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Displayed below are some selected recent viaLibri matches for books published in 1935


      Chicago: University of Chicago Press, 1935. First edition. Hardcover. Very good or better in a very good slipcase; no jacket, as issued.A repair to the slipcase backstrip. Discoloration and a slight split in the cloth at the thumb-pull, else bright. Copy #49 of a stated 120, signed twice by Stein: once on the colophon, and on the title page with a brief, non-personalized inscription. Signed by Thorton Wilder on the colophon as well. An exemplary copy, distinguished by Stein's two signatures.

      [Bookseller: John Kehoe, Bookseller ABAA]
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        Shell Guide to Wiltshire. A Series of Views. [First Faber edition], BRIGHT, CLEAN COPY OF THE FIRST FABER EDITION

      4to., First Edition thus, with numerous plates on cream stock, photographs (many full-page) in the text, 2 full-page coloured maps and pictorial endpapers; original ivory cloth, backstrip blocked in blue and lettered in white, comb-bound as issued, covers faintly browned at edges else a very good, bright, clean copy. Originally published by Architectural Press in 1935, this is one of the first ten titles in this wonderful series edited by Betjeman (see Peterson D4). In 1939 the imprint passed to Faber who replaced the characteristic comb-binding with conventional cloth and standardised the titles. The Gazetteer was compiled by Edith Olivier. VERY SCARCE, ESPECIALLY IN THIS CONDITION.

      [Bookseller: antiquarian bookshop Island Books]
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        Quirky Manuscript Book 1935-1936

      Produced in 1935-1936, this is a very attractive and extremely interesting quirky and varied manuscript book of original artwork and writings by a Fred Sharp Proprietor of The Rose And Crown Inn Greyfriars Walk, Bedford , one page carries a photograph of Fred Sharp with another picture that describes him as an Entertainer living at a house named "Utopia" Kempston Bedfordshire, another page contains a page of manuscript music Titled "The Rose and Crown" written and Composed by Fred, apart from a few newspaper articles by Fred, and a few photographs, including a short story about a dog by Fred that appeared in the Bedford Standard in June 1937 virtually every other entry is completely handwritten with some very intricate and time consuming page designs, includes a short symphony by the author, with words and music, Original Poetry by Fred, Tribute pages to various authors including Charles Dickens, Goldsmith, Cowper, Pope, Arnold Bennett, Daniel Defoe, Dante, John Bunyan, Tennyson, a painting inspired by the Paul Robeson song "Ol Man River", a painting of the R101, Airship, a page of Palindromes, Father Christmas, Shakespeare's House, a page of Astronomical Facts, A few pages of Famous Quotes, The Ten Commandments, Darts, Beer, Moot Hall, a number of pages with Quotes from Omar Khayyam illustrated with paintings, a Memorial page to William Shrubsole Composer of "Miles Lane", The old Gateway Rochester "Jasper's House, Edwin Drood", Bible Quotes, a painting of John Bunyan's Cottage, A Windmill painting accompanied with original poem, Playing Cards, a double page of Foreign Quotations from Latin, Greek, French and Italian, a painting of the Birth Place of Robert Burns, a Painting of the Poem "God's Garden" by Dorothy Frances Gurney, a painting inspired by Longfellow's "Evangeline", a painting of the Raven by Edgar Allan Poe, paintings of The Blacksmiths Shop at Gretna Green, and The Old Sark Bridge at Gretna, a painting of Anne Hathaway's Cottage, a painting of "Ye Old Fighting Cocks" at St. Alban's England's oldest Inn,. With Some Humorous paintings, etc, Every main painted page is fully indexed at the front of the book with a double page handwritten page index, overall there are over 130 used pages, the book bound in full leather measures 11 inches by 7.5 inches approx., the contents are shaken and loosened with one loose page else holding well, A DELIGHTFULLY OFFBEAT AND QUIRKY 1930s MANUSCRIPT BOOK CREATED BY A FRED SHARP OF BEDFORD

      [Bookseller: Andrew Cox]
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        Signature: A Quadrimestrial Of Typography And Graphic Arts (Complete First And Second Series : 33 Volumes)

      Signature 1935-1954, London, 1935. Softcover. Book Condition: Near Fine. First Edition. Signature A Quadrimestrial Of Typography And Graphic Arts'. First Series, Nos 1-15, New Series, Nos 1-18; The complete 33 Volumes.The two series are housed in 4 red custom solander boxes with gilt titling.Each individual volume is housed in a custom fold-over card protector with a paper titled label.The individual volumes of Signature are in Near Fine condition - Occasional light markings and very minor separation to a few of the covers.Some of the yearly Signature subscription statements and a few of the original glassine wrappers are present.Of the First Series, one thousand copies of each of the first six numbers were printed, which was reduced to seven hundred and fifty copies for the next eight issues, and finally just five hundred and fifty copies for volume fifteen.Original graphics were bound into Signature including the Graham Sutherland etching and aquatint 'Clegyr-Boia II', 1938, which was commissioned by Oliver Simon as frontispiece to Signature No 9.Other important original works include John Piper (Invention In Colour) and Edward Bawden's venture into abstraction (Signature No. 6).Many other works by Eric Ravilious, John Nash, John Piper, Barnett Freedman, Edward Ardizzone, Enid Marx, Edward Bawden and Lucien Pissarro, plus contributions from Paul Nash, McKnight Kauffer, Michael Ayrton, Lynton Lamb, John Buckland Wright etc. An attractive set of this landmark art and design periodical.

      [Bookseller: Ashtonrarebooks]
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        The Treasure of the Sierra Madre

      New York: Alfred A. Knopf, 1935. First American Edition. First American edition of Traven's major novel - an English language edition by Traven himself, not a translation. Preceded by the UK edition published by Chatto & Windus (1934), which was translated from the German by Basil Creighton. Basis for John Huston's Oscar-winning film noir (1948), starring Humphrey Bogart, Walter Huston, and Tim Holt. TREVERTON 261; The Dark Page, Vol.1, pp.324-325. First Printing. Octavo (19.5cm); black cloth, with titles stamped in black on spine and embossed to front cover; purple topstain; dustjacket; [10], 366pp. Topstain dulled and slightly dust-soiled, some minor wear to extremities, resulting in minor board exposure at corners, with a thin crack to gutter at rear endpaper; Very Good+. Dustjacket is unclipped (priced $2.50), edgeworn, with stains to spine ends, front flap and front panel; front panel is fully reinforced with white cardstock on verso; sharp vertical folds to rear panel, spine, and front panel, with subtle touch-ups to a few scratches and front panel fold; Good, complete example.

      [Bookseller: Lorne Bair Rare Books]
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        Porgy and Bess" - INSCRIBED BY THE FIRST PORGY

      Gershwin Publishing Corporation, New York 1935 - A remarkable copy of this important work, inscribed by Todd Duncan, the first singer to play the role of Porgy. Signed and inscibed on the title verso, opposite the Index of Scenes "To --- / Best wish from 'Porgy' 1935 / Todd Duncan 1989." The Theatre Guild presents Porgy and Bess. Libretto by Du Bose Heyward Lyrics by Du Bose Heyward and Ira Gershwin Settings by Sergei Soudeikine Orchestra Conductor Alexander Smallens Production Directed by Rouben Mamoulian. [Piano-vocal score]. Small folio. Original publisher's printed grey wrappers with black cloth spine. 4ff. (photographic portrait; r. title, v. woodcut illustration of donkey pulling a man in a cart; r. Index of Scenes, v. Cast of Characters, Index of Songs; r. Story of Porgy and Bess, v. dedication), 559 (music), [i] (blank) pp. Title without price and the word "negro" printed uncapitalized in the fourth line of the Story of Porgy and Bess. Covers worn, but still a good copy with a remarkable dedication. First Edition, second issue released with the song index but without the capitalization of "Negro," in the fourth line of the story (corrected by the time of the Limited Edition, within a month of the first publication). Fuld p. 539. In fine condition, original grey wrappers a little worn.  Porgy and Bess, a folk opera in three acts, was first performed at the Colonial Theater in Boston on September 30th, 1935. It opened in New York at the Alvin Theater on October 10th of that same year. The work includes a number of Gershwin's best-known and loved tunes, including Summertime, I Got Plenty o' Nuttin, It Ain't Necessarily So and A Woman Is a Sometime Thing.Duncan was the first black member of the New York City Opera, where he first appeared as Tonio in 1935. Also active in musical theater, his performance in Weill's "Lost in the Stars" (1949-50) won him the Donalson and New York Drama Critics Award in 1950. He created the role of Porgy at the Alvin Theater in 1935. 

      [Bookseller: Schubertiade Music]
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        "Porgy and Bess" - INSCRIBED BY THE FIRST PORGY

      New York: Gershwin Publishing Corporation, 1935. First edition, 2nd issue. Used; Like New/Used; Like New. A remarkable copy of this important work, inscribed by Todd Duncan, the first singer to play the role of Porgy. Signed and inscibed on the title verso, opposite the Index of Scenes "To --- / Best wish from 'Porgy' 1935 / Todd Duncan 1989."<br style=""><br style=""><br><br><br />The Theatre Guild presents Porgy and Bess. Libretto by Du Bose Heyward Lyrics by Du Bose Heyward and Ira Gershwin Settings by Sergei Soudeikine Orchestra Conductor Alexander Smallens Production Directed by Rouben Mamoulian. [Piano-vocal score]. Small folio. Original publisher's printed grey wrappers with black cloth spine. 4ff. (photographic portrait; r. title, v. woodcut illustration of donkey pulling a man in a cart; r. Index of Scenes, v. Cast of Characters, Index of Songs; r. Story of Porgy and Bess, v. dedication), 559 (music), [i] (blank) pp. Title without price and the word "negro" printed uncapitalized in the fourth line of the Story of Porgy and Bess. Covers worn, but still a good copy with a remarkable dedication. First Edition, second issue released with the song index but without the capitalization of "Negro," in the fourth line of the story (corrected by the time of the Limited Edition, within a month of the first publication). Fuld p. 539. In fine condition, original grey wrappers a little worn. <br style=""><br style=""><br><br><br />Porgy and Bess, a folk opera in three acts, was first performed at the Colonial Theater in Boston on September 30th, 1935. It opened in New York at the Alvin Theater on October 10th of that same year. The work includes a number of Gershwin's best-known and loved tunes, including Summertime, I Got Plenty o' Nuttin, It Ain't Necessarily So and A Woman Is a Sometime Thing.<br style="">Duncan was the first black member of the New York City Opera, where he first appeared as Tonio in 1935. Also active in musical theater, his performance in Weill's "Lost in the Stars" (1949-50) won him the Donalson and New York Drama Critics Award in 1950. He created the role of Porgy at the Alvin Theater in 1935. <br style=""><br style="">

      [Bookseller: Schubertiade Music & Arts]
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        Journal de la vie littéraire, 1851 - 1895

      Paris, Flammarion & Fasquelle, s.d (1935-1936). Edition définitive, publiée sous la direction de l'Académie Goncourt, 9 vol. (complets), reliures demi-chagrin rouge, dos à nerfs ornés de liserés dorés, couvertures et dos conservés. Hormis quelques frottements d'usage, bon état de conservation pour l'ensemble. Exemplaires sur vélin du marais, spécialement imprimés pour Lucien Descaves, initiateur de cette réédition et rédacteur des postfaces. Nombreuses coupures de presse d'époque, parfois collés dans les ouvrages, ou simplement insérées. Articles, entre autres, d'André Billy, Léon Daudet, Pierre Descaves, sur les polémiques liées à la réédition du journal, le prix Goncourt, l'affaire des Cinq, etc. Egalement deux lettres manuscrites signifiant des coquilles, dont l'une contenant l'ébauche de réponse de Lucien Descaves (tome III). On y joint quelques articles postérieurs relatifs à la publication de l'édition de Monaco. Rare témoignage littéraire de l'époque.

      [Bookseller: L'Autre Sommeil]
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        Xilografie e disegni. Quaderni Ratta n° 8 e 9. Volume contenente centotre incisioni su legno originale di trentotto artisti italiani. In appendice diciassette lavori di allievi giovanissimi. Bologna, 1935

      Ist. Aldini-Valeriani, 1935. In-4 grande, pp. non numerate, 103 silografie + 17 opere di giovanissimi talenti precedute da una presentazione di Luigi Servolini. Brossura originale. Tiratura limitata in 200 esemplari numerati (n. 37). Da segnalare alcune tavole ripiegate di Remo Branca. In perfetto stato.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Daily Bread.

      Hampstead, London: , 1935. Octavo. Blue cloth-bound blank notebook, in blue marled paper "jacket", with calligraphic title as above in blue water-colour framed by pink paraphs. Small water-colour vignettes to the free endpapers, illustrated title page, calligraphic dedication, 4 -page pencilled contents with calligraphic heading "Remarks" with paraph, small water-colour vignette at the end, 61 clipped and neatly mounted pencilled illustrations with water-colour, all captioned on the image or beneath in pencil. "Jacket" rubbed, and separated at the spine at the front, light toning of contents, but overall very good. Unique "book" by Pares, made for and dedicated to the man who was to become her second husband, Robert Christopher Bradby. Comprises a series of well-finished whimsically satirical sketches, broadly on the the themes of women's work, fashions, and domestic life; the frontispiece showing the artist pavement-sketching - a pint of beer! - beneath signs, declaring "All me own work" and "Through no fault of my own", her future husband - identified by the initials on his attaché case - passing by, drops a couple of pennies in her hat with a curt aspersion. Pares is best known for her prolific production of stylish art deco-inspired dust jacket designs in the 30s and 40s, here she works, very effectively, in a Fougasse-ian cartoon style. Pares and Bradby were married in 1938, and honeymooned in the Himalaya's, Bip publishing her illustrated account in 1940. The couple divorced in 1948. Unusual and entertaining example of the work of this highly-rated, if slightly biographically obscure, illustrator.

      [Bookseller: Peter Harrington]
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        The Vampire

      The book is firmly bound in red cloth, lettered in black to the spine and the front board, the corners are slightly rubbed and bumped and the boards are a little marked. The text block is slightly foxed and toned, with a neatly written inscription to the front endpaper. The dust jacket is original and correctly priced at 7/6 net to the spine, it is very slightly rubbed and nicked at the edges, lightly toned and with one or two crease marks, but overall a superb example. Horler's most famous novel by a wide margin, a pastiche of Bram Stoker's Dracula, with added Satanists for good measure; it is quite a rarity as a first edition, particularly in such good condition.Horler's most famous novel by a wide margin, a pastiche of Bram Stoker's Dracula, with added Satanists for good measure; it is quite a rarity as a first edition, particularly in such good condition.

      [Bookseller: J & M Books Ltd]
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        Libro del Ajedrez, de sus problemas y sutilezas. De autor Árabe desconocido. Según el MS. Arab. Add. 7515 (Rich) del Museo Británico. Madrid, Estanislao Maestre, 1935.

      1935. 8vo. 2 vols. (8), 257, (5), 247, (3) pp. (III)-CXXIX, (3), 245, (7) pp. Original printed wrappers (professional repairs; 2nd vol. has facsimile front cover). First edition of this mediaeval Arabic treatise on chess, the manuscript of which (dated AH 655/AD 1257) is kept at the British Museum, offering the text together with a Spanish translation and commentary. Modern chess gradually developed from the Arabic game of "Shatranj", which had come to the Arabs from India via the Persian Empire; the first Arabic chess treatises appeared as early as the 10th century, a notable author being the poet as-Suli. - Bindings somewhat rough at the edges; interior well-preserved. GAL S I, p. 905, no. 1 b. OCLC 865325410.

      [Bookseller: Antiquariat Inlibris]
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        "La Marmite".

      1935 1Dessin à l'encre de Chine signé du monogramme en bas à gauche, (1935), 21 x 14.9 cm., encadré. Maquette originale pour l'illustration "D'Aphorismes et variétés" de Brillat-Savarin. Mentions manuscrites de l'artiste en marges à l'encre noire. Véritable mise en scène gastronomique, et fort appétissante, autour d'une marmite fumante : des poireaux cotoîent une salade, des radis, des asperges pendant qu'une volaille, une langouste, un poisson attendent de passer à la "casserole" aux côtés d'une côte de boeuf, d'un rôti, d'une corbeille de fruits et d'une charlotte. Annotations manuscrites dans les marges.

      [Bookseller: Librairie Chrétien]
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      New York: William Morrow and Company, 1935., 1935. First edition. First edition. Former owner's bookplate on front pastedown sheet, else a fine, bright copy in a beautiful, price-clipped dust jacket. Early Perry Mason mystery.

      [Bookseller: BUCKINGHAM BOOKS]
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        Greta Garbo offers her personal recipe for æbleskiver , a Danish delicacy

      n.p., c. 1935. 8" x 4.5". "Rare and unusual Autograph Letter Signed, ""Greta,"" 1 page, 8"" x 4.5"", n.p., c. 1935, in Danish (in which she was fluent), offering her correspondent a recipe for æbleskiver, traditional Danish pancakes. Vertical crease, top reinforced with tape, very light toning, else very good to fine condition.Garbo prefaces the recipe with a short note which reads in full (translated): ""Dearest Muggie, A thousand thanks for the wonderful stockings. I am also so happy, so very happy about the dress. I have gotten permission to begin the course on 28 September. I hope that you have a lovely trip - have a good vacation."" Below the note she offers her recipes for æbleskiver: ""5 eggs / 1 deciliter milk / 125 grams of flour / 2 tablespoons of sugar / 2 1/2 deciliters cream / serves 4-6 persons (about 30 æbleskiver) Beat the egg yolks together with the milk and then add the flour, sugar and finally the cream and whipped egg whites. Bake at once. Serve on a platter, top with coarse tea sugar or icing sugar. Raspberry jelly tastes delicious with it. Lots of love from Sven also.""Provenance: The Estate of Charles E. Sigety, Christie's New York."

      [Bookseller: University Archives]
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        Sudoeste: Cadernos de Almada Negreiros. No. 1 (June 1935) through No. 3 (November 1935). (All published)

      Altogether three issues, 31, 44, 44 pp., of the Portuguese literary and artistic journal, including articles discussing Portugal's position within Europe, the conjunction of art and politics, the cinema, etc., also with contributions from important Portuguese poets, including Fernando Pessoa, Mário de Sá-Carneiro, Luís de Montalvor, Alfredo Guisado, and Álvaro De Campos among others. First issue and part of third lightly foxed. Large 8vo. 1/2 leather and cloth, raised spine, original wrpps. bound in, spine slightly scratched and faded, corners worn. Lisbon 1935. Extremely rare: as of June 2015, WorldCat is unable to find a run of this serial in North America.

      [Bookseller: F.A. Bernett Books]
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        Tales of Mystery and Imagination

      London: George G. Harrap & Co Ltd,, 1935. Quarto. Original dark grey cloth, titles and decoration to spine and front cover gilt, top edge dark grey, pictorial endpapers. With the dust jacket. Colour frontispiece and 11 colour plates with captioned tissue guards, black and white illustrations in the text, by Rackham. Jacket spine toned, slightly rubbed and nicked at extremities, covers a little splayed. An excellent copy in a particularly well preserved example of the jacket. First trade edition, first impression.

      [Bookseller: Peter Harrington]
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        LE SOPHA. Illustré de vingt-trois eaux-fortes originales en couleurs de Louis Icart.

      Paris, Le Vasseur, 1935. Petit in-4 (242 x 192 mm), 345 pages, broché, couverture imprimée en rouge rempliée. 23 EAUX-FORTES ORIGINALES EN COULEURS DE LOUIS ICART DONT 21 HORS-TEXTE. Chaque page de texte est encadrée d'un filet vert et ornée d'un bandeau décoratif de même couleur, la typographie étant dûe à Coulouma. Tirage à 517 exemplaires, celui-ci l'un des 440 numéroté sur vélin de Rives. Tel que paru, broché à toutes marges. Parfait exemplaire broché, non coupé, sans rousseurs. Tirage original des gravures en couleurs de Louis Icart.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        Mediterranean and Near Eastern Embroideries

      An uncommon work, limited to 250 copies only, covering the embroideries of Algeria, Morocco, the Greek Islands, Caucasus, Persia, Turkey and India. Two volumes in slip case, 135 plates.

      [Bookseller: Peter Hill]
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        Land Under England [ADVANCE "UNCORRECTED" PROOF with substantive manuscript corrections]

      London: Victor Gollancz, 1935. First Edition. Very good antiquarian condition. 8vo. Original publisher's drab printed wrappers. Spine slightly leaning; head of spine worn and creased with 1" tear on top front joint. Extremities gently rubbed and soiled. Inscription on front cover in blue pencil: "Advance Uncorrected [Proof]. Very rare proof copy, with a number of substantive corrections in MS, of this unsettling "fascist dystopia" novel, now little-known but praised by Karl Edward Wagner as being one of the 13 best Science-Fiction Horror novels ("The Twilight Zone Magazine, June 1983). The protagonist encounters an inhospitable underworld populated by a lost race of humans who obey without question the totalitarian government of this Hollow Earth. There are long descriptions of the ominous landscapes, and the desperation of the protagonist as he attempts to survive. Clearly this work reflects the political landscapes of Europe during the mid-1930s, and remains a poignant warning of the rise of the totalitarian regimes. ADDED: TLS from George [Locke], a formidable Sci-Fi bibliographer and owner of Ferrett Fantasy Ltd (London, 1982) to the buyer Stuart D[avid] Schiff, Sci-Fi scholar, founder of the influential horror and fantasy magazine "Whispers," editor of "Mad Scientists: An Anthology of Fantasy and Horror" (1980), and many other works. His own bibliography on the Internet Speculative Fiction Database lists more than 100 entries. See:

      [Bookseller: Michael Laird Rare Books LLC]
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        SSSR na Stroike" (USSR in Construction) No. 12, (December) 1935: (dedicated to the brave Soviet paratroopers) [Parachute Issue]

      (The State Publishing House of Graphic Arts), M (Moscow) 1935 - Folio (16 1/2 x 11 3/4"). Unpaginated. Original illustrated wrappers, with red and black lettering on front cover. "USSR in Construction" was a stunning photographic propaganda magazine published in the Soviet Union from 1930 to 1941, and briefly in 1949. It was published in Russian, French, English, German, with a Spanish-language edition added in 1938. The magazine's self-proclaimed aim was to "reflect in photography the whole scope and variety of the construction work now going on the USSR." It was conceived and designed to be an important foreign relations tool and to portray a positive image of the developments occurring in the Soviet Union to the rest of the world. "USSR in Construction" informed readers abroad of the rapid construction and industrialization taking place within the Soviet Union and depicted the nation as a leading industrial power. From a design perspective, the magazine was a fascinating example of early 20th-century photomontage, with its recurrent use of inserts, and spectacular fold-out pages. The method of printing used for the printing was rotogravure, a type of intaglio printing process, in order to create extremely high quality duotone images (in blue, green, salmon, and olive). With this striking Russian-language issue of "USSR in Construction" dedicated to the "brave Soviet paratroopers," renown Soviet artist Aleksander Rodchenko* and his wife Varvara Stepanova introduced a circular design as the basis for their page layout, thus allowing them to accomodate a variety of scenes from the parachutists' everyday activities as well as Communist political messages. This issue is complete with the parachute fold-out, and the origami-folded centerfold depicting Stalin surrounded by half a circle, which in turn is superimposed over a triangle-shaped image of clouds with numerous parachutists floating down.Discoloration and minor foxing along upper margin of covers. Moderate creasing along spine. Tiny closed tears along fore-edge of back cover, with previous owner's inscription (in Russian) on upper margin. Tip of corners slightly creased throughout (not affecting text or images). Text in Russian. Wrappers in overall fair, interior in good+ to very good, parachute fold-out and origami-folded centerfold in very good condition. *Aleksander Mikhailovich Rodchenko (1891-1956) was a Russian artist, sculptor, photographer and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova. Rodchenko was one of the most versatile Constructivist and Productivist artists to emerge after the Russian Revolution. He worked as a painter and graphic designer before turning to photomontage and photography. His photography was socially engaged, formally innovative, and opposed to a painterly aesthetic. Concerned with the need for analytical-documentary photo series, he often shot his subjects from odd angles - usually high above or down below - to shock the viewer and to postpone recognition. He wrote: "One has to take several different shots of a subject, from different points of view and in different situations, as if one examined it in the round rather than looked through the same key-hole again and again." (From Wikipedia). [Attributes: First Edition; Soft Cover]

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        [FIRST BOOK BY LANDAU] Elektroprovodimost' metallov [i.e. The Metal Conductivity]

      Kharkiv: ONTI, 1935. 60 pp. 18x13 cm. 1 of 3000 copies. Original publisher's wrappers. Front wrapper is slightly rubbed. Otherwise a near fine copy, partly uncut. Extremely rare. The first printed book by Nobel laureate Lev Davydovich Landau (1908-1968) best known for his contributions in the field of condensed matter physics. When he was 24 years old he was appointed as a head of the theoretic department of Kharkiv Physico-Technic University where he started to give seminars. This book was published during Landau's years in Kharkiv. It was three years later when Landau was caught by KGB handling anti-Soviet brochures that were labeling Stalin as fascist. Pyotr Kapitsa managed to save young talented physicist from inevitable imprisonment - that was almost impossible in the late 1930s. Despite all that Lev Landau continued his work on the different states of the matter to come to revolutionary results in his research of liquid helium in 1940s. No copies found outside of Russia.

      [Bookseller: Bookvica]
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        Tales of Mystery and Imagination.

      London: George G. Harrap & Co Ltd,, 1935. Quarto (262 x 186 mm). Specially bound for the publisher in green full morocco by Sangorski & Sutcliffe, gilt lettered and panelled spine, single-line gilt lozenge on sides with gilt corner ornaments from designs by Rackham, top edges gilt, others untrimmed, three-line gilt turn-ins, marbled endpapers (the original pictorial endpapers bound in after binder's blanks). With the publisher's card slipcase (with hand-numbered label). Colour frontispiece and 11 colour plates mounted on heavy white paper with captioned tissue guards, black and white illustrations in the text, by Rackham. An excellent copy. Colour frontispiece and 11 colour plates mounted on heavy white paper with captioned tissue guards, black and white illustrations in the text, by Rackham. Slight signs of wear at extremities of joints. An excellent copy. Deluxe edition, number 3 of 460 copies signed by the artist. This is one of ten "special copies" reserved by the publisher from the total edition, presented in a specially commissioned luxury binding and including a delightful full-page original pen-and-ink and watercolour drawing by Rackham (signed "Arthur Rackham 1935"), showing a seated elderly man reading a hair-raising story, while his black cat spits at the Devil, who emerges from behind his armchair. Describing his artistic method for these "specials", Rackham pointed out that "my little sketches must inevitably be of a light hearted or joking nature... They have to be spontaneous and free handed. The nature of the paper is such that there can be no preparatory drawing and no alterations". Riall comments that "From The King of the Golden River [1932], Harrap issued nine or ten copies, seven being for sale, of a special issue of the first limitation numbers of the limited edition" (A New Bibliography of Arthur Rackham, 1994, p. xvi).

      [Bookseller: Peter Harrington]
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        Uniformkunde (Uniformenkunde). Das Deutsche Heer. Friedensuniformen bei Ausbruch des Weltkrieges, 4 Bände: Textband Erster Teil: Generale, Generalstab und Kriegsministerium, Infanterie, Jäger und Schützen / Textband Zweiter Teil: Artillerie, Ingenieur- und Pionierkorps, Verkehrstruppen usw., Sanitätspersonal usw., Kadetten usw., Leibgarden usw., Offiziere außer Regimentsverband, Beamte, Marineinfanterie und Schutztruppen / Bildband Erster Band: Generale, Generalstab und Kriegsministerium, Infanterie, Jäger und Schützen / Bildband Zweiter Band: Kavallerie

      Hamburg, Verlag von Diepenbroick-Grüter & Schulz, 1935 - 1942. Vollständige Ausgabe im Original-Verlagseinband (4 Bände, gebunden jeweils in dunkelblauesGanzleinen / Leinen / OLn / Ln gr.8vo im Format 19,5 x 26 cm) mit Rücken- und dekoriertem Deckeltitel in Goldprägung. XII,375 Seiten und 122 Farbtafeln. Steinzeichnung. Friedrich Krekler. - Erste Auflage, EA, Erstausgabe in sehr guter Erhaltung. - Deutsches Kaiserreich, deutsche / preußische / kaiserliche Uniformen vor 1914, illustrierte Bücher, Heerwesen, Militär, Militaria Versand D: 5,90 EUR Deutsches Kaiserreich, deutsche / preußische / kaiserliche Uniformen vor 1914, illustrierte Bücher, Heerwesen, Militär, Militaria

      [Bookseller: Galerie für gegenständliche Kunst]
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        Uniformenkunde. Das Deutsche Heer. Friedensuniformen bei Ausbruch des Weltkrieges. 2 Bände / Uniformenkunde. Neue Folge. 1 Band. Zusammen 3 Bände

       Von Diepenbroick-Grüter & Schulz, Hamburg, 1935/1936-1938. Zusammen 18 Blatt Text und 133 (von 182) colorierte Tafeln sowie 2 Blatt Nachträge und Korrekturen. 3 original Leinen-Flügelmappen mit goldgeprägtem Titel, quart Enthalten: Band 1: Generäle, Generalstab und Kriegsministeriumg. Infanterie. Jäger und Schützen / Band 2: Kavallerie / Neue Folge: Bildbeiträge zur Heereskunde und zur Entwicklungsgeschichte der militärischen Tracht / Dazu: Knötel. Uniformenkunde. Lose Blätter zu Mittheilungen zur Geschichte der militärischen Tracht, 18 Ausgaben aus 1900 u. 1902 (4 als Kopie) sowie ein Gesamtverzeichnis der losen Blätter zur Geschichte der Entwicklung der militärischen Tracht, 50 S., Hamburg, 1932 - Versand D: 5,90 EUR Uniformkunde,Militärbücher

      [Bookseller: Celler Versandantiquariat]
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        Tristan und Isolde. Ein Liebesroman des 13. Jahrunderts von Heinrich von Freiberg. Herausgegeben und mit einem Geleitwort von Alois Bernt. Dies ist der vierte Band der Böhmerland-Drucke. Die Texte hat Alois Bernt besorgt. Die Steinzeichnungen schuf Alfred Kubin.

      Verlag Stiepel Reichenberg 1935 - Verlag Stiepel Reichenberg, 1935, 30,3 x 20,4 cm, 61 Seiten, 6 ganzseitige handschiftlich mit Bleistift signierte Original-Lithographien von Alfred Kubin und farbigen Initialen, Original-Pergamentband mit schwarz geprägter Deckelvignette und schwarzem Rückentitel, Kopfgoldschnitt. Einband etwas nachgedunketl. Die Lithografien wurden auf Japan gedruckt, der Text auf Flinsch-Bütten. Die Initialen in Blau gedruckt und Rot koloriert. Exemplar Nummer 13 von 25 der Vorzusgausgabe A. (Gesamtauflage 600 Exemplare). Böhmerland-Drucke 4. - Marks A 128. - Raabe 526. Sprache: Deutsch Die Lithografien wurden auf Japan gedruckt, der Text auf Flinsch-Bütten. Die Initialen in Blau gedruckt und Rot koloriert.

      [Bookseller: Stader Kunst-Buch-Kabinett]
 26.   Check availability:     AbeBooks     Link/Print  


      Chicago: University of Chicago Press, (1935). First Edition. Hardcover. Slight fading to spine as usual. Close to Fine in a close to Fine slipcase. Quarto (7" x 9-1/8") in blue cloth stamped in black and gilt. Introduction by Thornton Wilder. Copy #6 of only 120 SIGNED by both Stein and Wilder on the limitation page. This copy is additionally INSCRIBED and SIGNED by Wilder on the half-title page: "For George Kelley:/in return for his interest/and with all best wishes/for his collections/Thornton Wilder/Deepwood Drive/New Haven, Conn./September 1, 1940.

      [Bookseller: Charles Agvent]
 27.   Check availability:     Biblio     Link/Print  


      - Arnswaldt, Werner Konstantin v. Zusammenfassung: Katalog der fürstlich Stolberg-Stolberg&#145;schen Leichenpredigten-Sammlung. Band I-IV (komplett). In 5 Bände gebunden (Band IV in 2 Teile erschienen). Leipzig, Degener; 1935, 1927. OGanzlederbände, farbige Adelsvignette, farbiger Seitenschnitt, 8°; 752; 875; 655; 1214 S. (=Bibliothek familiengeschichtlicher Quellen, II). Ex-libris. Einbände m. leichten Gebrauchsspuren, gut erhalten, sauber. Sprache: Deutsch.

      [Bookseller: Antiquariat-vorZeiten Dr. H. Kähning]
 28.   Check availability:     ZVAB     Link/Print  


      Editions Sagesse, se trouve « Aux Quatre chemins », Paris 1935 - EDITION ORIGINALE. Exemplaire du tirage courant, après cinq Chine, celui-ci portant en frontispice 2 DESSINS automatique originaux à l'encre, dédicacés par Bryen à son galeriste : « Pour Cattiaux les signes s¿encre (?) ». [Attributes: Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
 29.   Check availability:     AbeBooks     Link/Print  

        Agents And Patients (Presentation Copy To Constant Lambert :Signed And Inscribed By The Author)

      The First UK printing published by Duckworth in 1936. The BOOK is in Very Good condition.Three pages of publishers' adverts at rear as called for.Some ghosting to the spine as usually encountered but the gilt titling remains bright.Boards lightly marked in places.The text block is toned and there is some light spotting to the page edges in places.The WRAPPER is complete and is in VERY GOOD condition.Some edge wear with rubbing with small losses at the spine ends and corners (see Images).The spine is lightly toned.The remarkable Misha Black designed wrapper artwork looks striking in the removable Brodart archival cover.Presentation copy from the author, inscribed on the front free endpaper: ''For Constant and Florence, with the author's love, January 8th 1936, 'Et Ego in Arcadia Vixi''.The recipients were Constant and Florence Lambert.As the date is so early,it is highly likely that this copy was inscribed either on the publication day or certainly very close to it.Constant was a composer and author who was the prototype of the character Hugh Moreland in Powell's 'A Dance to the Music of Time'. The latin quotation is probably a reference to 'Et in Arcadia Ego' (also known as Les bergers d'Arcadie or The Arcadian Shepherds) which is a 1637-38 painting by Nicolas Poussin. It depicts a pastoral scene with idealized shepherds from classical antiquity clustering around an austere tomb.The twelve volume cycle of novels 'A Dance to the Music of Time' is also thought to have been inspired by the painting of the same name by Nicolas Poussin.Housed in a custom solander box.A wonderful association copy of a scarce early Powell title.

      [Bookseller: Ashtonrarebooks]
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        La vie secr

      First edition of the French adaptation by Michel Deon, one of 120 numbered copies on "pur-fil" paper only leading copies. Iconography. Nice copy. La table ronde Paris 1935 12x19cm broch

      [Bookseller: Librairie Le Feu Follet]
 31.   Check availability:     Direct From Bookseller     Link/Print  

        Chroniques de ma vie

      First edition, one of 10 numbered on "pur-fil" paper, deluxe edition.Illustrated book 6 designs inset.Beautiful and rare example. Deno

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     Direct From Bookseller     Link/Print  

        Chroniques de ma vie I et II

      1935Paris, Denoël et Steele, 1935. 2 volumes, brochés, 122 x 188 mm, 187et 190 pp. EDITIONS ORIGINALES. Exemplaires du service de presse. ENVOIS AUTOGRAPHES signés sur chacun des volumes. SUR LE VOLUME I, en marge du fronstispice figurant un portrait de l'auteur : "Pour Mr Gustave Samazeuilh une grande salutation de I.Strawinsky, Paris 1952". SUR LE VOLUME II, en russe : "Je vous envoie cher Arthur [Lourié] le second volume de mes Chroniques en continuation de nos rapports interrompus par la distance qui vous sépare de moi: je vis dans le VIIIe et vous dans le XVIe arrondissement ce qui du point de vue de vos connaissances géographiques double la distance. Meilleurs voeux de nouvel anToujours votre, I. Stravinsky Paris , 1.1. 36". Gustave Samazeuilh (1877-1967) compositeur et pianiste, fut l'élève d'Ernest Chausson avant d'entrer à la Schola Cantorum en 1900 puis de travailler avec Vincent d'Indy et Charles Bordes. Proche de Paul Dukas, de Enesco, Fauré, Ravel, Roussel et ami de Richard Strauss, il fut aussi célèbre pour ses critiques musicales dans La République française et à La Revue musicale, ou comme musicographe et traducteur. Il a notamment traduit en français le drame musical en trois actes de Richard Wagner, Tristan et Isolde, et fait paraitre des études sur Paul Dukas (1913) et Ernest Chausson (1941). LE SECOND DEDICACTAURE est très problablement Arthur Lourié (1896-1966) qui après une demande d'asile à Berlin, s'installe à Paris en 1922, 63 rue La Fontaine Paris XVI et se lie avec son compatriote Igor Strawinsky. Il devient l'un de ses plus importants défenseurs et adapte même quelques-unes de ses oeuvres pour le piano seul. BELLES PROVENANCES MUSICALES ET TRES RARE REUNION. COMPLET SET OF TWO, BOTH COPY INSCRIBED.

      [Bookseller: Librairie Le Pas Sage]
 33.   Check availability:     Livre-rare-book     Link/Print  


      Normandy, doubtless Rouen, early 15th century. n. This striking, animated leaf is from the collection of Otto Ege, bought from Thorp, cat. 178 (1935), no.782 (cf. Gwara, "Otto Ege's Manuscripts," 2013, p.127, no. 26).. 241 x 165 mm. (9 1/2 x 6 1/2"). Single column, 18 lines in an attractive gothic book hand. Rubrics in red, one-line initials in blue with red penwork or burnished gold with blue penwork, one two-line initial in burnished gold on a blue and red ground with white tracery, recto with A LARGE FOUR-LINE INITIAL IN BLUE AND WHITE ON A BURNISHED GOLD GROUND, its center filled with interlinked pink and white vines with blue and pink blossoms, the same side with a pink and burnished gold bar border on the left of the text, with delicate penwork flowers and leaves accented with burnished gold, ANIMATED PANEL BORDERS at head and foot of text, with much botanical ornamentation. A touch of browning to head edge, otherwise AN ESPECIALLY FINE LEAF, clean, smooth, and bright, with generous margins, vivid colors, and shining gold. This striking, animated leaf is from the collection of Otto Ege, bought from Thorp, cat. 178 (1935), no.782 (cf. Gwara, "Otto Ege's Manuscripts," 2013, p.127, no. 26).

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 34.   Check availability:     Biblio     Link/Print  

        Painting of an Arabian horse. [Krakow], 1935.

      1935. Oil on panel. 40 x 49.5 cm (frame: 52 x 63 cm). Fine original oil painting by the aristocratic Polish painter Wojciech Kossak (1856-1942): a grey Arab stallion standing near an oasis with palm trees, with a mosque in the background; within a contemporary ornamented gilt frame. Wojciech Kossak was a Polish painter of portraits and historical scenes, including battle scenes, illustrating and depicting the history of Polish armed struggle and notable Polish battles of Central and Eastern Europe against the foreign oppressors, especially the period of the Napoleonic wars and the November uprising. Among his most famous paintings are "The Raclawice Panorama" (1893-94) and the battle at the Berezyna (1895-96). He was member of the celebrated Kossak family of painters and writers, the son of painter Juliusz Kossak (1824-1899), the twin brother of freedom fighter Tadeusz Kossak, and the father of painter Jerzy Kossak (1886-1955). Wojciech Kossak's historical painting was very different in style and subject matter from that of his predecessor Jan Matejko. Kossak belonged to a new generation of Polish battle-scene artists influenced by the work of his father Juliusz. His development to a more 'impressionistic' style during his later years is beautifully demonstrated in this painting of a proud grey Arab stallion firmly standing on a sandy ground on which the oriental high sun throws its short shadow, near an oasis with palm trees and in front of a reddish mosque, surrounded by a fortified wall. - In very good condition. With a 'Certyfikat' issued by Galeria 'Zak', Warsaw & Kolobrzeg (Cezary & Jozef Zakowics).

      [Bookseller: Antiquariat Inlibris]
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        Collection of Letters from Friderike Zweig

      Used; Like New/Used; Like New. A small collection of interesting autograph letters in English from the first wife of the important Austrian novelist and biographer who was one of the most important writers in German in the inter-war period. One letter is addressed to a literary agent and written on the Zweigs' Salzburg letterhead, dated September 20, 1935. Four further letters, from 1944-1953, were written in New York after Friderike Zweig's emigration and are addressed to Shea Tennenbaum [also spelled Tenenbaum], a Yiddish writer and journalist who was evidently an admirer of Stefan Zweig's work. Also included is a newspaper clipping from the New York Post reporting on Zweig's suicide in 1942 and interviewing Friderike Zweig: "though she was overcome by grief she was not surprised by the news that he and his second wife had ended their lives yesterday."<br>The letters are written in pen on various sizes of notepaper and are overall in fine condition, with some light age wear, folds and light toning. All but the 1935 letter include the original envelopes, two with the return address of the Writers' Service Center, and some of which bear later notes in another hand, some in Hebrew. <br>In her letter to a Miss Strassman [1 p., September 20, 1935], Zweig expresses pleasure at their meeting: "...My husband too was very fond of meeting you." She notes that they have not received a book and requests assistance in procuring "the collection of 'Hausexemplare' which you saw in my husband's room... He just left me again for Paris and London."  She further adds, "May I bother you still with something else: my daughter should like to publish her photos of Toscanini and other artists famous in U.S.A. in American magazines and we should be glad to have a help." In Friderike Zweig's first letter to Tennenbaum [4 pp., March 3, 1944 - NB. Full text available on request], she thanks him for sending his article [in Yiddish] about Stefan Zweig: "I shall ask somebody to read it to me, and the gratefulness for your writing will make it easy to me to understand this reach [rich] and powerful language." She writes that she is enclosing another article about her ex-husband from the magazine Menorah, which she says is full of "lies" and offensive to Zweig's memory. This article, by a "Miss A.," is almost certainly Hannah Arendt's scathing 1943 review of Zweig's World of Yesterday, titled "Portrait of a Period," in which she attacked Zweig for remaining apolitical in the face of antisemitism. Friderike defends her husband passionately: "That he did not mix in politics just on opposite reason, namely his idea that he can damage the Jewish cause in speaking to [sic] loudly as a Jew... His whole work was to defend the rights of the humbles [sic] against some oppression and the devotion for greatness not in sake of fame." She further criticizes the journalist: "This woman - in the shadow of a grave - turns the words in the mouth of the most honorable man, in making him part of that, what he himself condemned..." and goes on to ask Tennenbaum to write a letter to the editor of the magazine, as "My health is not so good, so I cannot risk to get too excited in writing to this woman."  In her next letter [4 pp., September 21, 1944], Friderike thanks Tennenbaum for sending another article [in Yiddish], saying that she will ask a friend to read it and tell her what it says: "it will be a pleasure for me, to hear what you say." She goes on to ask after a Graziana, perhaps Tenenbaum's wife, and ends the letter with warm wishes. Following this, she writes again [postmarked December 6, 1944], sending Tenenbaum the program for an American-European Friendship event on December 16, 1944 and writing on the verso that he should come "and bring Graciana along." The final note from Friderike Zweig [3 pp. on very small notepaper, December 1952] thanks Tennenbaum for his contribution to the festschrift for her 70th birthday. "I nearly could understand everything and will have a friend to tell me every word."  On the verso, an autograph note to Tenenbaum from Harry Zohn, German-English translator, scholar of German literature, and editor of the festschrift, mentions he is sending Tenenbaum a copy.<br>Friderike Zweig, who was married to Zweig from 1920 to 1938, was herself a writer and translator. After their divorce, they remained good friends and were in close contact through letters, even after Zweig fled Europe for Brazil, where, with his second wife, he committed suicide in 1942. Friderike emigrated to the United States in 1940, where she founded the Writers Service Center, an organization to aid European refugees, and also chaired the American-European Friendship Association. Throughout her life she remained a great proponent of her husband's life and work, serving as the honorary president of the International Stefan Zweig Society, and writing two books about his life.<br>"Shea (short for Joshua) Tenenbaum (1910â??1989) was born in Bobrinik near Lublin, the youngest of 12 siblings. He became a typesetter at age 14 and began publishing at 16... Before coming to the U.S. in 1934 he lived in various cities in Europe... Like many Yiddish writers, he worked for some years in New York; he then spent time in Denver recovering from tuberculosis. From there he traveled to California, but he missed the cultural life of New York and returned after a year. He received the National Jewish Book Award in 1985 for From Ash and Fire Is Your Crown." (Pakn Treger, Magazine of the Yiddish Book Center, no. 60, Fall 2009.)

      [Bookseller: Schubertiade Music & Arts]
 36.   Check availability:     Biblio     Link/Print  

        LA CRITICA D'ARTE. TUTTO IL PUBBLICATO. Rivista bimestrale di arti figurative.

      Sansoni, 1935-1950. In-8 grande, brossura, pp. 60 circa a fascicolo Di questa importante rivista illustrata, bimestrale (poi trimestrale), offriamo "tutto il pubblicato" della prima Serie, in 36 fascicoli, dall'ottobre 1935 (Anno I, n. I) al maggio 1950 (Anno IX, fascicolo XXXIII, n. 1), compreso il fascicolo di supplemento all'anno IV. La rivista, diretta da Carlo Ludovico Ragghianti, ebbe, fra i suoi collaboratori, noti critici e storici dell'arte (Venturi, Longhi, Fiocco, Coletti, ecc,). Nel 1939 e 1940 verrà pubblicata divisa in fascicoli trimestrali e in due parti separate: la parte I per l'Arte antica (orientale, greca e romana) e la parte II per l'Arte medievale moderna e contemporanea. Nel 1941 e 1942 (Nuova Serie), porta il sottotitolo di "Rivista trimestrale di arti figurative per il mondo antico, diretta da R. Bianchi Bandinelli". Dal 1943 fu sospesa e riprese nel maggio 1949 (Anno VIII, III serie, fascicolo XXVII, n. 1). Cfr. Diz. Vallecchi,I, p. 362. Esemplare ben conservato. .

      [Bookseller: Libreria La Bottega delle Occasioni]
 37.   Check availability:     Link/Print  

        Geologie von Tirol.

      Gebrüder Borntraeger,, Berlin 1935 - HLn., der Zeit, gr. 8°, XII, 872 (6) S., mit einer farb. geologischen Karte und 11 Beilagen, gut erhalten, 2 kl. Eigentümerstempel, Vorsätze etwas fingerfleckig [Attributes: Hard Cover]

      [Bookseller: Antiquariat Seibold]
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        Le géranium ovipare

      - José Corti, Paris 1935, 14x19,5cm, broché. - Prima edizione, una copia del servizio stampa. Autografo Precious firmata dall'autore Jean Paulhan. Indietro e leggermente piatta e leggermente ripreso senza gravità. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Précieux envoi autographe signé de Georges Fourest à Jean Paulhan. Dos et plats légèrement et marginalement insolés sans gravité.

      [Bookseller: Librairie Le Feu Follet]
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        Lucia's Progress

      The First UK Printing published by Hodder and Stoughton in 1935.The BOOK is in near FINE condition being free from inscriptions,erasures and markings. Light rubbing to the board edges in places.Mild pushing at the spine tips.The text block is lightly toned.The pages are clean.The book has the correct blue endpapers as called for. The very scarce WRAPPER is complete and is in Very Good++ or better condition. Some edge wear with a little loss at the upper spine.Small area of loss at the rear spine fold.A few closed tears and a little creasing in places.Small area of supporting archival tape to the verso of the upper front fold.The rear cover has a little spotting and staining in places but this does not detract from the wrapper's appearance.The period design looks stunning in the removable Brodart archival cover. The penultimate title in the iconic Mapp and Lucia series. Extremely scarce to find with the original wrapper in such condition. Collectible.

      [Bookseller: Ashtonrarebooks]
 40.   Check availability:     PBFA     Link/Print  


      Harrison Smith and Robert Haas, Inc, New York 1935 - Octavo. 315 Pages. #172 of 310 signed, numbered copies. In original glassine. Very clean overall. Slight scuffing to boards. Lacks the original slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Back in Time Rare Books]
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        Sonnets [together with] Lyrics.

      London: Rich & Cowan,, 1935. Two works, octavo. Original blue cloth, titles gilt to spines. Portrait frontispiece to each work. Cloth lightly faded at the extremities and spotted, still very good condition, internally sound and clean, with the dust jackets only slightly spine-toned and bearing a very few marks and small chips. First editions, first impressions, presentation copies inscribed by Lord Alfred Douglas on the front free endpapers of both titles "Hazel Hergenhahn from Alfred Douglas, April 1943". This presentation set includes 13 pages of typed letters (likely carbon copies, but the texts apparently unpublished) from Douglas to Hergenhahn, dated December 1939 to June 1940. The correspondence is lively and extensive, with frequent mentions of Oscar Wilde and the ongoing struggle for his own legacy and reputation, waged over several books and plays by Douglas and others. He also mentions his struggles with American publishers, alludes to other writers, and makes occasional reports on the Second World War. The recipient of these books and letters was Baroness Hazel Hergenhahn, a well-travelled Californian lady of extensive cultural acquaintances. These editions, published together, constitute Douglas's consolidation of four decades of poetic output. The rear panels of both jackets carry an appreciation of Douglas' poetry by Thomas Earle Welby. Very scarce together with the dust jackets and inscribed.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


      Editions G.L.M., 1935, 1 volume de 185x245 mm environ, en feuillets sous chemise à rabats illustrée. Poèmes de Paul Eluard, Photographies de Man Ray. Un des 1200 exemplaires numérotés sur vélin N° 25. Petite mouillure claire dans la marge interne au bas du dos sur l'ensemble des feuillets, chemise externe frottée avec plis, intérieur bon état. La femme dEluard, Nusch, joue le rôle de la muse, dune figure archétypale. Son corps est disposé de telle sorte quil sintègre au livre, à sa matérialité. Première collaboration de Man Ray/ Paul Eluard. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.

      [Bookseller: Librairie Diogène]
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        EIN ACHTBLÄTTRIGER LOTUS - Gebete der Nacht - Mit einem nirvânischen Vor- und Nachgesang. (= Opus VII der Einhorn-Presse / "Als Umrahmungen zweite >Indische Fuge< über das Thema der Âtman im Herzen und im Weltall". - Als Handschrift. Einmaliger Sonderdruck der EINHORN - PRESSE). Wikipedia: Melchior Lechter (geb. 2. Oktober 1865 in Münster (Westfalen); gest. 8. Oktober 1937 in Raron, Kanton Wallis, Schweiz) war ein deutscher Maler, Graphiker und Buchkünstler. Als Monogramm (ML) vor allem bei seinen buchkünstlerischen Arbeiten benutzte er den Buchstaben "M" mittig geschnitten vom Buchstaben "L".- Mit 14 begann er eine Ausbildung zum Glasmaler. Nach der Arbeit belegte er bei der Münsterschen Kunstgenossenschaft Kurse an der Zeichen-, Mal- und

      Berlin, Otto von Holten, 1935 - nn., 1 weißes Bl., 15 Bll. mit (ornamentalem) Buchschmuck v. Melchior Lechter; 34 x 22cm Sprache : de OHpgtBd, mit goldgeprä. Deckel- u. Rt., Einband leicht berieben. Der Buchrücken hat einen kl. Fleck von 0,15cm. Ansonsten ein sehr sauberes, gutes Exemplar. Lesebändchen. Sprache: Deutsch Gewicht in Gramm: 650 Limitierte Auflage - 133 /150 Ex., von Melchior Lechter handschriftlich mit der laufenden Zahl bezeichnet und signiert [hier: ML 133] - Druck auf getöntem, handgeschöpftem Alt-Bütten in Drei-Farben-Druck in Pappband mit Pergamentrücken. Nach Drucklegung wurden die Platten vernichtet.

      [Bookseller: Hadler Antiquariat]
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        Autograph letter signed ("Freud"). [Vienna], 5. XI. 1935.

      1935. 4to. 2 pp. On stationery printed "Prof. Dr. Freud Wien, IX., Berggasse 19". To Stefan Zweig, about the Nobel Prize, Shakespeare, and his "Moses and Monotheism", thanking him for his letter and for the cutting from the Sunday Times, observing that his article is the declaration of a friend, noting his surprise to learn that he has been awarded the Nobel Prize on the promptings of the Vienna University, referring to the opposition to him when he was awarded the Frankfurt Goethe Prize in 1930, reproaching himself for expatiating during his visit on the contents of his Moses, instead of letting him talk about his work and plans, stating that Moses shall never see the light of day again, concluding in a postscript by asking him whether he is interested in the debate concerning the identity of Shakespeare, and admitting that he is virtually convinced that Edward de Vere, 17th Earl of Oxford, was in fact Shakespeare. - Despite the views expressed by Freud here, "Der Mann Moses und die monotheistische Religion", his last completed book, was in fact published four years later, in 1939. Although nominated twelve times for the Nobel Prize for Medicine, Freud was never awarded that honour, the Nobel committee being of the opinion that his work was of no proven scientific value. Romain Rolland's nomination of him for the Literature Prize in 1936 was also unsuccessful. - Horizontal fold, some light creasing and slight damage to edges.

      [Bookseller: Antiquariat Inlibris]
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        Three Act Tragedy

      Collins Crime Club, 1935. Hardcover. Used; Acceptable. Hardcover; English language; No jacket; 16mo - over 5.75" - 6.75" tall; a fair reading copy; undated;. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 46.   Check availability:     Biblio     Link/Print  


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