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Displayed below are some selected recent viaLibri matches for books published in 1930

        [Archive of Original Designs for Kuhnle's Cremation Urns]

      1930s (?). Very good. A collection of 17 designs of Cremation Urns, of which 12 are original watercolor designs and 5 are chromolithographs (?) touched in crayon, each interleaved with archival tissue. Image size ca. 235 x 170 mm, matte size 365 x 280 mm (all mattes are wavy). With size measurements for each specimen written in the margins by a careful but shaky hand. Preserved in a fine protective case of silver gray cloth. A small but rather mysterious archive of elegant watercolor designs for Cremation Urns. Whereas the name of the designer (or manufacturer?) is clearly discerned, we have been unable to identify this individual (or company) with any certainty. Furthermore, we have been unable to discover if any of "Kuhnle's Cremation Urs" were ever produced. In the blank margins of each design are measurements in inches for the particular specimen, as well as a number -- perhaps a product or production number. The aesthetics of the 12 watercolors are quite appealing, and there is added interest in the manner by which the remaining 5 designs were rendered in a sort of chromolithographic process, involving -- it seems -- the application of crayon by hand. Highly curious.

      [Bookseller: Michael Laird Rare Books LLC]
 1.   Check availability:     Biblio     Link/Print  


        TARRANO THE CONQUEROR

      Chicago: A. C. McClurg & Co., 1930. First edition. Former owners bookplate to front paste-down, neat signature and date to upper front free end paper, a nearly fine copy in a very good four-color pictorial dust wrapper with some age darkening to spine panel and a few small chips to head of spine panel and upper left corner of front panel. A fairly attractive example of an uncommon jacket. (11917). Octavo, pp. [1-12] 1-345 [346-348: blank] [note: last leaf is a blank], original light orange cloth, front panel stamped in brown and blind, spine panel stamped in brown. "Interplanetary adventure, incorporating a character study of a complex Napoleonic leader of the future." Bleiler, Science-Fiction: The Early Years 526.

      [Bookseller: John W. Knott, Jr., Bookseller, ABAA/ILA]
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        The Maltese Falcon [1930 First Edition in First State Dust Jacket]

      Alfred A. Knopf, New York 1930 - Original light gray cloth with falcon device and bordering on front cover in black, spine panel decorated in dark blue and black, deckled text block edges with top edge stained dark blue. [viii],268 pp. Nicely preserved copy showing light tanning/mottling to cover cloth, with a few marks along edges, top text block edge mildly faded. Firm binding. Minor soil spot to lower front flyleaf, diagonal corner crease to rear endsheet original to issue, overall VG+, likely Near Fine in many estimates. Very scarce unrestored first-issue dust jacket shows $2.00 price for both previous Hammett novels on rear panel and publisher's summary (not blurbs) on front panel; the jacket has a price-clipped front flap, minor chipping at heel of spine, 3/4" long x 1/4" deep chip at head of spine, minor loss to top corners with 1 3/4" closed tear along upper front flap fold, 1 1/4" closed tear at head of front joint, short tear with minor loss at head of rear joint and short closed tear along top rear edge, with typical age toning to rear panel and flap edges, front panel slightly soiled but retaining bright color, technically Good+ to perhaps VG- but with relatively minor faults, great candidate for professional restoration, displays well in new mylar. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Saucony Book Shop]
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        In Our Time

      Charles Scribner's Sons, New York 1930 - First Scribner's edition and first edition thus, with an introduction by Edmund Wilson and Ernest Hemingway and with an additional story by Hemingway that didn't appear in any previous edition. Fine in a very good or better dustwrapper with a modest chip at the crown, a very faint spot on the spine, and a long but barely visible internally repaired tear. A much nicer than usual copy of this important collection, preceded by a Paris edition and a Boni and Liveright edition. [Attributes: First Edition]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Philip's 12 inch (31 cm) Terrestrial Globe - Erdglobus. Geographical Institute George Philip's Son Ltd, 32 Fleet Street London Principal shipping routes with distances in nautical miles. Principal transcontinental Railroads. Principal Air Mail routes

      Terrestrial Globe 12 inches (31 cm) on wooden tripod. Height 57 cm Age: 1930's. Condition: some abrasions with very limited text loss in the Atlantic, otherwise fine condition.

      [Bookseller: Antiquariat Liber Antiqua]
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        der Prophet Jona nach Luther mit zwölf Radierungen von Marcus Behmer.

      Leipzig Insel - Verlag 1930 - (16,7 x 13,8 cm); kl.-8°; 4 weisse Blätter, 27,(1) seiten, 4 weisse Blätter, 1 loses Blatt; Orig.-Halbleinwandband im Orig.-Schuber. Mit Holzschnitt-Titel und 12 Radierungen ( 7 ganzseitig, 4 Initialen, 1 Schlußvignette ) von Marcus Behmer. Breitrandiger Druck auf unbeschnittenem Zanders - Bütten. Sarkowski 1269. Der Text wurde bereits 1920 für die "Meisterpresse" von J.B. Neumann gedruckt, acht Radierungen entstanden 1923, die übrigen waren erst 1929 fertiggestellt. Die Radierungen druckte das Bibliographische Institut in Leipzig, das Buch wurde vom Insel - Verlag verlegt. "Im September 1920 sind auf der handpresse bei Otto v. Holten zu Berlin 300 numerierte exemplare auf Zanders - bütten gedruckt worden / davon 250 für den verkauf. Die radierungen in den 25 ersten abzügen von unverstählten platten. Dies buch ist Nr. [handschriftlich] P.-D. U-V. ". Die genannte Abkürzung lässt sich wie folgt aufschlüsseln: "Probe-Druck von den un-verstählten Platten". Im Innendeckel eigenhändige Bemerkung Behmers: " an 'Gondel', Januar 1945 auf der Flucht, 19.August 1947 von ihr zurückerhalten,.MB ". * Versand mit/ shipping with Deutsche Post oder/ or DHL. - Ask for more pics ! * 1200 gr. [Attributes: Signed Copy]

      [Bookseller: Heinrich Heine Antiquariat oHG]
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        Original-Entwürfe für ein Bootshaus (1930). In einer eigens angefertigten Mappe mit kalligraphisch gestaltetem Titel in rot und schwarz: 'Entwurf eines Bootshauses für wh. Herrn Ing. Heinz Schirmer in Nürnberg / Bayern. Entwurf: M 1:50. 1:25. Ausgeführt von Jorg Jarosch Dipl. Arch. Wien i. Oktober November des Jahres 1930'. Enthält 8 Kartons (25 x 40 cm) mit 5 montierten Architekturzeichnungen in bräunlicher Tusche (20 x 35 cm) und 3 Blaupausen (15,5 x 20 bzw. 23 cm), sowie ein handschriftliches Exposé auf 5 Blatt kariertem Papier, 28,5 x 22,5 cm, mit 1 Seite Widmung und anschließend 8 Seiten Erläuterung, jeweils signiert und datiert. Beigelegt sind 3 Blaupausen eines anderen Projekts: "Einbau einer Wohnung in der Grolandstr. Nürnberg", "Fr

      - Mappe aus rotem Halbleinen und Pappe mit zwei Schließbändern (Rückengelenke eingerissen, Decken etwas gebräunt und leicht berieben), 40 x 26 cm Bei dem Entwurf für ein Bootshaus handelt es um ein Geschenk des jungen Architekten Jorg Jarosch, eines Schülers von Clemens Holzmeister, der gerade sein Studium an der Wiener Akademie der Künste abgeschlossen hatte: "Meinem lb. Freund Heinz Schirmer zugedacht. Weihnachten 1930. J." heißt es in der Widmung. Wer Heinz Schirmer ist und ob das Bootshaus überhaupt realisiert wurde, ja ob überhaupt eine Chance dafür bestand wissen wir nicht. Jedenfalls demonstriert Jarosch in den Zeichnungen seine Fertigkeiten als Architekt, indem er dem Betrachter die zwei Ebenen des Grundrisses, mit dem eigentlichen Bootshaus im Erdgeschoss und einer Wohnung im darüber liegenden Obergeschoss, vor Augen führt sowie die zugehörigen vier Außenwände. Das in Holzbauweise gedachte Gebäude mit niedrigem und oben flach gehaltenem Walmdach wirkt einfach und wird vor allem durch die allein nach funktionalen Gesichtspunkten angeordneten Wandöffnungen (diese in unterschiedlicher Größe) gegliedert. Besondere Akzente setzen Geländer, die die Außentreppen und Terrasse begrenzen. Lebhaft fühlt man sich an das nur ein Jahr früher von Konrad Wachsmann (1901-1980) errichtete Sommerhaus für Albert Einstein in Caputh erinnert. Durch die Darstellung des einfahrenden Segelboots wird die Einheit von Nutzung und Bauwerk auch visuell unterstrichen, Boot und Haus verschmelzen zu einer funktionalen Einheit. Dazu im Kontrast steht die Einrichtung des Wohnraumes im Obergeschoss, die auf drei Blaupausen dargestellt ist, mit Mobiliar im Stil des Art déco, darunter ein Buffet, ein Bücherregal und ein eigenwillig gestaltetes Sofa. Und auch die drei beigefügten Blaupausen eines Speisezimmers eines Nürnberger Stadthauses zeigen Jarosch als Entwerfer von aufwendigen Einzelmöbeln wie eines Buffets und einer Vitrine: Aufriss einer Wand des Speisezimmers (18 x 35,5 cm, Maßstab 1:20), Entwurf zu einem Buffet (20 x 33 cm, Maßstab 1:10) Entwurf zu einer Vitrine (20,5 x 27 cm, Maßstab 1:10). Bei all diesen Möbelentwürfen erweist er sich stark dem Art déco verpflichtet und damit prädestiniert für eine wohlhabende Auftraggeberschicht, die teure Materialien und schöne Oberflächen liebte, sie aber in einem schlichten und funktionalen Design verarbeitet sehen wollte. Einblick in Jaroschs Denken gibt der dem Bootshausprojekt beigefügte handschriftliche Text. Jarosch erörtert hier sein Projekt nämlich nicht im technischen Sinne, vielmehr entwickelt er einen architekturtheoretischen Überbau. Zunächst vergleicht er das Bootshaus mit einer Garage. Letztere gehorche allein dem Zweck und bilde somit eine "vorteilhafte Kulisse", um "die rassigen Formen und Linien" des Automobils nicht zu beeinträchtigen. Auto wie Segelboot hätten ihre "unzweideutigen Formen, aus dem Zweck entstanden, also schön." Die Schönheit des Zwecks, das "Zweckgefühl" liefe freilich bisweilen Gefahr, durch eine "spezielle Romatik" "vollkommen verleugnet" zu werden. Dazu zählten überdeutliche Anklänge an andere Baugattungen wie die Alpen- oder Fischerhütte, die doch mit dem Segelsport nichts zu tun hätten. Auch müsse das Zweckgefühl Rücksicht auf Nebensächlichkeiten nehmen, die mit der reinen Zweckform des Segelboots nur bedingt etwas zu tun haben. Gemeint sind notwendige Funktionen, die sich aus den Konventionen des Segelsports ergeben: Der Bedarf eines Umkleideraums, eines Wohn- und Essraums, um Gäste zu bewirten, einen Schlafraum, um bessere Witterung abzuwarten oder gar Urlaub "mit Kind und Kegel" hier zu verbringen. Diese Nebenächlichkeiten überlagerten bisweilen gar das Hauptthema. Dennoch müsse sich die Architektur des Bootshauses aus dem Zweck und der Kultur, mithin auch der Mode (alles in Weiß), des Segelsports entwickeln. Jorg Janosch wurde am 20. März 1905 in Erlangen geboren und verstarb am 20. April 1980 in Baden bei Wien. Nach dem Besuch der Realschule in Nürnberg ging er zunä [Attributes: Hard Cover]

      [Bookseller: Antiquariat Elvira Tasbach]
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        Klebebilderalbum / Scrapbook, um 1930.

      4. 30 Bl. mit 1.240 verschiedenen, farbigen montierten Sammelmarken, Reklamebildern, Werbemarken und Kaufmannsbildern. OKart. mit Fadenbindung (geringe Läsuren). Überaus reichhaltiges, sorgfältig zusammengestelltes privates Sammelbilderalbum. - Tls. vollständige Serien. - Wenige Marken mit Läsuren. Die letzte Seite leer. - Insgesamt von guter, sauberer Erhaltung.

      [Bookseller: Antiquariat Sander]
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        ARCHITETTURA DEI PALAZZI DELL'ITALIA SETTENTRIONALE E DELLA TOSCANA. Dal sec. XIII al sec. XVII. Nuova edizione.

      Bestetti e Tumminelli, 1930. In-4 gr., 3 voll., tela editoriale, pp. 63 di testo descrittivo delle complessive 480 tavole in b.n. che illustrano, con fotografie e con disegni architettonici, i palazzi della Toscana (Firenze, Siena, Pienza, S. Gimignano, Montepulciano, Pistoia, Lucca, Massa) - Venezia, Verona, Mantova, Vicenza, Padova - Bologna, Ferrara, Modena, Piacenza, Cremona, Pavia, Brescia, Bergamo, Milano, Torino e Genova. Importante edizione d'arte, ben conservata.

      [Bookseller: Libreria Antiquaria Malavasi]
 9.   Check availability:     maremagnum.com     Link/Print  


        Autograph Letter Signed

      June 10, 1930, 1930 Handwritten letter signed by Thornton Wilder on Alpha Delta Phi Club stationary commenting on his disapproval of the sale of an authors manuscripts to a bookseller: "June 10, 1930/ My dear Mr. Greene: In my opinion manuscripts are not a thing that should be sold during an author's lifetime. And Galsworthy' gesture may prove - with the lapse of time-to have been ill-judged. Indeed I had hoped to see your bookshop, but the routine of campus duties made inroads into many of my good intentions and into almost all that centered downtown. Sincerely yours, Thornton Wilder".. Signed by Author(s). No Binding. Very Good.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        Diritto delle Pandette. Traduzione dei professori Carlo Fadda e Paolo Emilio Bensa con note e riferimenti al diritto civile italiano.Torino, Utet, 1930.

      Torino, Utet 1930 - Cinque volumi di cm. 22,5, pp. 4.000 ca. complessive. Legatura editoriale in piena tela rigida. Sporadiche annotazioni a matita. Esemplare ottimamente conservato. Bernhard Windscheid (1817-1892) fu il principale esponente della Pandettistica tedesca; le sue Pandette gli garantirono un'autorità senza pari. Così Franz Wieacker (Cfr. Storia del diritto privato moderno, Milano, 1980, II, p. 145): "Opera principale di W. rimangono tuttavia le Pandette. Esse divennero in breve la riconosciuta autorità scientifica per la prassi giuridica. Questo loro ruolo eccezionale era dovuto al fatto che, in mancanza di una codificazione, il manuale del W. rappresentava l'ultima istanza scientifica per la prassi del Diritto comune. In tal modo potè concentrarsi nel rinomato manuale di Pandette una somma di autorità che oggi si riparte su fattori di diversa natura: la legge, la Corte suprema, il grande commentario, il manuale". I tre volumi dell'opera di Windscheid seguono il seguente ordine espositivo: Del diritto in genere; Dei diritti in genere; Diritto delle cose; Diritto delle obbligazioni, Diritto di famiglia e Diritto successorio. Gli ultimi due volumi contengono le note di Fadda, Bensa e Bonfante. Non comune e sempre assai ricercato. Cfr. Iccu. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Apuleio]
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        Scena campestre.

      A.E.A., Milano. 1930 - Tratta dalla cartella intitolata "6 scene campestri", stampata a Milano dalla A.E.A. - Anonima Editrice Arte Milano. "Edizione di n. 240 esemplari [la presente è la 20°]; le pietre sono state cancellate a tiratura eseguita. Durante la Seconda Guerra Mondiale, in seguito a un bombardamento, la maggior parte delle cartelle andarono perdute. Si suppone che le cartelle oggi esistenti non superino il numero di 40" (R. Barilli, Tullio Garbari. Opere grafiche 1912-1931, Trento 1986, n. 97). Firmata e numerata a matita in basso. Esemplare n. 20/240. Formato: Litografia di cm 45x35. Buono.

      [Bookseller: Studio Bibliografico Adige]
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        The Surprising Adventures of Baron Munchausen. Illustrated by William Strand and J.B. Clark

      London: Chelsea Publishing , n.d. [1930s?] - Bound by Riviere in full red polished calf; all edges gilt; spine compartments decorated in gilt with morocco title labels; raised bands; a fine copy in a cloth slipcase. [Attributes: Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        ARCHITETTURA DEI PALAZZI DELL'ITALIA SETTENTRIONALE E DELLA TOSCANA. Dal sec. XIII al sec. XVII. Nuova edizione.

      Milano-Roma, Bestetti e Tumminelli, 1930. In-4 gr., 3 voll., tela editoriale, pp. 63 di testo descrittivo delle complessive 480 tavole in b.n. che illustrano, con fotografie e con disegni architettonici, i palazzi della Toscana (Firenze, Siena, Pienza, S. Gimignano, Montepulciano, Pistoia, Lucca, Massa) - Venezia, Verona, Mantova, Vicenza, Padova - Bologna, Ferrara, Modena, Piacenza, Cremona, Pavia, Brescia, Bergamo, Milano, Torino e Genova. Importante edizione d'arte, ben conservata.

      [Bookseller: Libreria Malavasi sas]
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        The Masque of Queenes. With the Designs of Inigo Jones.

      London: The King's Printers, 1930. - Folio (348 x 218mm), pp. [i]- xvi, 17-39, [2 (blank)], [2 (section title, blank)], [16 (plates)], [2 (blank)], [2 (section title, blank)], [40 (manuscript facsimile)]; title with ornamental frame, printed marginalia and leaf markers in transcription, 20 sepia reproductions of illustrations after Inigo Jones, sepia facsimile of manuscript; small marginal tear on p. vii/viii, occasional light marginal marking; original red vellum gilt, upper board with central gilt ornament and four gilt squares in corners, spine lettered and decorated in gilt, top edges gilt, others uncut; light offsetting on endpapers, extremities lightly rubbed and bumped, small scuff on lower board, boards slightly bowing, otherwise a very good copy; provenance: traces of early bookplate on upper pastedown – Christopher Hogwood.Limited to 350 copies, this no. 21 of 188 'for sale in the British Empire'. The Masque of Queenes was both a momentous collaboration of Ben Jonson (text), Inigo Jones ('invention' and setting) and Alfonso Ferrabosco II (music), and a defining moment of historic performance: it was given on 2 February 1608-9, in honour of the sixteen-year-old Prince Henry by Queen Anne of Denmark, consort of James I of England and VI of Scotland, and her ladies. The manuscript was presented to his father, King James, after Henry's untimely death in 1612, and it is 'a delicious piece of brilliant, but unaffected penmanship by one who was at once a scholar and an artist' (p. vii), which is illustrated by the drawings of Inigo Jones in the collection of the Duke of Devonshire. [Attributes: Hard Cover]

      [Bookseller: Bernard Quaritch Ltd ABA ILAB]
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        Collection of Railway Post Office (RPO) Cancels From the Collection of Frederick Langford.

      1930s. 1930 - Collection of several hundred RPO canceled covers arranged in three binders by divisions, 1-15. Also included is a typescript of all the individual RPOs.

      [Bookseller: Wittenborn Art Books]
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        The Pursuit [Hauran, Autumn 1918]

      London: Faber & Faber, 1930. 31 pp. 1 vols. Square 8vo. Plain card wrappers in orange printed dust jacket (minor chipping at edges). Inscribed by the author on inside front wrapper. 31 pp. 1 vols. Square 8vo. 'They charged behind El-Orans when at set of sun ...'. Narrative verse account of war in the desert 'He who had dined with princes ate the poor Beduin fare, The darling of a palace slept in the tents of hair; Swiftly he learnt the desert from Maan to Marb Dam, And ever at his bridle arm like a shadow rode Sottam. 'Full many a mellay knew them, o'er many a trench they strode, When Sidi Feisal's army poured up the pilgrim road. They charged behind El-Orans when at the set of sun He and old Auda's handful saw your best battalion run.' Philip Graves, elder brother of the poet Robert Graves, knew the East well, and was the Times correspondent in Constantinople until the outbreak of the war when he was expelled. He reached Cairo in 1915 "with the reputation of being the leading British expert on the Turkish army, his writing skills were put to use on the constant updating of The Turkish Army Handbook, on which he was assisted by T. E. Lawrence. In the following year he joined the Arab Bureau, and at the end of 1917 was a member of Gilbert Clayton's 'political camp' at General Allenby's advanced general headquarters" (ODNB). After the war, he served again as Times correspondent in Constantinople where in 1921 he debunked the "Protocols of the elders of Zion" and demonstrated it to be a fraud based upon a nineteenth-century pamphlet attack upon Napoleon III. His stirring poem, The Pursuit, bears a printed dedication To My Old Friends of the Arab Bureau" and at page 28 the quatrains above mention the exploits of Lawrence of Arabia. This copy is inscribed "To T.E. Shaw with best wishes from Philip Graves". "Books at Clouds Hill", in: T.E. Lawrence by His Friends, p. 489 (this copy noted). Not in O'Brien. OCLC: 4108127

      [Bookseller: James Cummins Bookseller]
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        My Early Life: A Roving Commission [together with] Thoughts and Adventures.

      London: Thornton Butterworth Limited,, 1930 & 1932. 2 volumes, octavo. Finely bound by the Chelsea Bindery in dark blue morocco, spines with single-line gilt panel to compartments (gilt rampant lion device gilt to four of the six), single-line panel on sides, facsimile of Churchill's signature in gilt on front covers, two-line gilt turn-ins, burgundy endpapers, gilt edges. Housed in a custom-made leather-entry slipcase. Plates from photographs, illustrations in the text. General light toning to letterpress. Very good copies. First editions, first impressions. Presentation copies from Churchill to Robert Boothby: My Early Life with a pre-publication inscription on the preliminary blank: "Robert Boothby from Winston S. Churchill Oct. 14. 1930" (we have had another inscribed presentation copy similarly dated, six days before publication); this copy in Cohen's second state (with the cancel half-title). Thoughts and Adventures: "Robert Boothby from Winston S. Churchill Nov. 1932". Robert Boothby (1900-1986) was chosen by Churchill to be his parliamentary private secretary in 1926, holding the post until the government fell at the 1929 general election. "Over the years his relations with Churchill, though intermittently close, were scarred by differences of opinion, for instance on India and the abdication of Edward VIII, and above all by Boothby's natural incapacity to be a disciple or courtier" (ODNB). In a letter to Martin Gilbert, Boothby noted that he received in 1935 a wedding gift from the Churchills ("a magnificent silver ink-stand and pot") and commented "I was then still his blue-eyed boy" (Winston S. Churchill, Companion Volume V, p. 1123). Gilbert also cites Boothby's glowing letter to Churchill when the latter's The World Crisis was serialized in The Times in February 1926: "It rivets attention upon the battlefields of France and those who died there, for all time" (Winston S. Churchill, Volume V, p. 229). In October of 1930 Churchill was very much preoccupied with the question of India and tariffs and Gilbert records that on the morning of the 14th (the date of his inscription) he personally delivered a letter to Baldwin, at the time leader of the Conservative opposition (and a friend of Boothby's father), concerning his (Churchill's) objection to tariffs; he also joined the Indian Empire Society and discussed the political situation with Lord Reading. During November 1932 (the timing of the Thoughts and Adventures inscription) Churchill was at the forefront of parliamentary debates concerning German rearmament. My Early Life is Churchill's first volume of sustained biography, a highly entertaining account of his childhood, schooldays at Harrow, military training at Sandhurst, experiences as a war correspondent in Cuba, and service attached to the Malakand field force on the northwest frontier of India, charging with the 21st lancers at Omdurman, and as a POW in South Africa during the Boer War. Thoughts and Adventures covers his early political career, the battle of Sidney Street, service on the Western Front (with a near-silence on Gallipoli), the negotiation of the Irish settlement, thoughts on the "Mass effects of modern life" and life "Fifty years hence". A handsomely bound pair with an excellent provenance.

      [Bookseller: Peter Harrington]
 18.   Check availability:     Biblio     Link/Print  


        Moby Dick or The Whale by Herman Melville

      Chicago: Lakeside Press, 1930. Hardcover. Orig. decorated black cloth, silver front cover and backstrip designs. Top edges stained black. Near fine. 3 vols.. Kent, Rockwell. 279, 284, 282 pages. 30 x 21.5 cm. A profusion of black and white illustrations, full-page and textual by Rockwell Kent, approximately 280 in total. The title page vignettes were hand-engraved by Kent, and the only ones he engraved directly on the metal [copper plate] in his long career -- see: JONES, D.B. "The Prints of Rockwell Kent" p.60. Kent also noted, "They (Lakeside Press) wanted to publish some American Classics, a selected few just to show what they could do in bookmaking, considering "Moby Dick" the most beautiful book ever published in America" Limited edition, one of 1000 printed on Arnold unbleached white wove antique paper under the supervision of William A. Kittredge. THE ARTIST AND THE BOOK 140. Bookplates front cover pastedowns, pastedown endpaper of Vol. 3 mottled at lower extremity.

      [Bookseller: Royoung bookseller, Inc. ]
 19.   Check availability:     ABAA     Link/Print  


        Juden sehen Dich an Bitte beachten Sie Nr. 9 unserer AGB (Druckwerke aus totalitären Staaten / 86 und 130 StGB, Jugendschutzgesetz)!

      Vollständige Ausgabe im original Verlagseinband (Steifumschlag / Broschur / Kartoneinband 8vo im Format 14,7 x 21 cm) mit Deckeltitel sowie dem fotoillustriertem Original-Schutzumschlag OSU. 95 Seiten, mit vielen ganzseitigen Fotoabbildungen auf Kunstdruckpapier, Schrift: Fraktur, sowie einer ganzseitigen illustrierten Verlagsanzeige "Das wahre Gesicht der russischen Revolution. Selbsterlebnisse eines Deutsch-Russen" (Verlag Deutsche Kultur-Wacht Berlin-Schöneberg) - Aus dem Inhalt: Vorwort - Blutjuden - Lügenjuden - Betrugsjuden - Zersetzungsjuden - Kunstjuden - Geldjuden - Schlusswort. - Mit gedruckter Widmung: "Pg. Julius Streicher, der Gauführer von Franken, stand immer in der vordersten Linie der nationalsozialistischen Front. Furchtlos und treu dem deutschen Blut und dem nationalsozialistischen Gedanken trat er für Deutschland in die Schranken. Er hatte Juda als den Todfeind, als den Verderber Deutschlands erkannt, er kannte die Riesenmacht aber auch die Schwächen Judas. Er war einer der ersten, der, von der überragenden Bedeutung Adolf Hitlers überzeugt, sich ihm anschloss und seiner Führung unterstellte. Julius Streicher schreckten nicht Drohungen und Gefängnis. Zielbewusst kämpfte er gegen den Verderber Deutschlands, und mancher wuchtige Hieb seines Sturmes brachte einen prominenten Juden zur Strecke. Diesem tapferen Vorkämpfer widmen wir unser Buch "Juden sehen Dich an", in Anerkenntnis seiner großen Verdienste. Wir wissen, daß der alte böse Feind noch nicht ganz geschlagen ist, und daß deshalb weiterhin gekämpft werden muss bis zum Endsieg, und wir hoffen, mit unserem Buch ein weiteres Rüstzeug gegen diesen Feind geschaffen zu haben. Verfasser und Verlag" - Die ganzseitigen Portrait-Fotosbbildungen bekannter Juden mit Bildunterschriften wie z.B.: "Bernhard Weiß genannt "Isidor", auch "das Nasobem". War langjähriger Polizei-Vizepräsident von Berlin und ein geradezu teuflischer Verfolger der deutschen Jugend und des Nationalsozialismus, schützte das Verbrechertum, verkehrte in Spielclubs, gehörte dem bekannten Centralverein deutscher Staatsbürger jüdischen Glaubens an, sein Bruder nahm Provision für die Beschaffung von Schankstättenkonzessionen. Im Sommer 19.2.1930 aus dem Amt entfernt . . . / Münzenberg, Führer der Mordkommune / Professor Magnus Hirschfeld. Verteidigt die Homosexualität in besonders schmutziger Weise, propagiert alle Art von Sittenlosigkeit. Forderte noch 1928: "Ein natürlicher Geschlechtsverkehr der Schuljugend sei, wenn kein Zwang auf den anderen ausgeübt werde, keine Sünde und nichts Unehrenhaftes" / Schulrat Löwenstein. Machte aus der "Karl-Marx-Schule" eine kommunistische Pflanzschule des Untermenschentums, lehrte die Kinder Volk, Rasse und Deutschtum verachten, richtete Berliner Arbeiterkinder zu Volksverrat und Jugendknechtschaft ab. Ihm zur Seite stand der Jude Carlsen (Krakauer) / Die Gebrüder Rotter. Eigentlich ließen sie Schaie, schufen sich einen Theaterkonzern auf Pump in Berlin, der mit schwerer Schädigung der Lieferanten zusammenbrach. Verseuchten die Berliner Bühnen mit geschmacklosem Kitsch. Augenblicklich befindet sich die edle Chawrusse in Liechtenstein . . ." - Deutsches / Drittes Reich, Widmung an Frankenführer Julius Streicher, Judentum eine Gefahr für alles Nichtjüdische und in Deutschland unerwünscht, geringe Anzahl nicht schädlicher Juden, nationalsozialistischer Kampf gegen Juden, Adolf Hitler als Zielscheibe jüdischer Lügen, Zappeljude Charles Chaplin, jüdische Wirtschaftskriminalität in der Weimarer Republik, Juden als Wirtschaftskriminelle größten Ausmaßes, Zersetzung und Verjudung des deutschen Kulturlebens, illustrierte Bücher, scharfer judenfeindlicher Standpunkt, Kampf des Deutschtums unter Adolf Hitler gegen jüdische Überfremdung, NS.-Schrifttum, völkisches / nationalsozialistisches Gedankengut - 4. Auflage in guter Erhaltung (Schutzumschlag mit einigen Fehlstellen, diese fachmännisch hinterlegt, sonst sehr gut) weitere Bilder und Beschreibung s.Nr. 25501! Versand an Institutionen auch gegen Rechnung

      [Bookseller: Galerie für gegenständliche Kunst]
 20.   Check availability:     booklooker.de     Link/Print  


        Raoul Dufy

      Paris: Librairie Floury, 1930. Hardcover. Very Good. Signed. Bound in 3/4 moroccan leather over brown linen boards. Hardcover. 27 cm. Handsome binding and cover, but one corner worn. Marbled end pages. Clean, unmarked pages. 285 pages illustrations, plates (9 in color). Original lithograph wrappers bound in (pochoir colored card covers). Original etched frontis by Dufy, signed in the plate. No. 845 of a limited ed.

      [Bookseller: SequiturBooks]
 21.   Check availability:     Biblio     Link/Print  


        De geschiedenis van den soldaat. Gelezen - Gespeeld - Gedanst - Geteekend. Vertaling M. Nijhoff. Teekeningen Edgard Tijtgat.

      Maastricht/ Brussel, A.A.M. Stols, 1930. 28,8 x 20,4 cm. Halflinnen met geïllustreerde platten (Edgard Tijtgat). 48 p. Niet afgesneden. Gedrukt in een oplage van 251 genummerde exemplaren. 1e druk. Platten deels licht verbruind. Enkel roestvlekje.l Uit de bibliotheek van M. en A.H. Nijhoff. Opdracht van de vertaler aan zijn jongere broer op het voorste schutblad: 'Voor Pim/ van zijn broer/ op 21.3.'31'. Werkexemplaar: Nijhoff heeft ten behoeve van een herdruk met potlood enkele woorden doorgestreept: door de handgeschreven opdracht en door 'Geteekend' en 'Teekeningen Edgard Tijtgat' staat een kruis. Eén van de 225 Arabisch genummerde exemplaren, gedrukt op Hollandsch papier. Dit is bovendien één van de 25 exemplaren die niet in de handel kwamen. Alle illustraties zijn met de hand gekleurd.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 22.   Check availability:     NVvA     Link/Print  


        Il Popolo Sannita - 1930 Settimanale della Federazione Provinciale Fascista di Benevento

      Stab. Tip. "Le Forche Caudine" - Benevento. ITALIANO 0,02 Settimanale degli anni '30 in buono stato, scritta con matita colorata su testata, alcune bruniture, pagine ben conservate. Inserzioni pubblicitarie in testo. N. 42, 22 ottobre 1930, anno II del periodico Il Popolo Sannita - Settimanale della Federazione Provinciale Fascista di Benevento, direttore responsabile: Alberto Varano, redattore capo: Domenico Mancuso. USATO

      [Bookseller: Biblioteca di Babele]
 23.   Check availability:     maremagnum.com     Link/Print  


        La Femme Visible

      1930. DALI, Salvador. La Femme Visible. 72, [6] pp. Illustrated with a heliogravure frontispiece by Salvador Dali plus photographic portrait of Gala and three architectural photographs plus three Dali reproductions. Small folio, 285 x 225 mm, bound in original aluminum paper wrappers covered by red tissue paper with title printed in black on the cover. In a new red cloth box. Paris: Editions Surrealistes, 1930. |~||~||~||~| A fine copy of one of Dali's earliest books, containing a superb frontispiece heliogravure reworked with needle, in addition to a portrait photograph of Gala which had been reworked by Max Ernst in 1925. The Dali texts were selected by Gala and consist of "Ane pourri", "Chevre sanitaire", "Amour" and "Le Grand masturbateur". One of 135 on Arches from a total of 204 printed. Inscribed by Dali to Andre Lhote on the half-title. Some slight wear to the fragile red tissue covers, otherwise a fine copy. Michler and Lopsinger, Salvador Dali: Catalogue Raisonné of Etchings and Mixed-Media Prints, 1924 - 1980. No.4

      [Bookseller: Ursus Rare Books]
 24.   Check availability:     Biblio     Link/Print  


        Forio, Ischia mit Chiesa di San Gaetano. Ölgemälde auf Leinwand, rechts unten mit *W. Gilles * signiert, undatiert ( ca. um 1930 ).

      - Bildmaß ca. 40 x 57 cm ( Höhe x Breite ). Das Gemälde in farbenfrohen grün-blauen Pastell-Tönen zeigt nach Auskunft des Vorbesitzers die Stadt Forio auf Ischia mit der Kirche Chiesa di San Gaetano auf einem Hügel. Das Bild rechts unten mit *W. Gilles * signiert, wohl um 1930 gemalt, Öl auf Leinwand, ungerahmt. Das Bild etwas fleckig, die Leinwand zu den Außenrändern teils ausgefranst sowie mit kleineren Randläsionen durch alte Montierung. Zum Unterrand hin mit wenigen stecknadelkopfgroßen Löchern ( kaum sichtbar ). ( Lagerort GR-Grosse Mappe blau ) [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
 25.   Check availability:     ZVAB     Link/Print  


        Granitas : naujosios literaturos almanachas (Granite : The New Literary Almanac)

      "Zinijos" leidinys, Kaunas 1930 - Lithuanian language. Octavo 18 x 25 cm. Weight 210 gr. Wrappers, 111 [1] pp. The book is in Near Fine condition, without any visible defects, losses, remarks and stains. Multiple creases across bottom right corner of front cover, bottom edge of front cover shows some fraying, damaged spine ends and central part of the spine were wrapped with transparent tape, back cover shows slight fading at edges and light dump stain on the bottom edge; internally previous owner's signature on the title, some foxing stains on the title and last page, light trace of moisture on the bottom margin of two last leaves. Noticeable modernist cover design and great graphical vignettes inside by Alx. Šepetys. Literary almanac Granite (1930) is considered as breakthrough in Lithuanian modern literary culture. Although was edited only one issue, it became the most important publication emerged on neo-romantic poetry wave, there traditional values were associated with European modernism, avant-garde achievements and Catholic worldview. "Granite" is attempt to distance from national romanticism and from the experiments of avant-garde literary group Keturvejininkai (Four Winds). The emphasis was made on the Western European literary content and Catholic cultural traditions, following ideology of idealism, antinaturalism movement, art modrnisation and individualism. Almanac Granite founder and editor Juozas Keliuotis brought together like-minded persons, young and progressive members of the Lithuanian Catholic Federation "Ateitis" - I. Skrupskelj, Bern. Brazdžionj, P. Karuža, G. Tulauskaite, P. Orintaite, A. Vaiciulaitj etc., who expressed themselves on the pages of the almanac in articles, poetry and short stories, creating modern, stable, based on eternal values literature. Also deserve attention book's experimental typography with elements of constructivism. Juožas Keliuotis (1902-1983) was Lithuanian journalist, editor, writer and translator. Spreader of Western democratic and cultural values, Neo-Catholicist ideas, modernist aesthetics. Sought to develop a new generation of Catholicism based on the principles of modern Lithuanian art that can help people to achieve cultural independence. Keliuotis was a bright personality and played a significant role in the literature of 1930s, he wrote about the history of art, aesthetics, Lithuanian cultural development characteristics of cultural challenges, modern artistic expressions, also published articles about the world famous artists and poets. [Attributes: First Edition; Soft Cover]

      [Bookseller: Baltic Bouquiniste]
 26.   Check availability:     AbeBooks     Link/Print  


        By E. E. Cummings)

      Covici Friede, New York 1930 - First Edition, #383 Of 491 Copies Signed By The Author. 4To. [Vi], [64] Pp. Rebound In Full Dark Blue Morocco, Spine With Two Bands, Lettered And Stamped In Gilt, Fine Marbled Endpapers, Gilt Inner Dentelles, A.E.G., Bound By Bayntun Of Bath. Firmage A9. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
 27.   Check availability:     AbeBooks     Link/Print  


        AN OUTLINE HISTORY OF PAINTING in Europe to the End of the Nineteenth Century

      London: The Medici Society, 1930. Octavo. 274pp, 149 illustrations of which 24 are in colour, finely bound by Sangorski & Suttcliffe in 3/4 brown crushed morocco over marbled paper covered boars with matching endpapers, raised bands with compartments ruled in gilt, top edge gilt. A fine, bright copy.

      [Bookseller: Alcuin Books, ABAA-ILAB]
 28.   Check availability:     Biblio     Link/Print  


        The Protestant Ethic and the Spirit of Capitalism.

      London: George Allen & Unwin,, 1930. Translated by Talcott Parsons. With a foreword by R. H. Tawney. Octavo. Original black cloth, spine lettered in gilt, with the dust jacket. Ownership inscription "Stewart" to front free endpaper in ballpoint. Very slight rubbing to spine ends and corners, dust jacket spine darkened, with some chipping to spine ends; a clean, bright copy in a very good jacket, rarely seen. First edition of the first English translation of Weber's great work, which originally appeared in German across two issues of the Archiv für Sozialwissenschaften und Sozialpolitik (November 1904 and June 1905). He managed to substantially revise the text for its first publication in book form shortly before his death in 1920; it appeared under the title Die protestantische Ethik und der Geist des Kapitalismus and was intended as the first volume in a series collecting Weber's writings on the sociology of religion, though his death meant the project was never completed. "The Protestant Ethic and the Spirit of Capitalism is Max Weber's most famous as well as most controversial book. In it he traced the influence of religious ideas upon the conduct of men and challenged the Marxist thesis that man's consciousness is determined by his social class … Instead of completing his investigation of Protestantism, Weber began a comparative analysis of urban communities and of political organization as well as a study of the relation between religion and society. These wide ranging studies had the common purpose of defining and explaining the distinguishing characteristic of Western civilization. The Protestant Ethic was destined to serve as an introduction to this major theme of Weber's lifework, a specification of the interrelation of religious ideas and economic behaviour as the focus for further research. Weber's particular thesis – that Puritan ideas had influenced the development of capitalism – became the subject of a voluminous literature" (Bendix, Max Weber, an intellectual portrait, p. 71f).

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  


        Das Geheimnis des Reichs. Roman.

      Wien, Saturn-Verlag. 1930 - 8°. 251 (1) S. 1 Bl. OLn. Kopffarbschnitt. 1. Ausgabe. Mit eigenhändiger Widmung an ". Edith Wachtel - gute Unterhaltung! Wien Jänner 30 Heimito Doderer". Im Druck Ernst von Scharmitzer gewidmet. - WG 3. Rücken aufgehellt. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Georg Fritsch Antiquariat]
 30.   Check availability:     ZVAB     Link/Print  


        LES DEUX DIANE tome III

      NELSON, 1930. Francese 0,22 Rilegatura editoriale in tutta tela beige, con titoli verdi entro riquadro ovale verde e glicine sia al piatto che al dorso, con lievissima fioritura e con presenza di muffa ai bordi superiori ed all'unghiatura, pagine lievemente ingiallite, fioritura ai tagli USATO

      [Bookseller: Biblioteca di Babele]
 31.   Check availability:     maremagnum.com     Link/Print  


        Her Privates We

      London: Peter Davies,, 1930. Octavo. Original ecru rough cloth, title lettered in black to the spine, and to the front board together with striking pictorial decoration of death and the soldier. With the glassine dust jacket with glued printed flaps. Endpapers mildly toned, a light scatter of foxing to the fore-edge barely encroaching on the margin, the jacket slightly shrunken as usual, short split to the tail edge of the front panel, no loss, an unusually well-preserved copy. First trade edition, first impression. Fictionalised account of Manning's experiences on the Western Front, particularly in the Battle of the Somme. Published the previous year in a limited edition of 525 copies as The Middle Parts of Fortune - the title taken from the line in Shakespeare's Hamlet immediately preceding "her privates we" - this lightly expurgated version met with great popular success buoyed by enthusiastic critical responses, such as that of T.E. Lawrence; "It's magnificent, a book in a thousand … No praise could be too sheer for this book … How admirable are its restraint, and humour, and vividness … there are too many sides to the book for it ever to be forgotten"; Hemingway claimed to read the book "every year to remember how things really were so that I will never lie to myself or anyone else about them"; while for E.M. Forster it was simply "the best of our war novels". This a superb copy in the extremely fragile, and therefore very rarely encountered, "experimental" glassine dust jacket.

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        SECRETS OF THE SECRET SERVICE #1 DOPE RINGS RUM 1930 G

      Clayton 1930 - One-shot pulp. How the Feds deal with: Rum Runners, Dope Rings, Counterfeiters, White Slavery, Harem Girls, Fortune Tellers, Undesirable Aliens, Smuggling, Booze, Commies and more. Very rare item. Condition: G

      [Bookseller: DTA Collectibles]
 33.   Check availability:     AbeBooks     Link/Print  


        Forio, Ischia mit Chiesa di San Gaetano. Ölgemälde auf Leinwand, rechts unten mit *W. Gilles * signiert, undatiert ( ca. um 1930 ).

      Bildmaß ca. 40 x 57 cm ( Höhe x Breite ). Das Gemälde in farbenfrohen grün-blauen Pastell-Tönen zeigt nach Auskunft des Vorbesitzers die Stadt Forio auf Ischia mit der Kirche Chiesa di San Gaetano auf einem Hügel. Das Bild rechts unten mit *W. Gilles * signiert, wohl um 1930 gemalt, Öl auf Leinwand, ungerahmt. Das Bild etwas fleckig, die Leinwand zu den Außenrändern teils ausgefranst sowie mit kleineren Randläsionen durch alte Montierung. Zum Unterrand hin mit wenigen stecknadelkopfgroßen Löchern ( kaum sichtbar ). ( Lagerort GR-Grosse Mappe blau )

      [Bookseller: Antiquariat Friederichsen]
 34.   Check availability:     booklooker.de     Link/Print  


        Relais.

      Paris: Vincent, Fréal et Cie, 1930. Folio, title-page printed in green and black, two pages of text, 13 (lacking two) illuminated pochoir plates. Disbound plates housed in the original four-fold gray cloth portfolio, with cloth ties. Plates betray the slightest hint of finger smudges, otherwise very good. 13 (of 15) beautiful, brilliant pochoir plates, in the purest Art Deco style, created by Edouard Benedictus and stenciled in the J. Saudé studio, plates would be lovely framed.

      [Bookseller: John Windle Antiquarian Bookseller]
 35.   Check availability:     Biblio     Link/Print  


        Storm. Een spel van tooverij.

      - Maastricht/ Brussel, Stols, 1930. Verguld donkerblauw heelleder (origineel omslag meegebonden). Kop verguld. (4), 112, (6) p. Niet afgesneden. 1e druk. Enkele lichte schaafplekjes aan de band.l Uit de bibliotheek van M. en A.H. Nijhoff. Eén van de 10 luxe-exemplaren, gedrukt op Japansch papier en gebonden in staalblauw leer, rug met vijf ribben (Louis Malcorps?). Van Dijk 228.

      [Bookseller: Fokas Holthuis]
 36.   Check availability:     ZVAB     Link/Print  


        Portrait of a young woman

      [Adelaide : probably between 1930 and 1935]. Watercolour and gouache on paper, sheet 280 x 190 mm, signed lower right 'Rex Wood'; laid down on original board mount, removed from a frame at some point; in very good condition. Rex Wood was born in Laura, in the Mid North of South Australia in 1906, and studied painting at the South Australian School of Art in Adelaide. Although his first solo exhibition was held in Adelaide in 1935, his works - in various mediums - had been included in numerous Adelaide exhibitions from around 1930. He left for England in 1937, shortly after his second solo exhibition, and continued his studies in London before eventually settling in Portugal, where he remained domiciled until his death by drowning in 1970. The beautiful young woman depicted in this fine head-and-shoulders portrait is unidentified. Stylistically the work is strongly influenced by the Art Deco aesthetic, recalling in particular the female subjects of Tamara de Lempicka. The age of the mount and backing sheet confirms an early 1930s dating. The work is therefore a relatively early one in terms of Wood's oeuvre, painted in Adelaide prior to his initial departure from Australia. Although Wood is acknowledged as a highly accomplished Australian artist of some importance, relatively few of his works - either paintings or prints - are held in Australian public collections. He is represented in the collections of the Art Gallery of South Australia; the State Library of South Australia; the National Gallery of Australia; the Art Gallery of New South Wales, and the Hamilton Art Gallery. Provenance: Private collection, Melbourne.

      [Bookseller: Douglas Stewart Fine Books]
 37.   Check availability:     Direct From Seller     Link/Print  


        Our Big Book

      Chicago, Atlanta, Dallas, Palo-Alto, Fair Lawn, N.J.: Scott, Foresman And Company. Good black hardcover binder. Edge and covers worn, spine wear and tear, soiling. Cover paper label intact with tide mark. Inside cover label intact. No tears to pages, some finger smudges. [1930-1939], 19 1/4 X 25 3/8 inches. 49 cm. X 74 cm. Lacking pages 1-8, 22 pages present 9-10, 11-14, 15-18, 19-22, 23-26, 27-30. Stories feature Dick, Jane, Baby, Spot, Puff and Tim. "Contains seven stories from We Look And See, first pre-primer of the basic readers." -Jane --Baby --Spot --Puff --Tim --Tim and Spot. Date of publication inferred from comparison with similar materials. Large format Double Elephant Folio pages bound together in 4 page gatherings in 3-ring binder. . Good. Hardcover. First Edition. 1930.

      [Bookseller: BOOX]
 38.   Check availability:     Biblio     Link/Print  


        King Lear

      San Francisco: David Magee / Curwen Press, 1930. 1st Edition . Hardcover. Near Fine/Good. Illustrations By Yunge (John Yunge-Bateman). [A]8 B-H8 I10; Endleaves Front And Back Are A 4-Leaf Blank Sewn Section. [I-Vii] Viii-X [Xi-Xiv,1] 2-6 [7-8] 9-14 [15-6] 17-20 [21-2] 23-32 [33-4] 35-7 [38] 39-58 [59-60] 61 [62] 63-72 [73-4] 75-84 [85] 86 [87-8] 89-90 [91-2] 93-112 [113-4] 115 [116] 117-30 [131-2] 133-4. Elephant Quarto: 13" × 10½", Top Edge Only Trimmed And Gilt, Artificial Headband, White Wove, F J H; 18Pt. Baskerville; 10 Line Block Illustrations; Green Buckram, Spine Gold-Blocked: 'Shakespeare | King | Lear | Illustrated | By | Yunge | David | Magee'. The Copyright Page Shows "Printed In England / At The Curwen Press, Plaistow / London. 1930". David Bickersteth Magee (1905-1977) Was A Rare Book Dealer In San Francisco, California. In 1923 He Opened A Bookshop In San Francisco, California. A Successful Book And Manuscripts Dealer, He Served As President Of The Antiquarian Booksellers Association Of America, The Roxburghe Club Of San Francisco, And The Book Club Of California. He Was Also A Member Of The Bohemian Club And The Grolier Club. Magee Was The Author Of Several Books, Including Jam Tomorrow (1941), Bibliography Of The Grabhorn Press, 1915 - 1940 (1940), Bibliography Of The Grabhorn Press, 1940 - 1956 (1957), Infinite Riches (1973), And Many Articles In Bookman's Weekly. Near Fine, Just A Touch Of Rubbing Along Edges At Corners, Spine Cloth Faded, Gilt Still Brilliant. In A Clear Glassine Dust Jacket, Light Wear But Long Closed Tear On Rear Panel.

      [Bookseller: Arroyo Seco Books]
 39.   Check availability:     Biblio     Link/Print  


        The Autocracy of Mr. Parham. His Remarkable Adventures in this Changing World

      London: William Heinemann, 1930. First edition. With plate illustrations by David Low. [10], 370 pp. 8vo. Original red cloth, gilt lettering to spine. Light foxing to edges of text blocks, faint soiling to boards, extremities lightly rubbed. First edition. With plate illustrations by David Low. [10], 370 pp. 8vo. Inscribed by Wells. Inscribed on the title page: "To S. Dean / with fondest wishes / H.G. Wells" Bleiler (1978) p 205

      [Bookseller: James Cummins Bookseller ]
 40.   Check availability:     ABAA     Link/Print  


        Moby Dick or The Whale by Herman Melville

      Lakeside Press, Chicago 1930 - 279, 284, 282 pages. 30 x 21.5 cm. A profusion of black and white illustrations, full-page and textual by Rockwell Kent, approximately 280 in total. The title page vignettes were hand-engraved by Kent, and the only ones he engraved directly on the metal [copper plate] in his long career -- see: JONES, D.B. "The Prints of Rockwell Kent" p.60. Kent also noted, "They (Lakeside Press) wanted to publish some American Classics, a selected few just to show what they could do in bookmaking, considering "Moby Dick" the most beautiful book ever published in America" Limited edition, one of 1000 printed on Arnold unbleached white wove antique paper under the supervision of William A. Kittredge. THE ARTIST AND THE BOOK 140. Bookplates front cover pastedowns, pastedown endpaper of Vol. 3 mottled at lower extremity. Orig. decorated black cloth, silver front cover and backstrip designs. Top edges stained black. Near fine. 3 vols. [Attributes: Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
 41.   Check availability:     AbeBooks     Link/Print  

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