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Displayed below are some selected recent viaLibri matches for books published in 1931

        Back Street

      New York: Cosmopolitan. 1931. First. First edition. Fine in fine, primarily white dustwrapper. Hurst's soaper of a woman whose love for a man doesn't die when he marries another was filmed three times, first in 1931 by John M. Stahl with Irene Dunne and John Boles; most notably by Robert Stevenson in 1940 with Charles Boyer and Margaret Sullivan; and finally in 1961 by David Miller with Susan Hayward and John Gavin. A stunning copy, as nice as one could wish for. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Architectural Specifications; Paint -- Varnish

      Pittsburgh Plate Glass Co., Milwaukee, Wis. 1931 - First edition. Quarto. 5, 16, 117, 24, 14, 38pp., with black & white and color illustrations, and approximately [20] pages of multiple tipped in color samples with tissue guards. Publisher's dark green and gold embossed boards, very good. Laid in is a printed sample flyer for "Wallhide semi-gloss," with six tipped in samples. Title page contents lists four parts, divided into six sections: "Directory of Products and Their Uses; Modern Products and Processes; Architectural Specifications; Proper Use of Colors." A handsome copy. Scarce. *OCLC* locates but four copies. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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      New York: Cape & Smith, [1931].. Gray and blue cloth, lettered in red. Very slight sunning to extreme binding edges, otherwise near fine in bright, faintly dust smudged jacket with a 1cm closed tear at the top of the lower joint, a small spot on the front flap, and a faint smudge on the upper panel around the top of 'ES' in 'THESE'. First edition, trade (i.e. second) printing. The limited printing probably precedes this printing, and exhibits typographic variations in the page numbering style. PETERSEN A9a. MASSEY 507.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Compleat Angler or the Contemplative Man''s Recreation Being a Discourse of Rivers Fishponds Fish and Fishing Not Unworthy the Perusal of Most Anglers

      George C. Harrap, 1931-01-01. Leather Bound. VeryGood.

      [Bookseller: Schwabe Books]
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        The Lively Lady

      Doubleday, Doran,, Garden City: 1931 - Near fine in black cloth covered boards with light green text and decorations on the spine and on the front board. A small octavo measuring 7 1/2" by 5" with map end sheets with the cloth at the head and heel of the spine dimpled inward towards the text block; else fine. There is a prior owner's book plate on the verso of the title page which does not hide the "first edition" slug. In a very good+, unclipped first state dust jacket with light wear and several short closed tears to the ends of the spine area and to the upper edges of the panels. Signed by the author on a Kenneth Roberts book plate attached to the dedication page. This copy is covered by the first state dust jacket which reads "A Chronicle of Certain Men of Arundel" while the second state dust jacket reads: "A Chronicle of Arundel". Only 5,560 of the first printing were sold. A scarce title in this condition in a very collectible and very uncommon dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Town's End Books, ABAA]
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        Idyll in the Desert

      Random House 1931 - A very good copy of a scarce signed limited edition signed by William Faulkner. 9 x 6, marbled boards with printed label. Stated first edition;limited to four hundred copies, this being number 263; signed by the author on the numbered colophon page in the back; There was no trade edition of this title. 9 x 6, marbled boards with printed label. Textblock very good plus condition, just a bit age toned; red marbled paper covered board binding in very good condition; tight, some shelf wear, esp spine and extremities; 17 pages; bookplate on front pastedown of Edward Kerr, a prominent American who has a large park named after him in Pennsylvania; quite a rare imprint--and with Faulkner's autograph. Comes in a custom-made collector's slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        The Dramatic Works

      London, the Nonesuch Press,, 1931–2. In six volumes. Edited by Montague Summers. 6 volumes, large octavo. Near-contemporary red half morocco, spines gilt-lettered in two compartments, others gilt with floral sprays, dotted rules and central ornaments, red cloth sides, top edges gilt, others uncut. Spines very lightly sunned, a little foxing to deckle edges, still a fine set. First Edition thus, number 159 of 750 standard sets (another 50 being printed on Van Gelder paper), one of a series of fine editions of Restoration dramatists done by the eccentric bibliographer Montague Summers. "These handsome books made available for the first time the substance of a period of English drama formerly neglected and dismissed by such critics as Macaulay as unmeritable and indecent. Summers's 'Introductions' may well be the finest things he ever wrote, being in Edmund Gosse's words, 'astonishingly full of marrowy information'" (ODNB).

      [Bookseller: Peter Harrington]
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        The European Caravan

      New York: Brewer, Warren & Putnam,, 1931. An Anthology of the New Spirit in European Literature. Compiled and Edited by Samuel Putnam, Maida Castelhun Darnton, George Reavey, and J. Bronowski. Part I: France, Spain, England, and Ireland. Octavo. Original black cloth, titles to spine in green, top edge dyed green. With the dust jacket. Light partial tanning and a few spots to endpapers, contents faintly toned. Cloth bright and fresh, an excellent copy in the jacket with tanned spine panel and a closed tear to the upper panel. First edition, first printing. This was the sole volume published of a far more extensive project designed to bring a cross section of cutting edge world literature to the American public. The venture was never fully realized and perhaps its lasting legacy will prove to have been as Beckett's first appearance in a US publication.

      [Bookseller: Peter Harrington]
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        Stray Shots

      New York: The Derrydale Press, 1931. ii + 123 pages; a limited edition of 535; frontispiece drypoint illustration of canvasbacks in flight signed in pencil at lower right by Roland Clark (1874-1957) American sporting artist, etcher, painter, writer & illustrator; other drypoints within, collated complete; good, dark impressions; bound in the original publishers' polished bevel-edged black cloth, with gilt & white cover illustration, gilt spine titles; some edge, tips wear to binding, spine color faded; contents fairly fresh, very clean and in very good condition. . First Edition. Hard Cover. Very Good. Illus. by Roland Clark.

      [Bookseller: Certain Books, ABAA]
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        Rafael Alberti: EL HOMBRE DESHABITADO (Madrid, 1930) Primera Edición

      - Generación del 27 Rafael Alberti Teatro Escritores Españoles Primera Edicion Ed. Plutarco. 102 págs. 13 x 19 cm Primera edición de esta obra de teatro estrenada en el teatro de la Zarzuela de Madrid en 1931 GASTOS DE ENVÍO: Pagando CONTRARREEMBOLSO son 7,50€. Pagando por TRANSFERENCIA o TARJETA son 2,50€.

      [Bookseller: Multilibro]
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      [Paris]: Harrison of Paris [& New York]: Minton, Balch and Company, [1931].. [8],124,[4] pp. Square octavo. Publisher's pictorial wrapper over boards. Illustrated with fifty drawings by Alexander Calder. Faint foxing to the wrapper, otherwise a very nice copy in chemise (label chipped), with shards of the slipcase. First edition in this format. Copy #236 of 595 copies printed on Auvergne handmade paper, from a total edition of 665 copies printed after a design by Monroe Wheeler. This copy bears Calder's highly embellished and decorated presentation inscription to two of his neighbors, dated June 1948. As often, the original paper knife is absent. ARTIST AND THE BOOK 47.

      [Bookseller: William Reese Company - Literature ABAA-]
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      Chicago: A. C. McClurg & Co. Publishers,. 1931. Octavo, pp. [1-8] 1-386 [387-392: blank] [note: last three leaves are blanks],. original orange cloth, front panel stamped in black and blind, spine panel stamped in black.. Some spotting to cut edges, a nearly fine copy in a very good plus. dust jacket with some mild shelf wear to edges and mild dust soiling. to rear panel, a mild vertical crease to spine panel, author and. title lettering on the spine is quite faded, the striking front panel. painting by St. John is nice and bright. (#127547). First edition. An interplanetary novel first published as a four-part serial in ASTOUNDING SCIENCE FICTION, March - June 1930. "This work and its sequel, WANDL THE INVADER (1932; book, 1961), are good examples of Cummings' better and worse pulp writing habits: heavy plotting, shallow writing, and pseudo-science are the dominant elements. This novel involves a space mutiny, valuable radium deposits, space battles, and space pirates, and inevitably a happy ending with a victorious hero." - Anatomy of Wonder (1976) 3-15. Anatomy of Wonder (2004) II-293. Bleiler, Everett and Richard Bleiler, Science Fiction: The Gernsback Years 297. Clareson, Science Fiction in America, 1870s-1930s 224. Locke, A Spectrum of Fantasy, pp. 62- 3. In 333. Bleiler (1978), p. 54. Reginald 03688.

      [Bookseller: L. W. Currey, Inc.]
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      S.N. 1931 - Grand in-8 ( 285 X 190 mm ) de 134 pages, broché. La TRILOGIE EROTIQUE de Paul VERLAINE ( Amies. - Femmes. - Hombres ). Edition illustrée de quinze compositions originales dessinées par Martin VAN MAËLE et augmentée d'un avant-propos par Le Vidame de Bozégy. 14 ( sur 15 ) compositions originales fort libres "volantes" hors-texte dessinées par Martin VAN MAËLE et montées sur papier fort. Plats tachés, dos abimé et fendu, intérieur et illustrations très purs, exemplaire à relier. Edition au tirage strictement limité à 350 exemplaires réservés aux souscripteurs et non mise dans le commerce, 1 des 325 exemplaires sur Hollande. Curiosa erotisme litterature [Attributes: Soft Cover]

      [Bookseller: Tiré à Part]
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        Aux Manufactures Reunies: 1925, 1928, 1931. [RARE]

      NP n/d - 3 volumes. Oblong 4to. 3/4 black cloth over brown leather. Metal bolts alongside spine. Cloth clasp. Magnificent work of approximately 1,500 strikingly beautiful hand-screened wallpaper samples. Designs employ stunning color combinations and range from traditional to lyrical to boldly modern and art deco. Age wear to binding. Inside clean and tight. In French. Very good condition. [Attributes: Hard Cover]

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        Junge Liebe [Young Love]

      Berlin: Drei Masken Verlag A.G.. 1931. First. First German edition. Translated by Hans Reisiger. Text in German. Full calf, elaborately gilt. Almost certainly a presentation binding. Joints lightly rubbed, near fine. The playwright's own copy, Signed by him: "Personal Copy of Samson Raphaelson." Originally published in the U.S. in 1928 as Young Love, the play starred Dorothy Gish on Broadway. It appeared as a play in Germany, when this book was prepared, and then was later filmed in German by Georg Jacoby in 1933 as Moral und Liebe. Both the German play and the film featured Oskar Homolka and Grete Mosheim. Raphaelson has written "Cast" and the names of four actors, including Homolka and Mosheim, on a preliminary blank page. Apparently the German version of the play was issued in very small numbers, possibly only a few; OCLC locates no copies. A unique copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Stefan Heym - Sammlung mit über 110 Büchern, davon 67 Erstausgaben, Erstveröffentlichungen bzw. ersten Ausgaben in deutscher Sprache. Titelauswahl: Nazis in the U.S.A.; Schatten und Licht; Das Wachsmuth-Syndrom (Berliner Handpresse); Erich Hückniesel und das fortgesetzte Rotkäppchen (Berliner Handpresse); Wege und Umwege; The Wachsmuth-Syndrom (Erstdruck im Playboy 1972); Liebe am laufenden Band (Erstdruck im Playboy 1975); Hostages (Armed Services Edition); Of Smiling Peace (Armed Services Edition); Der König David Bericht (Vorzugsausgabe in Leder)., Erschienen zwischen 1931 und 2003. Nahezu lückenlose Sammlung aller Erstausgaben mit den seltenen ersten Veröffentlichungen in den USA, den großen Romanen der 50er Jahre nach Heyms Rückkehr au

      diverse Verlage, 1931 - Insgesamt gut bis sehr gut erhaltene Sammlung mit normalen Gebrauchsspuren. Die meisten Bände mit Exlibris des Vorbesitzers, einige mit Bleistiftanstreichungen, wenige mit Stempeln. Stefan Heym zählte unbenommen zu den politisch einflussreichsten Schriftstellern der Nachkriegszeit. 1913 unter dem Namen Helmut Flieg im sächsischen Chemnitz geboren, wurde er beriets 1931 als junger Antifaschist wegen der Veröffentlichung eines Gedichts in der dortigen "Volksstimme" der Schule verwiesen. Er beendete die Schulzeit in Berlin und emigrierte 1933 nach Prag, zu seinem eigenen Schutz - und dem seiner Familie - vor den Nationalsozialisten lebte er fortan unter dem Pseudonym Stefan Heym. 1935 wanderte er in die USA aus. Nach seinem Studium arbeitete er dort als Journalist und Schriftsteller und kam als Nachrichtenoffizier der US Army wieder nach Deutschland. Endgültig verließ er erst während der McCarthy-Ära die USA und lebte seit 1953 in der DDR. Seine künstlerische und politische Entwicklung gleicht der vieler DDR-Schriftsteller seiner Generation: Zunächst Verfechter der sozialistischen Idee, resignierte auch Heym bereits Mitte der 1950er jahre an der DDR-Kulturpolitik: Sein Buch "Der Tag X" (später: Fünf Tage im Juni) durfte nicht erscheinen, ein Schicksal, das in den Folgejahren viele seiner Werke traf, die deshalb zunächst in westdeutschen Verlagen veröffentlicht wurden. Das kurzfristige "Tauwetter" Anfang der 1970er Jahre endete auch für ihn spätestens mit der Ausbürgerung von Wolf Biermann - Heym zählte zu den Erstunterzeichnern der Protesterklärung und wurde 1979 aus dem Schriftstellerverband der DDR ausgeschlossen. Auf der berühmten November-Demonstration von DDR-Künstlern 1989 war er einer der Hauptredner. 1994 errang er (für viele überraschend als Kandidat der SED-Nachfolgepartei PDS) ein Bundestagsmandat und wurde Alterspräsident des deutschen Parlaments. Stefan Heym starb 2001 während einer Israelreise. [Beschreibungstext zu großen Teilen übernommen aus Auktionskatalog Nr. 7, 25.5.2013, von Christian Hesse Auktionen, Hamburg] Sprache: de Gewicht in Gramm: 40000 Originaleinbände und -broschuren, überwiegend mit Original-Schutzumschlägen.

      [Bookseller: Kelifer - antiquarischer Buchversand]
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        Nasenplastik und sonstige Gesichtsplastik nebst einem Anhang über Mammaplastik und einigen weiteren Operationen aus dem Gebiete der äusseren Körperplastik. Ein Atlas und Lehrbuch.

      - Leipzig, Curt Kabitzsch, 1931, Gr.8°, XXXI, 842, (2) pp., 1718 z.T. farb. Abb., orig. grüner Halbledereinband; feines Exemplar. Erste Ausgabe der Bibel der modernen Rhinoplastik - Joseph gilt als Vater der modernen Gesichtsplastik. - Jacques Joseph (1865-1934) beginnt seine Tätigkeit 1881 bei Prof. Neumann in der Kinderklinik und wechselt 1892 in die Chirurgisch-Orthopädische Universitätsklinik zu Prof. Julius Wolff über. Am 21. Oktober 1896 stellt er die erste Ohrplastik und am 11. Mai 1898 die erste Nasenplastik in der Berliner Medizinischen Gesellschaft vor. Am 7.April 1904 berichtet er unter dem Präsidium Ernst von Bergmann's auf dem Deutschen Chirurgenkonkreß bereits über 100 eigenhändig operierte Fälle. Schlagartig wird er damit national und international bekannt. Am 20. Juli 1916 von Geheimrat Passow zum Leiter der Gesichtsplastischen Abteilung der berühmten Charité bestellt, operiert er u.a. dort viele Kriegsverletzte. Am 12. November 1922 führt er die erste Mammaplastik durch. Nach seinen Angaben entsteht ein modernes Spezialinstrumentarium. 1919 wird er zum Professor ernannt. Ab 1922 arbeitet er fast ausschließlich in seiner Privatklinik (Nassauische Straße). Alle Formen der Gesichtsplastik hat er in technischer Meisterschaft und mit feinstem ästhetischem Gefühl durchgeführt. Über seiner Villa stand sein Ausspruch: "Und deckt mich einst der kühle Rasen, so wisst, dies war gebaut von Nasen". Sein Haus (Berlin-Wilmersdorf, Ravensburger Straße) und seine Grabstelle auf dem israelitischen Friedhof sind im Bombenkrieg zerstört worden. Joseph lebt in seiner Arbeit fort (Paul Natvig). - - First Edition of 'Rhinoplatsy and facial plastic surgery with a supplement on mammaplasty and ohter operations in the field of plastic surgery of the body : an atals and text book' is "A masterpiece of 20th century palstic surgery, and Joseph's most comprehensive work". G & M - - Garrison & Morton No.5763.01; Natvig 41 [Attributes: First Edition; Hard Cover]

      [Bookseller: Medicusbooks]
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        Nightlife: Vanity Fair's Intimate Guide to New York After Dark

      New York: John Day. (1931). First. First edition. Illustrated by Raymond Bret-Koch. About fine in good plus dustwrapper with modest chips and tanning on the spine. A wonderfully kooky guide to the Big Apple. Exceptionally scarce, especially in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Windfall: A Novel About Ten Million Dollars

      New York: The John Day Company. 1931. First. First edition. Fine in an externally very good plus dustwrapper with several internal brown paper tape repairs, and some overall soiling. At the whim of a dying Croesus, ten people, including a prostitute, a prizefighter, a bum, a stockbroker, a stenographer, etc., are each given a million dollars. Basis for the 1932 film If I Had a Million. The film was broken into segments following the fortunes of the various newly minted millionaires, each segment with its own director. The directors included James Cruze, H. Bruce Humberstone, Ernst Lubitsch, Norman Z. McLeod, Lothar Mendes, Stephen Roberts, William A. Seiter, and Norman Taurog. Appearing in the film (most as the recipients of windfalls) were Gary Cooper, Charles Laughton, George Raft, Jack Oakie, Richard Bennett, Charles Ruggles, Alison Skipworth, and W.C. Fields. The Fields and Skipworth segment, where they use their new found fortune to buy a fleet of cars and hire drivers to run road hogs off the road, is a comic classic. The premise also inspired the popular 1950s television series The Millionaire. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Nightlife: Vanity Fair's Intimate Guide to New York After Dark

      New York: John Day. (1931). First. First edition. Illustrated by Raymond Bret-Koch. About fine in decorated cloth, lacking the uncommon dustwrapper. A wonderfully kooky guide to the Big Apple. Exceptionally scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Die Heilige Urschrift der Menschheit. Band I: Text und Band II: Bilderatlas Symbolgeschichtliche Untersuchungen diesseits und jenseits des Nordatlantik

      . Köhler & Amelang, Leipzig [1931-1936], farbig illustr. Original-Leinenbände, 4°, 783 Seiten +196 Seiten Anmerkungen, Bilderatlas 429 Bildtafeln, farbiger Kopfschnitt, Exlibris u. Name im Vorsatz, schwarzes Lesebändchen, S. Inhaltsverzeichnis mit kleiner Läsur, schöner Zustand // Wirth war Mitbegründer u. erster Präsident des "Ahnenerbe" der SS. Er schied jedoch auf Drängen Himmlers hin, wegen inhaltlicher Differenzen später wieder aus. Erstausgabe Original-Leinen Buch; Erstausgabe. Gut

      [Bookseller: Versandantiquariat Guba]
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        Sun Up

      Junior Literary Guild 1931 - First Edition, First Printing with Scribner's "A" and Seal printed on the copyright page. An attractive dustjacket with some chipping to the edges and some soiling to the spine. Otherwise, this original dustjacket is in nice shape, and seldom seen in any condition. The book is in excellent condition. The binding is tight, and the boards are crisp with a hint of wear to the edges. The pages are exceptionally clean, with no writing, marks or bookplates in the book. Overall, a sharp copy of this true first edition with the RARE dustjacket in collector's condition. Trades and offers welcomed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        By Rocket to the Moon

      Sears Publishing Company, Inc., New York,, 1931. The story of Hans Hardt's miraculous flight. Octavo. Original black cloth, decoration and titles to upper board and spine in red, top edge stained red. With the pictorial dust jacket. With 8 inserted plates by R. V. Grunberg. A stunning copy in the very lightly frayed dust jacket. First US Edition, First Printing. Science fiction based on the best contemporary scientific facts available. A considerable scarcity in this condition.

      [Bookseller: Peter Harrington]
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      Ed. Plutarco. Madrid, 1931 - . 20 cm. 154 pág., 2 h. Con las barbas. Falta punta en la página 79, sin afectar el texto. Primera edición. Literatura castellana. Poesia Libros modernos a partir de 1830 español [Attributes: First Edition]

      [Bookseller: Libreria anticuaria Farré]
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        Shadows on the Rock

      New York: Alfred A. Knopf, 1931. FIRST EDITION. Hardcover. One of 619 numbered copies printed on Croxley hand-made paper and signed by the author. Fine copy in very good dust jacket with a small piece torn from the spine panel (partly obscuring the title) and in publisher's box (professionally repaired along two edges).

      [Bookseller: Robert Dagg Rare Books]
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        Tarzan the Invincible

      Tarzana: Edgar Rice Burroughs, Inc.. (1931). The first hardcover book published by Edgar Rice Burroughs, Inc. -- an attempt by Burroughs to capitalize on the success of the Tarzan franchise as publisher as well as writer -- and featuring jacket art by Burroughs' nephew, Studley O. Burroughs, one of Burroughs' several attempts to turn his success with Tarzan into a family business. Slight spine lean and shelf wear, with a faint stain at the heel; still about near fine in a fine, supplied dust jacket. A very attractive copy. The dust jacket includes a short essay by Burroughs remarking on the (to him) surprising popularity of the Tarzan character worldwide, and citing the range of its appearances. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Histoire Militaire de l'Indochine Française, des débuts à nos jours (juillet 1930).

      Hanoï-Haïphong, Imprimerie d'Extrême-Orient, 1931. - 2 volumes in-folio, 232 pp., 306 pp., richement illustrés de plans et cartes in-texte et de très nombreuses reproductions photographiques hors texte, 1 grande carte volante des Etapes de la Conquête Militaire de l'Indochine. Les couvertures sont illustrées d'un tirailleur indochinois. Reliure moderne plein cuir noir pour les 2 volumes.Très bon état malgré quelques rousseurs et salissures sur les couvertures conservées. Une somme de documents sur l'Histoire Militaire de l'Indochine, élaborée par les Officiers de l'Etat-Major du Général de Division Aubert, Commandant Supérieur des Troupes du Groupe de l'indochine. Il s'agit ici de la 2e édition, revue et complétée, publiée pour l'Exposition Internationale de Paris en 1931 (La première édition, de 1922, ne comportait qu'un volume). [Attributes: Soft Cover]

      [Bookseller: INDOSIAM RARE BOOKS]
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        Rinkenis. Öl auf Malpappe.

      1931.. Signiert "A. Nissen" und datiert "31". Mit Rahmen. 35 x 39,8 cm (ohne Rahmen).. Das Bild besticht durch das besondere Licht des nördlichen Künstlerortes. Das kräftige dunkle Grün der Vegetation und die rote Fassade des Hauses bilden eine kräftigen Farbkontrast. Nissen wählt einen niedrigen Betrachterstandpunkt wodurch das Reetdach des Hauses an den oberen Bildrand gerückt wird und vom blauen Himmel nur ein Streifen sichtbar bleibt. Der Blick des Betrachters führt über einen kleinen Weiher hinauf zu dem teils eingewachsenen Haus. - Anton Nissen, der nach Zeichenunterricht bei C.L. Jessen und Momme Nissen an den Kunstakademien in Weimar und ab 1880 in München studierte. Neben Dachau und Heimhausen besuchte Nissen von München aus vor allem das heimatliche Ekensund. 1896 übersiedelte er nach Hamburg, verbrachte aber regelmäßig Zeit in Ekensund. 1902 bezog Nissen mit seiner Frau, der Künstlerin Maria geb. Schlaikier, ein Haus in Rinkenis, das sich zu einem zweiten Zentrum der Ekensunder Künstler entwickelte. - Kleine Bereibungen im oberen Rand: im Bereich des Schornsteins rechts und in den Baumspitze. - Weitere Arbeiten von Anton Nissen auf Anfrage.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Chinese Ceramics in Private Collections. Limited edition of 625 copies.

      London: Halton & Truscott Smith, 1931 - Limited edition of 625 copies. This copy is NUMBERED. 29*24*3cm, wt:2kg. Book edges uncut. 32 color plates, 361 monotone illustrations. Private bookplate in color on front pastedown. Almost as new. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        L'Exposition Coloniale de Paris

      Librairie des Arts Décoratifs, Paris 1931 - First edition, first printing. Unbound sheets collated in a folio with gold paper-covered boards with title printed in black on cover, with black woven ribbon tie. Introduction (in French) by Joseph Trillat. Includes a list of plates. Unpaginated, with 54 collotype plates (11-3/8 x 8 inches) from photographs by A. Chevojon, printed by A. Calavas, Paris (with interleaving tissue sheets protecting the individual plates). 13-1/4 x 10-1/4 inches. CONDITION: Near Fine (some rubbing to the outer folio, all plates Fine). From an essay by Patricia A. Morton: "L'Exposition Coloniale Internationale de Paris feted the accomplishments of colonialism from May 6 to November 15, 1931. this was the last international world's fair exclusively devoted to the celebration of international colonialism. France hosted the Colonial Exposition - joined by Portugal, the Netherlands, Belgium, Denmark, Italy, and the United States - to demonstrate its colonial puissance and to stimulate the French public's interest in its colonial empire. The only colonial power absent from Paris was Britain, which, although invited to the Colonial Exposition, had staged its own imperial extravaganza in 1924-25 and lacked both the resources and interest in participating in a celebration of French colonialism. Germany no longer possessed a colonial empire, having been stripped of its colonies after World War I, and Japan was not yet recognized as a colonial power. The Colonial Exposition attracted a huge audience (there were 33 million entries into the exposition) from France and abroad and generated an overwhelmingly positive critical response." This publication features 54 images of the colonized people and architectural pavilions assembled for the exhibition, including those from Africa, Southeast Asia, Oceania and the Middle East. According to Arthur Chandler: "The United States was the only non-European country exhibiting as a colonial power. The American building at the exposition [Plate 51 in this publication] was a close replica of George Washington's house at Mount Vernon, complete with the bedroom set aside for Lafayette --a gesture that pleased the French hosts enormously. The inherent irony of the American exhibit --that it was housed in a building of the man who led the fight against colonial tyranny in the United States --was evidently completely lost on both the French and the Americans." A fascinating, if not shocking record of the last exhibition to feature live displays of colonized people and architectural replicas. [Attributes: First Edition; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        D'APRÈS PARIS.

      - Paris, Librairie de France - Les amis de l'amour de l'art, 1931. En feuilles, dans un double emboîtage cartonné. Illustré de lithographies originales de Boussingault. Tirage limité à 170 exemplaires sur papier vélin d'Arches, celui-ci l'un des 120 exemplaire mis dans le commerce (83). Très bel ouvrage, très bel exemplaire. Envoi de photographies sur demande. [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        Cagliostro A Sorcerer of the Eighteenth Century

      The Masonic Bibliophiles, New York 1931 - Original royal blue cloth lettered in gilt. Contains 8 chapters plus appendix: I. A Master of Magic; II. The Conjurer and the Cardinal; III. The Affair of the Diamond Necklace; IV. The Downfall of the Grand Cophta; V. The House in the Rue St. Claude; VI. The Egyptian Rite; VII. Autographs of Cagliostro; VIII. Portraits of Cagliostro. Warmly inscribed, signed and dated by the author on the front free endpaper. A lovely copy of this very scarce item [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: First Place Books]
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        These Thirteen: Stories

      New York:: Jonathan Cape & Harrison Smith,, 1931. . A Very Good Plus copy in blue cloth binding that shows offsetting of the jacket design to the boards in a Very Good plus, unclipped dustjacket with some darkening and shallow edge wear to the spine along with two closed edge tears on the front panel. This collection features two of Faulkner's most famous stories: That Evening Sun and A Rose For Emily..

      [Bookseller: Gregor Rare Books]
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      Jonathan Cape & Harrison Smith 1931 - First edition, Good only condition/ Very Good edgeworn dust jacket with long closed tear. Hinges totally split. Bookplate of George Cukor. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rushton H. Potts]
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        First Nights and First Editions [copy of Thomas B. Costain]

      Little Brown & Company, Boston 1931 - Boston: Little, Brown & Company, 1931. First Edition. Novelist Thomas B. Costain's copy, with his bookplate at the front pastedown and author Harry B. Smith's inscription to him and signature, dated in January of 1932, just three months after publication. Octavo, 323 pp. Somef darkening to spine, two corners touched, otherwise Near Fine, a sharp, tight copy with terminal leaves unopened. An absorbing, anecdotal, autobiographical traipse by the accomplished composer, lyricist and writer Harry B. Smith - inscribed, signed and dated by him to Canadian novelist Thomas B. Costain, "Canada's Sir Walter Scott" (for his insistence that historical tales should carry passion, and his ability to do so himself). Costain's best-known novel was The Black Rose (1945); he was also a long-term editor of Maclean's Magazine and The Saturday Evening Post, and helped Earl Derr Biggers develop the character of his Chinese detective, Charlie Chan. Sharp copy, signed, and with unreplaceable association and presentation status. L47n [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Singularity Rare & Fine]
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        Pages d?art. Revue mensuelle Suisse illustrée. Beaux-Arts, Littérature, Musique. 1917 - 1926. (10 Jge. in 10 Bden., 120 Hefte).

      Genf, Kunst in der Schweiz, 1927 - 1931 - 4°, zus. ca. 5000 S., zahlr. teilw. farb. Abb. a. Taf. (einige Orig. Grafiken), Priv.-HLwd. m. goldgepr. Rückenschildchen. Umschläge (teilw Orig.-Graphische Titelillustr.) und Werbeseiten teilw. miteingebunden. Umschläge min. beschnitten, (Bd. 1918: Silberfischfrass a. Vors., sonst tadell) allg. gutes Ex. Vorläufer der deutsprachigen Zeitschrift «Die Kunst in der Schweiz» (siehe 48879) erschien zwischen 1915 - 1926. Komplette Jahrgänge (je 12 Hefte). Vereinzelt Orig.-Grafiken ( Lithographien, Holzschnitte) eingebunden: 1917: Maurice Barraud; 1918: Ed. Vallet; 1919: 9 Orig. -Graph. v. Percival Pernet. 14000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        The Shakespeare Head Brontë

      Oxford: Basil Blackwell & Houghton Mifflin Co. (pr. at the Shakespeare Head Press), 1931.

      [Bookseller: SessaBks, A Division of the Philadelphia]
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        New English Poems. A Miscellany of Contemporary Verse, Never Before Published. The Collection Made by Lascelles Abercrombie.

      Victor Gollanz., London. 1931 - Contemporary morocco binding, gilt lettered, 5 raised bands. With a design in coloured onlays of an abstract head to upper cover by the Notary Binders. The binding rubbed and faded at spine. All edges gilt. [Attributes: First Edition; Hard Cover]

      [Bookseller: Roe and Moore]
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      Garden City: Doubleday, Doran & Company, Inc., [1931]., 1931. First edition. Words February 1931 on front fly leaf, else near fine in dust jacket with a light professional restoration to the spine ends. Whose footprints marred the seventh tee? When Martin Green's drowned body was found face down in the water hazard near the sixth hole, it looked like an accident, but it wasn't at all. Crime Club mystery.

      [Bookseller: BUCKINGHAM BOOKS]
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        Mémoires de Casanova de Seingalt écrits par lui - meme. Tome Premier / Dixième. Paris, Javal et Bourdeaux, 1931 - 1932.

      Dieci voll. in 4°, legature coeve in mz.Pelle con nervi e titolo oro al dorso, conservate le br. edit. , più di 3000 pp. complessive, con 200 tavv. f.t. a firma Auguste Leroux colorate au pochoir , protette da veline. Tagli sup. dorati. Uno dei 2000 esemplari su "vélin du Marais" (ns. 1907). L'autore delle illustrazioni (Parigi 1871 - 1954) fu celebre per le sue tavole storiche. Bénézit, 8, p. 556 cita quest'opera. Lievi abrasioni alle legature, ma interni perfetti. Bell'esemplare completo delle sue 200 tavole.

      [Bookseller: Studio bibliografico Calabrò Maria]
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      LOUIS CONARD 1931 - R260147591: Environ 500 pages par volume. Assez bon état géneral. Quelques plats détachés. Les 6 premiers volumes sont plus abîmés : dos des tomes 1 et 6 coupés, manques au dos des tomes 3 et 5). Texte révisé et annoté par Marcel Bouteron et Henri Lognon, illustrations de Charles Huard gravées sur bois par Pierre Gusman. Scènes de la Vie Privée (7 Tomes - Complet) - Scènes de la Vie de Province (4 Tomes - Incomplet, manque le 1er) - Scènes de la Vie Parisienne (8 Tomes - Complet) - Scènes de la Vie Politique (1 Tome - Complet) - Scènes de la Vie Militaire (1 Tome - Complet) - Scènes de la Vie de Campagne (5 Tomes - Complet). Contes drolatiques (2 tomes. Complet). In-8 Broché. Etat d'usage. Couv. légèrement passée. Dos satisfaisant. Intérieur frais Classification Dewey : 840-Littératures des langues romanes. Littérature française [Attributes: Soft Cover]

      [Bookseller: le-livre]
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        66 Pieces of Original Art for "The Talk of the Town" Section of The New Yorker

      66 original pieces of art for the New Yorker. Pen and ink on artists board. Unsigned. Each is roughly 12" x 6.25". The vast majority have a The New Yorker Editorial Department slip attached with handwritten advice (mostly of the "Rush!! Must have Proof Final Today" variety). A very few have partial slips or the slips detached. Undated but from the subjects and some of the cultural context, probably largely from the 1950s and 1960s. These spot drawings appeared as the primary illustration for each weekly version of The Talk of the Town. Subjects are diverse: grumpy policemen, harried mailmen, air, train, and bus travellers; bookstore browsers; George Washington in New York; a king and queen tossing coins to a crowd; LBJ; an old school main frame computer; a man turning a corner confronted by a truncheon bearing "JD" (juvenile delinquent); a ghost picketing a cemetery; real estate shoppers; a take on New York City seceding from the state of New York; a scientist doing a test on mice; an astronaut in a space capsule; a couple watching a television with someone arguing for "peace"; musical notes picketing to save Carnagie Hall; Richard Nixon on television; various animals: birds, horses, porcupines, frogs, polar bears, groundhogs, monkeys, squirrels, and much more. Soglow was an American cartoonist, probably best known for his long-running syndicated cartoon for King Features, "The Little King" which first appeared in The New Yorker in 1931. His pen and ink drawings, usually uncaptioned, were deceptively simple and in many ways they set the standard for "spot art" in the magazine. Soglow drew a significant number of the spot drawings that appeared in The Talk of the Town for as long as he was at the magazine, for well over a quarter century. They are still being used today. This collection represents a significant amount of his output for the Talk pieces. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Ediciones de "Poesía", Paris 1931. - 1a Edición///////Conserva la doble camisa original. Muy buen ejemplar. Rarísimo./20,5x14,5. 4 págs. //Poesía, Vanguardias

      [Bookseller: Libreria El Astillero]
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