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Displayed below are some selected recent viaLibri matches for books published in 1930


      1930. Paperback. 2. [BANNERMAN,HELEN]. LITTLE BLACK SAMBO. Racine: Whitman no date ca 1930. Folio (9 x 12 1/2"), stiff linen-like pictorial wraps, [16]p. including covers, name on edge of cover else VG+. This striking version of Sambo is illustrated in a broad style by TERRY AND MARY SMITH with bold colors printed on various colored papers. Very scarce.

      [Bookseller: Aleph-Bet Books, Inc.]
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        The Science of Life: A Summary of Contemporary Knowledge About Life and Its Possibilities [3 Volumes]

      London: Amalgamated Press 1930, 1st Edition. (Hardcover) vii, 320; vii, 321-640; vii, 641-992pp. Very good. Quarto. 3 vols. All three with dark blue cloth covered boards, stamped decoration and gilt lettering on spine and front cover. Some of the boards lightly bowed. Wear to cloth especially at spine and corners, with some light bumping. Light rubbing and some staining to the boards. Clean endpapers with mild foxing. Several full colour plates throughout the volumes as well as many B / W photos and illustrations within the text. Clean, tight text block. Signed by all three of the authors on the second page and INSCRIBED by WELLS. The inscription by Wells reads "To Richard [.....] Williams, with the best wishes in the [....] [...] H. G. Wells". 109 in the Wells Society Bibliography (1986). "An ambitious biological survey, intended for the general reader, originally published in 31 fortnightly parts. The second part of an encyclopaedic trilogy, comprising 'The Outline of History' 'The Science of Life' and 'The Work, Wealth and Happiness of Mankind'." Republished by Cassell in the mid 1930's. Signed by G. P. Wells & Julian Huxley. Signed and inscribed by H.G. Wells..

      [Bookseller: Aquila Books]
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        Still life with fruit and flowers

      c.1930. Size: 235 x 335 mm. Framed size: 415 x 515 mm. Gouache and ink on paper. Excellent condition. Signed by the artist.

      [Bookseller: Peter Harrington]
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      Oxford: Limited Editions Club, 1930. Hardcover. Fine in a Very Good folder. Zhenya Gay. Small folio (10-1/4" x 13-1/2") consisting of 10 loose lithographs drawn on the stone by Zhenya Gay, each SIGNED by the artist. laid into the first signature of the book which in turn is laid into a cloth-backed marbled board folder with a large paper label on the front cover and with ribbon ties. Printed on hand-made Kelmscott paper by B. H. Newdigate at the Shakespeare Head Press. There was a total edition of 1520 copies illustrated with 12 lithographs and SIGNED by the artist and the printer on the limitation page. This is a special publication, not known previously by us and, having been acquired directly from the publisher's files, is likely unique. Each of the 10 lithographs is SIGNED by the artist, which was not the case with the printed book. The inner first signature folder consists of the title page, the limitation page on the verso which is SIGNED by the artist but not by the printer, and the half-title page with the verso blank. Also laid in is a sheet of paper on which is written in pencil "Supplementary Set" with measurements and other calculations on the verso.

      [Bookseller: Charles Agvent]
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        Farbige Original-Entwürfe für Möbel im Art-Deco Stil. Gouachen auf unterschiedlichem Papier. Zusammen 21 Blatt

      Ca. 22 x 38 bis 29 x 39 cm. Teils gleichmässig schwach gebräunt, wenige Blatt mit schwachen Knickspuren. XX Blatt mit Stempelmarke der Union profesionelle décorateurs d'intérieurs", XX Blatt gestempelt "Blondel (S. N. C), Ch. Chareloi 86, Bruxelles", XX Blatt handschriftlich in Blei signiert. Bleiweiß bei einem Blatt etwas oxydiert, sonst jedoch außerordentlich farbfrisch erhalten. Vollendet ausgeführte Entwürfe von Art-deco-Mobiliar aus der Zeit um 1930. Umfaßt Entwürfe für Schlafzimmer, Schminktischensembles, Entréeanrichten und -bänken, sowie Sitzmöbel und Tische für Geschäfts- und Wohnräume. Auf drei Blatt ist der gesamte Raum gestaltet, darunter ein Geschäftszimmer (Kanzlei) sowie ein Schlafzimmer.

      [Bookseller: Antiquariat Stefan Wulf]
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        But It Still Goes on. An Accumulation

      London: Jonathan Cape 1930, 1st Edition 1st Issue. () 315pp. Fine in fine dust jacket. Small Octavo in original green cloth and dust jacket with faded spine and some very minor foxing afecting edges else an exceptional copy with two pieces of publisher's ephemera laid-in loose..

      [Bookseller: Aquila Books]
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        Dream Days Signed Limited Edition Being Number 210 of Just 275 Worldwide 1930 – Thus First Edition Book

      London: John Lane The Bodley Head Ltd, 1930. The First Edition has for sale this stunning Kenneth Grahame book, Dream Days, which is the very rare signed limited edition book, signed by author Kenneth Grahame and illustrator, EH Sheppard and published by John Lane The Bodley Head [London]. This large paper edition is printed on specially made rag paper.____All the books in this special signed limited edition have been numbered and signed by author Kenneth Grahame (responsible for writing The Wind in the Willows) and illustrator, EH Sheppard (famously responsible for illustrating the Winnie the Pooh books). ____The original vellum spine with gilt lettering over the original green marbled boards are in Very Good condition with slight discolouration to the spine and a dark patch to the bottom of the spine; and corner knocks. Otherwise, an extremely clean and attractive set of boards for this very rare signed first edition book____ There are 168 numbered pages, top edge gilt remaining pages untrimmed, as required. The endpapers are browned with a bookplate to the front pastedown and a small slip tipped-in to the blank front free endpaper. The remaining pages are in overall Near Fine condition with slight age toning to the edges, but with all pages being mostly very clean and tightly bound in. It does not appear that this book has been read much, if at all.____This is a very attractive, collectable and rare signed limited edition book, Dream Days, which has been beautifully, illustrated throughout by EH Sheppard.. Signed by Author and Illustrator. First Edition. Cloth. Very Good/No Jacket. Illus. by E.H. Shepard.

      [Bookseller: The First Edition]
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        Outlines of Sport [with:] original pen and ink drawing of a fishing scene, the third picture in OUTLINES

      New York: Dutton, 1930. First edition, one of 100 copies SIGNED by the artist. 4to (11 x 12 inches). 12 images. The plates mounted on black boards hinged accordion style so that they may be turned, as pages in a book, or unfolded into a frieze; fine condition, bookplate of Mary L. Hemenway; enclosed in publisher's substantial linen slipcase . A fine example of Held's humorous line and superb draftsmanship. Shown are ladies and gentlemen enjoying the following pursuits: Hunting, Fox Hunting, Fishing, Golf, Water Skiing, Snow Skiing, Parachuting, Tennis, Yachting, Polo, Boxing, and Chess. Rare and delightful With an original pen and ink drawing (10 x 10 in.) SIGNED ("John Held") and matted, glazed, and framed (frame damaged at one corner), depicting a fisherman, the third drawing in Held's OUTLINES OF SPORT

      [Bookseller: James Cummins Bookseller]
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        GODS' MAN

      New York: Jonathan Cape & Harrison Smith , 1930. Black cloth, printed label within stamped panel on upper spine, 3" x 2-1/4" woodcut on glossy paper applied to same size stamped panel on front near upper corner, top edges gilded, black endpapers, unpaginated [viii], [288pp]. 144 original woodcuts -- one per recto page. Copyright 1929. "Of this Special Edition , 409 copies (of which 378 are for sale) were printed from the woodblocks for Jonathan Cape and Harrison Smith in May, 1930, by the Aldus Printers and bound by the J. F. Tapley Company each copy is signed by the aurthor. This copy is number 149 (hand written). Lynd Ward (signed)." A completly unique example of literary fiction in that the story is told with hand carved woodblock illustrations and there is no text. The spine of the book is shelf cocked, corners sharp, faint shadow of where a smaller book had been shelved adjacent remains on front, edges are faded, woodcuts are bright, clean, paper is crisp with very slight waviness thourghout indicating the book may have been subject to some slight dampness, paper is bright white thourghout. Gift note penned to front free endpaper: "To Inez / With a heart full of love / from her mother / on her 21st birthday / Sept. 21 - 1930" Lacking publisher's slip case; new glassine dust jacket applied.. Signed by Author. First Edition. Hard Cover. Very Good. Illus. by Lynd Ward . 8vo - 9-1/2" x 6-1/4". Limited Edition.

      [Bookseller: Gene's Books, IOBA]
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        Amerika: Die Stilbildung Des Neuen Bauens in Den Vereinigten Staaten

      Vienna: Verlag von Anton Schroll & Co., 1930. Very minor archival restoration; just about near fine in photo-illustrated integral wrappers with French flaps (El Lissitzky designed the cover image.). First Edition. Quarto. Volume II in the series "Neues Bauen in Der Welt" edited by Joseph Gantner. With 260 illustrations. Architectural and industrial photographs taken by Neutra during his visits to America in the mid twenties.

      [Bookseller: Harper's Books, Inc.]
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        Group of 4 original silver print portrait photographs of the American pianist Edward Kilenyi (1910-2000), ca. 1935, by this noted Jewish Hungarian-born Dutch photographer

      Ca. 230 x 190 mm. (9" x 6-3/4"), each with the photographer's stamp in blue ink to verso.& & One photograph with some spotting and slight silvering. . Kilenyi had a successful international career as a pianist, performing widely in both Europe and North America in the 1930s. He studied at the Liszt Royal Academy in Budapest under Ernst von Dohnányi, with whom he developed a close friendship. Kilenyi's father was a teacher of George Gershwin.& & Besnyo, born in Budapest, moved to Berlin in 1930, where the photographic avant-garde was prominent; her photographs appeared in the Berliner Illustrierten Zeitung, among other publications. Besnyo became part of a circle of socially and politically engraged intellectuals and artists such as György Kepes, Joris Ivens, John Fernhout, Lászlo Moholy-Nagy, Otto Umbehr (Umbo), Robert Capa, and others. She established her own studio in 1931 but, with the growing threat of National Socialism, moved to Amsterdam in 1932, reaching some prominence there as a photographer until she was forbidden, under the occupation, to engage in all journalistic activities. Besnyo resumed her artistic activities after the war and went on to win many awards for her work. Her photographs are held by museums in both Holland and Germany. Abstracted from an article by Marion Beckers, Jewish Women's Archive, Jewish Women: A Comprehensive Encyclopedia,

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Sir Gawain & The Green Knight, with Original Dustjacket

      Oxford: The Clarendon Press, Oxford, 1930. 2nd Edition. Hard Cover. 12mo - over 6¾" - 7¾" tall. Sir Gawain & The Green Knight, edited by J.R.R. Tolkien & E.V. Gordon. One of the first Tolkien related books published, with J.R.R. Tolkien contributing to the preface. Published by the Clarendon Press in 1930, this is the 2nd printing of this book, or the 1st impression of the second edition. Most of these books are well used student copies, whereas this copy is unmarked and even more unusual, it is still housed in it's original Very Good Plus dustjacket. Some light offsetting to the free endpapers, but no foxing to the textblock. Some light fading to the green cloth spine, but the gilt stamping remains clean and bright. The dustjacket has no loss at the corners or the flap folds. While the tips of the spine has some minor edgewear and wrinkling. The dustjacket has some tanning to the spine and browning around the edges. The dustjacket is not price clipped, shows the '7s. 6d. net'. A very nice collectable copy for the Tolkien enthusiast, quite scarce in this desirable condition. Digital photo's available, inquire if interested. Other Tolkien books available, include both the UK and US editions, original cloth bindings, custom fine bindings, and Signed/Numbered/Limited Editions. Near Fine / Very Good Plus.

      [Bookseller: The Tolkien Bookshelf]
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        MICKEY MOUSE ANNUAL 1930 FOR 1931

      Published by Dean & Son Ltd., 1930. Hardback. Very Good. Very good condition with no wrapper. The first Mickey Mouse Annual. Colourful pictorial paper boards show Mickey sitting, drawing with a quill. Colour frontis plus three other colour plates. Rebacked with new red cloth spine and new endpapers. Edges rubbed, corners worn. Covers beautifully bright. All colour plates present, one is creased. Scattered foxing. [S]

      [Bookseller: Stella & Rose's Books]
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        Tale of Little Pig Robinson, The

      1930. first edition. First Edition of “Little Pig Robinson” in the Original Dust JacketPOTTER, Beatrix. The Tale of Little Pig Robinson. London: Frederick Warne & Co., [n.d., 1930].First edition, first printing. Small quarto (7 7/8 x 6 1/4 inches; 201 x 158 mm.). 96 pp. Inserted color frontispiece and five inserted color plates. Black and white vignette on title-page and twenty-two full-page black and white illustrations in the text.Original blue cloth with front cover lettered in gilt and dark brown and pictorially stamped in dark brown, all within a dark brown single rule border. Spine lettered in dark brown. Brown and white pictorial endpapers. Minor rubbing to corners and spine extremities, spine very slightly faded, two small stains (adhesions) at the lower edge of the front cover, and a small faint stain on the top edge near the spine. Previous owner’s ink signature (“Audley”) on front free endpaper. A very good copy in a very good example of the original blue dust jacket with color pictorial label on front panel and with advertisements on the rear panel for “The Peter Rabbit Books” listing twenty-two titles. “There is no year on the title-page. The first printing can be identified by the absence of the word ‘reprinted’ which appears on the back of the title-page of the next printing” (Linder).Linder, p. 430. Quinby 30. V & A 1596.

      [Bookseller: David Brass Rare Books, Inc.]
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        A Complete Catalogue of the Etchings and Dry-Points of Arthur Briscoe

      London: Halton & Truscott Smith, 1930. 4to. (11 x 8 3/8 inches). Numerous plates including an original signed etching by Briscoe titled The Anchor. Publisher's blue cloth, upper cover lettered in gilt. One of 250 numbered copies with an original signed etching by Briscoe. Hurst 268.ii

      [Bookseller: Donald Heald Rare Books]
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        What Medicine Can Do for Law

      New York and London: Harper & Brothers, 1930 hardcover, First Edition A-E, signed by Author on FFEP, deep maroon leather-tipped boards with cloth spine, printed on deckle-edged handmade paper, last two (blank) sheets uncut. With four-page Comment of Appreciation by William D. Guthrie, ex-President Association of the Bar of the City of New York, and Samuel W. Lambert, Ex-Presdient of the New York Academy of Medicine; written when the future Supreme Court justice was Chief Justice of the Court of Appeals of State of New York; covers with light scuffing, spotting, sharp corners, bright spine titles, clean unmarked pages, tight binding. ... Shipped in s secure box and packaged in bubble wrap.

      [Bookseller: Museum of Books]
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        John Leech on My Shelves

      N.p.: Bremer Presse, 1930. Quarto, 315pp. One of 155 copies printed at the Bremer Presse. This is a deluxe copy, number II, bound in full vellum by the Bremer Binderei under the supervision of Frieda Thiersch. In addition, the book is inscribed by Field to Charles E. Lauriat, Jr. A T.L.s. from Field to Lauriat is enclosed, thanking him for his help in obtaining material for the text. This is a fine copy with the original slipcase, lacking the bottom of the case and with detached top piece. Prospectus laid in.

      [Bookseller: Bromer Booksellers]
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        Die Grundschule in Bildern. Manuskript getippt mit handschriftlichen Korrekturen. Bilder von Rohn. Orginalfotos wurden eingeklebt. Mit 67 Seiten Text- mit über 60 orginal Fotos im Format 9 x 11 cm. Entstanden um 1930. Datierung anhand von handschriftlichen Notizen auf der Rückseite der Fotos. Alles im Schellhefte, dieser nur noch fragmentarisch vorhanden. Innen gut.

      Selbstverlag,, Dessau, 1930 - 30 x 21 cm. 67 S. Graphik. 750 g. RS3. - (AGR). Jpg. Guter Zustand / Good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: Umbras Kuriositätenkabinett]
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      London: William Jackson (Books) Ltd., 1930.. Large octavo. Gilt polished buckram, t.e.g. Frontis by Ray Garnett. Spine sunned, minor foxing to endsheets, otherwise a very good copy, with patchy remnants of the glassine laid in. First edition, published as #1 of the Furnival Books. Foreword by Sylvia Townsend Warner. Copy #453 of 550 numbered copies (500 for sale), printed at the Chiswick Press and signed by the author. This copy is additionally inscribed by the author, nearly filling the front endsheet, to the publisher, Alan W. Steele, and incorporating a substantial quotation from the text. It is also signed by Ray Garnett, and by Townsend Warner at the end of her Foreword. An additional loose (proof?) impression of the frontispiece is laid in. Those copies offered for general sale were signed only by the author. Steele was Director of William Jackson, Ltd., and some of the later volumes in the series were published with a slip noting assumption of publication by his own firm, Joiner & Steele. His pencil ownership signature appears on the free endsheet.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Posthumous Papers of the Pickwick Club

      [1930]. The First Brock Illustrated Editionof Dickens' First BookIn a Charming 1930s Pictorial Binding by Riviére & Son[RIVIÉRE & SON, Binders]. DICKENS, Charles. The Posthumous Papers of the Pickwick Club. Illustrated in Color by C.E. Brock. London: George G. Harrap, [1930]. First Brock illustrated edition. Large octavo. xx, 687, [1, blank] pp. Sixteen full-page color plates, including frontispiece. Bound ca. 1930 by Riviére & Son (stamp-signed on front turn-in) in full navy blue morocco with gilt-ruled border and large, central gilt-ruled pictorial panel of multicolored morocco inlays reproducing "Take this little villain away!" the plate facing page 134. Raised bands with gilt tooling, compartments decorated in gilt. Board edges and turn-ins decoratively gilt-tooled. A splendid copy.The Posthumous Papers of the Pickwick Club was Dickens' first published novel, originally serialized in monthly parts by Chapman & Hall April 1836 through November 1837, and published in book form on November 17, 1837. Charles Dickens, struggling to establish himself as an author, had been selling stories to the Monthly Magazine and the Evening Chronicle that were popular and earned him an enthusiastic reception. Impressed, publisher Chapman & Hall approached him. The result was the creation of Mr. Pickwick, and an illustrious career. Dickens was twenty-five years old.C[harles]. E[dmund]. Brock (1870-1938) was a widely published English line artist and book illustrator who earned his first book commission at age twenty. He became a very successful illustrator, best known for his line work, initially in the tradition of Hugh Thomson, but he was also a skilled colorist. Brock's work varied with the sort of story he was illustrating, some of it refined and described as "sensitive to the delicate, teacup-and-saucer primness and feminine outlook of the early Victorian novelists," while other work was "appreciative of the healthy, boisterous, thoroughly English characters," i.e. soldiers, rustics, and "horsey types." Other illustrations were grotesqueries drawn to amuse children looking at or reading storybooks.Kelly, p. 164.

      [Bookseller: David Brass Rare Books, Inc.]
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        Stars To-Night: Verses New and Old for Boys and Girls

      NY: Macmillan, 1930. Octavo. 49pp. First edition. A charming book of children’s poetry, illustrated with a full-page color drawing as a frontispiece and throughout with imaginative black & white drawings by Dorothy Lathrop. Inscribed as a Christmas greeting to Lathrop by Teasdale on card tipped in at the title page. Bound in turquoise cloth, with printed paper label mounted to front cover. Some slight discoloration to spine and two short, closed tears to original price-clipped dust wrapper, which is illustrated with the drawing used as the frontispiece, still a very nice copy.

      [Bookseller: Bromer Booksellers]
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        A LA FREGATE.

      - Paris, Les Editions des Portiques, 1930. 16x25,5 cm. Ouvrage sur GRAND PAPIER. Broché. Couverture illustrée rempliée. Quelques minimes traces d'usage , sinon ouvrage en très bon état. Un des 100 exemplaires sur hollande Van Gelder (n° 58).

      [Bookseller: Librairie de l'Univers]
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        The Canterbury Tales of Geoffrey Chaucer. Together with a Version in Modern English Verse, by William Van Wyck

      NY: Covici-Freide, 1930. Two large quarto volumes. 530pp. numbered consecutively. Limited to 924 copies signed by Kent. With twenty-five full-page illustrations by Rockwell Kent, printed in brown and black, and more than fifty smaller decorations. In a unique sculptural binding signed by the Dutch artist Pierre Thielen. Executed in 1992, this breathtaking modernist binding may well become the cornerstone of Thielen's widely acclaimed work. Thielen has created a cathedral motif for the central part of the two-sided slipcase by incorporating long pointed strips of leather-covered boards of varying lengths to signify the spires of Canterbury Cathedral. Between the spires is a gold-colored staff, symbolizing the pilgrimage. The cathedral motif is repeated in both the boards of the slipcases and the bindings. Bound in calf leather, the bindings have been "patinated" in red and black, the black being Chinese ink and the red a diluted solution of acrylic paint. The whole is finished with "glaco-cuir," a book-leather wax. This exquisite binding represents the perfect complement to Kent's striking illustrations and, in juxtaposition, provides a twentieth-century context for Chaucer's Canterbury Tales. Included are the original binder's pencil and ink sketches. Some show Thielen's early designs, which were later abandoned; others show the development of the present binding, complete with a proposed color scheme. Trained in Maastricht as a master gold, silver, and wrought iron smith, Pierre Thielen is also a poet, painter, sculptor, and prize-winning binder. In an interview ("Boek en Band," 1986) he said "Jewelry of half an inch square or a very large sculpture: both are architecture. It transcends the measurements; it's the conceptual idea that has the greatness. The binding of a book, too, has a close relationship to architecture." This binding is free-standing, and functions as a graceful, beautifully crafted piece of sculpture. Although the lines are clean and modern, it recalls the upward-reaching quality of Gothic cathedrals. Few small scuffs to spine, otherwise fine in a cleverly designed, fitted box.

      [Bookseller: Bromer Booksellers]
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        Gedichte. Weisst du Schwartz du Funf Klebebilder von Max Ernst

      Zurich: Pra Verlag. 1st Edition. Soft cover. Very Good. FIRST EDITION, number 175 of 250 copies. A classic Dada work, with poems by Hans Arp and 5 plates with collaged wood engravings by Max Ernst. Zurich: Pra Verlag, 1930. Octavo, original silver paper wrappers, original dust jacket with Ernst illustration repeated from plate; custom cloth box. Wrappers with a minor soiling and a little wear to top edge; a few spots of foxing to text. Rare.

      [Bookseller: The Manhattan Rare Book Company]
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        Samson Agonistes

      - Florence - Stamperia del Santuccio, 1930 Book. Very Good. Hardcover. A limited edition of Milton's Samson Agonistes. Bound in parchment and printed on rag-paper, with watermark. Scarce. Limited edition, number 81 of 103. Includes promotional excerpt. Hammer began his apprenticeship in architecture at the age of fifteen in the studio of Camillo Sitte, author of Der Staedte-Bau nach seinen kuenstlerischen Graundsaetzen. In 1898 he transferred to the Academy of Fine Arts Vienna, which he left ten years later. Hammer produced his first type design, Hammer Uncial, in 1921. In 1922, he moved to Florence, Italy, where he set up a printing press. In 1929, he moved his printing operation into the Villa Santuccio in Florence and named it the Stamperia del Santuccio. The first book that was printed in this operation was Milton's Samson Agonistes (1931), using what would be known as his Samson Uncial type. Punches for the type were cut by Paul Koch, son of Rudolf Koch. Hammer moved to Kolbsheim in Alsace in 1934 where he designed and built a chapel on an estate for a friend. From 1936 to 1939, Hammer lived in Vienna, where he served as professor at the Akademie der Bildenden Knste. In 1939, he secretly fled Vienna due to World War II and emigrated to the United States of America, where he taught at Wells College in Aurora, New York until 1948. Here he produced American Uncial - the best known of his five typefaces. In 1948, Hammer settled in Lexington, Kentucky and was artist-in-residence at Transylvania University, a post he held until retirement in 1953. While in Kentucky, Hammer was known for designing the official seal of Louisville, which was used until the city's City-County government merger in 2003. Hammer built his wooden press in 1927 with the help of local Florentine craftsmen based on a press in the Laurentian Library; in 1960, the Laurentian's press was discovered to be a copy constructed in 1818. [1] It was first used to print Samson Agonistes. When he closed his studio in 1933 the press was stored. In 1954 it was moved to the University of Kentucky where it has been in use by the King Library Press since 1959. Samson Agonistes is a tragic closet drama by John Milton. It appeared with the publication of Milton's Paradise Regain'd in 1671. It draws on the story of Samson from the Old Testament, Judges 13-16. This is the first printed work of Victor Hammer's Stamperia del Santuccio. Victor Hammer (1882 - 1967) born in Vienna, Austria, was a painter, sculptor, printer, and typographer. The Stamperia del Santuccio was Victor Hammer's first press, established with his wife, Carolyn Reading Hammer, in 1929 in Florence, Italy. The press was located in an old villa and later relocated to Lexington, Kentucky, when the Hammers moved to the United States. Condition: The binding is tight and firm. There is almost no wear to the extremities. Internally the pages are bright with mild background spotting throughout. Overall the condition is very good..

      [Bookseller: Rooke Books]
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      London: Constable & Co Ltd.. Very Good+ with no dust jacket. 1930-34, 1938. Hardcover. Essays; royal 8 vo; Original green cloth, largely Near Fine, slight rubbing to one spine base and to top of spines of Vols 23, 27, and 32. Spines with unobtrusive mild darkening. Top edge gilt. Woodcut bookplate of William Maxwell on front pastedowns, by John Farleigh dated '33. Total of 1025 issued. One of 25, lettered "S." Signed by Shaw on Vol 1's limitation page, and inscribed, "This is William Maxwell's Copy/ and therefore a very special one/ G. Bernard Shaw/ Malvern/ 1930." Maxwell was later the printer of some other editions of Shaw's books, including: Too True to be Good/ Village Wooing/ On the Rocks (1934) and Sixteen Self Sketches (1949). Provenance- William Maxwell, bookplate. THE VOLUMES CONSIST OF THE FOLLOWING WORKS; 1**IMMATURITY****2**THE IRRATIONAL KNOT****3**LOVE AMONG THE ARTISTS****4**CASHEL BYRON'S PROFESSION****5**AN UNSOCIAL SOCIALIST****6**SHORT STORIES****7**PLAYS PLEASANT AND UNPLEASANT/ UNPLEASANT PLAYS; WIDOWER'S HOUSES; THE PHILANDERER; MRS WARREN'S PROFESSION****8** II; PLEASANT PLAYS; ARMS AND THE MAN; CANDIDA; THE MAN OF DESTINY; YOU NEVER CAN TELL****9**THREE PLAYS FOR PURITANS; THE DEVIL'S DISCIPLE; CAESAR AND CLEOPATRA; CAPTAIN BRASSBOUND'S COVERSION****10**MAN AND SUPERMAN****11**JOHN BULL'S OTHER ISLAND; HOW HE LIED TO HER HUSBAND; MAJOR BARBARA****12**THE DOCTOR'S DILEMMA; GETTING MARRIED; THE SHEWING-UP OF BLANCO POSNET****13**MISALLIANCE; THE DARK LADY OF THE SONNETS, FANNY'S FIRST PLAY****14**ANDROCLES AND THE LION; OVERRULED; PYGMALION****15**HEARTBREAK HOUISE; GREAT CATHERINE; O'FLAHERTY VC; THE INCA OF PERUSALEM; AUGUSTUS DOES HIS BIT; ANNAJANSKA****16**BACK TO METHUSALEH ****17**ST JOAN OF THE APPLECART****18**TRANSLATIONS AND TOMFOOLERIES****19**MAJOR CRITICAL ESSAYS; THE QUINTESSENCE OF ISBSENISM; THE PERFECT WAGNERITE; THE SNAITY OF ART****20**THE INTELLIGENT WOMAN'S GUIDE TO CAPITALISM AND SOCIALISM****21**WHAT I REALLY WROTE ABOUT THE WAR****22**DOCTOR'S DELUSIONS; CRUDE CRIMINOLOGY; SHAM EDUCATION****23**OUR THEATRES IN THE NINETIES, VOL I****24**OUR THEATRES IN THE NINETIES, VOL II****25**OUR THEATRES IN THE NINETIES, VOL III****26**MUSIC IN LONDON 1890-1894, VOL I****27**MUSIC IN LONDON 1890-1894, VOL II****28**MUSIC IN LONDON 1890-1894, VOL III****29**PEN PORTRAITS AND REVIEWS****30**ESSAYS IN FABIAN SOCIALISM****31**TOO GOOD TO BE TRUE; VILLAGE WOOING; ON THE ROCKS****32**THE SIMPLETON; THE SIX; THE MILLIONAIRESS****33**LONDON MUSIC IN 1888-1889 AS HEARD BY CORNO DE BASETTO**** ; Signed by Author .

      [Bookseller: poor mans books]
 26.   Check availability:     Biblio     Link/Print  

        Twenty Poems Less

      Hours Press, Paris, 1930. First Edition. Hardcover (Quarter Leather). Very Good Condition. Signed by Author. Covers illustrated by Len Lye with a photo collage. Wear at corners. slight browning to page edges. One of 200 signed copies, published the year after her failed suicide that, allegedly, broke up Robert Graves' marriage. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Signed by Author. Inventory No: 041878. .

      [Bookseller: Pazzo Books]
 27.   Check availability:     Biblio     Link/Print  


      San Casciano Val di Pesa 1930 - Leg. ed. con cust. in cart., cm, 34x24, pp 497. Tit. in rosso al piatto sup. e al dorso." Questa edizione della Divina Commedia è la riproduzione tipografica, paleograficamente esatta, del Codice Caetani, manoscritto della seconda metà del secolo XIV. Le varianti in margine furono aggiunte dall'amanuense e le postille sono state attibuite a Marsilio Ficino. opera edita a cura di Gelasio Caetani e per i tipi dei Fratelli Stianti di Sancasciano Val di Pesa, su carta a mano Miliani di Fabriano, in 300 cope numerate a macchina, delle quali 50 copie, segnate A-ZZ, sono fuori commercio. Finito di stampare il XXVIII ottobre MCMXXX. A.VIII". Ns. esemplare n.104. Copia perfetta. [Attributes: Hard Cover]

      [Bookseller: EDITORIALE UMBRA SAS]
 28.   Check availability:     AbeBooks     Link/Print  


      Paris: Éditions du Carrefour, 1930. First ed. Cahun, Claude. 8vo., 241 pp., 10 plates of photomontages. Printed paper wrappers. Moderate stain on the spine, with faint occasional spotting, primarily to the first few leaves. A very good copy. Of the total edition of 507 copies, 370 examples were printed on velin pur fil Lafuma and numbered; this copy is copy number 409. The surrealistic photomontages composed by Moore (Suzanne Malherbe, Cahun's lifelong partner), are after photos by Cahun. The book is an autobiographical collection of poems, dreams, and images. Unusual and uncommon.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
 29.   Check availability:     Biblio     Link/Print  

        Aveux no Avenus

      Paris: Éditions du Carrefour, 1930. Lightly toned at the front edge, unavoidable moderate creasing to the spine; a fresh, near fine copy in printed French-folded wrappers.. Limited Edition. Small quarto. Preface by Pierre Mac Orlan. Of 525 total copies, this is number 186 of 370 press-numbered copies on vélin pur fil Lafuma. With 10 photomontage self-portraits, printed in gravure, nine of which announce the beginning of new chapters in this landmark surrealist collaboration between Claude Cahun and her lover, Suzanne Malherbe, known as Marcel Moore.

      [Bookseller: Harper's Books, Inc.]
 30.   Check availability:     Biblio     Link/Print  

        Poems (Two) 1925 [Simultaneous and In Provins]

      London: The Aquila Prefs, 1930. Limited edition, 1 of 150 copies, this copy 'out of series'; original orange and cream patterned boards, designed by Elliot Seabrooke, 4to, unpaginated. Not signed by Cunard. Upper, outer corners bent with faint residual crease, slight rubbing to extremities, and a trace of soiling.. First Edition. Hard Cover. Near Fine.

      [Bookseller: Idler Fine Books]
 31.   Check availability:     Biblio     Link/Print  

        Irish Names of Places

      Dublin, Cork, Belfast - Phoenix Publishing Co. 1930 - A complete set of this topographical reference work on Irish place names. Including chapters on The Irish Local Name System, Names Of Historical and Legendary Origin, Names Descriptive of Physical Features and much more. With decorative head and tail pieces. Bookplate of Heraldry Today to rear pastedown. Complete in three volumes. Condition: In cloth bindings. Externally, smart, though with some slight bumping. Slight cockling to the cloth on theboards. Internally, generally firmly bound though strained in places. Pages are bright and quite clean. Overall: VERY GOOD. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
 32.   Check availability:     AbeBooks     Link/Print  


      Paris: Chez Sylvain Sauvage, 1930. Very fine. A sumptuous production in elegant bindings. No. 37 of 40 copies on handmade Montval paper, with an extra suite of plates in black with remarques, and with an original hand-colored drawing with remarque signed by Sylvain Suvage (as frontispiece). This with an additional colored engravings on silk with remarque mounted on the front flyleaf. Total edition 165 Two volumes. Folio. Illustrated by Sylvain Sauvage with colored copperplate engravings, including the title-pages. Bound by Maurice Trinckval in full red crushed morocco, t.e.g. the the spine in uneven panels with gilt titles, the panels with crosshatch gilt designs with onlaid black frames, the covers with oval frame designs with crosshatch backgrounds and onlaid black frames, watered silk doblures and flyleaves, additional marbled flyleaves. Original wrappers bound in

      [Bookseller: First Folio]
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        Vile Bodies

      London: Chapman & Hall Ltd, 1930., 1930. FIRST EDITION, SIGNED BY THE AUTHOR. 8vo. Striking pictoral red and black title page. Bound in original combed-marble effect cloth, titled in gilt to spine. Moderate general wear, slightly dulled to spine. Internally clean. Slight stain to a few page edges at rear of page block. A very good, clean copy without the dustwrapper. This copy signed by the redoubtable Mr. Waugh to the dedication page. A scarce object signed. The novel is dedicated to Bryan and Diane Guinness; he was a Guinness heir and one of London's 'bright young things' and his wife was formerly Diane Mitford, sister of novelist Nancy, who later divorced him for Oswald Mosley, Britain's leading fascist during the 1930s.

      [Bookseller: Adrian Harrington Rare Books]
 34.   Check availability:     Biblio     Link/Print  

        The History of the Peloponnesian War. Translated into English by Benjamin Jowett, M.A

      Chelsea: Printed at the Ashendene Press, 1930. . Limited edition, one of 260 copies of a total edition of 280, there being 20 copies printed on vellum. Folio. (2), 363, (1) pp. Original full white pigskin by W.H. Smith & Son with their discreet gilt stamp to the foot of the rear pastedown, spine with raised bands, gilt lettered to two panels, all edges uncut, the bookplate of Vyvyan Edwards to the front pastedown. Spine slightly tanned, a very attractive copy. Printed by St. John Hornby at the Ashendene Press at Shelley House, the opening lines of each book and the marginal notes are printed in red and were designed by Graily Hewitt. The main part of the text is printed in black using Ptolemy type while the marginalia utilises Blado Italic. A finely printed work.

      [Bookseller: Bow Windows Bookshop]
 35.   Check availability:     Biblio     Link/Print  

        The Works

      New York: Doubleday, Doran & Co.,, 1930. The Crowborough Edition. 24 volumes, octavo. Recent dark blue morocco, twin morocco title labels burgundy, titles and decoration to spines, roll to boards gilt, marbled endpapers, top edges gilt. With photogravure frontispiece portrait in volume I. A fine set. The Crowborough edition, limited to 760 numbered sets. Signed on the limitation page by Arthur Conan Doyle in volume one. "The Crowborough Edition was intended to be a complete and definitive edition of the author's works of fiction. [Doyle] was to have revised each book, written new prefaces, and arranged the stories in their final order. Unfortunately he was prevented from doing so by illness and by his other commitments … [The Crowborough Edition] reprints the introductions from the Author's Edition, but otherwise is set from the existing editions without any corrections" (Green and Gibson A 61).

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  

        Forschungsinstitute. Exemplar des Verfassers

      Hamburg, Paul Hartung, 1930.: Besonderheiten; Forschung; Forschungsgemeinschaft; Forschungsgeschichte; Geschichte; History; Philosoph; Science; Wissenschaftsgeschichte; Wissenschaftslehre; Wissenschaftsphilosophie; Wissenschaftstheorie. 4°.. Schöne Ganzlederbände auf zwei unechten Bünden und je einem Wappensupralibro auf dem Vorderdeckel. Titel auf Rücken und Vorderdeckel in Gold. Die Kanten etwas berieben. Exemplar des Herausgebers Ludolph Brauer - mit seinem Besitzstempel versehen. Exemplar des Verfassers Ludolph Brauer. 2 Bände, 1930. Vollständig. Minimale Anstreichungen im Inhaltsverzeichnis. Abgabestempel der Uni Frankfurt verso dem Titel.

      [Bookseller: Old Head Books & Collections]
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        The Mysterious Mr. Quin

      NY: Dodd, 1930. First Edition. Some minor cover bumps and light soiling, else VG+ in a VG Dust Jacket with minor fraying at spine extremities and with small internal chip to back panel. Short stories with the occultish Harley Quin. Uncommon in DJ

      [Bookseller: Mystery Cove Book Shop]
 38.   Check availability:     Biblio     Link/Print  

        Photograph album of yachting and deep-sea fishing cruises with manuscript titles:] Southern Cruise of the Yacht "Ara" [to the Bahamas and Cuba], Feb. 1925 [and:] Southern Cruise of the Yacht "Ara" from Miami (Fisher's Island) Fla. [to Haiti, Jamaica, and Cuba] on March 6th to April 2nd, 1930

      n.p., 1925; 1930 - A private family album documenting two of the tours of the celebrated yacht Ara, owned by William K. Vanderbilt II. Although Vanderbilt published numerous volumes recording his cruises, these voyages do not appear among his published logs. The photographs are captioned by his daughter Muriel, who records numerous details in a neat hand. The cast of characters in 1925 includes "Pops" (Wm. K. Vanderbilt II), "Self" (Muriel), her sister Consie (Consuelo), Muriel's fiancé Freddy (Frederic C. Church, Jr., whom she married in July 1925 and divorced in 1929), Ellen, & Dick. Muriel's uncle Harry (Harold S. Vanderbilt) makes a walk-on appearance in Key West. Among the party's activities was fishing, with more than a dozen photographs showing the sisters working the rod, members of the party with the morning's catch (variously tuna, barracuda, shark, and a sea turtle), and portraits of the three young ladies, Dick, and Freddy, each holding a trophy catch. The 1930 cruise to Haiti, Jamaica, and Cuba, with a party including Muriel, "Pops", Rosie (his second wife, Rosamund), and Tony, comprises views from the yacht and at ports of call, as well as many scenes of rafting on the Rio Grande River and a few snapshots of fishing on the Demaji River (where the log details three days of successful tarpon fishing, not illustrated). The group of post cards includes scenes in Cuba, Haiti, Lake Tahoe, and the Monterey coast in California, including several real photo cards of the Pebble Beach area, among them a shot of woman golfer Marion Hollins on the 7th Green. A window into a lost world of private travel and an excellent visual record of two Vanderbilt family cruises, with good sporting content (VANDERBILT, WILLIAM K., II) Oblong 4to. With 155 photographs (86 3-1/2 x 6 inches; 69 3 x 4-1/2 inches) corner mounted on album leaves, 2 to 4 per page, captioned in ink by Muriel Vanderbilt. 94 numbered pages, of which pages 49-80 additionally contain 63 mounted post cards (10 real photo post cards, 32 printed color cards, 21 black & white cards). With 5-page typescript log of 1930 cruise inserted at p. 28. Black leatherette album, with leaves on two posts, tied with cord. Condition generally very good to fine, some photos with fading or silvering. For the Ara cf. Toy 608 & 758 (for 1924 & 1926 cruises); Morris & Howland p. 148

      [Bookseller: James Cummins Bookseller, ABAA]
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      New York: Random House, 1930. Book about fine with no scratching to cover designs, dust jacket complete with only slight rubbing to spine. Owner's inscription.. First trade edition xxxi, 825p. Illustrated by Rockwell Kent. Black cloth with pictorial design in silver on upper cover and spine Scarce in nice original dust jacket. Perhaps the best we have seen in thirty years.

      [Bookseller: First Folio]
 40.   Check availability:     Biblio     Link/Print  

        Les Manches hypocrites".

      1930 - Encre de Chine, mine de plomb et rehauts de blanc, titrée, (1930), 28 x 22 cm, encadré. Une jeune femme porte une robe aux manches longues évasées et ouvertes, ce qui lui permet de jouer avec les pans de tissus lorsqu'elle enlace son amant.Léon BENIGNI (1892-1948) a illustré Alfred de MUSSET (Bénézit, I, 624-25). Il travaille surtout pour la presse de mode en France et à l'étranger ; il participe aux revues Vogue, Frou-Frou, Fantasio, Femina, Modes et Travaux, L'Officiel, Art-Goût-Beauté, Art et Industrie. (France) ; Harper's Bazaar (Angleterre) ; Die Dame et Elegante Welt (Allemagne) ; La Donna (Italie) (Dico Solo, 67). Il réalise des publicités pour les marques suivantes : Rouge Baiser, RIVAL (rouge à lèvres), Mauboussin, le paquebot L'Atlantique, Frigeco, les fourrures Brunswick, les grands magasins (La Samaritaine, Le Bon Marché, La Grande Maison de Blanc, Le Louvre, Le Printemps), Ford. ; les couturiers HERMES, Jeanne LANVIN, Jacques FATH, WORTH, Jean PATOU, SCHIAPARELLI, ROCHAS, Paul POIRET, Pierre IMANS. ; il réalise des modèles pour les tissus Koechlin, les filatures Prouvost et la maison Clark's (Pages d'Or de l'édition publicitaire, p. 255). Oeuvre originale

      [Bookseller: Librairie Chretien]
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        Jeanne Lanvin, Jacques Fath - Modèles de manteaux.

      1930 - Encre de Chine et gouache verte, mine de plomb, annotations marginales, (1930), sur papier cartonné, 28 x 12.4 cm., encadrée. Trois modèles de manteaux pour FATH et LANVIN. Jacques FATH (1912-1954) se forme en autodidacte d'après les livres de mode et les collections des musées ; il forme de nombreux couturiers, dont GIVENCHY. Les manteaux présentés par BENIGNI évoquent la célèbre collection "Lys", dont les jupes sont conçues pour ressembler à des fleurs et qui habille la parisienne chic d'après-guerre ; l'amplitude a été apportée par les années de guerre, afin de permettre aux femmes de circuler en jupe à bicyclette. Les actrices Ava Gardner, Rita Hayworth ou Greta Garbo portent ses modèles. Jeanne LANVIN (1867-1946) fait son apprentissage dès l'âge de 13 ans chez des modistes et des chapeliers ; après la naissance de sa fille, elle se lance dans les vêtements pour enfants qui connaissent un tel succès qu'elle créé des modèles pour femmes. Pour garder l'exclusivité de ses couleurs, elle lance ses propres ateliers de teinture : le "vert vélasquez", phare de la maison, a été utilisé par BENIGNI en fond de son dessin.Léon BENIGNI (1892-1948) a illustré Alfred de MUSSET (Bénézit, I, 624-25). Il travaille surtout pour la presse de mode en France et à l'étranger ; il participe aux revues Vogue, Frou-Frou, Fantasio, Femina, Modes et Travaux, L'Officiel, Art-Goût-Beauté, Art et Industrie. (France) ; Harper's Bazaar (Angleterre) ; Die Dame et Elegante Welt (Allemagne) ; La Donna (Italie) (Dico Solo, 67). Il réalise des publicités pour les marques suivantes : Rouge Baiser, RIVAL (rouge à lèvres), Mauboussin, le paquebot L'Atlantique, Frigeco, les fourrures Brunswick, les grands magasins (La Samaritaine, Le Bon Marché, La Grande Maison de Blanc, Le Louvre, Le Printemps), Ford. ; les couturiers HERMES, Jeanne LANVIN, Jacques FATH, WORTH, Jean PATOU, SCHIAPARELLI, ROCHAS, Paul POIRET, Pierre IMANS. ; il réalise des modèles pour les tissus Koechlin, les filatures Prouvost et la maison Clark's (Pages d'Or de l'édition publicitaire, p. 255). Livres

      [Bookseller: Librairie Chretien]
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        Couple de cavaliers".

      1930 - Gouache et encre de Chine, rehauts d'or, (1930), sur papier collé sur calque, 31.5 x 16.7 cm., encadrée. L'artiste représente un couple de cavaliers sur fond d'or, elle pied à terre, lui à cheval. Les vêtements, dans les tons rouge et or, se détachent de manière graphique. Le mois de "novembre" est inscrit à la main dans la marge droite, ainsi qu'un essai de lavis. Léon BENIGNI (1892-1948) a illustré Alfred de MUSSET (Bénézit, I, 624-25). Il travaille surtout pour la presse de mode en France et à l'étranger ; il participe aux revues Vogue, Frou-Frou, Fantasio, Femina, Modes et Travaux, L'Officiel, Art-Goût-Beauté, Art et Industrie. (France) ; Harper's Bazaar (Angleterre) ; Die Dame et Elegante Welt (Allemagne) ; La Donna (Italie) (Dico Solo, 67). Il réalise des publicités pour les marques suivantes : Rouge Baiser, RIVAL (rouge à lèvres), Mauboussin, le paquebot L'Atlantique, Frigeco, les fourrures Brunswick, les grands magasins (La Samaritaine, Le Bon Marché, La Grande Maison de Blanc, Le Louvre, Le Printemps), Ford. ; les couturiers HERMES, Jeanne LANVIN, Jacques FATH, WORTH, Jean PATOU, SCHIAPARELLI, ROCHAS, Paul POIRET, Pierre IMANS. ; il réalise des modèles pour les tissus Koechlin, les filatures Prouvost et la maison Clark's (Pages d'Or de l'édition publicitaire, p. 255). Oeuvre originale

      [Bookseller: Librairie Chretien]
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        La Diligence".

      - Encre de Chine et rehauts de blanc, sur papier cartonné, 26 x 17 cm, joint la gravure en noir, sur papier cartonné souple, (1930), 13 x 21 cm. On retrouve dans cette gravure toute l'influence du XVIIIe français sur l'Art Déco.Léon BENIGNI (1892-1948) a illustré Alfred de MUSSET (Bénézit, I, 624-25). Il travaille surtout pour la presse de mode en France et à l'étranger ; il participe aux revues Vogue, Frou-Frou, Fantasio, Femina, Modes et Travaux, L'Officiel, Art-Goût-Beauté, Art et Industrie. (France) ; Harper's Bazaar (Angleterre) ; Die Dame et Elegante Welt (Allemagne) ; La Donna (Italie) (Dico Solo, 67). Il réalise des publicités pour les marques suivantes : Rouge Baiser, RIVAL (rouge à lèvres), Mauboussin, le paquebot L'Atlantique, Frigeco, les fourrures Brunswick, les grands magasins (La Samaritaine, Le Bon Marché, La Grande Maison de Blanc, Le Louvre, Le Printemps), Ford. ; les couturiers HERMES, Jeanne LANVIN, Jacques FATH, WORTH, Jean PATOU, SCHIAPARELLI, ROCHAS, Paul POIRET, Pierre IMANS. ; il réalise des modèles pour les tissus Koechlin, les filatures Prouvost et la maison Clark's (Pages d'Or de l'édition publicitaire, p. 255). Livres

      [Bookseller: Librairie Chretien]
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        Promenade devant l'Arc de Triomphe".

      1930 - Encre de Chine, initiales de l'artiste en bas à gauche, (1930), 25 x 21 cm. Deux jeunes femmes se promènent devant l'Arc de Triomphe sur l'avenue des Champs Elysées ; l'une d'elle porte un renard en guise d'étole.Léon BENIGNI (1892-1948) a illustré Alfred de MUSSET (Bénézit, I, 624-25). Il travaille surtout pour la presse de mode en France et à l'étranger ; il participe aux revues Vogue, Frou-Frou, Fantasio, Femina, Modes et Travaux, L'Officiel, Art-Goût-Beauté, Art et Industrie. (France) ; Harper's Bazaar (Angleterre) ; Die Dame et Elegante Welt (Allemagne) ; La Donna (Italie) (Dico Solo, 67). Il réalise des publicités pour les marques suivantes : Rouge Baiser, RIVAL (rouge à lèvres), Mauboussin, le paquebot L'Atlantique, Frigeco, les fourrures Brunswick, les grands magasins (La Samaritaine, Le Bon Marché, La Grande Maison de Blanc, Le Louvre, Le Printemps), Ford. ; les couturiers HERMES, Jeanne LANVIN, Jacques FATH, WORTH, Jean PATOU, SCHIAPARELLI, ROCHAS, Paul POIRET, Pierre IMANS. ; il réalise des modèles pour les tissus Koechlin, les filatures Prouvost et la maison Clark's (Pages d'Or de l'édition publicitaire, p. 255). Oeuvre originale

      [Bookseller: Librairie Chretien]
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        By E.E. Cummings. Signed Limited Edition

      London: Covici, Friede, 1930.. Limited Edition [75/491]. Grey hardback cloth cover. G: in Good condition without dust jacket. University of Chicago ex lib plate to front endpaper - no other library stamps or markings. . Covers lightly marked. Inner hinges cracked. 320mm x 250mm (13" x 10"). 63pp. Illustrated plates by E.E. Cummings. Signed by the author on the Limitation page to the rear of the book.

      [Bookseller: Barter Books Ltd]
 46.   Check availability:     UKBookworld     Link/Print  

        Hero et Leandre

      Le Livre Contemporain Paris 1930. First Edition. Softcover. Fine/No Jacket. no. 21 of limitation of 125. Illustrations by A E Marty. 8vo A fine copy with red, black and white text and illustrations throughout. Fine unmarked copy without spotting, foxing or inscriptions in original printed wrappers, chemise and slip-case. The chemise torn with loss to head with unaffected paper title label to spine, the slip-case split to head and torn on back.

      [Bookseller: finecopy]
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        Ten Poems More

      Paris: Hours Press, 1930. Pictorial boards (by Len Lye) with quarter bound leather spine, gilt stamped. First Edition, #101 of 200 signed by author. Rubbed at edges and extremities. Signed By the Author. First, Limited Edition. Hard Cover. Very Good/No Jacket. Quarto.

      [Bookseller: Contact Editions]
 48.   Check availability:     Biblio     Link/Print  


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