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Displayed below are some selected recent viaLibri matches for books published in 1934

        Goodbye Mr. Chips

      Hodder & Stoughton 1934. Hardcover Book Condition: Near Fine Dust Jacket Condition: Very Good. Hodder & Stoughton, London 1934. First UK Edition / First Printing. Dated October 1934 on the copyright page with no additional printings listed. Blue cloth boards with gold lettering. Illustrated by Bip Piers. Book Condition: Near Fine, clean boards and spine, clean pages, tight spine. Soft shelf wear, a few light spots at the top edge. Dust Jacket Condition: Very Good, wrapped in a new removable mylar cover. Original jacket priced at 5- net at the spine, shelf wear, light spots. Stain and a small hole at the foot of the jacket spine, short tear.

      [Bookseller: 1st Editions and Antiquarian Books]
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        Forces in Molecules

      Lancaster and New York: American Physical Society. Lancaster and New York: American Physical Society. 1st Edition. Soft cover. Very Good. FIRST EDITION of Feynman's undergraduate thesis at MIT, "a fundamental discovery" published in The Physical Review when he was just twenty-one. "Forces or energy-that was the choice for those seeking to apply the quantum understanding of the atom to the workings of real materials. At stake was not mere terminology but a root decision about how to conceive of a problem and how to proceed in calculating...

 "As Feynman conceived the structure of molecules, forces were the natural ingredients. He saw springlike bonds with varying stiffness, atoms attracting and repelling one another. The usual energy-accounting methods seemed secondhand and euphemistic... [He demonstrated that] the force on an atom's nucleus is no more or less than the electrical force from the surrounding field of charged electrons-the electrostatic force. Once the distribution of charge has been calculated quantum mechanically, then from that point forward quantum mechanics disappears from the picture. The problem becomes classical; the nuclei can be treated as static points of mass and charge. Feynman's approach applies to all chemical bonds" (Gleick). His discovery, now known as Feynman's theorem or the Feynman-Hellmann theorem, has endured as an efficient approach to the calculation of forces in molecules. Provenance: With ownership signature of D.W. Epstein on front cover; presumably the D.W. Epstein who, along with I.G. Mallof developed the electron gun in 1934. IN: The Physical Review, Vol 56, Second Series, Number 4, August 15, 1939. Lancaster, PA and New York, NY: American Physical Society, 1939. Quarto, original wrappers. Toning around edges of wrappers, red paint marks on spine extending into front wrapper. Rare in original wrappers. Note: A custom cloth box is available for this item for an additional $225.

      [Bookseller: The Manhattan Rare Book Company]
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        Frankenstein

      New York: Harrison Smith and Robert Haas, 1934. New York: Harrison Smith and Robert Haas,, 1934. or The Modern Prometheus. Octavo. Finely bound by The Chelsea Bindery in full black morocco, titles and decoration to spine silver, raised bands, single rule to boards silver, twin rule to turn ins silver, burgundy endpapers, all edges silver. With engravings on wood by Lynd Ward. A fine copy. First Ward edition, first printing.

      [Bookseller: Peter Harrington]
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        The Wheelwright's Shop [Second Impression]. C.DAY-LEWIS'S COPY PRESENTED TO HIM BY HIS FATHER

      University Press Cambridge 1934 - 8vo., Second Impression, with a frontispiece, 7 plates and 24 illustrations in the text; original pictorial brown cloth, upper board and backstrip blocked and lettered in brown, a very good, bright, clean copy. C DAY LEWIS'S COPY, PRESENTED TO HIM BY HIS FATHER IN APRIL 1934 AND WITH THE LATTER'S INITIALLED HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. Second appearance of Sturt's classic account (first published in 1923). Complete with extended glossary. [Attributes: Hard Cover]

      [Bookseller: Island Books [formerly of Devon]]
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        Portrait photograph of James Stewart

      New York, [oct. 15, 1934] New York, [oct. 15, 1934]. (STEWART, JAMES) Variant of the portrait published in PORTRAITS: the Photographs of Carl Van Vechten (1978), edited by Saul Mauriber. 35.2 x 27.5 cm (Approximately 13-7/8 x 10-7/8 inches). Half-length portrait of the actor seated, in semi-profile. Fine. Docketed on rear in pencil recording the name of the subject, and identification number of the print ("VIII g 4")

      [Bookseller: James Cummins Bookseller ]
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        Haus auf dem Lande. Aquarell. Um 1950. Unten rechts innerhalb der Darstellung in Bleistift voll signiert: "Carl Rabus".

      . 35,5 : 49 cm (Lichtmass).. Thieme/Becker XXVII, 541. - Vollmer IV, 6. - Rabus war Schüler bei Angelo Jank in München. 1934 emmigrierte er in die USA. Er war später auch in Bruxelles ansässig. 1957 stellte er in der Galerie Palette in Zürich aus. Carl Rabus hat auch als Buchillustrator einen hervorragenden Namen. - Gerahmt.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        The Judgement Seat

      London: The Centaur Press,, 1934. London: The Centaur Press,, 1934. Frontispiece by Ulrica Hyde. Octavo. Original black cloth, titles to upper board gilt. Illustrated frontispiece. Corners lightly rubbed, faint marks to cloth; an excellent copy. First edition, first impression. One of just 150 numbered copies signed by the author on the limitation leaf, and by the artist on the illustrated frontispiece. Maugham's curious parable tells of three righteous souls brought before the judgement seat with (as it turns out, misplaced) confidence in their salvation.

      [Bookseller: Peter Harrington]
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        The Plays of

      New York: Charles Scribner's Sons, 1934-35. New York: Charles Scribner's Sons, 1934-35. The Wilderness edition, one of 770 numbered sets signed by O'Neill, this being #481, printed from type now destroyed. 12 vols., 8vo. Photogravure frontispieces. In the original orange buckram gilt, some with glassine jackets, FINE in slipcases with some minor damage . An irresistible set of this definitive edition, designed by Elmer Adler and set in am eighteenth-century typeface based on the castings made by John Baskerville, and printed on specially watermarked paper at the press of the publisher

      [Bookseller: James Cummins Bookseller]
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        Sammlung von 200 Postkarten mit Liedtexten.

      Hbg., Robert Franke u.a., [1934-1944].. 12°. 200 Blatt mit Illustr.. Erste Ausgaben. - Beginnend mit dem Saarlied "Deutsch ist die Saar" von 1934 enthält die Sammlung zumeist Karten aus dem Zweiten Weltkrieg. Dabei sind alle bekannten Lieder der Zeit vertreten wie z.B. "Lili Marleen", "...denn wir fahren gegen Engeland!", "La Paloma", "Schwarzbraun ist die Haselnuß", "Der Wind hat mir ein Lied erzählt", "Das kann doch einen Seemann nicht erschüttern", "Marsch- und Kampflied der NSDAP", "Den großen Führer grüßen wir ..." (S.-A.-Marsch), "Liebling wenn ich traurig bin", "Stuka-Lied", "Das Lied vom deutschen U-Boot-Mann", "Es ist so schön, Soldat zu sein", "Es steht ein Soldat am Wolgastrand", "Tapfere kleine Soldatenfrau", "Panzer-Lied", "Unser Rommel", "Eine Seefahrt, die ist lustig", Die Fahnen hoch ..." u.v.a. - Einige Liedtexte sind doppelt vorhanden, dann aber meist mit abweichenden Illustrationen. 43 Karten sind beschrieben, der Rest sauber erhalten, vereinzelt etwas braunfleckig und gering gestaucht, insgesamt gut erhalten.

      [Bookseller: Verlag und Antiquariat Frank Albrecht]
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        MAN RAY: PHOTOGRAPHS 1920 - 1934, PARIS

      Hartford, CT // Paris: James Thrall Soby // Cahiers d'Art, 1934. Hartford, CT // Paris: James Thrall Soby // Cahiers d'Art, 1934. Second State with canceled title page noting “Second Edition”. Comb Binding. Quarto. Original comb binding with one comb broken at the top; 102 of 104 gravure plates, lacking one leaf (2 photographs) and the back cover; final leaf is detached with soiling and wear including a chip to the top corner; the last 20 leaves have a very faint (less faint on 2) tideline running along the bottom edge about 1/4” into the leaf (does not affect any images or text and is quite subtle except for the last two or three leaves; a notoriously fragile book this copy is typical--in Good condition or better except for the lacking leaf and rear cover; the interior is quite clean and the images are bright; undoubtedly among the high-points of 20th century photobooks, and Man Ray's first monograph; scarce in any condition; digital images can be made available upon request. Roth 80.

      [Bookseller: Michael Pyron, Bookseller]
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        Kunstausstellung - Landesmuseum 3. bis 25. Feber [1934].

      Graz, Steiermärkischer Kunstverein, 1934.. OPlakat. ca. 95 x 63 cm.. Einmal gefaltet, kl. St. a. T. u. Rückseite, leichte Gbrsp. - Originalplakat als Holzschnitt in Braun und Blau.

      [Bookseller: Antiquariat Weinek]
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        Journal of the British Interplanetary Society. Volumes 1 to 28 (1934-1975)

      London, 1934-1975. London, 1934-1975. *The price of this item HAS BEEN temporarily REDUCED until Sunday. Order now for BEST SAVINGS! (sale item) volumes 1-28 (1934-1975), an uninterrupted run of complete volumes, mostly bound, well illustrated throughout; library markings, else overall good. Photos available upon request.

      [Bookseller: Zubal Books]
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        Jonah's Gourd Vine

      Philadelphia:: J.B. Lippincott,, 1934.. Philadelphia: J.B. Lippincott, 1934. First edition of the author's first book. Octavo, original cloth. Inscribed by the author to Harold W. Thompson on the front free endpaper: "To / Dr. Thompson / a gold throne - angel / with shiny wings / Zora Neale Hurston." Some fading to the cloth and worn at corners and spine ends, faint scar to front free endpaper in a price-clipped dust jacket that has some restoration to the spine panel and joints. Harold William Thompson was the author of Body, Boots, & Britches: Folktales, Ballads, and Speech from Country New York. Housed in a custom quarter morocco clamshell box. A nice association copy, uncommon in the original dust jacket. Praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable." Written in only three to four months in 1934, Jonah's Gourd Vine is the first novel published by acclaimed anthropologist, writer, and Harlem Renaissance personality Zora Neale Hurston. The book, based loosely on her parents' lives, explores the life and consciousness of John Pearson and his relationship with his wife Lucy Potts and other women in the town. Pearson was depicted as a minister in a small black Florida town, Eatonville, which in reality was Hurston's hometown. In Hurston's work one hears and feels the authentic voice, power, and sensibilities of people and places. In this novel, she used events from her childhood and the sermons she heard as a preacher's daughter to give structure and texture to this novel.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Jonah's Gourd Vine

      J.B. Lippincott Company, Philadelphia/London 1934 - (price-clipped) [a solid clean copy, firmly bound, with light fading to cloth at spine and around edges of both covers, minor browning/soiling to page edges, gift inscription on ffep and one-time owner's name in ink at bottom of rear pastedown; jacket is edgeworn, moderately soiled, missing pieces at both ends of the spine (including loss of most of "Jonah's" at top), old internal tape repair/reinforcements at some of the folds, and the ffep gift inscription has offset onto the front jacket flap -- but the front panel is substantially intact and still quite attractive]. The author's first novel and first published book, "the life story of a big, lovable Georgian negro," preacher and carpenter John Pearson, and his wife, "little black-eyed Lucy Potts" -- basically thinly fictionalized portrayals of Hurston's own parents. Hurston was well-established as a short-story writer and folklorist, and her first book was widely anticipated -- as evidenced by the publisher's ability to recruit jacket blurbs from Carl Van Vechten and Fannie Hurst, the latter also supplying the book's introduction. NOISBN [Attributes: First Edition; Hard Cover]

      [Bookseller: ReadInk, ABAA/IOBA]
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        The Plays of

      New York: Charles Scribner's Sons, 1934-35 New York: Charles Scribner's Sons, 1934-35. The Wilderness edition, one of 770 numbered sets signed by O'Neill, this being #481, printed from type now destroyed. 12 vols., 8vo. Photogravure frontispieces. In the original orange buckram gilt, some with glassine jackets, FINE in slipcases with some minor damage . An irresistible set of this definitive edition, designed by Elmer Adler and set in am eighteenth-century typeface based on the castings made by John Baskerville, and printed on specially watermarked paper at the press of the publisher

      [Bookseller: James Cummins Bookseller ]
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        Volk ans Gewehr ! Abschluß-Album des Werkes "Deutsche Uniformen"

      ohne Verlagsangabe, 1934,. 79 S., komplett mit allen eingeklebten Bildern, überarbeitete Röhm-Ausgabe (in den ganzseitigen Kunstdruck zwischen Seite 64 und 65 eingedrucktes Bild mit Röhm wurde durch ein Brustbild Hitlers überklebt, Röhmtexte auf Seite 78 mit einem Bild SA und SS Dienstdolch überklebt), geprägter Pappeinband, Querformat 29 x 24,5 cm, guter Zustand.

      [Bookseller: Versandhandel für Sammler]
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        DEUTSCHE UNIFORMEN - ALBUM: VOLK ANS GEWEHR! ABSCHLUSS-ALBUM - KOMPLETT

      . Deutsch. Z 2-3; gesamthaft gut bis ordentlich erhalten, wie beschrieben.. Sturm Zigaretten-Fabrik Dresden (Hrsg.): Volk ans Gewehr! Abschluß-Album des Werkes "Deutsche Uniformen". 1934. OPpbd., quer-4to, 79 S., komplett mit allen eingeklebten Bildern, überarbeitete Röhm-Ausgabe (Röhmtexte auf Seite 78 sind mit einem Bild SA und SS Dienstdolch überklebt). Einband m. leichten Altersspuren, Einbandkanten leicht bestoßen, gutes, sauberes Exemplar.

      [Bookseller: vorZeiten-Versandantiquariat (Inh. Dr. H]
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        18 POEMS

      Sunday Referee & Pardon Bookshop , 1934. Sunday Referee & Pardon Bookshop , 1934. First edition, first issue with a flat spine. Original black cloth with gilt titles to the spine in grey printed dustwrapper. Author's contemporary presentation copy, inscribed on the front end paper: "To D. J. Davies / from / Dylan Thomas / January 1935" A fine copy in a very good dustwrapper, which has small chips to the spine ends and small split in the centre. The author's first book, published in an edition of only 250 copies, a month after his twentieth birthday in December 1934. In April 1934 Thomas had won the Sunday Referee's Poet's Corner Prize, which included their sponsorship of his first book. He oversaw the publication of the book, staying in London to ensure that the printing went smoothly and to correct any typographical errors. Thomas's first poems were published in the Swansea Grammar School magazine in 1926. He attended Swansea from 1925-31 and had some success in athletics and acting in school plays, but passed only one exam (English). D.J. Davies was a history master at Swansea Grammar School, and in charge of the school drama department, with which Thomas was involved.

      [Bookseller: Jonkers Rare Books]
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        David Copperfield (Archive of scripts for the 1935 film)

      New York and California: Metro-Goldwyn-Mayer [MGM], 1934. New York and California: Metro-Goldwyn-Mayer [MGM], 1934. An archive of ephemera for the 1935 film, "David Copperfield," including a 3rd Draft script, an advertising and publicity manual from MGM, and a treatment describing various scenery ("As Described in Charles Dickens' Novel") in the film. & & Based on Dickens' serialized novel, the story concerns David Copperfield (Frank Lawton) and his cruel stepfather, Mr. Murdstone (Basil Rathbone), who sends David to London to earn a living. David escapes to his aunt Betsey's (Edna May Oliver), where he can cope with the loss of his parents, and go on with his life. & & Nominated for several Academy Awards, and the only script W.C. Fields ("Micawber" in the film) followed to the letter (he was known to ad lib most of his speaking parts). & & Set in London, shot on location in California. & & Included in the archive are:& & A 3rd Draft script with brief holograph notations in pencil and ink throughout. Light blue studio wrappers, noted as 3rd Draft on the front wrapper, rubber-stamped TEMPORARY COMPLETE and production No. 1035, dated July 10, 1934, with a credit for screenwriter Estabrook. Standard white MGM studio label affixed to the front wrapper. Title page integral with front wrapper. 157 leaves, mimeograph. Pages and wrapper Very Good, with toning and a few short tears, bound with two gold brads.& & An advertising guide, internally produced, including advertising copy exploitation techniques, trailers, and publicity (essentially an early press kit), with a numerical notation in holograph pencil on the front wrapper. Light blue studio wrappers, noted as METRO-GOLDWYN-MAYER MANUAL on the front wrapper, circa 1934, with credits for director Cukor, producer David O. Selznick, the cast, and press agent Howard Deitz. Title page integral with front wrapper. 84 leaves, mimeograph. Pages Near Fine, wrapper Very Good plus, with toning and a few short tears, bound with two gold brads.& & A guide to the film's sets. Light blue studio wrappers, noted as SETS on the front wrapper, dated July 6, 1934, with a credit for screenwriter Estabrook. Distribution page not present. Title page integral with front wrapper. 16 leaves, mimeograph. Pages and wrapper Very Good plus, with toning, side-stapled.

      [Bookseller: Royal Books, Inc.]
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        Webster's new international dictionary of the English language. Second edition unabridged. An entirely new work

      "Springfield, Mass.": 1934, C. & C. Merriam Company. "Springfield, Mass.": 1934. C. & C. Merriam Company. "First edition, 2 volumes, 4to, pp. xcvi, 1472; [2], 1473-3210, [2] pages of ads and promotion of the same; lexicon in triple column; 8 color plates on rectos and versios of 4 sheets prior to the title page, gravure color frontispiece portrait of Noah Webster, 39 other plates throughout, many in color, numerous wood-engraved illustrations in the text; publisher's full tan calf stamped in gilt on upper covers, black morocco labels lettered in gilt on spines, fore-edges with alphabetical tabs; extremities scuffed and rubbed, some modest repair to the joints and spine ends, but still good and sound. & & One of the three most important English dictionaries of the 20th century, dominating the marketplace and held in the highest esteem from 1934 until the arrival of Webster's Third in 1961, and thereafter still often prefered by purists, and cited in legal cases as an authoity."

      [Bookseller: Rulon-Miller Books]
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        Madeira, Kanarische Inseln, Azoren, Westküste von Marokko.

      Leipzig, Baedeker 1934.. (1. und einzige Auflage). 112 S. Mit 17 Karten und 6 Plänen. OKart. (gering berieben).. Hinrichsen D 477.- Einzige deutsche Ausgabe.- Gutes Exemplar. Selten.

      [Bookseller: Unterwegs Antiquariat und Galerie Marie-]
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        Taliesin: Vols. I & II [Three Issues, All Published]

      Taliesen Fellowship, 1934. Taliesen Fellowship. PAPERBACK. Spring Green, Wisconsin, 1934 & 1941. The first, second and third issues of Frank Lloyd Wright's Taliesen. Housed in a custom clamshell case with black leather at spine and gilt writing. The first issue, from 1934, is good only with some professional restoration at margins of covers and first page and some creasing to contents. Remains complete and attractive. The second Vol. I Issue I, published in October of 1940, is in very good condition with light normal wear and a small owner signature on front cover. It includes "A New Success Ordeal" by Wright, a conversation with Mies Van Der Rohe on Broadacre City, and a range of other articles. The second issue - which is actually the third published, after a second Vol. 1 Issue 1 published in 1940 - is very good minus with some foxing to covers and very good contents. Wright intended to publish Taliesen nine times a year. The first issue includes a range of material, including Wright's "Four Organic Commandments." Issue 2 includes articles on Music, the Playhouse and Taliesen West. A scarce trio of Wright publications, attractively presented. Sweeney 2037, 2040, + 2041 . Very Good. 1934. First Edition.

      [Bookseller: Auger Down Books]
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        The Noble & Joyous Boke Entytled le Morte Darthur.,

      Shakespeare Head Press and published by the Press for Basil Blackwell, Oxford 1934 - 4to. Two volumes. (4),xxviii,316;(4)273,(3)pp. One of 370 copies on handmade paper (of which 350 are for sale), this being copy number 268. One of the few copies bound in full brick-red morocco. Printed in red and black throughout in Caslon type, with 22 woodcuts reproduced from Wynkyn de Worde's folio edition of 1498. The text is a careful reprint from de Worde's folio of 1498 from the unique copy in the Rylands Library, never before reprinted, and bridges the gap between Caxton's edition of 1485 (reproduced by Sommer and later printed in facsimile by Scolar), and Wynkyn de Worde's edition of 1529, on which most modern editions are based. Sommer remarks that the woodcuts reproduced from the DeWorde 1498 edition represent the first attempt ever made of illustrating a text throughout with engravings. As for the text, the few pages lacking in the Rylands copy have been supplied, and indicated by square brackets, from the Caxton edition. Full contemporary brick-red morocco; spine titled in gilt. Top edges gilt in the rough. Marbled endpapers. This set is usually seen with the leather rubbed and degraded; this copy, however, is in fine condition with only the barest trace of rubbing. The printing of this work was completed on December 13, 1933. Most sets bear the imprint date of 1933, but others, like ours, are dated 1934. Gaines, A21. [Attributes: Hard Cover]

      [Bookseller: Thorn Books, ABAA]
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        Enciclopedia universal ilustrada europeo-americana Espasa-Calpe (118 tomos)

      - Enciclopedia universal Espasa-Calpe. Madrid. 26 cm. 118 vols. , profusamente ilustrado, con mapas desplegables en color, dibujos, grabados y fotografías en b/n y color. Contiene: 72 volumenes (vol. 18 y 28 compuestos de 2 tomos); 10 Apéndices ; 1 Apéndice A-Z ; 31 tomos de Suplemento de 1934 a 1998 (1936-1939 2 vols.) ; 1 tomo de Índex 1934-1996 ; 1 tomo Índex suplementos 1934-1980 ; 1 Atlas mundial y 1 Atlas de España. Enciclopedia Universal Ilustrada Europeo-Americana - Etimologías, sanscrito, hebreo, griego, latín, árabe, lenguas indígenas americanas, etc. Versiones de la mayoría de las voces en francés, italiano, inglés, alemán, portugués, catalán, esperanto . Cubierta deslucida. SOT.A.M [Attributes: Soft Cover]

      [Bookseller: Alcaná Libros]
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        Stable Money: A History of the Movement

      ADELPHI COMPANY, NEW YORK 1934 - Very good condition, rare first edition blue hardback with gold gilt lettering on spine. No markings except for prev. owner's very neatly written name and date on front endpaper. Very, very slight bumping to corners due to gentle shelfwear. "Fisher (1867-1947) wrote 13 books on monetary stabilization, of which "Stable Money" is perhaps the most important: OCLC lists almost 200 major academic libraries worldwide, each holding a copy of this book. Outside the academia, though, the book is rather scarce." DATE PUBLISHED: 1934 EDITION: FIRST ED 442 [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        The Theory of Economic Development

      Cambridge: Harvard University Press,, 1934. Cambridge: Harvard University Press,, 1934. An Inquiry into Profits, Capital, Credit, Interest, and the Business Cycle. Translated from the German by Redvers Opie. Octavo. Publisher's red cloth, blind rule border to covers, spine lettered in black. Ownership inscription dated August 1935 to front free endpaper. Spine lightly faded, lower corner of front cover worn, head of spine minimally frayed. A very good copy. First edition in English, with a new preface by Schumpeter, of Theorie der Wirtschaftlichen Entwicklung (1912), the first important version of what was to become known as the "Schumpeterian system", one of the clearest statements of Schumpeter's highly original conception of "circular flow," the business cycle, and the role of the entrepreneur. The translator (Taussig's son-in-law) was a personal friend of the author. Published as volume XLVI in the Harvard Economic Studies series.

      [Bookseller: Peter Harrington]
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        Deutsches Volk—Deutsche Arbeit

      Berlin: Anzeigen-Aktiengesellschaft,, 1934. Berlin: Anzeigen-Aktiengesellschaft,, 1934. Quarto. Original illustrated wrappers. With black and white photographic illustrations throughout. An excellent copy in lightly foxed wrappers with a few nicks and tears to extremities, two tape repairs to verso of front wrapper. First edition. Exhibition catalogue for the state-sponsored exhibition Deutsches Volk—Deutsche Arbeit, held in Berlin between 21 April and 3 June 1934. The catalogue and poster for this exhibition were both designed by the graphic artist Herbert Bayer. The former Bauhaus artist designed three catalogues for propagandistic exhibitions, the other two being Das Wunder des Lebens (1935) and Deutschland (1936). However, as more of Bayer's colleagues emigrated and the artist found himself featured in the 1937 Entartete Kunst exhibition, Bayer left Germany in 1938. With loosely inserted leaflet concerning cultural events taking place in Berlin in May and June 1934.

      [Bookseller: Peter Harrington]
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        Die Baja, ein Negerstamm im mittleren Sudan. Teil 1 und Teil 2 Ergebnisse der 1913 vom Reichs-Kolonialamt ausgesandten völkerkundlichen Forschungsreise nach Kamerun .

      Stuttgart : Strecker und Schröder,, 1934... Teil 1(Materielle und seelische Kultur) mit 4 Bunttafeln, 32 Tafelbildern, 322 Figuren auf 19 Tafeln und einer Karte. Teil 2 (Geistige Kultur) mit 12 Tafelbildern und 51 Figuren auf Tafeln. 242 und 182 Seiten Halbleinen. Die Einbände sind altersgemäss etwas beschmutzt und gebräunt und die Leinenrücken sind auch ein wenig beschmutzt. Innen befindet sich diese Ausgabe in einem guten Zustand. Es handelt sich hier um die seltene Originalausgabe. HP15 HP15

      [Bookseller: Schuebula]
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        Violet Martineau, Sophia Lonsdale and the League to Abolish Poverty : small archive of items [Manuscript Letters and pamphlets]

      League to Abolish Poverty, 1934-1936 - A small, but unique collection of items relating to Violet Martineau, Sophia Lonsdale and the League to Abolish Poverty. Contents: autograph letter signed by Violet Martineau to a "Dear Miss Fell" -- autograph letter signed by Alice M. Humphrey to "My Dear Violet" -- Sophia Lonsdale funeral service programme, November 19th, 1936 -- typed letter signed by D. Binton Riddett, Hon. Sec. on headed "League to Abolish Poverty" notepaper, addressed to A. C. Garrad, 3rd May 1934 -- 2 League to Abolish Poverty pamphlets. Subjects: Poor -- Poverty -- Poor laws -- Great Britain -- History -- 20th century. Notes: Sophia Lonsdale was the author of 'The English poor laws : their history, principles, and administration. Three lectures given at the University Settlement for Women, Southwark' (85p., London : P. S. King and Son, 1897) and an 8-page pamphlet, 'The evils of a lax system of out-door relief : a paper read at the third meeting of the Charity Organisation Conference held at Cheltenham, April 30, 1895.' Violet Martineau compiled 'Recollections of Sophia Lonsdale' (London : Murray, 1936). All items are in a very good condition, with some dulling and fading evident as with age. The League to Abolish Poverty material has some slight edge tears. Remains quite well-preserved overall. Further images and additional bibliographic information available on request. 1 Kg. 0 pp. [Attributes: First Edition]

      [Bookseller: MW Books Ltd.]
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        Vintage Silver Print of Climactic Scene from THE INFORMER

      [Np: The Photographer, ca. 1934 - 1935].. [Np: The Photographer, ca. 1934 - 1935].. Original double weight matte-finish gelatin silver print, 11 x 14" (with margins; image size 9 x 11 3/8"). Trivial smudge in left blank border, two minute dents in lower corner of image, otherwise near fine. A superb, quality print of this still image by Robert W. Coburn taken during the production of John Ford's multi-award-winning film adaptation of Liam O'Flaherty's novel, based on a screenplay by Dudley Nichols. This print bears the photographer's blindstamp in the lower margin, and is clearly a very high quality print, perhaps by Coburn himself, prepared for special use. The scene depicts Victor McLaglen, as Gypo Nolan at the climax of the film, being confronted by the IRA enforcer on the front steps of the apartment, just seconds before being shot. Robert W. Coburn (1900-1990) was one of the legendary greats of Hollywood still and portrait photography. This work for RKO predates his twenty-year association with Columbia Pictures. His portraits of Joan Crawford, Rita Hayworth, Katherine Hepburn, Henry Fonda, Marlon Brando, Orson Welles, Carol Lombard and many others have achieved almost iconic status.

      [Bookseller: William Reese Company - Literature ABAA-]
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        THE YELLOW JOSS

      Angus and Robertson 1934 - True first edition.Yellow cloth covers with black titles to spine and front cover.Spine a little mottled,small dent top rear cover edge.Block is tight and sound,no names or stamps etc.Lovely copy throughout,hinges excellent.Frontis plate present and 18 photographic plates throughout text. [Attributes: First Edition; Hard Cover]

      [Bookseller: THE BOOK SHOP]
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        THE CASE OF THE CURIOUS BRIDE (Presentation Copy of the First Edition)

      New York: William Morrow, 1934. New York: William Morrow, 1934. Gardner, Erle Stanley. THE CASE OF THE CURIOUS BRIDE. New York: William Morrow, 1934. First Edition, first printing. An exceptionally bright Fine copy in a Very Good original dust jacket. The jacket has light edge-wear and rubbing, a few blemishes to the back panel; the price has been neatly torn, not clipped, from the front flap but a RARE DUST JACKET by any standard and virtually never seen. INSCRIBED in the year of publication by the author: "To Tee Rose, who sees far beneath the surface/and knows how to write about it. / With all best wishes/ Yours, Erle Stanley Gardner/Christmas 1934." A very small newspaper photo and biography of Gardner has been pasted to one corner of the front free endpaper. Tee Rose, a young writer from San Francisco, became a lifelong friend of ESG and she always received his latest book in the mail immediately upon its publication. We have in stock quite a few of his presentation copies to her from 1934 to the early 1960s. THE CASE OF THE CUROUS BRIDE is the fifth mystery in Gardner's Perry Mason series. A woman claiming not to be a bride consults Mason about her "friend" whose husband, long thought to have died in a plane crash, turns up alive.. Signed by Author. First Edition. Hard Cover. Fine/Very Good.

      [Bookseller: Lakin & Marley Rare Books]
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        Exhibition catalogue, inscribed and signed ("GeorgesB").

      N. p., July 10, [1934].. 1 p. on 6ff. Printed wrappers. Small 4to.. Apparently a letter draft, written on the next-to-last page (entitled "Notes"): "[...] Today 10th July in the year of our Lord one thousand nine hundred thirty four I told Tristan [?] that I would spend a weeks holiday with him [...]". - In pencil; somewhat brown-stained, cover rather browned and spotty.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        FLUGSPORT. Illustrierte flugtechnische Zeitschrift und Anzeiger für das gesamte Flugwesen, 8 Jahrgänge: 28 (1936), 29 (1937) und 31 (1939) bis 36 (1944). Fest eingebunden in 8 Bänden. Unter Mitwirkung bedeutender Fachmänner herausgegeben von Oskar Ursinus.

      Frankfurt a. M. : Verlag Flugsport, 1934 - 1944.. 8 Bände mit 8 Jahrgängen. Bibliothekseinband. Sehr guter Zustand. Einbände berieben. Bindungen fest. Seiten sauber. Der Titel stammt aus einer aufgelösten Spezialbibliothek für Luft- und Raumfahrt. Beachten Sie bitte unser umfangreiches Angebot zu diesem Thema. Versandkosten für das Ausland bitte vorher anfragen. Auf Anfrage schicken wir Ihnen gern eine Liste mit weiteren Bildern dieses Angebotes. zqx mbx

      [Bookseller: Antiquariat BOOKFARM]
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        Archive of his correspondence with Edith Morpurgo, an Austrian girlfriend

      London: , 1934–5. London: , 1934–5. Together 11 items: three 4-page autograph letters in ink signed Ian, one 2-page typed letter with autograph postscript in ink signed Ian, two 4-page autograph letters in pencil signed Ian, two pencilled notes in Fleming's autograph, one pencil telegraph form with letter in pencil from "Ian", all in German, one photograph of Ian Fleming seated in Austrian mountain scenery in climbing boots and shorts, captioned in a later hand "Der Vater von James Bond 007, ein Freund 1934 in Osterr[eich]". One letter evidently angrily torn into pieces by the recipient, later restored with cellophane tape. A fine correspondence revealing the typically tempestuous relationship, with hints of sadomasochism, between the young Fleming and Edith Morpurgo (1912–1942), the daughter of a prominent Salzburg businessman. She, along with her husband Julius Jakob David Essinger, whom she had married in 1939, and their two-year-old daughter, would be murdered in Auschwitz. Contents: 1. Envelope with hand drawn stamp addressed: "Liebesbrief an meine liebste Läzilie" – Loveletter to my dearest Leslie. 2. Note on St James' Club headed notepaper, undated, written in pencil: "Ich küsse Dich XX" – I kiss you. 3. Note on stiff card, folded, undated, written in pencil: "Komm @ 7.30 zurück. Küsse Dich liebeli du 'oberstadtt[d]eppin'" – Come back at 7.30, Kisses you lovely, you 'high class ninny'. 4. Black and white photograph of Fleming sitting on a mountain peak, 203 × 175 mm, the verso stamped Bildstelle Géza Wertheim, Wien I. Totenturmstr. 14 Tel. R-22-8-88. Crudely mounted, with handwritten caption above the image: "Der Vater von James Bond 007, ein Freund 1934 in Österr." (The father of James Bond 007, a friend 1934 in Austria). Surface wear to the image. 5. Printed Post Office Telegraphs form, dated 7 December 1934, Numbered in pencil 1046, with the time code 5.12p Office of Origin London 3 Service instructions U (?urgent) and number of words 14. The message, written in pencil, reads: "Mopurgo 43 Marylebone Lane Regret this evening impossible goodbye with all my love Ian". 6. Autograph note signed, in ink, on folded letter card embossed 11, Throgmorton Avenue, London, E. C. 2, printed date 193 not filled in. [Tel:] London Wall 8950: "Mein – ic h will Dich nur küssen und nichts sagen. Es hat keinen Sinn, aber ich schicke Dir die Stücke – meines HERZENS!!!! VORHANG! Ian" (Mine – I only want to kiss you and say nothing. It makes no sense, but I send you the pieces – of my HEART!!!! Curtain (?) Ian). 7. Typewritten and autograph letter signed, on folded letter card embossed 11, Throgmorton Avenue, London, EC2, printed date 193 filled in April 2 1935. [Tel:] London Wall 8950: Addressed: "Hochverehrte Frau Baronin!" with a pasted in slip of a clothing retailer, offering underwear, with prices, and conditions of sale, signed below in typed characters "Ian Fleming Esq,.". With typewritten letter printed across the full width of the card: "Ich kaufe das Schloss nur, wenn Du dort mit mir wohnst. Also, opferst Du dich oder nicht – alles inklusiv, selbstverständlich. Oberstadtt[d]eppin, der Staub liegt meterhoch in der Wohnung. Seit dem Tage wo Du weg gefahren bist, bin ich nie wieder hingegangen, und es sind sicher Briefe für Dich dort. Deinen Blumen muessen noch dort sein. Wann kommst Du zurueck das ganze ausputzen? Du kannst es haben wann Du willst und ich werde Dich nicht 'belaestigen', und Du wirst auf meine Luegen nicht aufpassen muessen. Bitte, Edith, komm. Ich kann die Wohnung sowieso nicht benutzen, weil sie noch immer von Dir stinkt (haette ich 'dueftet' sagen sollen) und ausserdem ist kein Kandidat vorhanden. Oder nimmst Du deinen aerztlichen Beruf zu ernst? Ich fuehre, wenn es dich interessiert, das selbe Leben, aber weniger so. Das einzige, das mich beunruhigt hat, war das du MOR und nicht MO bist. Seit wann ? oder warst Du incognito hier? Ich habe dich imme Morpurgo genannt, und Du lebst as Morpurgo in meinen Errinerungen, und Morpurgo wirst Du bleiben, schimpfe so viel Du willst. Also 'Balls to you' (englishes Sprichwort), beziehungsweise, L.M.A.A. (deutsches Sprichwort), und sei damit zufrieden." Added in Manuscript: "Nein – im Ernst, Liebes Du, komm zurück in die Wohnung, und ich werde Dich in Frieden lassen. Ich möchte auch, dass Du siehst dass ich diesmal nicht gelügt habe xxxx Ian" (I will only buy the castle if you will live with me there. So, do you offer yourself or not, everything included, naturally. High class ninny, the dust is a meter deep in the apartment. Since the day you went away, I have not been back there again, and there must be some letters for you there. Your flowers must be there too. When will you come back and clean everything up? You can have it whenever you want to and I won't "bother" you, and you won't have to watch out for my lies. Please, Edith, come. I can't use the appartment in any case, because it still stinks of you (should I have said smells), and besides no candidate is available. Or are you taking your medical job seriously? I am leading, in case you are interested, the same life, but less so. The only thing that has disconcerted me was that you are MOR and not MO. Since when? Or war you here incognito? I have always called you Morpurgo and you live as Morpurgo in my reminiscences, and Morpurgo you will remain, swear as much as you like. So 'balls to you' (English swearword), respectively L.M.A.A [i.e. Leck mich am Arsch] (German swearword), and be content with that. No, seriously, dearest you, come back to the apartment and I will leave you inpeace. I would also like you to see that I haven't lied this time. Ian). 8. Autograph and illustrated letter signed, on folded letter card embossed 11, Throgmorton Avenue, London, E. C. 2, printed date 193, not filled in. [Tel:] London Wall 8950: "Erste Zeichnung: 'Wo ich Dich küssen will.'" (First illustration: where I want to kiss you), written above a pair of eyes and a pair of feet with kisses at implied mouth, breasts and vagina positions. "Zweite: 'Ich will mit Dir:" (Second: I want to … with you), written next to a picture of a door with a Do Not Disturb sign on it, a pair of man's shoes and a pair of lady's shoes to either side of the door. "Z[S]onst werde ich Dir nichts mehr sagen – nur dass ich Dich ---- habe. Wenn ich 'Lieb' sage wirst Du mit mir streiten, und dann werde ich Dich peitschen müssen und du würdest winen und das will ich nicht. Ich will nur dass du glücklich wirst. Aber ich möchte Dir auch weh tun, weil Du es verdienst hast und um Dich zu zä[h]men (?) wie ein kleines wildes Tier. Also gib acht, Du. Du, ich möchte einmal mit Dir schlafen und Dir nichts tun – nur Dich umarmen und festhalten und Dich da finden wenn ich erwache. Aber es muss sonnig sein! Wo werden wir Sonne finden in diesem trüben Land? Aber es hängt nur von Dir .. der Sonne ab und und das sind nur zwei Sachen und es könnte so leciht so viel mehr sein. Ich küsse Dich wo Du nicht erlaubst und bleibe mit Deutschem Gruss! Dein Ian. P.S. Schnarchst Du?" (Otherwise I will say nothing more to you – only that I ---- you. If I were to say 'love' you would only argue, and then I would have to whip you and you would cry and I don't want that. I only want for you to be happy. But I would also like to hurt you because you have earned it and in order to tame you like a little wild animal. So be careful, you. You, I'd like to sleep with you just once and do nothing to you, just wrap my arms around you and hold you tight and find you there when I wake up. But it must be sunny! Where will we find sunshine in this overcast country? But it only depends upon you and the sun and that is only two things, and so it could so easily be so much more. I I kiss you where you will not allow me to and remain, with a German greeting, Your Ian. P.S. Do you snore? 9. Autograph letter signed, written in pencil on folded letter card embossed 11, Throgmorton Avenue, London, E. C. 2, printed date 193, not filled in. [Tel:] London Wall 8950: "Was soll ich Dir sagen Libelei? Deine Schreibereien sind ganz unverständlich aber ich kenn die Sprache nicht gut genug und muss dir alles einfach sagen und die schrecklichsten Sachen treue ich mich doch nicht hinzuschreiben. Und ich zeichne auch so schlecht. Du es ist doch gut wie wir jetzt zusammen sind, nicht? Und ich freue mich auf Dich. Ich möchte dass Du hier bleibst. Zuerst war es doch anders und dann warst Du krank und jetzt müssen wir ordentlich leben und Du muss eine neue Welt kennen lernen – ohne Thonet – ohne meine – auch onhe Reny. Du es wird sich lohnen für dein ganzes Leben denn Du muss wirklich wieder neu anfangen und ich werde Dich hüten und vielleicht besser verstehen und Du wirst ruhiger werden. Du wirst wirklich wenig Geld brauchen, Geliebtes, und ich bitte Dich darum keine Sorgen zu machen. Ich küsse Dich und bin glücklich DEIN Ian. So bin ich wenn Du nicht da bist. Und wenn du da bist." (What shall I say Dearest? Your writings are quite incomprehensible but I don't know the language well enough and must say everything to you simply and I therefore don't trust myself to write down the most terrible things. And I also draw so badly. You, are we not good together as we are now, no? And I am happy with you. I want you to stay here. It was different at first, and then you were ill, and now we have to live in a decent way and you must get to know a whole new world – without Thoret (?)– without Me (?) – also without Reny (?). You, it will be worthwhile for your whole life as you must really begin all over again and I will protect you and perhaps understand you better and you will become calmer. You'll really need little money, beloved, and I beg you not to worry about it. I kiss you and I am happily YOUR Ian. This is how I am if you're not there. And if you are there.) 10. Autograph and illustrated letter signed, on folded letter card embossed 11, Throgmorton Avenue, London, E. C. 2, printed date 193, not filled in. [Tel:] London Wall 8950: Du, wenn du mich verletzen wolltest, hast du es getan, und kannst dich darüber freuen, dass du zu unserer Freundschaft ein recht hässliches Ende gemacht hast. Aber ich glaube nicht dass du das wolltest. Ich glaube auch nicht dass du wirklich solche Gedanken über mich hast. Du bist daran gewohnt das schlechte in den Menschen zu sehen, und so kommst das Schlichte um so leichtes heraus. Ich habe mich gefühlt wie ein Kind mit einer böswilligen Gouvernante. Am Ende konnte ich nichts recht tun und alles war eine persönliche Verletzung auf Dich. Ich wollte dich glucklich machen und Ruhe geben. Ich habe keinen Erfolg gehabt, aber selbst mein Wollen gibst du nicht zu. Du, liebeli, liebeli, ich habe so viel Freude mit dir gehabt. Ich war so glücklich mit dir, und dass du dich langsam erholt hast. Die Momente die wir gehabt haben kannst du nicht mit einem Handwoll Schimpfworten weg nehmen. Nur eins nimmst du so weg – mein glaube ich hätte dich ein Schritt vorwärts auf deinem Weg durch dein Leben geholfen. Du gehst weg ärmer als vorher – noch weniger bereit dein Leben in Wien aufzunehmen, und das ist schrecklich. Ich kann nicht glauben dass du dies alles ernst nehmen wirst. Wieder Lügen und Schwindel wirst Du denken, aber eins sage ich dir nur – Habe ein bisschen Demut und Barmherzigkeit, sonst hat man keine Freude und Ruhe im Leben. Du hast es sehr schwer, mein liebes, aber mach es nicht noch schwerer indem Du das Vergeben nicht lernst. Geh nicht von hier weg mit Bitterheit in deinem Herzen. Heb etwas auf von diesen Tagen. Ich bitte dich mein armes, liebes Du. Ian ( You, if you wanted to hurt me, you have done so and you can be glad that you have brought our friendship to a hideous end. But I don't think that you really wanted that. I also don't believe that you really hold such thoughts about me. You are accustomed to seeing the worst in people, and so the bad comes out so easily. I have found myself feeling like a child in front of its malicious governess. At the end, I could do no right and everything was a personal injury to you. I wanted to make you happy and bring you peace. I have had no success but you won't even admit to my wanting to. You, dearest dear, I have had so much joy with you. I was so blessed with you and happy that you were slowly getting better. You cannot take away the moments that we had together with a handfull of swearwords. You take only one thing away so – my belief that I had helped you to take one step forward along your path through life. You go away poorer than before – even less prepared to take up your life in Vienna, and that is terrible. I cannot believe that you will take all this seriously. More lies and swindles you will think, but I will say just one thing to you – have a little humility and mercy, otherwise one has no joy or peace in life. You have it very hard, my darling, but don't make it even harder by not learning forgiveness. Don't go away from here with bitterness in your heart. Take something positive from these days. I beg you, my poor, darling you. Ian). 11. Autograph and illustrated letter signed, on folded letter card embossed 11, Throgmorton Avenue, London, E. C. 2, printed date 193, not filled in. [Tel:] London Wall 8950. The leaf torn into 24 pieces, and reassembled using transparent paper tape: Du, weisst Du ich habe deine Freunde nicht gern, weil ich auf sie ein bisschen Eifersuchtig bin und habe nicht gern, dass du dich freust mit ihnen zu sein. Ich Weiss ich kann dich nicht so wie ein Vogel in einem Käfig behalten und du hast sicher ganz recht weg-zu-gehen denn dein Leben hier ist sehr leer gewesen und ich bin auch nicht so wie du möchtest. Aber es ist doch traurig, denn wir waren gut zusammen und ich habe dich, in meiner Art, sehr lieb gehabt. Aber jetzt da du wegfährst möchte ich dass alles anders gewesen war, denn ich glaube es ist sehr gut für dich hier zu sein und dass du vielleicht doch nicht so glücklich sein wirst in Wien. Du hast dich schon so verändert aber ich weiss nicht ob du bereit bist diesem Wienerleben widershand zu leisten. Aber das ist alles nur Quatsch und du wirst darüber lachen, denn du findest sowieso dass ich zu viel rede. Vielleicht schon, denn du ärgerst mich und willst immer Recht haben – so wie ich – also müss ich mit dir streiten und ich freue mich so wenn du dich auch ärgerst denn ich weiss, dass es nichts macht und dass wir aber wieder gut sein werden. Aber ich bin auch traurig weil du mir viel gegeben hast – nicht körperlich – und ich bin jetzt reicher als vorher. Du hast so viel, dass andere nicht haben. Es wäre schade das alles in Wien zu verlieren. Du bist ein liebes, liebes, liebes und ich freue mich über Dich und alles. Ich küsse dich uber-überall, besonders (xxxx i.e. mounth, breasts and nether regions) und halte dich fest bist du quietschst. Dein Ian P.S. Der Brief ist lächerlich aber du bist davon schuld – att! (You, you know that I don't like your friends because I am a little jealous of them and don't like the fact that you look forward to being with them. I know I cannot keep you in a cage like a bird, and you are quite right to go away as your life here has become quite empty and I am not as you would like me to be. But it is sad, as we were good together, and I did love you very much in my own way. But know as you are driving away I wish that everything had been different, as I believe that it is very good for you to be here and that you will be perhaps not so happy in Vienna. You have changed so much already but I do not know if you are ready yet to achieve this opposition Viennese lifestyle. But this is all rubbish, and you will laugh about it, since you in any case find that I talk too much. Perhaps already, since you annoy me, and always want to be right – just like me – so I have to argue with you and I am so happy when you get cross too as I know that it doesn't matter and that we will be good again. But I am also sad because you have given me so much – not bodily – and I am now richer than before. You have so much that others don't. It would be a shame to lose it all in Vienna. You are a dearest, dearest darling and I am very happy about you and everything. I kiss you every everywhere, especially here, here and here (i.e. on the mouth, the breasts and the nether regions) and hold you tight until you squeal. Your Ian. P.S. The letter is ridiculous but you are to blame - Ha!)

      [Bookseller: Peter Harrington]
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        POSTAGE STAMP COLLECTION of the late ARTHUR HIND of Utica, N. Y. BRITISH EMPIRE

      Walter S. Scott, New York 1934 - 4ª mayor, 2 vols. encuadernados en 1 tomo (Vol.1: Catalogue. 150 páginas; Vol. 2: Plates. Láminas con 724 reproducciones) Portadas originales. Magnífica encuadernación, firmada por Brugalla en tafilete, nervios, lomo con decoraciones doradas. Planos con doble recuadro dorado enmarcando iniciales doradas en el centro, cantos y cortes dorados. Espléndido ejemplar. Catálogo de la riquísima colección de sellos de Gran Bretaña y sus colonias, propiedad de Arthur Hind, de Utica, puesta a la venta por sus ejecutores en marzo-abril de 1934 en el Hotel Waldorf Astoria de Nueva York, con un total de 3506 ejemplares de sellos individuales, o reproducidos en series, 724 de los cuales se muestran impresos en láminas. Filatelia. Catálogos. Gran Bretaña. Philatelic. Catalogues. Great Britain.

      [Bookseller: Libreria Anticuaria Studio]
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        Earth Stopped or Mr. Marx's Sporting Tour.

      London: Collins, 1934 - Octavo. Original orange cloth, titles gilt to spine. With the illustrated dust jacket by Lane Foster. Fading to spine and along bottom edge of front boar, spine a little rolled, internally clean, very good copy in a near perfect jacket. First edition, first impression, of White's early comic novel assembling a ludicrous array of characters at a fox-hunting party at "Woodmansterne Hall. a sort of private Bedlam. The guests are sufficiently ill-assorted to amuse, ranging from the Countess of Scamperdale, who endeavoured to go intellectual as well as horsey, to Mr. Marx the Communist, Aggie Gigle, the most photographed debutate for forty years, and Mary Springwheat, whom nobody had ever photographed at all. Their doings, sporting and otherwise, are chronicled with delicious wit." White's comic touch in satirising the fox-hunting classes intriguingly prefigures the Arthurian writing for which he is much better known; in a letter of 14 January 1938, introducing The Sword in the Stone to his friend Leonard Potts, White wrote, "It has (I fear) its swinish Milneish parts (but, my God, I'd gladly be a Milne for the Milne money) but it is packed with accurate historical knowledge and good allusive criticism of chivalry (I make the fox-huntin' comparison with some glee) which nobody but you will notice." [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Erdal Kwak Sammel-Album Serie 109 - 134 und 88, 94, 97, 100, 102, 103, 104

      Werner & Merz Aktiengesellschaft Mainz 1934 - Sammelbilderalbum Erdal Serie 109 - 134 und 88, 94, 97, 100, 102, 103, 104, enthält 216 eingesteckte, herausnehmbare Sammelbilder (enthält u.a. Kolonien, Deutsch-Ostafrika, Deutsch-Südwestafrika, Togo, Reichswehr u.a.), 29 x 27 cm gut erhalten (Rücken angerissen, Ecken abgerundet, letzten beiden Seiten mit anderen Sammelbildern aufgefüllt) de 35 S. 1001 g

      [Bookseller: Versandhandel für Sammler]
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        Liebmann Breweries Inc. Calendar for 1934. Map of Manhattan, Principal Sections of Bronx - Queens - Brooklyn./ Map of New York and Vicinity

      Liebmann Breweries, Inc., 1934.. Liebmann Breweries, Inc.. 1934.. Color poster calendar 38 1/2 x 25 inches, metal bands at upper and lower edges. Line of small spots across the calendar portion of the poster (appears to be rust marks from being stored rolled with one of the metal bands touching the paper), a couple of tiny edge tears and spots, light creasing from being rolled. Overall in very good condition. Double sided poster calendar with the message "All Roads lead to Rheingold and Gold Old Scotch Ale." On each of the detailed maps of the region the location of the Breweries is prominently marked in red with a star. The Map of New York & Vicinity stretches from Rumson Neck and Sandy Hook to the south, the area just west of Elizabeth, Newark and Paterson to the west, Nyack and Tarrytown in the north and Hempsted in the east. The verso is a detailed street map of Manhattan and part of the Bronx, Queens and Brooklyn. A striking piece of interest to both New York City map and brewery collectors. .

      [Bookseller: oldimprints.com]
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        Vertragsentwurf mit eigenh. U. Ohne Ort, 31. V. 1934. Kl.-fol. 2 Seiten.

      . . Maschinengeschriebener Entwurf mit schwarzer und roter Schrift sowie vier handschriftlichen Korrekturzeichen: "Dear Mr. Lang This is to confirm the agreement between yourself and [...] Metro-Goldwyn-Mayer Studios [..] as follows: You are to render your services exclusively to us in the capacity of Director [...] in the preparation and production and editing of motion pictures as our Studio executives may designate [ ]" Vereinbart werden eine Honorar von USD 40.000 und eine Option auf zwei weitere Filme mit einem jeweiligen Honorar von USD 50.000. "[ ] we agree further to state on the screen on a separate title card the words: Directed by Fritz Lang [ ] it is understood that you may require the services of a dialogue director. [ ]". - Dieser "letter of intend" kam kurz nach Langs Flucht aus Deutschland durch den MGM Vertreter in London, David O. Selznick, zustande. Im Juni 1934 schiffte Lang nach den USA ein, aber erst 1936 kam es mit "Fury (Blinde Wut)" zu seiner ersten Regiearbeit in Hollywood. Die hier im Kontrakt festgehaltene Option auf weitere Produktionen wurde durch MGM nicht wahrgenommen. - Knickfalten. Oberrand gelocht und mit Nadellöchern.

      [Bookseller: Antiquariat Halkyone]
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        Hektographiertes Dokument mit maschinschr. Datum, 2 handschr. Namenseintragungen von fremder Hand und eigh. Unterschrift, 1 Seite, gr-8, o. O., 21. 7. 1934.

      . Der Regisseur informiert die Metro-Goldwyn-Mayer Corporation in Culver City (California) "that I have authorized Joyce & Selznick Ltd to accept delivery of any and all checks and/or sums of money which may from time to time be or become payable to me from you; and I hereby authorize you to deliver all such checks ... to said Joyce & Selznick Ltd ...". - Nach seiner Flucht aus Deutschland drehte Lang zunächst den Film "Liliom" in Frankreich und reiste dann im Juni 1934 in die USA; sein Vertrag mit MGM führte allerdings erst 1936 zu seiner ersten Regiearbeit in Hollywood ("Fury"). Die hier von ihm als Zahlungsempfänger autorisierte Künstleragentur wurde von Myron Selznick, dem Bruder des bedeutenden Filmproduzenten David O. Selznick, gemeinsam mit Frank C. Joyce, dem Bruder der Schauspielerin Alice Joyce, geführt.. Leichte Knitterspuren am Rand. Beiliegend reproduziertes Fotoporträt sowie unsignierte Fotopostkarte mit Szenenbild aus "Die Nibelungen".

      [Bookseller: Wiener Antiquariat Ingo Nebehay GmbH]
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        Book of The Thousand Nights and a Night, The

      , 1934. 1934. A Thousand Nights With No Rubbing[LIMITED EDITIONS CLUB]. BURTON, Sir Richard. The Book of The Thousand Nights and a Night. A Plain and Literal Translation of the Arabian Nights Entertainments Made and Annotated by Richard S. Burton. Decorated with Illustrations by Valenti Angelo. New York: Limited Editions Club, 1934. Limited to 1500 copies signed by the artist, this being copy no. 710. Six octavo volumes (9 1/4 x 5 5/8 in.). Black and white text illustrations throughout. Quarter cowhide over patterned paper boards. A fine set. Housed in the publisher's slipcases.Most unusual to find with the spines and corners virtually wear and rubbing-free, and in fine slipcases with only a hint of sunning.

      [Bookseller: David Brass Rare Books, Inc.]
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