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Displayed below are some selected recent viaLibri matches for books published in 1935

        NATIONAL VELVET.

      Heinemann Ltd.London.,1935 - FIRST EDITION.8vo.Illustrated with line drawings by Laurian Jones.Finely bound in recent full black morocco,spine with raised bands,gilt.Single gilt ruled border on boards.Top edge gilt.A fine copy.:

      [Bookseller: Paul Foster-ABA.]
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        Russkii Revolyutsionny Plakat [Russian Revolutionary Posters]

      Moscow: Gosudarstvennoye Izdatel'stvo, 1935. First edition. Hardcover. Orig. pictorial boards in red and black, backstrip rebacked in cloth with wear at head. Very good/No Dust Jacket. 192 pages. 35 x 27 cm. Fifty-six color lithographs and 129 black and white text illustrations, depicting more than 850 posters with descriptive text for each. A comprehensive catalogue of revolutionary posters by Demi, Ivanov, Lebedev, Mayakovsky, Melnikov, Moor, Spasky, Tcheremnick, et al., produced between 1917-1925 -- with homage to Marx and Lenin, the first two color plates. Index. Laid-in, practically every page type-written translation in German of poster headline. RUSSIAN AVANT GARDE BOOK 576. Owner inscription dated 1933, interior contents clean and fresh, extremity wear.

      [Bookseller: Royoung bookseller, Inc.]
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        Fotografie vidi povrch; La photographie reflete l'aspect des choses

      Prague: Vydala Statni Graficka Skola v Praze. 1935. First printing. Paperback. Very Good. First edition. Quarto, softbound, unpaginated (about 32 pages), clean unmarked text, illustrated with 14 full-page photographs, Very Good copy, light soil/discoloration to some pages of the text, slight soiling and discoloration also to the wraps, minor wear to the tips and edges (especially at the spine) including a bit of creasing and chipping. Our copy hosed in protective glassine. Text in Czech. Rare book. Digital images available upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
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        The Banana Empire: a Case Study of Economic Imperialism (Studies in American Imperialism)

      Vanguard Press, 1935-01-01. Hardcover. Good/Acceptable. 391 pages. 1935 edition. Good condition hardback with dust jacket. DJ rubbed and tanned with darker spine and very short chips to edges (see photo). DJ price clipped. Firmly bound to green cloth boards with tan title plates on front and backstrip. Boards with minimal marks, if any. Mildly sunned along backstrip and board edges. Shelf-wear minimal. Roughly cut text block filled with clean and light text pages, some uncut with mildly tanned and weakly foxed end papers.

      [Bookseller: The World of Rare Books]
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        Document Signed

      St. James Court, 1935. unbound. very good. Rare Order of the British Empire document signed "George R." and "Edward P." bestowing knighthood to Frank Percy Lee, Esq., shortly before Edward VII became king in 1936. On large folded sheet with blindstamped seal in upper left corner and housed in original folder with onion skin protective sheets. Includes vintage black-and-white photo portrait of Lee mounted on cardboard with photographer Elliot Fry's blindstamp in bottom left corner as well as the postmarked Central Chancery Of The Orders Of Knighthood envelope in which the document and photo were mailed. Folio. St. James Court, June 3, 1935.

      [Bookseller: Argosy Book Store]
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        Epilogue 3 Volumes

      London & Majorca: Seizin Press & Constable & Co Ltd, 1935. Vol I Autumn 1935, Vol II Summer 1936, Vol III Spring 1937 : Paper covered boards. Vol I (with a few illustrations & Vol II Light wear with a few light stains. text very clean, bindings firm. Vol I wear/rubbing to boards, 3" crack at front spine edge. Boards slightly warped. Text clean, binding firm. . Hardback. Good +/No Jacket.

      [Bookseller: GOLDSWORTH BOOKS & PRINTS LTD]
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        VIRGIN SOIL UPTURNED. Signed

      London: Putnam & Co., 1935 [Banting, Frederick], Sholokhov, Mikhail. VIRGIN SOIL UPTURNED. Signed. First Edition, First Issue, First English Language Edition. Translated from the Russian by Stephen Garry. London: Putnam & Co., (1935). 8vo., pp. 488, Burgundy cloth covered boards. A near fine or better copy showing some minor foxing on the front edge & a gentle bump to the lower front corner in a splendid example of the dustwrapper, showing very light use. Originally published in 1932 as "Podnyataya Tselina" in Russia. "Virgin Soil Upturned" is the second offering in Sholokhov's major oeuvre preceded by "And Quiet Flows The Don". This is Frederick Banting's Copy of Sholokhov's Masterpiece with Banting's neatly penned signature gracing the front free endpaper. In 1923, Frederick Grant Banting [1891-1941] won the Nobel for Physiology & Medicine for the discovery [co] of Insulin & in 1965, Mikhail Sholokhov 1905-1984], won the Nobel Prize for Literature; his "And Quiet Flows The Don" Multi-Volume novel considered by many scholars & critics alike as the ultimate post-revolutionary literary work to have been produced in the old Soviet Union. Signed Banting books are rarely seen. Housed in a superb burnt orange custom clamshell case with black leather onlay uniquely designed to reflect the book's dustwrapper illustration. A beautifully presented unique Nobel Prize Association Copy linking two greats of literature & science. $1800. Signed by Author. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Pour La Danse

      Paris: Editions de la Dansem Saxe Editeur. 1st Edition. Hardcover. Very Good. LIMTED EDITION, number 442 of only 1350 copies, of this history of modern dance, profusely illustrated with numerous photographic reproductions. Bound in extraordinary custom French Art Deco binding with hand-painted dancers, the painting on the front cover signed by the artist "G. Bruneau" Paris: Editions de la Dansem Saxe, Editeur, (1935). Octavo, full contemporary vellum, each board with hand-painted dancer within onlaid stiff vellum decorative frames. With original wrappers laid in. A little wear to corners, split at top of spine; painted boards clean and in fine condition.

      [Bookseller: The Manhattan Rare Book Company]
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        Echo's Bones and Other Precipitates

      Paris: Europa Press,, 1935. Octavo. Original buff wrappers printed in black. Wrappers a little tanned and with a few small marks but a very nice copy. First edition, first impression. From a total edition of 327 copies this is one on the ordinary paper, unnumbered and out of series.

      [Bookseller: Peter Harrington]
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        The Kiss Drawings, an original handwritten illustrated letter by Sergio Aragones, done in pen & red ink on both sides of a smooth machine made ivory paper sheet for his good friend, Jerry DeFuccio, an associate editor at MAD for 25 years

      The letter was sent from Majorca where Aragones was vacationing with in lieu of a signature and postscript greeting, a salutation and eight individual cheek kiss drawings in a strip format, for DeFuccio (unnamed but readily identified), and 7 named prominent MAD contributors and editors, each drawing reflecting the personalities of the recipient. The strip is full of good humor, capturing something of the working atmosphere at MAD: four of the kissed are also mentioned in the letter. LETTER: executed on a 10.87 x 8.39 inches (276 x 213 mm) sheet with a strip of 8 drawings, 7 appearing on the rear of the sheet, identified by name, the drawing on page one for DeFuccio + 17 lines, salutation and two captions, four words with an overwritten spelling correction by Aragones, one word with a cross-out. CONDITION DETAIL: Better Than Good; now in an archival plastic sleeve. Never mounted: no owner markings. Clean: ink bright, customary transmission folds. A few fingering pressure marks, principally at bottom edge: bottom outer corner crease lies flat: 2 tips with gentle creases, 1 tip with very light bend. PROVENANCE: estate of Jerry DeFuccio [1935-2001]. Mark Evanier has called him, MAD magazine's historian". CONTENT: addressed, "Dear Jerry", sited in Palma, dated August 21, 1967. The short letter is illuminating about the goings-on at MAD, the important role of contributor-editor feedback and the fun atmosphere. Aragones had sent an early version of "What is a Square?" (feature wouldn't appear until June 1968 in issue no. 119) and asks for feedback on cells the editor, Al Feldstein approves of. He also requests supplies be sent by Lenny Brenner, chief production consultant and suggests the feature writer, Tom Koch could do an allied feature, "What is a Sucker?", for which he could do the artwork. At the time, Aragones was with his wife in Palma, the capital of the island of Majorca, recovering from a bad case of the flu: he mentions he is now returning to health and beginning to draw again and advises Jerry DeFuccio that he can soon expect some marginals, (his celebrated margin drawing feature, "crammed with crowds of silly people doing silly things" (Evanier)). He leads off the letter by talking about the visit from John Putnam, longtime art director for MAD and how he and his wife enjoyed showing him the island. DRAWINGS: begins at foot of recto with Aragones kissing a patient DeFuccio on the cheek, the caption- "Smack!! Love". Over with an arrow points to the continuation of the strip on the rear, with 7 drawings of Aragones kissing respectively, Lenny Brenner (Lenny portrayed goggle-eyed with hair standing on end), Nick Meglin, contributing editor, (portrayed as a satyr, panting with extended tongue), Al Feldstein, (kissed from the back of the head, he grimaces with bared teeth), Bill Gaines, publisher, (he yelps in mock resignation), John Putnam, (closely embraced by Sergio, waits in shock for his release), Antonio Prohias, known for his "Spy vs. Spy" feature, (Originally from Cuba and a former mentor, he first introduced Arangones to MAD staff.), eyes closed, Antonio blissfully smiles, as if remembering something sweet and special, and last but not least, the estimable Al Jaffee, who in response to Sergio's kiss smacks him with a roundhouse punch to the jaw, the caption-Soc!, little forbearance and no fold-in from Al. (Al Jaffee was a particularly celebrated contributor to MAD and much admired by Aragones. He placed a fold-in feature at the back cover of every issue of MAD since 1964 and also had the regular feature, "Snappy Answers to Stupid Questions".) ARAGONES: A noted and prolific contributor to MAD since shortly after coming to New York from Mexico in 1962. Second only to Al Jaffee, he contributed to 415 MAD magazine issues between January 1963 and December 2007. Aragones had the "A Mad Look At" feature in addition to his celebrated, wordless marginal drawings. In 1967 he began work at DC comics, including for "Bat Lash" (begun in 68). But he is particularly known beyond his MAD artwork for his "Groo the Wanderer" series in collaboration with Mark Evanier, begun in 1981. He has received numerous awards including the Shazam Award (1972), Harvey Awards (9 times since 1990), the National Cartoonist Society Comic Book Award (1986) and numerous other NCS awards, including the 1996 Reuben, which cites his contributions to MAD and "Groo the Wanderer". ADDITIONAL IMAGES: by request.

      [Bookseller: Steven Waldman]
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        Mr. Norris Changes Trains

      London: The Hogarth Press, 1935 First edition, first printing. One of only 1,730 copies. Fine with two minor spots to the bottom edge in a superb jacket with only very mild soiling to the rear panel, and a slight nick to the lower spine. A superior example of Isherwood's fictionalized memoirs of Wimar Berlin.. First Edition. Hard Cover. Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Oreste d'Euripide, 1935-1937. §

      S.n. 1935 - - S.n., Paris _1935-1937, (2) 67pp. in-4, en feuilles. - Manuscrit autographe complet et inédit de 67 pages rédigées et foliotées à l'encre noire sur le recto. Chemise autographe portant le titre et les dates : Paris - 25 octobre 1935 et Paris - 21 avril 1937. Didascalies à l'encre rouge et quelques corrections autographes de l'auteur. Adaptation inédite en prose de la tragédie grecque d'Euripide. On y joint un petit dossier de notes et ébauches autographes au crayon, l'Histoire d'Oreste, daté Lapras - 22 juillet 1922. . La Librairie Le Feu Follet offre aux clients AbeBooks 10% de réduction ainsi que les frais de port vers la France métropolitaine sur l'ensemble de son catalogue. Prix d'origine : 575 EUR. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Jayhawker A Play in Three Acts [Signed by Sinclair Lewis]

      Garden City: Doubleday, Doran & Company, Inc., 1935. First edition. Hardcover. Very Good +/very good. A Very Good + copy of the first edition, first printing (spine ends pushed with some tiny fraying, slight amount of fading to the board edges and spine head as is usual for this title), in a Very Good dust jacket (chip to the spine head with an associated tear, small chips to the spine tail and ends of the flap folds, age toning to the edges of the flaps and rear panel, corner-clipped by the Publisher but not price-clipped and showing the price at $2.00 -- all unsurprising for this jacket which often is found worn), SIGNED BY SINCLAIR LEWIS on the title page; Sinclair Lewis' debut (and only) published Play, a joint effort by Sinclair Lewis and by Lloyd Lewis, the then drama critic for the Chicago Daily News and a Civil War history specialist. Sinclair Lewis won the 1930 Nobel Prize in Literature for "for his vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters", making him the first author from the United States to win the Prize. Declared by Sinclair Lewis Bibliographer Stephen Pastore to be "...perhaps the scarcest title in the post-1930 Lewis lexicon", the first edition of Jayhawker consisted of a mere 1,076 copies. The Play is set during the Kansas Missouri border wars which took place off and on from about 1855 to 1864. During this period, militant bands of nominal free-staters who opposed Slavery but who were willing to pillage, rob, and kill for other reasons as well, adopted the term to describe themselves. With relatively few copies of the first edition having been produced and with many of them no doubt having been claimed by time, first edition copies are rather scarce to the market. Although signed copies of Sinclair Lewis works generally are not terribly scarce, signed copies of "Jayhawker" are rare. In addition to having been signed, this copy bears a notable Provenance, having come from the Estate of decorated Naval Officer and Actor Douglas Fairbanks whose bookplate resides on the book's front pastedown. A Very Good+ copy of what itself is a rather uncommon book, and one hardly ever found signed, SIGNED BY SINCLAIR LEWIS. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Don Sturdy With the Harpoon Hunters

      Grosset & Dunlap, 1935. Hardcover. Very Good. Collectible First Edition of the Don Sturdy Holy Grail, Don Sturdy With the Harpoon Hunters - the 15th and final title in the series. Scarce in the rare dust jacket. Lists to self on front flap of dust jacket. Tight, unmarked copy with unusually minimal shelf wear and vivid red board cloth. Dust jacket with light shelf wear and fading to top and fore edges of front panel and faint fading to spine panel. Moderate age toning to text. Odor free. An exceptionally presentable copy of the most sought after Don Sturdy title. Photographs of or additional information about this item are available on request. All inquiries answered promptly.

      [Bookseller: Midnight Books]
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        The Dashiell Hammett Omnibus (First Edition)

      New York: Alfred A. Knopf, 1935. First Edition. First Edition of this collection of Hammett's first three novels: Red Harvest, The Dain Curse and The Maltese Falcon. Trace of shelf wear at base of spine, else a Fine, tight copy in a bright dust jacket, with very light wear to spine ends and a closed tear at front hinge.

      [Bookseller: Royal Books, Inc.]
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        Fine original large silver print photograph of the distinguished Ukrainian-born American bass in profile by the noted Hungarian-born photographer Laszlo Willinger (1909-1989)

      390 x 290 mm. Signed by the photographer in white ink at the lower left corner. Vienna, ca. 1935. & & Slightly worn, with slight curl to edges. In very good condition overall. . Kipnis was a member of both the Berlin Staatsoper (1930–1935) and the Vienna Staatsoper (1935–1938); he, however, became an American citizen in 1934. "By then he had established himself everywhere as an outstanding Wagner and Mozart bass and a highly distinguished interpreter of Italian and Russian roles. He was much in demand at Bayreuth, singing there between 1927 and 1933, and appeared at the 1937 Salzburg Festival as Sarastro under Toscanini." Desmond Shawe-Taylor in Grove online& & Willinger, who left Berlin for Vienna in 1933, is particulary noted for his portrait photography; his subjects include Marlene Dietrich, Sigmund Freud, Carl Jung, Max Reinhardt and many other notables of the 1930s and '40s. He moved to the United States in the mid-'30s and was one of the first Hollywood photographers to experiment in the use of color. & & A fine example of this important photographer's early work.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Boy

      The Obelisk Press. PAPERBACK. illustrated heavy paper wraps with flaps 50 franc price on front flap with five reviews rear flap list of eleven titles in the Obelisk list white spine with red and black lettering untrimmed edges 271 pp statement on the front flap 'This is the only existing edition of James Hanley's most famous work, recently suppressed in England' . Good. September 1935.

      [Bookseller: San Francisco Book Company]
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        Flowers and Faces - Illustrated with engravings by John Nash

      London: Golden Cockerel Press. 1935. Limited Edition. Hardcover. Bound by Sangorski & Sutcliffe in quarter green morroco over marbled boards with gilt titles on spine, lower edges of boards and corners rubbed, teg others untrimmed, internally clean and bright, No.94 of an edition of 325 copies signed by Bates on the limitation page, illustrated with a wood engraved border to the title page and four full page wood engravings by John Nash. A very nice copy. , Small 4to 9" - 11" tall, 52 [2] pp .

      [Bookseller: double B books]
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        GRAND PRIX. Foreword by Earl Howe. Epilogue by Cecil Kimber

      John Miles Ltd. London. 1935. FIRST EDITION. 8vo. (9 x 5.8 inches). Illustrated with colour frontis (A photograph of Sir Malcolm Campbell at Brooklands in his R-type M.G. Midget) and 71 mono photographs throughout. Finely bound in recent full black morocco. Spine with raised bands. Compartments ruled and lettered in gilt. Single blind ruled border on boards. Original racing circuit map endpapers (showing the courses for Monaco, Indianapolis, Comminges, Pescara, Monza, Tripoli, Brooklands, Mille Miglia, Le Mans, Douglas, Tourist Tropht, Linas-Montlhery and Reims) bound in at the front and the original publishers black cloth front board bound in at the rear. Fine copy.

      [Bookseller: Paul Foster Books]
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        GREEN HILLS OF AFRICA

      New York: Charles Scribner’s Sons, 1935. First Edition. Illustrated with black and white drawings throughout. 8vo, original green cloth lettered in gilt over black on gilt ruled spine, upper copy with Hemingway signature facsimile in gilt. In the original decorated dustjacket. 284. A nice copy of this work, the cloth with some of the usual mellowing down to the spine panel and covers, the jacket with some minor shelf-wear or edge rubbing. SCARCE AND IMPORTANT FIRST EDITION IN THE ORIGINAL DUSTJACKET. An account of big-game hunting with digressions on literary matters; this work shows Hemingway’s further cultivation of the primitive and brutal levels contrasted with hollow culture, which he felt had cheated his generation. Hemingway would long carry the reputation of a master hunter as well as master writer. His love of the African landscape and his pursuit of African game is legendary and in his work he ‘brought into focus a great deal that is significant about human living and dying, and about the trade called literature’.

      [Bookseller: Buddenbrooks, Inc.]
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        Green Hills of Africa

      Scribner's NY: Scribner's, 1935. First edition. Decorations by Edward Shenton. The green cloth covers are faded, as usual, else a fine copy in a price-clipped d/w which shows light wrinkling along extremities. Housed in a cloth slipcase.

      [Bookseller: Bromer Booksellers]
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        As I Lay Dying

      London: Chatto & Windus, 1935. First British edition, first issue. Octavo, original blue boards with spine title in silver. Light fading to the spine and some foxing to the text block in a very good dust jacket that shows light wear. Overall a nice copy. Winner of the 1949 Nobel Prize in Literature and the 1955 and 1963 Pulitzer Prizes for Fiction, William Faulkner fiction is an unparalled depiction of the culture Old South and its transition into a new era. As I Lay Dying is a tour de force. "For range of effect, philosophical weight, originality of style, variety of characterization, humor, and tragic intensity, [Faulkner's works] are without equal in our time and country" (Robert Penn Warren). "No man ever put more of his heart and soul into the written word than did William Faulkner. If you want to know all you can about that heart and soul, the fiction where he put it is still right there" (Eudora Welty).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Green Hills of Africa

      New York: Charles Scribner's Sons, 1935 First edition, first printing. Very good with usual fading to cloth, upper spine slightly worn; in an unclipped jacket with some chipping to spine and a few small chips along upper edge, some fading along spine folds, a few small tears, else very good.. First Edition. Hard Cover. Very Good/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Poems [Signed 2x; Association copy with Drawing]

      Baltimore, MD: Waverley Press, Inc., 1935. First edition. Hardcover. Near Fine. A Near Fine copy of the first edition, first printing (light wear, spine lightly sunned, tiny nick to rear board), being copy 86 of a Limited Edition of a mere 200 copies, SIGNED BY KARL SHAPIRO ON THE LIMITATION PAGE, as called for and ALSO INSCRIBED AND SIGNED BY KARL SHAPIRO on the front free endpaper under which there is an ORIGINAL DRAWING BY KARL SHAPIRO OF A HORSE; Karl Shapiro's debut book (no dust jacket, as issued). Due to the tone of the inscription, we assume that this is an Association copy presented to a friend. The inscription reads: "To Susanne / from Karl & Evelyn / with all our thanks / & best wishes for / your return via / Bennington to / [drawing of a horse by Shapiro]". A prominent and highly-regarded Poet, Shapiro won numerous Prizes, among them the 1945 Levinson Prize for Poetry, the 1945 Pulitzer Prize in Poetry (for "V-Letter and Other Poems"), the Shelley Memorial Prize (1946), the Bollingen Prize (1968), and the Oscar Blumenthal Prize for Poetry (1963). Shapiro also served as the fifth Consultant in Poetry to the Library of Congress (now known as Poet Laureate Consultant in Poetry to the Library of Congress or more commonly as the United States Poet Laureate). Copies of this debut book, offered here, are quite uncommon, especially in a condition as nice as is this copy, and copies both inscribed and with a drawing by Shapiro are scarce indeed. A Near Fine copy SIGNED TWICE AND WITH A DRAWING BY KARL SHAPIRO. SCARCE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        They Shoot Horses Don't They

      New York: Simon & Schuster, 1935. Cream colored cloth printed in crisp red and black. INSCRIBED on the front fly "To Jimmy Starr whose kindness to the "unknown" is a Hollywood tradition - with gratitude and admiration - Horace McCoy August, 1935." A very good jacket with mild creasing and tape reinforcing in a few place on the verso. 1/8" paper loss at the folds but no chipping. A fabulous incription from McCoy and a sly comment on the cold hearted Hollywod of the depression era of 1935.. Signed & Inscribed. First Edition, Signed by the Author. Cloth. Nearly Fine/Very Good. Octavo.

      [Bookseller: California Bookseller - J. R. Aboud]
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        ILLUSTRATIONS OF THE BOOK OF JOB ... REPRODUCED IN FACSIMILE

      1935. Fine. [BLAKE, William]. Introduction by Laurence BINYON and Geoffrey KEYNES. ILLUSTRATIONS OF THE BOOK OF JOB BY WILLIAM BLAKE. BEING ALL THE WATER- COLOUR DESIGNS PENCIL DRAWINGS AND ENGRAVINGS REPRODUCED IN FACSIMILE. New York: The Pierpont Morgan Library, 1935. First edition. var pp. Folio, clamshell cloth covered case with printed paper spine label, and six fascicles: an introduction with notes, and five different complete sets of the Job illustrations (watercolors, proofs, etc.) Case is somewhat shelfworn, sunned; fascicles within are fine. Extra postage is required. The set:

      [Bookseller: Boston Book Company]
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        Edmund Campion

      London: Longman's, Green and Co., 1935. Octavo. Original red cloth, titles to spine gilt, red top-stain. With the dust jacket. Spine a little rolled, some bumps to edges of boards, but an excellent and startlingly bright copy. First edition, first impression. A very tricky book to find in genuinely nice condition.

      [Bookseller: Peter Harrington]
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        Original Charles "Teenie" Harris Photograph of the Hill District , Pittsburgh

      ca 1935, Pittsburgh - ca. 1935 silver gelatin photograph print of two streetcar lines, likely in the Hill District of Pittsburgh. Image measures 11 x 14 inches, housed in archival museum-quality matting, 16 x 19.5 inches. SIGNED by Harris in the lower right corner. A good photograph with light rippling, spotting, and an area of discoloration to the lower edge. Light discoloration to the verso of the photograph where it was removed from a foamcore mounting. Still a very nice image. Likely a reprint from the 1960s, with an original signature. Charles "Teenie" Harris (1908–1998) photographed Pittsburgh's African American community from c. 1935 to c. 1975. His archive of nearly 80,000 images is one of the most detailed and intimate records of the black urban experience known today.

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        ALCIBIADES: Beloved of Gods and Men

      London: Putman & Company., 1935 Brun, Vincenz. ALCIBIADES: Beloved of Gods and Men. London: Putnam and Company, 1935. 8vo., 373pp. Map endpapers. Blue cloth gilt letter at the spine. A fine, fresh copy in a near fine or better dustwrapper. Rare as such. First Edition. An historical novel set in 5th century Greece. Like Graves' I Claudius, & Yourcenar's Hadrian, the historical novel has been given a new introspective, acceptance & respect amongst collectors & readers. An exceptional example.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        Wall Smacker: The Saga of the Speedway (Signed)

      Cleveland: Thompson Products, Inc., 1935. Hardcover. Good. Second printing. 8vo. 271pp. Illustrated with photographs. Reddish-orange printed cloth. The cloth is well soiled (form being signed by Indy drivers?); a dampstain along the top margin mostly affecting the tops of the photographic plates, inner hinge repaired, spine tips and corners worn. The dustwrapper is sunned on the spine, and chipped along the top. Only a fair copy of the book. But it is inscribed by the author to 'Viola, my best wishes. Peter DePaolo." And also inscribed on the half title "To Viola--Indianapolis '500' /37. 'Fang'". The half title and its facing page contain the signatures 25 drivers and other Indy folk. Here is a list of the signatures (the * indicates he was a driver in the 1937 race; winners are shown in parentheses with the year of the win:: Peter DePaolo (1925);*Kelly Petillo (1935); Johnny Seymour (race car driver); *Lou Meyer (first three time winner Indianapolis 500); *Frank Brisko( race car driver); Billy DeVore (went on to become race car driver, (born 1910); *Al Miller (race car driver); George Souders (1927--he printed his signature); Leon Duray (two Time winner)& *Shorty Cantlon (driver, killed in crash at the 1947 race); *Louis Tomei (race car driver, sometime actor); *Floyd Roberts (1938, killed in crash at 1939 race); *Mauri Rose (three time winner, invented device allowing amputees to drive); *George Bailey (race car driver killed in practice run in 1940); Dave Evans (race car driver); & Eddie Rickenbacker; Gene Haustein (race car driver); Gar (Garfield) Wood (powerboat winner); *Chet Miller (race driver, killed in a crash during a practice run for the 1953 race); Henry Banks (race car driver); *Billy Winn (race car driver); Zeke Meyer (race car driver); Ira Hall (race car driver); *Deacon Litz (race car driver); Cotton Henning (on photo after page 176, Later Chief Mechanic to Wilbur Shaw). This is a surprising and wonderful collection of Indy autographs; seven of them are not in the Vogel collection of Indianapolis autographs. Laid in are four black and white snapshots presumably taken by the Viola of the inscription (dated 1936), one of them a good shot of the author, Peter DePaolo. Also laid in is a Gulf Timing Chart for 1937, and two tickets to the 1937 race, one a general admission (stained) and the other for a reserved seat. &

      [Bookseller: Thorn Books]
 30.   Check availability:     Biblio     Link/Print  


        Tropic of Cancer by Henry Miller ; preface by Anais Nin

      Paris: Obelisk Press, 1935. 2nd printing. Paperback. Fine condition, in plain grey wrappers. 322p. Fine copy of the rare second printing of Henry Miller's landmark novel that opened the way for the free speech we take for granted today

      [Bookseller: J. Lawton, Booksellers]
 31.   Check availability:     Biblio     Link/Print  


        Alambics, Appareils de Distillation, Nouveaux et Anciens, pour la production des eaux-de-vie diverses des rhum et alcools des eaux distilleŽs et des essences aromatiques. [Material de Laboratoires. Catalogue General P.]

      Paris: Deroy Fils Aine, c. 1935. Octavo, 207 pages. Printed throughout in dark green. Profusely illustrated with engravings. A beautifully produced trade catalogue of alembic distilling equipment small and large. ALSO: two additional printed pamphlets from Deroy Fils, 'Extrait du Guide Pratique du Distillateur', and 'Tarif des Appareils'. Several pages slightly crumpled during printing, otherwise all items fine in original printed wrappers. [Worldcat locates only one copy]

      [Bookseller: Rabelais - Fine Books on Food, Wine & th]
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        ENGLAND MADE ME. Signed

      New York: Doubleday, 1935 Graham Greene Garden City: Doubleday, 1935. First American Edition. A very good copy lacking the dust jacket. Tls. 3rd April, 1980, Sussex from Elizabeth Dennys. [Secretary] pasted to the front free endpaper. In part - "Your letter and copy of England Made Me has been forwarded to me by the Bodley Head because Mr. Greene lives in France..." A nice 1 page letter from Green's sister who also partnered publishing house, Lester Orpen Dennys.. Signed. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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        LAMB IN HIS BOSOM

      New York & London: New York & London: Harper & Brothers, 1935. 36th edition. Hardcover. Very Good. 6 X 8 in. high. 345 pages. G-K on copyright page (July 1935), stated 36th edition. Association copy, this was from the library of Albert Bigelow Paine, and signed by the author of this book, Caroline Miller, on title page, with inscription "For Albert Bigelow Paine, The worth of a book lies in its reader's heart - to one of my first readers, and the most important one- Caroline Miller Waycross, Georgia December 15, 1935-". The reference to "the most important" reader relates to the fact that Paine was on the Pulitzer committee which awarded Miller the prize for this, her first published novel. Condition of book is VERY GOOD; Spine slightly faded, gilt lettering on spine & cover dull and hard to read, ffep slightly yellowed from 1934 Herald Tribune article about the book, which is loose, not laid-in (yellowed),top edge of text block a little dusty, otherwise a very clean, tight copy. Interesting Pulitzer association. Rare RGR

      [Bookseller: Andre Strong Bookseller]
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        Blinky Bill "Magic Action" Book

      Racine (Wisconsin),: Whitman Publishing,, 1935.. Small quarto, three double-page colour pop-up plates; original stiff pictorial wrappers; some minor wear to spine, else very good. A rare pop-up book featuring the ever-popular character Blinky Bill. This text is taken from the first Blinky Bill story, with all the associated images, and includes "magic action" pop-up interpretations of three of these.Such was the international appeal of Dorothy Wall's character that only two years after the appearance of the first Blinky Bill story, this pop-up book was published in America. Ironically this pirated publication, which never appeared in Australia, was protected by copyright and two separate patents!.Muir, 7845.

      [Bookseller: Hordern House Rare Books]
 35.   Check availability:     Biblio     Link/Print  


        The Three Orphan Kittens

      Whitman Publishing Company, Racine, 1935. The Three Orphan Kittens by Walt Disney Studios. First edition in dust jacket. Publisher: Whitman Publishing Company, Racine, (1935). Dust jacket is in very good condtion, light wear to top and bottom of the spine, tears along the top and bottom of the back, two chips along the bottom back (one inch & 3 inches by ½ inch wide). Else a complete jacket. Binding is in fine condtion. Bright colors. Contents clean and bright but with usual toning with age. Unpaginated. Protected by Mylar. Overall a wonderful copy in dust jacket. Inventory #10-103.. 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Discovery Bay Old Books]
 36.   Check availability:     Biblio     Link/Print  


        GREEN HILLS OF AFRICA

      New York: Charles Scribner's Sons, 1935 First issue, 294(1)pp., bound in light green cloth lettered in gilt, spine decorated in gilt with lettering gilt over black, spine and board edges slightly faded as usual, but a sharp, near fine copy; neat and short owner's inscription "George from shorty/Xmas/1935"; in near fine, first issue dust jacket, with slight fading of green area on spine.. First Edition. Octavo.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        Unpublished Poems of Emily Dickinson #25 of 525 ltd copies

      Boston: Little, Brown & Co., 1935. Limited to 525 copies. Hardcover. Very Good +/very good. Boston: Little, Brown & Co., 1935. Limited to 525 copies. Hardcover. Very Good +/very good. Edited by her niece Martha Dickinson Bianchi and Alfred Leete Hampson. [10], 157 pp. Frontispiece manuscript facsimile of a poem by Dickinson. "Published November, 1935, Copyright 1935", from copyright page. 1935 appears also on title page, which is done in green and black. There is no earlier "unpublshed poems of Emily Dickinson" extant except reprints from quarterlies or other journals. "This edition consists of five hundred twenty-five numbered copies of which five hundred are offered for sale. This is copy 25." (from half-title page). Book is in green bookcloth with dark green worsted spine cover with pasted paper label on spine "UNPUBLISHED POEMS OF EMILY DICKINSON". Book is in strong binding, and square. Small dent to bottom edges of pages. Otherwise, there are no marks of any kind in or on the book. Clean! Book comes in slipcase with same label, with added "Limited Edition No. 25". Bookcloth and spine shows slight mottling, from age. Top edge gold. Green ribbon marker, full extension. Rough-cut foredges. Slipcase worn but sound and strong. Comes with glassine wrapper present since 1935 publication. Wrapper has been mended so as to continue its protection of the spine. Opposite title page is "facsimile of a poem by Emily Dickinson heretofore unpublished", the first time many of us have seen her distinctive handwriting. This is the best,cleanest most pure copy that you are likely to ever see. OVL

      [Bookseller: Stubtoebooks]
 38.   Check availability:     Biblio     Link/Print  


        The History of the 'The Times' [1785-1981]. EXTENDED SET COMPLETE IN DUST-WRAPPERS

      The Times -93 1935 - 6 vols., in 7, roy. 8vo., Mixed Editions, with 5 mounted coloured frontispieces, 2 frontispieces in monochrome and very numerous plates and tables throughout; original buckram gilt, gilt backs, else a very good, clean set in dust-wrappers. The extended set comprises: Vol. I: The Thunderer in the Making 1785-1841 (1935); Vol. II: The Tradition Established 1841-1884 (1939); Vol. III: The Twentieth Century Test 1884-1912 (1947); Vol. IV Part 1: The 150th Anniversary and Beyond 1912-1920 (1952); Vol. IV Part 2: The 150th Anniversary and Beyond 1921-1948, Appendices and Index, (1952); Vol. V: Struggles in Peace and War 1939-1966 (1984) Vol. VI: The Thomson Years 1966-1981 (1993). Individual volumes are as follows: Vol. I (second impression, 1950); Vol. II (first edition, 1939); III (second impression, 1951); Vol. IV Part 1 (first edition, 1952); Vol. IV Part 2 (first edition, 1952); Vol. V (first edition, 1984, with errata slip, ex-library stamp on title only, wanting front free endpaper); Vol. VI (first edition, 1993). VOLUME VI IS A PRESENTATION COPY FROM THE AUTHOR (JOHN GRIGG) TO LUDOVIC KENNEDY AND MOIRA SHEARER WITH THE AUTHOR'S SIGNED HOLOGRAPH INSCRIPTION ON TITLE. EXTENDED SETS ARE EXTREMELY SCARCE. [Attributes: First Edition; Soft Cover]

      [Bookseller: Island Books [formerly of Devon]]
 39.   Check availability:     AbeBooks     Link/Print  


        “Die gegenwärtige Situation in der Quantenmechanik I-III [All],” in Die Naturwissenschaften Volume 23 , 1935, pp. 807-812; 823-828; 844-849

      First edition, first announcement of Erwin Schrodinger’s seminal thought experiment known as “Schrodinger’s Cat,” present here in all three papers. In May of 1935, Einstein, Podolsky, and Rosen’s published a paper (the famous EPR paper) on quantum entanglement that argued, in part, that quantum mechanics was not a complete physical theory. After its publication, and in a series of letters between Einstein and Schrodinger, Schrodinger became intrigued by what Einstein believed was an absurd contradiction in the application of Heisenberg and Bohr’s Copenhagen interpretation of quantum mechanics to the world of tangible objects. The experiment Schrodinger designed – as famous in physics as it is in philosophy -- illustrates the conflict Einstein and Schrodinger perceived between what quantum theory argues is true about the nature and behavior of matter on the microscopic level, and what we observe to be true about the nature and behavior of matter on the macroscopic level. Rather than an everyday object Einstein had discussed, however, Schrodinger applied his depiction of the absurdity of the Copenhagen interpretation to something living – to a cat. In the experiment, Schrodinger wrote: “A cat is penned up in a steel chamber, along with the following device (which must be secured against direct interference by the cat): in a Geiger counter, there is a tiny bit of radioactive substance, so small that perhaps in the course of the hour, one of the atoms decays, but also, with equal probability, perhaps none; if it happens, the counter tube discharges, and through a relay releases a hammer that shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if meanwhile no atom has decayed. The psi-function of the entire system would express this by having in it the living and dead cat (pardon the expression) mixed or smeared out in equal parts.” To Schrodinger, the Copenhagen interpretation insinuates that the cat remains both alive and dead until the box is opened. “Schrödinger did not wish to promote the idea of dead-and-alive cats as a serious possibility; quite the reverse. The thought experiment serves to illustrate the bizarreness of quantum mechanics and the mathematics necessary to describe quantum states. Intended as a critique of just the Copenhagen interpretation, the Schrödinger cat thought experiment remains a topical touchstone for all interpretations of quantum mechanics. How each interpretation deals with Schrödinger's cat is often used as a way of illustrating and comparing each interpretation's particular features, strengths, and weaknesses” (Wikipedia). CONDITION & DETAILS: 4to (10.5 x 7 .75 inches). Schrodinger Papers: pp. 807-812; 823-828; 844-849 , [4]. Bound in publisher’s half black leather over grey cloth boards; gilt-lettered at the spine. Near fine condition in every way.

      [Bookseller: Atticus Rare Books]
 40.   Check availability:     Biblio     Link/Print  


        Dashiell Hammett Omnibus: Red Harvest; The Dain Curse; The Maltese Falcon

      New York, U.S.A.: Alfred A.Knopf, 1935. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. Printed 12 August 1935 and in the original wrapper priced $2.00. Wrapper is uniform orange/red and without fading, some edge wear to lower edge and rubbing to fore edge and joints. Chipping to spine ends and a small closed tear to upper edge that has been repaired with piece of tape to rear of jacket. Spine ends of book are bumped and there is a name and date to ffep. Text is clean..

      [Bookseller: Ian Reilly Books]
 41.   Check availability:     Biblio     Link/Print  


        Hawaiian Surfboard. Introduction by Duke P. Kahanamoku

      Honolulu: Paradise of the Pacific Press, 1935. First edition. 8vo. With 46 captioned Illustrations from photographs on 36 plates. [16], iv, 5- 95 pp. Original tapa-cloth binding, issue without surfers on upper covers (no priority). Lacking front free endpaper, first leaf reattached, externally fresh and clean. In very good yellow pictorial dust jacket with two or three short tears without loss, small chips at spine-ends and corners, surface wear at foot of spine panel. Custom slipcase. DeLa Vega B28; Toy, Adventurers Afloat 1768 . First edition of the first title devoted to surfing. Tom Blake (1902-1994) was a twentieth-century surfing and health food pioneer who conceived and developed the hollow surf board. Inscribed on front pastedown "To Dan, Donna & Garrett & Christine Close, Tom Blake 1902-1993", and also inscribed on one of the plates. The first definitive book on surfing, by the sport's greatest innovator and the first person to surf Malibu Point along with Sam Reid in September of 1926. "The most important publication in the surfing canon." - DeLa Vega, 200 Years of Surfing Literature

      [Bookseller: James Cummins Bookseller]
 42.   Check availability:     Biblio     Link/Print  


        Lithographed Portrait of Cardozo, Signed by Cardozo and Zirinsky

      1935. [Cardozo, Benjamin N. (1870-1938)]. Zirinsky, Julius [1898-1970]. [Portrait of Cardozo]. [Washington, DC? C.1935]. 24-1/4" x 19-1/2" black-and-white lithograph, image size 16-1/4" x 12-1/4," signed in ink by Cardozo and Zirinsky in pastel. Light toning, attractively mounted and double-matted. * Zirinsky was a notable New-York based artist. In the mid-1930s he traveled the United States to produce a series of portraits of living luminaries. His portrait of Albert Einstein, done in Princeton, New Jersey in 1935, is the best-known of these. Cardozo was an associate justice of the U.S. Supreme Court and near the end of his life when he sat for Zirinsky.

      [Bookseller: The Lawbook Exchange, Ltd.]
 43.   Check availability:     Biblio     Link/Print  


        Of Time and the River. A Legend of Man's Hunger in His Youth

      New York: Charles Scribner's Sons, 1935. First edition. Thick 8vo. [xii], 912 pp. Dark blue cloth. Fine in near fine dust jacket with fold down middle of front panel, spine very slightly sunned. Johnston A3.I.a . Inscribed, "For Hazel Abrams. Sincerely, Thomas Wolfe, Hollywood. - Sept. 3, 1935."

      [Bookseller: James Cummins Bookseller]
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        Of Time and the River

      New York: Charles Scribner's Sons,, 1935. A legend of man's hunger in his youth. Octavo. Original blue-black cloth, titles to upper board and spine gilt on a green ground. With the dust jacket. Housed in a custom-made beige cloth chemise and matching tan morocco-backed bookform slipcase. Some very faint marks to cloth, but an excellent copy in the lightly rubbed jacket. First edition, first printing of Wolfe's second novel. Inscribed on the first blank by the author, "For Bert Cross, with the sincerest friendship and thanks of a friend from Brooklyn, Tom Wolfe, March 1, 1935". Wolfe had been living in Brooklyn in the years leading up to the publication of this novel.

      [Bookseller: Peter Harrington]
 45.   Check availability:     Biblio     Link/Print  

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