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Displayed below are some selected recent viaLibri matches for books published in 1931

        The Wilsford Theatre A small Collection of suggested Plans Elevations and Drawings made for it

      

      [Bookseller: Maggs Bros. Ltd.]
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        Autograph Letter Signed, 'Charles Dollfus aéronaute', in French with translation, (Charles, 1893-1981, Balloonist, the first Frenchman to cross the Atlantic both ways)

      1931 - to 'My dear friend', thanking him for "your books", the first confirms that "Charles Dollfus was on friendly terms with George Sand. He was actually my great-uncle . and a close friend of Renan. I have not had this work of his and will derive all the more pleasure from it", he has not come across "the other little volume - with the balloon . It is a curious document on the state of ultra-patriotic fervour at the time of Boulangism, and the author, to read him, was not easy to get on with, unless he was simply a placid bourgeois in a state of mental excitement", he was just telephoning Gallimard's "to reserve the Restif for you, when they told me you were in the building", saying that when he gets back he will "be delighted to see your collection" and to show him "some boxes and shelves of books at my place", and asking if he knows "this splendid writing paper", fine large pictorial heading of a 19th c. balloon with the balloonist and five passengers, one holding the French flag, 2 sides folio, Paris 16e., 30th March Dollfus first went up in a balloon in 1911. His knowledge was used by the French Navy during and after WWI and in 1919 created the French Museum of the Air, of which he became the dedicated curator.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        La strada d'Ancona

      1931 1931 - Acquaforte tirata su carta Cina, mm. 253x326 alla battuta, compresi marg. bianchi mm. 315x433. Titolo e data 1931, incisi sulla lastra in basso a sinistra. Firma a matita in basso a destra, titolo in basso a destra. Annotazione dello stesso artista a matita al margine bianco inferiore 'Esemplare su carta speciale'. Timbro a secco 'Luigi Bartolini incise all'acquaforte'. Fresca tiratura, due aloni rossastri al marg. laterale destro e al marg. inferiore, senza coinvolgimento della parte incisa. (Cfr. Luigi Bartolini. Le incisioni della collezione Timpanaro", p.124. La lastra è stata biffata)

      [Bookseller: TABERNA LIBRARIA - ALAI - ILAB]
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        MASSACHUSETTS SOLDIERS, SAILOR AND MARINES IN THE CIVIL WAR (9 Volumes; Complete Set)

      Norwood, Mass: Norwood Press, 1931. First Edition. Hard Cover. Near Fine binding. Regimental histories for all Massachusetts units, together with the names of all the men who served in them, with their rank, occupations, date of service and discharge etc. It is noted in the Nevins bibliography that the set "provides valuable background and service data on each Bay State soldier [Nevins II, 156]. A near fine set, in the publisher's blue cloth with beveled edged and titling in gold; some of the volumes still with publisher's brown paper wrappers. This set is from the library of Civil War historian Bud Robertson, and his bookplate is on the pastedown of each volume. (Nevins II, 156). Near Fine binding.

      [Bookseller: Black Swan Books, Inc. ]
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        La Nuova Architettura

      1931. AUTORE a cura di Fillia TITOLO La Nuova Architettura LINGUA italiano LUOGO (editore/traduttore) Torino - Unione Tipografico-Editrice Torinese ANNO DI PUBBLICAZIONE/EDIZIONE 1931, I Edizione FORMATO 24x32,5 TIPO COPERTINA cartonata serigrafata N° PAGINE non numerato ILLUSTRAZIONI in Bn e tavola a colori. DESCRIZIONE LIBRO Primo studio completo sull'architettura razionale comparso in Italia. Contiene il manifesto L'architettura futurista di A. Sant'Elia e saggi originali di F.T. Marinetti, Fillia, E. Prampolini, W. Gropius, Le Corbusier, A. Sartoris, N. Diulgheroff, R. Ginsburger, G. Vedres, A. Lurcat, Von Der Muhll Il volume è in ottime condizioni, dorso restaurato, segni di fioritura nella sguardia di apertura e in quella di chiusura, l'interno del volume è in ottime condizioni. Corpo libro ben legato

      [Bookseller: AMARCORDLIBRI]
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        L'Eroica. Rassegna italiana di Ettore Cozzani. N. 156-157.

      Milano, A. XIX-XX, agosto-settembre, 1931, fascicolo in-4to brossura originale con copertina illustrata a colori (di Stanis Dessy), numero doppio: 156/157, pp. 72 con una tavola riproducente la copertina e altre nove tavole xilografiche, doppie, ripiegate (di Stanis Dessy) fuori testo. In stato di nuovo, intonso.

      [Bookseller: Libreria Piani già  Naturalistica]
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        SHADOWS ON THE ROCK. Limited edition signed by Willa Cather.

      New York: Alfred A. Knopf, 1931. 280 pages. Bright mottled orange/red vellum or parchment-covered binding in almost new condition except for minor bumping to the corners, and a minor shelfbump to the top of the spine. The unclipped dustjacket is lightly to moderately toned, with several small scuffs, creases and tears, some of which is due to the dustjacket being untrimmed, with about an extra inch paper on the top and bottom edge. Protected in custom-fitted archival mylar. Includes the original slipcase, which has a few seams cracking, and is lightly to moderately shelfworn. Number 174 of 199 copies printed on Shidzuoka Japan vellum and signed by Willa Cather on a special limitation page. Includes the original silk bookmark; t.e.g. The text is clean and unmarked. First edition.. Signed. First Edition. Hardcover. Very good+ condition/Very good- condition (DJ). Octavo (8vo).

      [Bookseller: Kurt Gippert Bookseller (ABAA) ]
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        Le feu follet

      First edition, an advance (service de presse) copy. Half black morocco over marbled paper boards by Goy & Vilaine, spine in six compartments with gilt date to foot, marbled pastedowns and endpapers, top edge gilt, covers preserved. Autograph inscription from Pierre Drieu la Rochelle to Edouard Caen.A good copy in a pretty binding.% Nrf Paris 1931 12x19cm relié

      [Bookseller: Librairie Le Feu Follet]
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        The Compleat Angler. Or The Contemplative Man’s Recreation. Being a discourse of Rivers, Fishponds, Fish and Fishing not unworthy the Perusal of most Anglers. Illustrated by Arthur Rackham. SIGNED LIMITED EDITION.

      London. George G. Harrap & Co. Ltd. 1931 1st Limited edition. Hardback. 4to; approx 10.5 x 8 inches. In full vellum bound covers with gilt lettering and fish design to spine and gilt lettering to front. Top edges gilt. In very good condition. Some rubbing and darkening to cover. Some mild foxing and darkening to endpapers, inscribed on half title page “To James, from Mother 1934.” Signed and Numbered overleaf by Arthur Rackham, this copy is 169/775. Most pages still remain uncut, a couple of tiny spots to pages else inside pages very clean and tight throughout. 224pp; Pictorial endpapers; 12 colour plates (with tissue guards) & many B&W illustrations.

      [Bookseller: The Antique Map & Bookshop]
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        Vita d'America

      Fratelli Treves Editori-Milano, MILANO 1931 - ITALIANO Volume degli anni '30 del XX secolo, privo di piatti e dorso, tagli, con barbe, ingialliti, pagine ben conservate. Ottavo migliaio.

      [Bookseller: Biblioteca di Babele]
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        Parallèlement. Vingt-trois eaux-fortes originales de Édouard Chimot.

      Large 4to (c. 330 x 250 mm). Loose and entirely uncut in the original printed wrappers; pp. [4, blank], [2, half-title and limitation], [2, blank], [2, title printed in red and black], 147, [3], 23 full-page etchings with aquatint (some colour-printed or tinted) in the text; spine of wrappers a little rubbed and worn, remnants of contemporary half-calf folder and slipcase; a few leaves with marginal blue ink spots. Privately printed, number XVI of the 23 copies on japon ancien reserved for the artist (total printrun 198 copies), with Chimot's aquatint etchings in the first state, second state printed in sanguine with remarques, the second state with remarques, printed in black, the final state, and one plate in all states (dossier), limitation signed by the artist, a few manuscript notes in the artist's hand on folder of the dossier. This set not only comprises the additional versions of the illustrations but in the dossier complet d'une planche all stages of the plate to Prologue d'un livre, including the copperplate, a first charcoal and bistre study, the pencil drawing for the etching, signed by the artist, an early proof of the etching combined with the text, altogether, apart from the copperplate and the print in the book, 14 different stages of this particular plate. The French artist, book illustrator, printmaker (exclusively etchings) and editor Édouard Chimot (1880-1959) rented a studio in Montmartre, haunted by 'jeunes et jolies femmes,' his models. He began to illustrate texts; however, the First World War interrupted his career. After the War he was able to rent Renoir's old atelier, where he produced etchings alongside decadent literature as well as Henri Barbusse. From 1923 to 1931, as artistic director of Les Éditions d'Art Devambez he oversaw the production of many outstanding illustrated private press books but reserved some texts for his own art as etcher and printmaker, among them this collection of erotic poetry by the symbolist poète maudit Verlaine, which had been published first in 1889 and ever since has tempted book illustrators to publish their art alongside the poems. During the roaring '20s in Paris, Chimot became a central figure of the Jazz age with many connections to artistic and literary circles, including the Surrealist movement. He even embarked on film-making in 1924. Parallèlement is his last French limited edition artistic book production; the Wall Street Crash of 1929 had eliminated the economic basis for such productions for a long time. He later settled in Spain and continued illustrating books.

      [Bookseller: Henry Sotheran Ltd.]
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        Arts et métiers graphiques. Numéro spécial 15 Novembre 1931, N. 26

      Arts et m?tiers graphiques, 1931. Scritti di Bertrand Guegan (Le livre d'art en Europe), Jean Bruller (Le livre d'art en France: essai d'un classement rationnel), Paul Istel (Reliures de notre temps). Riproduzioni in nero e a colori di rilegature, frontespizi e pagine a stampa su carta a mano e carta Giappone applicati. Con xilografie, litografie, offset ed eliogravure originali applicate di Frans Masereel, Max Elskamp, P. E. Vibert, Charles Vik, Max Ernst, Louis Bouquet, A. Alexeieff, Galanis, Mariette Lydis, Pierre Gandon, Raoul Dufy, J. L. Boussingault, Odillon Redon, etc. 4to. pp. 100. Molto Buono (Very Good). . Uno dei numeri più ricercati di questa importante rivista di tipografia, grafica ed illustrazione, per la grande quantità di tavole originali applicate.

      [Bookseller: Studio Bibliografico Marini]
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        Pêcheurs de perles

      - Albin Michel, Paris 1931, 12x19cm, broché. - Edition originale imprimée sur alfa. Précieux envoi autographe signé d'Albert Londres à son ami Henri Béraud : "A Henri Henri Béraud Albert Albert Londres." Dos légèrement insolé, petites rousseurs claires en marges des plats.   - [FRENCH VERSION FOLLOWS] Edition originale imprimée sur alfa. Précieux envoi autographe signé d'Albert Londres à son ami Henri Béraud : "A Henri Henri Béraud Albert Albert Londres." Dos légèrement insolé, petites rousseurs claires en marges des plats.  

      [Bookseller: Librairie Le Feu Follet]
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        [Thirteen papers, all first editions, in Ergebnisse eines mathematischen Kolloquiums, unter Mitwirkung von Kurt Gödel und Georg Nöbeling. Herausgegeben von Karl Menger. Heft 1-5].

      Leipzig & Berlin: B.G. Teubner, 1931-33. First editions, and a fine set in the original printed wrappers, of these rare proceedings to which Gödel contributed thirteen important papers and remarks on the foundations of logic and mathematics (see below for a complete annotated listing). The most important are perhaps 'Über Vollständigkeit und Widerspruchsfreiheit' ('On completeness and consistency') in Heft 3 and 'Zur intuitionistischen Arithmetik und Zahlentheorie' ('On intuitionist arithmetic and number theory') in Heft 4. Based on the lecture at the Colloquium required for his Habilitation, in the first paper Gödel presented a different approach to his epochal incompleteness theorem, published just a few months earlier in Monatshefte für Mathematik: instead of Russell's theory of types, in the present version he used Peano's axioms for the natural numbers; this soon became the standard approach. In the second paper, Gödel proved that intuitionist mathematics is no more certain, or more consistent, than ordinary mathematics. "By invitation, in October 1929 Gödel began attending Menger's mathematics colloquium, which was modelled on the Vienna Circle. There in May 1930 he presented his dissertation results, which he had discussed with Alfred Tarski three months earlier, during the latter's visit to Vienna. From 1932 to 1936 he published numerous short articles in the proceedings of that colloquium (including his only collaborative work) and was co-editor of seven of its volumes. Gödel attended the colloquium quite regularly and participated actively in many discussions, confining his comments to brief remarks that were always stated with the greatest precision" (DSB XVII: 350). Working under Hans Hahn, Karl Menger (1902-85) received his PhD from the University of Vienna in 1924 and accepted a professorship there three years later. "During the academic year 1928/29, several students asked Menger to direct a Mathematical Colloquium, somewhat analogous to the philosophically motivated Vienna Circle ... This Colloquium, which met on alternate Tuesdays during semester time, had a flexible agenda including lectures by members or invited guests, reports on recent publications and discussion of unsolved problems. Menger kept a record of these meetings, which he published, regularly in November of the following year, under the title 'Ergebnisse eines mathematischen Kolloquiums'... "Gödel had entered the university in 1924, and Menger first met him as the youngest and most silent member of the Vienna Circle. In 1928, Gödel started working on Hilbert's program for the foundation of mathematics, and in 1929 he succeeded in solving the first of four problems of Hilbert, proving in his PhD thesis (under Hans Hahn) that first order logic is complete: Any valid formula could be derived from the axioms. "At that time Menger, who was greatly impressed by the Warsaw mathematicians, had invited Alfred Tarski to deliver three lectures at the Colloquium. Gödel, who had asked Menger to arrange a meeting with Tarski, soon took a hand in running the Colloquium and editing its Ergebnisse. "Menger was visiting the USA [in 1931] when Gödel discovered the incompleteness theorem and used it to refute the remaining three of Hilbert's conjectures. He learned by letter that Gödel had lectured in the Colloquium 'On Completeness and Consistency'. This was the lecture required for Gödel's habilitation. The paper required for the same procedure, 'On the undecidability of certain propositions in the Principia Mathematica,' had been published in Hahn's 'Monatshefte'. In his Colloquium lecture, Gödel presented a simpler approach. Instead of Russell's theory of types, he used Peano's axioms for the natural numbers. This soon became the standard approach ... "Menger was particularly fond of Gödel's results on intuitionism. These vindicated his own tolerance principle. Specifically, Gödel proved that intuitionist mathematics is no more certain, or more consistent, than ordinary mathematics ('Zur intuitionistischen Arithmetik und Zahlentheorie', Heft 4) ... Menger brought Oswald Veblen to the Colloquium when Gödel lectured on this result. Veblen, who had been primed by John von Neumann, was tremendously impressed by the talk and invited Gödel to the Institute for Advanced Study during its first full year of operation: A signal honour that proved a blessing in Gödel's later years" (Karl Sigmund in Selecta Mathematica, pp. 14). The Gödel papers contained in these five volumes are as follows, with summaries from the Annotated Bibliography of Gödel by John Dawson: (1) Ein Spezialfall des Entscheidungsproblems der theoretischen Logik, Heft 2, pp. 27-28. This undated contribution was not presented to a regular meeting of the colloquium, but appeared among the Gesammelte Mitteilungen for 1929/30. In the context of the first-order predicate calculus without equality, Gödel describes an effective procedure for deciding whether or not a formula with prenex form (3x1...xn)(y1y2)(3z1...zn)A(xi,yi,zi) is satisfiable; the procedure is related to the method used in [his dissertation Die Vollstandigkeit der Axiome des logischen Funktionenkalküls] to establish the completeness theorem. (2) Über Vollständigkeit und Widerspruchsfreiheit, Heft 3, pp. 12-13. Closely related to [Über formal unentscheidbare Sätze der Principia Mathematica und verwandter Systeme I, 1931], [this paper] notes extensions of the incompleteness theorems to a wider class of formal systems. The system considered in [his 1931 paper] is based on Principia Mathematica and allows variables of all finite types. Here Gödel observes that any finitely-axiomatizable, omega-consistent formal system S with just substitution and implication (modus ponens) as rules of inference will possess undecidable propositions whenever S extends the theory Z of first-order Peano arithmetic plus the schema of definition by recursion; and indeed, that the same is true of infinite axiomatizations so long as the class of Gödel numbers of axioms, together with the relation of immediate consequence under the rules of inference, is definable and decidable in Z. (3) Eine Eigenschaft der Realisierungen des Aussagenkalküls, Heft 3, pp. 20-21. In answer to a question of Menger, Gödel shows that given an arbitrary realization of the axioms of the propositional calculus in a structure with operations interpreting the connectives ? and ?, the elements of the structure can always be partitioned into two disjoint classes behaving exactly like the classes of true and false propositions. (4) Untitled remark following W. T. Parry Ein Axiomensystem für eine neue Art von Implikation (analytische Implikation), Heft 4, p. 6. During the 33rd session of the colloquium, November 7, 1931, the American visitor Parry introduced an axiom system for "analytic implication," a concept of logical consequence entailing the unprovability of A -> B whenever B contains a propositional variable not occurring in A. Following Parry's demonstration (via multi-valued truth tables) of this characteristic property, Gödel suggested that a completeness proof be sought for Parry's axioms, while noting that the question whether Heyting's propositional calculus could be realized using only finitely many truth values was then open. On p. 4 of this same issue, an article by Alt ("Zur Theorie der Krümmung") mentions an unpublished suggestion by Gödel. (5) Über Unabhängigkeitsbeweise im Aussagenkalkül, Heft 4, pp. 9-10. To Hahn's question, "Can every independence proof for statements of the propositional calculus be carried out by means of finite multi-valued truth tables?" Gödel provides a negative answer. Specifically, using infinitely many truth values he demonstrates the independence of p ? ? ?p from the set of axioms p ? p, (p ? ? ?q) ? (p ? q), and(? ?p ? ? ?q) ? (p ? q), while showing that any finite realization of those axioms must also realize p ? ? ?q. (6) Über die metrische Einbettbarkeit der Quadrupel des R3 in Kugelflächen, Heft 4, pp. 16-17; (7) Über die Waldsche Axiomatik des Zwischenbegriffes, Heft 4, pp. 17-18. Gödel's contributions to geometry have been overlooked by bibliographers. Both (6) and (7) formed part of the 42nd colloquium, held February 18, 1932. In the former, Gödel answers a question raised by Laura Klanfer at the 37th colloquium, December 2, 1931: he shows that whenever a quadruple of points in a metric space is isometric to four noncoplanar points of R3, the quadruple is isometric, under the geodesic metric, to four points on the surface of a sphere. (The corresponding result for the usual metric on R3 is trivial.) In the second paper Gödel reformulates Wald's axiomatization of the betweenness concept as a theorem about triples of real numbers, assigning the triple of distances (ab, bc, ac) to a triple (a, b, c) in a given metric space. The theorem states that b lies between a and c in the sense of Menger if and only if (ab, bc, ac) lies in that part of the plane x + y = z for which each of the four quantities x, y, z, and(x + y - z)(x - y + z)(-x + y + z) is nonnegative. (8) Zur Axiomatik der elementargeometrischen Verknüpfungsrelationen, Heft 4, p. 34. Only two brief comments were published from the discussion with the above title held as the 51st colloquium, May 25, 1932. In translation, Gödel's remark reads in full: "[Some]one should investigate the system of all those statements about fields that in normal form contain no existential prefixes. The concepts of point and line, which are definable by application of existential prefixes (e.g., a point is an element for which there exists no nonempty element that is a proper part of it), are undefinable in this more restricted system." (9) Zur intuitionistischen Arithmetik und Zahlentheorie, Heft 4, pp. 34-38. In this short but important paper, Gödel shows that although the intuitionistic propositional calculus is customarily regarded as a subsystem of the classical, by a different translation the reverse is true, not only for the propositional calculus but for arithmetic and number theory as well. (Independently and slightly later the same result was discovered by Gentzen and Bernays. Specifically, with each formula A of Herbrand's system of arithmetic Gödel associates a translation A' in an extension of Heyting's arithmetic, such that A' is intuitionistically provable whenever A is classically provable. Since it provides an intuitionistic consistency proof for classical arithmetic, Gödel's translation gives classical mathematicians grounds for maintaining that insofar as arithmetic is concerned, intuitionistic qualms amount to "much ado about nothing"; for intuitionists, however, the issue is not so much consistency as it is matters of proper interpretation and methodology. (10) Eine Interpretation des intuitionistischen Aussagenkalküls, Heft 4, pp. 39-40. By formalizing the concept "p is provable" via a unary predicate Bp satisfying the axioms Bp -> p, Bp -> BBp, and Bp -> (B(p -> q) -> Bq), Gödel shows that Heyting's propositional calculus can be given a natural classical interpretation. Specifically the intuitionistic notions p, p ? q,p v qy and p ° q are to be interpreted by ~Bp, Bp -> Bq,Bp v Bq, and p*q. (11) Reprint of Zum intuitionistischen Aussagenkalkül [Anzeiger der Akademie der Wissenschaften in Wien, vol. 69,1932, pp. 65-66], Heft 4, p. 40. Though considerably more accessible than [the original printing], this reprint has not been cited in earlier bibliographies. The text is identical to the original except for the addition of an opening clause attributing the question to Hahn. (12) Bemerkung über projektive Abbildungen, Heft 5, p. 1. This brief note, part of the 53rd colloquium, November 10, 1932, is devoted to proving that every one-to-one mapping of the real projective plane into itself that carries straight lines into straight lines is a collineation. (13) Diskussion über koordinatenlose Differentialgeometrie (with K. Menger and A. Wald), Heft 5, pp. 25-26. Gödel's only joint paper, previously uncited. A single, mildly technical result is established, whose aim is to show that so-called "volume determinants" are appropriate for giving a coordinate-free characterization of Gaussian surfaces. The paper is intended as a contribution to Menger's program for making precise, in a coordinate-free way, the assertion that Riemannian spaces behave locally like Euclidean spaces. Three further parts of the Ergebnisse were published (1934-37), but these contain only one additional paper by Gödel. They are rarely found, and were probably published in much smaller numbers than the first five parts owing to the political turmoil in Vienna which began with the failed Nazi coup in July 1934. The Vienna Colloquium ended when Menger moved to the US in 1937 to take up a position at the University of Notre Dame. There he reinstated the Colloquium; its proceedings were published as Reports of a Mathematical Colloquium (Notre Dame: University Press, 1939-48). J. W. Dawson, The Published Work of Kurt Gödel: An Annotated Bibliography, Notre Dame Journal of Formal Logic 24 (1983), 255-84; K. Menger, Selecta Mathematica, Springer, 2002. Five separate issues, in their original printed wrappers. 8vo (232 x 152 mm), pp. 31, [1, blank]; 38, [2, blank]; 26; 45, [1, blank]; 42.

      [Bookseller: SOPHIA RARE BOOKS]
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        CATALOGUS LIBRORUM HEBRAEORUM IN BIBLIOTHECA BODLEIANA. 3 Volumes

      Welt- Verlag, Berlin 1931 - Second (best) edition. Some 3230pp. Spine of vol. 2 with minimal wear on heads, minimal wear on few corners. A TRULY VERY GOOD AND CLEAN SET OF THIS RARE AND DESIRABLE EDITION AND MONUMENTAL BIBLIOGRAPHICAL ITEM. - shipping incl. worldwide. Size: 4to [Attributes: Hard Cover]

      [Bookseller: M.POLLAK ANTIQUARIAT Est.1899, ABA, ILAB]
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        Witchcraft Magic & Alchemy : Ex Libris Joseph

      London: George G. Harrap & Co., Ltd., 1931. A seldom perused copy. The Uncommon Dust jacket is present, with some extremity wear, age, but shows quite well, and truly Scarce in condition thus. Book bound in Black Buckram, with Gold Gilt stamping Very Bright. Light extremity wear, Square, sewn binding tight, spine rounded, fore edge perfectly curved, with light aging. Internally, light extremity tone, but less than usual, otherwise clean, and unmarked. Provenance: Mentalist, Magician, Joseph Dunninger's copy, with decadent Mahlon Blaine art deco bookplate to pastedown. A much nicer copy than usually found.. First Edition In English. Hard Cover, Buckram, Sewn. Very Good+/Very Good+. Illus. by Mahlon Blaine Bookplate. With 366 Illustrations In The Text, And 10 Plates in Colour.. 4to - over 9¾" - 12" tall. Oversized Safely, and Securely Packed. Expedited, or International Please Inquire.

      [Bookseller: GatesPastBooks]
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        All Passion Spent

      London: Leonard and Virginia Woolf at The Hogarth Press,, 1931. Octavo. Original light green cloth, titles to spine gilt. With the dust jacket. A fine copy in the jacket with small closed tear to head and foot of front panel, slight soiling to spine. First edition, first impression.

      [Bookseller: Peter Harrington]
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        Rvanoe Ushko [Torn Ear].

      Moscow: Gos Izd., 1931 - SCARCE First Edition in Russian. Illustrated by M. Michaelis. 23pp [1]. Black and white ill. 17.5cm x 12.5cm. Original colour illustrated stapled wraps. Light and even toning to paper stock not affecting text block, mild nudging to edge extremities, some minor dog-earing. Light and even soiling to paper wraps, minor shallow creasing to spine, minor loss foot, cap of spine minor separation to spine, mild nudging to edges. A very good plus copy. The touching story of a little rabbit called Torn Ear who has to survive and avoid the predators. Seton’s nature inspired drawings had a known audience among Russian illustrators and a good few of his books were translated and published in Russia. Not only was his subject matter close to his Russian audience but translated Canadian literature conveyed the image of a country much physically the same as Russia. A rather late publication choice for Soviet Russia. A rare example of an important Western influence on the genre. More pictures on request. Not found on worldcat. [Attributes: First Edition; Soft Cover]

      [Bookseller: SEFIREL RARE BOOKS]
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        SHADOWS ON THE ROCK. Limited edition signed by Willa Cather.

      Alfred A. Knopf, New York 1931 - 280 pages. Bright mottled orange/red vellum or parchment-covered binding in almost new condition except for minor bumping to the corners, and a minor shelfbump to the top of the spine. The unclipped dustjacket is lightly to moderately toned, with several small scuffs, creases and tears, some of which is due to the dustjacket being untrimmed, with about an extra inch paper on the top and bottom edge. Protected in custom-fitted archival mylar. Includes the original slipcase, which has a few seams cracking, and is lightly to moderately shelfworn. Number 174 of 199 copies printed on Shidzuoka Japan vellum and signed by Willa Cather on a special limitation page. Includes the original silk bookmark; t.e.g. The text is clean and unmarked. First edition. Size: Octavo (8vo) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
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        Ein Ghetto im Osten (Wilna). 65 Bilder von M(oshé) Vorobeichic. Eingeleitet von S(alman) Chnéour

      Zch., Lpz.: Orell Füssli, 1931. 4 Bll. ; 6 S., mit 64 Tafeln und einem Umschlagbild mit Abbildungen nach Fotografien von Moshé Vorobeichic. Original-Halbleinwand mit transp. Cellophanumschlag, 8°. Schaubücher 27. Hrsg. von Emil Schaeffer. H/B/K 7769. - Parr 1, S. 130. Das Buch ist konsequent zweisprachig gestaltet, deutsch und hebräisch. Die deutsche Ausgabe beginnt von links, die hebräische von rechts, das Buch hat also zwei illustrierte Deckeltitel und zwei Titelseiten und zwei Einleitungen, lediglich die Legenden auf den Bildtafeln sind zweisprachig. Viele der Abbildungen sind Fotomontagen oder dann - mit den auf den Doppelseiten einander gegenüber gestellten Abbildungen - eigentliche Bild-Kompositionen aus Form, Licht oder Inhalt. Selten, namentlich in so gutem Zustand und mit dem transparenten Cellophanumschlag. Das vorliegende Exemplar gehörte in die Dokumentation der Herstellungsabteilung des Verlags, daher rühren die Bleistiftmarkierungen bei den Abbildungen. Kanten etwas bestossen, Schnitt gering nachgedunkelt, oben etwas angestaubt, einige Seiten mit feiner Bleistiftmarkierung. Der transparente Original-Cellophanumschlag am oberen Rand mit kleiner Fehlstelle, davon abgesehen schönes Exemplar.

      [Bookseller: ABC Antiquariat Marco Pinkus Zurich]
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        Petrolej! (Oil!) - Volumes I-II

      Prague: Vyadavatelstvo Družstevní Práce, 1931. Third Czech Edition. Stunning edition of what is arguably Sinclair's finest novel, this edition published four years following the American edition, with photographic dustjackets by Czech designed Ladislav Sutnar. "The story is largely concerned with the social education and disillusionment of the sion of an oil tycoon, set against the background of the oil scandals of the Harding Administration. There is also the background of southern California society, movie stars, evangelists, Wobblies, and social reformers of all stripes" (BAIRD 2267). A scarce edition, with the dustjacket design differing from both previous Czech language editions; OCLC finds 3 locations, of these, only one in the US (Art Inst. of Chicago). Two octavo volumes (18.5cm); navy blue textured cloth, with titling and author's initials stamped in gilt and red on spines and front covers; black topstains; dustjackets; pp.294, [5]; 308, [4]. Tight, Fine copies in Near Fine dustjackets - spines and front panels gently sunned, with light wear along upper edges and a tiny splash mark to lower spine panel on Vol.II.

      [Bookseller: Lorne Bair Rare Books]
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        The Night Life of the Gods

      Garden City: Doubleday, Doran, 1931. 311 pages with illustrations. Small octavo (7 3/4" x 5 1/2") bound in original publisher's gray cloth with pictorial jacket. First edition.Hunter Hawk has a knack for annoying his ultra-respectable relatives. He likes to experiment and, best of all, he likes to experiment with explosives. His garage-cum-laboratory is a veritable mine field replete with noxious fumes. But with the help of Megaera, a fetching 900-year-old lady leprechaun he meets one night in the woods, he masters the art (if not the timing) of transforming people into statues and statues into people. And when he practices his new witchery in the stately halls of the Metropolitan Museum of Art -- setting Bacchus, Mercury, Neptune, Diane, Hebe, Apollo, and Perseus loose on the unsuspecting citizenry of Prohibition-era New York -- the stage is set for Thorne Smith at his most devilish and delightful.In March 1934 Carl Laemmle, Jr. purchased the rights to Thorne Smith's popular 1931 humorous fantasy Night Life of the Gods. While the plot remained essentially the same, the sexual humor was vitiated by Code considerations. The ending, too, was changed by adding the "it was only a dream" device. At first, Lowell Sherman himself was considered for the lead role, but he suffered from laryngitis and lost his voice. Also considered for the role of Hunter Hawk was Edward Everett Horton, but Mowbray was signed in July. A well-known character actor throughout his career, this was one of Mowbray's few leading roles. Among the actors portraying gods, "Crash" Corrigan appears as Apollo (credited as Raymond Benard). Pat DiCicco made his only known screen appearance as Perseus (credited as Pat De Cicco); DiCicco was better known as a powerful Hollywood agent and for his brief, troubled marriage to Thelma Todd. The film was released nationally March 11, 1935. In general it received mixed reviews, some critics finding it funny in parts but drawing an unfavorable comparison to the popular novel. New York Times critic Andre Sennwald found it only "moderately entertaining", but noted that the production was at a disadvantage because of the "current cinema morality".Condition:Some rubbing and sunning to binding, some foxing to end-leaves, some intermittent foxing in text. Jacket spine toned, chipped, and soiled, some soiling and wear to jacket panels, cloth spine a bit dull, price clipped else a better than very good copy in like jacket.

      [Bookseller: The Book Collector ]
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        L'Escapade.

      Paris, A. & G. Mornay 1931 - Illustrations par George Barbier (dans le texte, en couleurs). Complet & Contrôlé. Édition tirée à 1075 exemplaires. Celui-ci sur papier de Rives porte le numéro 169. Paris, A. & G. Mornay - 1931 - 285 pages. Collection "Les Beaux Livres". Très belle reliure artistique, plein cuir bleu. Dos lisse aux titre et auteur dorés. Tête dorée sur témoins, non rogné. Couverture et dos illustrés conservés. Signet. Étui cartonné. Pas de rousseur. Parfait état. Format in-8°(20x16). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
 23.   Check availability:     IberLibro     Link/Print  


        Signed Copyright Renewal for some of his earliest songs

      Used; Like New/Used; Like New. DS, one page, 8.5 x 11, August 10, 1931. An assignment of United States copyright for the songs "He'll Be There," "The Downcast Eye", and "Susan" from the 1904 shows 'English Daisy' and 'Mr. Wix of Wickham.'  In part: "In consideration of the sum of One Dollar and other valuable considerations, to me in hand paid....I, Mr. Jerome Kernâ?¦does hereby sell, assign, transfer and set over unto T. B. Harms Company the renewal copyrights of following compositions..." Signed by Kern at the conclusion. The document is affixed to its original 8.5 x 12.5 "Assignment of Copyright" blue paper jacket; stapled to the left side of the page is an 8 x 4 card entitled "Copyright Office of the United States of America The Library of Congress" acknowledging assignment of the copyright, with the its bright red seal and blue ribbons attached. In fine condition.<br style=""><br style="">At the very beginning of his celebrated career, while in London, Kern secured a contract from the American impresario Charles Frohman to provide songs for interpolation in Broadway versions of London shows. He began to provide these additions in 1904 to British scores for An English Daisy, by Seymour Hicks and Walter Slaughter, and Mr. Wix of Wickham, for which he wrote most of the songs. As copyright renewals are necessary after 27 years, Kern here satisfies that standard legal obligation at a time that he was at the pinnacle of fame as a Hollywod composer.<br style="">

      [Bookseller: Schubertiade Music & Arts]
 24.   Check availability:     Biblio     Link/Print  


        Die Schlafwandler [Three Volume Set]

      Rhein-Verlag, Munich / Zurich 1931 - Duodecimo. 5 x 7.25 in. 275; 325; 545 pp. Text in German. True first edition of the 20th century masterpiece the Sleepwalkers. Each volume is warmly inscribed by Broch to fellow Austrian author Robert Neumann. Volume I inscription roughly translates as "In the night it is dark and with gratitude for Robert Neumann - HB 11.11.32" Published in the turbulent years before World War II, this is a fascinating collection of Broch's trilogy with notes in pencil by Neumann. Near fine in original black cloth with light pencil marks and notes to each front free endpaper. Binding is a slightly tender in third volume with one minor crack along early endpaper and along exterior of spine. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Captain's Bookshelf, Inc., ABAA]
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        Ghost Stories and Other Queer Tales

      C. Arthur Pearson Ltd., London - No date [1931]. A selection of stories from Pearson's Novel Magazine. Bleiler p.7. Octavo black cloth lettered in orange. Light diffuse spots and some tiny abrasions to the cloth, else a very good, bright copy in a very good plus dust jacket which has just some light soil and light sunning to the spine. Very scarce in the dust jacket. [Attributes: Hard Cover]

      [Bookseller: The Literary Lion, ABAA]
 26.   Check availability:     IberLibro     Link/Print  


        Aphrodite. Moeurs antiques

      Carteret,, Paris, 1931 - Cm. 26, pp. (8) viii, 266 (4). Con fregi tipografici ed illustrazioni a colori nel testo di Maurice Ray. Splendida legatura coeva in piena marocchino blu, dorso a nervi con titoli in oro, sguardie in seta, doublures e tagli dorati. Conservata all'interno la brossura originale illustrata (compreso il dorso). Entro custodia in cart. rigido marmorizzato. Legatura firmata Lagadec. Perfetto stato di conservazione. Tiratura di soli 200 esemplari su papier vélin ad personam: "Exemplaire imprimé pour Monsieur André Beraldi". [Attributes: Soft Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        The Puritan.

      London; Jonathan Cape. 1931 - First edition. 8vo. Fine in publisher's orange cloth with geometric gren decoration, in a fine unclipped, unfaded dustwrapper, sharp, clean and bright, with a line of inky scribble to the upper rear panel. A Jonathan Cape advance copy for review, with slip laid in at the front, signed by O'Flaherty to the front flyleaf and with a faint pencil note to the title page (which is most likely in his hand, judging from a number of similarities) stating "Officially published 25/1/32 . One of the few copies dated 1931." Internally clean with a leather armorial bookplate in the name Beach to the front pastedown attributing its ownership to the St. Aldwyn family. An attractive copy, scarce signed and in this state. Housed in a leather spined slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
 28.   Check availability:     AbeBooks     Link/Print  


        Gastronomisches Italien. [Culinary Italy]. Map title: Gastronomisches Italien. Karte der Wichtigsten Gastronomischen Spezialitaten Der Italienischen Lander.

      Italy. Ente Nazionale Industrie Turistiche. (ENIT), 1931. Color pictographic / pictorial map, 25 x 17 3/4 inches on sheet size 26 1/4 x 18 3/4 inches, folding as issued to pamphlet 9 1/2 x 4 1/4 inches, text in German and illustrations on verso. Splits to edges of top two folds on left side with light wear to second fold (these were the exposed edges of the folded pamphlet, overall very good condition. A handsome, richly colored Art Deco style map of Italy by Umberto Zimelli highlighting the food and wine found throughout Italy. Verso includes Deco inspired illustrations of food and wine from different Italian regions. This is the German language version of a brochure promoting tourism in Italy that was issued in several languages. Alberto Capatti & Massimo Montanari write in their book "Italian Cuisine: A Cultural History": "During the two decades of Fascist rule, the exploration of gastronomy was completed by obtaining a complete map of the regions, by sketching out a preliminary inventory of typical products, and by promoting the awareness of local cuisines with books, advertising campaigns, shows, and festivals. The artist Umberto Zimelli was commissioned by ENIT (the Italian National Tourist Board) to create "La carta delle principali specialità gastronomiche delle regioni italiane" (Map of the principal culinary specializations of the Italian regions). This was a map with which foreigners could identify the best products available in the cheese or dessert industry, the best wines and preserved foods, and contemplate steaming bowls of pasta placed between bottles of wine and molds of cheese." A handsome Deco Map - one of the most sought-after items of Italian travel ephemera.

      [Bookseller: oldimprints.com]
 29.   Check availability:     Direct From Seller     Link/Print  


        H. Stork, München. Fabrik für den gesamten Angelsport- und Fischereibedarf. Gerätekatalog. Netze und Reusen aller Art.

      Gedruckt bei Jos. C. Huber in Diessen bei München, ohne Jahresangabe um 1931. - 211 Seiten, mit zahlreichen Illustrationen und 5 einmontierten grünen Reklameblättern, 4to, illustr. Original-Broschur mit Geweberücken. Seltener Warenkatalog der bekannten Angelgerätefirma aus München! Mit vielen abgebildeten Angeln, Angelhaken, Reusen, Ruten, Keschern und sonstigem, Angelbedarf. Der Angelgerätehändler und Hersteller H. Stork aus München wurde 1856 gegründet und zählt zu einem der interessantesten Angelgerätefabrikanten. Das Markenzeichen von Stork war die berühmte Storchmarke, eine eine Prägung in Form eines Storches, der in den meisten Fällen eine Schlange im Schnabel hält. Einband mit Lichtrand, insgesamt etwas berieben, innen vereinzelt etwas braunfleckig. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Thomas Mertens]
 30.   Check availability:     ZVAB     Link/Print  


        Massachusetts Soldiers, Sailors, and Marines in the Civil War (9 Volume Set)

      Norwood Press, 1931-01-01. Hardcover. Very Good. 9 volume complete set. Bound in publisher's cloth. Hardcover. Publisher's navy cloth. 27 cm. Good binding and cover. Clean, unmarked pages. "Massachusetts soldiers, sailors, and marines in the Civil War - 1861 to 1865: By Massachusetts Adjutant-general's office, Norwood Press, 1931. The compilation contains the names of all the men who served in Massachusetts units during the Civil War. There is a short history of the regiment followed by the names of the men. The details for each man named in the record are: full name, rank, home, age, occupation, date of service and discharge, and reason for discharge. Mr. Cross was the last of three editors and it was he who completed the monumental task. Together, the military records in these 8 volumes plus Index Volime, reference approximately 140,000 individuals, nearly all men who served in Massachusetts units during the Civil War. Chapter 475 of Massachusetts' Acts of 1899 provided for the compilation and publication of a complete record of Massachusetts soldiers, sailors, and Marines who served in the Civil War. Civil War veterans began the work of compilation which lasted for nearly thirty years and involved the examination and replication of over one million records. Compilers found records on original enlistment papers, muster-in rolls, descriptive rolls, town reports, casualty lists, monthly reports, hospital records, muster-out reports, and miscellaneous papers." This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.

      [Bookseller: SequiturBooks]
 31.   Check availability:     Biblio     Link/Print  


        Cuatro Azules. FEININGER JAWLENSKY KANDINSKY PAUL KLEE. Exposicion óleos - acuarelas grabados - litografías. Bibliotheca Nacional de Mexico del 24 de noviembre al 1. de diciembre de 1931.

      Mexiko City, 1931 - 16,3 x 12 cm, (12) Seiten, illustrierte Original-Klammerheftung, leichte Gebrauchsspuren, insgesamt ein gutes Exemplar. Spalek 1200. - Grohmann (1958) Karpel-Bibliographie 417. - Literatur: Weiss, Peg in: Exhibition Catalogue The Blue Four, Leonard Hutton Galleries New York, March 30 - May 24, 1984 (mit Abbildung des Katalogtitels auf Seite 13). - Ausstellungskatalog Die Blaue Vier: Feininger, Jawlensky, Kandinsky, Klee in der Neuen Welt, Bern und Düsseldorf, 1997/98, Abbildung des Katalog-Umschlages siehe Seite 330. - Galka E. Scheyer & Die Blaue Vier. Briefwechsel 1924-1945 herausgegeben und kommentiert von Isabel Wünsche, Benteli Verlags AG, Bern, 2006, darin Seite 231 Abbildung des Katalogtitels. - Für mich weltweit drei Exemplare nachweisbar: (1) Museo Nacional de Arte, Mexico City, (2) Museum of Modern Art New York, (3) Los Angeles County Museum (Rifkind Collection).

      [Bookseller: Stader Kunst-Buch-Kabinett]
 32.   Check availability:     ZVAB     Link/Print  


        The Sittaford Mystery - First UK Edition

      Collins [The Crime Club], 1931 A first edition, first printing published by the Collins Crime club in 1931. A near fine book without inscriptions. Some very light pale white spotting to the edges of the boards. No bumping to the corners - exceptionally bright titling to the spine. Some light dustiness to the top edge of the pages. Bound in black cloth boards and exceptionally rare in this nice bright condition

      [Bookseller: John Atkinson Books]
 33.   Check availability:     Biblio     Link/Print  


        1 ; 2 ; 3 ; 4 ; 5 ; 6 ; 7 ; 8 ; 9 ; 10 ; 11 ; 12 (The Minka Homes: Vol. 1, the Yamanashi Prefecture; Vol. 2, Toyama Prefecture; Vol. 3, Shimane Prefecture; Vol. 4, Gifu Prefecture; Vol. 5, Shizuoka Prefecture; Vol. 6, Aomori Prefecture; Vol. 7, Niigata Prefecture; Vol. 8, Nara Prefecture; Vol. 9, Saitama Prefecture; Vol. 10, Okayama Prefecture; Vol. 11, Shiga Prefecture; Vol. 12, Nagano Prefecture). 12-vol. set (Complete)

      (Otsuka Crafts Co., Ltd), (Tokyo) 1931 - Folio (12 1/4 x 9 1/4"). 27 loose leaves + one Publisher's insert per volume. Original paper covered portfolios with title label on front covers and spines. String ties. Scarce and complete monograph in 12 volumes on the Japanese Minka homes ("house of the people"), a traditional wooden structure house that accommodated a wide variety of people from farmers to village leaders, merchants and low level samurai. The Minka dwellings come in a wide range of styles and sizes, depending essentially on the geographic and climatic conditions as well as the lifestyle of the inhabitants. They generally fall into one of these four classifications: 1) Farmhouses (noka); 2) Town houses (machiya); 3) Fishermen's dwellings (gyoka); 4) Mountain dwellings (sanka). Unlike other forms of Japanese architecture, it is the structure rather than the plan that is of primary importance to the Minka. The Minka homes are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the functional arrangements of the plan. Exploring the wide variety of Minka dwellings throughout the twelve Japanese prefectures (one per volume), this set remains to this day, architecturally and ethnologically speaking, a landmark in the literature of traditional Japanese architecture. Each volume contains 27 loose leaves, as issued (Title page, a map of the Prefecture with a list of the plates at verso, and 25 photographic plates), with an insert from the publisher (an introductory text to the next volume). Each photographic plate measures 12 x 8 7/8", is captioned, reproduced in collotype and contains one to two photographs, some with additional floor plans, plans and architectural drawings. One plate is a double-plate containing four photographs. Publisher's insert in vols. 4, 5, 7, 8, 9 are photocopies of the original ones. No insert in volume 12, as issued. Moderate and sporadic foxing to portfolios. Title pages and some inserts moderately age-toned and / or foxed. Text and captions in Japanese. Portfolios in overall good to good+, interior in good+ to very good, plates in very good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        : 1 ; 2 ; 3 ; 4 ; 5 ; 6 ; 7 ; 8 ; 9 ; 10 ; 11 ; 12 (The Minka Homes: Vol. 1, the Yamanashi Prefecture; Vol. 2, Toyama Prefecture; Vol. 3, Shimane Prefecture; Vol. 4, Gifu Prefecture; Vol. 5, Shizuoka Prefecture; Vol. 6, Aomori Prefecture; Vol. 7, Niigata Prefecture; Vol. 8, Nara Prefecture; Vol. 9, Saitama Prefecture; Vol. 10, Okayama Prefecture; Vol. 11, Shiga Prefecture; Vol. 12, Nagano Prefecture). 12-vol. set (Complete)

      (Tokyo): (Otsuka Crafts Co., Ltd), 1931. First edition. Softcover. g to vg. Folio (12 1/4 x 9 1/4"). 27 loose leaves + one Publisher's insert per volume. Original paper covered portfolios with title label on front covers and spines. String ties. &#11;&#11;Scarce and complete monograph in 12 volumes on the Japanese Minka homes ("house of the people"), a traditional wooden structure house that accommodated a wide variety of people from farmers to village leaders, merchants and low level samurai. &#11;&#11;The Minka dwellings come in a wide range of styles and sizes, depending essentially on the geographic and climatic conditions as well as the lifestyle of the inhabitants. &#11;&#11;They generally fall into one of these four classifications: 1) Farmhouses (noka); 2) Town houses (machiya); 3) Fishermen's dwellings (gyoka); 4) Mountain dwellings (sanka). &#11;&#11;Unlike other forms of Japanese architecture, it is the structure rather than the plan that is of primary importance to the Minka. The Minka homes are divided up with primary posts that form the basic framework and bear the structural load of the building; secondary posts are arranged to suit the functional arrangements of the plan. &#11;&#11;Exploring the wide variety of Minka dwellings throughout the twelve Japanese prefectures (one per volume), this set remains to this day, architecturally and ethnologically speaking, a landmark in the literature of traditional Japanese architecture. &#11;&#11;Each volume contains 27 loose leaves, as issued (Title page, a map of the Prefecture with a list of the plates at verso, and 25 photographic plates), with an insert from the publisher (an introductory text to the next volume). &#11;&#11;Each photographic plate measures 12 x 8 7/8", is captioned, reproduced in collotype and contains one to two photographs, some with additional floor plans, plans and architectural drawings. One plate is a double-plate containing four photographs. &#11;&#11;Publisher's insert in vols. 4, 5, 7, 8, 9 are photocopies of the original ones. No insert in volume 12, as issued. Moderate and sporadic foxing to portfolios. Title pages and some inserts moderately age-toned and / or foxed. Text and captions in Japanese. Portfolios in overall good to good+, interior in good+ to very good, plates in very good condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
 35.   Check availability:     ABAA     Link/Print  


        Izofront. Klassovaia Bor'ba na Fronte Prostranstvennyh Iskusstv, Sbornik Statei Ob'edineniia 'Oktyabr'. [Izofront. The Class Struggle on the Front Line of the Three-Dimensional Arts. Collection of Articles of the Association 'Oktyabr']

      159 pp. Russian avant-garde Constructivist volume on the theory and the art of photomontage, edited by P. Novitsky, containing an important article by Gustav Klutsis, "The Photomontage as a New Kind of Agitation Art", illustrated with black-and-white reproductions of works of propaganda by Klutsis including the famous poster "Let Us Fulfill the Plan of Great Works", and the photograph "The Constructor (Self-Portrait) by El Lissitzky. Some very minor scattered soiling. Sml. 8vo. Boards with original printed paper dust jacket, some wear and minor soiling and damp staining to jacket. Moscow-Leningrad (Ogiz-Izogiz) 1931. Limited edition. The Oktyabr' (October) collective was founded in Moscow in 1928 as a group of artists, photographers, designers, and architects who advocated Constructivist ideals. They were a short-lived group, active only from 1928 to 1932. Members included Gustav Klutsis, Alexander Rodchenko, Solomon Telingater, Sergei Eisenstein, the Vesnin Brothers, Aleksandr Deineka, Sergei Senkin, Alexei Gan, and Dmitry Moore, some of whom were later imprisoned or executed.

      [Bookseller: F.A. Bernett Books]
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        Heroes and Heroines of Bitter Sweet

      

      [Bookseller: Maggs Bros. Ltd.]
 37.   Check availability:     Direct From Seller     Link/Print  


        DEATH COMES TO PERIGORD

      London: Collins Crime Club, 1931. Second printing. Very Good Plus/Very Good Plus. London: Collins Crime Club, 1931 Probably the second impression. An early Crime Club thicky. A Channel Islands adventure with Detective McNab and Dr. Dunn. A thick undated book (first was 1931, this was probably from the same year as the other titles advertised on the wrapper are also 1931) with a bug pinhole to the endpaper and occasional bits of foxing to the endpapers. Red cloth with black print. P. 251.The beautiful pictorial 3/6 wrapper is extremely bright with absolutely no paper loss and cover art identical to the first state. Rear panel of wrapper shows Crime Club gunman and touts Advantages or membership. A couple of slight edge nicks and light foxing to spine panel, especially where a sticker(probably Canadian price) appears to have been removed. A highly desirable and bright vintage Crime Club title in jacket. Scans on request, questions cheerfully answered and customer satisfaction quaranteed. Find out why 75 % of our business is from repeat customers. Extra shipping and insurance at cost to many destinations.. Very Good Plus/Very Good Plus.

      [Bookseller: Finefinds Collection Management]
 38.   Check availability:     Biblio     Link/Print  


        Two and Twenty

      D. Appleton and Co., New York 1931 - Two and Twenty by Cecil Scott Forester (C.S. Forester) Published by D.Appleton in New York 1931 First edition 298+ pages A very good copy with Light edge wear and light soiling to the cloth binding, light dust soiling to the page edges in a good dust jacket with small edge chipping, some holes to the paper most likely old insect damage, dust soiling . See Photos A scarce first edition in dust jacket by a modern master. off 4/2 [Attributes: First Edition; Hard Cover]

      [Bookseller: biblioboy]
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        Memoirs of an Infantry Officer Fifteen coloured illustrations by Barnett Freedman

      

      [Bookseller: Maggs Bros. Ltd.]
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        Albenkonvolut mit Theateraufführungen: Hessisches Landestheater Darmstadt, Theater am Kurfürstendamm Berlin, Theater am Schiffbauerdamm Berlin, Volksbühne Berlin, Deutsches Künstlertheater Berlin, Schauspielhaus Stuttgart, Kleines Operettentheater Leipzig, Städtische Oper Berlin

      Sehr großes, leider aber unvollständiges (beschädigtes) Albenkonvolut mit Fotos von Theateraufführungen dieser Bühnen: Hessisches Landestheater Darmstadt, Theater am Kurfürstendamm Berlin, Theater am Schiffbauerdamm Berlin, Volksbühne Berlin, Deutsches Künstlertheater Berlin, Schauspielhaus Stuttgart, Kleines Operettentheater Leipzig, Städtische Oper Berlin mit stärkeren Gebrauchspuren. Einzelne Aufführungen und Inhalte der Alben (in Auswahl): Volksbühne Berlin, Die Großherzogin von Gerolstein, Aufführung vom Dezember 1931 Darmstadt, Hessisches Landestheater, Bajazzo, Leoncavallo, Aufführung Dezember 1931 Die lustige Witwe, Aufführung 31. Dezember 1931 Rauhnacht, Februar 1932 Don Juan - Mozart, Februar 1932 Volksbühne Berlin, Sturm im Wasserglas, Mai 1932 Volksbühne Berlin, Die goldene Uhr, Aufführung 1. Juni 1932 Berlin, Städtische Oper, Undine, Aufführung August 1932 Darmstadt, Konzert (?), September 1932 Darmstadt, Hessisches Landestheater, Madame Butterfly, Aufführung September 1932 Darmstadt, Hessisches Landestheater, Eugen Onegin, Aufführung Oktober 1932 Darmstadt, Hessisches Landestheater, Die Csardasfürsten, Aufführung 29. Oktober 1932 Darmstadt, Katharina Knie, Aufführung Dezember 1932 Darmstadt, Der Mustergatte, Aufführung Dezember 1932 Darmstadt, Pygmalion, Aufführung Dezember 1932 Darmstadt, Blume von Hawaii, Aufführung 25. Februar 1933 Hessisches Landestheater Darmstadt, eine Anzensgruber-Aufführung, Der Gwissenswurm, undatiert Hessisches Landestheater Darmstadt, Der Freier (Eichendorff / Zoff), undatiert Hessisches Landestheater Darmstadt, Aufführung Der 18. Oktober, datiert 20. April 1933 (damals kein unwichtiger Tag) Hessisches Landestheater Darmstadt, Shakespeare, Widerspenstige Zähmung, undatiert Hessisches Landestheater Darmstadt, eine Björnson-Aufführung, undatiert Hessisches Landestheater Darmstadt, Gustav Freytag, Die Journalisten, undatiert Hessisches Landestheater Darmstadt, Der Vogelhändler, Juni 1933 Hessisches Landestheater Darmstadt, Künneke, Eine glückliche Reise, Aufführung Juni 1933 Hänsel und Gretel von Humperdinck Wiener Blut von Strauß Mathes brichts . . . (?) Don Pasquale von Donizetti die Januaraufführung 1935 Das kleine Kaffee von Benatzky, Deutsches Künstlertheater Berlin (mit schönen Großfotos) Baden Baden, eine Wrede-Aufführung der Stuttgarter Schauspiele, leider undatiert Leonie, Theater am Kurfürstendamm, 11. November 1936 Komödie, Mai 1935 eine weitere Aufführung im Berliner Theater am Kurfürstendamm, 22. August 1936 Rätsel um Beate, September 1936, Berlin, Komödie Mädel ahoi, Theater am Schiffbauerdamm, 22. April 1937 Leipzig, kleines Operettentheater, 11. Juni 1937 Der Herr mit dem Zylinderhut, Theater am Schiffbauerdamm . . . es taucht gelegentlich auch der Name Horst Petzold auf, sowie Gaza Studios . . . Wir haben für dieses Album eine übersichtliche Internetseite mit sehr vielen Bildern zusammengestellt, die Sie abrufen können unter der Webadresse antiqua.biz/document/theater.htm

      [Bookseller: berlin.internetantiquariat]
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        MEMOIRS OF AN INFANTRY OFFICER. With Illustrations by Barnett Freedman.

      Limited edition of 320 copies signed by Sassoon and Freedman. Illustrated with pictorial full-colour endpapers; 15 full-page coloured lithographic plates and numerous black & white lithographs. Original pictorial vellum; original dust-wrapper and slipcase. This copy has never ben read, as many of the pages are still unopened. Slipcase a little worn and rubbed; else an excellent, fresh, clean copy.

      [Bookseller: David Miles]
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