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Displayed below are some selected recent viaLibri matches for books published in 1934

        Everybody's Shakespeare: Three Plays Edited for Reading and Arranged for Staging

      Woodstock, IL: The Todd Press, 1934. hardcover. very good(+). Co-authored with Roger Hill. Tall 8vo, gray cloth with a black leatherette spine (corner gently rubbed). Woodstock: The Todd Press, (1934). Very good(+) condition. Inscribed and with an original sketch on a blank preliminary page: "For Bob- Who is very patient - among other things - and who deserves better than he is getting - from Orson Wells.

      [Bookseller: Argosy Book Store]
 1.   Check availability:     Biblio     Link/Print  


        [POSTER; SPEECHES BY SOCIALIST-ZIONIST FEDERATION] 'BRENER' KLUBA TELPAS

      Daugavpils; Pilsetas Spiestuve Litografija. [1934]. Original Poster. 86 x 47 cm. In Latvian and Yiddish. Printed on bright pink paper. Two separate events, speeches presented by the Socialist-Zionist Party Dagavpils, the Hechalutz Organization of Daugavpils, and the Socialist-Zionist youth federation. Workers of all nationalities welcome. At the Brener Club Building, 80 Green Street, Saturday 24th February, 9 pm, a collective report on 'What the events in Austria teach us'. On tuesday, 27th February, 9 pm, at the Tel-Hai Academy, speeches by M. Zands, M. Blachs, S. Benjamins, and Z Gordins. The poster ends with the slogans: Down with Fascism! In Defense of the Austrian Proletariat! Long Live Socialist Democracy! Long live socialism! Includes lengthy paragraphs, in Yiddish and Latvian, concerning the events (of the February Uprising in Austria against Fascism) , content of speeches (the threat of fascism) , and the need for socialism. Subjects: Socialist-Zionist Federation Daugavpils (Dvinsk) Latvia. Hechalutz (Dvinsk) – Speeches. February Uprising – Austria – Socialist Zionist Response. Previously folded in eighths, light edge wear, otherwise fresh. Very good condition. (POSTER-2-11) .

      [Bookseller: Dan Wyman Books]
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        CAPRI NEL SEICENTO. DOCUMENTI E NOTE. NAPOLI, TRANI, 1934.

      In 8vo; pp.371. Dodici tavole. Esemplare a fogli chiusi. Cart. edit. slegato. Ad un secolo dalla erudita pubblicazione di Rosario Mangoni, Cerio pubblicò quest?opera che egli stesso volle definire ?catalogo ragionato della Biblioteca Caprese?. Dotto lavoro, uno dei più preziosi su Capri. Gli occhi incantati dell?autore frugano con amorosa insistenza nella storia della bella Capri, cercando quanto possa magnificarla. Al poeta così si sostituisce l?erudito che studia gli archivi per conoscere la storia dei Capitani di Capra ed Anna Crapa, delle capitolazioni che ?comunicano lo sfratto alle persone vagabonde, disutili e scandalose?, della magnifica Certosa e della sua vita. Né può sfuggire la tristezza soffusa nelle pagine sulla peste del 1656, un avvenimento tanto lontano che ancora sembra ferire l?anima di Cerio. Edizione a limitato tiraggio, copia n. 310 di 350. Dedica autografa a Kenneth Macpherson from Cerio. Sandomenico, pag. 116.

      [Bookseller: Studio Bibliografico Casella]
 3.   Check availability:     maremagnum.com     Link/Print  


        Proefstation Oost - Java.

      - Original pencil drawing, signed and dated: Soeraja 18/4/1934. Ca. 38 x 101 cm.* A very fine large drawing depicting the main building of the Java Sugar Experimental Station, Pasaroean (Pasaruan) founded in 1887, to-day Pusat Penelitian Perkebuan Gula Indonesia (Indonesian Sugar Research Institute), with in front a car.

      [Bookseller: Gert Jan Bestebreurtje]
 4.   Check availability:     AbeBooks     Link/Print  


        The Daring Young Man On The Flying Trapeze + full chemise and slipcase

      New York: Randon House. NF/VG+. 1934. 1st Edition. Hardcover; 1st Printing. Stated 1st Edition, and one of only 1900 copies of the1st Printing of the author's 1st book, in original dustjacket, and housed in a grayish-green cloth-covered full chemise and slipcase with a black leather spine label with gold printing. The Near Fine book is bound in rough finish woven ivory colored cloth with a black spine, a gold foil with black printing wrap-around title band mounted on the binding, and it has publisher's orange upper page edges. The book is straight, clean, very tight (probably unread), with no previous owner's writing or soiling. There is a very slight bump to the upper spine end by the back fold, a tiny black dot (pencil-point sized) to the lower rear binding panel, and a short, narrow depression to the front of the gold foil band that didn't remove any color. The dustjacket is surprisingly well preserved for aged uncoated paper - very close to Near Fine but I'll call it VG+. It is price intact, clean and not fragile, with some of the normal toning to the edges (less than it looks like on our scan) and a bit more toning to the spine though the black and red spine printing isn't faded at all. It has 3 small edge nicks at spine end folds, 1 very short completely closed edge tear upper front panel near the spine, a small surface abrasion at the lower spine end not interferring with lettering - and that's it as far as wear. There are a few faint finger smudges that aren't obtrusive at all. The dustjacket is now protected by a clear, removable heavy mylar cover. The chemise and slipcase have been custom made to fit the book at some time in the past. The chemise folds to cover the book all the way around (with ends open) and has a ribbon-pull to get the book and chemise out of the slipcase easily. There is just a tiny bit of cloth wear to the outside edges of the slipcase, and some small surface scratches not affecting the gilt lettering to the leather title label on the slipcase's closed side. Our scan makes the chemise look a different color than the slipcase but it isn't - both are the darker color shown in the slipcase spine image. Quite a handsome presentation of the author's 1st book of short stories. ; 9-1/8" x 5-3/4"; 270 pages .

      [Bookseller: Authors & Artists]
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        Voyage in the Dark

      London: Constable & Co Ltd,, 1934. Octavo. Original blue-grey cloth, titles to spine in dark blue. With the dust jacket. Spine rolled and a little faded. An excellent copy in the jacket with professional restoration along the spine folds and to a few small nicks at the edges. First edition, first impression. Scarce in the dust jacket.

      [Bookseller: Peter Harrington]
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        Doctor Martino and Other Stories

      New York: Harrison Smith, 1934. First. hardcover. fine. 371pp. Short thick 8vo, handsomely rebound in 3/4 blue morocco, marbled boards; gilt-stamped spine, t.e.g. New York: Harrison Smith and Robert Haas, 1934. First edition. A fine copy.

      [Bookseller: Argosy Book Store]
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        The Thin Man

      New York: Alfred A. Knopf, 1934 First edition, first printing. Bound in publisher's green cloth, with mask illustration stamped in blue to the front board, spine lettering and decorations stamped in blue and red. A near fine copy, with a hint of wear to the spine ends, typical fading to the spine, bright panels with much less fading than usual, bright and fresh interior. An excellent copy. Layman A 6.1.a. The Thin Man is Hammett's fifth and final novel. In a departure from his hard-boiled detective characters, this text features Nick and Nora Charles. Nick, a former detective, and Nora, his sarcastic wife, spend their time drinking and conversing, but get unwillingly pulled into a murder mystery involving the Wynant family. When a skeleton is discovered in plus-sized clothing, the natural assumption is that the deceased was a portly individual, but Nick and Nora quickly realize that the body was placed in false clothing and is actually the remains of a missing Wynant family member - a thin man. Hammett never wrote a sequel to The Thin Man, despite requests. Regardless, it was turned into a six-part film series along with a subsequent television series.. 1st Edition. Hard Cover. Near Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        PIRATES OF VENUS

      Tarzana, California: Edgar Rice Burroughs, Inc. Publishers,. [1934]. original pebbled blue cloth, front and spine panels stamped in orange, top edge stained red.. A fine copy in fine "like new" dust jacket. A brilliant copy of this. book. (#147480). First edition. First book of the Venus series. Anatomy of Wonder (1987) 1- 16 and (1995) 1- 16. Clareson, Science Fiction in America, 1870s-1930s 114. Bleiler (1978), p. 35. Reginald 02305. Heins PV-1.

      [Bookseller: L. W. Currey, Inc.]
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        The Wheelwright's Shop [Second Impression]. C.DAY-LEWIS'S COPY PRESENTED TO HIM BY HIS FATHER

      University Press, Cambridge, 1934 1934 8vo., Second Impression, with a frontispiece, 7 plates and 24 illustrations in the text; original pictorial brown cloth, upper board and backstrip blocked and lettered in brown, a very good, bright, clean copy. C DAY LEWIS'S COPY, PRESENTED TO HIM BY HIS FATHER IN APRIL 1934 AND WITH THE LATTER'S INITIALLED HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. Second appearance of Sturt's classic account (first published in 1923). Complete with extended glossary.

      [Bookseller: Island Books [formerly of Devon]]
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        One page TLS regarding Zelda's exhibition.

      N.p., 26 March 1934 - One page. Creased from folding; excellent condition. Fitzgerald writes to Gilbert Seldes from Baltimore, March 26, 1934, announcing an exhibition of Zelda's paintings, and urging him to attend.

      [Bookseller: Peter Harrington. ABA member]
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        Paul Leautaud

      1934. Lithograph. Trial proof of third state. Image measure 7.75 x 5.5". Sheet measures 14.75 x 10.75". This portrait by Edouard Vuillard depicts Paul Léautaud (1872-1956), a French writer and theater critic. In his concentrated pouring over a manuscript, Leautaud exemplifies the interiority for which Vuillard was famous in his paintings and drawings. Unlike his Impressionist predecessors, who often painted outdoors, the Symbolist Vuillard was more interested in domestic and private scenes. At the same time, the lithograph's subtle variations in tone and variety of drawing movements reflect the artist's career-long interest in how overall pattern could offer a more subjective or even impressionistic interpretation of a scene or portrait. In his prints, drawings, and paintings, Vuillard paid careful attention to decoration as a way to investigate the internal dynamics inherent in such closed off and even secretive spaces. In his portrait of Leautaud, we see the author in a private moment of reading: an intimate glimpse into a man who was by all means an eccentric if not reclusive character, preferring the company of animals to people and never venturing far from his Paris home. The portrait belongs to a late period in Vuillard's career when the artist dedicated himself to the modern portrait, practicing on the various members of French society with whom he came into contact. Vuillard originally made the portrait made to accompany Léautaud's autobiographical novel "Amours" when it was published in Éditions Spirale in 1934. The lithograph was published in an edition of 150. The print is in excellent condition with no chips or tears. Edouard Vuillard (1868-1940) was a French painter and printmaker associated with the Nabis, a group of late 19th-century artists who worked in the boundary between fine art and design. Influenced as much by the Impressionists as by Art Nouveau and Japanese printmaking, Vuillard and his artistic milieu became especially interested in advancing technologies such as color lithography, which allowed them to create a delicate balance of flatness and depth in their work. This portrait of Paul Leautaud speaks as much to Vuillard's artistic talent as it does to the central status in French culture he and his work attained in the early 20th century, a status of which he remains much deserving.

      [Bookseller: Argosy Book Store ]
 12.   Check availability:     ABAA     Link/Print  


        Jig Saw: A Play

      NYC, NY: Farrar & Rinehart, Inc.. Fine in Near Fine dust jacket. 1934. First Edition. Cloth. F/NF: A Fine hardcover copy bound in green cloth with a hint of minor sunning to the cloth's bottom edge and previous bookseller's sticker inside the rear panel. DJ is in Near Fine condtion w. some minor wear to the edges and minor darkening from age. .

      [Bookseller: Book Gallery // Mike Riley]
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        De Shootenist Gent'man

      Derrydale Press 1934 - New York: The Derrydale Press, 1934. First Edition. Hard Cover. Limited Edition #295 of 950 printed. 240 pp. Blue cloth covered boards with round color illustration of mallards inset on front cover board. Dulling to titles on spine. 8 black and white photo illustrations throughout the text. Rear internal paper hinge starting. Former owner's discreet gift inscription on front free endpaper from Hazel Crumlish, a retired Chicago attorney who died at age 94 in Florida. A rare early Derrydale Press publication. This is about the nicest copy of this title I have seen, with no internal markings, and no foxing of the pages. Nash Buckingham was perhaps the most famous author of sporting tales in the first half of the 20th century. This collection of Seventeen stories first published in Field and Stream , Recreation , and Outdoor Life was originally published by The Derrydale Press in 1934. Buckingham's ability to evoke the golden age of wildfowling along the Mississippi flyway from the 1890s to the 1940s is unparalleled. Pull up your favorite chair in front of a fire and get ready to relive some of the best hunting stories ever told. Great stories about Col. Harold Money and his hunting exploits.The picture of Nash I have included does not appear in this title. I have included it to further your understanding of the author. [Attributes: Hard Cover]

      [Bookseller: Patrick Ayres, Angling & Hunting Books]
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        Les Mutinés de l'Elseneur. Traduction de Paul Gruyer et Louis Postif. Aquarelles de Charles Fouqueray

      Paris: René Kieffer, 1934. Livre. Illus. by Charles Fouqueray. Parfait. pleine reliure. In-4. Paris, René Kieffer, 1934. 32,5 x 23 cm (R), in-4, 267 (1) pp., 76 illustrations en couleurs reproduites au pochoir dont 8 hors texte, 1 à pleine page, 1 vignette de titre et 66 dans le texte, deux volumes, celui de texte relié de plein chagrin fauve portant sur chaque plat un large décor différent formé d'une corde en guirlande d'encadrement, de nombreux cercles concentriques entourant une boussole (1er plat) ou une ancre (dernier plat), celui des suites de demi-chagrin fauve à coins, dos à 4 nerfs repoussés ornés du prolongement des cercles, têtes dorées, toutes couvertures et dos conservés, étui bordé (reliure de luxe de l'éditeur, non signée). Premier tirage des puissantes illustrations maritimes de Charles Fouqueray et certainement le plus beau livre de Jack London publié en France. Tirage à 300 exemplaires, tous sur vélin blanc de cuve, celui-ci (n° 8) l'un des 50 exemplaires de tête comprenant une AQUARELLE ORIGINALE (celle de la page 23) et DEUX SUITES, l'une, en noir, de toutes les illustrations, l'autre, en couleurs, des 68 compositions dans le texte. Très bel exemplaire très bien relié. (MONOD [7234] et CARTERET [IV, 242 : "édition recherchée et cotée"] donnent chacun une collation différente et fantaisiste). (Prévoir des frais de port pour 7 kg) .

      [Bookseller: Des livres autour (Julien Mannoni)]
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        TWO TRAMPS IN MUD-TIME

      New York: Spiral Press, 1934. 1st edition, original hand-tied paperwraps (as issued). Published as a Holiday Greeting with the Melcher imprint (1/175) using Frost's poem and decorated with a border of stars on the title page. This is the second in what resulted in a long series of publications commonly referred to as the Frost Christmas cards. The entire press run was 775 copies with six varying names imprinted on the title page. (Crane B2.) Extremely fragile in nature, very few of these earlier titles have survived. The present copy has minimal sunning to covers, else fine. Very uncommon and scarce. Also included is a second poetic Melcher Christmas card from 1938 (author unknown). Offered as a pair.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
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        Fortunio.

      Édition illustrée de seize compositions originales gravées sur cuivre de Gerda Wegner. Paris: Georges Briffaut 1934. Illustr. with 16 orig. etchings by Gerda Wegner. III + 212 + [1] pp. Limited to 392 copies. Uncut with top edge gilt in nice contemporary halfleather richly gilt on spine.. Copy no. 181 of 350 on 'vélin de Rives contenant l'état des planches en couleurs'

      [Bookseller: Peter Grosells Antikvariat]
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        First and Last

      New York: Charles Scribner's Sons, 1934. FIRST EDITION. Hardcover. Advance review copy with publisher's slip laid in. Some slight fading to light-sensitive green cloth (but less than often) otherwise fine in a fine dust jacket with only a few minor nicks at edges. Custom slipcase.

      [Bookseller: Robert Dagg Rare Books]
 18.   Check availability:     Biblio     Link/Print  


        THE BARRETTS OF WIMPOLE STREET: Original 144pp MGM FILE COPY for the 1934 Classic Film

      Culver City, California: Metro-Goldwyn-Mayer, 1934. Ernest Vajda & Claudine West (with additional scenes and dialogue by Donald Ogden Stewart). THE BARRETTS OF WIMPOLE STREET. Culver City, California: Metro-Goldwyn-Mayer, dated March 20th, 1934. Original MGM FILE COPY (also labeled "Complete" and -- in pencil "Shooting Script") for the 1934 prestige historical drama based on the lives of Robert Browning and Elizabeth Barrett Browning. The film was directed by Sidney Franklin and starred Norma Shearer, Frederic March, and Charles Laughton. 144 mimeographed pages complete, brad-bound in original blue MGM studio wrappers. Oscar-nominated for Best Picture and Best Actress (Norma Shearer). Based on the play by Rudolph Besier. In Very Good condition with a little wear and tear to the wrappers but with excellent eye appeal. Rare.. Original Manuscript. Original Wraps. Very Good.

      [Bookseller: Lakin & Marley Rare Books]
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        On Our Way

      New York: The John Day Company, 1934. Original errata slip laid in. Several L.A. Times newsclippings laid in, re: FDR. Some offsetting from the clippings on the rear pastedown. Bright & clear Roosevelt autograph tipped in at the half title page., Book is bright, tight, clean, and square. The extremities are sharp. The dust jacket, front,rear, and flaps, is bright, and only minor chipping at some extremities. Jacket spine a bit sunned.. Signed by Franklin Delano Roosevelt. First Edition. Hard Cover. Near Fine/Very Good. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Brooklyn Books]
 20.   Check availability:     Biblio     Link/Print  


        I miei viaggi nella Terra del Fuoco. Terza edizione riveduta ed ampliata.

      Subject: (Viaggi). Torino, Societ? Editrice Internazionale, (1934), 8vo gr. t.tela, pp. VIII-431 con num. ill. n.t. e in tav. f.t. Con la carta della 'Terra del Fuoco' in busta f.t.

      [Bookseller: LIBRERIA PIANI]
 21.   Check availability:     TomFolio     Link/Print  


        Totentanzfigur. Bronze.

      Bern, Hallwag, 1934 - Höhe 48 cm, Tadell. Die Figur stammt aus Familienbesitz. Es handelt sich um einen Bronzeabguss (vermutlich nur ein Abguss) einer jener Figuren, die ca. 1935 photographiert und dann als Mappe herausgegeben wurde. Eine anthroposophisch angehauchte Art, mit dem Totentanzmotiv umzugehen. Fast scheint es sich um einen eurythmische Tanz zu handeln. Der Totentanz ist ein Gemeinschaftswerk von Hans Zimmermann (1897 - 1972) und seiner Frau (verstarb 2001) aus der Zeit um 1930. 10000 gr.

      [Bookseller: antiquariat peter petrej]
 22.   Check availability:     AbeBooks     Link/Print  


        The Death Ship: The Story of an American Sailor

      New York: Knopf, 1934. First American Edition.. Hardcover. 372pp. Octavo [21.5 cm] Black cloth. Very good/Very good. Minor discoloring to jacket. Rear hinge going. & & The Death Ship/Das Totenschiff was originally written in English in 1923 or 1924. Traven translated it into German at the request of Buchergilde Gutenberg editor Ernst Preczang who was impressed by the serialization of Die Baumwollpflucker in Vorwarts. Das Totenschiff was published in 1926. It was the first book to appear under the Traven name and its success established Traven's reputation.& & Traven's most brilliant novel. It is a sardonic work about identity and a satire on the faceless bureaucracy. The American sailor, Gales, has no papers; therefore, in the eyes of the authorities, he doesn't exist. In order to escape from Europe he is forced to sign aboard a "Death Ship." Considerably revised and rewritten from the Chatto & Windus edition with 61 additional pages, and is considered by many to be a superior translation. Treverton 32.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Brinkley Manor: A Novel About Jeeves.

      Boston: Little, Brown, and Company, 1934 - Octavo. Original red cloth, title to spine and upper board in black, decoration to front board in black. With the pictorial dust jacket. Two pages tanned (p. 192 and 193). A very good copy in the rubbed and tanned jacket with small closed tears. Jacket design by James Montgomery Flagg. First US edition. The second instalment in the Jeeves and Wooster series, published in the UK ten days before the first US edition under the title Right Ho, Jeeves.

      [Bookseller: Peter Harrington. ABA member]
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        Calico Shoes and Other Stories

      Vanguard Press New York: Vanguard Press. (1934). First. First edition. Fine in an about near fine dustwrapper, lightly worn, with the spine sunned and the spinal extremities reinforced. Curiously, on the front flap the publisher has warned: "We caution collectors of first editions not to overlook this title," which considering the scarcity of this title, they apparently did. A nice copy of an uncommon book. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 25.   Check availability:     ABAA     Link/Print  


        Burmese Days

      Harper & Brothers, 1934-01-01. First Edition. Hardcover. Good. New York: Harper & Brothers, 1934. First Edition, First Printing with statement of "First Edition" on copyright page. True first edition with the American edition preceding the British. No Dust Jacket. Bound in original orange cloth with floral patterned end sheets. In Good to Good- overall condition, with wear to the exterior. Clean pages, with foxing to the side of the page block, and on a few occasions in the pages as well. Rear end paper shows damage and foxing, front paste down has evidence of a small price written in pencil then erased. Boards bowed, with rubbing and mottling to cloth, edge wear. Spine is sunned with staining. Rare.

      [Bookseller: Odd Duck Books]
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        The Mime of Mick, Nick and The Maggies. A Fragment from Work in Progress. Limited Edition

      VG : in very good condition with glassine wrapper in slip-case. Glassine torn and part missing. Some minor spotting on wrapper 327/1000 Illustrated card cover with Morocco backed board black slip-case 245mm x 160mm (10" x 6"). 77pp. Coloured illustrations. Cover, initial and tailpiece designed by Lucia Joyce.

      [Bookseller: Barter Books]
 27.   Check availability:     TomFolio     Link/Print  


        The Voyage of the Bounty's Launch as Related in William Bligh's Despatch to the Admiralty and the Journal of John Fryer

      The Golden Cockerel Press, 1934. 86pp, [2], original two colour cloth, title in gilt to spine, t.e.g. A hint of foxing to the cream portion of the cloth covers, some very light foxing to endpapers, page edges browned, the first thirteen pages have a small semi-circular brown water mark to the fore-edge of the pages, otherwise bright and clean. The printed prospectus, slightly worn and folded in half, is included. Limited edition of three hundred copies, this being number two hundred and three. "An account of one of the most heroic sea voyages ever made" (Hill). Hill 139, Chanticleer 95. First Thus. Hardback. Good+/No Jacket (as Issued). Illus. by Gibbings, Robert. Folio. Limited Edition.

      [Bookseller: Temple Rare Books]
 28.   Check availability:     Biblio     Link/Print  


        Appointment in Samarra

      Harcourt Brace|~| NY: Harcourt Brace. (1934). O'Hara's famous first novel, realistically detailing the three-day disintegration of Julian English in O'Hara's invented city of Gibbsville, PA. The nicest copy that we have seen, and probably the nicest copy there is. Fine in a fine, first issue dust jacket. Errata slip present. Appointment in Samarra was named to the Modern Library list of the best 100 novels of the 20th century. A high spot of American literature, an important debut, and a stunning, nearly unbelievable copy. Provenance: the Bruce Kahn collection. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 29.   Check availability:     Biblio     Link/Print  


        APPOINTMENT IN SAMARRA

      New York: Harcourt Brace & Company, 1934. First Edition. First Edition. A Novel. First book by this famous American writer. First issue, with the tipped-in slip on the dedication-page attributing the famous quoted anecdote of Death's appointment in the fabled city to W. Somerset Maugham. The book itself is sharp, unworn and nearly fine except for some light scattered foxing in part of the text; the dust-jacket is unclipped, chipped a bit at the spine extremities, with just a bit of darkening to the spine, but otherwise unfaded. This is the first state of the dj, with "Recent Fiction" on the back panel. Very scarce in any jacket.

      [Bookseller: Bert Babcock - Bookseller, LLC]
 30.   Check availability:     Biblio     Link/Print  


        Le Décaméron.

      Paris, Gibert Jeune, 1934. - 2 volumes in-4°, 343-282p. Deuxième tirage. Edition limitée à 2500 exemplaires numérotés sur vélin de Navarre. Illustré de 32 compositions hors texte en couleurs et de 138 dessins en noir dans le texte de Brunelleschi. Traduction française par Antoine Le Maçon. Exemplaires de première fraicheur, agréablement reliés. Reliures demi-chagrin à coins, dos à nerfs, têtes dorées, gardes marbrées, couvertures et dos conservés. [Attributes: Hard Cover]

      [Bookseller: Le Cabinet d'Amateur]
 31.   Check availability:     AbeBooks     Link/Print  


        Apocalypse

      Tallandier, 1934. in8 broche souple

      [Bookseller: Feuille Feuille]
 32.   Check availability:     Biblio     Link/Print  


        LIRICA quaderni della poesia europea ed americana 1934-1938 - NUM. 01-18/19 TUTTO IL PUBBLICATO, Genova, Degli Orfini Emiliano, 1934

      cm. 17,5 x 25,2, brossure nocciola con scritte in nero e.rosso., Cadauno di pp. 40-50. Raffinata e selezionata raccolta di poesia internazionale, filtrata da un autorevole comitato direttivo (ANGIOLETTI, FILIPPO BURZIO,ALDO CAPASSO, ELPIDIO JENCO, CARLO LINATI, GIUSEPPE RAVEGNANI, TITTA ROSA) che - come recita l'enunciazione di apertura sul primo numero ....si propongono di dare contezza al pubblico italiano dello stato della poesia lirica nelle parti del mondo abitate da uomini di razza bianca. Pubblicano perciò poesie (in versi e in prosa) italiane e straniere : queste ultime sono accompagnate da una traduzione o interpretazione in italiano:... ANNO PRIMO 1934 Num. 01 titolo 35 POESIE del 26 giugno- pp.37. Num. 02 " 38 POESIE del 31 agosto- pp.43 NUm. 03 " 32 POESIE del 06 novembre - pp.51. ANNO SECONDO 1935 Num. 04 " 31 POESIE del 01 gennaio - pp.43. Num. 05 " 35 POESIE del 12 febbraio - pp.43. Num. 06 " 24 POESIE del 01 maggio - pp.41. Num. 07 " 43 POESIE del 15 giugno - pp.42. Num. 08 " 32 POESIE del 15 settemb - pp.42 Num. 09 - NON E' PRESENTE ANNO TERZO 1936 Num. 10 " 12 POESIE del 25 marzo - pp. 35. Num. 11-12 " 42 POESIE del 22 giugno - pp.53. Num. 13 " 29 POESIE del 24 novembre -pp.32. ANNO QUARTO - 1937 - calendario fascista Num. 14-15 " 51 POESIE del 23 marzo. Num. 16-17 NON E' PRESENTE ANNO QUINTO 1938 Num. 18-19 " 46 POESIE del, 24 ottobre. Sono presenti praticamente quasi tutti i campioni italiani (Saba, Liinati ,Moscardelli, Novaro, Cavicchioli, Meano, De Pisis, Ada Negri, Onofri,Titta Rosa, Gatto, Pirandello, Lionello Fiumi, Govoni, Ravergnani, Viviani, Comisso, Villaroel,.Kufferle, Bigiaretti ecc. ecc. e tutti i più importanti poeti stranieri dell'epoca., La collezione, assai rara e pur con le due lacune, viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
 33.   Check availability:     maremagnum.com     Link/Print  


        The Mime of Mick, Nick and The Maggies. A Fragment from Work in Progress. Limited Edition

      The Hague and London The Servire Press and Faber and Faber 1934. VG : in very good condition with glassine wrapper in slip-case. Glassine torn and part missing. Some minor spotting on wrapper 327/1000 Illustrated card cover with Morocco backed board black slip-case 245mm x 160mm (10" x 6"). 77pp. Coloured illustrations. Cover, initial and tailpiece designed by Lucia Joyce.

      [Bookseller: Barter Books]
 34.   Check availability:     TomFolio     Link/Print  


        Bumblebees and Their Ways

      The Macmillan Company, New York 1934 - By Sylvia's father - first edition. Some water staining to part of lower panel of dustwrapper and lower board - not so bad - else a nice bright copy and scarce thus. [Attributes: First Edition; Hard Cover]

      [Bookseller: Claremont Books]
 35.   Check availability:     AbeBooks     Link/Print  


        Nocturnes With Lithographs by Lynd Ward.

      New York: Equinox Cooperative Press, 1934. FIRST EDITION. Hardcover. One of 1000 numbered copies signed by Mann. A fine copy with only the slightest fading to the spine, in a fine publisher's box. Not an uncommon book, but quite scarce in this condition.

      [Bookseller: Robert Dagg Rare Books]
 36.   Check availability:     Biblio     Link/Print  


        L'obelisco Mussolini.

      Subject: (Mussolini). Roma, 1934, 4to leg. editoriale in canapone grezzo, pp. (16)-XXIII (tavole di Alfredo Furig?).

      [Bookseller: LIBRERIA PIANI]
 37.   Check availability:     TomFolio     Link/Print  


        Everest 1933.

      Subject: (Himalaya e dintorni). London, Hodder & Stoughton, 1934, 8vo t.tela, sovr. ill. pp. XIII-390 con tav. f.t. e una carta rip. in fine. 1a edizione, in condizioni eccellenti. Neate, 675.

      [Bookseller: LIBRERIA PIANI]
 38.   Check availability:     TomFolio     Link/Print  


        Cacciatore si nasce. Uomini semplici. Bella vita vagabonda.

      Subject: (Caccia). Milano, Bompiani, 1934, tre volumi in-16mo tutta tela editoriale con titoli dorati ai piatti e ai dorsi, cofanetto contenitivo cartonato editoriale, pp. 321 + 307 + 229. I tre, tutti in prima edizione : (Hard Cover)

      [Bookseller: LIBRERIA PIANI]
 39.   Check availability:     TomFolio     Link/Print  


        VIA DELL'IMPERO, rivista mensile di cultura ed arte - diretta da ELEONORA PURA - 1934-1936 - TUTTO IL PUBBLICATO DELLA PRIMA SERIE, Pisa, Pacini Emilio, 1934

      La rivista nasce sull'onda delle politiche coloniali e le viene dato il titolo beneugurante di una delle più belle strade romane, ma il taglio editoriale è orientato al mondo dell'arte. naturalmente inquadrato nelle regole del regime e grandezza dell'impero.. Formato dei fascicoli 25 x 35. ognuno con copertina supplementare nocciola e numerazione in basso a destra. pagine variabili 15-30. La numerazione indicata è quella che appare all'esterno delle brossure, mentre nell'interno ogni annata ricomincia dal n. 1. ANNO PRIMO 1934 - num. 1 (24 maggio), 2, 3, 4, 5, 6, 7/8 (nov-dicembre) ANNO SECONDO 1935 - num. 9 (24 gennaio), 10-12 (febb-maggio),13 (dicembre) ANNO TERZO 1936 - cadenze calendario fascista num. 13 (dic. 35) 14 (gennaio 36)), 15 (febbraio) 16 (marzo), 17 (aprile), 18/21 (maggio-agosto) 22 (settembre), 23/24 (ottobre-novembre ultimo uscito) La rivista riprenderà con una seconda serie nel maggio 1937 (con il n. 25) e poi avrà uscite assai irregolari, cambiando spesso editore e stampatore. La sequenza che presentiamo viene considerata come la più signficativa ed importante. Rileviamo alcuni autorevoli collaboratori : GIORGIO CASINI, ENZO CARLI (numerosi i suoi scritti), SERGIO DONADONI, VINCENZO MARIA VILLA, RANUCCIO BIANCHI BANDINELLI (numerosi), GIUSEPPE DESSI', LORENZO VIANI (con suo disegno inedito sul n. 4 del 1934) FORTUNATO BELLONZI, CARLO CORDIE', LUIGI BARTOLINI (poesie sul n. 10-12 del 35). WALTER BINNI, ENRICO ALPINO e tanti altri. Questa prima serie viene offerta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
 40.   Check availability:     maremagnum.com     Link/Print  


        Ascona Bau-Buch.

      ZŸrich, Oprecht & Helbling, 1934 - 4¡, 130 u. XXII S. Anzeigen, zahlr. Abb. u. PlŠne, Brosch., Umschlag angeschmutzt, obere Buchblockecke gestaucht, innen sauberes Ex. EA. Austattung von Max Bill. Beitr. u. a. von E. Keller: Das Neue Bauen in Ascona; A. Fankhauser: Ascona; Ernst Morach. Die bauliche Entwicklung Asconas; Bilder u. PlŠne von Ascona-Neubauten. Eines der wichtgsten BŸcher zum Neuen Bauen in der Schweiz. 1200 gr. Sonderangebot: Das Antiquariat Peter Petrej bietet AbeBooks-Kunden einen exklusiven Rabatt von 20% auf sämtliche Preise. Alter Preis in Schweizer Franken: 600 CHF. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Letters from Shimane and Kyushu

      Kyoto: The Sunward Press, 1934. Limited edition. Hardcover. 71pp. Quarto [27 cm] Mulberry silk boards with a paper title label on the spine and a grey bird design on the front board. In a tan stiff card slipcase with decorative gilt stamped flecks. Very good. Minimal wear to the extremities. There are a couple of labels adhered to the limitation page, and the rear pastedown. The slipcase is in very good condition, with some light wear, minor soiling, and lightly bumped corners. The Letters first appeared in Japan Weekly Mail. This edition gathers them all together and was privately printed in an edition of 100 copies for Dr. Sanki Ichikawa. Cover and internal illustrations by Keisuke Serizawa. Number 79 of 100.

      [Bookseller: Ken Sanders Rare Books, ABAA]
 42.   Check availability:     Biblio     Link/Print  


        ANNE OF GREEN GABLES (1934 Reprint in Lovely Dust Jacket)

      Boston: L. C. Page, 1934. Montgomery, L. M. ANNE OF GREEN GABLES. Boston: L. C. Page, (1934). Later Edition. A Fine, bright unrubbed copy of this classic in a Very Good 1930s dust jacket. The pages are crisp, the illustrations are bright, the ORIGINAL dust jacket has been almost invisibly restored by a master conservator and shows beautifully. As the 1908 first edition of ANNE OF GREEN GABLES has long been a very expensive acquisition, this is an opportunity to acquire a lovely 1934 substitute in collector's condition for a far more reasonable price.. Decorative Cloth. Fine/Very Good. Illus. by Elizabeth R. Withington.

      [Bookseller: Lakin & Marley Rare Books ]
 43.   Check availability:     Biblio     Link/Print  


        Les mutinés de l'Elseneur *

      R. Kiefer, Paris 1934. - Relié 34 x 25, L'un des 2 cuir à bande d'éditeur, bateau au 1er plat, dos à nerfs, titre et tête dorés, étui bordé, couverture et dos conservés. Reliure un peu frottée avec légères traces de salissures. L'un des 250 exemplaires numérotés sur vélin de Cuve, après 50 exemplaires de tête, enrichi d'une aquarelle et double suite. Elégante édition illustrée, soigneusement imprimée avec de belles marges. Image visible sur site céleste.

      [Bookseller: Librairie Oh 7e Ciel]
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        Zum Rationalismusstreit in der gegenwärtigen Philosophie. [Sonderdruck (aus) Zeitschrift für Sozialforschung. Herausgegeben im Auftrag des Instituts für Sozialforschung. Jahrgang III, 1934, Heft I].

      Paris, Félix Alcan, 1934. 8vo. Original stapled wrappers. Minor dust-soiling to wrappers, but otherwise very fine. A stamp: "91. Rue de Lausanne/ Genève" (where Horkheimer and the Institute were in exile) as well as the inscription: "Vom Verfasser überreicht" to p. 1. 53 pp.. Very rare first edition, off-print (from Zeitschrift für Sozialforschung) with presentation-inscription, of Horkheimer's foundational confrontation with the new metaphysics, constituting his most important analysis and critique of scientism and formalistic rationalism. Horkheimer believed that metaphysics, and especially the proponents of the "Lebensphilosophie" (Dilthey, Bergson, and also Nietzsche) had successfully drawn attention to the shortcomings of a particular type of analytic thought, which he called traditional theory or logic. It is this idea that he later develops further and which constitutes the foundation of the work that he wrote a few years later, which became known as the manifesto of the Institute, "Traditional and Critical Theory" (1937). Using the reified "ego cogito" to describe what he understands as one of the fundamental characteristics of traditional logic, he here goes on to describe the second important traditional logical assumption that underlies both rationalism and empiricism, namely their unitary, static, and dualistic concept of knowledge. In the present work he maintains that rationalism "presupposes a constant relationship between concept and reality, independent of human praxis" ; among its empiricist critis, Horkheimer continues, these "assumptions of Cartesian philosophy remain untouched" ... "In both philosophical approaches, truth consists in judgments whose concepts are related to individual sense data as the general is to the particular. According to the empiricists, these concepts arise from the sensuous material and are derived by a process of progressive omission of substantive differences - that is, through abstraction. According to the rationalists ... they are fundamental unities inherent in reason ... Knowledge is independent of forces external to or fundamentally different from consciousness. Its relation to the object, its task, the limits of capacity, indeed its most important contents may be determined once and for all." (from the present work, in the English translation, pp. 217-19). " Max Horkheimer (1895-1973) was a leader of the"Frankfurt School," a group of philosophers and social scientists associated with the "Institut für Sozialforschung" (Institute of Social Research) in Frankfurt am Main. Horkheimer was the director of the Institute and Professor of Social Philosophy at the University of Frankfurt from 1930-1933, and again from 1949-1958. In between those periods he would lead the Institute in exile, primarily in America. As a philosopher he is best known (especially in the Anglophone world), for his work during the 1940s, including "Dialectic of Enlightenment", which was co-authored with Theodor Adorno. While deservedly influential, "Dialectic of Enlightenment" (and other works from that period) should not be separated from the context of Horkheimer's work as a whole. Especially important in this regard are the writings from the 1930s, which were largely responsible for developing the epistemological and methodological orientation of Frankfurt School critical theory. This work both influenced his contemporaries (including Adorno and Herbert Marcuse) and has had an enduring influence on critical theory's later practitioners (including Jürgen Habermas, and the Institute's current director Axel Honneth)." (SEP). When the Institute for Social Research's directorship became vacant in 1930 after the departure of Karl Grunberg, Horkheimer was elected to the position. In the same year, Horkheimer took over the chair of social philosophy at Frankfurt University. The following year publication of the Institute's "Zeitschrift für Sozialforschung" began, with Horkheimer as its editor. Horkheimer intellectually reoriented the Institute, proposing a programme of collective research aimed at specific social groups (namely the working class) that would highlight the problem of the relationship of history and reason. The Institute aimed to integrate the thought of Marx and Freud. The Frankfurt School attempted this by systematically hitching together the different conceptual structures of historical materialism and psychoanalysis. Horkheimer worked to make the Institute a purely academic enterprise.Horkheimer's "venia legendi" was revoked by the new Nazi government because of the Marxian nature of the Institute's ideas as well as its prominent Jewish association. The Institute thus closed its location in Germany in 1933. He immigrated to Switzerland, and then to America the following year, where Columbia University agreed to host the Institute in exile and even offered Horkheimer a building for the Institute. For a short period, the organ of the Institute, "Zeitschrift für Sozialforschung" was printed in Paris

      [Bookseller: Lynge & Søn A/S]
 45.   Check availability:     Antikvariat     Link/Print  


        The plays of Eugene O'Neill [complete in 12 volumes]

      New York, C. Scribner's sons [1934-35] - Description: 12v. plates, ports. 25 cm. Contents: I. Strange interlude --II. Mourning becomes Electra --III. The Emperor Jones. Ah, wilderness! --IV. All God's chillun got wings. Lazarus laughed --V. "Marco Millions." "The hairy ape" --VI. Beyond the horizon. Welded --VII. Dynamo. Diff'rent --VIII. The straw. "The first man" --IX. Days without end. Gold --X. The great god Brown. "Anna Christie" --XI. Desire under the elms. The fountain --XII. Nine one-act plays. Genre: American literature -- Drama and theatre -- Eugene O'Neill -- Collected works. Notes: Decorative title pages. SIGNED by the author in volume 1. The Wilderness edition "printed from type now destroyed" - limited to 770 copies - this is no. 437. Very good copies all in the original gilt-blocked cloth. Gilt motifs to spines and front panels. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains a particularly well-preserved set overall; tight, bright, clean and sharp-cornered. 4 Kg. 0 pp. [Attributes: Hard Cover]

      [Bookseller: MW Books Ltd.]
 46.   Check availability:     AbeBooks     Link/Print  

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