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Displayed below are some selected recent viaLibri matches for books published in 1930

        KONIG DAME BUBE. (KING QUEEN KNAVE).Signed.

      Vertag Ullstein, Berlin 1930 - Inscribed Rarity. Nabokov, Vladimir. KONIG DAME BUBE [King Queen and Knave]. Berlin: Vertag Ullstein, [1930]., Extraordinary Presentation Copy of the First German Edition published two years after the first edition in Russian which was also issued i n Berlin [Juliar A9.1]. 8vo. 266 pp. Original publisher's oatmeal cloth covered boards showing modest use. An excellent, very good tight copy. Nabokov has inscribed the book to: " L. and B. Thompson / with the author's best love / Berlin VIII. 30 " [Lisbeth and Bertram were very close friends of the Nabokov's for over 40 years.] Included is a further five line inscription by Nabokov about the figures illustrated on the dustwrapper [not present] & their relationship to the characters in the book, as well as a holograph comment on the title page regarding the origins of the subtitle. In all, a unique presentation indeed indicating some of the author's sentiments concerning the production of this edition. Nabokov presentations are uncommon especially those of such a personal & generous nature. Custom Clamshell Case. [Juliar D9.1] [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Selbstbildnis (mit Hut im Atelier). Radierung. 1924. Unten rechts in Bleistift signiert.

      - 26,9 : 20,8 cm auf Vélin 41 : 31 cm. Flamman 217 (dort als „Selbstbildnis Ludwig Meidner XXXI" bez.). – Söhn HDO, VII, 72721-6. – Aus „Die Schaffenden, VII. Jahrgang, 1. Mappe (1930). Eines von 100 Exemplaren der Ausgabe auf Vélin. – Sehr schöner, kräftiger und stark toniger Druck in einem ganz frischen, vollrandigen Exemplar. – Selten.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        The Bridge

      Paris: Black Sun Press 1930 - First Edition. Quarto in slipcase. Number 106 of 200 press-numbered copies, with the number tag laid in. A brilliant copy of one the most important American poetry volumes of the 20th century, featuring three tissue-protected photographs by Walker Evans (his first published images). Small areas of offsetting to the wrappers at the opening of the slipcase (as usual), else fine in wrappers, in the close to near fine silver slipcase, strengthened at the bottom edge. [Attributes: First Edition]

      [Bookseller: Harper's Books, ABAA]
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        THE BRIDGE A POEM . WITH THREE PHOTOGRAPHS BY WALKER EVANS.

      Paris: The Black Sun Press, 1930. - Quarto. Original printed wrappers. Very faint shadow to spine area around slipcase finger- pulls, otherwise a fine copy, in rather scuffed and rubbed silver foil covered slipcase, with a significant portion of lower (or upper) panel snagged (but present and still whole). First edition, trade issue. From a total edition of 283 numbered copies, this is one of two hundred copies with the text printed on Holland. Now acknowledged as among the defining poetic works of the American 20th century, THE BRIDGE also marks the debut of Walker Evans' photographs as book illustrations. Although Crane and the Crosbys had initially planned to use one of Joseph Stella's iconic paintings as the frontispiece, and a corresponding proof of the title pulled, they opted instead to include the photographs by Evans, who Crane had actually met at the Brooklyn Bridge in 1928. Crane was engaged with the decision, taking a careful hand in the placement of the photographs in relation to the text, and pleased with the final result, noting in a letter to Caresse Crosby: "I think Evans is the most living, vital photographer of any whose work I know. More and more I rejoice that we decided on his pictures rather than Stella’s." While one may surely regret that the edition with Stella's frontispiece didn't come about, the conjoining of Evans' photographs with Crane's poem has proved a durable aesthetic marriage, particularly after the selection of photographs was revised for the subsequent Liveright edition. SCHWARTZ & SCHWEIK A2. MINKOFF A32. MODERN MOVEMENT 64.

      [Bookseller: William Reese Company - Literature, ABAA]
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        Dix Portraits

      Éditions de la Montagne, Paris, 1930 - Illustrations by Picasso, Tchelitchef, Bérard, Tonny and E. Berman Of 100 numbered copies with illustrations, this is one of only 25 copies on Holland Van Gelder paper, signed by the author and by the translators. Fine unopened copy in original outer glassine protective wrapper Wilson & Uphill A15b [Attributes: First Edition; Soft Cover]

      [Bookseller: Bertram Rota Ltd]
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        Monuments de l'Égypte Gréco-Romaine Publiés par la Sociéte Royale d'Archeologie d'Alexandrie sous les Auspices de sa Majesté Fouad Premier Roi d'Égypte: Tome Deuxième (Volume II: Part I and II)

      Officine Dell' Istituto Italiano D'Arti Grafiche 1930 & 1934, Bergamo - 2 volumes. 1930 volume: Folio. 90pp. of text followed by 77pp. of plates. Half vellum over gray boards with black lettering. Discoloration and some staining to spine and boards. Small tear to head and tail of spine. Corners bumped and worn. Top edge gilt. Hinges starting. 1934 volume: Folio. 72pp. of text followed by 122pp. of plates. Paper covered boards with black lettering to cover and spine. Letters on spine faded. Tearing and chipping to backstrip. Foxing to boards, page edges and to spine. Corners bumped. Wear to edges and corners. Small stamp of previous owner to endpaper, blank page and to title page not affecting text. "Terrecotte Figurate Greche E Greco-Egizie Del Museo Di Alessandria." Two wonderful volumes on Greek-Roman, and Egyptian Terra-cotta sculpture from the collections of the "Museo Di Alessandria". The author Evaristo Breccia (1876-1967) was the director of the Greco-Roman Museum in Alexandria as well as an archaeologist. Illustrated with full page color, b/w and sepia toned plates. Volume I. of this series was published in 1926. Binding on both volumes in fair, internally in very good condition. [Attributes: Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        Le droit de Varech précédé par Le muet ou les secrets de la vie

      Paris, Editions de la Montagne 1930 - Livre épuisé 22,7 x 16,6 cm, broché, couv. rempliée, 233 pp. Condition : Edition originale ornée de 5 lithographies originales hors texte d'Eugène Beurman. L'un des 25 ex. sur papier vélin de Hollande (après 10 ex. sur Japon impérial), seuls exemplaires comportant les illutrations avec les 65 ex. sur vélin d'Arches. Ex n°32 signé par G. Hugnet et E. Beurman. Parfait état, non coupé. 400g. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Faustroll]
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        Pepys His Life and Character

      London: William Heineman, 1930. A COSWAY BINDING. 1 volume, extra illustrated. Bound in full blue morocco, ribbed gilt decorated spine, spine sunned, covers ruled in gilt and gilt pointelle designs in corners, gilt dentelles, ivory inlaid oval plaque under glass to front cover of Pepys, blue silk morie doublures and endpapers, all edges gilt, by Bayntun/Riviere. Inner and outer hinges fine, head and foot of spine fine aside for the sunned spine a VERY GOOD copy of a cosway binding.

      [Bookseller: D&D Galleries - ABAA]
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        BOOK OF THREE DRAGONS .

      New York, Toronto: Longmans, Green and Co., [1930] - Large octavo, pp. [1-2] [i-iv] v-vii [viii] ix-xii [1-2] 3-206 [207-210: blank] [note: first and last two leaves are blanks], eight inserted plates with illustrations by Ferdinand Huszti Horvath, original decorated green cloth, front and spine panels stamped in gold, top edge stained red, pictorial endpapers. First edition. The scarce trade issue with "Longmans, Green" imprint on title page and "first edition" on copyright page, not the later more common "Junior Literary Guild" issue. Celtic fantasy recasting the first and third branches of the Mabinogion. Clute and Grant (eds), The Encyclopedia of Fantasy, pp. 663-64. Locke, A Spectrum of Fantasy, p. 161. Schlobin, The Literature of Fantasy 797. Survey of Modern Fantasy Literature II, pp. 539- 42. Tymn (ed), Fantasy Literature, pp. 143- 44. Reginald 10395. Not in Bleiler (1948; 1978). The usual patchy fading to cloth (a cloth dye defect, not abuse), else a fine copy in near fine four-color pictorial dust jacket with light wear along edges and several closed tears and associated wrinkles to same, latter largely at corners of rear panel. Overall, a very nice example of an uncommon jacket. (#104178) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Poems - The Orators: An English Study - Look, Stranger! - Some Poems - Another Time - For the Time Being - The Age of Anxiety - Collected Shorter Poems 1930-1944 - Nones - City without Walls - Academic Graffiti - Epistle to a Godson and Other Poems - W.H. Auden: The Life of a Poet (Biography by Charles Osborne)

      London: Faber and Faber/Eyre Methuen, 1930 - 1980 - A. Works by the Author: 1. Poems. London: Faber & Faber, 1930. Second Edition (1933), Sixth Printing (1943). Near fine in similar dustwrapper. 2. The Orators - An English Study. London: Faber & Faber, 1932. Second Edition (1934), Third Printing (1946). Spine crooked, else near fine in like dustwrapper, which is darkened along the spine. 3. Look, Stranger! London: Faber & Faber, 1936. First Edition, Third Printing (1939). A near fine copy. 4. Some Poems. London: Faber & Faber, 1940. First Edition, Fifth Printing (1946). Very good in fine dustwrapper. 5. Another Time. London: Faber & Faber, 1940. First Edition, Fifth Printing (1946). A near fine copy in a very good dustwrapper, which is faded on the spine and torn on the front top and bottom, though without loss. The line "We must love one another or die" in the poem "September 1, 1939" - which was later first changed into "We must love one another and die", then dropped from the poem before the poem was dropped altogether - still in its original form. Contains some of the poet's most famous and popular poems like: "XXI. Musée des beaux arts" and "O Tell Me the Truth About Love." 6. For the Time Being. London: Faber & Faber, 1945. First Edition, Third Printing (1946). Near fine in like dustwrapper, which is slightly chipped at the top of the darkened spine. 7. The Age of Anxiety. London: Faber & Faber, 1948. First Edition. First Printing. Book is fine apart from some pencilled notes, particularly on the verso of the rear free endpaper. Dustwrapper with vertical creases along the middle of the front and back, slightly faded, pencilled notes all over the inside and across the back, and one word to the front. Still a very presentable copy, which could be cleaned up if you wish to do so. 8. Collected Shorter Poems 1930-1944. London: Faber & Faber, 1950. First Edition. First Printing. Book is fine apart from some foxing to the front edge. Dustwrapper faded on the spine and front edges, creased along the top without loss, with a one inch tear above the middle of where the back flap folds. Still a near fine copy of Auden's first collected edition of his poems. 9. Nones. London: Faber & Faber, 1952. First Edition. First Printing. Book is fine apart from some minimal fading to the top of the boards. Orange Dustwrapper faded along spine and top edges, and there is a small area to the back that looks like a label was removed. A very presentable copy. 10. City without Walls. London: Faber & Faber, 1969. First Edition, Second Printing (1970). Fine. 11. Academic Graffiti. Illustrated by Filippo Sanjust. London: Faber & Faber, 1971. First Edition. First Printing. Book is fine. 12. Epistle to a Godson and Other Poems. London: Faber & Faber, 1972. First Edition. First Printing. Book is near fine. B. Works on the Author: 1. (Auden, W.H.) Osborne, Charles. W.H. Auden - The Life of a Poet. London: Eyre Methuen, 1980. First Edition, First Printing. A fine copy in a fine dustwrapper, which is slightly faded on the spine. Price for the collection: CHF 750. Please note that due to size and weight we will have to charge additional postage. [Attributes: Hard Cover]

      [Bookseller: Yves G. Rittener - YGRbookS]
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        SIX AQUARELLES ORIGINALES : projet de décor d'ASSIETTE POUR "LE PAQUEBOT NORMANDIE" : signées MEHEUT (POUR LA MANUFACTURE DE SEVRES ou HENRIOT QUIMPER)

      1930 - Aquarelle six Aquarelles Originales en bleu, rouge et orangé , sur papier crème format : cercle de 8 cm de diamètre, décor pour 1 assiette, signature en bleu aquarelle dans le cercle (3 sur 6 sont signées), sans date (1930 environ), sans lieu ( A priori : la Manufacture de Sèvres ou Méheut à travaillé dans les années 1927/1933) + ."Méheut, d'un seul coup, se révèle au grand public dans cette superbe exposition qu'il fit de ses œuvres, ou plutôt de son œuvre, au musée du Louvre, dans la section des Arts décoratifs, Cette surprenante exposition qui fit courir tout Paris et où les vrais amateurs d'art se disputèrent les plus minuscules croquis du jeune maître, mit du même coup en pleine lumière le nom de Mathurin Méheut qui devint pour tous le peintre de la Mer. Il pourrait, en vérité, après ce succès prodigieux s'offrir un écu armoriai avec hippocampe moucheté sur champ d'anémones constellé d''étoiles". .[reférences : encyclopédie des céramiques de Quimper (Théallet - Verlingue) tome V - pages 129 à 160].UNIQUE.signé MEHEUT .A priori : .POUR LA MANUFACTURE DE SEVRES ou HENRIOT QUIMPER.Superbe et dans un parfait état de fraicheur et ici pour "le Normandie" d'une trés grande Modernité. . La Librairie Guimard offre aux clients AbeBooks 15% de réduction sur l'ensemble de son catalogue. Prix d'origine : 2300 EUR.

      [Bookseller: Librairie Guimard]
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        Oeuvres complètes illustrées (10 Tomes - Complet). Tome 1 : Boubouroche ; Tome 2 : Les tribunaux ; Tome 3 : La vie de ménage ; Tome 4 : Contes et nouvelles Tome Premier ; Tome 5 : Contes et nouvelles Tome Second ; Tome 6 : Rimes et Saynettes ; Tome 7 : Le Train de 8 H 47 ; Tome 8 : Les gaîetés de l'escadron ; Tome 9 : Les linottes ; Tome 10 : Messieurs les-Ronds-de-Cuir

      Librairie de France 1930 - Un des 17 exemplaires hors commerce numéroté sur Hollande Van Gelder numéroté, complet des suites, Tome 1 : ill. de Dunoyer de Ségonzac ; Tome 2 : ill. de Jean-Louis Forain ; Tome 3 : ill. de Dignimont ; Tome 4 : ill. de Dignimont ; Tome 5 : ill. de Boussingault ; Tome 6 : ill. par André Falké ; Tome 7 : ill. de Gus Bofa ; Tome 8 : ill. par Jean Marchand ; Tome 9 : ill. par Jean Oberlé ; Tome 10 : ill. par André Villeboeuf, 10 vol. in-8 carré br. sous jaquette éditeur de couleur sous chemise cartonné et étui, , Librairie de France, Paris, 1930-1931, 275 ; 297 ; 272 ; 303 ; 310 ; 334 ; 297 ; 325 ; 339 ; 243 pp. Complet. Un des 17 exemplaires hors commerce numéroté sur Hollande Van Gelder numéroté, complet des suites. Rare exemplaire du tirage sur papier hollande, complet des suites des illustrations. Etat satisfaisant (étuis frottés dont deux abîmés, bon état par ailleurs). Rare. Langue: Français [Attributes: Soft Cover]

      [Bookseller: Librairie du Cardinal]
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        Kim. Traduit par Louis Fabulet et Ch. Fountaine-Walker. Illustration de F. L. Schmied. [One of 10 copies, with an Original Schmied Watercolor].

      Gonin et Cie, Editeurs, Lausanne [Switzerland]. Number 9 of 10 copies (of a total of 140), with an original, signed Schmied watercolor illustration, but lacking the suite of extra plates. 1930 - [Limitation statement]: "Cette edition a ete tiree [there have been printed] 140 exemplaires [copies] numerotes et signees. Les dix premiers exemplaires [the first 10 copies] comportent une aquarelle originale [an original watercolor illustration] et une triple suite des gravures [this copy lacks this triple suite of engravings]; les trente [30] exemplaires suivants comportent une double suite des gravures. Il a ete tire en outre vingt [20] exemplaires hors commerce numerotes en chiffres romains. Exemplaire No. 9 [signed]: Gonin + Cie." "Les compositions qui ornent cet ouvrage sont de F. L. Schmied; elles ont ete gravees sur bois et imprimees en couleurs par Ph. Gonin. Collaborateur: Dill. Acheve d'imprimer le 28 fevrier 1930.". Size of the bindings: 10 inches x 12 1/4 in. x 2 1/4 in. (thick), Volume 1: half-title with small red bull design in colors, dedication page with limitation and with the publisher's signature on the reverse of the dedication page; watercolor illustration of a red bull, signed in ink by Schmied; second half-title; title-page printed in red, black and gray with Plus Haut design. Text: pp. [9]-[268] + [1]p. list of illustrations. With 8 heading illustrations & 8 full-page, both in colors, as well as tail-pieces, etc. Volume 2: half-title with small design of red bull; half-title; title-page printed in red, black and gray with Plus Haut design. Text: pp.[5]-[264] + [1]p. list of illustrations + printer's colophon leaf with design. 7 heading illustrations & 6 full-page, both in colors, and tail-pieces, etc. The text is in French. Bound in full, dark green morocco leather (the spines have faded to light brown), with the author's name and title and illustrator's name gilt on the spine, with one or two white dots on each spine for the volume numbers, the front and back covers of each volume feature a circular, concentric design, which is formed of two cut out, leather-covered forms which are mounted in a circular cut out well, lined with a white plastic material. The circular cut out forms display the title: KIM in gilt letters and gilt dots, the central form bears a gilt sunburst type design formed of small dots, around a larger gilt dot, these are repeated in each corner of the front and back covers, the mounted title form on the back covers does not display the lettered word Kim, but does have the sunburst design on the central form; multicolored, sewn headbands; inner leather turn-ins with green slik endpapers, and green, brown and gold marbled flyleaves. The binding is unsigned, but possibly designed by Schmied, who also used Crette and Dunand to design and execute bindings for his books; the design also seems to echo some of Paul Bonet's early work, in the use of the circular forms with lettering. The spines show fading, some rubbing to the leather surfaces of the spines, spine ends, outer hinges. In dark green & gold-flecked paper-covered slipcases, with brown morocco leather facings. The slipcase for volume one, shows splitting, which has been covered with green cloth tape, at some point to reinforce the edges. Weight: 15 lbs. Postage is extra on this item. Ward Ritchie: "Art Deco: The Books of Francois-Louis Schmied" (1987), # 32; page 37.(French text). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        KIM. Traduit par Louis Fabulet et Ch. Fountaine-Walker. Illustration de F.-L. SCHMIED. [2 volumes].

      1930 - Lausanne, Gonin et Cie, 1930. Deux volumes grand in-quarto (252 X 314) en feuilles sous couverture blanche illustrée d'un bois gravé en couleurs sur le premier plat, chemise demi-percaline grise, vignette de titre au dos, étui de l'éditeur. Tome I : 267 pages, (1) page, (1) f. blanc, (1) f. de table des illustrations, (2) ff. blancs ; Tome II : 263 pages, (1) page, (1) f. blanc, (2) ff. de table des illustrations et achevé d'imprimer, (1) f. blanc. PREMIER TIRAGE des 57 COMPOSITIONS en couleurs de François-Louis SCHMIED dont 15 en-têtes, 15 lettrines, 15 illustrations à pleine-page et 12 culs-de-lampe. Elles ont été gravées sur bois et imprimées en couleurs par Philippe Gonin avec la collaboration de Gill. Tirage limité à 160 EXEMPLAIRES, tous numérotés sur JAPON IMPERIAL. Exemplaire en PARFAIT ETAT. FINE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: Hard Cover]

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
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        THE BOOK OF SIGNS which contains all manner of symbols from the earliest times to the middle ages by primitive peoples and early Christians. Collected, drawn and explained by Rudolph Koch. Translated from the German by Vyvyan Holland.

      London: First Edition Club 1930 - 500 copies, 4to, (232x170mm), [8],104p. 493 images of symbols drawn by Koch and printed from from woodcuts by Fritz Kredel. A good copy, book in a designer binding by Helen Wadlington with her ticket on the rear pastedown. The style of binding is reminiscent of Hugo Peller, with whom Wadlington studied in the 1980s, and consists of a backstrip of black morocco, shaped to produce a ragged edge over the boards which are covered with Wadlington's own handmade pastepaper, created in a manner which reflects the contents of the book, the corner tips protected with vellum, the head edge coloured with polished graphite with symbols in white relief. Japanese wood-veneer covered slipcase, Formerly Mark Severin's copy with his signature on the front flyleaf with a faint 'symbol' below and a small symbolic ownership monograph (?af). A handsome book printed by Wilh Gerstung at Offenbach am Main in Koch's magere deutsche typeface in a lovely binding by a talented bookbinder and book artist, completely in sympathy with the subject, and enhanced by an attractive provenance. [Attributes: Hard Cover]

      [Bookseller: Barry McKay Rare Books]
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        Byron

      Bernard Grasset, Paris 1930 - Coll. "Les Cahiers Verts" n° 7, 368 pp. + 361 pp., 2 volumes in-4° Tellière réimposés, brochés, sous double couvertures blanches et vertes. Non coupés, non rognés. Chaque volume sous chemise cartonnée et l'ensemble sous étui de l'éditeur. Quelques petits frottements à l'étui. Edition Originale. Exemplaire n° IV, l'un des 9 sur Japon nacré réimposé in-quarto Tellière. Excellent exemplaire sur un rare Japon. In-4° tellière [Attributes: First Edition; Hard Cover]

      [Bookseller: Ad hoc Art]
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        Ash Wednesday

      London: Faber & Faber, 1930 - Inscribed on the flyleaf: "Allen (Tate) Red (Robert Penn Warren) April 30, 1930." A superb association copy, inscribed from Robert Penn Warren to his friend from Vanderbilt, fellow 'Fugitive' poet ALLEN TATE. Inscribed in the very year that both contributed to the now-famous southern agrarian manifesto I'LL TAKE MY STAND (1930), and inscribed one day after Eliot's ASH WEDNESDAY, was published (April 29, 1930 as per Gallup). The association deepens when one considers that Eliot's poetry - THE WASTELAND, in particular - had a profound influence on both writers The copy has several pencilled notes and marks throughout, probably in Tate's hand First trade edition, one of 2000 copies. 12mo. . Brown, with gilt lettered front cover and spine. Very good. Gallup A15.b [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        COMMENT LES BLANCS SONT D'ANCIENS NOIRS.

      1930 - Paris, sans nom d'éditeur, 1928. In-12 (129 X 164) broché ; 128 pages. Cerne clair en queue du dos. EDITION ORIGINALE au tirage limité à 500 EXEMPLAIRES numérotés sur beau papier vélin, pour la collection " Plaisir de Bibliophile ". Ouvrage orné de cinq compositions originales sur bois en deux tons par Alfred LATOUR, dont titre et quatre vignettes dans le texte. JOLI LIVRE, à la composition précieuse. BEL EXEMPLAIRE non coupé, frais. NICE COPY. PICTURES AND MORE DETAILS ON REQUEST. [Attributes: First Edition; Soft Cover]

      [Bookseller: LIBRAIRIE ERIC CASTERAN]
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        The shutter of snow / by Emily Holmes Coleman

      London : Routledge 1930 - Physical description: 219 p. ; 20 cm. Summary: In prose and form as startling as its content, "The Shutter of Snow" portrays the post-partum pyschosis of Marthe Gail, who after giving birth to her son, is committed to an insane asylum. Believing herself to be god, she manuevers through an institutional world both sad and terrifying, echoing the worlds of One Flew Over The Cuckoo's Nest and The Snake Pit Emily Holmes Coleman (born in Oakland, California in 1899, died in 1974 on a Catholic worker farm in New York State) was a prominent American figure in the Paris literary scene of the 1920s, and her circle in London in the 30s included Dylan Thomas and T.S. Eliot. Genre: English fiction - American novelists. Very good copy in the original title-blocked cloth. Some fraying at top of spine, otherwise the spine bands and panel edges are slightly dust-dulled. Titles faded on spine. Portion of original bookflap loosely inserted. Minor scattered marginal foxing. Remains particularly well-preserved overall; tight, bright, clean and strong. Provenance: From the library of Harriet Simpson (1908-1986) with her signature to ffep. Also includes a postcard from the author, addressed to Harriet Simpson - loosely inserted. 1 Kg. 219 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: MW Books Ltd.]
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        Lettres persanes. Lettrines de Robert Lanz.

      G. Crès,, Paris, 1930 - 2 Bde. Paris, G. Crès, 1930. 8°. XI, 262 S., 1 Bl.; 254 S., 3 Bl. Blaue Ldr.-Bde. mit goldgepr. Rückentiteln, Deckelfileteirung und Deckelbild, Innenkantenvergoldung, Kopfgoldschnitt, hellblauen seidenem Vorsätzen.In HLdr.-Kassette mit marmor. Papierbezug. =Le musée du livre, tome premier et tome deuxième (et dernier) du cinquième ouvrage, série A. - Eines von 940 numerierten Exemplaren auf Vélin de Rives (GA 1000 Ex.). - Die Vignetten von Robert Lanz in Blau/Schwarz. - "Die 'Lettres persanes' geben, mit einer modernen, exotischen Romanhandlung verbundene, durch die fiktive Briefform auf die Ebenen des Relativen gestellte und so getarnte, geistvoll ironische, kühne und umfassende Zeitkritik an Europa, besonders Frankreich, dar: an Sitten, sozialen und politischen Zuständen, bereichert durch Reformvorschläge und das utopische Bild einer idealen Republik." Wilpert S. 1046. - Schönes Exemplar. Sprache: Französisch Blaue Ldr.-Bde. mit goldgepr. Rückentiteln, Deckelfileteirung und Deckelbild, Innenkantenvergoldung, Kopfgoldschnitt, hellblauen seidenem Vorsätzen.In HLdr.-Kassette mit marmor. Papierbezug. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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        Haveth Childers Everywhere. Fragment from Work in Progress.

      Paris: Henry Babou and Jack Kahane / New York: The Fountain Press, 1930 - Folio in 4s. Untrimmed and partly unopened in original white paper covers printed in black and green, in the original glassine. Enclosed in the original folding card wrapper covered with gilt paper, in the original green paper-covered slipcase with gilt edges and facings and then housed in a green cloth solander box made by The Chelsea Bindery. Tiny amount of wear to glassine at front fore-edge at head, one small chip to paper side of slipcase but overall a greatly superior copy, the gilt card wrapper and slipcase in excellent condition. First edition, one of 100 copies printed on imperial handmade iridescent Japan paper signed by Joyce under the limitation notice (in pencil, as the paper would not take ink), the whole edition being 685 copies. This is the most luxurious issue, originally priced $40: the edition was completed by 500 copies on handmade linen, priced $20; and 10 copies on imperial handmade iridescent Japan paper and 75 on handmade linen, these latter two issues designated writer's copies and numbered in roman numerals. Copies were generally issued in paper covers, with a glassine wrapper, in a green slipcase; some copies of the special issues were additionally enclosed, as is this, in a three-panel card wrapper covered with gilt paper, within the green slipcase. The entire construct is relatively delicate and especially liable to chip. Slocum & Cahoon A41. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        HAVETH CHILDERS EVERYWHERE. FRAGMENT FROM WORK IN PROGRESS.

      Paris: Henry Babou and Jack Kahane, 1930. - Quarto. Printed wrappers. A fine copy in glassine with some tanning to the spine, in edgeworn and slightly marked slipcase with cracks at the front portions of the top and bottom panel joints. First edition, deluxe issue. One of one hundred numbered copies on "Imperial hand- made iridescent Japan," signed by the author, from a total edition of 685 copies. SLOCUM & CAHOON A41.

      [Bookseller: William Reese Company - Literature, ABAA]
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        Haveth Childers Everywhere.

      Fountain Press 1930 - Fragment from Work in Progress. Paris and New York: Ducros et Colas for Henry Babou and The Fountain Press, 1930. Title printed in black and green, initials and headlines printed in green. Original printed wrappers, most gatherings unopened, glassine dust wrapper. Dust wrapper a little spotted and chipped, light browning to fore-edge. Lacking the original chemise and slipcase. FIRST EDITION, LIMITED TO 685 COPIES, THIS NO. 25 OF 100 ON IMPERIAL HAND-MADE IRIDESCENT JAPAN, SIGNED BY JOYCE. This fragment forms pp.532-554 of Finnegans Wake. [Slocum and Cahoon Joyce A41]. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Ulysses Rare Books Ltd. ABA, ILAB]
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        Odysseus (Ulysses)

      Vaclav Petr 1930 - Joyce (James) – Odysseus (Ulysses) Traduit en tchèque par L. Vymetal. Troisième traduction après l’allemande et la française. Cf. Slocum & Cahoon, D5. Praha, Vaclav Petr, 1930 ; 3 volumes in-12° (dimensions : 13,5 x 19,8 cm), reliure de l’éditeur en percaline bleue, titre et nom d’auteur au fer orange, 295 pages + 2 f.f.n.ch. ; 280 pages + 2 f.f.n.ch. ; 459 pages + 2 f.f.n.ch. Edition originale en langue tchèque, troisième traduction d'Ulysses, après l'allemande en 1927 et la française en 1929. Un des 1600 exemplaires numérotés sur papier Alfa anglais, après 50 sur Hollande. Reliure en bon état, coiffes et coins à peine émoussés, quelques petites piqûres sur les tranches, sinon très bel exemplaire, rare. [Attributes: First Edition; Hard Cover]

      [Bookseller: VORTEXTES Benjamin MENASCE]
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        Forschungsinstitute. Exemplar des Verfassers. Ihre Geschichte, Organisation und Ziele. Unter Mitwirkung zahlreicher Gelehrter herausgegeben von Dr.Ludolph Brauer - unter redaktioneller Mitarbeit von Dr.Johannes Lemcke.

      Paul Hartung,, Hamburg, 1930 - Originalausgabe ! 2 Bände. Hamburg, Paul Hartung, 1930. 4°. XVI, 470, 3 nn. Phototafeln, VIII, 782, XXIV Seiten mit photographischen Abbildungen zu Institutionen etc. Band 1 mit 3 ganzseitigen Portraits in Kupfertiefdruck ( Humboldt, von Harnack, Robert Koch) Band 2 mit 4 ganzseitigen Portraits in Kupfertiefdruck (Emil von Behring, Althoff, William H. Welch, Prof. Dr. Anton Dohrn. Schöne Ganzlederbände auf zwei unechten Bünden und je einem Wappensupralibro auf dem Vorderdeckel. Titel auf Rücken und Vorderdeckel in Gold. Die Kanten etwas berieben. Exemplar des Herausgebers Ludolph Brauer - mit seinem Besitzstempel versehen. Exemplar des Verfassers Ludolph Brauer. 2 Bände, 1930. Vollständig. Minimale Anstreichungen im Inhaltsverzeichnis. Abgabestempel der Uni Frankfurt verso dem Titel. Das Werk ist umfassend und wie folgt aufgebaut: Band 1: I. Historischer Teil - Wilhelm Capelle - Organisation wissenschaftlicher Forschung in der Antike . Adolf Meyer - Organisationsformen der Forschung seit der Renaissance und ihre gegenwärtigen Hauptprobleme II, Allgemeiner Teil - Wilhelm Ostwald - Naturwissenschaftliche Forschungsanstalten / Erich Rothacker - Geisteswissenschaftliche Forschungsinstitute / Ludolph Brauer - Medizinische Forschungsinstitute / Ernst Foerster - Freie technische Forschungsinstitute. III. Die großen wissenschaftlichen Organisationen und ihre Forschungsaufgaben - z.B. Fritz Drevermann - Die Forschungsaufgabe der naturhistorischen Museen, Ernst Beutler - Die literarhistorischen Museen und Archive, ihre Voraussetzung, Geschichte und Bedeutung / Eugen von Mercklin - Archäologische Institute etc. etc. IV. Neuere Gruppen von Foorschungsinstituten - Henry E. Sigerist - Forschungsinstitute für Geschichte der Medizin und der Naturwissenschaften , Erich Titschack - Entomologische Forschungsinstitute , Ferdinand Tönnies - Sozialwissenschaftliche Forschungsinstitute , Band 2: Einleitung : Ernst Horneffer - Die Stellung der Wissenschaft in Vergangenheit und Gegenwart , V. Paradigmatische Darstellung einzelner Forschungsinstitute: A. Medizinische Forschungsinstitute B. Naturwissenschaftliche Forschungsinstitute C. Technologische Forschungsinstitute D. Geisteswissenschaftliche Forschungsinstitute VI. Volks- und Länderkundliche Forschungsinstitute VII. Forschungsinstitute im Ausland VIII. Ausführliches Register. Der zweite Band enthält u.a.: Die Zoologische Station zu Neapel von Margret Boveri ! / Die Remeis - Sternwarte in Bamberg von Dr. Ernst Zinner / Richard Otto - Das Institut für Infektionskrankheiten "Robert Koch" / Gerhard Castens - Die Deutsche Seewarte in Hamburg / Fritz Drevermann - Das Senckenbergianum und seine Bedeutung für die Forschung / Otto Hahn - Das Kaiser Wilhelm-Institut für Chemie in Berlin-Dahlem / Dr.Jakob Baron von UexküllDas Institut für Umweltforschung / Fritz Eichholtz - Medizinische Forschungsinstitute der I.G.Farbenindustrie / Viktor Bruns - Das Institut für ausländisches , öffentliches Recht und Völkerrecht der Kaiser-Wilhelm-Gesellschaft in Berlin / Karl Luick - Das Phonogrammarchiv der Akade,mie der Wissenschaften in Wien / Friedrich Pollock - Das Institut für Sozialforschung an der Universität in Frankfurt am Main / Fritz Saxl - Die Kulturwissenschaftliche Bibliothek Warburg in Hamburg / Ernst Steinmann - Die Bibliotheca Herztiana der Kaiser-Wilhelm-esellschaft in Rom / Dr.Diedrich Hermann Westermann - Das Internationale Institut für afrikanische Sprachen und Kulturen / Richard Wilhelm - Das China-Institut in Frankfurt am Main / Waldo G. Leland / Mortimer Graves - American Research Institutes in the humanities / Harold G. Moulton - Institute of Social Research in the United States / Rudolf Wigand - Die naturwissenschaftlichen und medizinischen Forschungsinstitute der vereinigten Staaten von Nordamerika / Simon Flexner - The Rockefeller Institute for Medical Research, New York Rufus Cole - The Hospital of the Rockefeller Institute, New York / Geo N. Pindar - The American Museum of Natural History, it [Attributes: First Edition]

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        On Being Ill

      The Hogarth Press 1930, London - 34 pp., Signed by Woolf on limitation page. Limited to 250 copies, this copy bears the hand inscribed number 145. Quarter vellum binding with aquamarine coloured boards. Seldom read copy, (the prelims are unopened), there is a touch of fading to the rear board, a small mark on the spine, and a subtle hint of general light fading and shelf wear. Bookplate (of the Marchioness of Tweeddale) on pastedown. A lovely copy. 211c

      [Bookseller: Stephen Foster - ABA ILAB & ibooknet]
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        Giorgio de Chirico. Galerie Alfred Flechtheim Berlin, Lützowufer 13. Ausstellung 19. Oktober bis Anfang November 1930.

      Druck von A. Bagel A.-G. Düsseldorf., Berlin, 1930 - Berlin, Druck von A. Bagel A.-G. Düsseldorf. 1930, 15,6 x 12,4 cm, 12 Seiten, 4 schwarz-weiss Abbildungen, illustrierte Original-Klammerheftung (etwas berieben), gutes Exemplar. Dascher (2011), 469; Abbildung des Kataloges Seite 270. - Mit Leihgaben in der Ausstellung von George Grosz, Dr. Koch Darmstadt, Hermann Lange Krefeld, Dr. Hans Wendland Lugano und der Staatsoper am Platz der Republik-Berlin. Sprache: Deutsch illustrierte Original-Klammerheftung (etwas berieben),

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Swallows and Amazons

      Jonathan Cape 1930 - London: Jonathan Cape, 1930. True, unillustrated first edition, first printing. In Very Good condition, lacking the original dust jacket. Fading to cloth, with light shelf wear, light lean. Previous owner name in ink to half title page. Light, age-related spotting to edge of page block and sporadically to pages. True first edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 28.   Check availability:     AbeBooks     Link/Print  


        Swallows And Amazons

      Jonathan Cape, London, 1930, 1930. FIRST EDITION. Crown octavo, pp.350. With map illustrations including coloured endpapers by Stephen Spurrier. Bound in original pale green cloth lettered in gilt to spine and upper cover. Internally clean with no inscriptions or bookplates, cloth sunned to backstrip, frayed to crown and joints, some discolouring to rear panel. A used but perfectly serviceable copy of a scarce book in first edition.

      [Bookseller: Adrian Harrington Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Ms. Brief mit eigenh. U.

      Bayreuth, 18. IX. 1930.. 1½ SS. Gr.-4to.. An einen Professor: "[...] Ihr Vertrauen, Ihr Hoffen und Glauben haben mir sehr gut getan - aber sollte selbst ich versagen, die Idee Bayreuth ist so unsterblich, dass es auch ohne mich siegreich fortbestehen würde. Meine Aufgabe steht gross, ernst uns schwer vor mir - Siegfried hat das Vertrauen zu mir gehabt, dass ich das Erbe rein und unberührt in die Hände seiner Kinder legen werde - Gott gebe mir die Kraft, dieses Vertrauen zu rechtfertigen [...]". - Mit einigen kleinen Papierdurchbrüchen.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
 30.   Check availability:     ZVAB     Link/Print  


        A Treatise on Money- Complete 2 Vol. Set

      New York: Harcourt, Brace and Company, 1930: 2 Vols., First Edition, First Printings; in scarce, price-clipped dust jackets. In Very Good overall condition. Previous owner gift inscription and book plate in both volumes. Cloth shows light wear and rubbing. Fading to cloth at the spine ends. Volume II shows a bit more wear externally, with a ding to the bottom edge of the bottom board, and a dampstain to the base of the spine cloth and dust jacket. Both dust jacket show rubbing, tanning and some overall wear; with once again more wear to the jacket of Volume II, with a partially split and taped rear fold. A nice set overall, rarely seen in dust jackets.

      [Bookseller: Burnside Rare Books]
 31.   Check availability:     Biblio     Link/Print  


        Jordan?s King Abdullah II presents a Head of State Gift to a U.S. Congressman and, in two important letters after the death of his father King Hussein, talks about <i>?progress in the Middle East peace process?</i> and acknowledges that ?<i>the discussion that we had on the Middle East situation, and the urgent need to resume the peace process with a clear defined outcome was very useful. Rest assured that Jordan will spare no effort to help the United States in leading the way towards a better future for all peoples in the Middle East, one of peace, security, and stability ?? </i>

      Two important letters written by Jordan?s King to U.S. Congressman Charles William (Bill) Young (1930-2013), who represented Florida in the House of Representatives as a Republican from 1971 until his death. When these letters were written, Young was Chairman of the House Appropriations Committee. King Abdullah II acceded to the throne of the Hashemite Kingdom of Jordan upon the death of his father, King Hussein, on February 7, 1999, who had reigned for 46 years. Comprises: (1) White Porcelain Plate, 8.5? x 8.5? square, Head of State Gift presented to Congressman Young. Gold and blue intricate designs on the rim and a verse from the Qur?an, Surah II:115, in Arabic in the center. On verso is the Royal cypher, ?The Hashemite Kingdom of Jordan / 2003/2004,? and the English translation of the Quranic verse: ?Unto Allah belong the East and the West: / Withersoever ye turn, there is Allah?s countenance. / For Allah is all embracing, all knowing.? The Rose

      [Bookseller: University Archives]
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        Holograph manuscript - "The Treasures of Cambridge"

      Cambridge, (c.1930&#39;s). 5 pages, 8vo., rectos only but verso of page 5 with a crossed-out and abandoned early portion of a draft, incorporating manuscript revisions and additional manuscript editorial clarifications in another hand, VERY GOOD. A description of an likely mid-1930Æs exhibition of CambridgeÆs cultural artifacts of note: ôA Cambridge resident myself, I got on the London train as soon as the exhibition opened. And perused the objects that had preceded me to the metropolis.... When I entered GoldsmithÆs Mall I was welcomed by local sounds as well as by local sights... Fancy my coming all this way to see what I might have seen home.ö Forster lists highlights of visit, including a bust of Charles II, various paintings, ôand û more moving than all of them emotionally û is the Essex Cup itself.ö

      [Bookseller: D&D Galleries - ABAA]
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        Fünfzig Jahre Koch & Te Kock - Halbmond-Teppichfabrik - Oelsnitz im Vogtland - Jubiläumsschrift

      Oelsnitz, Eigenverlag, 1930. Mit zahlreichen meist farbigen Abbildungen im Text und auf Tafeln, die die Produktionskette vom Einkauf bis zum fertigen Teppich dokumentieren. Mit Textbegleitung. gr. 4°, 70 Seiten, original Ledereinband im Querformat, mit original Kordel in Blockheftung, vorderer Deckel vollflächig mit Teppichmuster mit eingewebtem Firmenlogo und Titel, , Teppichmuster auf Deckel etwas nachgedunkelt sonst in sehr gutem, attraktivem Zustand..

      [Bookseller: Versandantiquariat Werner Eichel]
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        Porträt von Hans Henny Jahnn.

      . Originallithographie.Um 1930.Bildgr.ca.42 x 37 cm.Großformatiges Brustbild d.Dichters, der mit dem Hamburger Künstler befreundet war u.mehrfach von ihm porträtiert wurde.Am Unterrand vom Künstler signiert, betitelt u.mit (undeutlicher) Auflagenbezeichnung.Auf Japan abgezogen, unter Passepartout.Untere Kante mit kl.Fleck, rechts oben außerhalb der Darstellung wenige schwache Stockflecke..

      [Bookseller: Antiquariaat Die Schmiede]
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        Motors of To-Day. With Technical Particulars of Car and Commercial Vehicle Chassis and Helpful Instructions for Dismantling and Overhauling

      London: Virtue and Co 5 volumes. Quarto. Not dated (about 1930). 1864pp. Many b/w illusts, diagrams and text illusts. Several coloured fold-out models. Index. Original deep brown cloth with gilt titling on spines and gilt decoration on lower right-hand corner of upper boards. A beautiful set. *Heaps of information on English, European and American motor vehicles presented in alphabetical order. . Hard Cover. Very Good.

      [Bookseller: Tapsell's Books]
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        Sammlung von vier eigenhändigen aquarellierten Federzeichnungen als Vorlagen für illustrierte Vorsatzblätter.

      Um 1930.. Je 10 14 cm.. Die Schwägerin von Osip Mandelstam, Eleonora Gurwich (1897-1988), studierte bei Faworski. Ihre Arbeiten waren unter dem Stalinismus wegen ihrer Verwandtschaft verboten, sodaß sie erst 1957 an der siebten Moskauer Buchkunstausstellung teilnehmen konnte und endlich in den 70er und 80er Jahren mit eigenen Ausstellungen in Moskau richtig entdeckt wurde. Ihre Arbeiten finden sich heute u.a. in der Staatlichen Tretjakow-Galerie. - Sehr reizvolle Aquarelle als Frontispize für Miniaturbücher.

      [Bookseller: Verlag und Antiquariat Frank Albrecht]
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        Swallows and Amazons

      London: Jonathan Cape, 1930. True, unillustrated first edition, first printing. In Very Good condition, lacking the original dust jacket. Fading to cloth, with light shelf wear, light lean. Previous owner name in ink to half title page. Light, age-related spotting to edge of page block and sporadically to pages. True first edition.

      [Bookseller: Burnside Rare Books]
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        Le Arti d'Oggi. Architettura e Arti decorative in Europa.

      Bestetti & Tumminelli,, Milano - Roma, 1930 - Milano - Roma, Bestetti & Tumminelli, (1930). 2°. 22 S. + CDXXXV Tafeln + G S. (d.i. 8 S.). OLwd. In italien. Sprache. Mit allen Tafeln. - Ebd. fachmännisch restauriert, etw. fleckig, stockfleckig, Gbrsp. - Gutes Expl. Italienisch [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weinek]
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        Fascinating Features of Fair Japan

      Japanese Government Railways, 1930. Hardback (No Dust Wrapper.). Very Good. Silk woven binding slightly dull, a little faded at the extremities. Binding cords also faded. All edges gilt, nicely preserved. Fly-leaf to the title page lightly tanned. Text complete, clean and tight.. | 6¼" x 9". 65pp. | First Edition (First Printing).[ Full colour photographs throughout of various features of Japan with a fold-out map to the last blank. Not an overly common title. This appears to be the first, and only, edition (COPAC) it seems. ] Further details, photographs, etc. are available, just use the «Ask Bookseller» button and I&#39;ll be pleased to help. The book is in stock and ships, POST INCLUDED in the UK, from the rural idyll of Peasedown St. John, near Bath in England from a long-established bookseller :: Your purchase guaranteed by my reputation and the UK Distance Selling Act. Don&#39;t forget that buying this book means my Jack Russells get their supper!

      [Bookseller: BookLovers of Bath]
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        NOTRE-DAME DE PARIS

      Paris: Limited Editions Club, 1930. wraps. Very mild soiling to spines; lacking the glassines and chemise. Fine in a close to Fine original slipcase. Frans Masereel. Two quarto volumes (7-3/4" x 10-1/8") bound in pink Ingres paper wrappers. Introduction by Andrew Lang and illustrated with woodcuts by Frans Masereel. George Macy noted that upon reception of their copies, many members felt "cheated because the two volumes were paperbound. We had to bind in hard cases, American fashion, most of the copies." That said, of the approximately two dozen copies we have handled over the years, all but two were in their original paper wrappers, as is this copy. Copy #509 of 1500 copies SIGNED by the artist on the colophon page. Monthly Letter laid in.

      [Bookseller: Charles Agvent, ABAA ]
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        "Seine letzte Lüge". Eigenh. Manuskript um 1880. 116 S. Papierumschlag. 8'°.

      . . Originalmanuskript einer der großen Autorinnen an der Seite von Hedwig Courths-Mahler, Wihlemina Heimburg, Werner und Marlitt. Nicht unter den bei Pataky I, 316 und Brümmer IV, 71 gelisteten Titeln, Hinrichs bis 1930 kein Drucknachweis. Die aus Aalen gebürtige Koeppel lebte seit 1901 in Berlin und war mit ihren unter Pseudonym bei Union in Stuttgart erschienenen Werken überaus erfolgreich.

      [Bookseller: Georg Fritsch Antiquariat]
 42.   Check availability:     ZVAB     Link/Print  


        A Treatise on Money- Complete 2 Vol. Set

      Harcourt, Brace and Company, 1930. Hardcover. Very Good. New York: Harcourt, Brace and Company, 1930: 2 Vols., First Edition, First Printings; in scarce, price-clipped dust jackets. In Very Good overall condition. Previous owner gift inscription and book plate in both volumes. Cloth shows light wear and rubbing. Fading to cloth at the spine ends. Volume II shows a bit more wear externally, with a ding to the bottom edge of the bottom board, and a dampstain to the base of the spine cloth and dust jacket. Both dust jacket show rubbing, tanning and some overall wear; with once again more wear to the jacket of Volume II, with a partially split and taped rear fold. A nice set overall, rarely seen in dust jackets.

      [Bookseller: Burnside Rare Books]
 43.   Check availability:     IOBABooks     Link/Print  


        NOTRE-DAME DE PARIS

      Limited Editions Club, Paris 1930 - Two quarto volumes (7-3/4" x 10-1/8") bound in pink Ingres paper wrappers. Introduction by Andrew Lang and illustrated with woodcuts by Frans Masereel. George Macy noted that upon reception of their copies, many members felt "cheated because the two volumes were paperbound. We had to bind in hard cases, American fashion, most of the copies." That said, of the approximately two dozen copies we have handled over the years, all but two were in their original paper wrappers, as is this copy. Copy #509 of 1500 copies SIGNED by the artist on the colophon page. Monthly Letter laid in. Very mild soiling to spines; lacking the glassines and chemise. Fine in a close to Fine original slipcase [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Kandinsky

      Paris: Editions, 1930. First Edition.  74 photogravure reproductions + one colour wood engraving by Kandinsky with contributions by Maurice Raynal, Katherine S. Dreier, Christian Zervos, and others. Limited edition of 610 copies (this is copy 334). Interior of book is fine, jacket has wear around spine, with seperation at top and bottom, and very minor scuffing.

      [Bookseller: david morrison books]
 45.   Check availability:     Biblio     Link/Print  


        König, Dame, Bube. Ein Spiel mit dem Schicksal.

      Ullstein, Berlin. 1. Ausgabe 1930. - M05202 19,8 x 14 cm. Beiger Original-Leinenband. Der helle Einband leicht angestaubt und an der Rückseite mit mehreren Flecken bis zu ca. 2 x 1,5 cm. 265 (1) Seiten sowie 3 Blatt Verlagsanzeigen. Der Buchblock minimal schiefgelesen, die Seite 193 / 194 unten mit zwei kleinen Einrissen je ca. 0,5 cm. Der Innenteil sehr sauber und in wirklich gutem Zustand, das Papier kaum merklich braunrandig. Geprüftes, vollständiges Exemplar in gutem Zustand. Deutsche Erstausgabe in der Übersetzung von Siegfried von Vegesack. Der 1928 in Berlin-Schöneberg entstandene Roman des Exilrussen Wladimir Nabokov (1899 - 1977), der seine Erstlingswerke unter dem Pseudonym W. Sirin veröffentlichte, gehörte neben seinem Werk Maschenka zu seinen ersten großen Erfolgen. 650

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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