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Displayed below are some selected recent viaLibri matches for books published in 1934

        Document signed, military suspension of duties

      Rome 1934 - Document signed ("Mussolini"), suspension of duties for an Italian soldier, December 1934. One page, folio, on printed letterhead of the Ministero della Guerra. Mussolini suspends an officer's duties for embezzlement. Accompanied by a family photograph of Mussolini, 6 3/4 x 9 inches, by Look Pix, 1928. The photo shows a younger Mussolini with his entire family, comprising his wife and four children. The photo bears the press sticker of "Presse Photo", Berlin on the reverse. [Attributes: Signed Copy]

      [Bookseller: Riverrun Books & Manuscripts]
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        The Apes of God 1st/3rd SIGNED

      London: Nash & Grayson, 1934 - 1st edition 3rd impression 1934. Signed and inscribed to "Joyce / Wyndham Lewis / with love / 1955, with an earlier gift inscription to same dated 1951 and bookplate of same to pastedown. Very Good or better copy with a little age wear and minor soiling, Jacket also very good or better, lightly rubbed and soiled, intact, unclipped in a protective cover. Very Good collector's copy of a rare signed trade edition of the author's chef d'oeuvre [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: finecopy Ltd PBFA]
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        Mit Adolf Hitler im Bayerischen (Bayrischen) Reserve-Infantrie-Regiment 16 List (Bayr. RIR 16)

      1934. Ganzleinen mit SU, 109 Seiten, Leporello. Frakturschrift, Fadenheftung. SU mit Läsuren und Fehlstücken, Einband gut, Gelenke intakt, Leporello etwas/ansonsten nur minimal braunfleckig. Gutes Exemplar.

      [Bookseller: Antiquariat Ralf Bader]
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        En pays Genevois. Promenades anecdotiques a l'epoque de Rousseau, de Voltaire et de Mme de Stael. GANZLEDER-HANDEINBAND.

      Weinroter Ganzlederband auf 5 Bünden in gefüttertem Pappschuber. Vorderdeckel mit intarsiertem, goldgehöhtem Stadtwappen Kopfgoldschnitt farbig marmorierte Vorsätze rot-goldenes Kapitalband vor dem Titelblatt ein mit Goldrahmen und Wappen eingefasstes Pergamentblatt mit handschriftl., 1934 dat. Dedikationsschreiben (engl.) von Olyve Morgan für einen Dr. Fuhs (wohl bei der Besetzung Frankreichs Oberstintendant in Angers), von ihr und Berthe Wyler unterzeichnet beiliegend Visitenkarte Berthe Wylers mit handschriftlichem Gruß. Schuber etwas fleckig und lichtrandig mit leichten Kantenbereibungen Rücken leicht aufgehellt, ein winziger Teil des Deckelwappens nachträglich ergänzt, sonst tadellos erhaltener Handeinband.

      [Bookseller: artestat]
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        Picassos Häuser.

      272 Seiten 4, gebundene Ausgabe, Hardcover/Pappeinband das Buch noch eingeschweißt im Schuber. Das Bild im schwarzen Rahmen. Als junger Mann lernte Lucien Clergue (* 1934) Picasso kennen, schloss Freundschaft mit dem Künstler, war zeitweilig fast so etwas wie ein Familienmitglied und ist inzwischen zu einem der weltweit bedeutendsten lebenden Fotografen geworden. Jean Cocteau nannte ihn den Dichter mit der Kamera. Die besondere Nähe zu Picasso kommt in jedem seiner mittlerweile historischen Bilder zum Ausdruck, von denen zahlreiche in dem Band Picassos Häuser enthalten sind. Für die Vorzugsausgabe hat Lucien Clergue ein Porträt ausgewählt, das er vor der Villa La Californie in Cannes aufgenommen hat. Der Abzug ist nummeriert, handsigniert und auf eine Auflage von 200 Exemplaren limitiert, hier die Nummr 36/200. Der Rahmen hat eine Grösse von 30 cm x 40 cm, diereine Bildgröße ist ca. 21 cm x 23,5 cm.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Der Krieg zur See 1914-1918

      Manten, E. v. and A. Spindler: Marine Archiv, Mittler and Son Berlin&nbsp1932 till 1934.&nbsptogether&nbsp968&nbsppages. With maps, tables etc. Everything compleet and in mint condition. Detailed information about manoeuvres, positions of destroyed ships, the individual u-boats, the crew, the situation etc, etc.. German Language. Der Handelskrieg mit U-Booten in 3 volumes

      [Bookseller: www.nautiek.nl]
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        Die Altniederländische Malerei Band I-XIV

      (I) Die van Eyck Petrus Christus, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz Bleistiftunterstreichungen/-notizen, einige wenige mit rotem Buntstift (II) Rogier van der Weiden Der Meister von Flémalle, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz Bleistiftunterstreichungen/-notizen (III) Dierck Bouts Joos van Gent, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz Bleistiftunterstreichungen (IV) Hugo van der Goes, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren (V) Geertgen van Haarlem und Hieronymus Bosch, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz wenige Bleistiftunterstreichungen (VI) Memling und Gerard David, Paul Cassirer in Berlin, 1928 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz (VII) Quentin Massys, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz (VIII) Jan Gossart Bernart van Orley, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz Bleistiftunterstreichungen/-notizen (IX) Joos van Cleve Jan Provost Joachim Patenier, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren wenige Bleistiftunterstreichungen (X) Lucas van Leyden und andere holländische Meister seiner Zeit, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1934 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren wenige Bleistiftunterstreichungen (XI) Die Antwerpener Manieristen Adriaen Ysenbrant, Paul Cassirer in Berlin, 1933 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren (XII) Pieter Coeck Jan van Scorel, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1935 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz wenige Bleistiftanmerkungen (XIII) Anthonis Mor und seine Zeitgenossen, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1936 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz wenige Bleistiftunterstreichungen (XIV) Pieter Bruegel und Nachträge zu den früheren Bänden, A. W. Sijthoff's Uitgeversmij N. V. in Leiden, 1937 ohne SU altersbedingte Spuren und/oder Gebrauchsspuren Besitzervermerk auf dem Vorsatz

      [Bookseller: ABC-Schutz]
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        Plays

      1934 - O"NEILL, Eugene. The Plays. New York: Charles Scribner's Sons, 1934-35. Twelve volumes. Octavo, original full red cloth gilt, top edges gilt, uncut, original slipcases. $3500.Signed limited "Wilderness Edition," one of 552 sets signed in Volume I by O'Neill.With photogravure frontispieces and decorative headpieces. "The measure of O'Neill's greatness was summed up by the playwright Arthur Miller: 'O'Neill was the great wrestler, fighting God to a standstill. The theater will forever need the towering rebuke of his life and his work and his agony" (DAB, 526). This is the most complete early collection of O'Neill's plays, and includes Strange Interlude, Dynamo, Lazarus Laughed, Desire Under the Elms, Mourning Becomes Electra, and many others. Spiller, 671. With remnants of original glassine. Publisher's original slipcases a bit worn. A fine set. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        Märkische Heimat : Beilage zur Märkischen Zeitung. Geschlossene Folge mit zwölf (!) kompletten Jahrgängen! 1) 7. Jahrgang 1934 mit den Nummern 1 - 12. / 2) 8. Jhg. 1935, Nr.1-12 / 3) 9. Jgg. 1936, Nr. 1-12 / 4) 10. Jg. 1937, Nr. 1-12 / 5) 11. Jhg. 1938, Nr. 1-12+2 Bl. Inhaltsv. / 6) 12. Jhg. 1939, Nr. 1-12 +1 Bl. Inhaltsv. / 7) 13. Jhg. 1940, Nr. 1-12 / 8) 14. Jhg. 1941, Nr. 1-12+ 1 Bl. Inhaltsv. / 9) 15. Jhg. 1942, Nr. 1-12 und Inhaltsverzeichnis / 10) 16. Jhg. 1943, Nr. 1-12+Inhaltsv. / 11) 17. Jhg. 1944, Nr. 1-12+Ihnaltsv. / 12) 18. Jhg. 1945, Nr. 1-3.

      Standort: K01100Ueb Die Jahrgänge 1934 - 1941 im Format 31,5 x 23,5 cm mit durchschnittlich 2 bis 4 Blatt, zweispaltig bedruckt. Die Jahrgänge 1942 und 1943 mit je einem Blatt, 2 fach gefaltet. Jahrgang 1944 je ein halbes Blatt, einmal gefaltet. Jgg 1945 mit je 12 Seiten. Die Jahrgänge 1942 - 1945 im Format 15,5 x 12 cm. Guter Zustand. Aus dem Inhalt: Ein vergessenes Grab - Dem Maler Karl Friedrich Schulz zum Gedächtnis / Ferdinand Möhring - Zum 50. Todestag des Ruppiner Tonschöpfers / Wie der Schulmeister von Rübehorst zum Stern des schwarzen Adlerordens kam - Eine heitere Geschichte vom Alten Fritz von Alfred Schenk, Köthen. / Neuruppin, die Heimat Schinkels - Zur 150. Wiederkehr des Tages des Ruppiner Brandes / Günter Hintze: Kunstgeschichtlicher Streifzug durch Lindow / Was uns alte Neuruppiner Häuser erzählen (div. Serien) / Max Neumann: Friedrich und Knobelsdorff / 100 Jahre Neuruppiner Tuchmacherinnung / Dr. Thiele: Aus der Geschichte des Dorfes Kägelin / Rheinsberger Musiker um 1860 / Gustav Metscher : Eine Geschichte aus Prenzlaus Vergangenheit / Ernst Neumann, Pankow: Friedrich der Große und seine Frau / Gerhard Rudolph: Die Burg Tornow an der Dosse / Märkische Familienbriefe aus der Franzosenzeit / Ernst Neumann: Das Geheimnis von Perleberg / Regierungsbaurat Neumann: Von alten Kirchen des Ruppiner Landes / Otto Heinrich Böckler: Das Burgfräulein von Vehlefanz / M. Neumann: Kloster Lindow und seine Bauten / W. Dinger: Prinzessin Goldhaar - der letzte Sonnenstrahl im Leben des Prinzen Heinrich, des Bruders Friedrich des Großen / Dr. Charlotte Steinbrucker: Brandenburgische Volkskunst / Alte Ruppiner Bürgerfamilien - Die Familie Kohlbach / Alfred Schenk: Erfülltes leben. Ein Opfergang des Gottlieb Traugott Amos, Schulmeister von Rübehorst - Eine Erzählung von 1806 / Gerhard Rudolph: Matthias Döring - Ein märkischer Franziskanermeister / Paul Glück: Der Deserteur des Kronprinzen Friedrich - Eine Rekrutengeschichte aus der Ruppiner Zeit Friedrichs des Großen u.v.a. Brandenburg, Heimatgeschichte, Zeitunskonvolut

      [Bookseller: Antiquariat Carl Wegner]
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        Die Pathologisierung des Künstlers: Künstlerlegenden der Moderne (Gebundene Ausgabe)von Bettina Gockel (Autor)

      "Gelebte Vita" war das Stichwort, mit dem Ernst Kris und Otto Kurz 1934 in ihrer bahnbrechenden Studie über die Künstlerlegende auf das "psychologische Gebiet" hinwiesen, das es noch auszuloten gelte. Die Autorin der vorliegenden Untersuchung setzt hier an und wendet diesen Hinweis in eine historisch-kritische Perspektive. In den Blick genommen wird die von Kris und Kurz nicht mehr untersuchte Phase der Biologisierung und Psychologisierung des Künstlers im späten 19. und frühen 20. Jahrhundert. Die Künstlerlegende wurde zwischen 1880 und 1930 zur Krankengeschichte vermeintlich epileptischer, degenerierter und schizophrener Künstler. Anhand des breiten Spektrums von Krankheitsbildern der Neuropathologie und Degenerationstheorie wird erstmals erkennbar, wie wenig stringent und mit welch unterschiedlichen Werten und Zielen die Pathologisierung des Künstlers und seiner Lebensgeschichte eine wissenschaftliche Begründung erfahren sollte. So findet sich die Degenerationsthese, die vor und um 1900 noch das Argument einer biologistischen Kulturkritik war, während und nach dem 1. Weltkrieg in psychologisch-philosophischen Abhandlungen über den Künstler wieder. Hölderlin und van Gogh galten dabei als kranke Heroen höchster Empfindsamkeit in einer katastrophischen Moderne. Gerade die Unschärfe, Ambivalenz, ja auch Spekulation wissenschaftlicher Untersuchungen über den Künstler bot Kunstkritikern, Kunsthistorikern und nicht zuletzt Künstlern Anknüpfungspunkte, mit denen das Idealbild vom vorgeblich kranken Künstler bis heute fortgeschrieben wird. Aus dem Inhalt: I. Einführung - Künstlersubjekt und Wissenschaftsgeschichte - Der Künstler im kulturellen System - Wissenschaft vom Künstler und Kunstgeschichte II. Von der Biologisierung zur Psychologisierung des Künstlers - Ideen- und Wissenschaftsgeschichte des künstlerischen Genies - Cesare Lombroso - Max Nordau - Emil Kraepelin - Sigmund Freud - Otto Rank - Versuche der Aufwertung des kranken Künstlergenies nach 1900 - Die "stille Schizophrenie" III. Die Lebensgeschichte des Künstlers als Gegenstand der Pathographie und Psychopathologie - Geschichte der Pathographie - Geschlecht des Genies - Wilhelm Lange-Eichbaum - Hölderlin und van Gogh - Ludwig Binswanger d. J. und Karl Jaspers - Von der Epilepsie zur Schizophrenie IV. Ernst Ludwig Kirchner. Kunst, Psychiatrie und Politik - Forschungsstand - Kirchners Krankheit - Kunst und Politik in der Nervenheilanstalt Bellevue - Binswangers "Personwissenschaft" - Porträt und Persona - Kirchners Produktions- und Rezeptionstheorie des Bildes - "Gelebte Vita" - Binswanger und Kirchner auf der Stafelalp - Utopie und Leben - Kirchners Bibliothek - Kirchners Selbstmord V. Paul Klee. Künstlerlegende und Krankengeschichte als künstlerische Verfahren - Forschungsstand - Materialität und Erinnerung - Klees Legende über die Reise nach Tunesien - Klees Genie - Kunst der Sichtbarmachung und das künstlerische Subjekt - Klees Beitrag zur "Schöpferischen Konfession" - Klee und E.T.A. Hoffmann - Der Künstler im Krieg - Klees Bildtechnik - Klee und Worringer - Klees Krankheit und sein bildnerisches Verfahren der Dissoziation Resümee und Ausblick: Aby M. Warburgs Selbstexperiment als "(unheilbar) Schizoider"

      [Bookseller: Buchservice Lars Lutzer]
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        Exhibition catalogue, inscribed and signed ("GeorgesB"). N. p., July 10, [1934].

      1934. 1 p. on 6ff. Printed wrappers. Small 4to. Apparently a letter draft, written on the next-to-last page (entitled "Notes"): "[...] Today 10th July in the year of our Lord one thousand nine hundred thirty four I told Tristan [?] that I would spend a weeks holiday with him [...]". - In pencil; somewhat brown-stained, cover rather browned and spotty.

      [Bookseller: Antiquariat Inlibris]
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        CLAUDIUS THE GOD AND HIS WIFE MESSALINA

      London: Arthur Baker, 1934. First edition. With fold out genealogical trees of the Imperial family and the royal family of the Herods. 8vo, in the publisher's original gilt lettered black cloth, and in the original dustjacket. 575 pp. A very fine, as pristine copy of the book, in an attractive jacket with some light general mellowing confined primarily to the spine panel. FIRST EDITION, Robert Graves' extremely popular 'autobiography' of Claudius continues (from Claudius' accession after Caligula's death, to his own death in 54) in Claudius the God. This sequel also includes a section written as a biography of Herod Agrippa, contemporary of Claudius and future King of the Jews. This book, combined with Graves' first Claudius novel, was adapted by the BBC into the award-winning television serial, I, Claudius.

      [Bookseller: Buddenbrooks, Inc.]
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        Logische Syntax der Sprache. (The Logical Syntax of Language). Schriften zur wissenschaftlichen Weltauffassung, Bd. 8.

      Julius Springer 1934 - 1934 first edition, 274 pp, very good+ to near fine original wraps, untrimmed edges, spine slightly darkened, clean text. 1934 Erstausgabe, OBr., unaufgeschnitten, gutes exemplar. Size: 8vo - over 7? - 9? tall [Attributes: First Edition; Soft Cover]

      [Bookseller: Secret Knowledge Books]
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        Münchner Illustrierte Presse: 11. Jahrgang 1934 ( Heft 1 - 52; 7. Januar bis 27. Dezember 1934 ). In 2 Bänden aufgebunden.

      Knorr & Hirth München 1934 Mit 1712 Seiten und tausenden von schwarz-weißen Abbildungen und Illustrationen, alle Bereiche des Lebens betreffen: Politik, Kultur, Kunst, Wirtschaft, Sport, Militär, Bavarica usw. In 2 roten Halbleinenbänden der Zeit mit goldgeprägtem Einbandrücken, Folio ( 37 x 28 cm ) Einbände leicht berieben, Ecken und Kanten gering bestoßen. Innen Papier durchgehend leicht gebräunt, wenige Seiten gering fleckig oder gering angeknickt, wenige Seiten mit kleinen Randläsionen im weißen Außenrand. Insgesamt guter Zustand. - selten - ( Gesamtgewicht ca. 7000 Gramm ) ( Pic erhältlich // webimage available ) Versand D: 5,00 EUR München, Münchner, Münchener, Illustrierte, Illustrierte Presse, Münchner illustrierte Presse, Drittes Reich,. Nationalsozialismus, NSDAP, 1934, Google

      [Bookseller: Antiquariat Friederichsen]
 14.   Check availability:     buchfreund.de     Link/Print  


        Archive of 89 photographs from various Pre-Code films starring Julie Bishop [Jacqueline Wells], 1933-1934

      Various cities: Various Publishers, 1934. Archive of 89 photographs belonging to actress Julie Bishop, featuring film still and publicity photographs from five Pre-Code films made in 1933 and 1934 while she was still being credited under her birth name, Jacqueline Wells. The photographs have been tipped into a contemporary photo album, with the exception of three photographs, which are laid in. Bishop began working in silent films as a child actress, and appeared in over 50 B-pictures and serials for Universal, Paramount, and others through the 1930s as Jacqueline Wells. A 1941 studio contract would necessitate a change to the name she became better known as, as Warner Bros. didn't want their new star associated with the low budget pictures in her past. She made 16 films for Warner Bros., and continued to find work through the 1950s, a career that lasted over 30 years. Roughly half the photographs in the archive are from 1933's "Tarzan the Fearless" film serial, which she costarred in with Buster Crabbe, including 11 behind the scenes photographs, five of which show Tarzan creator Edgar Rice Burroughs during a visit to the set. One of these photographs has been inscribed to Bishop by producer Sol Lesser. Other films featured in the archive include the W.C. Fields starring "Tillie and Gus" (Paramount, 1933), "The Loudspeaker" (Monogram, 1934), one of which is laid in and contains a holograph ink note by Bishop to an unknown recipient mentioning her costar Ray Walker and that the film's theme song, "Who, But You?," was being performed by Bing Crosby and Guy Lombardo, "Alice in Wonderland" (Paramount, 1933), although it appears her role was cut from the final film, and the film serial "Clancy of the Mounted" (Universal, 1933), several of which show images from the final six chapters of the series, considered lost, the first six chapters having been released on DVD in 2012. Photographs 8 x 10 inches (20 x 25 cm). Some with bruising or light chipping, generally about Near Fine. Photo album 13.25 x 10.25 inches (33 x 26 cm), bound with a string binding. Very Good plus.

      [Bookseller: Royal Books, Inc.]
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        The Camels Are Coming

      John Hamilton Ltd, 1934. Hardcover. Good. 1934. Fourth Edition. 220 pages. No dust jacket. Blue cloth boards with gilt lettering and contains pictorial plates, date is presumed. Pages remain reasonably bright with moderate foxing to text block edge and the endpapers which also have inscription. Very light cracking to hinges and markings to page 50. Binding is firm with light corner bumping and staining to boards. Spine is tanned with light shelf wear and rubbing to the edges.

      [Bookseller: The World of Rare Books]
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        Twelve Soviet photo prints [in red folio, but containing a mixture of twelve prints from the red and blue folios]

      n.p. 1934 - Red folio containing twelve black and white photogravures, loose as issued, image size 9.25x13 inches on 14.25x19.75 inch sheets. The folio is mildly worn and stained, with some red tint having transferred to the verso of one of the sheets; some sheets have minor traces of edge-staining. The prints are a mixture of some originally from this red folio, with several from the blue folio. Prints present are: Kremlin: Moscow; Stalin?s Mother; A Priest; Shock Brigadier; Street car conductor: Moscow; The world?s largest blast furnace; Bricklayer; Soviet Serenade; Steel Worker: Magnitogorsk; For the iron mine foundations; Col. Hugh L. Cooper; and Medical students in Tiflis (this last being the one with red transfer to the verso, not visible from the front).

      [Bookseller: Bolerium Books Inc.]
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        2 Vols set - Histoire de la Peinture Chinoise - Des Origines à l'Epoque Song - L'Epoque Song et l'Epoque Yuan

      Paris, Les Editions d'Art et d'Hitoire, 1934 - 116, 160 pp, + 102 , 126 Planches Beide Bände, feste O- Pappdeckel mit Broschurrücken , mit den Schutzumschlägen. Äußerlich etwas angestaubt , Rücken lichtverschienen, übliche Buchrückenfalte, die inneren Deckel / Vorsätze teils leicht altersschmutzig, schwach stockfleckig. Blattrandbereich schwach nachgebräunt, teilweise unbeschnitten. 123B Sprache: Französisch Gewicht in Gramm: 4500 gebundene Ausgabe, Hardcover/Pappeinband

      [Bookseller: Versandhandel Rosemarie Wassmann]
 18.   Check availability:     ZVAB     Link/Print  


        The Rock.

      London: Faber & Faber Limited,, 1934. A pagent play written for performance at Sadler's Wells Theatre 28 May ? 9 June 1934 on behalf of the forty-five churches fund of the Diocese of London. Octavo. Original white blue-speckled paper over boards, spine lettered in blue. With the dust jacket. Small closed tear to top of jacket rear panel, a few trivial marks, otherwise a fine copy. First edition, first impression, a superb copy. One the earlier of Eliot's works to be more-or-less dominated by Christian doctrine (and created in collaboration with a veritable synod of churchmen), The Rock envisages the modern era with Eliot's characteristic brand of scornfully sweeping bitterness - "The Church disowned, the tower overthrown, the bells upturned, what have we to do / but stand with empty hands and palms turned upwards / in an age which advances progressively backwards?" One of 1000 copies issued in the trade binding.

      [Bookseller: Peter Harrington]
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        Les enfants de la chance.

      NRF. Paris 1934 (20 mars) in-12 relié en demi maroquin marron à coins. Dos à cinq nerfs, titre et nom d'auteur dorés. Couverture et dos conservés. Reliure signée J. Rabaud. Edition originale, exemplaire sur papier alfa Navarre spécialement imprimé pour le Dr Léon Michaux. Petit envoi autographe signé "Jef". Ce qui signifie que Léon Michaux était un proche de Jef Kessel.

      [Bookseller: Librairie La Rose de Java]
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        PLAY PARADE

      London: HEINEMANN, 1934 BAYNTUN-RIVIERE BINDING FIRST EDITION FINE.

      [Bookseller: George Houle Rare Books & Autographs]
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        ENCYCLOPEDIE ANARCHISTE

      1934Paris LIBRAIRIE INTERNATIONALE 1934 Complet des quatre volumes in-4 de 2893 p. en pagination continue Seule édition Reliures demi-chagrin d'édition à nerfs et titres dorés Bon état

      [Bookseller: Librairie Serge Nève]
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        Assicurazioni. Rivista di Diritto Economia e Finanza delle Assicurazioni Private

      1934-1962. in-8 annate 1934 1935 1938 1939 1940 1947 1949 1959 1960 1961 1962 in 11 tomi Rivista fondata nel 1934 a cura dell'Istituto Nazionale delle Assicurazioni e della Federazione Nazionale Fascista delle Imprese Assicuratrici. Diretta da Asquini D'Amelio De Gregorio Bevione Paolini.

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        LYSISTRATA

      Limited Editions Club, New York 1934 - Tall thin quarto (9-1/2" x 11-3/4") bound by Bayntun Riviere in full gilt-decorated and lettered red morocco leather with gilt dentelles, marble endpapers, and all edges gilt. The original pattern paper boards in three colors designed after Picasso's drawings are bound at the rear. Introduction and translation by Gilbert Seldes. Illustrated by Pablo Picasso including 30 sepia-tinted lithographs after drawings and 6 ORIGINAL ETCHINGS printed by hand. Copy #1197 of 1500 SIGNED in pencil by the artist on the colophon page. ARTIST AND THE BOOK 226: "the only American publication with original Picasso etchings, which are among his most important in the classical style." Owner blindstamp on a front blank. Scattered foxing and soiling internally, the etchings about Fine in a beautiful, Fine binding housed in a Fine custom cloth slipcase [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Time I Was Dead. Pages from My Autobigraphy.

      London, Eyre & Spottiswoode (Publishers) Limited, 1934 - Quarto. Original quarter red morocco with red cloth boards, titles to spine gilt, top edge gilt. Spine faded, boards a little darkened, light foxing to fore edge. First edition, first impression. Signed limited edition. Limited to 100 copies of which this is number 59 signed by Cecil Aldin. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 25.   Check availability:     AbeBooks     Link/Print  


        Overseas. 1917–1918.

      1934 1934 - Octavo. Contemporary dark red morocco, raised bands, titles and decorations to compartments gilt, titles and double frames to front board gilt, all edges gilt, red moiré silk endpapers, red silk bookmark. Ownership inscription to front flyleaf. Extremities very lightly rubbed. An excellent copy. Black and white photographic portrait frontispiece. Second edition of this memoir, privately printed on parchment paper and produced to honour the author, Lieutenant Fletcher Webster Brown, who served in the U.S. Navy during the First World War.

      [Bookseller: Peter Harrington. ABA member]
 26.   Check availability:     AbeBooks     Link/Print  


        Choice Vintage Original Handsome Photograph Signed

      , 1934. ("Jim Cruze") in black fountain pen ink on 1/2 length portrait wearing a white shirt and golf hat with his left shoulder to the camera. Photograph is on heavy weight stock; matte finish; 10 1/2" x 13 1/2". Very good. ca. 1934. Signed and inscribed to actress Evelyn Venable with drawing of a small pig: "To Evelyn - My dear little son of a bitch. If I didn't love Hal. I'd kill him - Respectfully yours, Jim Cruze." Director James Cruze, two time Oscar winning cinematographer Hal Mohr ("A Midsummer Night's Dream" 1935 and "Phantom of the Opera" 1943) and actress Evelyn Venable worked together on the 1934 film "David Harum".

      [Bookseller: George Houle Rare Books & Autographs ]
 27.   Check availability:     ABAA     Link/Print  


        Nerto, Nouvello Prouvençalo / Nerte, Nouvelle Provençale. Eme la traducioun franceso vis-à-vis / Avec la traduction française en regard. [Typographie et illustrations de Louis Jou].

      [Paris]: Société des Bibliophiles de Provence, 1934 - 1936. Tirage limité à 150 exemplaires, grand in-8; celui-ci l'un des 30 ex. réservés aux collaborateurs (n°XVIII); [v], 152p., [1p.], et, [7p.], pp.159 - 330, [11p. Notes, Table, Justification]; portrait en frontispice tiré en deux couleurs; 7 chapitres comprenant chacun 2 bois gravés à pleine page, un bandeau et un cul-de-lampe gravés répétés, lettrines ornées en noir et rouge; épilogue comprenant 1 bois gravé à pleine page et divers ornements. Sobre reliure d'époque en plein vélin ivoire, dos lisse, gardes marbrées noir et or, couverture illustrée conservée. Bel exemplaire sous étui cartonné. Bel ouvrage, typographié et illustré par Louis Jou pour célébrer le cinquantenaire de la publication de Nerto. Un poème épique sous forme de cheminement dans lequel Nerto rencontre ou devient successivement Baron, Pape, Roi, Lion, Nonne, Ange, et Diable, avant d'arriver à l'épilogue. Feuille 78 pour une description complète. Monod 8244.

      [Bookseller: Librairie des Carrés]
 28.   Check availability:     Livre-rare-book     Link/Print  


        Italiani e stranieri alla Mostra della Rivoluzione Fascista.

      1934. Società Anonima Imprese Editoriali (S.A.I.E.), Roma, 1934 - Anno XIII. Prima edizione in tiratura limitata dei 475 esemplari di lusso (il ns. è l'esemplare di lusso n. 0433). In 4to grande, pp. 1 c. b. (16), 732 + (10 con Indici) + un ampio e bello corredo illustrativo anche a p. p. in colori virati all'azzurro, al grigio, al porpora (la prima illustrazione in colore è di Biazzi) dove spiccata è l'iconografia visiva della propaganda, leg. in piena piena pelle verde con titoli in oro al dorso, un fascio littorio stilizzato in rame applicato al piatto, cofanetto in cartone. Una parte del volume è riservata ai servizi fotografici di tutti i "Cambi della Guardia" dall' 8 settembre 1933 al 28 ottobre 1934. Timbro di estinta biblioteca (provenienza privata documentata). Rara e importante compilazione. Costole del dorso un poco usurate, alcuni segni del tempo ma nell'insieme ben conservato.

      [Bookseller: Studio Bibliografico Botteghina D'arte G]
 29.   Check availability:     maremagnum.com     Link/Print  


        I, Claudius From the Autobiography of Tiberius Claudius Emperor of the Romans born B C 10 murdered and deified A D 54

      London: Arthur Barker, 1934.. FIRST EDITION. Octavo, pp.494. With a folding family tree of the Julio-Claudian dynasty to rear. In publisher's black cloth with gilt titles to spine. With original pictorial dust jacket designed by John Aldridge. Bottom edge untrimmed. Jacket spine lightly sunned, with some light wear and very minor chipping to the top edge. Crisp and clean internally; likely unread. A fine copy of the book in a very good jacket. Arguably the defining piece of Roman historical fiction from the twentieth century, Graves' classic fanciful autobiography of Rome's fourth Emperor builds a tangled web of family feuds and internecine murder from hints provided by Tacitus and Suetonius. The story was dramatised by the BBC in 1976, staring Derek Jacobi, and has since gone on to inspire the tone of the acclaimed series 'Rome' (2005-07). Graves was a gifted classicist at Charterhouse and later Oxford, but decided to pursue literature and poetry after he completed his degree. As well as contributing a translation of Apuleius' 'The Golden Ass' to the Penguin Classics collection, he also published a controversial encyclopaedia of Greek Myths containing some of his own original theories, generally rejected by the academic community.

      [Bookseller: Adrian Harrington Rare Books]
 30.   Check availability:     Biblio     Link/Print  


        JONAH'S GOURD VINE.

      Philadelphia: Lippincott, 1934. First printing. Very good+ condition - a clean and tight copy, but with the usual fading to the green cloth - most significant on the spine, but affecting the edges of the boards also. The black lettering on the spine and front cover is sharp and bright. Hurston's very uncommon first novel, with an introduction by Fannie Hurst. One of the most important novels of the Harlem Renaissance. Glossary. 316 pp.

      [Bookseller: Bookfever.com, IOBA]
 31.   Check availability:     IOBABooks     Link/Print  


        ENCYCLOPEDIE ANARCHISTE.

      Librairie Internationale 1934 - Paris, Librairie Internationale , 1934. 4 volumes in 4° 1/2 chagrin vert sombre , 2893 pp . Texte sur 2 colonnes. Ce remarquable ouvrage de 2893 pages reste à ce jour la plus importante contribution écrite au mouvement anarchiste en France.Cette encyclopédie expose le point de vue des anarchistes synthésistes (courant regroupant anarchistes individualistes, communistes anarchistes et anarcho-syndicalistes) français des années 1930." RIEN PAR LA CONTRAINTE : TOUT PAR L ' ENTENTE LIBRE ! "

      [Bookseller: Librairie Nord Sud]
 32.   Check availability:     AbeBooks     Link/Print  


        Fortunio

      Paris Briffaut 1934 Un volume grand in-8demi maroquin à coins châtaigne, dos orné, titre et auteur dorés, tête dorée, couvertures conservées, étui. [3], iii, 212 pages.Très belle édition, imprimée à petit tirage (392) et illustrée de 16 compositions en couleurs érotisantes, gravées sur cuivre par Gerda Wegener (1886-1940), peintre et illustratrice danoise. L'un des exemplaires imprimés sur vélin de Rives, ici le n°187.Légers reports des cuivres, très bel exemplaire.230x170x35mm, poids : 1.3kg, envoi soigné en Chrono 13 de Chronopost One volume, large 8vo, half cornered light brown morocco, gilt ornate and gilt-lettered spine, top edge gilt, original wrappers bound in, slipcase. 3], iii, 212 pages. Gorgeous limited edition, a 392 copies run only, illustrated with 16 compositions copper engraved by Gerda Wegener (Danish painter and illustrator,1886- 1940). Copy n°187 printed on Rives wove paper. Slight engravings transfers onto pages. A most desirable book. - - * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Attention ! Les montants des frais de port mentionnés ne sont valables que pour la France continentale. Pour toute autre destination, veuillez prendre contact avec la librairie par téléphone fixe +33 (0) 5 67 67 46 33 ou portable +33 (0) 6 04 51 14 09 ou par courriel : librairie@scriptorium-albi.frBeware! The shipping rates here given are only available within France. For any other destination please contact the book shop by phone: +33 (0) 5 67 67 46 33 or GSM: +33 (0) 6 04 51 14 09, or by e-mail: librairie@scriptorium-albi.fr

      [Bookseller: Le Scriptorium d'Albi]
 33.   Check availability:     Livre-rare-book     Link/Print  


        L'essor Français.

      France Edition - MARCUS-MONTI. W, directeur,FERRIER. A, dessinateur, l'essor Français, France édition, sans lieu ni date ( environ 1934-1935 ), les finances, l'industrie, les arts, les sports, les amis de le France, in-folio, reliure d'édition, exemplaire n° 156, sur Madagascar, signature, texte sur deux colonnes, l'une en Français, l'autre en Anglais. 101 portrait dessinés et signé par Ferrier, sous serpente. bel exemplaire. [Attributes: First Edition; Hard Cover]

      [Bookseller: biblio antiques]
 34.   Check availability:     AbeBooks     Link/Print  


        Knizni obálky Josefa Capka.

      Statni Grafica Skola, Prag 1934 - Prag Statni Grafica Skola, 1934. Folio. 3 Blatt (Text), 16 farbige Tafeln, 1 Blatt. 3 leaves text and 16 colour plates. Gelbe Originalbroschur. Sehr gutes Exemplar. Yellow original brochure. Very good condition, slightly Seltener Privatdruck. In nur kleiner Auflage erschienenes frühes Werk über Josef Capeks buchkünstlerische Arbeiten. Die Tafeln zeigen seine berühmtesten Buchillustrationen, darunter die Einbände zu Neumanns "At zije zivot", Karel Capeks "Italské listy" und "Onejblizsích vecech", Jules Romains "Kumpáni", Montherlants "Ráj ve stínu mecu", Josef Koptas "Revolucce" oder Josef Capeks "Zeme nmoha jmen". Scarce publication about the avatngarde book cover design by the Czech artist and writer Josef Capezl. Excellent reprocutions. Sprache: Tschechisch Sehr gutes Exemplar. Yellow original brochure. Very good condition, slightly [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat J.J. Heckenhauer e.K., ILAB]
 35.   Check availability:     ZVAB     Link/Print  


        Rosamund's Victory

      UK: Harrap. London, Harrap, 1934. Hardback first edition and first impression. The book is very good with bumping, a little ageing, foxing and toning. The jacket is largely complete with some chips to the spine tips (the final 's' from Rosamund's is missing). A few closed tears and some chips to to the rear panel. Short split at hinge. The front panel of the jacket is largely in tact and presents well. Rare in jacket. This is the fourth in Oxenham's Rocklands series, but ties into the main Abbey novels too. . Very Good. Hardback. 1st Edition. 1934.

      [Bookseller: Hyraxia]
 36.   Check availability:     Biblio     Link/Print  


        THE W. HEATH ROBINSON CALENDAR (for 1934).

      London, G. Delgado Ltd, 1934.. 1934, 250 x 178 mm, 9¾ x 7 inches, cream card covers with extra illustration on upper cover, title in red, complete with original silk hanging ribbon at the top. 52 half-tone illustrations, all humorous, all on different, sometimes seasonal topics, image size 150 x 108 mm (6" x 4¼"), each with a humorous caption below. Covers very slightly dusty and faintly spotted along edges, ribbon rather faded, corners very slightly scuffed, 20 mm (¾") split to fold at top of lower cover, contents very nice. Lacking presentation box, otherwise a very good copy. See Beare Addenda page 34, D2, all the cartoons had previously appeared in magazines. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 37.   Check availability:     Biblio     Link/Print  


        Typed Letter Signed on "Tuskegee Normal and Industrial Institute" stationery, 4to, Tuskegee Institute, Alabama, May 10, 1937

      About to visit the Ford Motor Plant in Dearborn, Carver writes to his "much appreciated friend, Mr. Tubs," who worked at the Drakeford Greenhouses in Tuskegee. Edward Tubbs, a friend who worked at the Drakeford Greenhouses in Tuskegee, shared Carver's interest in and love of botany. As in other known letters Carver wrote to Tubbs, Carver thanks him for flowers received and mentions other flowers he has, specifically an amaryllis "through flowering now." At the outset, Carver writes that he, "wore the white carnation all day yesterday and it is just as pretty today. I shall wear it more or less all the week…." Carver explains that while he would like to see Tubbs, he has been too busy and informs him that "in about two weeks I shall have to leave for Dearborn, Michigan, Mr. Curtis and myself. We will visit the Ford Plant, and I am to speak on the evening of the 25th. I shall go by Mr. Curtis's home and rush back for commencement." He says that he hopes to see Mr. Tubbs upon his return. Above his typed name he signs, "G. W. Carver." Condition: Folds at center and two vertical folds, on verso and showing through are two light tan stains possible from sunning, else fine. Carver refers here to his visit to Dearborn at the invitation of Henry Ford to speak at the Third Dearborn Conference of Agriculture on "What Chemurgy means to my People." He also refers to his assistant, Mr. Austin Curtis, Jr., who escorted him to Dearborn. Carver and Ford began corresponding via letter in 1934, and their mutual admiration deepened after Carver made a visit to Michigan in 1937, the year of our letter. Carver and Ford worked together to create the field of Chemurgy, a new branch of science to merge agriculture and industry. During Carver's visit to Dearborn in 1937, he spoke at the Conference of Agriculture and a summary of his speech, published in Farm Chemurgic Council Proceedings of the Third Dearborn Conference…, so cited in Henry Ford and his Researchers… by William Shurtleff and Akiko Aoyagi, [page 77] states in part, "soybean was regarded a sort of curiosity… what Chemurgy has done with this bean under the direction of Mr. Ford is truly amazing, and the end is not yet. More things will be made…." The authors note that this is the earliest document seen using the word "Chemurgy" in the title. The Special History Study from the National Park Service website notes that in 1937, Carver attended two Chemurgy conferences, and that he was invited by Henry Ford to speak at the conference in Dearborn where "they developed a friendship." As Carver's health deteriorated, Ford installed an elevator at Tuskegee where Carver lived so that he wouldn't have to walk up and down the stairs. As Douglas Brinkley writes in 'Wheels for the World,' his history of Ford, the automaker donated generously to the Tuskegee Institute, helping finance Carver's experiments, and Carver in turn spent a period of time helping to oversee crops at the Ford Plantation in Ways, Georgia." The article continues, "By the time World War II began, Ford had made repeated journeys to Tuskegee to convince Carver to come to Dearborn and help him develop a synthetic rubber to help compensate for wartime rubber shortages." Eventually, in 1942, they devised a way to make the rubber from goldenrod, a plant weed. The two were kindred spirits in many ways, specifically about working to merge agriculture and industry. This letter appears to be unpublished.

      [Bookseller: Schulson Autographs]
 38.   Check availability:     Biblio     Link/Print  


        Appointment in Samarra

      1934 - O'HARA, John. Appointment in Samarra. New York: Harcourt, Brace, (1934). Octavo, original black cloth, original dust jacket. $5500.First edition of O'Hara's first novel.John O'Hara's acclaimed first novel was "an instant success when it was published in 1934". tightly constructed and fast-paced, it detailed the three-day slide to self-destruction of a young man named Julian English". A meticulous craftsman," O'Hara was hailed as "˜one of the most underrated authors in America" by Bennett Cerf, who said that "O'Hara belongs right up there with William Faulkner and Ernest Hemingway" (New York Times). With publisher's errata slip tipped in after title page, as called for. Bruccoli Clark I:285. Owner inscription.Book fine; some chipping, soiling to scarce, very good dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bauman Rare Books]
 39.   Check availability:     AbeBooks     Link/Print  


        Wild Fowl Decoys

      New York: The Derrydale Press, 1934. First Edition, ONE OF 55 LARGE-PAPER COPIES, signed by Barber, this being No. 22. 5 color plates, one of them handcolored, and 121 other illustrations. TOGETHER WITH BARBER'S ORIGINAL INK DRAWING FOR THE TITLE PAGE laid in. 1 vols. 4to. Original full red morocco gilt, t.e.g., others uncut; very slight chipping to top of spine, else a fine copy of a book seldom found approaching this condition. Half red morocco slipcase with Derrydale logo on spine and on upper cover leather label, with chemise. First Edition, ONE OF 55 LARGE-PAPER COPIES, signed by Barber, this being No. 22. 5 color plates, one of them handcolored, and 121 other illustrations. TOGETHER WITH BARBER'S ORIGINAL INK DRAWING FOR THE TITLE PAGE laid in. 1 vols. 4to. With Barber's Drawing for the Title Page. "One of the most important books published by Connett." -- Siegel This is the large paper edition of this work. The regular, trade, edition was published at the same time by Windward House, a sporting press started by Connett in 1933. Both editions used Barber's vignette on the the title page. From this drawing it appears that Connett liked the artist's Windward design and used in it the Derrydale edition: in the margin of the drawing Connett has pencilled "reduce 1/4 inch" and the drawing was photographically reduced to the smaller dimension for the large paper copies. A simplified version of the design was used on the Derrydale edition spine. One of the rarest and most desirable productions of the Derrydale Press, and, by virtue of the drawing, a unique copy. Siegel 85; Frazier B-5-a

      [Bookseller: James Cummins Bookseller]
 40.   Check availability:     Biblio     Link/Print  


        An African-American Family Photograph Album from “America’s Oldest Negro Community.”

      Gouldtown, New Jersey, 1934-1944. This 7” x 11” album contains approximately 85 photographs (most 3.5” x 4.75”) glued to 20 leaves. The photographs are in nice shape; many are captioned. The album cover is well-worn. The first photograph in the album is of a pre-teen boy and titled “Harold L. Valentine, Jr. Dec 25, 1934” in the margin; underneath is a pencil annotation reading, “Me”. Valentine born in 1923, lived in Gouldtown until his death in 1977. Most of the photographs show Valentine’s family and home, the family’s goats, horses, and chicken houses, family vehicles, a man and woman playing guitars, Valentine's father in his white “Coca-Cola” uniform, and other views of the area. Valentine served as a Tech Sergeant in the Army Air Force during World War II, and many of the final 30 photographs in the album show African-American men in uniform at home and at a military base. This is an important visual record of mid-20th century African-American life in one of the most historic African-American enclaves. Gouldtown, which is located about 60 miles south of Philadelphia, was christened “America’s Oldest Negro Community” by Ebony magazine in 1952. It traces its roots to the 1700s when a freedman, named Benjamin Gould, married the granddaughter of wealthy English nobleman, John Fenwick, who had settled in America. Community lore holds that in the mid-1700s two mixed-race brothers, who were previously indentured servants, arrived from the West Indies, settled near the Goulds and began families of their own after purchasing the passage of two ‘mail-order-brides’ from the Netherlands. Shortly thereafter, a mixed-race couple (white and Native American) arrived from Cape May. It was descendants of these four families that formed the core of Gouldtown’s population well into the latter half of 20th century.

      [Bookseller: Read 'Em Again Books, ABAA]
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        La pensée et le mouvant

      - Félix Alcan, Paris 1934, 14,5x23cm, broché. - Edition originale, un des 100 exemplaires numérotés sur papyrus Navarre, seuls grands papiers. Quelques légères piqûres, sinon bel exemplaire. - [FRENCH VERSION FOLLOWS] Edition originale, un des 100 exemplaires numérotés sur papyrus Navarre, seuls grands papiers. Quelques piqûres.

      [Bookseller: Librairie Le Feu Follet]
 42.   Check availability:     maremagnum.com     Link/Print  

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