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Displayed below are some selected recent viaLibri matches for books published in 1937

        Handbuch der Deutschen Vogelkunde Band 1 - 3

      - Band 1: Passeres, Band 2: Pici, Macrochires u. a., Band 3: Tubinares, Podicipides u. a. Akadem. Vlg.-Ges. Lpzg. 1937. S. XXIV + 474, X + 545, XII + 568 S. gr8. m. zahlr. Abb. Ln. -2) 3 Bde.

      [Bookseller: Clivia Mueller]
 1.   Check availability:     ZVAB     Link/Print  


        The Collected Works : Poems: Prose : Letters & Some Drawings

      The First UK Printing published by Chatto And Windus in 1937. One of only 500 copies printed. The BOOK is in Very Good++ or better condition. A little pushing at the spine ends with a small lightly faded area at the lower spine end corresponding to the the area of loss in the wrapper. Crimson top-stain still present. Gilt titling remains bright. Mild splaying of the front board. Toning to the text block and page edges. Mild offsetting and spotting to the end-papers. The tissue guard to the frontispiece portrait is still present. Free from inscriptions. The WRAPPER is complete and is in Very Good++ condition. It bears the correct price of 12s. 6d. net. Mild edge-wear with some loss at the spine ends and the upper front panel edge. A few closed tears to the folds with some professional japanese tissue repairs on the verso to two closed tears to the spine folds. Light toning to the spine. The wrapper looks striking in the removable Brodart archival cover. Accompanied with the loosely inserted Publisher's compliments slip with the H/W compliments of Mr I. M. Parsons. The latter, an editor at Chatto went on to write the introduction and notes for the revised edition of this title published in 1979 by Chatto. From the library of American poet Richard Eberhart. A very scarce title with such attributes. Only the second copy we have handled to date.

      [Bookseller: Ashtonrarebooks]
 2.   Check availability:     PBFA     Link/Print  


        Dumb Witness. SIGNED by AGATHA CHRISTIE on a laid in card.

      The Book Club. 1937 - A very good plus copy of this vary rare pictorial special edition published by The Book Club in 1937 with four half-tone illustrations. SIGNED by Agatha Christie on a laid in page taken from an autograph book. No inscriptions, tears or loss. The outer cream boards are unmarked. The original dust-wrapper is complete with only tiny scuffing to the spine ends. A rare book to find PLUS this has the benefit of the Authors Signature included. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Baggins Books and Collectables]
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        And to Think That I Saw It on Mulberry Street

      New York: The Vanguard Press, nd 1937 - The 11th printing, so stated, 4to (10 7/8” x 8 3/8”), pp. (32), color illustrations after drawings by the author throughout. Original color pictorial boards in original matching pictorial dust jacket with boy in blue pants & The 500 Hats of Bartholomew Cubbins mentioned in the blurb on the rear flap. Exceptional near fine clean bright copy with sharp corners & just slight wear to the end-caps in very good price-clipped dust jacket with a bit of age toning, rubbing & partial separation along the back-strip. H7783 [Attributes: Hard Cover]

      [Bookseller: J & J House Booksellers, ABAA]
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        And To Think That I Saw It On Mulberry Street

      Vanguard Press, 1937 First edition, first issue with white shorts. The dust jacket is a facsimile. Book in good condition, wear, paper cover missing from spine. Dust jacket near fine, very minor wear.

      [Bookseller: Bookbid Rare Books]
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        The Citadel.

      London: Victor Gollancz Ltd,, 1937. Octavo. Original black cloth, spine lettered in gilt. In the dust jacket. Spine ends very slightly bumped, tiny markings to rear cover. A very good copy in the dust jacket, spine panel darkened at head and faded beneath. First edition, first impression, later state dust jacket. Presentation copy, inscribed by the author on front free endpaper to fellow author and close friend Dennis Wheatley: "for Dennis Wheatley, whose study of Chaucer has brought him close to Eve. A. J. Cronin." Loosely inserted is an autograph letter from Cronin to Wheatley, dated 1937, which reads: "My Dear Wheatley, many thanks for your kind letter. You are the most generous fellow in the whole of literary London and so more than ever deserve your success. Sincerely, A.J.C". With Wheatley's bookplate on pastedown. In in his memoirs, Wheatley lists The Citadel among the novels he considers the best of the 1920s and 1930s, noting that Cronin is "also [a] good friend of mine". A film adaptation of the novel under the same name was produced in 1938. The present dust jacket, advertising the demand for and sensation of the book, followed a previous dust jacket without these words, and was in use for the second impression of the book. As Victor Gollancz were quick to change their dust jackets to incorporate successful reviews and sales, it is unknown whether this is a supplied dust jacket from the second impression — though it is unlikely as marks on the book and the jacket concur — or whether part of the first impression was issued in the present jacket.

      [Bookseller: Peter Harrington]
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        Madrid

      Seix Barral ( Colectivizada), Barcelona 1937 - Barcelona: Industries Gràfiques Seix i Barral, colectivizada, 1937. 30 x 24 cm. sin paginar [45 hojas = 90 págs.]. En muy buen estado general de lomo, cubiertas e interior. La esquina inferior con leve pérdida, mínimos desgastes ( las cubiertas sobresalen medio centímetro del resto cuerpo del libro y es fácil que ese borde tenga desgastes en la mayoría de ejemplares). Se presenta con estuche en buckram con tejuelo y con funda de acetato mylar de conservación semirrígido. Excelente oportunidad de adquirir uno de los fotolibros de guerra más famosos del Siglo XX. Libro de denuncia de la República Española contra los bombardeos fascistas sobre la población civil de las ciudades de Madrid y Barcelona. La República Catalana se propuso a través del Comissariat de Propaganda dirigido por Jaume Miravitlles apoyar con sus numerosas publicaciones no solo al Gobierno legítimo y elogiar la lucha de los voluntarios de la Brigadas Internacionales también denunciar las mentiras del Pacto de No Intervención. Esta publicación pretendía señalar la vulneración de los aliados de Franco, Hitler y Mussolini, de dicho pacto. En este sentido este libro Madrid es el testimonio editorial más categórico y fehaciente, el retrato más cruel, de algo que por primera vez se perpetraba en Europa,; el bombardeo masivo de la aviación contra la población civil. El libro comienza con fotos de edificios destruidos por las bombas de aviación en el centro de Madrid ("La destrucción de Madrid"), sigue con fotos de la población refugiándose en los túneles del metro ("Bajo el suelo de Madrid"), continúa con las imágenes del éxodo ("Desolación y éxodo") y acaba con "Los refugiados en Cataluña" . A nivel gráfico destacan las tres dobles páginas litográficas de fotomontajes y la cubierta. De algunas fotos se ha identificado la autoría, destacando aunque vayan sin firmar, las de Robert Capa Editado e impreso durante la Guerra Civil Española, en Febrero del 1937, en los muy eficientes talleres de Seix Barral tomados por la Revolución Española . Comentarios en Catalán - Español - Inglés ¿ Francés Para más información sobre este título véase Martin Parr y Gerry Badger; The Photobook: A History Vol lII y Fotos & Libros; España 1905-1977 de Horacio Fernández. Los pagos por Paypal tienen un cargo adicional del 5%. [Attributes: First Edition; Soft Cover]

      [Bookseller: El Archivo]
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        THE HOBBIT OR THERE AND BACK AGAIN [FIRST IMPRESSION]

      London: George Allen & Unwin Ltd, 1937. First U.K. Edition, First Impression. Hardcover. 8vo., 310pp.; VG/VG; housed in a green clamshell box, 1/4 bound with dark green leather on spine and gilt lettering. rest green cloth with gilt title and gilt stylized Smaug on front board; boards of book are light green cloth, impressed with a stylized Misty Mountains scene in deep blue ink along the top and a dragon at the bottom of both boards; endpaper maps with red and black ink on white background, ffep has minor waviness, some crinkling to gutter; frep has minor yellowing; both endpaper maps whole with no splitting; spine slightly leaning; top edge of textblock has a green stain; frontispiece of 'The Hill: Hobbiton across the Water'; black and white illustrations, with one plate (facing p. 146) and nine text illustrations, including frontispiece; One of only 1500 copies of the original print run; comes with a facsimile dust jacket; JT consign; shelved case 3. Dupont.

      [Bookseller: Second Story Books]
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        Die Kunst im Dritten Reich. 2. Jahrgang 1938, Folgen 1 - 12 (Januar - Dezember) ab Dezember als Ausgabe B (d.h. mit Architekturteil "Die Baukunst) * v o l l s t ä n d i g e r J a h r g a n g

      (noch zu Nr. 26932) - Deutsches / Drittes / Großdeutsches Reich, Großdeutschland vor dem 2.Weltkrieg, deutsches Kunstschaffen unter Adolf Hitler, NS.-Baukunst, nationalsozialistische Monumentalarchitektur, neue Bauten für NS.-Organisationen in der Reichshauptstadt, bildende Kunst im Nationalsozialismus, nationalsozialistische Kunstausstellung / Kunstauffassung, Leistungsschau völkischen Kunstschaffens in München, reichsdeutsche Kunstzeitschrift, arteigene / artgemäße Malerei und Plastik, Kunsthandwerk der 30er Jahre, NS.-Bauten, Sudetendeutsche Kunstausstellung 1937 in Berlin, Führerbau der NSDAP und Ehrentempel am Königlichen Platz in München von Paul Ludwig Troost, Deutsches Stadion auf dem Reichsparteitagsgelände in Nürnberg, Kongressbau, Haus des Deutschen Rechts in München, Ehrenhof Reichsluftfahrtministerium, 1. Deutsche Kunsthandwerkausstellung München 1938, Friedrich Stahl-Gemälde im Besitz der Verwaltung Obersalzberg, Ordensburg Sonthofen, Kollektivausstellung Fritz Clemens in Berlin der Bildhauer Professor Arno Breker, Künstlerschaffen für das Dritte Reich, Braunau die Wiege des Großdeutschen Reiches, Ausstellung Deutsche Plastik der Gegenwart in Warschau, Ehrenpreis des Führers für die Kieler Woche 1935 / zum Großen Preis von Europa 1936, Gemälde von Werner Peiner und Paraskene Bereskine, Adolf-Hitler-Jugendherberge in Berchtesgaden, Bildhauer Max Esser, festliche Räume der Luftfahrt gestaltet von Professor Ernst Sagebiel, Festsaal im Haus der Flieger zu Berlin, Ehrensaal im Reichsluftfahrtministerium, Porzellanfiguren von Lore Friedrich-Gronau und Paul Scheurich, Maler Karl Leipold, Kunstgeschichte, Kunstwissenschaft, illustrierte Bücher, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Versand an Institutionen auch gegen Rechnung

      [Bookseller: Galerie für gegenständliche Kunst]
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        Le péril juif

      Fernand Sorlot 1937 - In-8° broché, couverture jaune imprimée, 32 pp. Plaquette rarissime rassemblant trois articles antisémites écrits par Jouhandeau entre 1936 et 1937. Marcel Jouhandeau récupérera en 1945 les rares exemplaires restants pour les détruire. Etat quasi neuf [Attributes: First Edition; Soft Cover]

      [Bookseller: LA 42EME LIGNE - LIBRAIRIE-GALERIE]
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        Nero and Other Poems.

      Lakeport, CA: The Futile Press,, 1937. Duodecimo. Original white cloth-backed boards, title to spine in black. With a glassine jacket. Housed in custom slipcase. Spine lightly rubbed. Otherwise, a fine copy. First edition, first printing. Presentation copy, this copy is inscribed by the author to "Claire P. Beck, with the kindest regards and best wishes of Clark Ashton Smith, Auburn, Cal., May 8th, 1938", here with the rare glassine jacket intact, one of 250 copies printed. Tipped-in at the rear is a three-page printing of David Warren Ryder's "The Price of Poetry", first published in the magazine Controversy (7 November 1934), which was printed to accompany the book.

      [Bookseller: Peter Harrington]
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        Waga toso. [i.e. "Mein Kampf"].

      Tokyo, Mikasa Shobo, 1937. 8vo. In the original cardboard binding with gilt lettering to spine, with the original yellow shaved wrappers pasted on to the free end papers. Paper labels with Japanese characters pasted on to pasted down front free end-papers. Lower crown with a few tears and lower corner on front board bumped, otherwise fine and clean. (2), 4, 2, 9, (1), (1)-366, (8) Pp. ¶ Rare first Japanese translation of Hitler's 'Mein Kampf'. The present translation, leaving out Hitler's patronizing sections on the Japanese and Japanese culture and extremist racist views in general, was targeted to make Hitler and his Nazi regime look appealing in the eyes of the Japanese population. Hitler's views in Japan changed greatly from the pubcalition of the original German edition in 1925 to after he became Führer. An investigation of the references to Japans in Mein Kampf reveals Hitler's views on Japan before he came to power. [...] Hitler's image of Japan was mirrored in his image of the Jewish people. Furthermore, he seemingly positive depiction of Japan stood in contradiction to his "Yellow Peril" racial ideology. For Example, he contrasted the "culture-founding Aryan" people with the (merely) "culture-bearing " Japanese race, which occupied a lower place than the Aryan people in his racial hierarchy. He patronizingly wrote that Japanese scientific and technical progress would cease without "Aryan" influence. His top lieutenants recalled that he accepted Japanese gains in the Far East with some resignation, and occasionally warned that eventually Germany would find itself in a showdown with what he called the "yellow race."During the 1930ties Hitler changed his views on the Japanese an eventually he gave them status as "Honorary Aryan", a status granted by the Nazi Bureau of Race Research, or by other Nazi officials, to certain individuals and groups of people who were not generally considered to be biologically part of the Aryan race, according to Nazi standards. The services of those peoples were valuable to the German economy or war effort."Heinrich Himmler was another admirer of Japan and the Japanese. In 1937, he wrote the forward to the book Die Samurai: Ritter Des Reiches in Ehre und Treue (The Samurai: Knights of the Empire in Honor and Loyalty) by Heinz Corazza. Although Corazza was not a member of the SS, the book was written primarily for SS troops. The focus on Japanese samurai (or bushi) loyalty mirrored the ideology of Himmler's SS. The SS are identified with the Japanese samurai-glorification of the Japanese! Accordingly, the moral authority and leadership of the samurai in Japanese society became simultaneously the expression of the role of the SS in German society". (Skya, Japanese Nationalism and the Second World War: Part II)In 1940 the Japanese Foreign ministry printed a classified translation of Mein Kampf for its own officials. The introduction to that book stated that the text included 'praiseworthy parts alongside elements that cannot be accepted by Japan and should therefore be discarded"As with the original German edition, first editions are now a scarcity. Although printed in large numbers, by far the greatest part of them will have been thrown out, burned, and otherwise destroyed, and for years they were not considered proper or decent selling- or collecting-objects.OCLC locates only two copies; Harvard Library and the library of University of Illinois.

      [Bookseller: Herman H J Lynge & Søn A/S]
 12.   Check availability:     Antikvariat     Link/Print  


        Brouillon d'un poème de Paul Eluard.

      - 1 manuscrit autographe (brouillon) 1 In-4 (petit) [1937] Sur papier bistre. marge inférieure découpée Brouillon d'un poème des Mains libres (1937), [Le sablier compte-fils], publié dans la N.R.F. du 1er avril 1937. Le recueil Les Mains Libres était présenté comme un recueil de dessins de Man Ray "illustrés par les poèmes de Paul Éluard". Pour ce court poème de 7 vers, les quatre derniers vers sont très corrigés, avec des ratures et variantes. "La rose le coeur dans un champ / De fleurs de givre / La lampe qui boit la lumière [.]". Poète surréaliste. [Attributes: Signed Copy]

      [Bookseller: Traces Ecrites]
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        Les Dernières Milices Cantonales. Cavalerie. [Teile I - III (von 4 Teilen der Abteilung Kavallerie)].

      Lausanne, Les Editions d'Art Suisse Ancien, - 1939 1937 - 4°, jeweils 4 Bl. Text (in Teil III 4 u. 2 Bl.), jeweils 20 auf lose Doppelbl. montierte farb. Tafeln. (zus. 60 farb. Taf.), Textteile geh.; lose Blatt in marmorierter HLwd.-Mappe mit Schliessbändchen., Mappe an den Kanten berieben (Teil III m. Verlust des Bezugspapiers am Fuss), etw. gebrauchsspuriges, gesamthaft gutes Exemplar. EA. Ex. Nr. 62/90 (Teil I) bzw. Nr. 65/90 (Teile II u. III). Text franz. Folge nach Aquarellen von Albert von Escher, die in der Schweizerischen Militärbibliothek in Bern liegen. Die Tafeln zeigen die jeweiligen kantonalen Truppen in ihren Uniformen und Bewaffnung: Teil I: Genf, Waadt, Fribourg, Neuchâtel; II: Bern, Solothurn, Luzern; III: Basel-Stadt, Aargau, Schaffhausen (1779 - 1854). - «Dernieres Milices Cantonales» erschien bis 1944 in insgesamt 3 Serien (Artillerie; Infanterie; Cavallerie) zu je 4 Mappen (je 20 Tafeln). - Albert von Escher (1833 - 1905), Genfer Militärmaler und Hauptmann, bekannt für seine Darstellungen zur Militärgeschichte, seine Schlachtenbilder und Uniformenwerke. 3400 gr. Schlagworte: Militaria-SchweizHelvetica - AllgemeinHelvetica - BaselHelvetica - AargauHelvetica - Schaffhausen [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Cancionero sin nombre

      Nascimiento editorial, Santiago de Chile 1937 - PRIMERA EDICIÓN FIRMADA POR EL AUTOR. FIRST EDITION SIGNED BY THE AUTHOR. Primer libro libro del autor. MUY BUEN ejemplar con caja protectora artesanal hecha a medida expresamente para este ejemplar. (88)pp [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: 101PoE]
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        Collecciò de 20 postals (Collection of 20 Republican Spanish Civil War propaganda postcards)

      Barcelona: P.S.U.-U.G.T. edicions del secretariat d'agitació i propaganda, 1937. First edition. Softcover. g- to vg. 12mo (6 x 4"). Twenty loose postcards housed in their original illustrated envelop by Josep Artigas, as issued. Published in Barcelona as a joint project of the Catalan socialist party (PSU) and the General Union of Workers (UGT), this striking collection of twenty postcards reproduces images from larger anti-fascist posters produced during the early stages of the Spanish Civil War (1936/37). They feature the splendid graphic work of some of the most active poster artists of the time, such as Lleó Arnau, Jaume Solá, Parriego, Josep Subirats, Michel Adam (Joan Colom Agustí), Martí Bas i Blasi, Lorenzo Goñi, Carles Fontseré, Rafel Tona, and Xirinin. This collection contains the following postcards:1) U.G.T. El pillatje deshonra el triomf - Eviteu-lo! (Looting dishonors the triumph, Avoid it!): From a General Union of Workers poster by Xirinin. A man with a rifle warns another worker not to steal. 2) U.G.T. Camperol! la revolució necessita el teu esforç (Peasant! The revolution needs your effort): From a General Union of Workers poster by Josep Subirats. A peasant man, wearing a straw hat and with his shirtsleeves and trousers rolled up, works his land with a pick mattock. 3) P.S.U. Per a aixafar el feixisme ingresseu a l'aviacio (To crush fascism, enroll in the air force): From a United Socialist Party of Catalonia poster by Rafel Tona. A raised fist punches the air surrounded by planes flying in the same direction. 4) P.S.U. Els teus germans del front t'esperen per la lluita sagrada de la llibertat (Your brothers on the front await you for the sacred struggle of freedom): From a United Socialist Party of Catalonia poster by Lorenzo Goñi. Bold stencil style figure of a soldier or militiaman, his fist raised in the gesture of solidarity. He wears a forage cap and carries a rifle. 5) P.S.U. Les nits són fredes - treballeu per al front (The nights are cold - work for the front): From a Unified Socialist Party poster by Marti Bas i Blasi. In a cold night, a soldier is seen holding his bayonet and keeping guard at the front.6) P.S.U.-U.G.T. Per als germans del front, dones! Treballeu (For the Brothers at the Front: Women! Work): From a joint United Socialist Party and General Union of Workers poster by Carles Fontseré. The serpentine delineation in this illustration distinguishes between the brown and orange of a female figure figure who sits knitting, and the darker shades of blue above where an armed soldier stands on guard under a night sky. 7) U.G.T.-P.S.U. I tú ? Que has fet per la victòria ? (And you? What have you done for victory?). From a joint United Socialist Party and General Union of Workers poster by Lorenzo Goñi. A powerful image of a prostrate soldier with a bleeding headwound pointing at the viewer and asking what they have done to contribute to victory. 8) P.S.U. Industria de pau? De guerra !! (Industry of peace? Of War!!): From a United Socialist Party of Catalonia poster by Martí Bas i Blasi. A large red anti tank gun in the foreground, with a factory plant with smoking chimney in the background. 9) P.S.U.-U.G.T. Camperol! La collita es la reraguarda dels que lluiten (Peasant! The harvest is the rearguard of those who fight). From a joint United Socialist Party and General Union of Workers poster by Martí Bas i Blasi. A close-up study of a peasant harvesting his field. 10) U.G.T.-P.S.U. Mes homes, Mes armes, Mes municions per al front (More men, more weapons, more ammunition for the front). From a joint United Socialist Party and General Union of Workers poster by Lorenzo Goñi. Four stylized figures marching together with sloped rifles, two wear helmets, one a forage cap, and one a peaked cap. Five aeroplanes fill the top left corner. 11) U.G.T.-P.S.U. Treballadors!: Tots contra el feixisme (Workers! All together against fascism). From a joint United Socialist Party and General Union of Workers poster by "R." A close-up study of a worker wearing a phrygian cap and holding a rifle. 12) U.G.T.-P.S.U. Contra el feixisme mobilitzacio general !!.. (General mobilisation against fascism!!): From a joint United Socialist Party and General Union of Workers poster by Michel Adam (Joan Colom Agustí). A group of Republican soldiers give the clenched fist salute, while a large red flag is waved in the background. 13) P.S.U.-U.G.T. Treballa per als que lluiten ! (Work for those that fight), is one of the first three posters of the war. From a joint United Socialist Party and General Union of Workers poster by Carles Fontseré. A worker wearing a U.G.T. armband is ready to strike with a large hammer. Behind him Republican soldiers and flags, all colored in red, seem to be conducting an attack. 14) P.S.U.-U.G.T. Mes homes! Mes armes! Mes municions! (More men! more weapons! more ammunition!). From a joint United Socialist Party and General Union of Workers poster by Jaume Solá. A row of Republican soldiers wearing the U.G.T. armband are fixing their bayonets on the fascist swastika. 15) U.G.T Camperols! El camp es un front de lluita (Paesants! The field is a fighting front). From a General Union of Workers poster by Parriego. A peasant is seen harvesting his field while a large Republican soldier in red is in the background, charging with his bayonet. 16) U.G.T. Camperol, per al triomf cal el teu esforç, ajuda'ns! (Peasant, your effort is needed for victory. Help us!): From an anonymous General Union of Workers poster. Face of a peasant holding a sickle in a red background. 17) P.S.U. Homes forts, al front! (Strong men, at the front!). From an anonymous United Socialist Party poster. A muscular topless soldier is seen holding his rifle. 18) U.G.T.-P.S.U. Assassins! From a joint United Socialist Party and General Union of Workers poster by Lleó Arnau. A large black bomb flies downwards towards a large red cross. 19) U.G.T.-C.N.T. Unió és força (Unity is strength). From a joint General Union of Workers and the National Confederation of Labor poster by Jaume Solá. Two raised arms with clenched fists wearing armbands reading "U.G.T" and "C.N.T." 20) P.S.U.-U.G.T. Avant! (Forward!). From a joint United Socialist Party and General Union of Workers poster by Carles Fontseré. A determined Republican soldier holding his rifle is ready to move forward. Behind him a large red flag is waved. As a vehicle of slogans for awareness and mobilisation, these postcards stand out for their artistic creativity and techniques during this period. It is interesting to note that both the Catalan P.S.U. and U.G.T. didn't put the Spanish flag or the Catalan flag on their posters but the hammer and sickle (it is the same as the USSR flag except for lacking the star). Each postcard is uncirculated, and measures 5 3/4 x 3 3/4". The set is housed in its original illustrated envelop by Artigas. The envelop is age-toned, partly creased and slightly chipped along edges. Text in Catalan. Envelop in overall fair to good-, postcards in very good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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        Original Drawing of Snow White

      Disney Studios, Hyperion, Los Angeles 1937 - Production Drawing (animation art) for the 1937 film, Snow White and the Seven Dwarfs. Black graphite, blue and red ink, from a scene while she is in the cottage. The image is 7" tall, on a 12" X 10" sheet of 12 field, 5 peghole, animation paper, production number 77 changed to 81. A note read: "Follow rough for head spacing. Inb. body." "VB" by her hand, 52 in upper corner. Fine condition, authentic, and this will frame nicely. The drawing is either by, or overseen by, Grim Natwick, a Vienna trained artist hired by Disney in 1935, specifically to draw young women.

      [Bookseller: Biblioctopus]
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        Spanish Testament. With an Introduction by The Duchess of Atholl.

      London: Victor Gollancz Ltd, 1937 - Octavo. Original black cloth, spine lettered in gilt. With the dust jacket. A trace of foxing to edges; a superb copy in the slightly soiled jacket with sunned spine, and a few nicks to extremities. First edition, first impression, rare in jacket. The publisher's retained copy with their stamp to the half-title. The author and journalist Arthur Koestler's first published book is his personal narrative of his adventures as a journalist in the Spanish civil war, the most influential of the books published on the civil war by the Left Book Club (Ruth Dudley Edwards, Victor Gollancz: A Biography, 2012, p. 269). Victor Gollancz's characteristically striking jacket advertises "his experiences as the News Chronicle correspondent: & how he was present at the fall of Malaga: his arrest: weeks in prison under sentence of death." [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 18.   Check availability:     IberLibro     Link/Print  


        Collecciò de 20 postals (Collection of 20 Republican Spanish Civil War propaganda postcards)

      P.S.U.-U.G.T. edicions del secretariat d'agitació i propaganda, Barcelona 1937 - 12mo (6 x 4"). Twenty loose postcards housed in their original illustrated envelop by Josep Artigas, as issued. Published in Barcelona as a joint project of the Catalan socialist party (PSU) and the General Union of Workers (UGT), this striking collection of twenty postcards reproduces images from larger anti-fascist posters produced during the early stages of the Spanish Civil War (1936/37). They feature the splendid graphic work of some of the most active poster artists of the time, such as Lleó Arnau, Jaume Solá, Parriego, Josep Subirats, Michel Adam (Joan Colom Agustí), Martí Bas i Blasi, Lorenzo Goñi, Carles Fontseré, Rafel Tona, and Xirinin. This collection contains the following postcards:1) U.G.T. El pillatje deshonra el triomf - Eviteu-lo! (Looting dishonors the triumph, Avoid it!): From a General Union of Workers poster by Xirinin. A man with a rifle warns another worker not to steal. 2) U.G.T. Camperol! la revolució necessita el teu esforç (Peasant! The revolution needs your effort): From a General Union of Workers poster by Josep Subirats. A peasant man, wearing a straw hat and with his shirtsleeves and trousers rolled up, works his land with a pick mattock. 3) P.S.U. Per a aixafar el feixisme ingresseu a l'aviacio (To crush fascism, enroll in the air force): From a United Socialist Party of Catalonia poster by Rafel Tona. A raised fist punches the air surrounded by planes flying in the same direction. 4) P.S.U. Els teus germans del front t'esperen per la lluita sagrada de la llibertat (Your brothers on the front await you for the sacred struggle of freedom): From a United Socialist Party of Catalonia poster by Lorenzo Goñi. Bold stencil style figure of a soldier or militiaman, his fist raised in the gesture of solidarity. He wears a forage cap and carries a rifle. 5) P.S.U. Les nits són fredes - treballeu per al front (The nights are cold - work for the front): From a Unified Socialist Party poster by Marti Bas i Blasi. In a cold night, a soldier is seen holding his bayonet and keeping guard at the front.6) P.S.U.-U.G.T. Per als germans del front, dones! Treballeu (For the Brothers at the Front: Women! Work): From a joint United Socialist Party and General Union of Workers poster by Carles Fontseré. The serpentine delineation in this illustration distinguishes between the brown and orange of a female figure figure who sits knitting, and the darker shades of blue above where an armed soldier stands on guard under a night sky. 7) U.G.T.-P.S.U. I tú ? Que has fet per la victòria ? (And you? What have you done for victory?). From a joint United Socialist Party and General Union of Workers poster by Lorenzo Goñi. A powerful image of a prostrate soldier with a bleeding headwound pointing at the viewer and asking what they have done to contribute to victory. 8) P.S.U. Industria de pau? De guerra !! (Industry of peace? Of War!!): From a United Socialist Party of Catalonia poster by Martí Bas i Blasi. A large red anti tank gun in the foreground, with a factory plant with smoking chimney in the background. 9) P.S.U.-U.G.T. Camperol! La collita es la reraguarda dels que lluiten (Peasant! The harvest is the rearguard of those who fight). From a joint United Socialist Party and General Union of Workers poster by Martí Bas i Blasi. A close-up study of a peasant harvesting his field. 10) U.G.T.-P.S.U. Mes homes, Mes armes, Mes municions per al front (More men, more weapons, more ammunition for the front). From a joint United Socialist Party and General Union of Workers poster by Lorenzo Goñi. Four stylized figures marching together with sloped rifles, two wear helmets, one a forage cap, and one a peaked cap. Five aeroplanes fill the top left corner. 11) U.G.T.-P.S.U. Treballadors!: Tots contra el feixisme (Workers! All together against fascism). From a joint United Socialist Party and General Union of Workers poster by "R." A close-up study of a worker wearing a phrygian cap and holding a rifle. 12) U.G.T.-P.S.U. Contra el feixi [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Portrait Photograph of Alfred Pach

      1937 - Seated in a chair. 1 vols. 9-3/4 x 7-1/4 inches. Alfred Pach of the famous portait photographers, Pach Brothers. Atelier stamped on verso: Photograph by Carl Van Vechten/146 Central Park West/Cannot be reproduced without permission. Holograph notations in ink giving the subject of the photograph and the number of the negative Seated in a chair. 1 vols. 9-3/4 x 7-1/4 inches

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Second Hurricane A Play Opera In Two Acts

      Boston: C. C. Birchard & Co., 1937. First Thus. Paperback. Very Good/No. First edition thus (preceded by a Boosey & Hawkes edition) of Denby's first published work (he provided the libretto for the opera) and Copeland's first opera. Very good condition in tall bound wrappers. Quite scarce.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Original drawing

      An original pen-and-ink drawing on paper, signed lower right and dated November 1937. 2 7/8 x 4 1/2 inches. A superb, characteristic drawing by the legendary Rube Goldberg.

      [Bookseller: Riverrun Books & Manuscripts]
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        L'aventure des objets.

      Chez José Corti 1937 - . In-12 agrafé. " Collection Orbes ". Préface de Jacques-Henry Levesque. Texte de C. Bryen, photographies de Raoul Michelet [Raoul UBAC]. E.O. ex. num. Envoi autographe de Camille Bryen. [Attributes: First Edition; Signed Copy]

      [Bookseller: Librairie Les Autodidactes - Aichelbaum]
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        Serve It Forth (First Edition, Second Printing, 1937, In Dust Jacket)

      Harper & Brothers, New York 1937 - 253 Pp. First Book On Food By M F K Fisher, The Second Printing, August 1937 (The First Printing Was In June). Book Is Bright And Clean, All Gilt Brilliant, Just A Trace Of Wear At Corners, No Fraying, No Names Or Marks. Dj Worn At Edges, Price-Clipped At Top Of Front Flap, Large Chip/Loss In Bottom Half Of Spine, Removing Bottom Of "Forth" And First Three Letters Of Publisher's Name, Some Closed Tears And 1/4" Losses At Corners But Otherwise Complete, Just A Trace Of Fading To Pink Areas At Top And Bottom Of Spine, No Damp Spotting, No Soiling. [Attributes: Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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        Grabado en aguafuerte original Los Caprichos. Ya es hora.

      Calcografía Nacional, Madrid 1937 - Según Tomas Harris, autor del catálogo razonado de los grabados de Goya, de las numerosas ediciones realizadas a partir de las matrices depositadas en la Calcografía Nacional, la segunda edición y esta edición del 1937 por Renau, Rupérez y el Ministerio de Instrucción Publica son las mejores tiradas entre todas. Medidas de la huella 19,5 x 14 cm., Medidas totales de la prueba 30 x 21 cm. Papel verjurado, sello seco ¿Ministerio de Instruccion Pública Calcografía Nacional¿, tono amarronado por contacto prolongado con un cartón no neutro (reversible por lavado). La tirada fue de 8 copias en papel Japón para Stalin, Roosevelt y otros .y otras 150 pruebas en verjurado. Por las dificultades técnicas (bombardeos fascistas ) se cree que fueron menos. Algunas colecciones forman parte de Museos y bancos como Santander, Banca March etc. [Attributes: Soft Cover]

      [Bookseller: El Archivo]
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        Die Kunst im Dritten Reich. 2.Jahrgang 1938, Folgen 1 - 12 (Januar - Dezember) Ausgabe B (d.h. mit Architekturteil "Die Baukunst) * 2 Bände, vollständiger Jahrgang

      (noch zu Nr.24910) - Deutsches / Drittes / Großdeutsches Reich, Großdeutschland vor dem 2.Weltkrieg, deutsches Kunstschaffen unter Adolf Hitler, NS.-Baukunst, nationalsozialistische Monumentalarchitektur, neue Bauten für NS.-Organisationen in der Reichshauptstadt, bildende Kunst im Nationalsozialismus, nationalsozialistische Kunstausstellung / Kunstauffassung, Leistungsschau völkischen Kunstschaffens in München, reichsdeutsche Kunstzeitschrift, arteigene / artgemäße Malerei und Plastik, Kunsthandwerk der 30er Jahre, NS.-Bauten, Sudetendeutsche Kunstausstellung 1937 in Berlin, Führerbau der NSDAP und Ehrentempel am Königlichen Platz in München von Paul Ludwig Troost, Deutsches Stadion auf dem Reichsparteitagsgelände in Nürnberg, Kongressbau, Haus des Deutschen Rechts in München, Ehrenhof Reichsluftfahrtministerium, 1. Deutsche Kunsthandwerkausstellung München 1938, Friedrich Stahl-Gemälde im Besitz der Verwaltung Obersalzberg, Ordensburg Sonthofen, Kollektivausstellung Fritz Clemens in Berlin der Bildhauer Professor Arno Breker, Künstlerschaffen für das Dritte Reich, Braunau die Wiege des Großdeutschen Reiches, Ausstellung Deutsche Plastik der Gegenwart in Warschau, Ehrenpreis des Führers für die Kieler Woche 1935 / zum Großen Preis von Europa 1936, Gemälde von Werner Peiner und Paraskene Bereskine, Adolf-Hitler-Jugendherberge in Berchtesgaden, der Bildhauer Max Esser, festliche Räume der Luftfahrt gestaltet von Professor Ernst Sagebiel, Festsaal im Haus der Flieger zu Berlin, Ehrensaal im Reichsluftfahrtministerium, Porzellanfiguren von Lore Friedrich-Gronau, und Paul Scheurich, Maler Karl Leipold, Ausstellung Albin Egger-Lienz in Berlin, Erste internationale Handwerksausstellung in Berlin, Inneneinrichtung im Nationalsozialismus, Mosaik in der Adolf-Hitler-Weihestätte in Pasewalk von Georg Gruber ausgeführt von vereinigte Süddeutsche Werkstätten für Mosaik und Glasmalerei, Mosaik im Schwimmbad des KdF.-Schiffes "Wilhelm Gustloff", der Bildhauer Josef Thorax, Bildnisbüste des Führers von WMF gestaltet von Bildhauerin Hedwig Maria Ley, Führerrede zur Eröffnung der Großen Deutschen Kunstausstellung 1938, nationalsozialistischer kultureller Aufbauwille, Farbzeichnungen von Paul Scheurich "Festlicher Zug in festlicher Stadt", Bronzen, Bronzeguss, Reichsparteitaggelände und Zeppelinfeld in Nürnberg, Führerhaus in München: Inneneinrichtung, Ordensburg Vogelsang in der Eifel, Kunstgeschichte, Kunstwissenschaft, illustrierte Bücher, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut Versand an Institutionen auch gegen Rechnung

      [Bookseller: Galerie für gegenständliche Kunst]
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        Land des Ahr-Burgunder. Zwölf Gemälde von Professor Fritz von Wille in originalgetreuen Farbendrucken. Mit einem Geleitwort von Kreisleiter und Landrat Dr. Simmer sowie einer Einführung von Dr. Karl Kollbach, Remagen. Herausgegeben vom Kreisausschuß des Kreises Ahrweiler.

      4quer, VIII Seiten und 12 farbige Tafeln nach Gemälden von Fritz von Wille KOMPLETT!, betitelter Originalleinen mit Goldprägung - Einbandkanten gans leicht ber. sonst sehr guter Zustand - 1937. Sehr selten ! und KOMPLETT! AW95370

      [Bookseller: Antiquariat Ehbrecht - Preis inkl. MwSt.]
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        Present Indicative

      1937 - Frontispiece and 30 illustrations. First US edition, limited to 301 copies signed by the author.8vo., original cream buckram, black label to spine. New York, Doubleday, Doran & Company. A presentation copy,inscribed by the author on the front free endpaper to Somerset Maugham, 'For Willie, see page whatever it is Noël. 1939'. Indeed in the text Coward says 'With Fallen Angels, On With the Dance, and The Vortex all running at once, I was in an enviable position. Everyone but Somerset Maugham said that I was a second Somerset Maugham, with the exception of a few who preferred to describe me as a second Sacha Guitry'. Spine label worn with some loss, back cover slightly spotted. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        A large cloth-bound album (300 x 385 mm) containing 478 original vintage gelatin silver photographs in three main sequences. One important series comprises approximately 240 images (85 x 135 mm) relating to a journey by air in VH-UZU, the first Cessna imported into Australia (by MacRobertson Miller Aviation Company; it was registered on 2 September 1937)

      - Several photographs that suggest an approximate date clearly show other unique aircraft; one of these is VH-UZX. There were in fact two aircraft registered VH-UZX in Australia. The first one, a DH84 Dragon, crashed at Croydon in the UK on 26 February 1938 before delivery to Australia. The second one, a DH86 Express, was registered in Sydney on 17 July 1940 to W.R. Carpenter & Co. Ltd.; it was impressed by the Commonwealth Government on 27 December 1940. It is clearly in civilian use in this album, making the latter part of 1940 a likely date. Adding weight to this, VH-UZU 'was used on the Adelaide-Whyalla run until late 1939 when it was flown to Perth and used by MacRobertson Miller Airlines on services in Western Australia' ('Airliners' website). There are seven photographs of aeroplanes (mainly VH-UZU), 76 photographs taken on the ground, and 154 from the air. Identifiable or named places range from the Cairns Golf Links, to the Sydney Harbour Bridge, and the Norseman Hotel, but the bulk of the aerial views are interesting landscape features and developed areas in regional Australia. Featured in a few photographs are the passenger and pilot of VH-UZU; on the basis of one of them, we seriously suggest that Captain Horrie Miller himself is the pilot. Another important series includes approximately 85 photographs (generally 65 x 90 mm or the reverse) of mining activities. Some feature large operations, including twelve taken underground, but the best of them depict much more small-scale activity. Captions in pencil on the verso of some images, dated March 1935, identify alluvial diggings and the WMC drill at Yellowdine (approximately 400 kms east of Perth; gold was discovered in the region in 1934). Londonderry, near Coolgardie, is also featured. Conditions depicted are at best basic, at times primitive, and ensure that these images of the early days of the development of a goldfield are nothing less than fascinating. At the beginning of the album there are 88 snapshots (110 x 70 mm or the reverse, printed by 'Q'land Camera Co., Cairns') of tourist attractions in (presumably) the Cairns region. Please use the 'Ask Bookseller a Question' link below to confirm availability and postage charges.

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
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        GRAZIELLA

      CORTICELLI, 1937. ITALIANO 0,55 Traduzione dal testo originale francese a cura di Maria Albini, i fregi e le tavole fuori testo sono di Memo Vagaggini, dedica con firma appartenenza all'antiporta, pagine brunite attorno ai testi causa tempo e con lievissima fioritura, rilegatura in mezza tela, piatti cartonati illustrati, con usura ai bordi e piega d'uso al piatto anteriore, dorso con titoli d'oro e tracce d'uso al piede ed alla cima USATO

      [Bookseller: Biblioteca di Babele]
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        GREAT EXPECTATIONS [SIGNED]

      Edinburgh: Limited Editions Club, 1937. Limited Edition, #1378/1500. 4to., 448 pages; VG; bound in green cloth, spine with black label and gilt lettering, boards with beveled edges; housed in original dark green slipcase, some chipping to edges; protected with original glassine, some chipping to edges, spine sun-faded; illustrated endpapers; top edge of text block gilt; colophon reads: "This edition of Great Expectations reprints the novel by Charles Dickens with the ending which he originally wrote and which has not previously appeared in book form. It conssts of fifteen hundred copies printed for the members of the Limited Editions Club by R. & R. Clark of Edinburgh under the supervision of William Maxwell and the Illustrations are by Gordon Ross who here signs [signature] This copy number 1378"; LP consignment; shelved case 4, Dupont. Full-priced Rockville.

      [Bookseller: Second Story Books ]
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        Le cœur de Pic

      José Corti, Paris 1937 - non paginé (58 pages), 27,5 X 21,5 cm.Surréalisme, photographie, poésie, enfantina Edition originale dont il n’a pas été tiré de grands papiers, courte préface de Paul Eluard, 32 poèmes pour les enfants illustrés de 2 photomontages couleur sur les plats de couverture et de 20 photomontages noir et blanc de Claude Cahun. Rarissime édition originale, la plupart des exemplaires connus font partie du service de presse car l’ouvrage n’eut strictement aucun succès et, à la parution, la photographe Claude Cahun était pratiquement inconnue. Dos toile gris-vert, plats rouges. Bords des plats frottés, « de mandy » ( ?) écrit d’une graphie enfantine sur le second plat (voir scans), intérieur en parfait état. [Attributes: First Edition; Hard Cover]

      [Bookseller: D'un livre l'autre]
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        And To Think That I Saw It On Mulberry Street

      Vanguard Press 1937 - First edition, first issue with white shorts. The dust jacket is a facsimile. Book in good condition, wear, paper cover missing from spine. Dust jacket near fine, very minor wear. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        The Collected Works : Poems: Prose : Letters & Some Drawings

      The First UK Printing published by Chatto And Windus in 1937. One of only 500 copies printed. The BOOK is in Very Good++ or better condition. A little pushing at the spine ends with a small lightly faded area at the lower spine end corresponding to the the area of loss in the wrapper. Crimson top-stain still present. Gilt titling remains bright. Mild splaying of the front board. Toning to the text block and page edges. Mild offsetting and spotting to the end-papers. The tissue guard to the frontispiece portrait is still present. Free from inscriptions. The WRAPPER is complete and is in Very Good++ condition. It bears the correct price of 12s. 6d. net. Mild edge-wear with some loss at the spine ends and the upper front panel edge. A few closed tears to the folds with some professional japanese tissue repairs on the verso to two closed tears to the spine folds. Light toning to the spine. The wrapper looks striking in the removable Brodart archival cover. Accompanied with the loosely inserted Publisher's compliments slip with the H/W compliments of Mr I. M. Parsons. The latter, an editor at Chatto went on to write the introduction and notes for the revised edition of this title published in 1979 by Chatto. From the library of American poet Richard Eberhart. A very scarce title with such attributes. Only the second copy we have handled to date. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashton Rare Books ABA, PBFA, ILAB]
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        [The complete Hornblower:]

      London: Michael Joseph,, 1937–67. The Happy Return (1937); A Ship of the Line (1938); Flying Colours (1938); The Commodore (1945); Lord Hornblower (1946); Mr Midshipman Hornblower (1950); Lieutenant Hornblower (1952); Hornblower and the Atropos (1953); Hornblower in the West Indies (1958); Hornblower and the Hotspur (1962); Hornblower and The Crisis (1967). 11 works, octavo. Recent dark blue morocco, titles and gilt ship decoration to spines, single gilt rule to boards, marbled endpapers, gilt edges. Some minor spotting to a few leaves, an excellent set. First editions, first impressions. Forester (real name Cecil Smith) was called to Hollywood to write a pirate film, working under Arthur Hornblower. However, before they had finished the script, another studio released Captain Blood, starring Errol Flynn, and using the same historical incidents that they had counted on. Rather than seeking another position, hounded by the prospect of a paternity suit, Forester jumped aboard a cargo boat bound for home. Another passenger was the photographer Barbara Sutro. In the voyage, he took a one-day cruise around the Gulf of Fonseca in the ship's motor lifeboat, and by the end of the voyage he had a new novel worked out, The Happy Return, with its characters Hornblower, Bush, and Lady Barbara. Hornblower, with all his human indecisiveness and cross-grainedness, was Forester as he wished he had the courage to be, and Forester wrote about Hornblower again and again. This set includes his unfinished novel Hornblower and The Crisis.

      [Bookseller: Peter Harrington]
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        Die Grundlagen des Nationalsozialismus. Eine ideengeschichtliche Untersuchung von Bischof Dr. Alois Hudal / Rom

      Leipzig / Wien, Verlag Johannes Günther, 1937. Vollständige Ausgabe im Original Verlagseinband (Ganzleinen / Leinen / OLn gr.8vo im Format 16 x 22 cm) mit verziertem Rücken- und Deckeltitel in goldprägung. 294 Seiten, mit einer Frontispiz-Porträt-Fotoabbildung der Verfassers auf Kunstdruckpapier sowie Druckvermerk / Geleitwort: \"Dieses Buch, das ich mit meinem Herzblut geschrieben habe, weihe ich den inneren Frieden unseres deutschen Volkes. Hudal\", Schrift: Fraktur. - Aus dem Inhalt: Einleitendes - Das Werden der Bewegung (Philosophische Wegbereiter / Geschichtliche Vorarbeiten / Dichter und Kulturphilosophen als nationale Vorkämpfer / Soziale Vorarbeiten) - Religiöse, sittliche und geschichtsphilosophische Lehren des Nationalsozialismus (Der Begriff der Weltanschauung / Das positive Christentum / Das Rassenproblem / Die Judenfrage. Der Antisemitismus / Das Problem des Rasseneinflusses in der Entwicklung des abendländischen Christentums / Sterilisation und Eugenik / Nation und Volkstum. Nationalpolitische Bestrebungen um die Einheit der Deutschen im europäischen Raum / Staatsgedanke und Führertum. Recht, Macht und Sittlichkeit. Römisches und deutsches Recht. Der politische Ordensgedanke) Der Totalitätsstaat. Einheitskultur und -erziehung / Religion. Seelsorge. Politik. Der politische Katholizismus / Rom und das deutsche Volk. Nationalkirchliche Bestrebungen. Humanismus und Katholizismus) - Abschließendes (Faschismus / Bolschewismus / Christlicher Nationalsozialismus) - Anmerkungen -Literaturverzeichnis. - \"Das vorliegende Buch ist als ein Versuch gedacht, vom christlichen Standpunkt aus einen Weg zum Verständnis des Nationalsozialismus zu ebnen\" (aus dem Vorwort). -Intoleranz des weltanschaulichen Liberalismus, deutschsprachiger Auslandsbischof als Verteidiger der NSDAP, Verschmelzung von Christentum und nationaler Haltung, völkisches Kultur ideal, positive Werte des Nationalsozialismus, Einbrechen des Judentums nach Deutschland, Vorbehalte des alteingesessenen Westjuden gegen neu zugewanderte Ostjuden größer als gegen Arier, die Judenfrage ein Rassenphänomen, katholischer / christlicher Antisemitismus, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut. - Erste Auflage, EA, Erstausgabe in sehr guter Erhaltung, hier in der besseren Ausgabe in Ganzleinen Versand D: 5,90 EUR Intoleranz des weltanschaulichen Liberalismus, deutschsprachiger Auslandsbischof als Verteidiger der NSDAP, Verschmelzung von Christentum und nationaler Haltung, völkisches Kultur ideal, positive Werte des Nationalsozialismus, Einbrechen des Judentums nach Deutschland, Vorbehalte des alteingesessenen Westjuden gegen neu zugewanderte Ostjuden größer als gegen Arier, die Judenfrage ein Rassenphänomen, katholischer / christlicher Antisemitismus, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut

      [Bookseller: Galerie für gegenständliche Kunst]
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        Verve. Revue Artistique et Littéraire. Directeur : E. Tériade. Volume I. No. 1-4 & Volume II. No. 5-6. Finely bound with original wrappers in half morocco.

      Paris 1937-39. Folio. No I. Decembre 1937. Coloured lithographs by Fernand Leger, Joan Miró, Abraham Rattner, Francisco Bores. 112 + (16) pp. No. II. Printemps (Mars-Juin)1938. Coloured lithograps by Kadinsky (2) and André Masson (2). 124 pp. No. III. Juin 1938. Coloured lithographs by Marc Chagall, Joan Miro, Rattner, Paul Klee. 114 + (26) pp. No. IV. 1939. Coloured lithographs by André Derain (7 illustrations), Three colour lithographs by Matisse (La Danse is double-paged), Tacuinum Sanitatus (7 illustrations). 114 + (12) pp. No. V-VI. Coloured lithographs by Constatin Guys, Georges Braque, Georges Rouault, André Derain, Fernand Léger, Pierre Bonnard, Henri Matisse and Paul Klee. Numerous illustrations in colour and black & white in all volumes.. .

      [Bookseller: Ruuds Antikvariat]
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        The Trial

      Victor Gollancz Ltd, London 1937 - 285pp. G : in Good condition without dust jacket. Some bumping and darkening to boards and spine. Previous owner book plate to front paste down, and inscription to fep. Some light browning within [Attributes: Hard Cover]

      [Bookseller: Barter Books Ltd]
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        DE LEGIBUS LIBER SECUNDUS

      SOCIETA' EDITRICE INTERNAZIONALE, 1937. INTERLINGUE 0,35 N.146 della collana, in italiano e latino, prefazione, introduzione, note italiane ed indice a cura del prof.Carlo Alberto Costa, al frontespizio segni a matita, pagine brunite attorno ai testi ed alcune ancora intonse, rilegatura in tutta tela, con titoli d'oro al dorso e minime tracce d'uso USATO

      [Bookseller: Biblioteca di Babele]
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        ATTI DELLA REALE ACCADEMIA NAZIONALE DEI LINCEI ANNO CCCXXXIV SERIE SESTA NOTIZIE DEGLI SCAVI DI ANTICHITA' VOLUME XIII FASCICOLI 1, 2, 3

      GIOVANNI BARDI, ROMA 1937 - ITALIANO Brossura editoriale scolorita al dorso e parzialmente ai piatti, strappetti ed usura ai bordi, pagine ingiallite da fattore tempo, ancora intonse, con fioritura ed alcune gore, illustrazioni in nero nei testi e fuori testo

      [Bookseller: Biblioteca di Babele]
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        The Lowndes Letters: two autograph letters signed to Robert W. Lowndes.

      Providence, Rhode Island: 20 January and 20 February 1937 - Two autograph letters signed in the hand of H. P. Lovecraft, respectively 6pp and 10pp written in blue ink in a small but clear hand over 3 and 5 leaves (225 x 140 mm), each with the original envelope addressed in Lovecraft's hand to Robert W. Lowndes in Connecticut, respectively franked 20 January and 20 February 1937, and both additionally signed with Lovecraft's name and Rhode Island return address. Housed together in a black morocco album with acetate sleeves for each leaf/envelope, titles silver to spine, Cthulhuan tentacles in green morocco onlay across spine and sides, stars tooled to both sides in silver, gilt marbled endpapers. This in a green cloth slipcase. Together with Crypt of Cthulhu #62 magazine, 1989, octavo with original illustrated wrappers. Usual folds with occasional mild tanning, one envelope with gear and tape repair, but mostly in excellent condition. H. P. Lovecraft (1890-1937), in the months before his death, writes two exceptionally long letters in response to youthful fan-mail from budding writer Robert A. W. Lowndes (1916-1998), replying to Lowndes's request for help in his literary endeavours with extraordinary generosity and thoughtful encouragement. The letters encompass no less than sixteen pages of tight script, with Lovecraft expositing in full his literary tastes, philosophy of life, and theory of horror. He opens his letter with charming self effacement, first of all apologising for "my lousy scrawl - but I have an utter detestation of the typing process - which fatigues and enervates me oppressively. I never use the machine except under compulsion", and describing himself as "just another dub pottering around the edge of aesthetic problems too large for him". He goes on to encourage and guide Lowndes in "your literary diet" which "would seem to be all in the right direction for one as artistically sensitive, & destined for expression on his own book, as you appear to be. I assume that you realise the abysmal inferiority of the pulp-magazine writers (among them titans like Clark Ashton Smith & the late Robert E. Howard stand out as notable exceptions) as compared with real authors of fantasy like Poe, Algernon Blackwood, Arthur Machen, Dunsany, Walter de la Mare, M. R. James & so on - or with the few real authors (H. G. Wells, S. Fowler Wright, W. Olaf Stapleton. I can think of no more!) who have produced 'science fiction' of adult calibre. The less one reads of the magazine junk, the better for his taste & style. If you are not already familiar with the principal classics of fantastic literature I'd be glad to let you have the names of some books which I look upon as almost 'required reading'." This offer of a Lovecraftian reading list was evidently pounced upon in Lowndes's reply, as it is given in full in his February letter, thus (for the record): "And now for those recommendations I spoke of. If you haven't read Blackwood, you have a treat ahead of you - but be sure to choose his best rather than worst products, since he is a curiously & bewilderingly uneven author. Some of his tales are among the finest products of the fantastic imagination - unarguably acute & serious studies of the deep-seated human emotions & processes which produce the illusion of the unreal - yet other things of his almost touch the nadir of bathos, sentimentality, & namby-pamby. Read Incredible Adventures of John Silence - Physician Extraordinary - & get hold of some collection containing the short stories The Willows & The Wendigo. But don't waste time on The Wave, Tongues of Fire, The Extra Day, & The Garden of Survival. If you like I can lend you John Silence, Willows & Wendigo. Machen is another revelation. Get hold of the Knopf edition of The House of Souls, which contains The White People & The Great God Pan. Read also The Hill of Dreams, though it is psychological rather than supernatural. Don't miss The Three Impostors, & The Terror is also worth going through. Almost anything by Machen's is worth readin [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Dead Man Leading - A novel.

      Chatto & Windus, London., 1937. First edition. Octavo. pp [viii], 314. Set in the Amazon.Some spotting to fore-edge. Green enamel on spine titles flaking, as always seems to be the case. Very good in very good dustwrapper, designed by Trekkie Ritchie, a bit tanned at the spine.

      [Bookseller: Peter Ellis bookseller]
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