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Displayed below are some selected recent viaLibri matches for books published in 1934

        The New Pioneers: The First Picture of the American People East-West-North-South Under the New Deal

      The Bobbs-Merrill Company, Indianapolis 1934 - Inscribed by the author on the front free end paper, "To Fred Black – / and so on and / so forth – / James Remington McCarthy / May 10, 1939." Impressions of the U.S. during the early years of Franklin Roosevelt's New Deal. "Mr. John Citizen speaks right out here. No Big Shot orates. No statistics are fired at you, no propaganda. Listen to the voice of the people, face to face with vital realities." (From the rear flap.) 8vo, 343 pages. Near Fine, with gilt on spine a little rubbed, in a Near Fine, unclipped dust jacket. Copies in the dust jacket are uncommon, especially in such nice condition as this one. Signed copies are even more scarce. A beautiful copy. SCARCE SIGNED. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Le Bookiniste]
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        Le pion sur l'échiquier

      1934. Albin Michel, Paris 1934, 11,5x18,5cm, relié. - Albin Michel, Paris 1934, 11,5x18,5cm, relié. - Prima edizione, una copia del servizio stampa. Binding metà Havana dolore, torna con cinque nervi decorate con dorate piatti punteggiata di carta a motivi decorativi, coperture conservati e schienali. autografo firmato Irene Nemirovsky Dr. Périneau sulla pagina occhietto marginalmente ombreggiato. [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires du service de presse. Reliure en demi chagrin havane, dos à cinq nerfs orné de pointillés dorés, plats de papier à motifs décoratifs, couvertures et dos conservés. Envoi autographe signé d'Irène Némirovsky au docteur Périneau sur la page de faux-titre marginalement ombrée.

      [Bookseller: Librairie Feu Follet]
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        Winged Victory. [First Edition. First Impression]. BRIGHT, CLEAN COPY OF AN AVIATION CLASSIC

      Jonathan Cape,, [1934]. 8vo., First Edition, First Impression; blue cloth, upper board and backstrip lettered in white, blue top (mildly faded), small pull at headband else a very good, bright, clean, crisp copy, now housed in a custom-made solander case. A BRIGHT COPY OF THE FIRST IMPRESSION (with publisher's name lettered in full at tail of backstrip). One of the finest novels of WWI, Yeates's classic account of war in the air was prompted by Henry Williamson (to whom the work is dedicated) and completed with his continuing support and encouragement. First published in 1934 in two distinct impressions, it rapidly became practically unobtainable and was not reissued until 1961, for which later edition Williamson provided a preface and tribute. Sadly Yeates died of tuberculosis in the year of first publication. RARE.

      [Bookseller: Island Books]
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        Woodcut Book-Plates Preface by Lionel Lindsay

      Sydney, N.S.W.: Privately Printed [by the Beacon Press], 1934. First edition, #30 of 210 signed copies. Signed frontispiece bookplate for Edward, Prince of Wales by Adrian Feint and many other tipped-in and signed plates. 218, [6]pp. 1 vols. 4to. Japan vellum spine and decorated boards. Bookplate of William Henry and Katherine Burnham. First edition, #30 of 210 signed copies. Signed frontispiece bookplate for Edward, Prince of Wales by Adrian Feint and many other tipped-in and signed plates. 218, [6]pp. 1 vols. 4to.

      [Bookseller: James Cummins Bookseller]
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        The Murder of Suzy Pommier (Translated from the French by Warre B. Wells)

      Little, Brown and Company, Boston 1934 - A spectacular copy in finely woven black cloth stamped brightly in reddish pink on the front boards and on the spine. Fresh, crisp and clean as if it just came out of the publishing house. In a striking pictorial dust jacket with the original price of $2.00 at the top of the inside front flap. Wear and small pieces missing at the corners and a bit of rubbing and wear to the top and bottom of the spine ends of the jackets. Otherwise, an amazingly clean, crisp dust jacket. A superior collector's copy of this scarce book in the original dust jacket. Screen Star Slaim: Cinema Murder Duplicated. SuzyPommier Death Follows Premiere. Paris, Jan. 5. Last night a vast audience attended the premiere of Jean Riviere's new cinema, "The Two Worlds,".The beautiful star herself was present, escorted by a young man known as her infatuated protector of the moment. .Then came the masterly but savage scene, the climax, which showed the heroine strangled in her bath by a faithless lover." Emmanuel Bove was born Emmanuel Bobovnikoff in 1898 in Paris to a Russian father and a Luxembourgish mother. He studied at the Ecole alsacienne and the lycée Calvin de Genève. At the age of 14, he decided to become a novelist. In 1915, he was sent to boarding school in England, where he completed his education.In 1921, he married Suzanne Vallois and moved to the suburbs of Vienna. There he began his writing career, publishing numerous popular novels under the pseudonym Jean Vallois. He returned to Paris in 1922 and worked as a journalist. His work came to the attention of Colette, who helped him publish his first novel under his own name, Mes amis (My Friends) in 1924. The novel became a success and he consistently published until the The Second World War, winning the Prix Figuière in 1928. First Edition with matching dates of 1934 on the title and copyright pages; with "Published January, 1934" on the copyright page. [Attributes: First Edition; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        Autographs and inscriptions of Maxim Litvinoff, Anthony Eden, and others at Geneva and Berlin 1934; caricature of Eisenstaedt, der Mann mit dem Leica-Gesicht, Berlin 8.XI. 34, signed Apt 34; and inscriptions in Cyrillic

      1934 - 1 vols. From the autograph albums of Alfred Eisenstaedt:Recto:At the Disarmament Conference in Geneva, May-June 1934Top to bottom:[Unidentified] R ----. Geneva 1-6-34M. Litvinov, Genève, 1/6/34 [Russian Foreign Minister] [Baron Pompeo] AloisiAnthony Eden, [1] June 1934 [British politician, later Prime Minister[underneath:]"With full appreciation on this rather anxious day, Berlin June 30, 1934, William E. Dodd [American Ambassador to Germany, 1933-7]Verso:Two inscriptions in Cyrillic, 5 lines, 22 & 26 September 1934 [Yugoslavia?] Caricature: Eisenstaedt, der Mann mit dem Leica-Gesicht, Berlin 8.XI.34, signed Apt[?] 34. Old perforations and marginal reinforcement. Fine [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Death Ship.

      NY. Knopf. 1934 - First Edition. With "First Printing, April, 1934" on the copyright page. Very clean and tight internally. In a heavily soiled, edge-rubbed dustjacket with the original price of "$2.50 net" at the top of the inside front flap. With a 3" closed tear at the top left-hand corner of the front panel and a few small chips at the top of the spine. First Edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Brainerd Phillipson Rare Books]
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        Encyclopédie anarchiste

      Librairie internationale, 1934. Quatre volumes grand in - 4 (313 x 248 mm), 2893 pp. - (1) ff., pagination continue, demi - chagrin marron, dos à cinq nerfs. Edition originale publiée sous la direction de Sébastien Faure. (tome IV déboité, un mors fendu tome III, frottements sur les dos, coins usés). / / Four quarto volumes (313 x 248 mm), 2893 pp. - (1) ff., continuous pages numbering, brown half shagreen, spine raised on five bands. First edition, directed by Sébastien Faure. (vol. 4 is disbound, a join cracked vol. 3, rubbings on spines, corners bumped).

      [Bookseller: Librairie Henri Picard & Fils]
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        TYPED LETTER SIGNED (TLS), to Lester Anderson, dated 31 July 1934, ribbon copy, one sheet of letter-size bond, single-spaced, typed on recto only, signed in full in blue pencil ("Clark Ashton Smith") at bottom, with one autograph edit (insertion of three words)

      1934. Anderson was a California Bay Area fan to whom Smith wrote on several other occasions as well. This letter, about 400 words, has the tone of something written from a sense of obligation rather than pleasure, to address points raised evidently in Anderson's previous letter to him. No, Smith doesn't think socialism will work in this country, or in Russia either. He thought Robert W. Chambers' SLAYER OF SOULS was "inexpressively pediculous." He dismisses most of the current pulp magazines, except for ASTOUNDING STORIES, and doesn't think much of Dashiell Hammett's anthology, CREEPS BY NIGHT. "Harre's BEWARE AFTER DARK is still unapproached in my opinion, as an anthology of weirds." Published (with slight alterations) in Schultz and Connors, Selected Letters of Clark Ashton Smith, p. 259-260. Three light horizontal creases where folded for mailing, very good. (#136826)

      [Bookseller: L. W. Currey, Inc. ]
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      Philadelphia, London: J. B. Lippincott Company, [1934].. Octavo, pp. [1-6] 7-320, frontispiece map, original yellow cloth, front and spine panels stamped in black. First U.S. edition. Lost race adventure novel. Sightless Troglodytes ruled by a beautiful, but merciless queen in subterranean Tibet. The second of four Colin Gray novels. Clareson, Science Fiction in America, 1870s-1930s 151. Locke, A Spectrum of Fantasy, p. 50. In 333. Bleiler (1978), p. 41. Reginald 02865. A fine copy in very good pictorial dust jacket with touch of rubbing at spine ends and along front flap fold and a bit of darkening to spine panel, A lovely copy in a nice example of this striking pictorial jacket. (#149818)

      [Bookseller: L. W. Currey, Inc.]
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        Linschoten Vereeniging: Complete Itinerario Jan Huygen van Linschoten

      Linschoten Vereeniging: 's-Gravenhage, 1934-1957. Complete set. 6 vols over 5 delen.(Linschoten-Ver. 39, 43, 57,58. Complete set. 57, 58 en 60 is de tweede druk van de uitgave uit 1910. En 39, 43 (43 bestaat uit 2 volumes) zijn eerste drukken. Geheel in uitstekende staat en compleet.

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      London: Hutchinson & Co. (Publishers) Ltd., n.d. [1934].. Octavo, pp. [1-15] 16-255 [256] [note: first two leaves are blanks used as front paste-down and free endpaper], true endpapers at rear, original orange cloth, front and spine panels stamped in black. First edition. Partially original anthology anonymously edited by Terence Ian Fytton Armstrong (a.k.a. "John Gawsworth"), collecting thirty crime and supernatural stories, seventeen of which appear here for the first time, by Arthur Machen, Richard Middleton, E. H. Visiak, M. P. Shiel, John Gawsworth, Frederick Carter, Hugh MacDiarmid, Nugent Barker, and others. Bleiler, The Guide to Supernatural Fiction 1230. Clute and Grant (eds), The Encyclopedia of Fantasy, p. 392. Locke, A Spectrum of Fantasy, p. 2. Bleiler (1978), p. 8. Reginald 10639. Pulp paper text block lightly tanned, a fine copy in very good plus pictorial dust jacket with light wear at edges, mild dust soiling to spine and rear panels, and small stain on rear panel. A nice example of a rare jacket. (#149259)

      [Bookseller: L. W. Currey, Inc. ]
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        La comédie de Charleroi

      First edition, an advance (service de presse) copy. Handsome autograph inscription from Pierre Drieu la Rochelle to his friend Henri Béraud : "A Henri Béraud dont je viens de lire avec un énorme plaisir le 14 Juillet. Amicalement [For Henri Béraud, whose 14th July I have just finished reading with enormous pleasure. Best wishes]."Spine with a small tear glued down to foot of spine, a trace of folding to lower cover, occasional spots. Nrf Paris 1934 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Experiment in Autobiography (signed by H.G. Wells)

      Macmillan 1934 - "Experiment in Autobiography", by H.G. Wells. Macmillan, NY. 1934, first US edition, first printing. Very good condition: Cream colored boards with only bottom corners slightly bumped. Some soiling in back board fold line near spine. Pages clean and tight to the spine, few pages have a creasing. Overall a very good copy. Flat signed by H.G. Wells on half-title page. Experiment in Autobiography is divided into eight "chapters" (the last two of which are more than 100 pages long) which are divided in toto into 56 sections. Some sections are narrative, while others include long digressions into matters philosophical, political, sociological, or biographical. Experiment in Autobiography describes in some detail Wells's early sexual development, his first marriage to his cousin Isabel Mary Wells, and the beginning of his second marriage to Amy Catherine Robbins (whom Wells and others called "Jane"), but omits discussion of the intimate life of his later years.His children are mentioned only in passing. Rare to find a beautiful copy like this signed by H.G. Wells [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Neverland Books]
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        Wild Fowl Decoys [signed Limited 31/55]

      New York,: Derrydale Press.. Very Good with no dust jacket. 1934. 1st. Leather. cor and b/w; #31/55 large paper copies, 4to, original gilt-pictorial and lettered scarlet morocco leather, T. E. G. , other edges untrimmed; original spine nicely repaired and laid down. Gilt is bright. Matching red cloth slipcase (light edge wear). Omplete with color frontispiece and 100 photo and other black and white "plates," original watercolor signed and dated, "New York, 1928," by Joel Barber tipped in. Internally clean and crisp, partly unopened. A very nice example along with original slipcase which has beveled edges, thumb notch and protective ovals at the head and crown. This is the Deluxe edition of Barber; 's book.. ; 0 .

      [Bookseller: poor mans books]
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        LE PONT MARIE.

      Paris 1934. Torrnål. 299x238 mm. Signerad i plåten, samt signerad för hand i blyerts. Inramad av Berney & Löfstrand i Stockholm med syrafri passepartout. Yttermått 48,5x40 cm. Haskel: 371, II état.

      [Bookseller: Ryös Antikvariat]
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        Good-Bye Mr. Chips

      London; Hodder & Stoughton; 1934 - First edition, first printing. Rebound in full blue leather by Bayntun-Riviere of Bath with gilt titles to spine and gold edges. Marbled endpapers.Fine. [Attributes: First Edition; Hard Cover]

      [Bookseller: timkcbooks]
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        Tender is the Night The True First Issue with the Scribners Seal and 'A' to copyright page

      A first edition, first printing published by Scribner's and Sons in 1934. This is the first issue with the Scribners seal and 'A' to the copyright page. A firm tight binding sans wrapper and without inscriptions also. One of only 7600 copies produced. Rare.

      [Bookseller: John Atkinson Books]
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        ARCHITETTURE LUMINOSE e apparechi per illuminazione. 100 architetti, 128 illustrazioni di architetture, 88 illustrazioni di apparecchi.

      Ulrico Hoepli Editore,, Milano 1934 - 23.5x28. 162pp. 3hh. Profusamente ilustrado en negro. Algo de tenue óxido. Por lo demás, muy buen ejemplar. La primera edición es rarísima. Importante y temprana obra sobre iluminación modernista dividida en tres categorías: iluminación exterior, interior y apliques. La obra es 'una fusión entre luz y arquitectura' a través de láminas con totografías y dibujos técnicos, y mas de 80 imágenes de Art Deco apliques luminosos. El libro recoge obras de Hood & Fouillhoux, Rudolf Fränkel, Erich Mendelsohn, Paul Philippe Cret, and Joseph Urban, y otros. Predominas lo proyectos y diseños italianos, aunque el libro tiene un foco internacional, incluyendo conceptos de iluminación en ciudades desde Estocolmo a Genova. Ilustraciones de escaparates, salas de conciertos, los establecimientos minoristas , hoteles, piscinas, restaurantes, postes de telégrafo , y fuentes al aire libre. Destacan proyectos estadounidenses como el Radio City Music Hall, the New School’s Auditorium, y ejemplos de la 1933 Century of Progress International Exhibition in Chicago. An important early treatment of modernist lighting divided into three categories: exterior lighting, interior lighting, and lighting fixtures. Architetture Luminose celebrates the "union of light and architecture" through photographic prints and technical drawings. Along with more than eighty images of Art Deco lighting fixtures, the book features work by Hood & Fouillhoux, Rudolf Fränkel, Erich Mendelsohn, Paul Philippe Cret, and Joseph Urban. Italian projects and designers dominate, yet the book’s scope is international, including lighting concepts in cities from Stockholm to Genoa. Illustrations showcase concert halls, retail establishments, hotels, pools, restaurants, telegraph poles, and outdoor fountains. Highlighted American projects include New York City landmarks Radio City Music Hall, the New School’s Auditorium, and examples from the 1933 Century of Progress International Exhibition in Chicago. [Attributes: First Edition]

      [Bookseller: Carmen Alonso Libros]
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      "SLOVO O POLKU IGOREVE" MOSCOW, "ACADEMIA" 1934., 52 pp., 43х29.4 см. 10 ILLUSTRATIONS AND OTHER BOOK DECORATIONS BY V. GOLIKOV HERE ONLY 8 ILLUSTRATIONS,  2nd AND 9th  ( pp. 9 & 39) ARE MISSING ONE OF 3300 COPIES WEAR, RUBBING, SCRATCHES TO COVER EDGES OF COVER BADLY CHIPPED SMALL DENTS TO REAR COVER YELLOW TILL BROWN PAPER SOME USE WEAR, SOILING STAINS (FINGER PRINTS TO EDGES)THE PHOTOS LOOK DARK OR WHITE IN SOME SPOTS BECAUSE OF THE REFLECTIONOF THE SUN WHILE THE PHOTO WAS BEING TAKEN  WEIGHT: 1570 gr. I SEND IT EMSShipping cost to USA $52. Sorry for this misleading but I'm registered on ebay of USA therefore I can not put above more than $6. I send it FROM ISRAEL EMS  Shipping cost to Russia $75 Слово о полку Игореве, Игоря сына Святославля, внука Ольгова / Древнерусский текст, подготовленный к печати В. Ржигой и С. Шамбинаго, писанный и иллюстрированный палехским мастером И. Голиковым. [М.]: Academia, 1934. - 52 с.: ил.; 43х29.4 см. - 3300 экз. Фронтиспис и девять цветных иллюстраций под лаком в лист, цветные с золотым вкраплением сюжетно-растительные форзацы, орнаментированный титульный лист, заставки, концовки и инициалы работы выдающегося палехского мастера лаковой миниатюры, потомственного иконописца И. Голикова. Шрифт стилизован под рукописный полуустав. Художественная редакция, макет издания и общее наблюдение М.П. Сокольникова. В составном издательском переплёте: на крышках цветные иллюстрированные вставки под лаком по рисункам И. Голикова. Торшонированный обрез. Шёлковое ляссе. Без футляра. Голиков создавал иллюстрации для «Слова о полку Игореве» на протяжении двух лет. Полиграфическое оформление книги было осуществлено типографией Гознака и полностью отвечало замыслу художника. Роскошное художественное издание, признанное шедевром книжного искусства. В книге помещено 10 миниатюр: 1) изображение Баяна, Игоря и Ярославны; 2) встреча Игоря с Всеволодом - отсутствует; 3) затмение солнца; 4) поход; 5) битва; 6) пленение Игоря; 7) Святослав рассказывает боярам о своем сне; 8) «Злато слово» Святослава; 9) плач Ярославны - отсутствует ; 10) бегство Игоря из плена. Переплет оформлен как поверхность палехской шкатулки: в центре в виде медальона изображение битвы воинов на конях, остальная поверхность коричневого (или черного) цвета с изображением золотом летящих стрел и по четырем углам - сражающихся воинов. Сохранность рисунков в уцелевших экземплярах плохая, так как все иллюстрации были покрыты экспериментальным лаком. В результате цвета не соотвествуют оригиналу и имеет тусклый "ржавый" вид. Иван Иванович Голиков (8 января 1887 (27 декабря 1886) -- 30 марта 1937) -- русский художник-миниатюрист, заслуженный деятель искусств РСФСР (1935 год), непосредственный инициатор и учредитель Артели древней живописи Палеха 4-5 декабря 1924 года Иван Голиков родился в Москве в семье потомственного художника-иконописца с трёхвековой художественной преемственностью Ивана Михайловича Голикова. Когда ему было 7 лет семья переехала в Палех, спасаясь от страшного голода, который начался в Москве. В десятилетнем возрасте он был отдан на обучение иконописному делу в известную в Палехе мастерскую братьев Сафоновых. В 1900 году, обучившись приёмам доличного письма, Иван Голиков отправился в Петербург, а затем в Москву для работы в иконописных мастерских. Отец скончался, когда Ивану исполнилось 14 лет, он остался старшим в семье. Юноше пришлось работать, не покладая рук -- он занимался реставрацией живописи, росписью церквей и монастырей. Его специализацией было доличное письмо, то есть, художник писал на иконах одежды. Расписывал церковь Святоозерского монастыря от мастерской М. Л. Парилова в 1907 году и церкви в Казани. Оставил крупицы своей работы в Новодевичьем монастыре, Грановитой палате, в московских и питерских храмах. Работая в Петербурге, он некоторое время посещал рисовальные классы училища барона Штиглица. В 1907--11 годах Иван Голиков проходил воинскую службу, в 1911--14 годах работал в мастерской Н. М. Сафонова в Палехе, и расписывал церковь в Казани. В 1914--17 годах ушёл на фронт Первой мировой войны в составе 27 Сибирского полка, и был контужен. После первой мировой войны и Революции 1917 года художник начинает свои самостоятельные творческие поиски. Некоторое время он работает театральным художником в Шуе, Кинешме, Иваново-Вознесенске и Костроме, создавая декорации к спектаклям «Лес», «Гроза», «Снегурочка», «Борис Годунов», «Русская свадьба» и «Лекарь поневоле». В 1921 году он создал свою первую миниатюру -- расписал шкатулку из папье-маше, и показал её руководству Кустарного музея. В 1922 году, работая в мастерской художника А. А. Глазунова, Иван Голиков создал целый ряд росписей на папье-маше, наметив основные черты нового искусства, и став, по сути, его отцом-основателем. К этому времени мастер смог органично синтезировать особенности трёх иконописных школ -- Палехской, Строгановской и Ярославской. Манера художника заинтересовала ряд искусствоведов, среди которых был его дальний родственник А. В. Бакушинский, оказавший содействие в организации артели по производству расписных шкатулок из папье-маше. 4-5 декабря 1924 года была создана «Артель древней живописи», костяк которой составили бывшие иконописцы. В том же 1924 году работы палехских мастеров -- И. И. Голикова, И. М. Баканова, И. В. Маркичева и А. В. Котухина были показаны на XIV Международной художественной выставке в Венеции, вызвав большой интерес. В следующем, 1925 году «Артель древней живописи» получила Гран-при на Всемирной выставке декоративных искусств в Париже. После Парижа были успехи в Милане, Вене и Берлине. Иван Голиков расписал множество лакированных изделий -- от крупных ларцов до миниатюрных бисерниц. Все его работы являют собой образец тончайшего письма, превосходных композиционных решений и необычного подхода к былинным и литературным сюжетам. Многие из них он брал непосредственно из самой жизни; Голиков говорил: «Выхожу на улицу, наблюдаю за природой вечера, прежде чем начать писать картину, сначала переживу, весь уйду в тот мир, который нужно изображать ...» Тематика произведений: история, фольклор, литература, сельские мотивы, современная, революционная, битвы, тройки, орнаментальные мотивы («Адам в Раю», «Бесы», «Битва», «Борис Годунов», «Гулянье в лесу», «Гармонист», «Гадание на Ивана Купалу», «Герб СССР», «Дядюшка Яков», «Жнитво», «Звери», «Игра в шашки», «Карусель», «Коромысловая башня», «Лоэнгрин», «Масленица», «Наполеон», «Орнаменты», «Пахота на волах», «Петухи», «Пожар», «Слово о полку Игореве», «Сказка о рыбаке и рыбке», «Степан Разин», «Ромео и Джульетта», «Тройка красных коней», «Хоровод» и другие). Вершиной его творчества считаются миниатюры, созданные в 1932--33 годах для подарочного издания «Слова о полку Игореве», вышедшего в 1934 году в издательстве Academia. Первоначально работу хотели поручить разным художникам, но писатель А. М. Горький настоял, чтобы все миниатюры были выполнены одним Голиковым. Эти миниатюры впоследствии переиздавались два раза, а Ивану Голикову в 1935 году было присвоено звание заслуженного деятеля искусств России. Для его работ характерна смесь реальности со сказочной фантазией: на былинной красной тройке по заснеженному пейзажу у него может ехать не сказочный персонаж, а красноармеец в будёновке. Манеру отца переняли двое его сыновей, ставших палехскими мастерами лаковой живописи -- Георгий Иванович (1920--1941) и Николай Иванович Голиковы (1924-2011). Художником стал также его внук Юрий Николаевич Голиков. Художник скончался в 1937 году после тяжелой болезни. В центре Палеха Ивану Голикову установлен памятник. Именем художника также названа одна из улиц Палеха, а в 1968 году в Палехе открылся дом-музей Голикова. Произведения И. И. Голикова хранятся в Государственном Музее Палехского Искусства, Государственном Русском Музее, Государственной Третьяковской Галерее, Всероссийском Музее Декоративно-Прикладного и Народного Искусства, Музее народного искусства НИИ художественной промышленности, Государственном историко-художественном музее-заповеднике г. Сергиев Посад, Вятском ОХМ, Ивановском ОХМ, Иркутском ОХМ, Нижегородском государственном художественном музее, Ярославском историко-архитектурном музее-заповеднике, Киевском музее русского искусства, Государственном художественном музее Белоруссии, Всероссийском музее А. С. Пушкина «Мойка 12», Государственном музее А. М. Горького.    

      [Bookseller: judaica-market]
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        Slovo o polku Igoreve (The Tale of Igor's Campaign)

      Moscow: Academia, 1934. hardcover. near fine. 10 mounted glossy color plates by the Master of Palekh, Ivan Golikov, ornamental borders, tissue guards. Original cloth overlaid with Palekh style illustration. "Slovo o Polku Igoreve (Host of Igor's 2019s Lay), one of the greatest literary masterpieces not only of Russia, but the world." The cover is designed like a ceiling fresco seen from below. Illustrated title page and endpapers. 49 pages, pictorial boards, brown cloth spine, slim folio. Moscow: Academia, 1934. Near fine (pages slightly wavy). A tale of the armament of Igor. Ancient text edited by V. Ozhigoi and S. Shambinago. Title and text in church Slavonic. Beautiful edition of this anonymous epic poem originally written in the Old East Slavic language.

      [Bookseller: Argosy Book Store ]
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        Slovo o polku Igoreve ("The Tale of Igor's Campaign")

      Academia, Moscow 1934 - A lavish reproduction of this anonymous Russian epic poem, believed (as the academic canon now feels) to date back to the late 12th century. Beautifully illustrated by Ivan Golikov in a nod to the old "Palekh" style of painting, with 10 mounted color plates (all with their original tissue guards and decorative, chromolithographed borders) complementing the text. Elephant folio, 49 pgs., striking decorative endpapers. A bright, very-well preserved copy. Clean, tight and solidly VG+. A slight, minor amount of scuffing to the panels, otherwise sharp as could be. And internally bright and very clean, with no markings of any kind. Very impressive early 20th century tribute --in the old Russian-- to Medieval Russia and its rich, complex folklore. [Attributes: Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Slovo o polku Igoreve (The Tale of Igor's Campaign)

      Academia, Moscow 1934 - 10 mounted glossy color plates by the Master of Palekh, Ivan Golikov, ornamental borders, tissue guards. Original cloth overlaid with Palekh style illustration. "Slovo o Polku Igoreve (Host of Igor's 2019s Lay), one of the greatest literary masterpieces not only of Russia, but the world." The cover is designed like a ceiling fresco seen from below. Illustrated title page and endpapers. 49 pages, pictorial boards, brown cloth spine, slim folio. Moscow: Academia, 1934. Near fine (pages slightly wavy). A tale of the armament of Igor. Ancient text edited by V. Ozhigoi and S. Shambinago. Title and text in church Slavonic. Beautiful edition of this anonymous epic poem originally written in the Old East Slavic language. [Attributes: Hard Cover]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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      Tarzana, California: Edgar Rice Burroughs, Inc. Publishers, [1934].. Octavo, pp. [1-4] 5-6 [7-8] 9-318 [319: ads] [320: blank], five inserted plates with illustrations by J. Allen St. John, original tan cloth, front and spine panels stamped in red and black, top edge stained red. First edition. Clareson, Science Fiction in America, 1870s-1930s 121. Bleiler (1978), p. 36. Reginald 02324. Heins LiM-1. Spine panel just a bit darkened, else a fine copy in fine dust jacket. A nice copy. (#151483)

      [Bookseller: L. W. Currey, Inc.]
 24.   Check availability:     Biblio     Link/Print  

        Les célibataires

      First edition, one of 350 numbered copies on alfa, advance (service de presse) copies.Handsome autograph inscription from Henri de Montherlant : "A  Charles Maurras avec mon ancienne admiration."Spine slightly shaded to head and to foot, ex-libris to the back of upper cover. Grasset Paris 1934 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Wild Fowl Decoys [signed Limited 31/55]

      Derrydale Press., New York, 1934 - cor and b/w; #31/55 large paper copies, 4to, original gilt-pictorial and lettered scarlet morocco leather, T. E. G. , other edges untrimmed; original spine nicely repaired and laid down. Gilt is bright. Matching red cloth slipcase (light edge wear). Omplete with color frontispiece and 100 photo and other black and white "plates," original watercolor signed and dated, "New York, 1928," by Joel Barber tipped in. Internally clean and crisp, partly unopened. A very nice example along with original slipcase which has beveled edges, thumb notch and protective ovals at the head and crown. This is the Deluxe edition of Barber; 's book. ; 0 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        Security analysis: Principles and technique

      McGraw-Hill Book Co, 1934-01-01. First Edition. Hardcover. Acceptable. First edition, 7th impression. McGraw Hill 1934. xi, 725 pages : illustrations ; 24 cm. Original maroon cloth. Original spine rebacked on modern red cloth. Restoration and revarnish to boards. Rehinged and rejointed. Scattered marginalia. Library markings from Washington University. <br> One of the most influential books on investing ever written. Graham was the first advocate of value investing, a strategy he taught at Columbia Business School. Security Analysis was written in the wake of the great Wall Street crash of 1929. Graham's advice can be boiled down to the logical application of common sense. "An investment operation is one which, upon thorough analysis, promises safety of principal and a satisfactory return. Operations not meeting these requirements are speculation." Good advice to avoid the next bubble. Contents: Survey and Approach. Fixed Value Investments. Senior Securities with Speculative Features. Theory of Common Stock Investment: The Theory Factor. Analysis of the Income Account. The Earning Factor in Common Stock Valuation. Balanced-Sheet Analysis. Implications of Asset Value. Additonal Aspects of Security Analysis, Discrepancies Between Price and Value.

      [Bookseller: SequiturBooks]
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        Exposición de encuadernaciones españolas Siglos XII al XIX : Catálogo general ilustrado

      Blass, S.A. 1934 - Manuscritos. Libros raros y curiosos. Bibliofilia.(09) Blass, S.A. Madrid. 1934. Fol. mllª (35 cm). 249 p., lám. I-LXI, 5 h., colof. Encuadernación en tapa dura de editorial. Por Francisco Hueso Rolland. Fototipias de Kalmeyer y Gautier. Láms. en color de la Casa Blass, S.A. Precede al tít.: Sociedad Española de Amigos del Arte . Cubierta deslucida. GA33 [Attributes: Hard Cover]

      [Bookseller: Alcaná Libros]
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        Exposición de Encuadernaciones Españolas Siglos XII al XIX

      Madrid: La Clasa Blass, 1934. First edition. Hardcover. Very good. Folio. 349 followed by 61 tissue-guarded plates. Printed cloth biding. The pastedown ticket indicates that the binding is based on a 16th century binding illustrated in No. 115 of the catalog .A very good copy.

      [Bookseller: Thorn Books]
 29.   Check availability:     Biblio     Link/Print  

        Meine Erfahrungen mit der Leica

      H. Bechhold, Frankfurt a.m. 1934 - His first published book in which he showed the greatness of the 35mm Leica camera capabilities, tall 4to, VG/VG as chip to top edge of dj else excellent condition, very rare to find in 1st edn, yellow covers, over190 classic b/w photos here demonstrating his extraordinary artistic skill and talent as a photographer. In his book "My Life with The Leica" Walther Benser recalls the period where he would assist Dr. Paul Wolff. Benser was a Leica employee who had gone through the full technical training in Wetzlar and later spent many years traveling with the Leica Slide Show. He recalls: "Dr. Paul Wolff had skills which I found myself envying. Without any optical aid from the Leica viewfinder in the new (Telyt) reflex housing, he could dissect the surroundings with his naked eye in the search for a suitable subject and position. He invariably picked out the perfect spot for taking the picture with the focal length he had already selected". 63pps text in German, spotting to next two, followed by those glorious prints. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bohemian Bookworm]
 30.   Check availability:     IberLibro     Link/Print  


      Wien: Verlag Zeitschrift "Flug," H. Pittner,. 1934. original gray wrappers printed in black, stapled.. A fine copy. (#135428). First edition. A famous paper which describes Sanger's experiments on a motor to power a high altitude rocket plane, published as a special issue of the Austrian aviation journal FLUG, December 1934. An English-language translation was published by the NACA as TM-1012 (1942). Ciancone 204. Interlibrum 270 #309. Ley, Rockets, Missiles, and Space Travel, revised edition, 1957, pp. 507-8. Ley (1968), pp. 425-7.

      [Bookseller: L. W. Currey, Inc.]
 31.   Check availability:     Biblio     Link/Print  

        Tender is the Night

      Charles Scribner's Sons 1934 - Charles Scribner's Sons, New York 1934. First Edition / First Printing. Dated 1934 with the Scribner's logo and "A". Cloth boards. Rare dust jacket priced at $2.50. Colum, Seldes, Rawlings blurbs at the front flap. Book Condition: Very Good+, tight spine, light spots. Rental library stamped twice at the front endpaper, light age toning. Dust Jacket Condition: Very Good-, shelf wear, age toning. Chipping at the spine, short tears. Wrapped in a new mylar cover. Housed in a custom clamshell box. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
 32.   Check availability:     ZVAB     Link/Print  

        Histoire de la Peinture Chinoise.:

      Paris: les Éditions d'Art et d'Histoire 1934 - Heavy book. Shipping quoted on request. A very good set bound in half calf, marbled boards. First edition Two volumes folio, pp.x, 114, 102 plates; 170, 126 plates.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
 33.   Check availability:     AbeBooks     Link/Print  


      New York: E. P. Dutton & Co., Inc.,. [1934]. original red cloth, front and spine panels stamped in black, fore and bottom edges untrimmed.. Some discoloration to endpapers along gutter margins due to binder's. glue, else a fine copy in fine pictorial dust jacket (designed by G.. Zilzer) with tiny nick at top edge of spine panel. In a custom black. cloth open face slipcase. (#149927). First U.S. edition. Presentation copy with signed inscription by Wheatley on title page: "For / Lily Pelway / from / Dennis Wheatley." Wheatley's third novel, and the introduction of his series character Gregory Sallust. "The first Gregory Sallust book, BLACK AUGUST, is a Wellsian view of England in the future during a Communist revolution." - Reilly (ed), Twentieth-Century Crime & Mystery Writers, third edition (1991), p. 1078 Clarke, Tale of the Future (1978), p. 66. Clute and Nicholls (eds), The Encyclopedia of Science Fiction (1993). p. 1319. Bleiler (1978), p. 207. Reginald 15190.

      [Bookseller: L. W. Currey, Inc.]
 34.   Check availability:     Biblio     Link/Print  

        El arte románico español. Esquema de un libro

      - Gómez-Moreno, Manuel El arte románico español. Esquema de un libro Madrid, Junta para la ampliación de estudios e investigaciones científicas. Centro de estudios históricos, 1934. Encuadernado en tapa dura, plena piel con nervios. Conserva portada original. 20x27,5 cm. 173pp+CCXVI láminas. Muy buen estado. [Attributes: Hard Cover]

      [Bookseller: Librería Mamut]
 35.   Check availability:     IberLibro     Link/Print  

        Lady Precious Stream: An Old Chinese Play Done into English According to Its Traditional Style by S. I. Hsiung. Signed Limited Edition

      London: Methuen, 1934 - First edition, first printing. Octavo, 24.1*16*2.5cm, 169p. Illustrated by Hsu Pei-hung (Ju Poen) and Chiang Yee. Spine of original dustjacket chipped, some wear to boards, page edges of handmade paper uncut. Limited edition of 100 numbered copies. SIGNED by author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Chinese Art Books]
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        Gedenkschriften an Prof. Dr. Wilhelm Othmer. Nanking, China 1934. In Memory of Professor Dr. Wilhelm Othmer

      Nanking, China: Kuo Hwa Press, 1934 - First edition, first printing. Octavo, 25.7*15.2cm, 100p. 50 double leaves. Text mainly in Chinese, a few leaves in German. [Attributes: First Edition; Soft Cover]

      [Bookseller: Chinese Art Books]
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        Visages - AH34 [ SIGNED ]

      S.V.U. Manes, Prague 1934 - A limited edition set of 36 caricatures, each 21 x 30cm. Remains of original grey paper wrappers. All housed in the publisher's original slipcase titled in black on a red label to the front cover. Signed and inscribed by Hoffmeister. Comprised of a half title page, a title page, a page containing three exhibition, a list of plates, limitation page and 36 numbered plates, being reviews of political and cultural figures including amongst others, Adolf Hitler, Jean Cocteau, James Joyce and Boris Pasternack. The half title page is Signed and inscribed by Hoffmeister to the cartoonist David Low: "For David Low / From his pupil / A Hoffmeister/ Praha 1947" Of the paper wraps, which are faded around the edges, only the front and rear panels remain, the spine panel having gone. Both panels are chipped with small loss mainly at the joints where the spine panel was. The original slipcase is rubbed on most edges and there is loss of the paper cover at the joint of the top and front panel, where the top panel is slightly pushed up. The spine is toned and has a few drip tide marks. The slipcase is still soundly bound. Over all, a very nice set, rare with the author's signature and sound provenance. Adolf Hoffmeister (1902-1973) was a writer and artist. He edited one of the main Czech daily newspapers, Lidové noviny(1928-30) and the main literary paper, Literární noviny (1930-32). And set up an anti-fascist magazine, Simplicus, in the 1930s after the German satiric magazine Simplicissimus was banned by the Nazis. During the war he was imprisoned by the Germans but managed to escape and make his way to the United States. After the war he became the Czech ambassador to France but as the regime grew more stalinist, he left the diplomatic service and became Professor at the Prague Academy of Decorative Arts, where he headed a special department for children¿s book illustrations and cartoons. After the collapse of the ¿Prague Spring¿ of the sixties he left his country for the second time and became Professor in Vincennes (France). In 1970 he returned to Prague and was declared a non-person. [Attributes: Signed Copy]

      [Bookseller: TheBookshelfOnline~Rainford&Parris PBFA]
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        Shame the Devil

      Mayfair, London: Grayson & Grayson. Curzon Street, 1934. First edition, Number 80 of 105 copies of this special limited edition. Frontispiece. 285 pp. 1 vols. 8vo. Crimson cloth, t.e.g., rest uncut. First edition, Number 80 of 105 copies of this special limited edition. Frontispiece. 285 pp. 1 vols. 8vo. Laid in envelope is a page of the typescript for Chapter 4 (page 46), with several pencil deletions and additions.

      [Bookseller: James Cummins Bookseller]
 39.   Check availability:     Biblio     Link/Print  

        Lectures on Political Economy, Volume One, General Theory

      London: George Routledge & Sons Ltd., 1934. First English language edition. SCARCE in collectible condition, this copy from the library of Elmus R. Wicker, his ownership signature front endpage. Wicker is Professor Emeritus in Economics at the Indiana University Kelley School of Business. In original blue cloth with gilt titles at spine, Very Good, small area of fading to cloth front boards bottom corner, light foxing to end pages and edges of page block. Contents are clean, tight, and unmarked. Wicksell was an influential Swedish economist whose works would influence both the Keynesian and Austrian schools of economic thought. . First English Edition. Cloth. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Dale Steffey Books]
 40.   Check availability:     Biblio     Link/Print  


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