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Displayed below are some selected recent viaLibri matches for books published in 1935

        Green Hills of Africa

      New York: Charles Scribner's Sons. 1st Edition. Hardcover. Very Good/Very Good. FIRST EDITION of Hemingway's classic account of his African safari adventures. New York: Scribner's, 1935. Octavo, original green cloth, original dust jacket. Cloth with some sunning to spine, dust jacket with minor edgewear and a little sunning to spine panel. An exceptionally nice copy of a difficult book to get in collectible condition.

      [Bookseller: The Manhattan Rare Book Company]
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        LLANTO POR IGNACIO SÁNCHEZ MEJÍAS de. Dibujos de J. Caballero.

      Cruz y Raya (S. Aguiire, Imp.), Madrid 1935 - 1ª ed. 22x28.2. 22pp. 1h. 3 láminas de José Caballero. Rústica. Dedicatoria autógrafa: "Para mi compañero de la Residencia Manolo Cortés / Recuerdo De / Federico García Lorca / Madrid. 1935." Firma en la portada de Manuel Cortés Villarreal. De las escasas informaciones que hemos podido encontrar sobre Manuel Cortés, resulta que era extremeño, de Trujillo (¿y de dónde si no, con ese sonante apellido?), donde trabajó como secretario de Juzgado, nació en 1909 y murió en 1989. Aunque coincidió con Federico en la Residencia, no hay constancia de que tuvieran una estrecha amistad – ni el tono de la dedicatoria lo sugiere. Tenues huellas en las cubiertas, pero muy buen ejemplar. Envíos para España: el pago contra reembolso conlleva un recargo de 2 Euros.

      [Bookseller: Carmichael Alonso libros]
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        A History of the British Army

      London: MacMillan. Near Fine. 1935. Reprint. Hardcover. Near Fine condition. Bound in red cloth with gilt stamping to the spines. 12 volumes in 19 books. Numerous folding maps. ; 8vo 8" - 9" tall .

      [Bookseller: Book Gallery // Mike Riley]
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        Les Cahiers des Droits de l'Homme. 35e année - du n°1 du 10 janvier 1935 au n°33 du 30 décembre 1935.

      Imprimerie centrale de la Bourse. 1935 - - Imprimerie centrale de la Bourse., Paris _1935, 21,5x30cm, 29 fascicules en feuillets. - Edition originale de cette revue tri-mensuelle dirigée par Emile Kahn. Ensemble de 29 fascicules. Les n°5, 14 et 17 sont manquants. Organe officiel de la Ligue des Droits de l'Homme apparu en 1920, les Cahiers sont considérés, par les défenseurs de la démocratie comme un outil militant mais aussi comme une importante source d'information documentaire. . La Librairie Le Feu Follet offre aux clients AbeBooks 10% de réduction ainsi que les frais de port vers la France métropolitaine sur l'ensemble de son catalogue. Prix d'origine : 633 EUR. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Young Joseph

      New York. Aflred A. Knopf. 1935. Gilt titled and embossed black cloth. 12mo. 1st U.S. Edition. Signed by Mann on flyleaf. A Fine copy in the rare dustwrapper. Flyleaf has been trimmed short at bottom edge. Very mild chipping to headpiece of dustwrapper and some very light soiling to rear panel. An innocuous 2" inch ink stamp stating " Autographed Copy " appears at the very upper right edge of the dustwrapper 's front panel. A bright crisp unmarred signed copy of this Mann title in a Very Good original and very scarce dustwrapper. A Jewel.

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB]
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        The Cave at Altamira at Santillana del Mar, Spain

      Madrid: Tipografia de Archivos. 1935. An elaborate volume on the prehistoric cave paintings of Altamira, updating a 1906 edition by Breuil and Emile Cartailhac. Large quarto with 52 plates, both black & white photographs and full color plates reproducing Breuil's original drawings of the animals in the Altamira frescoes. A number of the color plates are double pages; all are protected with tissue guards. The caves at Altamira were discovered in the 1870s and were the first caves to be found that contained prehistoric artworks. Their Spanish discoverers were ridiculed for claiming that the paintings belonged to people of the Upper Paleolithic era, and it wasn't until decades later, after numerous other such caves had been found around Europe, that this became a generally recognized truth. Breuil, a French archeologist, visited the site and made drawings of a number of the animals depicted on the cave walls for the 1906 monograph -- notably in particular a species of bison that had been extinct in Spain for thousands of years; three decades later he updated and expanded his work, taking advantage of increased access to the cave and newly available lighting. The present volume has more plates than the earlier one, and all of the earlier images have been updated and improved. The discovery of the caves at Altamira was one of the most significant archeological discoveries of the 19th century, changing forever our understanding of our human forebears. This volume was produced during the Spanish Second Republic, the relatively brief period of liberal democracy preceding the Spanish Civil War and the subsequent forty years of fascist rule. A beautiful book, three quarter bound in leather and attractively and elaborately printed. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Theory of Money and Credit

      New York: Harcourt, Brace and Company, 1935.. First American edition and first edition in English. Octavo, original cloth. Signed and dated by the author. Housed in a custom quarter morocco clamshell box.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Death in the Clouds

      London, Collins. 1935. , 1935. FIRST EDITION, INSCRIBED by the author to flyleaf "With Love from / Agatha." Pp.252 + 4 [advertisements]. Publisher's orange cloth titled in black, some light fading to the spine and the customary slight wear to extremities and spine ends. A little dusty to the top-edge. In a supplied second issue (i.e repriced at 3/6) wrapper, whicxh remains in a splendid degree of preservation, a trifle frayed at head of spine but resplendant with the vivid blues and bright white decoration that all too often are soiled and darkened by both the passage of time and repeated readings of stories that have become classics of the mystery genre. Altogether a lovely addition to any serious collection of Agatha Christie. In the book, Poirot is a passenger on board a flight from Paris to Croydon. Some time before landing, one of the passengers, Madame Giselle - a moneylender - is found dead. Initially, a reaction to a wasp sting is postulated, but Poirot spies the true cause of death: a poison-tipped dart, apparently fired from a blowpipe. It becomes apparent that the victim has been murdered.

      [Bookseller: Adrian Harrington Rare Books]
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        The Scandal of Father Brown (First Edition)

      New York: Dodd, Mead, 1935. First American Edition. Fine and unread in a Fine dust jacket. Slightest fading to the topstain, else a pristine copy, virtually as new. Chesterton's fifth Father Brown book, a collection of stories.

      [Bookseller: Royal Books, Inc.]
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        The Scandal of Father Brown

      London: Cassell, 1935. 1st ed., 1935. 8vo. 248 pp. Original gilt stamped navy blue cloth. Light shelf wear bottom edge else a bright, near fine book in DJ with a 1/2" x 3/4" chip base of the spine, shallow chip crown of the spine, tape verso on top and bottom edge, slight dust soiling, spine and front poanel unfaded, very good.. 1st Edition. Hardcover. Very Good/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
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        EROS AND PSYCHE: A POEM IN XII MEASURES

      Newtown, Wales: The Gregynog Press, 1935. ONE OF 285 COPIES (of 300, counting 15 copies bound in morocco). Hardcover. 286 x 225 mm (11 1/4 x 8 7/8"). 4 p.l., 141, [1] pp., [1] leaf (colophon). ONE OF 285 COPIES (of 300, counting 15 copies bound in morocco). Publisher's white pigskin, blocked in gilt on front cover with medallion of arabesque design incorporating flower and butterflies, straps depicted in gilt on spine where bands would be, gilt top, other edges untrimmed. In a (somewhat soiled but apparently original) ivory-colored buckram traycase. With initial letters designed by Graily Hewitt and printed in green, and with 24 wood engravings in the text, two of them full-page, redrawn by Dorothy Hawksley from designs by Edward Burne-Jones and cut by Loyd Haberly and R. John Beedham. Printed in red and black on Batchelor handmade paper. Harrop 33; De Zilverdistel Cat. II, 33. Just a touch of soil to the white pigskin, but the binding otherwise unworn, and, in all, AN ESPECIALLY FINE COPY, internally pristine and used so little that the volume opens only reluctantly. Cave says that the present item, the last work produced under Haberly's supervision, was the "principal book to be produced" during Haberly's regime. Franklin calls the work "a notable book . . . bringing together almost sentimentally the old players--Kelmscott paper, a type cut for the press, Graily Hewitt, Burne-Jones, Bridges," and he praises the controversial typeface as "a bit undisciplined but brave and different, calligraphic, splendid for Gregynog." This is the only item, aside from a Christmas card, printed at the Gregynog Press using the squat, rounded, curvilinear Gregynog type. The illustrations in the present work are reworked from Burne-Jones' drawings done for William Morris' "Cupid and Psyche," and the text is a translation of Apuleius' "Eros and Psyche" by poet laureate Robert Bridges (1844-1930). Harrop says that our ordinary binding (which, as handsomely decorated high quality pigskin, is not really ordinary at all) in this case is "infinitely preferable to the special binding." Because of its traycase, our volume--particularly vulnerable to soiling and darkening--has been protected from dirt and light over the years, and it is inconceivable that one could find a cleaner copy or one exhibiting so few signs of use.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Eros and Psyche. A Poem in XII Measures (Gregynog)

      Newtown, Mont. Wales: The Gregynog Press, 1935 In white pigskin, very clean with only the very faintest yellowing, a few spots to lower cover, blocked in gilt on upper cover with a circular design which incorporates hand tooling, gilt ties to imitation spine bands, gilt spine titling, silk headbands to tone, top edge gilt, other uncut, 1 tiny chip to p edge, unsigned, [8], 141 [3] pp, 280*212 mm, the designs were prepared for engraving by Dorothy Hawksley, 5 of which were cut on wood by Loyd Haberly and the remaining 19 by R John Beedham, initial letters printed in green, text in red and black, probably an unread copy!, an edition limited to just 285 copies bound in the pigskin, there were also 15 specials. With its issued slip case and silk lined box. One of the most difficult Gregynog titles to locate and rarely found with its covers in as good a condition as this! (Harrop 33). The illustrations chosen by Loyd Haberly were culled from a set of about 70 drawings, prepared by Burne_jones for William Morris's narrative Poem, Cupid and Psyce (Harrop). Bridges, Robert Seymour, poet. See ODNB.Sir Edward Coley Burne-Jones, 1st Baronet was a British artist and designer. See ODNB.

      [Bookseller: Madoc Books]
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        EROS AND PSYCHE: A POEM IN XII MEASURES

      Gregynog Press, 1935. Limited Edition, one of 300 copies. Full Leather. Very Good binding. Edward Burne-Jones. Quarto. Full bound in cream pigskin deeply stamped in gold on the spine and upper cover; a fantastic edition of Bridges';s poem printed in black and red with the first word of each "quarter" boldly printed in green; 24 woodcuts after drawings by Burne-Jones; but for one small blemish on the front free endpaper, internally this is a near fine copy; the pigskin binding is a bit soiled else in near fine condition. Very Good binding.

      [Bookseller: Black Swan Books, Inc.]
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        The Star of Seville:

      Newtown, Montgomeryshire: Gregynog Press, 1935 A Drama in 3 acts and in verse attributed to Lope De Vega translated out of Spanish by Henry Thomas. Bembo type on Batchelor special making of GG watermarked hand made paper, text printed in red and black, initial letters in green, arms of Seville on TP designed by W Charles Thomas. Bound in black Oasis blocked on both covers with a design of Moorish character, composed of interlaced blind strapwork and gold stars. Spine decorated in blind and gilt with strapwork and stars, titling and device in gilt, top edge gilt, unsigned, (xii), (2), 108 pp, hugely attractive! (Harrop 32/p 201)

      [Bookseller: Madoc Books]
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        The Star of Seville

      Newtown, Montgomeryshire: Gregynog Press, 1935 A Drama in 3 acts and in verse attributed to Lope De Vega translated out of Spanish by Henry Thomas. Bembo type on Batchelor special making of GG watermarked hand made paper, text printed in red and black, initial letters in green, arms of Seville on TP designed by W Charles Thomas. Bound in black Oasis blocked on both covers with a design of Moorish character, composed of interlaced blind strapwork and gold stars. Spine decorated in blind and gilt with strapwork and stars, titling and device in gilt, top edge gilt, has an attractive bookplate of Ellen Evans to fpd (1891-1953, principal of the Glamorgan Training College), unsigned, (xii), (2), 108 pp, 242*165 mm, an edition limited to just 175 copies. Hugely attractive! (Harrop 32)Félix Arturo Lope de Vega y Carpio (25 November 1562 – 27 August 1635), Spanish playwright and poet. See Wiki for a full Bio.

      [Bookseller: Madoc Books]
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        The Story Of A Red-Deer

      Newtown, Montgomeryshire: Gregynog Press, 1935. Hardcover. Orig. brick cloth decorated and lettered in gilt. Near fine./No Dust Jacket. 125 pages. 25 x 20 cm. Ten decorations in color by Dorothy Burroughs, plus title vignette. Printed in red and black on Batcheler hand-made paper under the direction of Loyd Haberly,. Limited edition, copy 231 of 250. Prospectus for this title laid-in. This Welsh press found by the Davies sisters in the early 1920's continued publishing through the 1930's. RODERICK CAVE notes, "During its life, Gregynog published some noble book: how many of which were completely successful is remarkable when one considers some of the difficulties." Foxing to margins of pps. 110-113, otherwise very clean and bright throughout, small bookplate corner of front free endpaper.

      [Bookseller: Royoung bookseller, Inc.]
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        Home Ranch

      New York: Charles Scribner's Sons 1935, 1st Edition. () xvii, 346pp. Very good in fair dust jacket. Octavo. Brick red cloth with black lettering on spine and front cover. Some light bumping to spine and corners. Fading on spine and light wear to boards. Very light discolouration to endpapers. B / W frontis. B / W illustrations throughout. Light wear to outer edge of text block with top edge reddish and long outer edge roughly trimmed. In dust jacket, worn, especially around edges and price clipped. Dust jacket has some soiling and creasing, discolouration along bottom edge, mild chipping and closed tears along edges. There is a large (2 1 / 4" X 1 3 / 4") chip at top of spine and a 4 inch closed tear running onto front of jacket. There has been a small amount of professional restoration done to jacket. A nice copy. Illustrated by the author. A true first edition as signified by the Scribner's A. Will James was a cowboy, cattle rustler, beloved author and artist of the American West..

      [Bookseller: Aquila Books]
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        Poe's Tales of Mystery and Imagination

      London: George G. Harrap & Co., Ltd., 1935 First edition. 12 color illustrations by Arthur Rackham. Original publisher's cloth, dust jacket. Near fine with some mild rubbing to the spine ends, a few small spots to top-edge; in an unclipped jacket with some light wear and a few small chips to the spine ends.. First Edition. Hard Cover. Very Good/Dust Jacket Included. Illus. by Arthur Rackham.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Tales of Mystery and Imagination

      London: George C. Harrap & Co. Ltd.,, 1935. Illustrated by Arthur Rackham. Quarto. Original black pebble-grained cloth, titles to spine and front board gilt, pictorial block to front board in blind, pictorial endpapers. Frontispiece and 11 colour plates with captioned tissue-guards, 17 full-page black and white plates, 11 small black and white drawings. Touch of fading to spine tips, an exellent copy. First Rackham edition.

      [Bookseller: Peter Harrington]
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        Ulysses

      New York: The Limited Editions Club. 1st Edition. Hardcover. Fine. FIRST ILLUSTRATED EDITION OF ULYSSES, ONE OF ONLY 250 COPIES SIGNED BY BOTH JAMES JOYCE AND HENRI MATISSE; one of the most celebrated books of the twentieth century. The Limited Editions Club's Ulysses is the first illustrated Ulysses and "one of the very few American livres de peintres issued before World War II. According to George Macy, who undertook this only American publication of Matisse's illustrations, he asked the artist how many etchings the latter could provide for five thousand dollars. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings (Matisse's only use of this medium) record the evolution of the figures from vigorous sketches to closely knit, if less spontaneous, compositions" (The Artist and the Book, 197). Illustrated by Matisse with twenty-six plates, consisting of six soft-ground etchings, printed by hand, and twenty lithographic drawings, made as studies for the etchings, printed on thin colored papers. One of only 250 copies signed by both Joyce and Matisse (the remaining 1250 copies of the edition were signed only by Matisse). New York: The Limited Editions Club, 1935. Quarto, original brown buckram embossed in gold on front cover and spine from a design by LeRoy H. Appleton; top edge sprinkled brown, others uncut; original slipcase. Minor wear to slipcase. A FINE COPY.

      [Bookseller: The Manhattan Rare Book Company]
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        ULYSSES

      New York: The Limited Editions Club, 1935. No. 1367 OF 1,500 COPIES, SIGNED BY MATISSE. Hardcover. 305 x 235 mm (12 x 9 1/4"). xv, [iii], 363, [3] pp. Introduction by Stuart Gilbert. No. 1367 OF 1,500 COPIES, SIGNED BY MATISSE. Publisher's original brown buckram, embossed in gilt and titled on front cover and on flat spine, the decorations from a design by LeRoy H. Appleton. Housed in the original (slightly worn but generally well-preserved) board slipcase with brown titling on the spine. WITH 26 ILLUSTRATIONS BY HENRI MATISSE, depicting the Calypso, Aeolus, Cyclops, Nausicaa, Circe, and Ithaca episodes from Homer's "Odyssey." With the book review from the 24 November 1935 "New York Times" laid in at front. Slocum & Cahoon A-22; Quarto-Millenary 71; "The Artist and the Book" 197. Slipcase with minor soiling and with discreet minor and very neat glue repairs along joints, tiny losses of paper at head and tail of spine, otherwise solid and excellent. The volume itself in virtually mint condition. This is a particularly well-preserved copy of the only book illustrated by Matisse to be published in America, and one of the great collaborations of artist and author in the annals of 20th century private press publication. In the opinion of art publisher Monroe Wheeler, "It was a great idea to bring [Joyce and Matisse] together; celebrities of the same generation, of similar virtuosity." Newman says that this work and the Limited Editions Club "Lysistrata" "stand as landmarks in the history of the illustrated book," and the "Ulysses" is almost certainly the most famous work among LEC publications designed by George Macy. Matisse's illustrations are curious in that they were based not on "Ulysses," a work the artist had not read when he was asked to make etchings for the text, but on Homer's "Odyssey," from which Joyce's book obviously derives. "Following Matisse's wishes, the preparatory studies were grouped in front of each corresponding print, allowing the viewer to see the progression from sketch to finished composition." (Grolier Club Exhibition) Joyce was furious when he learned that Matisse had chosen to illustrate scenes from Homer's "Odyssey" as he had not bothered to read "Ulysses." As a result, he stopped signing the Limited Editions Club printing in a fit of pique, after affixing his signature to 250 copies (whereas Matisse signed them all). Although the LEC edition of "Ulysses" is far from a rare book in the marketplace, it is becoming more difficult to find in very fine condition (as here) and especially so with an excellent slipcase like the one housing our volume.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        Ulysses

      NY: Limited Editions Club, 1935. Hardcover. Very good. #1433 of 1500cc signed by Matisse. Small ink name on front free endpaper, spine lettering a bit darkened, otherwise a fine copy in a better than usual example of the publisher's slipcase that has some light soiling and a small split to the bottom, but is otherwise near fine.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        Typed Letter, signed ("George Gershwin") to Hollywood music director Abe Meyer, thanking him for his "charming letter regarding PORGY AND BESS"

      New York, 8 november, 1935. 8 x 7 inches. One page, on personal stationery. Fine, matted and framed, with a portrait . Interesting letter, written less than a month after Gershwin's now legendary opera opened on October 10, 1935, to mixed reviews and a disappointingly short run. In this letter to Abe Meyer, musical director of many Hollywood movies (including REEFER MADNESS), Gershwin seems genuinely touched by Meyer's remarks: "- please accept my belated thanks for your charming letter regarding 'Porgy and Bess' last month. I appreciate your thoughtfulness in writing to me -" A fine, succinct example of a Gershwin letter from that period mentioning the work he is most remembered for, shortly after the opening, and signed boldly and in full

      [Bookseller: James Cummins Bookseller]
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        Tales of Mystery and Imagination

      London, George G. Harrap & Co. Ltd.,, 1935. Together with an autograph letter signed by Arthur Rackham dated 25. Aug. 36 in the original envelope. Quarto. Original black cloth, titles and decoration to spine and front board gilt, pictorial endpapers, top edge grey. With the dust jacket. 12 fine colour plates and 17 line drawings by Arthur Rackham. Spine bumped, light browning to fore edge, dust jacket lightly chipped to corners, spine and edges browned. First Rackham edition, signed on the half title by Arthur Rackham. The autograph letter signed ("Yours faithfully Arthur Rackham") on Rackham's headed paper notes "I am very interested that you should like the 'Poe' the best" and confirms that he would be happy to sign the book for a 5/- fee.

      [Bookseller: Peter Harrington]
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        Poe's Tales of Mystery and Imagination

      London: George G. Harrap & Co., Ltd., 1935 Limited edition, one of 460 signed by Rackham. Large quarto. Original publisher's full vellum, decorated and lettered in gilt, top edge gilt, endpapers by Rackham. 12 color plates and 17 plates in black and white, and illustrations in the text by Rackham. An excellent copy with the front board slightly bowed, slightest trace of soiling, former owner "Christmas 1938" gift inscription, else fine and without any of the usual signs of use.. Signed by Illustrator. First Edition. Hard Cover. Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        TALES OF MYSTERY AND IMAGINATION

      London: George G. Harrap & Co. Ltd, 1935. First edition. Fine/Very Good. One of 460 copies, signed by the illustrator. A Fine copy of the book in a Very Good publisher's glassine dust jacket, housed in a Very Good slipcase, lacking the top panel of the case. Complete with twelve full color illustrations and numerous black and white illustrations throughout the text. A wonderful collection of Poe's work including: "The Tell-Tale Heart," "The Pit and the Pendulum," "The Fall of the House of Usher," "The Murders in the Rue Morgue," and many others. Fine in Very Good. dust jacket.

      [Bookseller: Whitmore Rare Books]
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        Poe's Tales of Mystery and Imagination

      London: George G. Harrap & Co. Ltd,, 1935. Large quarto. Original full vellum with titles and illustrations to front cover and spine gilt, pictorial endpapers, top edge gilt. 12 tipped-in colour plates, 17 full page black and white illustrations and 11 smaller line drawings in the text by Rackham Spine slightly darkened, covers finger marked, internally bright and clean. Signed limited edition, one of 460 numbered copies signed by the artist, of which 450 were for sale, this copy marked for presentation. Rackham described his images for these stories as "so horrible I was beginning to frighten myself."

      [Bookseller: Peter Harrington]
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        Weird Tales Magazine ( Pulp ) / Volume 26 # 2, August 1935 ( Doctor Satan; Drome of the Living Dead; Ghost; Black Orchid; The House Party at Smoky Island; Treader of the Dust; The Eyrie, etc)

      Chicago: Popular Fiction Publishing Company / Weird Tales Magazine ( Pulp ) / Volume 26 # 2, August 1935, 1st Edition, 1st Printing, 1935. -----------pulp, about 7 x 10 inches, a solid Very Good+ copy, a bit light rubbing and wear, small chip at lower spine tip, age toning to paper but not brittle, super bright colours on the front panel, this contains: Satan in Exile [Part 3 of 4] by Arthur William Bernal; The Black Orchid by Seabury Quinn; Doctor Satan by Paul Ernst; The Drome of the Living Dead by John Scott Douglas; The House Party at Smoky Island by L. M. Montgomery; The Idol and the Rajah by Claude Farrère; In Amundsen's Tent by John Martin Leahy; Once in a Thousand Years by Frances Bragg Middleton; The Treader of the Dust by Clark Ashton Smith; Poems: Ghost by Leona Ames Hill; Old Salt by Edgar Daniel Kramer, any image directly beside this listing is the actual book and not a generic photo. First Edition. Pulp. Very Good+. Illus. by Margaret Brundage Cover Art.

      [Bookseller: Leonard Shoup]
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        Flora Agaricina Danica. Published under the auspices of the Society for the Advancement of Mycology in Denmark and the Danish Botanical Society. 5 volumes

      Copenhagen. Leather Bound. 1935-1940. Quarto. xxiv, 90; 105; 96; 119; 105pp. Illustrated with 200 color chromolithographed plates, 50 in each volume. Bound in 3/4 brown morocco over wood grain boards. Spine lettered in gilt. Slight fading to spines else a Near Fine set. All illustrations clean and bright. From the library of William Gruber with "Library of Wm. B. Gruber" in gilt on the front cover of each volume. Gruber, the inventor of the Viewmaster and an avid photographer, was a fan of mycology. He took the stereo-photographs for A.H. Smith's 1949 Mushrooms in their Natural Habits which also included a Viewmaster. Image or additional images available upon request

      [Bookseller: Wessel & Lieberman Booksellers ABAA]
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        Signed Christmas Card from H P Lovecraft, Dated 1935 (author of The Shadow Over Innsmouth; At the Mountains of Madness; The Outsider, etc)

      Providence, Rhode Island: No Publisher, 1935, ( 1st ), 1935. -----------Christmas card and envelope, envelope is addressed in Lovecraft's hand, postal date stamp of Dec 19, 1935, includes the actual Christmas card sent by HPL who has signed the card H.P.L. -1935, card is Very Good but when sealed some of the glue from the envelope flap adhered to the card resulting in a pull to the card ( Does this mean there are traces of HPL's DNA on the enevelope and card ?---Gad, the possibilities!!!), the envelope does not have HPL's signature nor return address, any image directly beside this listing is the actual book and not a generic photo. Signed by Author. First Edition Thus. Soft Cover. Very Good. Illus. by No Cover Art or Design.

      [Bookseller: Leonard Shoup]
 30.   Check availability:     Biblio     Link/Print  


        CAMERA OBSCURA. with DESPAIR

      London: John Long, Limited, [1935] & ;1937] Two Volumes,, 1935 [NABOKOV, Vladimir] NABOKOFF-SIRIN, Vladimir. CAMERA OBSCURA. DESPAIR. Both of the John Long Nabokov Rarities. Translated from the Russian by Winifred Roy & the first translation of any of Nabokov's books into English. [Juliar D14.4] 8vo., 288pp + 16 pp ads. Original black cloth, titles to upper board & spine gilt. Small, neat mostly faded name on the front pastedown. A very good or better copy of the First English Language Edition. The very uncommon first of Long's Nabokov publications. With: DESPAIR. Translated from the Russian by the author. [Juliar A15.2]. 8vo., 288pp. + 24 pp ads. Original black cloth, titles to upper board & spine gilt. A very good or better copy of the First English Edition. The second of Long's publications of Nabokov & almost as uncommon as the first. The first substantial publication by the author in English.  Both volumes together. Custom cut stiff Mylar clear wrappers.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
 31.   Check availability:     Biblio     Link/Print  


        DICK TRACY: THE CAPTURE OF BORIS ARSON

      1935. 1. POP-UP. (BLUE RIBBON / PLEASURE BOOKS) DICK TRACY: THE CAPTURE OF BORIS ARSON by Chester Gould. Chic: Pleasure Books (1935). 4to, pictorial boards, covers lightly soiled else Fine. Illustrated with 3 great color pop-ups and many b&w illustrations all throughout the text. One of the scarcest titles in this series. Whitten:Paper Toys of the World p. 76.

      [Bookseller: Aleph-Bet Books, Inc. ]
 32.   Check availability:     ABAA     Link/Print  


        Mr. Norris Changes Trains

      London: The Hogarth Press London: The Hogarth Press, 1935 First edition, first printing. One of only 1,730 copies. Fine with two minor spots to the bottom edge in a superb jacket with only very mild soiling to the rear panel, and a slight nick to the lower spine. A superior example of Isherwood's fictionalized memoirs of Wimar Berlin.. First Edition. Hard Cover. Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
 33.   Check availability:     ABAA     Link/Print  


        When Boys Go Off to School (SIGNED)

      Fleming H. Revell, New York 1935 - VG/G as dj has a few chips, minor soiling to rear panel and three small lacerations on rear flap, signed by author on tp, 124pps, rare cult classic. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bohemian Bookworm]
 34.   Check availability:     AbeBooks     Link/Print  


        Eros and Psyche. A Poem in XII Measures by Robert Bridges: With Wood-cuts from Designs by Edward Burne-Jones.

      The Gregynog Press (Newtown, Mont. Wales), 1935 - Limited to 300 copies, printed and bound at The Gregynog Press. Bound in white pigskin. Gilt motif to front board and gilt bands and title to spine, t.e.g., others uncut. 141pp. Covers sl.darkened and spine light sunned. Ex-libris.(Ralph Smith) to front e.p. 29x22.7cm.

      [Bookseller: Ogawa Tosho,Ltd. ABAJ, ILAB]
 35.   Check availability:     AbeBooks     Link/Print  


        L'Union Indochine Française ou Indochine Orientale. Regions naturelles et géographie économique.

      - Hanoi, Imprimerie d'Extreme-Orient, 1935, 32,5 x 24,5 cm., cartoné original, 370 págs. incluso varios mapas intercalados en el texto, algunos a toda página + 1 h. + 60 láminas en papel couché con numerosas fotografías + 14 mapas en colores. (Tirada de 107 ejemplares en papel Bambou satinado). ORIENTE

      [Bookseller: Librería Anticuaria Antonio Mateos]
 36.   Check availability:     AbeBooks     Link/Print  


        Munitions Industry: Report No. 944, Parts 2 - 7 / 1935-36

      United States Government Printing Office, Washington, D. C. 1935 - A very good copy of Report No. 944, Parts 2-7. The text is wholly unmarked, pristine, and the binding bright and fresh in appearance. This was Congressman Louis Ludlow's copy, and it bears his name at the base of the spine. Contents include: Preliminary Report on Wartime Taxation and Price Control; Munitions Industry - Naval Shipbuilding: Preliminary Report of the Special Committee of Investigation of the Munitions Industry; Munitions Industry: Report of the Special Committee on Investigation of the Munitions Industry; Report on War Department Bills S. 1716-S. 1722 relating to Industrial Mobilization in Wartime; Report on Existing Legislation; Supplemental Report on the Adequacy of Existing Legislation; Report on Government Manufacture of Munitions. A lovely copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.] [Attributes: First Edition; Hard Cover]

      [Bookseller: Works on Paper]
 37.   Check availability:     AbeBooks     Link/Print  


        To a God Unknown

      Covici Friede, New York 1935 - Second Issue. Goldstone & Payne, A3b. Issued in an edition of 900 copies. Very slight age toning to book spine. Dust jacket has very light chipping to top of spine. A very presentable copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Cahill Rare Books]
 38.   Check availability:     AbeBooks     Link/Print  


        Ohne Titel . Gemälde; Öl auf Holz; rechts unten signiert

      um 1935. - Rahmengröße 50 x 65,5 cm; Abbildungsgröße 36,5 x 52,5 cm. Zeitgenössisch gerahmt. Rahmen mit 2 Fehlstellen. Abgebildet ist ein Heideweg, vermutlich in der Nähe von Munster, wo Stratmann (Hannover 1877 - Munster 1950) seit ca. 1930 lebte. Die Grau-, Braun- und Grüntöne der Farbigkeit vermitteln einen Eindruck von niedersächsischer Melancholie. Vorstellbar ist eine persönliche Krise der Depression oder ein Reflex auf den Hitlerismus: Der Weg geht in die Richtung eines schwarzen Waldes und biegt vorher nach rechts ab. Pinselduktus, Flächigkeit etc. lassen Anklänge an einen "Worpsweder Stil" wie etwa von P. Modersohn-Becker erkennen. Graphik DE

      [Bookseller: Antiquariat am Moritzberg]
 39.   Check availability:     IberLibro     Link/Print  


        A History of the British Army

      MacMillan, London 1935 - Near Fine condition. Bound in red cloth with gilt stamping to the spines. 12 volumes in 19 books. Numerous folding maps. ; 8vo 8" - 9" tall [Attributes: Hard Cover]

      [Bookseller: Book Gallery // Mike Riley]
 40.   Check availability:     AbeBooks     Link/Print  


        The Gold Hesperidee

      Cortland: The Bibliophile Press Cortland: The Bibliophile Press, 1935 First edition, first issue of Frost's poem, "The Gold Hesperidee". One of 500 copies, of which 37 copies were reportedly recalled. The Earle J. Bernheimer copy; friend and noted Frost collector. Presentation copy to Frost's friend and noted collector, Earle J. Bernheimer. Signed and inscribed by Frost to Bernheimer in 1936 with the first stanza of "The Gold Hesperidee" transcribed in Frost's hand. Additionaly inscribed with asterisk, "* Said without authority: I/ never tell anyone which are my/ favorites. R. F." Frost refers to the line in the introduction stating: " This poem, one of Mr. Frost's most amusing and whimsical, and of his own favorites." Frost also makes a hand-correction on page 8 changing "upon" to "on". The poem first appeared in the magazine, "Farm and Fireside" in 1921 and never collected in Frost's published books. Publisher's original printed wrappers with silk tie. A very fine copy, housed in a custom case with folding chemise.. First Edition. Hard Cover. Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA ]
 41.   Check availability:     ABAA     Link/Print  


        A Very Little Child's Book of Stories

      The Dial Press, New York 1935 - Full red cloth with color cover insert. In original color printed dust wrapper and EXTREMELY SCARCE COLOR PICTORIAL TWO PART BOX. ????? illustrations/condition are there 8 plates? [Attributes: First Edition]

      [Bookseller: Edward Nudelman Rare Books]
 42.   Check availability:     AbeBooks     Link/Print  


        Gouache aquarellée signée Gino Starace pour la couverture de « Mady Bijou » de Léon Sazie

      Arthème Fayard 1935 Gouache aquarellée signée Gino Starace pour la couverture de « Mady Bijou » de Léon Sazie, n°318 du Livre Populaire, Arthème Fayard, 1935. Exécutée sur un carton Canson lavis A à grain satiné de format 17 x 25 cm (marges comprises ; le dessin fait 15 x 24), signées par l'artiste. La cartouche du titre fait partie du dessin original ; un macaron avec le prix de vente est collé. Un papier calque monté sur le haut du canson vient protéger le dessin. Magnifique état. Giocchino Starace (1859 ? 1950), dit Gino Starace, fut le célèbre illustrateur de la collection du « Livre Populaire » des éditions Arthème Fayard, il en fit un nombre impressionnant de couvertures, choisissant très souvent une scène majeure, violente, étrange, émouvante, du roman, ou bien un portrait saisi dans un sentiment de colère, d'effarement, de terreur. Starace, dit-on, lisait souvent les textes pour choisir la scène qu'il allait composer. Natif de Naples, ce dessinateur italien a dominé presque un demi-siècle de littérature populaire française, grâce à une technique classique irréprochable au service des débordements du genre. Dans Lisibilité, emphase, narrativité (in Tapis Franc n°1, 1988), Daniel Couégnas montre que Starace perçut « la nécessité vitale qui commandait que l'illustration de couverture, cette affiche publicitaire en réduction fût saisie instantanément, appréhendée, déchiffrée de manière univoque par le regard afin de provoquer désir ou curiosité, conditions nécessaires d'une lecture ultérieure du roman ». Il précise que « la force de Starace, c'est sa capacité de synthétiser en une scène les stéréotypes qui renvoient immédiatement le lecteur moyen, médiocrement instruit, à un déjà-lu, ou un déjà-vu, tant historique que dramatique ou psychologique. » Son classicisme marié aux excès mélodramatiques, le choix de couleurs vives, la dynamique du mouvement et l'emphase constituent sa griffe qui culmine avec la folie surréaliste de la série à 65 centimes des Fantômas de Pierre Souvestre et Marcel Allain. Relevons aussi de grands textes de Gaston Leroux (Chéri-Bibi), les Pardaillan de Michel Zévaco, la saga de Rocambole de Ponson du Terrail, Naz-en-l'Air de Souvestre et Allain Comme neuf couverture rigide Edition originale Signé par l'auteur

      [Bookseller: Librairie Dejolibelle]
 43.   Check availability:     maremagnum.com     Link/Print  


        Green Hills of Africa

      Charles Scribner's Sons, 1935. Hardcover, Very Good, Very Good. Charles Scribner's Sons, New York 1935. First Edition / First Printing. Dated 1935 on the title and copyright pages. Scribner's Seal and ""A"" are present on the copyright page with no additional printings listed. Light green cloth boards with gold lettering. Illustrated. One of only 10, 550 copies. {ref: Hanneman A13a}. Book Condition: Very Good+, sunning on the boards and spine, book is tight and square, soft shelf wear, previous owner's name and date at the front endpaper, tight spine, light age toning, light glue residue left at the rear endpaper from a now removed newspaper clipping. Dust Jacket Condition: Very Good, wrapped in a new clean removable mylar cover, jacket price clipped, author's photo at the rear panel, shelf wear, light chipping, darkening, light spots.

      [Bookseller: 1st Editions and Antiquarian Books]
 44.   Check availability:     TomFolio     Link/Print  

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