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Displayed below are some selected recent viaLibri matches for books published in 1937

        Paysages de Corrèze :  MANUSCRIT et DESSIN ORIGINAUX de André-Léon ALBERTIN

      1937 - Paysages de Corrèze :  MANUSCRIT et DESSIN ORIGINAUX Paris, chez l’artiste, 1935-1937. In-4, 304 pages plus table des chapitres, table des illustrations, Reliure plein parchemin, dos à nerfs, premier plat orné d’un dessin original de l’artiste, pièce de nom d’auteur maroquin noir, pièce de titre maroquin rouge, lettres dorées, tête dorée, étui. Les Monédières ; Treignac ; Uzerche ; de Salon-La-Tour à Vigeois ; Donzenac-Ussac ; de Saint-Viance à Comborn ; La Graulière ; Tulle ; Sainte-Fortunade, Gimel, Aubazine. 67 dessins originaux en noir ou en sanguine in texte ou à pleine page de André-Léon ALBERTIN. Ouvrage exécuté à 2 exemplaires, entièrement manuscrits et réalisés sur simili Japon Dujardin, l’exemplaire A est à l’auteur, l’exemplaire B est à l’illustrateur. Il s’agit de l’exemplaire B. [Attributes: Hard Cover]

      [Bookseller: ARCALA LIVRES ANCIENS]
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        Mea Culpa suivi de la vie et l'oeuvre de Semmelweis

      Editions Denoel et Steele, 1937. Edition of 135 copies. This one is part of the 25 copies on paper pur fil, numbered 24. Partially uncut. Ottime condizioni

      [Bookseller: WallectorLtd]
 2.   Check availability:     maremagnum.com     Link/Print  


        L'amour fou

      Gallimard 1937 - - Gallimard, Paris 1937, 14x19cm, broché. - Edition originale, un des exemplaires du service de presse. Précieux envoi autographe signé d'André Breton à Benjamin Crémieux. Dos restauré, petites déchirures et manques marginaux comblés sur les plats. Iconographie. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, review copy. Precious autograph signed by André Breton to Benjamin Cremieux. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        De l'humour noir

      First edition, one of 15 copies on Hollande, the tirage de tête, with blue covers illustrated by Yves Tanguy. This copy includes the text by Sade and the reproduction of Breton's collage on the masters of black humor with the names of the figures illustrated on the back. An outstandingly rare and exceptionally fresh copy. G.L.M Paris 1937 15x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Oeuvres de 1919 andagraveandnbsp1936

      

      [Bookseller: Maggs Bros. Ltd.]
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        The Door Between.

      London: Victor Gollancz Ltd,, 1937. A Problem in Deduction. Octavo. Original black cloth, spine lettered in orange. With the dust jacket. Faint mottling to covers, corners very lightly bumped, fore edge foxed. A very good copy in the spine-sunned dust jacket with a very short nick to foot of front panel and two neat annotations by the publisher to the plain rear panel. First UK edition, first impression. The Gollancz archive copy with their ink-stamp to the front pastedown and title-page. The Door Between was originally published in the US earlier the same year by Frederick A. Stokes.

      [Bookseller: Peter Harrington]
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        British Phaenogamous Botany; or, Figures and Descriptions of the Genera of British Flowering Plants. Vol. I, II & III.

      W. Baxter. 1834-1937. Second Edition. 3 VOLUMES. Engravings with original handcolor, a total of 240 plates with accompanying text sheets, 9 x 5 1/2 inches, cloth covered boards with gilt lettered spine (hardbound). Light wear to cover extremities, owner inscription to front fly-leaf of Vol. I & II, a couple of notations in pencil, light scattered foxing and some light offsetting. Fly leaves of first and second volumes are toned; there are two or three plates with overall toning. A very attractive set, with exquisite plates. Attractive handcolored engravings by W. Baxter, including poppies, orchids, Lady's Slipper, lavender, peonies, etc. Each volume includes a Systematical Index and an English Index.

      [Bookseller: oldimprints.com]
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        MARKED WOMAN (1937)

      Warner Brothers 1937 - Vintage original 12 x 8" (30 x 20 cm.) midget/mini window card, USA. Bette Davis, Humphrey Bogart, Lola Lane, Isabel Jewell, Mayo Methot, Jane Bryan, dir: Lloyd Bacon; Warner Brothers. Brilliant tale of hostesses told with as much candor as post-Production Code Hollywood was allowed. Working girl Bette Davis displays herself in one of her most glamorous gowns on this fine Warner Brothers poster of the period. The beaded gown (represented in red on this card) was made for her by Orry-Kelly. This is the film which marked Bette Davis' return to Warner Brothers after she walked out on the studio, fed up with the weak roles they were giving her. She got her wish in this role. Here she plays Mary Dwight, the cynical, world-weary hostess of a club run by gangsters. Living with the other hostesses of the club, her kid sister comes to visit and the truth of their means of living must be hidden. The woman are constantly being hauled into headquarters and questioned about their bosses. Davis' character is beaten by them to keep quiet. But then her kid sister is murdered, and she unravels to the district attorney (Humphrey Bogart). A classic crime melodrama. Wonderful rich colors. Very minor creases. Tow tears at the right side of the card have been reinforced with archival tape. One is in the lower area of her hair and the other just below her arm. Pin holes at each of the four corners have been filled in and reinforced with archival tape. Two small tears at the bottom have also been reinforced with archival tape. The top blank area of the card has been trimmed. NEAR FINE

      [Bookseller: Walter Reuben, Inc.]
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        Shokei Palace.

      Tokyo. [ 1937]. Japanese woodblock print, sheet size 10 3/4 x 15 3/4 inches (27 x 40cm). Sheet is considerably toned, but otherwise in very good condition. Changgyeong Palace in Seoul Korea. An unusual image by Hiroshi YoshiDa (1876-1950) from the Korea and Manchuria series, effectively contrasting the dark interior with the brilliant outside and the heavy columns of the palace with the delicate pattern of the screen walls. Signed in pencil at lower right; the jizuri seal at upper left margin.

      [Bookseller: oldimprints.com]
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        Country Matters - SIGNED, INSCRIBED and DATED to the front endpaper

      Gollancz, 1937 A first edition, first printing published by Gollancz in 1937. A very good book with some small repair to the spine tips. SIGNED by the Author to the front endpaper (to H Nathan from Clare Leighton/January 1938). In a very good unclipped wrapper (gift inscription to the front flap) with a repaired closed tear to the front panel and spine top. Some surface scratches to the rear panel.

      [Bookseller: John Atkinson Books]
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        You can be sure of Shell, Folly Houses, Darley Abbey.

      SUDDABY, Rowland. You can be sure of Shell, Folly Houses, Darley Abbey. Original lithograph in colours, linen-backed, printed by Waterlow & Sons Ltd., London, 1937. 760 x 1120 mm. £750

      [Bookseller: Henry Sotheran Ltd.]
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        L'espoir

      First edition, one of 230 numbered copies on alfa paper. Bradel binding of half black morocco over marbled paper boards by the workshop of Boichot, gilt date to foot of spine, covers and spine conserved (spine sunned), top edged gilt. A very good copy in a nice binding. Gallimard Paris 1937 14,5x21cm relié

      [Bookseller: Librairie Le Feu Follet]
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        The First Fleet The Record of the Foundation of Australia from its Conception to Settlement at Sydney Cove

      

      [Bookseller: Maggs Bros. Ltd.]
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        Macbeth de Shakespeare, 1937-1938.

      Complete and original autograph manuscript of 110 pages written and foliotées the front in black ink. Some erasures and corrections autograph of the author. First sheet with the title of the piece. Date and place the bottom of the last page: "Paris-Lapras, October 1937-January 1938 (ended January 14, 1938)." Novel adaptation of Shakespeare's tragedy, reduced in three acts, in verse. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! S.n. Paris -Lapras 1937-1938 [2] 110pp. in-4 en feuillets

      [Bookseller: Librairie Le Feu Follet]
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        The Walt Disney Annual.

      Racine, WI. Whitman. 1937. 8 color plates, 123 pp, 13 3/4 x 10 3/4 inches, color pictorial paper covered boards in color pictorial dustjacket. Light wear to extremities, light spotting to cover, light toning to edges of endpapers, interior clean and tight. Overall light foxing to dust jacket, which has edge wear including short tears with a longer (1 inch) tear at head and tail of spine. A very good copy of this scarce book.

      [Bookseller: oldimprints.com]
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        Genitrix.

      Paris, Les Bibliophiles Franco-Suisses, 1937. - In-4°, 110p. Edition limitée à 115 exemplaires numérotés sur vergé bleuté de Guarro. Illustrée de 48 eaux-fortes originales de Raoul Serres. Exemplaire enrichi de 3 dessins originaux de l'artiste, dont celui ayant servi de modèle à l'eau-forte de la page 79, reliés en début de volume, et du menu de la Société en fin de volume. Magnifique reliure. Reliure plein maroquin bleu canard, dos lisse avec titre doré à froid, plaque de l'eau-forte de la page 79 insérée sur le premier plat, double garde en daim, tranches dorées, couverture conservée, sous étui bordé doublé de velours [signée Cretté, succ. de marius Michel]. [Attributes: Hard Cover]

      [Bookseller: Le Cabinet d'Amateur]
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        The Metamorphosis.

      London: The Parton Press,, 1937. Translated by A. L. Lloyd. Octavo. Original blue cloth-backed dark brown boards, titles to spine in black, titles to front board in black on blue paper label. Spine rolled, light wear to tips and front cover top edge, slight bumps to spine ends, light foxing to top edge, small marginal mark to pp. 55 to 62; still an excellent copy. First English language edition, first impression, of the author's masterpiece, which was originally published in the German magazine Die Weißen Blätter in October 1915, under the title Die Verwandlung.

      [Bookseller: Peter Harrington]
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        Mystery of Mr. Jessop.

      London: Victor Gollancz Ltd, 1937 - Octavo. Original black cloth, spine lettered in red. With the dust jacket. Some foxing to edges and margins; an excellent copy in the bright jacket with sunned spine. First edition, first impression. A detective novel, from the Sergeant Bobby Owen series. The publisher's retained copy with their stamp to the front panel of the dust jacket, the front pastedown and the title page. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        The Door Between. A Problem in Deduction.

      London: Victor Gollancz Ltd, 1937 - Octavo. Original black cloth, spine lettered in orange. With the dust jacket. Faint mottling to covers, corners very lightly bumped, fore edge foxed. A very good copy in the spine-sunned dust jacket with a very short nick to foot of front panel and two neat annotations by the publisher to the plain rear panel. First UK edition, first impression. The Gollancz archive copy with their ink-stamp to the front pastedown and title-page. The Door Between was originally published in the US earlier the same year by Frederick A. Stokes. Hubin p. 326; Reilly, ed., Twentieth Century Crime and Mystery Writers, p. 1225-31 [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Cafe Royal Cocktail Book

      London: Pall Mall Ltd, 1937. First Edition. Hardcover. Very Good. First edition, also dubbed the "Coronation Edition." Publisher's original blue cloth binding with gilt stamping, in scarce original dust jacket with price of 7/6 net intact. Very Good with foxing to edge of page block, prelims and terminals, light toning and must odor to pages, light wear to tips. Dust jacket shows light soiling, light foxing, light edge wear and shallow chipping at spine ends. A very lovely copy, extremely scarce in dust jacket.

      [Bookseller: Burnside Rare Books]
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        LA GRANDE ILLUSION [GRAND ILLUSION] (1937)

      RAC 1937 - Vintage original 15 x 19 ½" (37 x 49 cm.) photo, France. Jean Gabin, Dita Parlo, Pierre Fresnay, Erich von Stroheim, Julien Carette, Marcel Dalio, dir: Jean Renoir; RAC. This is the first foreign film to be nominated by the Academy for Best Picture (in 1938). It was awarded the Best Foreign Language Film by National Board of Review, USA, and the New York Film Critics Circle Awards for 1938. Renoir's brilliant study of class system played out amongst prisoners of war set during World War I, it is the prison escape film which all aspire to. Goebbels made sure that the Germans seized the film when they occupied France, referring to Renoir as "Cinematic Public Enemy Number 1". It was thought lost in a 1942 air raid, but a German archivist managed to smuggle out the original negative and took it back to Berlin. When the Russians entered Berlin, the film made its way to Moscow. Later, when Renoir was attempting to restore the movie, he had only muddy prints to work from. A film exchange between the Moscow and Toulouse archive included the original negative, which eventually was realized for a full restoration. Miraculously, we have this classic film to enjoy and here is an original 1937 country-of-origin theatrical advertising piece. In the image are Jean Gabin and Pierre Fresnay. Small chip at top right edge. There are pin holes and light creasing to the four corners. Item is a heavy cardboard. ABOUT FINE

      [Bookseller: Walter Reuben, Inc.]
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        Ulysses.

      8vo, newly rebound in half green morocco, spine gilt in compartments, lettered directly in 2 and at foot with imprint, others with central gilt tooling, top edges gilt; a nice copy. First trade edition published in the UK.

      [Bookseller: Henry Sotheran Ltd.]
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        Of Mice and Men.

      New York, NY: Covici, Friede Publishers, 1937. FIRST EDITION, FIRST ISSUE. Crown octavo, pp.186. A fine copy, handsomely bound in 'West End' style half blue morocco gilt, with full gilt back, t.e.g., marbled endpapers, ribbon marker (loose), and original cloth covers bound in at rear. With the bookplate of Californian newspaper publisher James S. Copley. A fine copy. Listed in Modern Library's Top 100 Novels [1998].

      [Bookseller: Adrian Harrington]
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        Of Mice and Men [First Issue]

      First Edition New York Covici-Friede 1937 First Printing, First Issue, with "and only moved because the heavy hands were pendula," lines 20-21, p. 9, and bullet between the eight's on p. 88, one of only 2500 copies (in subsequent printings, the nine words on p. 9 and the bullet between the eight's were removed and the entire page reset). Chosen as a Book-of-the-Month Club selection, accounting for the many copies now on the market in clipped "unpriced" dust jackets masquerading as the genuine article. Small 8vo: 186pp. Publisher's beige cloth, spine and upper cover lettered within orange title block between thick black rules, top edge stained blue, pictorial dust jacket printed in black and priced $2.00. A spectacular copy, square, tight, clean, unmarked and probably unread, marred only by fading of blue top-stain; about Fine jacket, completely free of tears and edge wear, but spine panel lightly sunned (black lettering and design undiminished). Truly, one for the vaults. Goldstone-Payne A7a. "Of Mice and Men (the title is drawn from Robert Burns's poem "To A Mouse": "The best laid schemes o' mice and men / Gang aft a-gley / An' leave us naught but grief an' pain / For promised joy") marks a deliberate change from Steinbeck's previous work, In Dubious Battle (1936). In this new project, Steinbeck chose to work within a narrower framework . . . concentrat[ing] on a small number of characters as Steinbeck tells the story of migrant ranch laborers in carefully detailed settings. . . . From the very beginning, not only are readers given a call to social reform (the plight of the migrant worker is bleak and unlikely to change), but they also see that such men possess an American dream shared by all levels of society. Even though George and Lennie are different in size, although one is mentally sharp and the other retarded, they both have their dream of ownership and independence." (The Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd.]
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        Les pastorales de Longus ou Daphnis & Chloé traduction d'Amyot revue et complétée par P.L. Courier

      Les frères Gonon. With 48 original woodcuts by Aristide Maillol, printed in 500 numbered copies on Maillol paper.Autograph signature of Aristide Maillol to justification.This copy is complete with its separate suite of 21 original woodcuts. Les frères Gonon Paris 1937 14x21cm en feuilles sous chemises et étui

      [Bookseller: Librairie Le Feu Follet]
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        Das deutsche Familienbuch.

      Weber Essen ( Ohne Erscheinungsjahr - laut Karlsruher Virtueller Katalog 1937 erschienen ) Gegliedert in 3 Teile: Erster und zweiter Teil mit: Allgemeiner Teil und *Deutsches Familienleben im Bild* mit 108 Seiten und sehr zahlreichen schwarz-weißen Abbildungen meist auf Tafeln / Dritter Teil: Das deutsche Familien-Lexikon, Lebensfragen der Familie in Stichworten mit 149 Seiten und einer ausfaltbaren Ahnentafel / 4. Teil: Meine Familie und *Unsere Familiengeschichte in Bildern*. Goldgeprägter Ohldr, 4° ( 30,5 x 21,5 cm ). Aus dem Inhalt: Siegmund Kunisch: \" Vom Rechte, das mit uns geboren \" - Rudolf Filkens: \" Die Familie als Keimzelle des Staates / Dr. Martin Löpelmann: \" Die Erziehung der Jugend im nationalsozialistischen Staat \" / Dr. Oskar Karpa: \" Heimat und Volkstum als Grundlagen lebendiger Volksgemeinschaft \" / Sluytermann von Langeweyde: \" Der Wert von Blut und Rasse \" / Günther Paryna: \" Reichsnährstand as Hüter deutscher Scholle \". // Deutsches Familienleben im Bild mit: Alt und jung beim Dienst am Volk, im Heim, beim Sport, Brauchtum und Heimat // Das Deutsche Familien-Lexikon: Lebensfragen der Familie in Stichwörtern // Meine Familie: Wie lege ich meine Familliengeschichte an? Familiengeschichte, Angehörige in Einzeldarstellung, Stammreihen, Stammtafeln, Bilddokumente usw. Einband etwas fleckig, Ecken etwas bestoßen, Bindung leicht gelockert. Innen ohne jede Eintragungen, wenige Seiten gering fleckig. Insgesamt guter Zustand.- sehr selten - ( Gewicht 1800 Gramm ) ( Pic erhältlich // webimage available ) Versand D: 5,00 EUR Familie, Familienbuch, Drittes Reich, Nationalsozialismus, Ahnen, Ahnenkunde, Stammreihen, Stammtafeln, Google

      [Bookseller: Antiquariat Friederichsen]
 26.   Check availability:     buchfreund.de     Link/Print  


        Connemara Pony Stud Book - Vol. 3 1937 / Vol. 4 1939 / Vol. 6 1947 / Vol. 7 1951 / Vol. 8 1955 / Vol. 9 1963 / Vol. 10 1965 / Vol. 11 1967 / Vol. 12 1969 / Vol. 13 1972 / Vol. 16 1979.

      The Connemara Pony Breeders' Society,, 1937. Eleven volumes sold together. Galway, The Connemara Pony Breeders' Society, 1937-1979. 13cm x 18.5cm. Vol. 3: 51 pages / Vol. 4: 58 pages / Vol. 6: 76 pages / Vol. 7: 75 pages / Vol. 8: 69 pages / Vol. 9: 145 pages / Vol. 10: 137 pages / Vol. 11: 162 pages / Vol. 12: 177 pages / Vol. 13: 192 pages / Vol. 16: 355 pages. Original Hardcover. Excellent condition with only minor signs of external wear. Inscribed with name of pre-owner. The Stud Books of the Connemara Pony Breeders' Society contain the registration details and the names of the breeders and owners of Connemara Ponies registered with the society in the years spanning 1937 to 1979. They also include details of the prizewinners at the Society's Shows, members of the Society's committees, regulations relating to the breeding of the ponies, and photograph plates. Each volume is introduced with a report of the preceding period.

      [Bookseller: The Time Traveller's Bookshop ]
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        Schönheit im Olympischen Kampf [Beauty in the Olympic Games]

      1st Edition Berlin: Deutschen Verlag, 1937. FIRST EDITION, in exceptionally fine dust jacket and extremely rare original glassine, of Riefenstahl's classic monument to the athletes of the 1936 Olympics. Profusely illustrated with 273 black-and-white photographs. "With the German photographer Leni Riefenstahl, sports imagery rose to new aesthetic heights. Commissioned by Joseph Goebbels, she brought her considerable visual and organizational skills to bear on both the photographing and filming the 1936 Olympic Games. Although the film Olympiad has become an acknowledged classic, her book of photographs, Schönheit im Olympischen Kampf, no less spectacular in its own way, is less known. Sometimes Riefenstahl relied on poses modelled on the antique Greek ideal, faithful to Hitler's belief that modern Teutonic man was 'feeling closer to classical antiquity' than he had 'in possibly a thousand years'. But far more original were her depictions of superbly athletic bodies soaring gracefully through the air and knifing effortlessly through the water. Riefenstahl applied certain devices characteristic of the new German photography- strong diagonals, tight croppings, and bird's-eye and worm's-eye views. No longer was the camera an earthbound witness; it took to the air and the water with the athletes" (William A. Ewing, The Body). Roth 96: ("These are such exquisite, such transcendentally beautiful images of athletes, that one almost forgets their context.")Berlin: Deutschen Verlag, (1937). Quarto, original cloth, original dust jacket, original glassine; custom box. With picture captions in English, German, Spanish, and French. A few spots to text block edge, cloth nearly pristine; dust jacket in superb condition with only a hint of edgewear; glassine with a few small chips and tears. Extremely rare in such fine condition - the nicest copy we've seen. Fine / Fine.

      [Bookseller: The Manhattan Rare Book Company]
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        A Leaf From The 1611 King James Bible With "Noblest Monument Of English Prose" By John Livingston Lowes & "The Printing Of The King James Bible" By Louis I. Newman.

      Folio (395 x 271 mm). Original quarter cream cloth over paper-covered boards, paper title label printed in red letter to the backstrip, plain dust jacket; title, pp. [i], xxii, [2], with an original leaf (chapters 4 and 5 of Ecclesiasticus) from the 1611 King James Bible tipped in between pages 16 and 17. Printed in double columns in red and black throughout. Text initials of both essays illuminated by hand in blue, red and gold; original prospectus and a facsimile of the bible's engraved frontispiece laid in. Provenance: Jean Hersholt (1886-1956), Danish-born Hollywood film actor and translator of The Complete Andersen, with his signed bookplate to the front pastedown. Limited edition of 300 copies. With two essays on the King James Bible.

      [Bookseller: Henry Sotheran Ltd.]
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        Letters From Iceland.

      London; Faber and Faber. 1937. First edition. 8vo. Publisher's bright green cloth titled in red, slightly darkened to spine. Minor edgewear and bumping. In a very good dustwrapper with minor edgewear and creasing, a trifle soiled to the rear panel. Signed by W.H. Auden to the front flyleaf. A lovely object.

      [Bookseller: Adrian Harrington]
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        A Catalogue of the African Hesperiidae / A Catalogue of the Hesperiidae from Europe, Asia and Australia / A Catalouge of the American Hesperiidae, Pt 1-4 in the British Musuem (Natural History)

      London: BM(NH), 1937-1955. xii, 212; xix, 502; x, 92; v, 178; v, 246; v, 499, 83 plates (18 col), 88 plates line drawings. Hardback. Uniformly bound in 4 vols, qtr morocco, raised bands to spines, marbled endpapers/boards; speckled edges. Fine craft binding by 'M.M.' (Monique Macaux). Complete set of this scarce catalogue of World Hesperiidae: Africa (1937), Europe/Asia/Australia (1949), America, 4 vols (1951-55)

      [Bookseller: Pemberley Natural History Books]
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        New Foundations for Mathematical Logic.

      [Washington: Mathematical Association of America], 1937. First edition, the rare offprint issue, of the paper in which Quine first presented his axiom system for set theory (now usually known as 'NF'). NF is intended to address the 'crisis of foundations' that mathematicians have attempted to resolve since the early 20th century. This 'crisis' refers to the paradoxes which affect 'naive' set theory, the best known of which is 'Russell's paradox': if S is the set of all sets that are not members of themselves, is S a member of itself? If it is, it isn't, and if it isn't, it is. "Although [Quine] is best known to a wider public for his philosophical writings, his most enduring and most concrete legacy for the next 50 years may well turn out to be his most mathematical: he gave us NF" (Forster, p. 838) The first attempt to resolve Russell's and other similar paradoxes was made by Russell himself (1908) in his theory of types. In this theory, every set is assigned a type (a positive whole number); the bottom type is a type of atoms and sets of type n 1 are sets of things of type n. Every variable of the theory is constrained to range over one level only. This means that Russell's paradox cannot even be formulated within type theory. However, the theory was found to have many drawbacks, as it prevented not only the formulation of the troublesome paradoxes, but also other apparently sensible statements. In addition, it necessarily introduces infinite multiplicities: for example, there has to be one empty set of each possible type, as well as a set of natural numbers of each type, etc. NF is similar to Russell's theory in that it involves types, but rather than assign a type to each set once and for all, it assigns a type to each variable in a given formula. If a variable x in a given formula is assigned type n, and if 'xy' appears in the formula, then y must be assigned type n 1. In addition, if 'x = y' appears in the formula, then x and y must have the same type. A formula is 'stratified' if there is an assignment of types to variables in the formula that meets these constraints. The axioms of NF are now simply stated: extensionality, together with a scheme that says that the extension of a stratified formula is a stratified formula. NF avoids the paradoxes of naive set theory because the formulas necessary to formulate the paradoxes are not stratified (for example, a set cannot be a member of itself because xx is obviously not a stratified formula). But it also avoids the multiplicities and other difficulties inherent in Russell's type theory. The approach taken in ZF is to restrict what objects can be called sets, rather than to impose restrictions on how sets are defined, as is done in NF. In ZF the empty set is a set, and any collection of sets is a set (and there are no other sets). ZF appears to resolve Russell's paradox because the 'set' of all sets that are not members of themselves is not in fact a set. Although ZF appears to be able to accommodate the whole of mathematics, many mathematicians believe ZF fails to capture the informal concept of a set: in ZF there is no universal set ('the set of all sets'), and the universe of sets is not closed under the elementary operations of the algebra of sets. NF is less restrictive: for example, in NF there is a universal set ('the set of all sets'). On the other hand, it was proved by Specker that the Axiom of Choice is false in NF, which some mathematicians believe restricts its usefulness for mathematics. The debate NF vs. ZF is ongoing. T. Forster, "Sixty years of NF." The American Mathematical Monthly 104, no. 9 (November 1997), pp. 838-845. 8vo (255 x 182 mm), offprint from: American Mathematical Monthly, Vol. 44 (1937), pp. 70-80, a fine copy in the original grey printed wrappers.

      [Bookseller: SOPHIA RARE BOOKS]
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        The Adventures of Tom Sawyer. Screenplay by John V.A. Weaver (based on the 1876 novel by Mark Twain).

      The Selznick International Pictures 1937. DIRECTOR'S COPY of the Final Shooting Script for the 1938 movie, INSCRIBED BY OSCAR WINNING PRODUCER DAVID O. SELZNICK. Quarto, dated July 16 1937. In a presentation binding of gilt-titled red morocco spine over salmon cloth sides, stamped in gilt with to upper 'Norman Taurog'. Some minor rubbing, cloth shows some blooming. With warm signed inscription within; 'for Norman- with happy memories of a nice association- and with gratitude for a fine job, David S. 1938'. Directed by Taurog and produced by Selznick, the Oscar-nominated United Artists movie adaptation follows closely Twain's celebrated novel about the life and times of a mischievous boy in 1850 Missouri, and was the first version of the classic tale to be filmed in Technicolor.David O. Selznick [1902-1965], Hollywood renegade and founding Member of The Society of Independent Motion Picture Producers, will be forever remembered for Gone With The Wind, 1939, which won eight competitive awards and two special citations from thirteen Oscar nominations - both records for the time. The film is often considered the most beloved, enduring and popular motion picture of all time and Selznick was awarded The Irving G. Thalberg Memorial Award (for creative production) by the Academy in 1939.In the thirties Selznick had already produced such prestige pictures and literary works for the screen, such as King Kong (1933), David Copperfield (1935), A Tale Of Two Cities (1935), Anna Karenina (1935), The Prisoner Of Zenda (1937), and The Adventures Of Tom Sawyer (1938), and at the time of Gone With the Wind's production, he was also preparing Rebecca (1940); He is equally famous for bringing British film-maker Alfred Hitchcock to Hollywood and for their collaberation following Rebecca on films such as Spellbound (1945), The Paradine Case (1947). His interest in Film-noir continued with the Orson Welles classic The Third Man (1950). Throughout the fifties he nurtured his second wife's Jennifer Jones' career, through the films Gone To Earth (1950), Wild At Heart (1952) and A Farewell To Arms (1957), which proved to be his last picture.

      [Bookseller: Adrian Harrington]
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        Baba Diène et Morceau-de-Sucre

      - Gallimard, Paris 1937, 12x19cm, broché. - Prima edizione, una delle 57 copie numerate su Alfa solo le carte. Libro illustrato con 30 immagini di Vercors. Nizza e rara copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 57 exemplaires numérotés sur alfa, seuls grands papiers. Ouvrage illustré de 30 images de Jean Bruller. Agréable et rare exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 34.   Check availability:     maremagnum.com     Link/Print  


        Bilancio 1913-1936

      Rovereto: Tipografia Romano Manfrini, , 1937. Brossura (wrappers). Molto Buono (Very Good). Depero fa il bilancio della sua attività dal 1913 al 1936 attraverso l'elenco dettagliato di 72 Esposizioni; discorsi, conferenze etc; articoli pubblicati su diversi giornali: "Secolo Sera", "Natura", "Popolo d'Italia", "Brennero", ed altri; "Edizioni e pubblicazioni Depero"; Attività teatrale, etc. Con alcune silografie ed illustrazioni in antiporta alle diverse sezioni. In totale 380 segnalazioni e 11 illustrazioni. Cm 24,5x17. pp. 88 n.n. Molto Buono (Very Good). Fioriture leggere alle copertine (Yellowing of the covers). Prima edizione (First Edition). Edizione originale curata dallo stesso artista, per contenuti e grafica. Scrive Depero nella presentazione: "Ho composto il presente fascicolo per inquadrare in ordine di materia e di tempo la mia varia attività artistica: plastica, pittorica, letteraria, decorativa e orale che ho svolto fino a tutto il 1936.. A chi lo sfoglia può parlare rapidamente dei miei ventiquattro anni di vita artistica, quindi non mi sembra inutile"

      [Bookseller: Studio Bibliografico MArini]
 35.   Check availability:     Biblio     Link/Print  


        Autograph Manuscript Poem, Signed, with Four Autograph Letters, and One Autograph Postcard].

      London & Oxford. 24 January 1932 to 7 December 1937. - Manuscript on two narrow quarto leaves, letters on octavo and 12mo lettersheets, one page each, signed "E. Blunden" and "E.B." Very good, with one envelope. A handsome manuscript fair copy of Blunden's 1919 poem, "Leisure," first collected in THE WAGGONER (1920). The poem ( approx. 90 lines in ms) is written out in Blunden's calligraphic hand on the blank versos of two plates extracted from a rare book auction catalogue, is dated at the end '1919', and then inscribed "Copied for his friend Carlos Peacock by the writer, Edmund Blunden, in Sept', 1937." The manuscript is accompanied by four autograph letters, signed, and one autograph postcard, signed, all to Carlos H. Peacock. A sampling of the letters reads as follows: (24 January 1932) "Please abandon my Mr. too! I am to lunch next Thursday at Peterhouse, and shall emerge thence ready to take tea with you (& I hope Adrian & Stephanie) at 3:30, (and I must be at Trinity say 5 or 10 minutes before 5, so as to cause no anxiety about authors' elusive ways). Shall I come to Fitzwilliam House?''; (12 Sept. 1937) "So that is what you're doing! Well, good luck to you, and if I can send along any promising young writers with substantial MSS I shall be glad to do it. I often find the promise, but it is usually of a metaphysical sort and not reduced to actual ink marks on sheets of paper. Adrian is often in my mind's eye. I suppose you know Richard Cobden-Sanderson; if not, please set about it! My memory does not serve me about the poem you were so kind as to wish for in MS: if you will send me a little hint of its content, a first line for instance, I shall quickly dig it out and send you a copy. Meanwhile, do not let literature deprive you of literature."; (24 Sept. 1937) "At last I have copied the poem and here it is. As you perhaps know, it's a little disturbing in more ways than one to spend much time with one's early writings! but it has given me pleasure to think you wished for the transcript. Can you persuade my old playmate Adrian to show me some of his poems, for instance the limited edition?."; and (7 Dec. 1937) "Forgive me for not saying yes. But if I slacken my rule about not writing introductions in books of poems by contemporaries I shall be in trouble; for I get many requests. Apart from that, my conviction is that these introductions do no good. Prejudices are created against the newcomer. it's supposed he is a protégé of the old miscreant who ushers him in. Far best, and best to look back upon, if a poet sets out alone. Moreover, I shall be at liberty, I hope, to appear among your reviewers. Adrian was indeed as good as his word and I have set his poems among those that matter, and will matter in coming time.''

      [Bookseller: William Reese Company - Literature, ABAA]
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        [Autograph Manuscript Poem, Signed, with Four Autograph Letters, and One Autograph Postcard]

      London & Oxford, 1937. Manuscript on two narrow quarto leaves, letters on octavo and 12mo lettersheets, one page each, signed "E. Blunden" and "E.B." Very good, with one envelope. A handsome manuscript fair copy of Blunden's 1919 poem, "Leisure," first collected in THE WAGGONER (1920). The poem (approx. 90 lines in ms) is written out in Blunden's calligraphic hand on the blank versos of two plates extracted from a rare book auction catalogue, is dated at the end '1919', and then inscribed "Copied for his friend Carlos Peacock by the writer, Edmund Blunden, in Sept', 1937." The manuscript is accompanied by four autograph letters, signed, and one autograph postcard, signed, all to Carlos H. Peacock. A sampling of the letters reads as follows: (24 January 1932) "Please abandon my Mr. too! I am to lunch next Thursday at Peterhouse, and shall emerge thence ready to take tea with you (& I hope Adrian & Stephanie) at 3:30, (and I must be at Trinity say 5 or 10 minutes before 5, so as to cause no anxiety about authors' elusive ways). Shall I come to Fitzwilliam House?''; (12 Sept. 1937) "So that is what you're doing! Well, good luck to you, and if Ican send along any promising young writers with substantial MSS I shall be glad to do it. I often find the promise, but it is usually of a metaphysical sort and not reduced to actual ink marks on sheets of paper. Adrian is often in my mind's eye ... I suppose you know Richard Cobden-Sanderson; if not, please set about it!... My memory does not serve me about the poem you were so kind as to wish for in MS: if you will send me a little hint of its content, a first line for instance, I shall quickly dig it out and send you a copy. Meanwhile, do not let literature deprive you of literature....''; (24 Sept. 1937) "At last I have copied the poem and here it is. As you perhaps know, it's a little disturbing in more ways than one to spend much time with one's early writings! but it has given me pleasure to think you wished for the transcript. Can you persuade my old playmate Adrian to show me some of his poems, for instance the limited edition?..."; and (7 Dec. 1937) "Forgive me for not saying yes. But if I slacken my rule about not writing introductions in books of poems by contemporaries I shall be in trouble; for I get many requests. Apart from that, my conviction is that these introductions do no good. Prejudices are created against the newcomer... it's supposed he is a protégé of the old miscreant who ushers him in. Far best, and best to look back upon, if a poet sets out alone. Moreover, I shall be at liberty, I hope, to appear among your reviewers. Adrian was indeed as good as his word and I have set his poems among those that matter, and will matter in coming time.''.

      [Bookseller: William Reese Company - Literature ABAA-]
 37.   Check availability:     ABAA     Link/Print  


        Martha Graham.

      Los Angeles: Auditorium Building,, November 1937. Edited and with a Foreword by Merle Armitage. Articles by John Martin, Lincoln Kirstein, Evangeline Stokowski, Stark Young, Wallingford Riegger, Edith J. R. Isaacs, Roy Hargrave, James Johnson Sweeney, George Antheil, Margaret Lloyd, Louis Danz, Martha Graham, Biography by Winthrop Sargeant, The Martha Graham Repertoire, Paintings by Edward Biberman and Carlos Dyer, A Portrait of Louis Horst, Affirmations by Martha Graham. Octavo. Original grey cloth, titles to spine and front board in black, photographically illustrated pastedowns. Designs in the text, and full page photographic illustrations. Illustrated bookplate to front pastedown, ink ownership stamp to top edge, 1946 ink gift inscription to front free endpaper. Mild toning to spine panel, very light rubbing to ends and corners, sound and internally clean, excellent condition. First edition, first printing, inscribed by Graham on the half title, "Best wishes, Martha Graham". This retrospective of the explosive first ten years of the career of dancer Martha Graham (1894-1991), who was described as the Picasso, the Stravinsky, and the Frank Lloyd Wright of dance, was designed and edited by Merle Armitage, and printed in an edition of 1,000 copies. Copies signed by Graham are very scarce indeed. She has been described as the Picasso, the Stravinsky, and the Frank Lloyd Wright, of dance, and her style, the Graham technique, is still taught worldwide. She was the first dancer to perform at the White House, and to receive the Presidential Medal of Freedom. The book collects commentary by numerous luminaries of the performing arts, as well as a large selection of photographs, and some 15 pages of striking quotations from Graham herself. It closes with a short biography and a record of her concerts and repertoire.

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  


        Martha Graham. Edited and with a Foreword by Merle Armitage. Articles by John Martin, Lincoln Kirstein, Evangeline Stokowski, Stark Young, Wallingford Riegger, Edith J. R. Isaacs, Roy Hargrave, James Johnson Sweeney, George Antheil, Margaret Lloyd, Louis Danz, Martha Graham, Biography by Winthrop Sargeant, The Martha Graham Repertoire, Paintings by Edward Biberman and Carlos Dyer, A Portrait of Louis Horst, Affirmations by Martha Graham.

      Los Angeles: Auditorium Building, November 1937 - Octavo. Original grey cloth, titles to spine and front board in black, photographically illustrated pastedowns. Illustrated bookplate to front pastedown, ink ownership stamp to top edge, 1946 ink gift inscription to front free endpaper. Mild toning to spine panel, very light rubbing to ends and corners, sound and internally clean, excellent condition. Designs in the text, and full page photographic illustrations. First edition, first printing, inscribed by Graham on the half title, "Best wishes, Martha Graham". This retrospective of the explosive first ten years of the career of dancer Martha Graham (1894-1991), who was described as the Picasso, the Stravinsky, and the Frank Lloyd Wright of dance, was designed and edited by Merle Armitage, and printed in an edition of 1,000 copies. Copies signed by Graham are very scarce indeed. She has been described as the Picasso, the Stravinsky, and the Frank Lloyd Wright, of dance, and her style, the Graham technique, is still taught worldwide. She was the first dancer to perform at the White House, and to receive the Presidential Medal of Freedom. The book collects commentary by numerous luminaries of the performing arts, as well as a large selection of photographs, and some 15 pages of striking quotations from Graham herself. It closes with a short biography and a record of her concerts and repertoire. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 39.   Check availability:     ZVAB     Link/Print  


        LA GERUSALEMME LIBERATA

      SOCIETA' EDITRICE INTERNAZIONALE, TORINO 1937 - SCRITTORI ITALIANI COMMENTATI PER LE SCUOLE ITALIANO Introduzione e commento di Michele Martina, edizione arricchita di riproduzioni di quadri classici, pagine ingiallite ai bordi e con lieve fioritura, coperta morbida ingiallita, con fioritura, con segni di usura e con strappi al dorso

      [Bookseller: Biblioteca di Babele]
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        Autograph letter, in German, signed ('Papa'), to his younger son Eduard, concerning the limits of knowledge and the meaning of life, and the gathering storm clouds of war.

      [Princeton] 25 May, 1937 - 2 pages (253 x 201 mm), ink on paper, folded for posting. A very moving and eloquent letter revealing Einstein's most intimate thoughts about the meaning of life, the limits of knowledge, and the impending war, addressed to his younger son Eduard. It reads (in translation), in part:'Dear Tetel, I haven't written in such a long time because I've tortured my old brain with a very difficult problem so that everything else fell aside. But now it has finally failed, so my head is clear again. The world is not made in a way that we can easily understand. But it's spring, and the birds are singing, and they don't care, they just catch their worms and flies . It's a beautiful time here, and I have a pretty garden with a huge tree that I see from my study.'I now live as a lonely old man, slowly preparing to say goodbye. There's something good about that. It gives you the right and the possibility to calmly observe. To not get involved in the vanities of life that used to seem so important ?'Albert [Hans Albert, Einstein's older son] wants to come in autumn to try to build his nest here. He's right, but it's not an easy thing. It's a fast and inconsiderate environment. It's the dance around the golden calf. A wild and ugly dance?'I read the Basle newspaper which is a breath of fresh Swiss air. Things have changed so much over there I can sense people's fear and helplessness. But the [Basle paper] is still better than the newspapers here. Not so superficial. A difficult existence suits men better, after all ? Whenever you feel like it, read Burckhard's views on world history and a good translation of the Odyssey. When I was going through hard times I did this in times of sorrow. Hugs and kisses, your Papa.'Einstein is referring to Jakob Burckhard's depressing outlook on the future of Europe. 'As a Swiss, Burckhardt was also cool to German nationalism and to German claims of cultural and intellectual superiority. He was also amply aware of the rapid political and economic changes taking place in the Europe . and the growing European nationalism and militarism. Events amply fulfilled his prediction of a cataclysmic 20th century, in which violent demagogues (whom he called "terrible simplifiers") would play central roles'.The 'very difficult problem' Einstein refers to is probably related to his attempts to find flaws in quantum mechanics.Eduard Einstein (1910-65) studied medicine at the University of Zurich and intended to become a psychiatrist, but suffered from schizophrenia and was repeatedly institutionalised. He was an admirer of Freud and his father wrote to him on more than one occasion about Freud's theories and how he was coming to accept them. Although Einstein did not see his son again after his departure for the U.S. in 1933, he carried on a significant correspondence with him about art, literature, and his philosophy of life, of which the present letter is one of the best surviving examples.

      [Bookseller: WP Watson Antiquarian Books]
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        PHOTOGRAPH ***Signed***

      - Signed "Jack Nicholson" in blue ink.Fantastic black and white 8.0" X 10.0' photograph has a very minor bumped top right corner, otherwise in Fine condition. John "Jack" Joseph Nicholson (born April 22, 1937) is an American actor, director, producer, and screenwriter, internationally renowned for his often dark-themed portrayals of neurotic characters. Nicholson has been nominated for an Academy Award 12 times, and has won three: two for Best Actor and one for Best Supporting Actor. He is tied with Walter Brennan for most acting wins by a male actor (three), and second to Katharine Hepburn for most acting wins overall (four). He is also one of only two actors nominated for an Academy Award for acting (either lead or supporting) in every decade since the 1960s; the other is Michael Caine. He has won seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. In 1994, he became one of the youngest actors to be awarded the American Film Institute's Life Achievement Award. Notable films that he starred in include, in chronological order, Easy Rider, Five Easy Pieces, Chinatown, One Flew Over the Cuckoo's Nest, The Passenger, The Shining, Terms of Endearment, Batman, A Few Good Men, As Good as It Gets, About Schmidt, Something's Gotta Give, and The Departed.

      [Bookseller: Legends In History]
 42.   Check availability:     AbeBooks     Link/Print  


        ORIGINAL HAND-CORRECTED TYPESCRIPT FOR HIS HOLLYWOOD ESSAY: "HORIZONS LOST and FOUND" By the Author of "Lost Horizon" & "Goodbye Mr. Chips")

      Hollywood, CA, 1937. Hilton, James. 1900-1954. Author of "Lost Horizon" and "Goodbye Mr. Chips, screenwriter of "Mrs. Miniver." ORIGINAL HEAVILY CORRECTED TYPESCRIPT FOR HIS ESSAY "HORIZONS LOST AND FOUND" [n. p., n. d. but Hollywood, California, 1936]. Five pages total: three pages, the complete essay, accomplished on ordinary yellow typing paper -- typed by Hilton himself and revised extensively in black ink. Two further pages of holograph notes re: this manuscript included, also typed and corrected by Hilton. "Horizons Lost and Found" was published in STAGE: The Magazine of After-Dark Entertainment, a monthly periodical, in February of 1937. We know of no other essay of his that is so representative of Hilton at his most stylishly witty, smoothly conversational, and sophisticated best in private hands; here is an opportunity to own, direct from his files, an artifact which contains his own assessment, or snapshot, of his career at its peak. This essay, unlike almost all of his other prolific reviews, speeches and journalistic concoctions, contains specific, fresh and thoughtful references to Goodbye Mr. Chips, Lost Horizon, film director Frank Capra, his screenplay collaborator Robert Riskin, and Hollywood Life in general. While James Hilton was a generous signer of books, his manuscript material is rarely seen. Ex- James Hilton Estate Sale (Christie's Los Angeles, 1999). The typescript is accompanied by an original essay by Hilton-scholar Kurt Kausler entitled "Center Stage: James Hilton at the Pinnacle" and has been placed in a custom binder along with a cornucopia of hard-to-locate Hilton research material related to "Horizons Lost and Found." Unique.. Signed. Original Manuscript. Unbound. Near Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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        Schach. Mischtechnik.

      64 x 49 cm in Rahmen versilbert., Etwas beschienen. Gerhard Balder (1937) , Grafiker in Linz.

      [Bookseller: antiquariat peter petrej]
 44.   Check availability:     booklooker.de     Link/Print  

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