Harper & Brothers. Orwell, George (pseud. of Eric Blair). DOWN AND OUT IN PARIS AND LONDON. New York: Harper and Brothers, 1933. First American Edition. First Printing. Octavo (21.5cm); light purple cloth, with plum-colored stripes and titles stamped in black on spine; illustrated endpapers; dustjacket; 292pp. Hint of a forward lean, with faint foxing to text edges; clean throughout - Near Fine. Dustjacket is unclipped, sunned at spine and extremities, with edgewear, short tears, and chips to crown and corners; 3 inch tear along front flap fold, discreetly and archivally mended in two spots on verso; Very Good. Young Eric Blair's first book, a work he was sufficiently ashamed of that he asked Victor Gollancz to issue it under a pseudonym. The American edition was published about 6 months following the British, issued in a tiny print run of 1,750 copies, of which 383 were remaindered. The book sold poorly in the U.S., perhaps owing to the fact American audiences in the midst of the Depression did not want a reminder of life on the down-and-out. Rare in the dustjacket, seldom appearing in presentable condition in the trade and offered less than a handful of times in 30 years according to the auction record, those being restored with tape residue on verso. An important debut. Fenwick A.1d. [Attributes: First Edition; In Dust Jacket]

New York: Harper. AUTHOR'S FIRST BOOK. Mauve cloth, black & green illustrated endpapers. Unusually, no fading to the spine and no toning to the text paper; 1934 in name and date on verso of half-title leaf; else a fine copy, lacking the very scarce dust jacket. Both the UK and US editions were published Jan., 1933. There were only 1500 copies of the UK edition, and only 1750 of this US edition, making both scarce today. Orwell's wonderfully readable and comic first book. Binding: Hardcover. Order direct from my website and get a 10% discount.

New York: Harper & Brothers, 1933. New York: Harper & Brothers. 1933. First US Edition; First Printing. Hardcover. Very good+ copy with just a trace of wear at spine ends, in price clipped dust jacket with ¼" chipping at head of spine, not affecting lettering, and at bottom of spine, obscuring "Harper," and with small chip at head of front panel. The dust jacket was once backed with tape, removed by a conservator, leaving only slight toning in a few areas and mild Japanese paper strengthening at folds. 1st US edition of the author's first book, one of the great hobo novels of our time. ; 8vo 8" - 9" tall; 292 pp .

First Edition, First Printing New York: Harper & Brothers, 1933. First edition stated, first printing. Publisher's plum cloth binding stamped in dark purple and black, lacking the dust jacket. Near Fine. Cloth lightly rubbed at corners and spine ends, spine toned. Small, previous owner address label to verso of half-title page. Pages toned. Binding error affecting top of several pages toward end. A sharp copy of Orwell's first full-length published work, a coming of age memoir of poverty written in two parts. We specialize in rare and out-of-print books; please visit our eBay store. [Attributes: First Edition]

Philadelphia: Lippincott. Condition: Very Good + / Near Fine. A gorgeous copy of the 1933 1st edition. Tight and VG+ (with very light soiling along the spine) in an unusually crisp, price-intact, Near Fine dustjacket. Just a touch of creasing at the lower-edge of the dj's front panel, otherwise clean as could be. 12mo, "a Fleming Stone detective novel". [Attributes: First Edition; In Dust Jacket]

Margaret Thatcher The Downing Street Years Signed 1/1 F/F Harper Collins 1993 John Steinbeck To a God Unknown Ballou NY 1933 VG/VG True 1st Rare Description First Edition First Issue Robert O. Ballou, New York 1933, original pale green cloth, spine lettered in gilt, binding with very slight area of fading at head and foot of spine, else clean and bright. jacket chipped at head and foot of spine with no impact on lettering. Genuine original and completely unrestored examples are rare. Payment Customers can pay through Paypal or, with prior agreement, by bank transfer. Paypal can process credit and debit card payment. Please contact us for more delivery or payment options Shipping All sales are carefully packed to ensure safe arrival using bubble wrap and boxes All domestic orders usually despatched within 24 hours of cleared payment and are free of charge Royal Mail 2nd class There are no postage charges above those quoted in the listing as all postage is charged at, or, more often, below actual cost. We recommend you contact us for tracked and insured shipping as we cannot reimburse for items lost in the post with other services Terms of Sale We try to meet or exceed our customers expectations. In the event of any problems please contact us directly to resolve the issue in the first instance. We comply with all relevant distance selling regulations.About Us We are specialist sellers in rare and fine books and paper collectables. We have a particular focus on 19th and 20th Century English Literature, especially Modern First Editions, Autographs and Ephemera, Livres d'Artiste … [Click Below for Full Description]

Prague: Lev� fronta, 1933. Prague: Levá fronta, 1933. Octavos (22.2 × 14.5 cm). Original staple-stitched printed wrappers; 16-32 pp. each (consecutive pagination). Two issues with small nicks to wrappers; occasional underlining; overall about very good issues. Significant run of this scarce Czech leftist journal of art, literature, and politics, associated with the eponymous group. Levá fronta, or the Left Front, was founded in 1929, and replaced the avant-garde group Devětsil, which was based around such key figures as Karel Teige, Jaroslav Seifert and Adolf Hoffmeister. Under Teige, the group had increasingly shifted from its allegiance to West European influences toward a greater orientation on Moscow and the Russian avant-garde, leading to discord. With the "Left Front," core members of Devětsil, as well as more outspoken communist critics, sought to create a new print organ to explicitly propagate socialist culture and to unite the intelligentsia with the working class in its creative efforts. Among its members were Teige, Stanislav Kostka Neumann, Bedřich Václavek, Julius Fučík, Ivan Sekanina, Gertruda Sekaninová, Ladislav Štoll, Vladislav Vančura, the architects Karel Honzík and Jiří Kroha, Lubomír Linhart, and others. In addition to publishing this journal, the group published a series of brochures on communist and pro-Soviet matters, the Knihovna levé fronty, or "Left front library," which covered economics, history, politics, and culture. It also organized many events and public discussions, eventually creating branches in other Czechoslovak cities and subdividin … [Click Below for Full Description]

1933. Very rare early British socialist Mugwumps book printed by Leonard and Virginia Woolf by the Hogarth Press.

Josef Sudek Calendar with 27 photos Very RARE calendar Form of this calendar - Ladislav Sutnar Fotografie (Photography) 1933 27 avantgarde photos by Sudek good condition (see photo) 21 x 14,5 cm ( 8 x 6 inch.) (1 page is bent -- see photos) Feel free to contact me See my other items (Sudek, Drtikol, Funke, Sutnar). [Attributes: First Edition]

Prague: Kr�sn� jizba Družstevn� pr�ce, 1933. Prague: Krásná jizba Družstevní práce, 1933. Single leaf measuring 51 × 23.5 cm, folded twice to create a brochure; [6] unnumbered pages. Printed in black, gray, and blue. Near fine. Advertisement and order form for the 1932 porcelain tableware set, designed by Ladislav Sutnar for the state-run Družstevní Práce [Cooperative Work] publisher and industrial design company. With photographs by Josef Sudek. This pamphlet is the second call for orders, based on "855 satisfied subscribers to Sutnar's porcelain set within less than a year, 320 positive reviews..." See Janákova-Knobloch, Ladislav Sutnar: Design in Action, p. 134-135. Not in KVK, OCLC; we can only trace the first subscription form at the Met's Watson Library.

Eyre & Spottiswoode. London. 1933. FIRST CHEAP EDITION. 8vo. (Actually the second cheap editon. An edition was published in 1915. This is the first printing of Churchill`s new introduction. The book is reprinted from the plates of the 1902 edition. See Woods A2(d).) Illustrated with 22 maps and plans. A bright, tight and clean copy, finely bound by Bayntun of Bath, for Asprey of London, in recent half dark red morocco. Red cloth on boards. Spine with raised bands, each with gilt piping, the compartments ruled and lettered in gilt. Marbled endpapers. All edges gilt. A lovely copy of this classic work.

Berlin, 20. II. 1933, Qu.-8°. 1 Seite. Mit etw. läd. masch. Umschlag. An Josef Kriegler im Grand Hotel zu Kitzbühel: "Lieber Herr Kriegler, ich erinnere mich Ihrer sehr gut und freue mich, dass Sie sich der ernsten Kunst zuwenden. Ich werde mir, wenn Dr. Webern Zeit hat, Sie anzuhören, auch von ihm erzählen lassen, wie er Sie gefunden hat. Aber berichten Sie mir auch darüber. Beste Grüße Ihr Arnold Schönberg | Wissen Sie, daß Görgi [Schönbergs 1906 geborener Sohn Georg] in Berlin lebt? [.]" - Links ober roter Absenderstempel, minimal fleckig. [Attributes: Hard Cover; In Dust Jacket]

Germany, 1933. Original vintage movie poster for Malygin Bezwinger Der Nacht / Malygin Conqueror of the Night directed by Minikin-Sorokin, produced by SoyuzKino and released by Slaviafilm Prague. Fantastic design featuring a Zeppelin airship flying through the sky at night and a frozen icy wooden sailing ship below in the sea among the arctic icebergs and rocks in white against the black background, the title in red with a long capital M on the side. The icebreaker Malygin (1912-1940), named after the Russian arctic explorer Stepan Malygin (Stepan Gavrilovich Malygin; d 1764), met with the German Graf Zeppelin (1928-1937) airship on Franz Josef Land in 1931. Good condition, fold marks, tears and creases in margin. Size: 93x61 cm

Levá fronta, Prague. Octavos (22.2 × 14.5 cm). Original staple-stitched printed wrappers; 16-32 pp. each (consecutive pagination). Two issues with small nicks to wrappers; occasional underlining; overall about very good issues. Significant run of this scarce Czech leftist journal of art, literature, and politics, associated with the eponymous group. Levá fronta, or the Left Front, was founded in 1929, and replaced the avant-garde group Dev?tsil, which was based around such key figures as Karel Teige, Jaroslav Seifert and Adolf Hoffmeister. Under Teige, the group had increasingly shifted from its allegiance to West European influences toward a greater orientation on Moscow and the Russian avant-garde, leading to discord. With the "Left Front," core members of Dev?tsil, as well as more outspoken communist critics, sought to create a new print organ to explicitly propagate socialist culture and to unite the intelligentsia with the working class in its creative efforts. Among its members were Teige, Stanislav Kostka Neumann, Bed?ich Václavek, Julius Fu?ík, Ivan Sekanina, Gertruda Sekaninová, Ladislav ?toll, Vladislav Van?ura, the architects Karel Honzík and Ji?í Kroha, Lubomír Linhart, and others. In addition to publishing this journal, the group published a series of brochures on communist and pro-Soviet matters, the Knihovna levé fronty, or "Left front library," which covered economics, history, politics, and culture. It also organized many events and public discussions, eventually creating branches in other Czechoslovak cities and subdividing into sections concerned with arc … [Click Below for Full Description]

Karlsbad und Lány, 1933. Zusammen (1+4=) 5 SS. auf 4 (= 2 Doppel)Blatt. Kl.-4to. Jeweils mit eh. adr. Kuvert. An die englische Journalistin Annie Christitch. I: „A stupid grippe didn’t allow me, to send a letter [ ]" (Br. v. 12. Januar 1933). – II: „We have in Prague Mestrovich & his exhibition; I’m told they don’t like in Belgrad, that he is accepted by us so well. My dear Catholic friend: peccatur intra et extra muros – the Croatians have no able leader, the Serbians either, as you say. About the King I have no opinion, how able he is. I think, the Serbians are good soldiers, but they lack in administrative skillfulness; the Croatians are a bit conceited, that they have a higher culture than their Serbian brethren; and unhappily they had from the beginning no leaders. Radic was, poor fellow, shortsighted physically & mentally; not seeing sharply the contours of men & kings he was mentally unclear & phantastic [.]" (Br. v. 22. Juni 1933; auf Briefpapier mit gepr. Briefkopf des Savoy Westend Hotel in Karlsbad; mit kl. Einrissen in der Faltungen).

1933. First edition. 8vo., original yellow cloth, lettered in gilt, dust jacket. London, Putnam. Inscribed by the author on the title page: ?Jack B. Yeats, Dublin March 17th 1950?, with a charming sketch of an elegantly attired lady reading a book while walking and inscribed below: ?Jack B. Yeats, Dublin April 15, 1950? Lily Yeats' copy, with her Jack B. Yeats-designed bookplate on the front pastedown. Loosely inserted is a note by McC Gatch as to the book's provenance. Tissue leaves tipped-in to protect inscriptions, photographic portrait of author tipped-in to front free endpaper, otherwise a very good copy in dust jacket, nicked at the extremities and torn on the spine, with a modicum of loss and housed in a pale yellow solander box, with black leather label on spine, lettered in gilt. [Attributes: First Edition; Hard Cover; In Dust Jacket]

Gino, Sabattini. CHIROMANZIA - CHIROGNOMIA. Raccolta di antichi trattati latini, francesi, tedeschi tradotti in lingua italiana da Gino Sabattini chirologo bolognese, in 8 volumi in - 8° grande, legati in m. pelle a fascia larga, dorsi a nervi con titoli e fregi in oro (uno è in m. pergamena ed un altro in cartone decorato a mano). I testi sono dattiloscritti su carta fine, gialla, azzurrina, rosata..., in bella veste entro riquadri, con riproduzioni di tavole f.t., ritratto, ecc. Nei risguardi si trova l'' ex libris di Gino Sabattini, (due di Rubino), col motto: > e l'' indicazione dell'' anno in cui è stata effettuata la traduzione che è rimasta INEDITA. I volumi contengono le opere seguenti: 1) CORVI, A. Chiromantia. Ed. 1638. Pp. x, 82 con molte illustrazioni n.t. ed una bibliografia. 2) INDAGINE, Io. Introductiones apotelesmaticae elegantes in chiromantiam. 1522. Pp. 43, (3) con ritratto dell'' autore a piena pagina e 27 illustrazioni n.t. 3) TIBERTUS, A. De chiromantia libri III... 1541. Pp. viii, 65, XIX, con 5 illustrazioni a piena pag. f.t. 4) SICLER, A. La chiromancie royale et nouvelle...1666. Pp. (4), 108, (3) con 8 illustrazioni a pena pagina. 5) PERUCHIO. La Chiromance. 1667. Pp. 62, (2) indice delle cose notevoli, con 6 illustrazioni a piena pagina. 6) MEYENS, Ph. Chiromantia medica - Phisognomia medica. 1667. - May, Ph. La chiromantie medicinale. La Haye, 1665. Pp. (6), 58, (3) con 23 illustrazioni f.t. 7) RONPHILE. La chiromantie naturelle de Ronphile. 1665. Pp. (4), 38, (2), con 3 illustrazioni f.t. 8) CHEIRO''S language of the hand. Chirognomia della form … [Click Below for Full Description]

Librairie Koegui 21, rue vieille boucherie 64100 Bayonne Tél. +33 5 59 59 78 74 PILON (Edmond) - Le Charme de Paris. - 1933 - ill. par Louis WILLAUME 1933 - Illustré par Louis WILLAUME 41190 PILON (Edmond) L'édition d'Art H. Piazza - 1933 Sous étui bordé et chemise en demi-maroquin à bandes avec rabats. Reliure plein maroquin bleu nuit. Dos lisse muet. Premier plat orné d'un bateau avec fer doré et voile mosaïqué de cuir de box rouge. Toutes tranches dorées. Doublure et garde de box rouge, double garde. Couverture et dos conservés. Reliure signée MAROT-RODDE. Avec de 16 illustrations de Louis WILLAUME en couleurs dont 4 hors-texte. Ex-libris d'Henri Bonnasse (1899-1984), banquier marseillais, bibliophile réputé membre de la Société des Amis des Livres et de la société de bibliophiles Le Livre Contemporain. Cette collection est dispersée du vivant d'Henri Bonnasse, les 20 mars et 27 novembre 1982.

New York: Frederick A. Stokes, 1933. First Edition. First Printing of this scarce cocktail manual, with chapters describing manners and behavior around drinking, as well as chapter descriptions of cocktails, whisky, gin, brandy, Champagne, beer, etc. 8vo (206 x 136mm): [8],140pp. Publisher's art-deco style salmon-pink and glossy blue pictorial boards, fore-edge rough-cut, top edge stained pink, matching pink end papers. Laid in is a charming bookmark ("Nice girls don't swear") cut in the silhouette of a primly dressed debutante. Virtually pristine example (apparently unread), tightly bound, clean and bright throughout, with no visible flaws. Gabler G41270. Whitaker was the Liz Smith of her day (though she may have demurred), a Los Angeles Times gossip columnist with entrée into Holywood society. This witty guide (Whitaker scorns the home bar,"one of the most deplorable customs that won favor during the Prohibition") was was written to reintroduce post-Prohibition Americans to the "lost art of polite drinking" and send them down the "path of righteous alcoholic etiquette." Sounds awfully stuffy, but it sparkles with fascinating facts and even rewards with pearls of wisdom. N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.). Fine.

Frederick A. Stokes Co, 1933-01-01. First Edition. Hardcover. Very Good /no jacket . Hardcover, First Edition, 1933, Frederick E. Stokes Company, 140 pages. Very Good - illustrated in art deco style with boards of matte pink cloth and glossy blue embellishment which matches the blue titles. No DJ. Very Good, modestly soiled boards with just a touch of shelf/edge wear. Bottom corners are bumped and spine is slightly faded. The final ten pages were unlucky enough to have been improperly separated by prior owner resulting in a few chips - but the text is not affected. Pages are clean with just a hint of edge-toning. Rear inside cover has the bookstore stamp of the famous and sadly long gone Hudsons Book Store which was a part of the Hudsons Department Store of Detroit, Michigan. The author was a popular Los Angeles Times columnist covering Hollywood Society. Combining wit with wisdom she gently educates post -Prohibition Americans (hosts and guests alike) regarding civilized drinking etiquette. Among her rules for drinking are: 1) Never get drunk; 2) Above all -never get drunk at someone else’s expense; 9) If the waiter fails to refill your glass, accept his superior judgment on your behalf. She includes discussions of how, when and why to serve civilized people with: Cocktails, Gin, Liqueurs, Rum, Beer, Whiskey, Brandy, Wines, Champagne, Punches and Cups. Rounding things out are a few tips for successful buffets and recipes for beverages and canapés. Handsome vintage copy. LOC SSS-FB-03

Paris, Serge Lapina, 1933-1935. 6 volumes in-folio (5 forts volumes de planches, 1 volume de texte), reliure demi-maroquin bordeaux à coins, fleuron doré en pied des dos, têtes dorées (reliure très légèrement frottée). Ouvrage monumental tiré à 330 exemplaires numérotés, illustré de 610 planches hors-texte (calque légendé en regard de chaque) montées sur onglets donnant plus de 2000 reproductions en noir (la table se trouve au tome 6). Bel exemplaire, bien relié. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. Langue : Français

N/P. Folio, #1 Jun 1933 #41 Jun 1934 (Complete set) very rare newspaper in its purpose Concordancia says: it will be an Argentine weekly that will never be sectarian, it will never be neutral and will always be at the service of the national interest . we will try to agree, agree, reconcile. Washington Pereyra t3 pag 186 only describes 14 numbers. Very good condition, bound in half blue calf. tritle gilt in spine. [Attributes: Hard Cover]

"Paris, Serge Lapina, 1933-1935" / Paris, Les Editions du Chêne Vert, 1985. 6 volumes in-4 en ff. libres, sous portefeuilles à lacets. Réédition tirée à 500 exemplaires (réimpression anastasique). Un volume de texte et 5 volumes de planches. Bel exemplaire. * Voir photographies / See pictures. * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. Langue : Français

New York: Robert O. Ballou, 1933. Octavo. Original green cloth, titles to spine gilt, pictorial endpapers, black top-stain. With the dust jacket. Spine partially faded corresponding to the light areas of the jacket spine as usual, fading to cloth along edges, an excellent copy in the jacket that is slightly rubbed and nicked along the edges and joints, with very small tape reinforcement ends of spine panel verso, and a little tanned to the spine and rear panels. First edition, first printing, in the first issue green cloth binding, one of only 598 copies bound and sold. Goldstone and Payne A3. [Attributes: First Edition]

Robert A. Ballou, New York. First Edition First Issue Robert O. Ballou, New York 1933, original pale green cloth, spine lettered in gilt, binding with very slight area of fading at head and foot of spine, else clean and bright. jacket chipped at head and foot of spine with no impact on lettering. Genuine original and completely unrestored examples are rare. [Attributes: First Edition; Hard Cover; In Dust Jacket]

T.B., England, 1933. SIGNED by H. G. Wells, an original pencil sketch of Wells on an off-white 5 x 7 card, SIGNED below in fountain pen by the Author with a flourish. Matted and framed to an overall size of 10" x 12." An attractive and accurate pencil portrait of the famed author in his prime presumably by an admirer that has been SIGNED by H.G. Wells. Slight surface scuffing above the signature (possibly from a removed inscription). We have been unable to identify "T.B." Accompanied by a PSA/DNA Certificate of Authenticity. Herbert George "H.G." Wells (1866-1946) was a profound English writer. He was prolific in many genres, including the novel, history, politics, social commentary, textbooks, and even rules for war games. Wells is often best remembered for his science fiction novels and is called a "father of science fiction," along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898). He was nominated for the Nobel Prize in Literature four times. Wells's earliest specialised training was in biology. He was excellent at drawing and began to draw pictures and diagrams at an early age--hence probably his pleasure at signing this highly detailed portrait sketch by one of his many admirers. Wells also loved to annotate some of his books with what he called "Picshuas": little cartoonish sketches that he sometimes drew. His thinking on scientific and ethical matters took place in a profoundly (social) Darwinian context. He was al … [Click Below for Full Description]

Paris: Librairie Koegui 21, rue vieille boucherie 64100 Bayonne Tél. +33 5 59 59 78 74 MORAND (Paul) - Paysages méditerranéens - 1933 - ill. par François-Louis SCHMIED 1933 - Illustré par François-Louis SCHMIED 43459 MORAND (Paul) [François-Louis Schmied] - 1933 Sous étui et chemise pleine toile bleu de l'éditeur. Sous chemise rempliée. Quelques très rares piqûres sans gravité. Édition originale du texte de Paul Morand admirablement conçu par François-Louis SCHMIED (1873-1941), illustrée de 73 compositions dans le texte gravées sur bois avec l?assistance de son fils Théo Schmied, dont 58 en couleurs, montrant merveilleusement les couleurs des paysages orientaux qui plaisaient tant à l?artiste.

東京 (Tokyo): 建設社 (Kensetsusha), 1933. First edition. Hardcover. g+ to vg. Large octavo. 192pp. [2]. Housed in a modern dark grey cloth clamshell box, with gilt lettering over a red leather label on the spine. Original light brown cardboard slipcase with Cyrillic and Japanese lettering in black and red on the covers and spine. Tan and green photo-illustrated buckram boards with black and red lettering in Cyrillic and Japanese on the front cover and spine, respectively. This monograph is a detailed analysis of the more recent trends and developments (early 20th century) in Russian/Soviet avant-garde theatre and film, by Japenese theatre director and critic Kinnaru Sonoike. The author had been invited to the Soviet Union the previous year, where he had visited various theater and saw productions in Moscow and Lenningrad. The book acts as something of a report and is organized according to his experiences there. Theaters and figures discussed include: Moscow Arts Theatre, Vaktangov, Meyerhold, and the Revolutionary theatre in Moscow, National Academy Theatre and the Children's theatre in Lenningrad, among many others. Also covered are Russian ballet and Opera. Famous productions featured include Gorky's "The Lower Depths","The Death of Ivan the Terrible" by Tolstoy, "Princess Turandot" by Pucini, "Hamlet", and "The Revolution of 1905", among others. The fourth chapter deals with Soviet cinema, and includes Sonoike's observations about his meeting with filmmaker Vsevolod Pudovkin, experiences going to the movie theater and visiting the Moscow film school. The work is ill … [Click Below for Full Description]

RARE Wasmuths Monatshefte Fur Baukunst Unc Stadtebau 1933 Jahrgang Berlin. A Very Rare Early 20th Century Architecture with Contributions in text and Illustrated by all major German & Foreign Architects. Very Rare Book! The modernist movement was alive and well in interwar Germany. Not only at the Bauhaus, which stood at the forefront of the avant-garde, under the leadership of Walter Gropius, Hannes Meyer, and Ludwig Mies Van der Rohe, but all over the country. László Moholy-Nagy and Gropius published their famous Bauhausbücher series, El Lissitzky established his journal ABC: Beitrage zum Bauen, and Theo van Doesburg transplanted his Dutch De Stijl magazine to Germany. Wasmuths Monatshefte für Baukunst und Städtebau was something of a mixed bag, presenting traditional architectural buildings alongside some of the more avant-garde productions. Modernism, as a self-consciously international movement proposing a new universal language for architecture, sought to transcend national borders and keep their domestic audiences informed of developments abroad. Современная архитектураwrote extensively on the Bauhaus architects and Le Corbusier. In turn, Wasmuths Monatshefte für Baukunst und Städtebau included articles covering the architecture that was emerging in the Soviet Union. With the rise of Nazism, combined with the pre-existing socialist/communist sympathies amongst German avant-garde architects, German and Dutch architects flocked to the Soviet Union to help aid in the construction of a new society. As Hannes Meyer (the Bauhaus director forced out for his communist belief … [Click Below for Full Description]

RARE Wasmuths Monatshefte Fur Baukunst Unc Stadtebau 1933 Jahrgang Berlin. A Very Rare Early 20th Century Architecture with Contributions in text and Illustrated by all major German & Foreign Architects. Very Rare Book! The modernist movement was alive and well in interwar Germany. Not only at the Bauhaus, which stood at the forefront of the avant-garde, under the leadership of Walter Gropius, Hannes Meyer, and Ludwig Mies Van der Rohe, but all over the country. László Moholy-Nagy and Gropius published their famous Bauhausbücher series, El Lissitzky established his journal ABC: Beitrage zum Bauen, and Theo van Doesburg transplanted his Dutch De Stijl magazine to Germany. Wasmuths Monatshefte für Baukunst und Städtebau was something of a mixed bag, presenting traditional architectural buildings alongside some of the more avant-garde productions. Modernism, as a self-consciously international movement proposing a new universal language for architecture, sought to transcend national borders and keep their domestic audiences informed of developments abroad. Современная архитектураwrote extensively on the Bauhaus architects and Le Corbusier. In turn, Wasmuths Monatshefte für Baukunst und Städtebau included articles covering the architecture that was emerging in the Soviet Union. With the rise of Nazism, combined with the pre-existing socialist/communist sympathies amongst German avant-garde architects, German and Dutch architects flocked to the Soviet Union to help aid in the construction of a new society. As Hannes Meyer (the Bauhaus director forced out for his communist belief … [Click Below for Full Description]

Josef Albers lernte und lehrte am Dessauer Bauhaus, 1933 ging er ins Exil. In den 1950er Jahren leitete er das Art Department der Yale University. Am Ende seiner Lehrtätigkeit widmete er sein wichtigstes und berühmtestes Werk zur Farbentheorie seinen Schülern. "This Book is my Thanks to my Students". Das Werk beschreibt die experimentellen Methoden des Künstlers, die Farbe zu studieren und zu lehren. Es ist der bedeutendste Beitrag in der Kunst des 20. Jahrhunderts zur visuellen Wahrnehmung und Anwendung der Farbe im Sinne Goethes. Albers gilt als einer der bedeutendsten Kunstpädagogen des 20. Jahrhunderts. Dargestellt sind rund 185 Lehrbeispiele als exakte Ergebnisse zahlloser experimenteller Farbuntersuchungen. Sehr schönes Exemplar. [Attributes: Hard Cover]

O, O. u. J. ? S. 4to. Der Anfang seines 1933 enstandenen, berühmten Essays "Leiden und Größe Richard Wagners". - Wenige kleine Verwischungen; gelocht.

3 SS. auf 3 Bll. Gr.-8vo. Drei Seiten aus seiner Rede "Können wir ohne Gottesglauben leben", die Werfel am 5. März 1932 in Wien gehalten hatte. Werfel nimmt vehement für den Glauben Stellung; ohne ihn sei keine wirklich geistige Existenz möglich. "Wir haben hier den verpönten Versuch unternommen, das Problem des Gottesglaubens aus dem Reich der Religion in das Gebiet allgemein menschlicher Betrachtung zu tragen. Die streng wissenschaftlich Gesinnten werden die zwingende Schlüssigkeit vermissen, die sie von einer Deduktion fordern. Die streng Gläubigen werden den Hinweis auf den dogmatischen Bau der Religion entbehren, in dem für sie alles in Ewigkeit geordnet und gefestigt ist. Einige dürften sich darüber aufhalten, daß die Aesthetik, das Prinzip des Wohlgefallens, angerufen wurde, um zwischen der gotterfüllten und gottlosen Welt zu entscheiden, wie zwischen zwei Gläsern gleichwertigen Weins [...] Es kann nach unseren Ausführungen kein Zweifel mehr darüber herrschen, daß die Wahl der gotterfüllten Welt einen differenzierteren, werthaltigeren, 'geschmackvolleren' Geist voraussetzt als die Wahl der gottlosen Welt [...] Nun herrscht freilich unter den Geistigen heutzutage eine merkwürdige Feigheit, die sehr viele daran hindert, der größten Frage dieses Lebens offen ins Auge zu sehn. Die Gründe für diese Feigheit haben wir mehrfach angeführt. Zu dem Irrglauben, die wahre Wissenschaft maße sich eine Entscheidung an, tritt eine unbewusste Verwechslung der Gottesidee nicht einmal mit der tatsächlichen sondern mit einem politischen Zerrbild der Priesterschaft, wie es die Jahrhunder … [Click Below for Full Description]

Please see description and photos. Maat Books is proud to announce the hosting of a unique selection of books and manuscripts from Meretseger Books (France) Egypt, Greek, Roman, Etruscan, Byzantine, Anatolian, Mesopotamia, Cyprus, Semitic, etc. Rare, Out of Print & Modern Editions. These books are currently housed in the US for a limited time only. Please be aware that availability is subject to change unexpectedly. The Tomb of Neferhotep at Thebes. by DAVIES Norman de Garis. Vol. I (of 2). Extremely rare, one of 500 copies only. Metropolitan Museum of Art - Egyptian Expedition 09/1. MMA, New York, 1933. First edition. In-4, xi & 81 pages, 61 plates with printed tissue guards. Without the folio volume containing 7 additional plates. Rebound in half calf, some browning on edge of pages, unmarked. A splendid copy. Inventory #ji2017. Item #M0422b. Please take time to view all the images. They are of the actual item up for sale (not stock photos) and are provided in part to show the quality of the piece. Try and keep the age of the offering in mind when developing your expectations. All things age in their own way. Shipping options for USPS Media Mail and Priority Mail given at checkout. Shipping rates quoted according to weight range of actual book. Heavy, oversized books or sets will of course reflect accordingly. For Canada and International customers, please email for quote prior to bidding. Visit our eBay store for more listings, just click on the red door icon next to our name. Thanks for looking : ) Please do not hesitate in emailing regarding any questions or concerns. … [Click Below for Full Description]

thanking her for her letter "& sending me Nadia's", (Princess Nadejda Dmitrievna, 1933-2002, only daughter of the writer's fourth son Dmitri Alexandrovich, 1901-1980), "& also for the book - it wasn't the one I meant so I suppose it is somewhere" among Nadia's mother's things, (Russian-born Marina, 1912-1960, née Countess Golenistcheva-Kutuzova), "The one you sent belongs to Xenia", (Princess Xenia Andreevna, 1919-2000, elder daughter of the writer's eldest son Andrei, 1897-1981), "& her brothers", Michael & Andrew, "Poor little thing - she does miss you & feels 'homesick'! I wonder what was the matter with her Mama. Not one of the family has ever written to me which I call beastly! I wonder why a french school was chosen for her, tho' on the other hand it is a good thing she is learning french", the Grand Duchess is very worried about her second son Feodor, (Feodor Alexandrovich, 1897-1968), "he had another hemorrage a week ago and is laid up again - too unfortunate and such a set back. He feels weak, very nervous, and is altogether very cut up! The D[octo]rs say it isn't alarming, but that doesn't help matters, as he feels none the better for it. He is going to the Sanatorium this week, probably dreads the thought of it - poor dear - as [he] hates the place! ...", continuing about "M[other] Martha", whose presence in spite of deafness and other ailments "is such a comfort and help", at Balmoral it is "more like November", 2 sides postcard, Balmoral, 3rd April Written to 'Miss Kraty', who is no doubt at Wilderness House, since 1937 the Grand Duchess's 'grace and fav … [Click Below for Full Description]

L?OMBRE QUI TUE - 1933, Dir: Colbert Clark, Albert Herman, Cast: Bela Lugosi , Viva Tattersall , Malcolm McGregor, , Nac. film: USA, Company: , Designer: , , Nac. poster: FRANCIA, Measures (Cm. and Inches) : -120x160-Cm.-47x63-In., Type of product: POSTER, , POSTER are in excellent condition but may have normal wear such as edge wear or a slight hole. I try photograph any flaw but examining the photos closely is your best bet! Please see bigger picture for details., , La mayoría están en excelentes condiciones, pero puede tener desgaste del borde o algun agujero pequeño. Intento fotografiar cualquier defecto, pero el examen de las fotos de cerca es su mejor opción! Por favor ver la foto en grande para más detalles., , SHIPPING COSTS: Fold posters SPAIN 15? -Correo certificado EUROPE and all world 20?

First edition of this important treatise on Italian violins and their makers. The author (1881-1969) was himself an accomplished luthier, and the son of the founder of the famed instrument-making firm Hamma & Co. His scholarship is here illustrated with numerous photographic reproductions of violins, representing the masterworks of many eminent Italian artists; a few of these violin images are printed in color, and at the back of the volume are => nine double-spread plates providing life-sized diagrams with measurements of instrument exemplars. This is => hand-numbered copy 518 of 1200 printed, this particular copy having outstanding provenance (see below). The publisher's prospectus -- with sample illustrations -- is also laid in. Provenance: From the library of the great violinist and conductor Adolf Busch -- owner of a Stradivarius violin made in 1716 -- and by bequest to his daughter Irene Serkin and son-in-law, musician Rudolph Serkin. Half-title with author's signed presentation inscription to Fritz Baumgartner, who was, alongside Hamma, a co-founder of EILA, the International Association of Violin and Bow Makers (and who also owned a Stradivarius); half-title with another inked inscription signed by Busch recording gift of this volume "von Frau Baumgartner" in 1937, and with inked ownership inscription of Irene Serkin-Busch. Laid-in three-page manuscript letter dated 1937, addressed "Sehr verehrter Herr Professor" and signed by Frau Baumgartner. Herr Baumgartner and Busch had a noteworthy (so to speak) connection; the latter commissioned both a custom viola a … [Click Below for Full Description]

If there is a broken picture, or if the picture does not match the title of the listing, please contact us. The item described in the title is the item for sale. Unless specifically noted otherwise, JSA LOA means an Auction Style LOA comes with the item. 1933 Roosevelt, Franklin. Looking Forward. Fascinating book written by FDR in 1933, at the very beginning of his four terms as U.S. President. FDRs landmark inaugural address (We have nothing to fear but fear itself was delivered on March 4, 1933. Interestingly enough, this third printing was also done in March of 1933 as there was such a tremendous demand for information about FDRs political goals and philosophies. The condition of this book is Very Good overall with the original blue covers all fully intact with some yellowing from age. The binding is still quite tight and the front and back free end papers are in great condition. Ex-Eleanor Roosevelt library. 8vo. John Day published this in 1933. All items are guaranteed original and authentic. We do not sell reproductions. New York State residents must add 8.625% sales tax. All autographs we sell are guaranteed to pass JSA or PSA for nine months from date of purchase. We only refund the direct purchase price, not authentication fees or related shipping fees, etc. We do require proof of rejection after the normal ebay return period. We grade autographed items on a scale of 1/10, this is our opinion of the signature, not a third party grade We will ship internationally at an additional fee. Check out our other great listings of vintage graded and ungraded cards, autograph … [Click Below for Full Description]

Rotationstiefdruck: Münchener Druck- und Verlagshaus GmbH. - Jugendverlag Hochland / München; 1933/34 - 1934. Auflage: EA; Format: 21x30 Seltenes HJ.-Zeitdokument des Gebiets Hochland; --- Erscheinungsverlauf (lt. DNB): 1. Jahrgang 1933/34 - 2. Jahrgang 1934, 1 (Nov.), damit Erscheinen eingestellt; --- Schriftleitung: Gerhard Pantel, München; --- LaLitZ 467; --- Zustand: original illustrierte Zeitschrift mit Deckeltitel, mit zahlreichen Abbildungen in Kupfertiefdruck + Werbung. Hier die fast vollständige Reihe in einem Sammelband aus dem Besitz von Richard Etzel (stellv. HJ. Gebiets-Führer Hochland) mit Widmung und Unterschrift Weihnachten 1966: 1. Jahrgang 1933/34, Nr. 1 - 7, 9 - 12. 2. Jahrgang 1934, 1 (Nov.) Versand D: 7,00 EUR Nationalsozialismus; NS.; Drittes 3. III. Reich; Deutsche Geschichte; Politik; 1919 - 33; Nazi-Regime; Zeitgeschichte; Propaganda; Agitation; Weltanschauung; Kampfzeit; Parteigeschichte; NSDAP.; Zeitungen; Newspapers; Zeitschriften; Periodicals; Orts- und Landeskunde; Berlin;

Rare. Clovis Hugues. Ode au Vagin (1933). 10 illustrations érotiques. Edition clandestine Maurice Duflou, Paris. HUGUES, Clovis. ODE A VENUS. ODE AU VAGIN. Poème inédit. Domrémy, A l'Enseigne de la Pucelle, s.d. (vers 1933) [Paris, Maurice Duflou] 1 volume in-8 (22 x 16,5 cm), broché, 69-(1) pages. 10 photogravures hors-texte en noir. Couverture crème imprimée en rouge et noir avec deux lettrines pour les lettres Q et V. Couverture légèrement salie, dos marqué, ensemble solide. Intérieur très frais imprimé sur beau papier blanc. TIRAGE A 300 EXEMPLAIRES NON MIS DANS LE COMMERCE. CELUI-CI PORTE LE NUMÉRO 2 AU COMPOSTEUR. La couverture porte pudiquement le titre Ode à Vénus tandis que la page de titre indique clairement Ode au Vagin. Ce volume contient une notice sur l'auteur signée Jean Tiretta, le fac-similé de la dernière page du manuscrit signé Klau-Vizuq, l'Ode au Vagin, une notice sur l'Ode à Priape de Piron par Helpey (Louis Perceau), l'Ode à Priape et Les Sept Béatitudes. On ne sait rien de l'illustrateur de cette jolie édition sortie des presses de Maurice Duflou. A propos de Clovis Hugues (1851-1907), Aristide Briand écrivait : « Il y avait en lui du Béranger, du Camille Desmoulins et du Tartarin de Tarascon ». Autrement dit : communard, franc-maçon, socialiste, poète ; il fut tout cela tour à tour et à la fois. L'Ode au Vagin date de 1906. Référence : Dutel, Bibliographie des ouvrages érotiques publiés clandestinement en française entre 1920 et 1970, n°2078 ; Pia, Les Livres de l'Enfer, 1003. Photographies disponibles sur simple demande. BON EXEMPLAIRE DE CE BEAU L … [Click Below for Full Description]

God's Little Acre Author: Caldwell, Erskine Published: New York; Viking Press, 1933 Binding: Hardcover w/dust jacket Condition: Near fine/dj: very good (please see full item description for details) Description: First printing. Very near fine copy, with just a touch of fraying to the cloth at the spine ends. Spine square, text and endpapers unmarked. Dust jacket is chipped at corners and spine ends (head of spine particularly) and lightly toned. Original $2.50 price present. One of the two novels (the other being Tobacco Road) that brought Caldwell both fame and notoriety. "Both books were set among the poor whites of his southern childhood, and both displayed a mixture of muckraking anger and grotesque sexual behavior that upset southern loyalists and northern moralists alike. Despite or because of this, Tobacco Road, adapted for the stage by Jack Kirkland, ran on Broadway for over seven and a half years, and God's Little Acre, after a highly publicized obscenity trial, became one of Caldwell's perennial bestsellers" (ANB). see our other Literature listings Please email us for additional details about any item and we will respond promptly. Shipping: For orders of more than one book, we will combine shipping whenever possible. Priority and International shipping are available. Please contact us for a quote. Condition Descriptions Defined: We grade our books and dust jackets using the traditional language of the antiquarian book trade. In brief: Fine is the highest grade and means essentially as new, without visible faults or defects; Near Fine means approaching fine, but wi … [Click Below for Full Description]

Paris, Les Laboratoires Martinet, 1933. 232 untrimmed and unopened pages on Paper `Japon nacré` with extra-wide margins. - Publisher`s titled softcover; 4to.(ca. 24 x 24 x 2,5 cm). *** FIRST EDITION, OVERSIZE SOFTCOVER ORIGINAL; ``. . . Le troisième d`une Collection dont chaque Volume . . . reproduit un Manuscrit inédit d`un Auteur en vogue``. Large[st]-paper copy for the publisher: ``EXEMPLAIRE SUR JAPON NACRÉ, EXEMPLAIRE H. C. Imprimé spécialement pour Monsieur le Docteur Martinet``; INSCRIBED AND SIGNED BY THE AUTHOR TO THE PUBLISHER ``Au Docteur Martinet, dont l`initiative originale developpe l`amour des beaux livres, . . .``. - Lower sharp-corner slightly bumped, very first sheets of upper sharp-corner slightly bent; A MAGNIFICIENT COPY ON LUXURIOS PAPER. Versand D: 3,00 EUR high quality paper

William Faulkner (1933) 'A Green Bough', US signed limited edition, published by Harrison Smith and Robert Haas. This is no. 333 of 360 copies printed on Milano paper. Lyn Ward provided the wood engravings. Condition: near fine. No foxing, no bumping. One stain to top of the board edges of front cover, otherwise in excellent shape. Faulkner's fourth poetry collection. Faulkner won the Nobel Prize in Literature in 1949. First and Fine.

Très bel exemplaire. Exemplaire unique avec les dessins originaux. Exemplaire unique contenant les dessins originaux de Lucien Boucher pour Le Sixiesme Livre des Haultz Faitz et Dictz de Pantagruel de Maistre François Rabelais. Imprimé pour le Champagne Moët et Chandon (Epernay) en 1933 par Devambez. RABELAIS, François. BOUCHER, Lucien (illustrateur). LE SIXIESME LIVRE DES HAULTZ FAITZ ET DICTZ DE PANTAGRUEL, où il est parlé du comté de Champaigne et plus explicitement de la dive bouteille, etc., le tout de la veyne très-playsante de nostre bon maistre François Rabelais, extracteur de quintessence ... colligé par Fernand Fleuret, figures de Lucien Boucher. Paris, Devambez, 1933 1 volume in-8 (21,8 x 16 cm), broché, couverture illustrée en couleurs par Lucien Boucher. 51 pages non chiffrées, illustrations hors-texte et dans le texte. Étui cartonné de l'imprimeur. TIRAGE A 1.100 EXEMPLAIRES. CELUI-CI, 1 DES 100 EXEMPLAIRES DE TÊTE SUR HOLLANDE PORTANT LE N°1. EXEMPLAIRE UNIQUE CONTENANT SOUS FEUILLET A EN-TÊTE DE L'IMPRIMEUR FORMANT POCHETTE, 19 DESSINS ORIGINAUX A L'ENCRE DE CHINE AYANT SERVI A L'ILLUSTRATION DU VOLUME. Sont également joints 6 petits ornements à l'encre sur 2 morceaux de papier. Il manque 1 dessin original (lettrine pour le chapitre IV) pour que l'ensemble soit complet de tous les dessins. Malheureusement ce dessin a sans doute été perdu. L'ensemble reste unique et de très belle facture. Les dessins originaux se répartissent comme suit : 1 frontispice 16 x 12 cm - 8 lettrines 9 x 7 cm - 10 vignettes de taille variable (12 x 11 cm - 14,5 x 7 cm - etc.) - 1 de … [Click Below for Full Description]

Praze (Prague): np. 1933. Number 79 of 150 with caption sheets and 15 signed etchings of urban architectural scenes, designs for bookplates, etc. by Jan C. Vondrous. The Czech-born artist (1884-1956) lived in the United States from 1893 onwards but traveled in Europe extensively. Plates Fine. In original cloth chemise with light soil. RARE. Digital images available upon request. Fine / Slipcase.

[Evansville, Indiana], 1933. Various. Very good. The pen and ink drawings range in size from approximately 1" x 2" to about 8" x 10". Five of the pocket diaries measure 2.75" x 5.5"; one measures 2.75" x 4". Each contains short ink entries for every day of the week. Whipple was a resident of Evansville, Indiana who worked at the Bucyrus-Erie plant which made industrial steam shovels, bulldozer blades, and mining draglines. He began working there as a laborer in his teens and eventually rose to become an arc welder after spending several years as a riveter. Some of Whipple's drawings are political cartoons addressing topics of the day (the Sino-Japanese War and Prohibition). One is a National Recovery Act (NRA) sign. Five are self-portrait cartoons. Other themes include Christmas, the West, and Jesus. The remainder are portrait and figure studies. Whipple's diary entries are concise and provide details about his daily life. Each also addresses his work, and they change drastically as the Depression takes hold. In 1928 and 1929 when business was booming, Whipple worked five or six days each week. In 1930, he notes that although he "Got a good raise [business] was not so good." By 1931, he remarks that work had diminished and he had begun to juggle bills. Things worsened further in 1932 when he was "off" more days than he worked, and one month "the shop" paid his rent. He was finally laid off during the summer of 1933 and spent the next five months doing odd jobs and hunting for work until he was hired by the Sterling Brewery in December. A fascinat … [Click Below for Full Description]

Artist: Chryssa, Greek (1933 - 2013)Title: Four SeasonsYear: 1980Medium: Serigraph, signed and numbered in pencilEdition: 300Image Size: 22 x 29.5 inchesSize: 25.5 x 34 in. (64.77 x 86.36 cm) [Attributes: Signed Copy]

Rare curiosa illustré. Pierre Louÿs. Au temps des juges (1933). Edition clandestine tirée à petit nombre et superbement illustrée de 12 eaux-fortes érotiques en couleurs attribuées à André Collot. Pierre LOUYS - André COLLOT, illustrateur AU TEMPS DES JUGES. Chants bibliques de P. L. Aux dépens d'un amateur, 1933 1 volume in-4 (24,5 x 20 cm), broché, 60-(1) pages. 12 eaux-fortes libres en couleurs hors-texte et 28 bandeaux (non libres) imprimés en bleu. Texte imprimé en noir en très gros caractères dans un encadrement de filet bleu. Couverture de papier bleu imprimé argent. Dos fissuré recollé en tête et en queue. Intérieur frais. Quelques fines rousseurs à l'achevé d'imprimer. TIRAGE A PETIT NOMBRE SUR GRAND VÉLIN D'ARCHES A LA FORME. EXEMPLAIRE ACCOMPAGNÉ D'UNE SUITE DE 5 (SUR 12) EAUX-FORTES AVEC REMARQUES IMPRIMÉES EN BLEU VERT. Il a été fait en outre un tirage à 20 exemplaires avec aquarelle originale, croquis et cuivre encré ayant servi au tirage. Les gravures sont attribuées à André Collot. Elles sont d'une extrême finesse et la mise en couleurs est très réussie. Superbe illustration quasi "biblique" pour ce texte hautement "biblique". Un texte en tous point savoureux auquel il ne manque, en guise d'exclamation sainte finale, que le mot : Amen Référence : Dutel, Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970, n°1059 ; Pia, Les livres de l'Enfer, 100. Pierrat, Livre des livres, 100 : « les initiales P.L. désignent évidemment Pierre Louÿs, mais ce recueil de Chants bibliques ne s'accompagne d'aucun fac-similé de manuscrit re … [Click Below for Full Description]

Condition: Très bon état. Edition Aux Dépens d'un Amateur 1933. In-4 en feuilles de 64 pages au format 19 x 24 cm. Couverture rempliée avec titre imprimé en rouge. Livre glissé sous double emboitâge. Ces derniers ont un peu souffert, mais le livre lui est en état proche du neuf si ce n'est une ancienne descrition de catalogue de vente, collée au verso du 1er plat. Petite tirage à 175 exemplaires numérotés sur vélin teinté ( n° 129 ). Complet des 12 superbes illustrations en couleurs hors-texte attribuées à André Collot, ainsi que de la suite en tirée en bleu. Rare édition originale, clandestine, d'un ouvrage érotique de Pierre Louys. ATTENTION JE N'AI PAS LE TEMPS DE FOURNIR D'AUTRES PHOTOS, MAIS MES DESCRIPTIONS SONT HYPER PRECISES ( VOIR MES EVALUATIONS ). POUR LES ACHETEURS AVEC ÉVALUATIONS " 0 " , TOUT ACHAT DOIT ÊTRE IMMÉDIATEMENT RÉGLÉ PAR PAYPAL, SINON LA VENTE SERA ANNULÉE Je n'accepte aucun marchandage, remise ou demande de " cadeau ", mes prix sont fermes & définitifs. TOUT ENVOI A L' ETRANGER SE FERA EN EXPORT SUIVI OU COLISSIMO. LE TARIF LIVRE & BROCHURE ULTRA ECONOMIQUE AINSI QUE LE TARIF LETTRE NE SERONT PAS GARANTIS ET NE POURRONT FAIRE L'OBJET D'AUCUNE RECLAMATION. EN CAS DE REMBOURSEMENT IL FAUDRA IMPERATIVEMENT RETOURNER LE LIVRE EN SUIVI OU RECOMMANDE AFIN DE PROUVER SON ENVOI … LE PAIEMENT PAR CARTE EST ACCEPTEE CAR JE SUIS DOTE D'UN TERMINAL D'ENCAISSEMENT DES CARTES DE CREDIT VISA & MASTERCARD. Paypal, Carte de crédit, Chèque, Virement. Pas de mandat-cash, ni de cash sous enveloppe. PAIEMENT SOUS 4 JOURS, SINON LITIGE DECLARE AUTOMATIQUEMENT, PUIS EN C … [Click Below for Full Description]

Edition Aux Dépens d'un Amateur 1933. In-4 en feuilles de 64 pages au format 19 x 24 cm. Couverture rempliée avec titre imprimé en rouge. Livre glissé sous double emboitâge. Ces derniers ont un peu souffert, mais le livre lui est en état proche du neuf si ce n'est une ancienne descrition de catalogue de vente, collée au verso du 1er plat. Petite tirage à 175 exemplaires numérotés sur vélin teinté ( n° 129 ). Complet des 12 superbes illustrations en couleurs hors-texte attribuées à André Collot, ainsi que de la suite en tirée en bleu. Rare édition originale, clandestine, d'un ouvrage érotique de Pierre Louys.Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.