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Displayed below are some selected recent viaLibri matches for books published in 1930

        Caesar; The Life Story of a Panda Leopard

      Published by G. P. Putnam's Sons, London First Edition 1930. London 1930. First edition hard back binding in publisher's original scarlet cloth covers, black lettering to the spine and the upper panel, top edge dyed dark green. 8vo. 8½'' x 6½''. Contains viii, 89 printed pages of text with colour frontispiece and 13 monochrome illustrations throughout. Old ink name to the front free end paper, the tissue guarding the frontispiece has darkened, light fox spotting to the closed page edges, spine not faded, corners sharp and in Very Good sound and tight condition, no dust wrapper. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
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        Caesar: the life story of a panda leopard. Illustrations by Harry Rountree.

      London: G. P. Putnam’s Sons 1930 - 1st ed. A very good copy (gift inscription to front endpaper) in p/c worn, marked, but presentable jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: WestField Books]
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        Caesar; The Life Story of a Panda Leopard

      Published by G. P. Putnam's Sons, London First Edition . London 1930. - First edition hard back binding in publisher's original scarlet cloth covers, black lettering to the spine and the upper panel, top edge dyed dark green. 8vo. 8½'' x 6½''. Contains viii, 89 printed pages of text with colour frontispiece and 13 monochrome illustrations throughout. Old ink name to the front free end paper, the tissue guarding the frontispiece has darkened, light fox spotting to the closed page edges, spine not faded, corners sharp and in Very Good sound and tight condition, no dust wrapper. Member of the P.B.F.A. CHILDRENS [Attributes: First Edition; Hard Cover]

      [Bookseller: Little Stour Books PBFA Member]
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        Trackless Wind

      Johnck & Seeger, San Francisco 1930 - First edition, presentation issue (also issued in quarter cloth and paper covered boards with a reproduction of the Adams' portrait). Frontispiece photogravure portrait by Ansel Adams. Tall octavo. Japanese vellum over boards gilt. A little foxing to the boards and endpapers, near fine. Nicely Inscribed by the poet, as well as Signed by Adams underneath the portrait. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Caprice

      Emile-Paul Freres, Paris 1930 - First edition. Frontispiece by Daragnes. Text in French. Printed blue wrappers. Wrappers tanned, slight splits along the edge of the spine, a very good copy. Copy number 9 of 20 copies on Japon Imperial. Additionally this copy Signed by Dereme with a handwritten six-line poem. See this book in 3D on our site. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        BRICKWORK, CONCRETE AND MASONRY - A COMPLETE WORK BY PRACTICAL SPECIALISTS, DESCRIBING MODERN PRACTICE IN THE WORK OF THE BRICKLAYER, CONCRETOR, MASON, PLASTERER AND SLATER.

      SIR ISAAC PITMAN & SONS LTD., London 1930 - ALL EIGHT BOOKS ARE FIRST EDITIONS AND FIRST PRINTINGS - Book Contributors Vary From Book To Book, As Per Their Particular Specialty - Publication Dates Start in 1930 And Complete In 1931. In each of the eight books, the copyright page states: EDITED BY T. CORKHILL - A COMPLETE SET OF VOLUMES ON ALL BRANCHES OF THE WORK - Price 6/- net each. There is a preface in each book by T.C. [T. Corkhill] - There are hundreds of illustrations, pictures, fold out diagrams, tables, mathematical computations in this complete set. All books have blue cloth boards with gold/gilt lettering to the spine and front board. All lightly frayed. Browning to blank end-pages. Few pages repaired. All pages are present and in a clean condition. VOLUME I - MATERIALS - BRICKWORK BY R.V. BOUGHTON, A.I.STRUCT.E - BRICKWORK CONSTRUCTION BY A.T. WINSTONE - CRAFTSMANSHIP IN BRICKWORK BY J.C. SEAWARD. VOLUME II - CIRCULAR AND ORNAMENTAL BRICKWORK by D. F. PARR - CIRCLE-ON-CIRCLE BRICKWORK by D. F. PARR - FIREPLACE AND CHIMNEY CONSTRUCTION by A. WINFIELD - PRELIMINARY OPERATIONS by R. V. BOUGHTON, A.I.STRUCT.E. SEMICIRCULAR VAULTS - LANCASHIRE BOILER AND ECONOMIZER. VOLUME III - SCAFFOLDING AND LIFTING APPLIANCES by A. MITCHELL, A.R.I.B.A. - TEMPORARY TIMBERING by A. MITCHELL, A.R.I.B.A. - PLAIN CONCRETE by W. VERALL, C.R.P - REINFORCED CONCRETE by G.P. MANNING, M.ENG., A.M.I.C.E. - INSETS: GRAPH FOR RECTANGULAR BEAM SECTIONS & ARRANGEMENT OF STEEL IN FLOOR SLAB. VOLUME IV - FIRE RESISTING CONSTRUCTION by GORDON ALLEN, F.R.I.B.A. - DRAINAGE AND SANITATION by H.C.H. SHENTON, F.S.E., M.INST.M. & CY.E.,F.R.SAN.I. - MATERIALS (CEMENTS AND PLASTERS, ETC.) by W. PATTISON - DRAWINGS AND GEOMETRY by T. CORKHILL, M.I.STRUCT.E. VOLUME V - CRAFTSMANSHIP IN MASONRY by J. HAMES MACHINES AND APPLIANCES USED IN MASONRY by J. HAMES. CONSTRUCTIONAL DETAILS IN MASONRY by J. HAMES. CIRCULAR WORK IN MASONRY by C.J. OAKLEY MATERIALS (STONES, SLATES MARBLES) by J. MILLAR, P.A.S.I., M.I.STRUCT.E. - COLOURED PLATES OF STONE. VOLUME VI - THE STYLES OF ARCHITECTURE by GORDON ALLEN, F.R.I.B.A. DOUBLE CURVATURE WORK IN MASONRY by T.E. DYER. STONE STAIRS by T.E. DYER. CARVING AND LETTERING by W. AUMONIER. MEASURING AND COSTING OF MASONRY by C.J. OAKLEY. VOLUME VII - MODERN CONSTRUCTION by F. WILKINSON, A.R.I.B.A. - MECHANICS by W.G. SHEPPARD, B.A., B.Sc. - ENGINEERING MASONRY by E. GRANTER, B.Sc., A.M.I.C.E. - CALCULATIONS by R.W.M. GIBBS, B.A., B.Sc. - TRENCH TIMBERING.VOLUME VIII - SLATING AND TILING by J. MILLAR, P.A.S.I., M.I.STRUCT.E. PLASTERING by W. VERRALL, R.C.P. MEASURING AND ESTIMATING BUILDER'S WORK by E.D. CLAYTON. M.R.SAN.I.ABSTRACT. [more images are available] --- Our orders are shipped within 1 or 2 business days. - Thanks for your interest and I hope you like the books enough to buy them. - Regards from Arabella. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arabella's Beautiful Books]
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        A la Frégate.

      es Editions des Portiques 1930 - Exemplaire sur Japon, 1 vol. in-8 br., coll. A la Belle Enseigne, Les Editions des Portiques, Paris, 1930, 111 pp. Bon exemplaire du rare tirage de tête sur japon ancien (tiré à 50 exemplaires). Exemplaire non numéroté (infime frott. au dos en queue, bel exemplaire par ailleurs). Langue: Français [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie du Cardinal]
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        The Protestant Ethic and the Spirit of Capitalism

      G. Allen & Unwin, 1930-01-01 London: George Allen and Unwin Ltd, 1930. 292 p. First British edition, first printing. (Precedes all others in English. Stated "First published in Great Britain in 1930" on copyright page.) Good condition. No jacket. Clean pages: no inscriptions or bookplates, etc. Spine faded; cloth lightly scratched, chipping just a bit at head and tail; bumped corners. Binding fairly sturdy. Heavy foxing to end papers and fore edge. A solid copy. The scarce true first in the English language of Weber's landmark work.

      [Bookseller: Burnside Rare Books]
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        The Colophon: A Book Collectors' Quarterly

      New York: (Pynson Printers). February, 1930 - March, 1935. First. First edition. Quarto. 20 issues. The complete run of the original series. Near fine, many with spines lightly tanned. Part 5 includes the David Milne etching "Hilltop", Signed by the artist in pencil. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Soldier's Pay

      London: Chatto and Windus,, 1930. Octavo. Original green cloth. With the dust jacket. Ownership signature to front free endpaper, pencilled inscription to title page. Spine rolled and faded, cloth rubbed and marked, particularly the lower cover, front hinge starting, some spotting to contents. A good copy in the rubbed and tanned jacket that is frayed and chipped at the corners and ends of the spine panel. First UK edition, first impression of Faulkner's first published novel. The American edition was issued in 1926 and is a famously difficult and expensive book to obtain in the dust jacket. The present London edition is the first to print the important preface by Richard Hughes, author of A High Wind in Jamaica (1929; published in the USA as The Innocent Voyage), which did much in itself to introduce this great Southern author to the English public.

      [Bookseller: Peter Harrington]
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        REIS DOOR RUSLAND [BAGAZH]

      - RUSSIAN. DE REIS DOOR RUSLAND [TRIP TO RUSSIA] by S. Marshak. The Hague: de Baanbreker 1930. 4to (7 `/4 x 8 3/4"), pictorial wraps, some cover soil and slight crease, VG. 1st Dutch edition of Lebedev's 1926 book entitled Bagazh, translated by L. Dworson and E. Hessbinger. Illustrated with wonderful color lithographs by VLADIMIR LEBEDEV. See Dictionnnaire p. 160. [Attributes: First Edition; Soft Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Fugues sur Siegfried. Engravings by Jean Emile LABOUREUR.

      Paris: Aux Editions Lapina, 1930 - Paris: Aux Editions Lapina, 1930, first edition, of the total edition of 1100 copies, this is one of 19 deluxe examples (de tête) printed on Vieux Japon paper. The complete book with 60 pages of text in French, illustrated with an etching (portrait of Laboureur) by G. Gorvel and 4 original full page etchings by Jean-Emile Laboureur, each of the 5 etchings signed in the plate. Also containing a separate wrapper folder with 3 additional suites of the 3 progressive states of each of the 5 etchings, all hors-texte, 10 of them signed in the plate. Circa 8 x 6 inches; the book is in the original publisher's wrappers with a pictorial dust jacket, housed in the original slipcase; most pages unopened; a few very minor fox marks at the very edge of the pages but overall in excellent condition. Some publishing ephemera laid in. Very rare in this edition, with 20 hors-texte etchings versus 5 in the regular issue. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Gemini Fine Books & Arts, Ltd. (ABAA)]
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        Dream Days . . . With Illustrations and Decorations by Ernest H. Shepard.

      London: John Lane the Bodley Head Limited, (1930). - 8vo, original quarter vellum, marbled paper sides, gilt lettering, t.e.g., others untrimmed. Unopened. Fine copy in a slightly soiled slipcase. First edition, large paper issue, one of 275 copies signed by Grahame and Shepherd. [Attributes: Hard Cover]

      [Bookseller: Brick Row Book Shop, ABAA]
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        [French Erotic Print]: One Man & Two Women (circa 1930)

      [not indicated: not indicated. circa 1930]. Hand colored pochoir print on fine wove paper. Image size (height preceding width) measures approximately 28 x 18 cm. Near fine. Signed "ERES." Could be one of the eight original prints also signed "Eres," for the pornographic novel Aventures d'une satyre (attributed to Jane de Rozat) published in Paris in the mid-1930s. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        U.S.S. ALGONQUIN C. G. 328 Black & White Images.

      Ca 1930, [Seattle, WA]: - An extensive, albeit unofficial, visual record of life aboard the USS Algonquin, commissioned as a Revenue Cutter in 1897 and retired late in 1930. The Algonquin operated along the East Coast of the United States with additional assignments in the West Indies and the Gulf of Mexico. Later, in cooperation with the U.S. Navy at the onset of World War I, the Algonquin patrolled and defended Chesapeake Bay, with subsequent assignment to European waters, escorting over 750 ships safely in her rounds between Gibraltar, England and the Azores. In 1919, the Algonquin was transferred to the West Coast, assigned to the 13th Naval District, which meant patrolling the Pacific Northwest, as well as the islands and coast of Alaska, which included protection of endangered seals. Evidence suggests this album compiled by Farrell Harvey, a documented Algonquin crewman [F 1c] during the late 20s/early 30s, while the ship was stationed in the PNW. These primarily uncaptioned photographs illustrate the rough and ready life of sailors such as Harvey during their shipboard tour, with divers images of the crew, their drills and daily tasks, and significant occasions such as the Equatorial Line Crossing Ceremony. Many photographs show sister ships and other vessels, coastline scenery, whaling, and people encountered in the tropics and divers scenes while patrolling along the Pacific Northwest Coast. A wonderful primary source for seeing the life of a Coastie aboard a cutter during the late 1920s, and into the beginning of the 1930s. Photographs generally Very Good or better. Album - Very Good. Brown suede album with hand-painted suede covers with suede ties, with front cover having a hand-printed title ÒPhotographs U.S.S. Algonquin C.G.Ó & Coast Guard emblem. Oblong format: 8" x 11-1/2". 10 pp. autographs pages, unused except for five penciled names (all dated 1930) + 40 leaves of black mounting paper, unpaginated, with last two leaves unused. Images mostly snapshot size of 2-1/2Ó x 3-1/2Ó, or 3-/12Ó x 4-1/2Ó. Laid in: A menu from Thanksgiving dinner 1929, one 5Ó x 7Ó portrait of the crew, two 8Ó x 10Ó photographs, and a 1955 officialÕs Seattle Gold Cup committee ribbon [with Harvey's name-tag at top].

      [Bookseller: Tavistock Books, ABAA]
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        Desert Islands and Robinson Crusoe. With decorations by Rex Whistler

      London, Faber and Faber Limited,, 1930. Large octavo. Original blue-green cloth, spine and front cover lettered and decorated in gilt. Engraved designs to endpapers, extra title, 3 vignettes in the text, all by Rex Whistler. Spine and upper portions of covers faded where shelved among shorter books, spine worn at head, still a good copy. First edition, first impression, presentation copy to Lady Ottoline Morrell, with the author's presentation inscription to the half-title, "Ottoline with love from W. J. dlM June [1]930". (His full name was Walter John de la Mare, known in later years as WJ.)

      [Bookseller: Peter Harrington]
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        Catalogue de Relières du XVth au XIXth Siècle, en Vente à la Librairie Gumuchian & C.

      Paris Gumuchian (c. 1930s) - Quarto. (181)pp. + 135ff. of plates. One of 1000 copies. A catalogue of fine bindings from this famed Parisian bookseller, profusely illustrated with full-page black and white illustrations including XX color plates. In original dust wrapper, with the English titling: "Fine Bindings." This title also appears on the covers. [Attributes: Hard Cover]

      [Bookseller: Bromer Booksellers, Inc., ABAA]
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        Pindar's Odes of Victory. With an Introduction and a Translation into English Verse by C.J. Billson: Embellished with wood-engravings by John Farleigh. Slipcase. (2 volumes)

      Blackwell / Shakespeare Head Press, Oxford, 1930. Hardcover. Very Good/No Dust Jacket. Illustrator: John Farleigh. Size: 4to - over 9¾" - 12" tall. Text is in multiple languages. Text in English and in GREEK. Text clean. Numbers written in pencil on free endpage of volume I. Raised bands on spine. Light tanning to spine. Previous owner’s name on free endpage of both volumes. Top edge gilt. Black & white illustrations. Boards lightly rubbed. Morocco blue full leather boards. Slipcase is morocco-lined canvas and is lightly bumped at edges. Limited edition to 250 copies. First volume is not numbered and is dated 1928, the second volume is number 7 and dated 1930. Illustrator: John Farleigh. Quantity Available: 1. Inventory No: 133580.. Additional shipping may be required for this item, please inquire..

      [Bookseller: The Dusty Bookshelf]
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        11 drawings of characters created by Charles Dickens

      N.p. [America?], n.d. [c.1930]. (DICKENS, CHARLES) Approximate average size: 6-1/4 x 4-1/4 inches. Pen and ink and watercolor on paper, each signed lower right ("S.A. Moss") and captioned (lower left) by the artist. Framed uniformly and glazed . Entertaining collection of Dickens characters as drawn by this talented illustrator, much in the manner of "Kyd" (aka Joseph Clayton Clark, 1856-1937). The characters include "Uriah Heep", "Bob Cratchit", "Mr. Pecksniff", "Nancy and Oliver", "Alfred Jingle", "Wilkins Micawber", "Bill Sykes", "The Two Wellers", "Captain Cuttle", "Sairey Gamp", and "Dick Swiveller"

      [Bookseller: James Cummins Bookseller]
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        Confessions of Zeno

      NY: Knopf, 1930. 1st ed. - Translated by Beryl De Zoete. A remarkable copy: The book is tight, fine with the top red edge bright and unsoiled in a bright, fine DJ with a tiny (1/16") hole in the front spinal gutter; no chips or tears. Rare. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thomas Dorn, ABAA]
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        KRASOTA I STRAST ZHENSHCHINI

      Riga, 1930. - Illustrations. Original printed wrappers. 224 pp. (Russian) [Attributes: Soft Cover]

      [Bookseller: Rosenbad Antique Books]
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        The Works of. (Edited by Professor W.L. Renwick).

      Oxford: The Shakespeare Head Press; Published for the Press by Basil Blackwell 1930 - Limited edition, no. 157 of 375 sets, eight volumes, 4to. Coloured wood engraved illustrations by Hilda Quick, with initial letters and other lettering designed by Joscelyne Gaskin, plus a frontispiece map of Ireland in the final volume by Macdonald Gill, modern bookplate in each volume. Original gilt titled green quarter morocco, marbled sides, spines slightly sunned otherwise a handsome set. Including "The Shepheardes Calender" and "The Faerie Queene" as well as other shorter works.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        The Fairy Shop", original design for drawing in "The Building of the Fairy City," Timlin's unpublished book

      n.p., [c. 1930] - The fantastic fairy shop, set in a dark, mysterious grove of tall trees. William M[itcheson] Timlin was born in Northumberland, England, and studied art in Newcastle before following his parents to South Africa, where he completed his studies in art and architecture. He then practiced as an architect, designing a number of major public buildings in Kimberley; at the same time he worked as an artist, producing paintings, etchings and pastels of conventional subjects, in addition to the watercolor fantasies for which is he best known. He also wrote stories and music, and did periodical illustrations. In 1923 he published "The Ship that Sailed to Mars", which has become a fantasy classic. His "The Building of the Fairy City" remained unfinished at his death, apart from a few elegant and imaginative watercolors, such as the one offered here Image approx. 7-1/2 x 6 inches. Pencil and watercolor. Matted

      [Bookseller: James Cummins Bookseller, ABAA]
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        Monatsschrift für alle Fragen der Freiballonfahrt. Herausgegeben von Wilhelm Köhler.

      Berlin, 1930-1937 u. 1953-1975.. Jahrgang 1 - 32. 12 Hefte je Jahrgang. 8 , Illustrierte Original-Leinenbände, etwas berieben, teils geringfügig angestaubt oder mit kleinen Fleckchen. Insgesamt sehr schön erhalten. Im 23.Jg. fehlt das Heft Nr.8. Ab 1972 sind die Jahrgänge ungebunden, die Hefte liegen lose im Original-Verlagseinband. Extrem selten. Insgesamt eine sehr schöne Reihe.

      [Bookseller: Antiquariat Mertens & Pomplun GbR (Versa]
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        MANIFESTO DO I SALAO DOS INDEPENDENTES

      1930 - Lisboa. Imprensa da Silva. Une feuille 263X388mm Edition originale. AFFICHE manifeste entièrement rédigé par Antonio Pedro, fondateur du surréalisme portugais et dont ceci est une manifestation dés 1930. Voir photos. (surréalisme, surrealism, surrealismo) [Attributes: Soft Cover]

      [Bookseller: Le Grand Verre]
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        Progress of Nations: The Story of the World and of Its Peoples from the Dawn of History to the Present Day (10 volume set) [SIGNED]

      Department of Rehabilitation, Disabled American Veterans of the World War, Chicago 1930 - Contributing Editors: William Kenneth Boyd, Edgar Dawson, William Scott Ferguson, et al. 5,215 pp, 2,300 illustrations, and 231charts and maps (the set). Complete 10 volume set of the National Patron of Honor Edition. Not registered to a specific patron. Signed on the right dedication page of volume 1 by Herman H. Weimert, National Commander of the Disabled American Veterans of the World War. Collection is complete, condition is Fine, all volumes. Clean, bright, and tight. Very minor darkening to leaf edges. Full leather, with no cracking. Green boards with ornate and beautiful gilt artwork to front cover, gilt decoration and lettering to spine. Beautifully illustrated end papers of the history of man through time. Top edge gilt. All text, as well as numerous illustrations and maps are in fine condition. A complete and fine set of a scarce collection. This set provides a unique snapshot into the world's history and into the thinking of American veterans at the end of the first World War, optimistically thought to be the "war to end all war." Its objective of understanding America's role in a turbulent world is particularly timely. This thorough collection is not only for those who love beautifully wrought books, but also for those interested in history, war, peace, and in remembering those who sacrifice in times of strife. These 10 volumes tell the history of the world-ancient, medieval, and modern-and the history of the United States though the end of the first great World War. In addition to text, the set tells its story via thousands of black and white and color photographs and illustrations, and via hundreds of maps and charts, many color fold-outs. From the foreword: "¿we have emerged from a world war, fought on our part to determine whether this nation, or any nation, may choose its way in peace. Five million Americans were called to the colors, and two million went overseas. Fifty thousand remain there forever. With the shock of this titanic conflict fresh in our experience, we now seek to understand its causes. Whether or not we may desire it, our interests have been drawn beyond America to the common problems of mankind. We are realizing that to comprehend the history of the United States one must know the history of the world. To promote, then, the intelligent civic insight that is one of the highest attributes of Americanism, this survey of the world's past has been prepared." From the website of the Disabled American Veterans organization (nee Disabled American Veterans of the World War), explaining its origins: "When the troops came home from World War I, some 300,000 carried grim reminders of war: disabling injuries, battle scars, gas-seared lungs, and prolonged illnesses. Following a tumultuous hero's welcome, America wiped the horror of war from its mind almost as quickly as the ticker tape was swept from the streets of New York City. As a result, the needs of the nation's disabled heroes were swept aside as well. Prejudice kept capable and qualified-but disabled-veterans from gaining employment in a job market with few enough opportunities to offer anyone. Veterans' benefits programs were administered by three separate government agencies with conflicting and overlapping responsibilities, leaving disabled veterans with massive confusion and red tape. Without a medical system dedicated to their needs, many disabled veterans found themselves sleeping on cots-or even on floors-in the halls of America's overwhelmed hospitals. Some just gave up the struggle, sitting on street corners with tin cups and signs reading: "Help Me. I'm a Disabled Veteran." Angered by the negligence and incompetence of the federal government in dealing with their problems, disabled veterans began forming local self-help groups in cities across America. In 1920, leaders from 250 of these groups gathered in Cincinnati, Ohio. Under the charismatic leadership of Judge Robert S. Marx, himself a veteran disabled in France, they federated into [Attributes: First Edition; Hard Cover]

      [Bookseller: Independent Books]
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        PROGRESS OF NATIONS. THE STORY OF THE WORLD AND OF ITS PEOPLES FROM THE DAWN OF HISTORY TO THE PRESENT DAY

      Department of Rehabilitation, Disabled American Veterans of the World War, Chicago 1930 - In Unsurpassably Fine Ornately Gilt Morocco. 229 x 156 mm (9 x 6 1/8"). 10 volumes. "The Unknown Soldier Edition," prepared for "National Patrons of Honor." (This is copy #604, "especially prepared for Mrs. Eli K. Robinson."). REMARKABLY FINE PUBLISHER'S DELUXE BLACK PEBBLE-GRAIN MOROCCO, ORNATELY GILT, front covers with decorative gilt-rule border enclosing elaborate floral rococo-style frame, the frame around a central medallion featuring a knight's plumed helmet; raised bands, gilt compartments elegantly decorated with volutes and small floral tools, gilt titling, gilt turn-ins with curling floral rolls, sky blue pictorial endpapers, all edges gilt. With more than 2,000 illustrations, including more than 200 maps and charts; 53 images in color. Perhaps a trivial imperfection somewhere, but essentially IN AS-NEW CONDITION, AN AMAZINGLY WELL-PRESERVED SET, virtually as it was delivered to its original owner. These profusely illustrated volumes give a thorough account of (primarily Western) world history from the ancient civilizations of Greece and Egypt through the end of World War I and were, the title page tells us, "chronicled with the assistance of eminent historians from leading universities and colleges and published in the interests of the Disabled American veterans of the World War and of a patriotic and intelligent Americanism." Our set is part of a limited edition "especially prepared for those who have lent their support to the program of Disabled American Veterans of the World War," signed by the national commander of that organization. It is in as close to original condition as one could ever hope to find. "The Unknown Soldier Edition," prepared for "National Patrons of Honor." (This is copy #604, "especially prepared for Mrs. Eli K. Robinson.") [Attributes: Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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        Haveth Childers Everywhere.

      Paris: Henry Barbou and Jack Kahane and New York: The Fountain Press. - First Edition, 1930. Quarto. Slocum and Cahoon A41. Limited Edition. #328/500 (of a total edition of 600), printed letterpress on laid paper, bound in frenchfold cream colored wrappers, in glassine overwrapper, in a green slipcase with gold trim , as issued. Fine. Slipcase is starting at one edge, and slightly rubbed at corners, else Fine. 73pp. Fragment of Work in Progress (Finnegans Wake). [Attributes: First Edition; Soft Cover]

      [Bookseller: Compass Rose Books, ABAA-ILAB]
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        The Social and Economic Views of Mr. Justice Brandeis, Signed

      1930. Title Page Signed "Louis D. Brandeis" Brandeis, Louis D. [1856-1941]. Lief, Alfred [1901-1971], Editor. The Social and Economic Views of Mr. Justice Brandeis. With a Foreword by Charles A. Beard. New York: The Vanguard Press, [1930]. xxi, 419 pp. Cloth in dust jacket. Moderate edgewear to dust jacket, some soiling to spine, chipping to ends. "Louis D. Brandeis" in bold hand to head of title page, internally clean. * First edition. "The papers are primarily the work of a great lawyer. His work is considered to have a tremendous effect upon not only the body of law already assimilated and codified but also upon the law which is being called into being in response in response to the modern development of society, particularly as regards the industrial situation": Boston Transcript, November 22, 1930, cited in Marke, A Catalogue of the Law Collection at New York University (1953) 1061.

      [Bookseller: The Lawbook Exchange, Ltd.]
 29.   Check availability:     Biblio     Link/Print  


        Progress of Nations The Story of the World and Of Its Peoples from The Dawn of History To The Present Day

      Dept. of Rehab. DAV, Chicago, IL 1930 - (full book description) Dept. of Rehab. DAV, Chicago, IL, 1930. 1st Edition Fine-, Hard Cover, DJ Not Issued. Size=6."x8.5", 5215pgs(Biblio. 230 Illus., 231 Charts/Maps. 10 Volumes Complete. Full olive green leather bindings with gold front cover and spine design and trim and gold spine lettering and top page gold gilt. Fore-edge and bottom edge page ends just the slightest bit dull, o.w. clean, tight and bright. No ink names, tears, chips, etc. Copy is registered in the name of Alfred Cary Schlesinger, presented by His Father Alfred H. Schlesinger. SIGNED by DAV National Commander E.C. Babcock on opposite page. Department of Rehabilitation Disabled American Veterans of the World War. 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES, WE ALWAYS PACK WITH GREAT CARE! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: edconroybooks]
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        Last and First Men.

      London: Methuen & Co. Ltd., 1930 - Octavo. Original blue cloth, titles to spine gilt. Very lightly rubbed at extremities, spine rolled. An excellent copy. First edition, first impression. Presentation copy inscribed by the author on the front free endpaper, "To Aage Marcus from Olaf Stapledon" and also on the title page, "Olaf Stapledon in the hope that someday my wife and I may give you almost as good a time in England as you have given us in Denmark". Aage Marcus (1888–1985) was a Danish art historian and writer, and the Olaf Stapledon collection at the University of Liverpool houses two presentation copies inscribed from him to Stapledon. Stapledon presentation copies are extremely rare, and this is one of only two copies that we have ever seen in commerce. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Woodcock

      1930 - Frank Weston Benson (1862-1951) was an American Impressionist artist, and a member of the Ten American Painters. He began his Studies at the school of the Museum of Fine Arts, Boston in 1879, under Otto Grundmann, and later studied at the Académie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts, Boston. In 1888 Benson gained favorable attention in his first showing with the Society of American Artist in New York, with a piece that suggested the influence of academic Realism rather than Impressionism. By the early 1890s he began using his family as subjects; Benson later recalled having realized at the time that ¿design¿ was the most important component of painting. Consequently, works of the period provided evidence of a greater interest in patterns, silhouette, and abstract design. Late in his career, Frank Benson returned his boyhood interest in ornithological illustration. Following the 1913 Amory Show, Benson quietly moved to revolutionize the field of American sporting art. His rendering of wildlife, hunting, fishing, and camping infused the field with heightened artistic sensitivity, and reinvigorated a tradition- burdened field. Historical accounts indicate that Benson¿s teenage bird studies were extremely realistic. We can infer that they were similar to works by Alexander Pope (American, 1849-1924) and Louis Agassiz Fuertes (American, 1874-1927). Those painters concentrated on painting objects with precision. Each blue jay painted by Fuertes had exactly the same color tones and patterns. This is realism in the sense that twelve jays in a cage look precisely the same. In contrast, Benson¿s artistic training brought him to realize that a viewer¿s experience of a jay¿s appearance varies with the tint of light cast by the sky, whether the jay is front lit or back lit, and the background. Furthermore, Benson realized that we did not perceive the precise feather pattern of a bird at a distance of 20 feet. Benson had learned that our eyes perceive light, not objects, and he introduced that realization into the sporting art field. Other artists such as Roland Clark, A. L. Ripley, and Richard Bishop quickly followed his lead. In 1915 he first exhibited etchings of wild fowl, to popular acclaim. After 1920 Benson turned increasingly to the depiction of landscapes featuring wild life, an outgrowth of his interest in hunting and fishing, from then on producing a steady and profitable output of etchings and watercolors in this vein. At the request of fellow artist and conservationist Jay Norwood ¿Ding¿ Darling, Benson designed the second Federal Duck Stamp on 1935. Etching, 15 1/4 x 12 3/4 inches

      [Bookseller: Arader Galleries of Philadelphia, PA]
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        Confessions of Zeno

      NY: Knopf, 1930. 1st ed., 1930. Translated by Beryl De Zoete. A remarkable copy: The book is tight, fine with the top red edge bright and unsoiled in a bright, fine DJ with a tiny (1/16") hole in the front spinal gutter; no chips or tears. Rare.. 1st Edition. Hardcover. Fine/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
 33.   Check availability:     Biblio     Link/Print  


        CONFESSIONS OF ZENO

      Alfred A. Knopf, New York 1930 - A lovely copy of Svevo's best work, a novel that is widely regarded as the "great modern Italian novel." Book Fine with a touch of mottling to the cloth on the rear board, otherwise clean, fresh and unread. In a Very Good + price-clipped dust jacket with small chips at the spine ends and one corner, otherwise in a quite attractive state. Self-published in 1923, the novel was largely ignored until championed by James Joyce, who had known Svevo and his writing for over 15 years. In fact, Svevo is credited as the inspiration for Joyce's immortal "Leopold Bloom" character in "Ulysses." A charming, riotous work of psychological realism in which Svevo's neurotic character writes his memoirs on the advice of his shrink. Fine in Very Good +. dust jacket. [Attributes: First Edition]

      [Bookseller: Whitmore Rare Books, ABAA, ILAB]
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        May Belfort. Exposition.

      - Ca 1930. (880 x 675 cm). Affiche en couleurs. Défauts, usures dans les marges. May Belfort, de son vrai nom May Egan, chanteuse irlandaise, amie de May Milton, arriva à Paris via le Music Hall de Londres et se produisit au Café-concert des Décadents. Toulouse-Lautrec eut une vraie fascination pour elle, la représenta dans plusieurs de ses lithographies et peintures le plus souvent sur scène, comme sur cette affiche qui la montre chantant un succès "Daddy wouldn't buy me a bow-wow", portant des habits de petite fille, un petit chat noir dans les bras. De santé fragile, elle se retira de la scène après une brève apparition au Petit Casino, pour laquelle elle avait commandé cette affiche. // Poster in colors. (880 x 675 cm). Defects, margins used. May Belfort, her real name is May Egan, Irish singer, friend of May Milton, came toParis via the London music halls and performed at the Décadents Café-concert. Toulouse-Lautrec became truly fascinated with her, depicting her in several of his lithographs and paintings, usually performing her act, as she is shown on this poster, singing a favorite song, "Daddy wouldn't buy me a bow-wow", dressed like a little girl, a black kitten in her arms. Due to ill health, she retired from the stage after a brief appearance at the Petit Casino, for which she had commissioned this poster.

      [Bookseller: H. PICARD ET FILS, founded 1860]
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        Autograph quotation signed. In Arabic.

      Paris, 14. VII. 1930. - Folio. 1 page. On uncut wove paper, bearing the Schoellers-Parole blind embossed seal, margins uncut. The original autograph contribution of Sidi Ahmed Pasha to the Committee of the World League for Peace (Ligue Mondiale pour la Paix), a remarkable organization formed in 1925 with close ties to the League of Nations. The Committee itself was composed of such notaries as Queen Elizabeth of Belgium, King Carol II of Romania, John D Rockefeller, Marie Curie, and Albert Einstein, who personally gathered the present manuscripts over the course of seven years (1925-32). Among the public figures who contributed to the project were dignitaries from the newly-created League of Nations' member states. "Praise be to God! Be friends and love one another, for you are all brothers who worship God. Peace is the best policy and God leads the righteous to that which is in the best interest of nations and peoples [Signed] Sidi Ahmed Pasha". Sidi Ahmed Pasha, better know as Ahmed II Bey, ruled Tunisia from 1929 until his death in 1942 as a member of the Husseinite dynasty. Pax Mundi. Livre d'or de la paix. Enquete universelle de la Ligue mondiale pour la paix sous le haut patronage de son comite d'honneur avec l'approbation de la Societe des nations, du Bureau international du travail et de la Cour permanente de justice internationale. Geneve, Societe paxunis, 1932. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        No.3. Farningham. [Farmer plowing with 2 horses].

      London: Underground Electric Railways Company Ltd. 1930 - Color lithograph. 32 x 24.5 inches. Mounted on linen.

      [Bookseller: Wittenborn Art Books]
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        Photograph Album]: 110 Photos of a Midwestern Farm Family

      1930 - Oblong 12mo. (100)pp. String bound with flexible cloth boards with half the interior pages empty or unused. Very good with general rubbing to the edges and some fraying at the corners. A photo album of 110 black and white images, most approximately 4" x 3" with some larger and smaller, of a Midwestern farming family with several photos labeled in ink at the margins. The album includes numerous shots of the farmer, his wife and children, and other relations posing for the camera, at a wedding, playing croquet, and horsing around with children. A nearly equal number of the photographs show livestock, hay bales, farm hands working in the fields, potato harvesting, horse-drawn wagons, period automobiles, and three images of what looks to be Yosemite National Park, including one of Old Faithful during an eruption. An evocative portrait of family life in the Dust Bowl during the Depression. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        YELLOW KNIGHT OF OZ

      - (BAUM,L.FRANK). THE YELLOW KNIGHT OF OZ by Ruth Plumly Thompson. Chic: Reilly & Lee (1930), 4to, bright red cloth, pictorial paste- on, tiny bit of wear at head of spine else FINE IN DUSTWRAPPER (dw 1st state with both flaps listing this title last, lightly frayed, chipped at spine ends and price clipped). First ed. 1st state with plates coated both sides and spine imprint in bold face (Hanff - Greene XXIV) illustrated by J.R. NEILL with 12 plates plus many full page black and whites. A beautiful copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Kiki's Memoirs

      Edward Titus at the Sign of the Black Manikin Press, Paris,, 1930. Translated from the French by Samuel Putnam. Quarto. Original cream wrappers, titles to front wrapper in black and red, monochrome reproduction of a painting of Kiki by Kisling pasted to upper wrapper. With the wraparound band, original glassine and card mailing case. With full page reproductions of 20 paintings by Kiki and portraits by Man Ray, Foujita, Kisling et al. A fine copy in the somewhat torn tissue and partially defective card slipcase. First Edition. One of 1000 copies printed. Hemingway's introduction was also issued separately in an edition of just 25 copies. Kiki was a working girl who became something of a muse to certain members of the Parisian expatriate community in the Twenties and who rather ineptly took up art herself.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


        WILSON READY-TO-WEAR (and) MADE-TO-MEASURE BASEBALL UNIFORMS, SEASON 1931.

      Wilson-Western Sporting Goods Company, New York, Chicago, San Francisco 1930 - 2 volumes. 8vo. The wrappers are illustrated with Rogers Hornsby in batting stance on the front cover. There are some marginal tears and general wear and soiling, especially to the Made -To -Measure catalogue; else in very good condition. These two companion catalogues illustrate off-the-rack and tailor-made uniforms in a variety of price ranges. They contain original wool flannel samples, a drawing of the complete uniform, full description and price. The READY-TO-WEAR catalogue is sixteen pages (plus covers), fully illustrated and contains thirty-two uniform samples in a variety of colors and pinstripes. The MADE-TO-MEASURE catalogue is thirteen pages (plus covers), contains illustrations and sixty uniform samples in a variety of colors and pinstripes. Additionally, there are endorsements for mitts (with photo portraits) by Bill Terry and Ray Schalk. We have been unable to locate any other copies of these or other Wilson swatch book catalogues in OCLC or any other database. The library of The Baseball Hall of Fame in Cooperstown, New York had heard that such catalogues were produced, but had never seen one. Rare. [Attributes: First Edition]

      [Bookseller: Andrew Cahan: Bookseller, Ltd., ABAA]
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        Fish Shows - Apsaroke

      Boston: Suffolk Engraving Company, 1930. A breath-taking image from "The North American Indian", the grandest illustrated work ever produced in the United States, the most important illustrated work on Native Americans, and the single greatest book in Western Americana. Only the double-elephant folio edition of Audubon's "Birds of America" surpasses Curtis in its massive ambition and beauty of execution. "...Because of the singular combination of qualities with which he has been blessed, and because of his extraordinary success in making and using his opportunities... (Curtis) has been able to do what no other man has ever done; what, as far as we can see, no other man could do. He is an artist who works out of doors and not in a closet. He is a close observer, whose qualities of mind and body fit him to make his observations out in the field, surrounded by the wild life he commemorates. He has lived on intimate terms with many different tribes of the mountains and the plains. He knows them as they hunt, as they travel, as they go about their various avocations on the march and in camp. He knows their medicine men and their sorcerers, their chiefs and warriors, their young men and maidens. He has not only seen their vigorous outward existence, but has caught glimpses, such as few white men ever catch, into that strange spiritual and mental life of theirs; from whose inner most recesses all white men are forever barred...." (Theodore Roosevelt, Foreword to Volume 1) Born around 1848, Fish Shows or 'Buusish' was a gallant Apsaroke warrior, who first fought under the renowned chief Red Bear against the Sioux. According to Curtis, in "stature and in vigor the Apsaroke, or Crows, excelled all other tribes of the Rocky Mountain region, and were surpassed by none in bravery and in devotion to the supernatural forces that gave them strength against their enemies." (Volume IV) Originally planters from the upper Midwest, they inhabited the Plains and Prairies region of the United States, where they became hunters and skilled horsemen. Edward Curtis was fascinated by the story of the Native Americans from childhood. His in-depth knowledge of the various tribes increased in parallel with his skill as a photographer during his participation in a number of scientific expeditions in the 1890s. In 1896, Curtis began to take photographs of the Native American tribes (by 1930 he had taken over 40,000 negatives of eighty tribes) and evolve his hugely ambitious plan for a comprehensive work which would illustrate his romantic vision of Native American life before the disastrous impact of European contact. With the enthusiastic support of President Theodore Roosevelt (who wrote the foreword to the present work) and the financial backing of J. Pierpont Morgan (Curtis was introduced to him by Roosevelt), the publishing project finally got under way in 1906. Pierpont Morgan died in 1913 just before the completion of the ninth volume, but his son agreed to continue underwriting the project; between them, they eventually contributed about a third of the $1,500,000 cost. What had originally been projected to take five or six years eventually stretched to twenty-three, finally reaching a conclusion in 1930 but leaving Curtis a broken and bankrupt man. Nonetheless, his grand design was completed, and his work remains as his monument. Cf. Naef & Goldschmidt The Truthful Lens 40; cf. Howes C-965. Photogravure after Edward Curtis, printed by the Suffolk Engraving Company, Japon paper. Very good condition.

      [Bookseller: Donald Heald Rare Books]
 42.   Check availability:     Biblio     Link/Print  


        Peter Ibbetson Lyric Drama in Three Acts. From the Novel by George du Maurier

      J Fischer & Bro. New York 1930 - Limited Deluxe Edition Inscribed by Deems Taylor and George Fischer, With an ALS by Taylor Laid In TAYLOR, Deems, [composer]. DU MAURIER, George. Peter Ibbetson. Lyric Drama in Three Acts. From the Novel by George du Maurier. J Fischer & Bro.: New York, 1930. Deluxe limited edition, one of 12 presentation copies out of a total of 110 copies, this being letter "K". Inscribed by Deems Taylor to the publisher George Fischer. "For George Fischer/- and what on earth/would I do without him?/ Deems Taylor." In turn, this copy was then inscribed by the publisher George Fischer to his son Eugene Henry. "This copy of Peter Ibbetson/I present to my son/Eugene Henry/who assisted materially/in the completion of this/vocal score/January 8th 1937 G Fischer." Quarto (11 3/8 x 7 13/16 inches; 287 x 197 mm). x, 329, [1, blank] pp. With an additional colored title-page. Also laid in is a autographed signed letter by Deems Taylor to George Fischer discussing his progress on Peter Ibbetson and the casting of the show. "I went in to town Friday/ night and had a talk with/ Patti about P.I. The three/ principals are all set, and will/ be officially announced in a/ couple of weeks. Johnson, Tibbett,/ and Bori!" Letter is four page on two leaves of Taylor's letterhead. Also, laid in is a list both typed and hand-written of who each of the 12 deluve lettered copies are to go to. Original Quarter teal morocco over marbled boards. Spine lettered in gilt. Top edge gilt, others uncut. Marbled endpapers. Extremities of the spine a bit chipped. 2 3/4 inch crack at the bottom of the outer hinge. Spine hinges have had restoration. Boards with some staining. Overall a very good copy. "Taylor, Deems (22 Dec. 1885-3 July 1966), composer and music critic.Taylor's desire to compose an opera was realized in 1925, with a commission from the Metropolitan Opera. With Edna St. Vincent Millay as librettist, he composed The King's Henchman (1927).A second Metropolitan commission followed, and in 1931 Peter Ibbetson premiered. Based on the George du Maurier novel (1891) and the Constance Collier play (1917), the opera received sixteen performances from 1931 to 1935. Enormously popular with the public, both operas were denounced by many critics as too derivative." (American National Biography). HBS 65122. $1,250 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Parties: Scenes from Contemporary New York Life

      Alfred A. Knopf, NY, 1930. Fine with No dust jacket as issued. Stated First Edition. First Printing. Hard Cover Stated first limited edition, first printing. "Of the first edition of PARTIES, two hundred fifty copies (of which two hundred forty are for sale) have been printed on CROXLEY HAND MADE PAPER. Each copy is signed by the author. This is number 16". Publisher's full yellow vellum over flexible boards, silver lettering and decoration on spine, silver medallion on cover, top edge silver, fore-edge deckle. Signed by the author on the limitation page. In original slipcase. Carl Van Vechten (1880-1964) was an American writer and artistic photographer who was a patron of the Harlem Renaissance and the literary executor of Gertrude Stein. Van Vechten was interested in black writers and artists, and knew and promoted many of the major figures of the Harlem Renaissance, including Langston Hughes, Ethel Waters, Richard Wright, and Wallace Thurman. Van Vechten's controversial novel "Nigger Heaven" was published in 1926. His essay "Negro Blues Singers" was published in Vanity Fair in 1926. Quite scarce in this limited edition. The volume is in excellent condition, unmarked, tight, square and clean. The slipcase is moderately shelf-worn. FINE. 8vo 8" - 9" tall. Signed by Author

      [Bookseller: Round Table Books, LLC]
 44.   Check availability:     TomFolio     Link/Print  


        Imaginary Letters

      Paris: Black Sun Press, 1930 - First edition, No. 5 of 50 COPIES printed on Japan Vellum and SIGNED BY POUND. 56 pp. Original cream wrappers. Near fine, clean copy in the original glassine (which is itself slightly discolored). Without slipcase. Bookplate of Julia Wightman. Gallup A32; Minkoff A38 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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