontal view of he singer smiling shyly. Vintage gelatin print. 1 vols. 9-7/8 x 7-1/2 inches. With the photographer's embossed stamp lower left, atelier stamp on verso, and with holograph notes giving subject of the photo "Ella Fitzgerald", date, and negative reference ("XIV q 9"). Van Vechten, Carl. Half-length, frontal view of he singer smiling shyly. Vintage gelatin print. 1 vols. 9-7/8 x 7-1/2 inches. Provenance: The estate of Saul Mauriber, Van Vechten's assistant and executor of Van Vechten's photography estate and the compiler of PORTRAITS: THE PHOTOGRAPHY OF CARL VAN VECHTEN (1978)

      [Bookseller: James Cummins Bookseller ]
 39.   Check availability:     ABAA     Link/Print  


        Typed letter signed. Los Angeles, 24. VII. 1940.

      1940. Large 4to. 1 p. To Mildred Sloane, the wife of artist and architect Blanding Sloane (1886-1975), regarding the trip to New Mexico: "[...] It looks like there will be an interesting time in New Mexiko this summer and I appreciate the possibility to see something of it. Just spoke at the San Francisco convention of the Federation of Arts. The convention at the University of Mexico offers a fine platform, I am sure, and I thought of showing a few slides too [...]". - On headed paper.

      [Bookseller: Antiquariat Inlibris]
 40.   Check availability:     maremagnum.com     Link/Print  


        Inro Makie Shu (Collection of Superb Inro)

      Taiseikaku, Kyoto 1940 - First edition. Folio. Japanese silk binding. Near fine. 2 Pages, Japanese introduction followed by 25 tipped in plates, each with 1 inro viewed from both sides in colour. Each plate preceeded by a Japanese explaination page. A very rare book on laquer inro of the highest quality, most likely privately printed. From the library of Maurice Champoud, Switzerland. [Attributes: First Edition]

      [Bookseller: Meijering Art Books]
 41.   Check availability:     ZVAB     Link/Print  


        Le farfalle diurne d'Italia.

      Firenze, Marzocco, 1940/53. Cinque vol. in-4¡, leg. coeva in mezza tela rossa, pp. XXXIV-131 + XII-401 + XVI-318 + XXIV-380 + XVIII-354 con 49 fig. n.t. + 26 tav in nero e 74 in quadricromia (di cui 8 a doppia pag.) raffiguranti in totale 5324 esemplari. Edizione numerata di 800/1000 (ma furono assai meno ed ogni volume ha qui, come sempre, un numero diverso). Ottimo stato di conservazione di questa monumentale ed importantissima opera entomologica. Il volume 'III' ? qui in due tomi : testo e tavole.

      [Bookseller: Libreria Piani già' Naturalistica snc]
 42.   Check availability:     Biblio     Link/Print  


        The Big Sea: An Autobiography.

      New York:: Knopf,, 1940. . A Very Good, tight copy with foxing to the board edges in a Very Good plus, bright, unclipped dust jacket with foxing to the folds of the jacket. There are two closed edge tears. This very uncommon autobiography chronicles the life of Langston Hughes with a special focus on his coming of age in Paris in the 1920s and his role in the Harlem Renaissance. As a black poet, novelist and playwrite, Hughes became of one of the pre-eminent writers of the modern movement, but not before working at a number odd jobs along the way including working as a seaman on tramp freighters to Europe, teaching English in Mexico and working in a night club in Paris. .

      [Bookseller: Gregor Rare Books]
 43.   Check availability:     Biblio     Link/Print  


        Sammlung jiddischer, neuhochdeutscher und rumänischer Lieder mit eigenh. U. Bukarest und Wien, 1940-1949.

      1940. 8 eh. SS. und 37 SS. Typoskript (teils Durchschläge), vielfach mit eigenh. Zusätzen und Korrekturen, zumeist mit eh. U. Zusammen in Mappe der "Societatea Comunala a Tramvaielor Bucuresti", eh. beschriftet "Moderne Walzer-Bostons | Proprietatea: Tedi Weinberg". Unter der jiddischen Liedern (durchwegs in lateinischer Schrift) das immer wieder überarbeitete Hauptwerk "Oi, a Jeschie! (Jüdisches Klagelied)", das eine beeindruckende zeitgenössische literarische Reaktion auf den Holocaust darstellt: "Oi a Jeschie, oi a Jeschie, Gottiniu schick ins a Hilf bald fin dir. Genig gestruft host di ins of a mul, Beweis ein Wess far dein trei Volk Jisruel [...] vertrieben fin Haus in Hoif sennen mir. A tell fin ins Jiden hot menn gemacht, ganze Familien, verschleppt in der Nacht. Schiessen in Hängen, Brennen in Tränken, dus is gewesen dem Rusche sein Plan [...] Gekimmen is die Zeit, mir senn schoin bereit, zi fuhren in inser Land, Erez Jisruel, dorten is keiner nit mehr ganz allein, dort senn mir Jiden bei ins in der heim [...] Denn di beste S'choire of der großen Welt, is doch ins're Toire wie Gold in Geld [...]". Weitere jiddische Werke sind "Die Jesoime", "Die hantige Welt", "Die jüdische Chasene" und das Säuferlied "Oi Mame! Dus Lied fin dem Schicker". - Ferner enthalten sind die Tangos "Die Liebe ist ja wie ein Hauch", "Spiel du Zigeuner" und "Sag' es mir noch einmal", das Wienerlied "Wien, du herrliche Stadt!" im Walzer-Takt, außerdem die rumänischen Lieder "Munta evreascha!" ("cântat de Al. Rony") und "Lui Soli" sowie ein obszönes Liedchen "Die 12 Schwestern". Teils datiert "9. Mai 1940 Bucarest" bzw. "Soli Border, ha Barmizwa 12. III. 1944". Wie weitere Datierungen (28. II. 1949, "Herb. d. St. Wien") zeigen, überlebte der Komponist die Shoah; enthaltene Aufzeichnungen zur Übernahme von Behandlungs- und Verpflegungskosten durch die Magistratsabteilung 13 zeugen von Weinbergs Zeit als Flüchtling im Nachkriegswien. Mappe verso beschriftet "30 Compositionen gemacht bis Jänner 1951 Wien"; der ursprüngliche Aufdruck läßt möglicherweise auf eine frühere Anstellung Weinbergs bei den Bukarester Straßenbahnlinien schließen.

      [Bookseller: Antiquariat Inlibris]
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        The Disneyland Omnibus

      Collins Publishers; London and Glasgow, 1940 Very good in original paper boards with cloth tape binding. Full color print on cover shows a double-decker bus with a sign that reads "To Disneyland" being driven by Mickey Mouse, riding along with many popular iconic characters. Very early printing, circa 1940. Possibly the earliest reference to "Disneyland". The name was not applied to theme park until 1955. A rare Disney item. Comes housed in a custom slipcase.. 1st Edition. Hardcover. Very Good/No Jacket.

      [Bookseller: Bookbid Rare Books]
 45.   Check availability:     Biblio     Link/Print  


        Revista PRINCIPE DE VIANA (30 PRIMEROS NÚMEROS) (7 VOLUMENES)

      1940. Diputación Foral de Navarra. Pamplona. 1940 - 1947 7 vols. Enc. holandesa. Dibujos, láminas, planos, fotogr. bn. Tres encuadernaciones diferentes (1 y 2 - 3 - 4 a 7). (Ejemplares descatalogados y agotados en editorial) RECOMENDADO T1 (Ref.18315) navarra historia arte arqueologia monumentos

      [Bookseller: Libros con Historia]
 46.   Check availability:     maremagnum.com     Link/Print  

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