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Displayed below are some selected recent viaLibri matches for books published in 1930

        Confessions of Zeno

      NY: Knopf, 1930. 1st ed. - Translated by Beryl De Zoete. A remarkable copy: The book is tight, fine with the top red edge bright and unsoiled in a bright, fine DJ with a tiny (1/16") hole in the front spinal gutter; no chips or tears. Rare. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thomas Dorn, ABAA]
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      Riga, 1930. - Illustrations. Original printed wrappers. 224 pp. (Russian) [Attributes: Soft Cover]

      [Bookseller: Rosenbad Antique Books]
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        The Works of. (Edited by Professor W.L. Renwick).

      Oxford: The Shakespeare Head Press; Published for the Press by Basil Blackwell 1930 - Limited edition, no. 157 of 375 sets, eight volumes, 4to. Coloured wood engraved illustrations by Hilda Quick, with initial letters and other lettering designed by Joscelyne Gaskin, plus a frontispiece map of Ireland in the final volume by Macdonald Gill, modern bookplate in each volume. Original gilt titled green quarter morocco, marbled sides, spines slightly sunned otherwise a handsome set. Including "The Shepheardes Calender" and "The Faerie Queene" as well as other shorter works.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        The Fairy Shop", original design for drawing in "The Building of the Fairy City," Timlin's unpublished book

      n.p., [c. 1930] - The fantastic fairy shop, set in a dark, mysterious grove of tall trees. William M[itcheson] Timlin was born in Northumberland, England, and studied art in Newcastle before following his parents to South Africa, where he completed his studies in art and architecture. He then practiced as an architect, designing a number of major public buildings in Kimberley; at the same time he worked as an artist, producing paintings, etchings and pastels of conventional subjects, in addition to the watercolor fantasies for which is he best known. He also wrote stories and music, and did periodical illustrations. In 1923 he published "The Ship that Sailed to Mars", which has become a fantasy classic. His "The Building of the Fairy City" remained unfinished at his death, apart from a few elegant and imaginative watercolors, such as the one offered here Image approx. 7-1/2 x 6 inches. Pencil and watercolor. Matted

      [Bookseller: James Cummins Bookseller, ABAA]
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        Monatsschrift für alle Fragen der Freiballonfahrt. Herausgegeben von Wilhelm Köhler.

      Berlin, 1930-1937 u. 1953-1975.. Jahrgang 1 - 32. 12 Hefte je Jahrgang. 8 , Illustrierte Original-Leinenbände, etwas berieben, teils geringfügig angestaubt oder mit kleinen Fleckchen. Insgesamt sehr schön erhalten. Im 23.Jg. fehlt das Heft Nr.8. Ab 1972 sind die Jahrgänge ungebunden, die Hefte liegen lose im Original-Verlagseinband. Extrem selten. Insgesamt eine sehr schöne Reihe.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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      1930 - Lisboa. Imprensa da Silva. Une feuille 263X388mm Edition originale. AFFICHE manifeste entièrement rédigé par Antonio Pedro, fondateur du surréalisme portugais et dont ceci est une manifestation dés 1930. Voir photos. (surréalisme, surrealism, surrealismo) [Attributes: Soft Cover]

      [Bookseller: Le Grand Verre]
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        Progress of Nations: The Story of the World and of Its Peoples from the Dawn of History to the Present Day (10 volume set) [SIGNED]

      Department of Rehabilitation, Disabled American Veterans of the World War, Chicago 1930 - Contributing Editors: William Kenneth Boyd, Edgar Dawson, William Scott Ferguson, et al. 5,215 pp, 2,300 illustrations, and 231charts and maps (the set). Complete 10 volume set of the National Patron of Honor Edition. Not registered to a specific patron. Signed on the right dedication page of volume 1 by Herman H. Weimert, National Commander of the Disabled American Veterans of the World War. Collection is complete, condition is Fine, all volumes. Clean, bright, and tight. Very minor darkening to leaf edges. Full leather, with no cracking. Green boards with ornate and beautiful gilt artwork to front cover, gilt decoration and lettering to spine. Beautifully illustrated end papers of the history of man through time. Top edge gilt. All text, as well as numerous illustrations and maps are in fine condition. A complete and fine set of a scarce collection. This set provides a unique snapshot into the world's history and into the thinking of American veterans at the end of the first World War, optimistically thought to be the "war to end all war." Its objective of understanding America's role in a turbulent world is particularly timely. This thorough collection is not only for those who love beautifully wrought books, but also for those interested in history, war, peace, and in remembering those who sacrifice in times of strife. These 10 volumes tell the history of the world-ancient, medieval, and modern-and the history of the United States though the end of the first great World War. In addition to text, the set tells its story via thousands of black and white and color photographs and illustrations, and via hundreds of maps and charts, many color fold-outs. From the foreword: "¿we have emerged from a world war, fought on our part to determine whether this nation, or any nation, may choose its way in peace. Five million Americans were called to the colors, and two million went overseas. Fifty thousand remain there forever. With the shock of this titanic conflict fresh in our experience, we now seek to understand its causes. Whether or not we may desire it, our interests have been drawn beyond America to the common problems of mankind. We are realizing that to comprehend the history of the United States one must know the history of the world. To promote, then, the intelligent civic insight that is one of the highest attributes of Americanism, this survey of the world's past has been prepared." From the website of the Disabled American Veterans organization (nee Disabled American Veterans of the World War), explaining its origins: "When the troops came home from World War I, some 300,000 carried grim reminders of war: disabling injuries, battle scars, gas-seared lungs, and prolonged illnesses. Following a tumultuous hero's welcome, America wiped the horror of war from its mind almost as quickly as the ticker tape was swept from the streets of New York City. As a result, the needs of the nation's disabled heroes were swept aside as well. Prejudice kept capable and qualified-but disabled-veterans from gaining employment in a job market with few enough opportunities to offer anyone. Veterans' benefits programs were administered by three separate government agencies with conflicting and overlapping responsibilities, leaving disabled veterans with massive confusion and red tape. Without a medical system dedicated to their needs, many disabled veterans found themselves sleeping on cots-or even on floors-in the halls of America's overwhelmed hospitals. Some just gave up the struggle, sitting on street corners with tin cups and signs reading: "Help Me. I'm a Disabled Veteran." Angered by the negligence and incompetence of the federal government in dealing with their problems, disabled veterans began forming local self-help groups in cities across America. In 1920, leaders from 250 of these groups gathered in Cincinnati, Ohio. Under the charismatic leadership of Judge Robert S. Marx, himself a veteran disabled in France, they federated into [Attributes: First Edition; Hard Cover]

      [Bookseller: Independent Books]
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      Department of Rehabilitation, Disabled American Veterans of the World War, Chicago 1930 - In Unsurpassably Fine Ornately Gilt Morocco. 229 x 156 mm (9 x 6 1/8"). 10 volumes. "The Unknown Soldier Edition," prepared for "National Patrons of Honor." (This is copy #604, "especially prepared for Mrs. Eli K. Robinson."). REMARKABLY FINE PUBLISHER'S DELUXE BLACK PEBBLE-GRAIN MOROCCO, ORNATELY GILT, front covers with decorative gilt-rule border enclosing elaborate floral rococo-style frame, the frame around a central medallion featuring a knight's plumed helmet; raised bands, gilt compartments elegantly decorated with volutes and small floral tools, gilt titling, gilt turn-ins with curling floral rolls, sky blue pictorial endpapers, all edges gilt. With more than 2,000 illustrations, including more than 200 maps and charts; 53 images in color. Perhaps a trivial imperfection somewhere, but essentially IN AS-NEW CONDITION, AN AMAZINGLY WELL-PRESERVED SET, virtually as it was delivered to its original owner. These profusely illustrated volumes give a thorough account of (primarily Western) world history from the ancient civilizations of Greece and Egypt through the end of World War I and were, the title page tells us, "chronicled with the assistance of eminent historians from leading universities and colleges and published in the interests of the Disabled American veterans of the World War and of a patriotic and intelligent Americanism." Our set is part of a limited edition "especially prepared for those who have lent their support to the program of Disabled American Veterans of the World War," signed by the national commander of that organization. It is in as close to original condition as one could ever hope to find. "The Unknown Soldier Edition," prepared for "National Patrons of Honor." (This is copy #604, "especially prepared for Mrs. Eli K. Robinson.") [Attributes: Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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        Haveth Childers Everywhere.

      Paris: Henry Barbou and Jack Kahane and New York: The Fountain Press. - First Edition, 1930. Quarto. Slocum and Cahoon A41. Limited Edition. #328/500 (of a total edition of 600), printed letterpress on laid paper, bound in frenchfold cream colored wrappers, in glassine overwrapper, in a green slipcase with gold trim , as issued. Fine. Slipcase is starting at one edge, and slightly rubbed at corners, else Fine. 73pp. Fragment of Work in Progress (Finnegans Wake). [Attributes: First Edition; Soft Cover]

      [Bookseller: Compass Rose Books, ABAA-ILAB]
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        The Social and Economic Views of Mr. Justice Brandeis, Signed

      1930. Title Page Signed "Louis D. Brandeis" Brandeis, Louis D. [1856-1941]. Lief, Alfred [1901-1971], Editor. The Social and Economic Views of Mr. Justice Brandeis. With a Foreword by Charles A. Beard. New York: The Vanguard Press, [1930]. xxi, 419 pp. Cloth in dust jacket. Moderate edgewear to dust jacket, some soiling to spine, chipping to ends. "Louis D. Brandeis" in bold hand to head of title page, internally clean. * First edition. "The papers are primarily the work of a great lawyer. His work is considered to have a tremendous effect upon not only the body of law already assimilated and codified but also upon the law which is being called into being in response in response to the modern development of society, particularly as regards the industrial situation": Boston Transcript, November 22, 1930, cited in Marke, A Catalogue of the Law Collection at New York University (1953) 1061.

      [Bookseller: The Lawbook Exchange, Ltd.]
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        Progress of Nations The Story of the World and Of Its Peoples from The Dawn of History To The Present Day

      Dept. of Rehab. DAV, Chicago, IL 1930 - (full book description) Dept. of Rehab. DAV, Chicago, IL, 1930. 1st Edition Fine-, Hard Cover, DJ Not Issued. Size=6."x8.5", 5215pgs(Biblio. 230 Illus., 231 Charts/Maps. 10 Volumes Complete. Full olive green leather bindings with gold front cover and spine design and trim and gold spine lettering and top page gold gilt. Fore-edge and bottom edge page ends just the slightest bit dull, o.w. clean, tight and bright. No ink names, tears, chips, etc. Copy is registered in the name of Alfred Cary Schlesinger, presented by His Father Alfred H. Schlesinger. SIGNED by DAV National Commander E.C. Babcock on opposite page. Department of Rehabilitation Disabled American Veterans of the World War. 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES, WE ALWAYS PACK WITH GREAT CARE! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: edconroybooks]
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        Last and First Men.

      London: Methuen & Co. Ltd., 1930 - Octavo. Original blue cloth, titles to spine gilt. Very lightly rubbed at extremities, spine rolled. An excellent copy. First edition, first impression. Presentation copy inscribed by the author on the front free endpaper, "To Aage Marcus from Olaf Stapledon" and also on the title page, "Olaf Stapledon in the hope that someday my wife and I may give you almost as good a time in England as you have given us in Denmark". Aage Marcus (1888–1985) was a Danish art historian and writer, and the Olaf Stapledon collection at the University of Liverpool houses two presentation copies inscribed from him to Stapledon. Stapledon presentation copies are extremely rare, and this is one of only two copies that we have ever seen in commerce. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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      1930 - Frank Weston Benson (1862-1951) was an American Impressionist artist, and a member of the Ten American Painters. He began his Studies at the school of the Museum of Fine Arts, Boston in 1879, under Otto Grundmann, and later studied at the Académie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts, Boston. In 1888 Benson gained favorable attention in his first showing with the Society of American Artist in New York, with a piece that suggested the influence of academic Realism rather than Impressionism. By the early 1890s he began using his family as subjects; Benson later recalled having realized at the time that ¿design¿ was the most important component of painting. Consequently, works of the period provided evidence of a greater interest in patterns, silhouette, and abstract design. Late in his career, Frank Benson returned his boyhood interest in ornithological illustration. Following the 1913 Amory Show, Benson quietly moved to revolutionize the field of American sporting art. His rendering of wildlife, hunting, fishing, and camping infused the field with heightened artistic sensitivity, and reinvigorated a tradition- burdened field. Historical accounts indicate that Benson¿s teenage bird studies were extremely realistic. We can infer that they were similar to works by Alexander Pope (American, 1849-1924) and Louis Agassiz Fuertes (American, 1874-1927). Those painters concentrated on painting objects with precision. Each blue jay painted by Fuertes had exactly the same color tones and patterns. This is realism in the sense that twelve jays in a cage look precisely the same. In contrast, Benson¿s artistic training brought him to realize that a viewer¿s experience of a jay¿s appearance varies with the tint of light cast by the sky, whether the jay is front lit or back lit, and the background. Furthermore, Benson realized that we did not perceive the precise feather pattern of a bird at a distance of 20 feet. Benson had learned that our eyes perceive light, not objects, and he introduced that realization into the sporting art field. Other artists such as Roland Clark, A. L. Ripley, and Richard Bishop quickly followed his lead. In 1915 he first exhibited etchings of wild fowl, to popular acclaim. After 1920 Benson turned increasingly to the depiction of landscapes featuring wild life, an outgrowth of his interest in hunting and fishing, from then on producing a steady and profitable output of etchings and watercolors in this vein. At the request of fellow artist and conservationist Jay Norwood ¿Ding¿ Darling, Benson designed the second Federal Duck Stamp on 1935. Etching, 15 1/4 x 12 3/4 inches

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Confessions of Zeno

      NY: Knopf, 1930. 1st ed., 1930. Translated by Beryl De Zoete. A remarkable copy: The book is tight, fine with the top red edge bright and unsoiled in a bright, fine DJ with a tiny (1/16") hole in the front spinal gutter; no chips or tears. Rare.. 1st Edition. Hardcover. Fine/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
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      Alfred A. Knopf, New York 1930 - A lovely copy of Svevo's best work, a novel that is widely regarded as the "great modern Italian novel." Book Fine with a touch of mottling to the cloth on the rear board, otherwise clean, fresh and unread. In a Very Good + price-clipped dust jacket with small chips at the spine ends and one corner, otherwise in a quite attractive state. Self-published in 1923, the novel was largely ignored until championed by James Joyce, who had known Svevo and his writing for over 15 years. In fact, Svevo is credited as the inspiration for Joyce's immortal "Leopold Bloom" character in "Ulysses." A charming, riotous work of psychological realism in which Svevo's neurotic character writes his memoirs on the advice of his shrink. Fine in Very Good +. dust jacket. [Attributes: First Edition]

      [Bookseller: Whitmore Rare Books, ABAA, ILAB]
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        May Belfort. Exposition.

      - Ca 1930. (880 x 675 cm). Affiche en couleurs. Défauts, usures dans les marges. May Belfort, de son vrai nom May Egan, chanteuse irlandaise, amie de May Milton, arriva à Paris via le Music Hall de Londres et se produisit au Café-concert des Décadents. Toulouse-Lautrec eut une vraie fascination pour elle, la représenta dans plusieurs de ses lithographies et peintures le plus souvent sur scène, comme sur cette affiche qui la montre chantant un succès "Daddy wouldn't buy me a bow-wow", portant des habits de petite fille, un petit chat noir dans les bras. De santé fragile, elle se retira de la scène après une brève apparition au Petit Casino, pour laquelle elle avait commandé cette affiche. // Poster in colors. (880 x 675 cm). Defects, margins used. May Belfort, her real name is May Egan, Irish singer, friend of May Milton, came toParis via the London music halls and performed at the Décadents Café-concert. Toulouse-Lautrec became truly fascinated with her, depicting her in several of his lithographs and paintings, usually performing her act, as she is shown on this poster, singing a favorite song, "Daddy wouldn't buy me a bow-wow", dressed like a little girl, a black kitten in her arms. Due to ill health, she retired from the stage after a brief appearance at the Petit Casino, for which she had commissioned this poster.

      [Bookseller: H. PICARD ET FILS, founded 1860]
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        Autograph quotation signed. In Arabic.

      Paris, 14. VII. 1930. - Folio. 1 page. On uncut wove paper, bearing the Schoellers-Parole blind embossed seal, margins uncut. The original autograph contribution of Sidi Ahmed Pasha to the Committee of the World League for Peace (Ligue Mondiale pour la Paix), a remarkable organization formed in 1925 with close ties to the League of Nations. The Committee itself was composed of such notaries as Queen Elizabeth of Belgium, King Carol II of Romania, John D Rockefeller, Marie Curie, and Albert Einstein, who personally gathered the present manuscripts over the course of seven years (1925-32). Among the public figures who contributed to the project were dignitaries from the newly-created League of Nations' member states. "Praise be to God! Be friends and love one another, for you are all brothers who worship God. Peace is the best policy and God leads the righteous to that which is in the best interest of nations and peoples [Signed] Sidi Ahmed Pasha". Sidi Ahmed Pasha, better know as Ahmed II Bey, ruled Tunisia from 1929 until his death in 1942 as a member of the Husseinite dynasty. Pax Mundi. Livre d'or de la paix. Enquete universelle de la Ligue mondiale pour la paix sous le haut patronage de son comite d'honneur avec l'approbation de la Societe des nations, du Bureau international du travail et de la Cour permanente de justice internationale. Geneve, Societe paxunis, 1932. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        No.3. Farningham. [Farmer plowing with 2 horses].

      London: Underground Electric Railways Company Ltd. 1930 - Color lithograph. 32 x 24.5 inches. Mounted on linen.

      [Bookseller: Wittenborn Art Books]
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        Photograph Album]: 110 Photos of a Midwestern Farm Family

      1930 - Oblong 12mo. (100)pp. String bound with flexible cloth boards with half the interior pages empty or unused. Very good with general rubbing to the edges and some fraying at the corners. A photo album of 110 black and white images, most approximately 4" x 3" with some larger and smaller, of a Midwestern farming family with several photos labeled in ink at the margins. The album includes numerous shots of the farmer, his wife and children, and other relations posing for the camera, at a wedding, playing croquet, and horsing around with children. A nearly equal number of the photographs show livestock, hay bales, farm hands working in the fields, potato harvesting, horse-drawn wagons, period automobiles, and three images of what looks to be Yosemite National Park, including one of Old Faithful during an eruption. An evocative portrait of family life in the Dust Bowl during the Depression. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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      - (BAUM,L.FRANK). THE YELLOW KNIGHT OF OZ by Ruth Plumly Thompson. Chic: Reilly & Lee (1930), 4to, bright red cloth, pictorial paste- on, tiny bit of wear at head of spine else FINE IN DUSTWRAPPER (dw 1st state with both flaps listing this title last, lightly frayed, chipped at spine ends and price clipped). First ed. 1st state with plates coated both sides and spine imprint in bold face (Hanff - Greene XXIV) illustrated by J.R. NEILL with 12 plates plus many full page black and whites. A beautiful copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Kiki's Memoirs

      Edward Titus at the Sign of the Black Manikin Press, Paris,, 1930. Translated from the French by Samuel Putnam. Quarto. Original cream wrappers, titles to front wrapper in black and red, monochrome reproduction of a painting of Kiki by Kisling pasted to upper wrapper. With the wraparound band, original glassine and card mailing case. With full page reproductions of 20 paintings by Kiki and portraits by Man Ray, Foujita, Kisling et al. A fine copy in the somewhat torn tissue and partially defective card slipcase. First Edition. One of 1000 copies printed. Hemingway's introduction was also issued separately in an edition of just 25 copies. Kiki was a working girl who became something of a muse to certain members of the Parisian expatriate community in the Twenties and who rather ineptly took up art herself.

      [Bookseller: Peter Harrington]
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      Wilson-Western Sporting Goods Company, New York, Chicago, San Francisco 1930 - 2 volumes. 8vo. The wrappers are illustrated with Rogers Hornsby in batting stance on the front cover. There are some marginal tears and general wear and soiling, especially to the Made -To -Measure catalogue; else in very good condition. These two companion catalogues illustrate off-the-rack and tailor-made uniforms in a variety of price ranges. They contain original wool flannel samples, a drawing of the complete uniform, full description and price. The READY-TO-WEAR catalogue is sixteen pages (plus covers), fully illustrated and contains thirty-two uniform samples in a variety of colors and pinstripes. The MADE-TO-MEASURE catalogue is thirteen pages (plus covers), contains illustrations and sixty uniform samples in a variety of colors and pinstripes. Additionally, there are endorsements for mitts (with photo portraits) by Bill Terry and Ray Schalk. We have been unable to locate any other copies of these or other Wilson swatch book catalogues in OCLC or any other database. The library of The Baseball Hall of Fame in Cooperstown, New York had heard that such catalogues were produced, but had never seen one. Rare. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        Fish Shows - Apsaroke

      Boston: Suffolk Engraving Company, 1930. A breath-taking image from "The North American Indian", the grandest illustrated work ever produced in the United States, the most important illustrated work on Native Americans, and the single greatest book in Western Americana. Only the double-elephant folio edition of Audubon's "Birds of America" surpasses Curtis in its massive ambition and beauty of execution. "...Because of the singular combination of qualities with which he has been blessed, and because of his extraordinary success in making and using his opportunities... (Curtis) has been able to do what no other man has ever done; what, as far as we can see, no other man could do. He is an artist who works out of doors and not in a closet. He is a close observer, whose qualities of mind and body fit him to make his observations out in the field, surrounded by the wild life he commemorates. He has lived on intimate terms with many different tribes of the mountains and the plains. He knows them as they hunt, as they travel, as they go about their various avocations on the march and in camp. He knows their medicine men and their sorcerers, their chiefs and warriors, their young men and maidens. He has not only seen their vigorous outward existence, but has caught glimpses, such as few white men ever catch, into that strange spiritual and mental life of theirs; from whose inner most recesses all white men are forever barred...." (Theodore Roosevelt, Foreword to Volume 1) Born around 1848, Fish Shows or 'Buusish' was a gallant Apsaroke warrior, who first fought under the renowned chief Red Bear against the Sioux. According to Curtis, in "stature and in vigor the Apsaroke, or Crows, excelled all other tribes of the Rocky Mountain region, and were surpassed by none in bravery and in devotion to the supernatural forces that gave them strength against their enemies." (Volume IV) Originally planters from the upper Midwest, they inhabited the Plains and Prairies region of the United States, where they became hunters and skilled horsemen. Edward Curtis was fascinated by the story of the Native Americans from childhood. His in-depth knowledge of the various tribes increased in parallel with his skill as a photographer during his participation in a number of scientific expeditions in the 1890s. In 1896, Curtis began to take photographs of the Native American tribes (by 1930 he had taken over 40,000 negatives of eighty tribes) and evolve his hugely ambitious plan for a comprehensive work which would illustrate his romantic vision of Native American life before the disastrous impact of European contact. With the enthusiastic support of President Theodore Roosevelt (who wrote the foreword to the present work) and the financial backing of J. Pierpont Morgan (Curtis was introduced to him by Roosevelt), the publishing project finally got under way in 1906. Pierpont Morgan died in 1913 just before the completion of the ninth volume, but his son agreed to continue underwriting the project; between them, they eventually contributed about a third of the $1,500,000 cost. What had originally been projected to take five or six years eventually stretched to twenty-three, finally reaching a conclusion in 1930 but leaving Curtis a broken and bankrupt man. Nonetheless, his grand design was completed, and his work remains as his monument. Cf. Naef & Goldschmidt The Truthful Lens 40; cf. Howes C-965. Photogravure after Edward Curtis, printed by the Suffolk Engraving Company, Japon paper. Very good condition.

      [Bookseller: Donald Heald Rare Books]
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        Peter Ibbetson Lyric Drama in Three Acts. From the Novel by George du Maurier

      J Fischer & Bro. New York 1930 - Limited Deluxe Edition Inscribed by Deems Taylor and George Fischer, With an ALS by Taylor Laid In TAYLOR, Deems, [composer]. DU MAURIER, George. Peter Ibbetson. Lyric Drama in Three Acts. From the Novel by George du Maurier. J Fischer & Bro.: New York, 1930. Deluxe limited edition, one of 12 presentation copies out of a total of 110 copies, this being letter "K". Inscribed by Deems Taylor to the publisher George Fischer. "For George Fischer/- and what on earth/would I do without him?/ Deems Taylor." In turn, this copy was then inscribed by the publisher George Fischer to his son Eugene Henry. "This copy of Peter Ibbetson/I present to my son/Eugene Henry/who assisted materially/in the completion of this/vocal score/January 8th 1937 G Fischer." Quarto (11 3/8 x 7 13/16 inches; 287 x 197 mm). x, 329, [1, blank] pp. With an additional colored title-page. Also laid in is a autographed signed letter by Deems Taylor to George Fischer discussing his progress on Peter Ibbetson and the casting of the show. "I went in to town Friday/ night and had a talk with/ Patti about P.I. The three/ principals are all set, and will/ be officially announced in a/ couple of weeks. Johnson, Tibbett,/ and Bori!" Letter is four page on two leaves of Taylor's letterhead. Also, laid in is a list both typed and hand-written of who each of the 12 deluve lettered copies are to go to. Original Quarter teal morocco over marbled boards. Spine lettered in gilt. Top edge gilt, others uncut. Marbled endpapers. Extremities of the spine a bit chipped. 2 3/4 inch crack at the bottom of the outer hinge. Spine hinges have had restoration. Boards with some staining. Overall a very good copy. "Taylor, Deems (22 Dec. 1885-3 July 1966), composer and music critic.Taylor's desire to compose an opera was realized in 1925, with a commission from the Metropolitan Opera. With Edna St. Vincent Millay as librettist, he composed The King's Henchman (1927).A second Metropolitan commission followed, and in 1931 Peter Ibbetson premiered. Based on the George du Maurier novel (1891) and the Constance Collier play (1917), the opera received sixteen performances from 1931 to 1935. Enormously popular with the public, both operas were denounced by many critics as too derivative." (American National Biography). HBS 65122. $1,250 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Parties: Scenes from Contemporary New York Life

      Alfred A. Knopf, NY, 1930. Fine with No dust jacket as issued. Stated First Edition. First Printing. Hard Cover Stated first limited edition, first printing. "Of the first edition of PARTIES, two hundred fifty copies (of which two hundred forty are for sale) have been printed on CROXLEY HAND MADE PAPER. Each copy is signed by the author. This is number 16". Publisher's full yellow vellum over flexible boards, silver lettering and decoration on spine, silver medallion on cover, top edge silver, fore-edge deckle. Signed by the author on the limitation page. In original slipcase. Carl Van Vechten (1880-1964) was an American writer and artistic photographer who was a patron of the Harlem Renaissance and the literary executor of Gertrude Stein. Van Vechten was interested in black writers and artists, and knew and promoted many of the major figures of the Harlem Renaissance, including Langston Hughes, Ethel Waters, Richard Wright, and Wallace Thurman. Van Vechten's controversial novel "Nigger Heaven" was published in 1926. His essay "Negro Blues Singers" was published in Vanity Fair in 1926. Quite scarce in this limited edition. The volume is in excellent condition, unmarked, tight, square and clean. The slipcase is moderately shelf-worn. FINE. 8vo 8" - 9" tall. Signed by Author

      [Bookseller: Round Table Books, LLC]
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        Imaginary Letters

      Paris: Black Sun Press, 1930 - First edition, No. 5 of 50 COPIES printed on Japan Vellum and SIGNED BY POUND. 56 pp. Original cream wrappers. Near fine, clean copy in the original glassine (which is itself slightly discolored). Without slipcase. Bookplate of Julia Wightman. Gallup A32; Minkoff A38 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Hammersmith Murders

      Garden City, NY: Doubleday, Doran & Company, Inc.. 1930. First Edition. Hardcover. 294pp. Black cloth stamped in red on the cover and the spine. Signed and inscribed by Frome on the front free endpaper in the year of publication. Slant to spine, mild fading to cloth and toning to text block, lower corner tips bruised. A very good copy in bright fine price-clipped dustjacket. The first mystery featuring Evan Pinkerton. A Haycraft-Queen cornerstone. ; Octavo; Signed by Author .

      [Bookseller: Parigi Books, ABAA/ILAB]
 27.   Check availability:     Biblio     Link/Print  


      libreria dello stato Roma 1930 - 2 voll. ril. in tela con dorso e angoli in pelle., cm 30x22,5, pp 379 di t. +3 tavv.f.t. + C tavv. in b/n sciolte racc. nel vol.delle tavv. Ottimo stato.

      [Bookseller: EDITORIALE UMBRA SAS]
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        ON BEING ILL

      Hogarth Press 1930 - First edition, first issue. Preliminary state, one of only of 25 copies in which the original printed limitation reads "125 copies", this is ruled through and 250 copies is printed above. Inscribed 'Out of series' by Leonard Woolf, and signed by Virginia Woolf. A fine copy in a very good dustwrapper, which has minor wear to the corners and spine ends with a small scratch to the spine. An attractive copy. Original quarter vellum over turquoise cloth boards in pictorial dustwrapper. "Leonard Woolf stated that this limited edition was heavily oversubscribed, and that probably after printing the free copies, it was decided to double the number of copies printed." (Kirkpatrick) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books ABA ILAB]
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        On Being Ill

      London: Hogarth Press 1930 - The Hogarth Press, London., 1930. First edition. Octavo. 35 pages. Hand-set by the author. Hand-printed by the author and Leonard Woolf. Decoration by Vanessa Bell. Marbled endpapers. Parchment-backed cloth. Number 49 of 250 copies signed by the author. Fine in a fine dust jacket, housed in a custom-made quarter-leather folding case. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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      New York: Rimington & Hooper 1930 - First edition, first printing. One of 550 copies printed. SIGNED BY VIRGINIA WOOLF on the reverse of the half title. Original paper-covered boards with red cloth spine lettered in gilt. Card slipcase. No dustwrapper issued. A stunning fine copy. Scarce thus (Kirkpatrick A15). Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        On Being Ill

      Leonard and Virginia Woolf at The Hogarth Press, [London] 1930 - Pp. 34. Blue cloth, vellum spine, gilt spine title, marbled endpapers. With original printed limitation of 125 numbered copies stroked through and 250 copies printed above, "Out of series" handwritten in purple ink by Leonard Woolf, type-set and signed in purple ink by Virginia Woolf, top edge trimmed, others deckled. Covers soiled, spinestrip darkened, tiny 2 mm stain at fore-edge of 3 leaves, else interior clean and crisp. Lacks the dust jacket, else very good copy of the preliminary state. Size: 12 Mo [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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      The Westgate Press, San Francisco 1930 - First edition, limited to 500 numbered copies signed by Woolf on the limitation page. Printed at the Gradhorn Press. Variant binding of green patterned paper-covered boards with green leather gilt-stamped spine. Original card slipcase. Slipcase with one corner touched; spine toned but gilt intact; otherwise, a Near Fine copy in a Near Fine slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Revere Books, ABAA & IOBA]
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        Collection, complète en 48 volumes, des oeuvres de Balzac.

      FLAMMARION 1930 - RO20040440: Titre et caissons dorés sur le dos en cuir marron marbré, à 4 nerfs. Tranche d'en-tête dorée. Filets dorés sur les nerfs. Papier des plats de couverture marbré. Plats de couverture conservés. Certains volumes ont le dos trés légèrement frotté sur les nerfs ou bien en coiffes. Le Femme de Trente ans. La Femme Abandonnée (316 pages). Séraphita. Jésus-Christ en Flandre - Melmoth Réconcilié - L'élixir de longue vie (282 pages). Le Cousin Pons (334 pages). Splendeurs et Misères des Courtisanes (TOME 1: 331 pages, Esther heureuse, A combien l'amour revient aux vieillards. TOME 2 : 294 pages, Où mènent les mauvais chemins, La dernière incarnation de Vautrin). Mémoires de deux jeunes mariées (278 pages). Le Curé de Tours - Pierrette (288 pages). Ursule Mirouët (302 pages). Les petits bourgeois (247 pages). Théâtre (TOME I :340 pages, Vautrin. Les ressources de Quinola, Pamela Giraud.TOME 2 : 281 pages. La Marâtre - Le Faiseur). Sur Catherine de Médicis (332 pages). Grandeur et Décadence de César Birotteau (315 pages). Le Curé de village (298 pages). La peau de chagrin (278 pages). L'enfant Maudit (286 pages). Louis Lambert - Les Proscrits - Adieu - Le Réquisitionnaire - El Verdugo (265 pages). Les Employés - Un prince de la Bohème - Gaudissart II - Pierre Grassou (317 pages). Le chef-d'oeuvre inconnu - Les Marana - Un drame au bord de la mer - L'Auberge Rouge - Maître Cornélius (272 pages). La cousine Bette (440 pages). Petites misères de la vie conjugale (247 pages). Contes drolatiques (TOME 1 de 281 pages et le TOME 2 de 282 pages Colligez ez Abbayes de Tourayne et mis en lumière par Le Sieur Balzac). L'Illustre Gaudissart - La muse du département (246 pages). Physiologie du mariage (361 pages). Le contrat de mariage - La granadière - Gobsek (280 pages). Le lys dans la vallée (319 pages). Eugénie Grandet (285 pages). La Maison du chat-qui-pelote - Le bal des Sceaux - La Vendetta - La Bourse - La fausse maîtresse (322 pages). Les paysans (354 pages). La Maison [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Soldiers' Pay [Dennis Wheatley's copy]

      Chatto & Windus, London 1930 - First Impression (no further printings noted), one of only 2000 copies of the author's first title published in the United Kingdom, with preface by Richard Hughes (who wrote "A High Wind in Jamaica" and, incidentally, helped launch Faulkner in England). 8vo: xii,326,[6, including four pages of publisher's advertisements]pp. Publisher's coarsely woven aquamarine cloth, spine lettered in gilt, top edge stained aquamarine, bottom edge uncut; cream-colored dust dust jacket printed in red and black, priced 7s/6d. Dennis Wheatley's copy, with his bookplate on front paste down. Top edge spotted, others lightly browned, otherwise about Fine, square and tight, in better than Near Fine jacket, the spine dust-soiled and a bit darkened, edges lightly rubbed and nicked. Petersen A2.14. In 1925, Faulkner moved to New Orleans where he joined a literary circle centered on Sherwood Anderson and was introduced to the modernist innovations of T. S. Eliot and James Joyce. His interest in experimental writing was piqued, and he began a novel, his first, Soldier's Pay, portraying the tragic homecoming of a wounded war hero. Though set in Georgia, it was, nonetheless, a kind of rehearsal for the later Mississippi novels, full of despair and "mythic motifs of impotence and futile love." (The Literary Encyclopedia) Wheatley's stylish thrillers and occult novels made him one of the world's best-selling writers from the 1930s through the 1960s. His Gregory Sallust series was a key inspirations for Ian Fleming's James Bond stories. Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fine Editions Ltd]
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      - (SEUSS,DR.)illus. FOILED BY ESSOLUBE: A JIG-SAW MELODRAMA by DR. SEUSS. This is a marvelous large 150 piece full color jig-saw puzzle, circa 1930's COMPLETE IN ITS ORIGINAL PICTORIAL ENVELOPE! (envelope creased and frayed) Pictured in the puzzle are three people in a car who are successfully fighting off the Zero-doccus, the Karbo-nockus, the Moto- munchus, the Oilio-gobelus and the Moto-raspus with the caption reading "Foiled by Essolube." The envelope is illustrated in black line and on the back, the cast of characters is explained. The main character on the front of the envelope is a precurser of the Cat In The Hat. Measuring 17" wide by 11 1/2" high, this is a fantastic and very rare Seuss item. See Dr. Seuss From Then To Now p.22 for color photo.

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Contes de Boccace. 3 volumes.

      Paris, A la Librairie Paul Cotinaud 1930 - Ornés de 45 eaux-fortes originales en couleurs et de 100 dessins en noir de André Collot. Tirage à 331 exemplaires, celui-ci un des 300 sur vélin de Rives n°88. Paris, à la Librairie Paul Cotinaud - 1930. Reliure demi-chagrin bleu à coins de l'époque. Dos à 4 nerfs avec pièces de titre et de tomaison chagrin rouge. Date en pied. Tête dorée sur témoins, non rogné. Couvertures et dos conservés. Petits frottements aux dos sans gravité. Pas de rousseur. Bon état. Format in-4°(25x20). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: EURL Livres et Collections]
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      New York: Covici-Friede, 1930.. Two volumes. Large quarto. Full brown pigskin, stamped in blind, t.e.g., fore and bottom edges untrimmed. Plates and vignettes. Neatly rebacked, with much of the original backstrips (rather darkened and worn) laid down, internally fine and with the boards in excellent state. First edition of this new translation into modern English by William Van Wyck, printed parallel with the Middle English text. Illustrated with twenty-five full- page woodcuts of the pilgrims in two colors, and over fifty head and tail pieces by Rockwell Kent. From a total edition of 999 sets signed by the artist, this is one of seventy-five deluxe sets printed on Crane's Old Book paper at the Stratford Press, specially bound, and accompanied by a separate set of five panoramic sheets of Kent's full-plate woodcuts of the pilgrims, each signed by him in the lower right margin. The separate suite is folded in a chemise, and with the two volumes, inserted in a three- compartment cloth slipcase. One of the monumental works of Kent's peak decade as an American book illustrator, published in the same year as his classic edition of MOBY DICK. Scarce with the separate suite of plates intact. STANLEY (GROLIER) 39.

      [Bookseller: William Reese Company - Literature ABAA-]
 38.   Check availability:     Biblio     Link/Print  

        Salomon Gessner. Sein Lebensbild mit beschreibenden Verzeichnissen seiner literarischen und künstlerischen Werke.

      - Zürich, Schweizer Bibliophilen Gesellschaft 1930. 32 : 23 cm. VIII, 322 S., 1 Bl. Mit Frontispiz (zehnfarb. Photolithogr.), 16 Bildtafeln, zahlr. mont. Abb., Vignetten, 1 Brieffaks. u. 1 Stammtafel. Handgebundener hellbrauner Ganzmaroquinband (sign.: A.Martin-Couvet) mit ornament. Goldbordüre, Stehkantenvergoldung u. Kopfgoldschnitt. Exemplar LXVI der Original-Ausgabe, für die Schweizer Bibliophilen-Gesellschaft als deren Jahresgabe für 1929 in 300 numerierten Exemplaren gedruckt, die nicht in den Handel gelangten. Die 2. Hälfte des Werkes beinhaltet die massgebliche Bibliographie der Zürcher Originalausgaben, Beiträge zu anderen Werken, Nachdrucke und der Dichtungen Gessners in den Fremdsprachen sowie das Werkverzeichnis der Gemälde und Radierungen. - Breitrandiges Exemplar in einem schönen Handeinband.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Les aventures du roi Pausole

      Aux Dépens d'un Amateur, S.l. 1930 - 489 pp., In-4 en feuilles sous emboîtage toilé bleu avec pièce de titre. Illustré de 74 pointes-sèches originales hors-texte en noir de VERTES. Tirage strictement limité à 99 exemplaires numérotés sur vélin à la forme des papeteries d'Arches filigrané "PAUSOLE & VERTES" contenant la suite des cuivres avec remarques et une suite des 15 planches refusées, le notre porte le n° 12 imprimé spécialement pour Monsieur René Janet. Très bon exemplaire. In-4° [Attributes: Hard Cover]

      [Bookseller: Ad hoc Art]
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        Dix Legendes en Marge du Livre

      Chez les Freres Creuzevault, Editeurs d'Art, Paris 1930 - An hors commerce, unnumbered copy from a limited edition of 50 copies on Japon Imperial. 120pp., loose in original printed wrapper. This copy inscribed to the friend of the author, Louis Gondard. Only slightest edgewear, otherwise good, clean copy. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Sanctuary Books, A.B.A.A.]
 41.   Check availability:     IberLibro     Link/Print  

        Plakat - Moskowskij gosudarstwennyj kamernyj teatr. Premera. «Patetitscheskaja Sonata» Moskauer Staats Kammertheater. Premiere. «Pathetische Sonate» Nikolaj Kulisch). Postanowka (Inszenierung): Aleksandera Tairowa. Reschissura: (Regie) A. Tairowa, Musik. Tschast: (Musik) A. Metner, Soreschisser: (Co-Regie) C. Margolin, Laborant: (Assistent) M. Gerscht, Montirowka: I. Nikolaew, Swet: (Licht) G. Samojlow. Udastvujut (Künstler): Alissa Koonen.

      Moskau, Mosoblit , ca.1930 - 82 x 62 cm, Kleine Fehlstellen am Rand und in der Mitte (kleiner Buchstabenverlust), etwas falzspurig - gutes Exemplar., Tadell. Text russ. Übersetzt aus dem Ukrainischen von P. Zenkevitsch. Mit der Musik von Beethoven.- Mykola Hurowytsch Kulisch (1892-1937) ukrainischer Schriftsteller. Er gilt als einer der wichtigsten ukrainischen Dramaturgen seines Landes im 20. Jahrhundert. Kulisch wurde Mitglied und später Vorsitzender der neuen Organisation WAPLITE (Freie Akademie proletarischer Literatur) die sich für eine eigenständige, aus der Provinzialität gehobenene ukrainischen Literatur unabhängig von Moskau einsetzte. 1928 musste Waplite aufgelöst werden. Kulisch wurde 1934 aus der KP ausgechlossen, deportiert und 1937 erschossen.- Alexander Jakowlewitsch Tairow (1885-1950) sowjetischer Regisseur und Theatertheoretiker. Er begründete das Moskauer Kammertheater. Als Schüler Stanislawskis und Beobachter Meyerholds forderte Tairow in Konsequenz seiner Erfahrungen und Überlegungen ein von ihm so genanntes ?synthetisches Theater? als Antwort auf den Naturalismus (These) und die Stilbühne (Antithese) seinerzeit. Tairow definierte sein Theater der Synthese als ?neorealistisch? Er hatte nach anfänglichen Schwierigkeiten großen Erfolg sowohl im In- als auch im Ausland. Tarow war mit der Schauspielerin Alissa Koonen, die in diesem Stück verheiratet. 5000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Wirtschafte sparsam . nimm ERA Margarine". [Hochformat].

      -,, [Wien, 1930 - OLithographie - Plakat. [Wien, -, um 1930]. ca. 125 x 95 cm. STRAPLA CENTRA-ERA 3-2 BG. (Vgl. ÖNB Inv. 16311215). - Fachmännisch restauriert. Deutsch

      [Bookseller: Antiquariat Weinek]
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