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Displayed below are some selected recent viaLibri matches for books published in 1930

        The Maltese Falcon

      Knopf 1930 - Lite stains on covers, a VG tight copy. A Haycraft-Queen Cornerstone., 1st Edition , 1st Edition [Attributes: First Edition; Hard Cover]

      [Bookseller: Canford Book Corral]
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        Giorgio de Chirico. Galerie Alfred Flechtheim Berlin, Lützowufer 13. Ausstellung 19. Oktober bis Anfang November 1930.

      Berlin, Druck von A. Bagel A.-G. Düsseldorf. 1930,. 15,6 x 12,4 cm, 12 Seiten, 4 schwarz-weiss Abbildungen, illustrierte Original-Klammerheftung (etwas berieben), gutes Exemplar.. Dascher (2011), 469; Abbildung des Kataloges Seite 270. - Mit Leihgaben in der Ausstellung von George Grosz, Dr. Koch Darmstadt, Hermann Lange Krefeld, Dr. Hans Wendland Lugano und der Staatsoper am Platz der Republik-Berlin.

      [Bookseller: Stader Kunst-Buch-Kabinett]
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        Plakat - Niesen. Lithographie.

      Bern, Kümmerly u. Frey, 1930 - 100 x 70 cm, Zustand A (kleine Randläsuren) 1000 gr.

      [Bookseller: antiquariat peter petrej]
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        Typed Letter - Signed

      Chicago, Il 1930 - Signed "J S McDonnell Jr" on AirTransport Engineering Corporation letterhead and is dated June 12, 1930. The letter has a very minor marking of a paper clip on the top center area, otherwise is in fine condition. James Smith McDonnell was born in Denver, Colo., April 9, 1899. He grew up in Little Rock, Ark., where his father, also named James McDonnell, was a successful cotton merchant and ran a general store. Every morning before school, young James S. McDonnell delivered copies of the Arkansas Gazette on horseback. He graduated from Little Rock High School in 1917, just as World War I broke out. McDonnell served briefly as a private in the Army and then attended Princeton University, from which he graduated with honors in physics in 1921. While in college, he joined the Reserve Officers Training Corps (ROTC). After Princeton, he enrolled at Massachusetts Institute of Technology for graduate studies in aeronautical engineering. While still at MIT, he continued his ROTC affiliation, passed the Army Air Service physical and passed much of the ground-school work required for pilots. In August 1923, McDonnell was commissioned as a second lieutenant in the Army Air Service Reserve and assigned to Brooks Field, Texas, for flight training. He graduated from MIT in 1925. After earning his pilot's wings, McDonnell spent a year as a "gypsy pilot," doing odd jobs for people who owned airplanes. Finally, he landed a job as aeronautical engineer and pilot with Huff Doland Airplane Co. in Ogdensburg, NY and subsequently a stress analyst and draftman with the Consolidated Aircraft Company of Buffalo, NY in 1924-1925. In April 1927, he heard about a competition offered by the Guggenheim Foundation for the design of a safe, light, training aircraft. The next year, McDonnell and two colleagues, Constantine Zakhartchenko and James Cowling, decided to leave Hamilton, which was being absorbed by the United Aircraft and Transportation Corporation, and organize J.S. McDonnell Jr. & Associates. The three entered the "Doodlebug" in the competition, but it didn't win, and the hard economic times of the Great Depression kept it out of production. Meanwhile in 1929, McDonnell becamevice-president of Airtransport Engineering Coorperation, a Chicago consulting firm, and in 1931 he left that job to become an engineer and test pilot with the Great Lakes Aircraft Coorporation in Cleveland, OH whre he remained until 1932. On June 30, 1934, he married Mary Elizabeth Finney, whose father, Dr. John Finney, was founder of the American College of Surgeons. McDonnell resigned from Martin in 1938, determined to form his own company. On July 6, 1939, he incorporated the McDonnell Aircraft Corp. in St. Louis, Mo. Within the next three decades, the company would become the leading producer of jet fighters and would build the first spacecraft to carry an American into orbit. By the mid-1960s, McDonnell Aircraft Corp. was the largest employer in Missouri, and in 1967, it expanded its operation by merging with the largest employer in California, the Douglas Aircraft Co. James S. McDonnell took over as chairman and chief executive officer of the McDonnell Douglas Corp. In 1971, his nephew, Sanford N. McDonnell, became president, and James S. McDonnell was chairman of the board and chief executive officer. His nephew took over as CEO in 1972. James Smith McDonnell remained chairman of the board of directors until his death on Aug. 22, 1980. During his career, James Smith McDonnell received numerous awards and honorary degrees. His awards included the Robert Collier Trophy, the Guggenheim Medal, Founders Medal of the National Academy of Engineering and the NASA Public Service Award. He was remembered for his many civic duties, particularly his chairmanship of the United Nations Association of the United States. In 1958, the McDonnell Aircraft Corp. was the first organization in the world to celebrate United Nations Day as a paid holiday. [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        [French Erotic Print]: One Man & Two Women (circa 1930)

      [not indicated: not indicated. circa 1930]. Hand colored pochoir print on fine wove paper. Image size (height preceding width) measures approximately 28 x 18 cm. Near fine. Signed "ERES." Could be one of the eight original prints also signed "Eres," for the pornographic novel Aventures d'une satyre (attributed to Jane de Rozat) published in Paris in the mid-1930s. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Montaner y Simon, Barcelona 1930 - Mapas en color. Desplegables. XIX + 231 pag. Ciento setenta láminas con cien cartas generales y ciento treinta mapas parciales y de detalle. Obra redactada y ejecutada por la oficina cartográfica del T. C. I. Edicion especial hispanoamericana adaptada por el profesor P. Vila. Size: 50 x 30 [Attributes: Hard Cover]

      [Bookseller: Reus, Paris, Londres]
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        Connaissance de l'Est.

      Gonin,, Lausanne, 1930 - Lausanne, Gonin, 1930. 4°. 97 (5) S. Mit 1 sign. Orig.-Aquarell, 1 farb. Titelvignette, 8 farb. Holzschnitttafeln, 23 farb. Holzschnitte im Text, 8 farb. Schlussvignetten und 22 farb. Initialen sowie die farbige Suite mit 31 Tafeln auf Japan und die Suite in Schwarz mit 31 Tafeln von Philippe Gonin nach Jean Berque. Brauner Orig.-Maroquinband mit Halbmaroquin-Chemise in Schuber. Monod 2833. - Vorzugsausgabe mit Aquarell und den beiden Suiten, jedoch Nr. 15, das gemäss Impressum keine Vorzugsausgabe mehr sein sollte (gibt 10 Ex. an). Vom Verleger im Impressum signiert. Gesamtauflage war 140 Ex. - Der Schuber minim berieben, sonst tadelloses Exemplar. Brauner Orig.-Maroquinband mit Halbmaroquin-Chemise in Schuber. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz]
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        Years of Grace

      Houghton Mifflin Company, Boston and New York 1930 - "Years of Grace" by Margaret Ayer Barnes. First edition, third printing. Winner of the 1931 Pulitzer Prize for Novel (Fiction). Published by the Houghton Mifflin Company, New York, 1930. 12mo [5" x 7 3/8"], 581 pp. With its rare original dust jacket with "Third Printing" stated at the bottom of the front panel. The dust jacket is very good condition. Professional restoration to the edges of the spine and into the panels. Minor wear to the panels with sunning to the spine. The original price of $2.50 is present on the front flap. The book is in very good plus to near fine condition. The black cloth boards are beautifully preserved with crisp edges. The red lettering on the front board and spine is clear and vibrant. Light fraying at the edges of the spine. The contents are clean, bright and supple with tight binding. A very collectible copy of this Pulitzer Prize winning novel. Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books. Inventory #(Pul-45) [Attributes: First Edition; Hard Cover]

      [Bookseller: Ernestoic Books]
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        TWENTY YEARS AT HULL-HOUSE With Autobiographical Notes

      New York: MacMillan Company. Very Good+ in Very Good+ dust jacket. 1930. Later Printing. Hardcover. Foxing to DJ; Inscribed 'faithfully yours' by the author; B&W Illustrations; 8vo; 462 pages .

      [Bookseller: Complete Traveller Antiquarian Bookstore]
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        Soldiers' Pay.

      London: Chatto & Windus, 1930 - Octavo. Original tan cloth, titles to spine in red. Text somewhat browned, first gathering a little sprung. Very good. First UK edition, second impression. With the author's signed presentation inscription to the title page, "William Faulkner for Else 11 Dec 1950". Signed and dated (1938) on the front free endpaper by the writer and journalist Thorsten Jonsson (1910-1950). Faulkner met Else Jonsson at the Nobel Prize ceremony in Sweden in December 1950. She was the recent widow of Thorsten Jonsson the journalist and critic who had been instrumental in getting Faulkner published in Sweden. On the night of the Nobel dinner 11th December - Faulkner walked Else home. He inscribed whatever copies of his books she had in the apartment and the two began a passionate affair which lasted several years. The couple met several times in Paris. Faulkner destroyed her letters to him but his side of the correspondence is one of the fullest and most remarkable extant. Faulkner's relationship with Else Jonsson was undoubtedly the most significant of his later life. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        L'Architecture Moderne Au Maroc. II: Constructions particulieres

      Librairie de la Construction Moderne, Paris 1930 - 7 pages in French text. Oblong folio, 31.5 x 25 cm. Sixty captioned plates printed recto only lose as issued. This volume depicts houses and hotels in Casablanca, Marrakech, and Rabat, with renderings of floor plans to scale and garden designs. A companion volume to Descamaps, Volume I, on modern Moroccan architecture covering Public Buildings. Clean, fresh copy, a few plates with small smudge marks in margins not affecting image or text. Rebacked in black cloth, black cloth ribbons new. Orig. cloth and board portfolio with cloth ties, color illustration mounted on front cover. Fine [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Le arti d'oggi. Architettura e arti decorative in Europa.

      Bestetti e Tuminelli,, Milano, 1930 - In-4° grande (340x255mm); pp. (2), 22 + 435 tavole in bianco e nero e a colori. Legatura editoriale t. tela con illustrazione a colori di G. Rosso. Restauri alle cerniere e alle cuffie. Buon esemplare. Edizione originale di questa imponente e rara documentazione sul Déco italiano ed europeo curata dal famoso storico dell'arte Roberto Papini (Pistoia, 1883- Modena, 1957). Il volume, profusamente illustrato, tratta di architetture, interni, mobili, metalli, ceramiche, vetri, merletti, ricami, tessuti, legature di Beherns, Depero, Gropius, Lalique, Ponti, Venini, ecc. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gilibert Libreria Antiquaria (ILAB-LILA)]
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        The Crowborough Edition of the Works of Sir Arthur Conan Doyle, 24 volumes

      Doubleday, Doran 1930 - Signed by Arthur Conan Doyle in the first volume. Number 612 of 760 copies. Complete 24 volume set in fine condition. Text is bright, clean, unmarked, with no previous owner's bookplates or names. Gilt to upper page edges is intact. Paper titles on spine are slightly darkened from age, but are crisp, in fine condition. One small dark spot to edge of first volume, slightly larger than the head of a pin (we're hoping it came from Sir Arthur Conan Doyle's pipe when he held the book to sign it). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: B Street Books]
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        THE WORKS OF ARTHUR CONAN DOYLE: The Crowborough Edition in 24 volumes [signed by Doyle]

      Doubleday, Doran, Garden City 1930 - 24 volumes, octavo; frontispiece portrait in first volume, rubricated title-pages. Bound in linen-backed tan boards, paper spine labels, gilt signature facsimile on covers, top edges gilt. Inner hinge cracked (easily repairable) in Volume I. A clean, tight set. 8.75" x 6" This is #550 of 760 sets, with Volume I signed on the limitation page by A. Conan Doyle. (The limitation notice and set number precede the half-title of each volume.) [Attributes: Signed Copy; Hard Cover]

      [Bookseller: R & A Petrilla, Booksellers & Appraisers]
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        Imaginary Letters

      Paris: Black Sun Press. 1930. First. First edition. Pages uncut, slight loss at the crown else near fine in stiff wraps and the original glassine dustwrapper, in a good cardboard slipcase lacking the bottom panel. Copy 297 of 300 numbered copies on Navarre Paper. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Lot de 4 dessins originaux "Encre de chine" Intitulés Fiancailles Nudistes

      Dessins - Vers 1930. - Dimensions de chaque dessin avec les marges : 19, 5 x 29,5 cm. Avec une dédicace à Melle Ginette ( Ginette Raymond), le rayon de soleil de "L'image" en lui souhaitant le mariage un peu plus habillé. Avec tote amitié. Signé Zys Brunner.Bon état. Zyg (Zygmunt Léopold) BRUNNER, (signa aussi Zyg-Brunner et Zig Brunner). Varsovie 12 novembre 1878 - 7 avril 1961 Paris, Dessinateur et caricaturiste polonais. Arrivé en France vers le début du siècle, il expose au Salon d'Automne à partir de 1905 et au S [Attributes: Signed Copy]

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      The Flame Press 1930 - First edition, second edition. A beautiful copy, appears to be unread. This is Copy #2 of an edition of 110 copies printed by Ward Ritchie. This copy has Ward Ritchie's bookplates. An amazing copy in wonderful shape. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Such Fun with Louis Wain

      1930. first edition. Such Fun"[WAIN, Louis, illustrator]. Such Fun with Louis Wain. Stories written by Norman Gale, Grace C. Ffloyd & others. Edited by Capt. Edric Vredenburg. London: Raphael Tuck & Sons, Ltd., [n.d. but not after 1923]. First edition. Quarto (10 1/16 x 7 11/16 inches; 256 x 195 mm.). [94] pp. (plus 1 page of adverts on verso of rear free-end-paper]. Pictorial title-page printed in orange and black, two full-color plates, thirty-five monocolor illustrations in green, red and orange as well as numerous black and white line drawings.Publishers quarter red cloth over brown and cream pictorial boards. Front cover with a fine Louis Wain color illustration (not in the book), lower cover with an unidentified color illustration. Spine lettered in black. Neat ink inscription on front free end-paper dated "Xmas 1923". Minute rubbing to corners, otherwise a near fine copy. The two color plates are titled: Kittie's Concert and Tommy on his travelsThe stories include: The Holiday Home; A Terrible Enemy; Another Terrible Enemy; Scratch and his Patch; The Mischievious Manikin; Deceitful Elizabeth; Jake; Naughty Tim-Cat; A nasty Tumble; A Strange Habit; The Kittens who went to School; The Circus Cats; The Kitten and the Goldfish; The Portrait Painter; The Cat's Quartette; THree Littel Kits, they go for a ride; Wonderful, isn't it?; Puppies at the Pantomime; Going to School; A Rough Day; A Sudden Shower; Three Little Cats; The King of the Castle; Seeing the World; A Lively Catch; A Holiday Catastrophe; Cinderella; The New Babies; In Trouble; Jack and Jill; Let Dogs Delight; A Dip in the Sea; A Strange Tail; A Riding We Will Go; The Bow-Wow Band; When Signor Thomas Warbles; Over the Garden Wall; The New Arrival; The Breakfast; Simple Simon; Mamma the Mender; The Author; The Cat's Cricket Match; and The MilkmanAt the end of the nineteenth century, Louis Wain (1860-1939), the Edwardian cat artist who went mad, became a household name as an illustrator of cats, whom he depicted in all sorts of activities, from skating and playing cricket to driving motor cars, attending dances, and playing musical instruments. “He invented a cat style, a cat society, a whole cat world. English cats that do not look like Louis Wain cats are ashamed of themselves” (H.G. Wells).“From 1883, Wain began to draw cats as they had never been drawn before, cats in humorous guises, in human situations, but always beautifully handled…although he was sometimes forced to draw dogs before he became well-known!” (Houfe, The Dictionary of British Book Illustrators and Caricaturists 1800-1914).

      [Bookseller: David Brass Rare Books, Inc.]
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        La Symphonie à Dieu

      N.R.F., Editions Gallimard, Paris 1930 - EDITION ORIGINALE imprimée en noir et rouge. En frontispice, eau-forte originale en couleurs de Joseph SIMA, signée dans la plaque. Tirage à 471 exemplaires. Un des 370 numérotés sur Arches, celui-ci portant sur le faux titre cet ENVOI autographe signé et daté juillet 1933 de Jouve : « à André Masson grand et fatal artiste, en le remerciant encore pour l¿image admirable qu¿il a mise sur Sueur de Sang ». ¤¤¤¤¤¤¤ Achevé d¿imprimé le 10 juin 1933, le livre SUEUR DE SANG que Jouve évoque dans sa dédicace fut publié par les éditions des Cahiers Libres. Pour les 15 premiers exemplaires son directeur René Laporte demanda à André Masson une eau-forte originale, tout comme il avait sollicité Salvador Dali, Max Ernst et Yves Tanguy pour d¿autres titres. L¿année suivante, l¿écrivain publie une seconde édition du recueil, toujours aux Cahiers libres, qu¿il corrigera et complétera en y ajoutant entre autre le grand poème Piéta dédié à André Masson. Ce texte tout comme la dédicace de Jouve sur LA SYMPHONIE A DIEU marque bien l¿amitié qui liait les deux artistes. Cependant, il faudra attendre 1952 pour que Masson illustre à nouveau un livre de Jouve en donnant une lithographie pour le tirage confidentiel de LANGUE, également orné d¿estampes de Sima et de Balthus. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie-Galerie Emmanuel Hutin]
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        Wolf Lies Down - Apsaroke

      Boston: Suffolk Engraving Company, 1930. A breath-taking image from "The North American Indian", the grandest illustrated work ever produced in the United States, the most important illustrated work on Native Americans, and the single greatest book in Western Americana. Only the double-elephant folio edition of Audubon's "Birds of America" surpasses Curtis in its massive ambition and beauty of execution. "...Because of the singular combination of qualities with which he has been blessed, and because of his extraordinary success in making and using his opportunities... (Curtis) has been able to do what no other man has ever done; what, as far as we can see, no other man could do. He is an artist who works out of doors and not in a closet. He is a close observer, whose qualities of mind and body fit him to make his observations out in the field, surrounded by the wild life he commemorates. He has lived on intimate terms with many different tribes of the mountains and the plains. He knows them as they hunt, as they travel, as they go about their various avocations on the march and in camp. He knows their medicine men and their sorcerers, their chiefs and warriors, their young men and maidens. He has not only seen their vigorous outward existence, but has caught glimpses, such as few white men ever catch, into that strange spiritual and mental life of theirs; from whose inner most recesses all white men are forever barred...." (Theodore Roosevelt, Foreword to Volume I) A member of the Never Packs Game clan, Wolf Lies Down was a Mountain Crow leader, who fought against the Sioux in the Battle of Pryor Creek near Billings, Montana in 1860. According to Curtis, in "stature and in vigor the Apsaroke, or Crows, excelled all other tribes of the Rocky Mountain region, and were surpassed by none in bravery and in devotion to the supernatural forces that gave them strength against their enemies." (Volume IV) Originally planters from the upper Midwest, they inhabited the Plains and Prairies region of the United States, where they became hunters and skilled horsemen. Edward Curtis was fascinated by the story of the Native Americans from childhood. His in-depth knowledge of the various tribes increased in parallel with his skill as a photographer during his participation in a number of scientific expeditions in the 1890s. In 1896, Curtis began to take photographs of the Native American tribes (by 1930 he had taken over 40,000 negatives of eighty tribes) and evolve his hugely ambitious plan for a comprehensive work which would illustrate his romantic vision of Native American life before the disastrous impact of European contact. With the enthusiastic support of President Theodore Roosevelt (who wrote the foreword to the present work) and the financial backing of J. Pierpont Morgan (Curtis was introduced to him by Roosevelt), the publishing project finally got under way in 1906. Pierpont Morgan died in 1913 just before the completion of the ninth volume, but his son agreed to continue underwriting the project; between them, they eventually contributed about a third of the $1,500,000 cost. What had originally been projected to take five or six years eventually stretched to twenty-three, finally reaching a conclusion in 1930 but leaving Curtis a broken and bankrupt man. Nonetheless, his grand design was completed, and his work remains as his monument. Cf. Naef & Goldschmidt The Truthful Lens 40; cf. Howes C-965. Photogravure after Edward Curtis, printed by the Suffolk Engraving Company, Japon paper. Very good condition apart from a mild surface abrasion in the top left corner of the plate mark.

      [Bookseller: Donald Heald Rare Books]
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        Madman's Drum: A Novel in Woodcuts by Lynd Ward

      Jonathan Cape and Harrison Smith October, 1930, New York - SIGNED. 118 images. Octavo [25 cm] Black cloth with illustrated paper labels on the front board and backstrip. Top edge gilt and fore edge deckled. Illustrated endsheets. Housed in a black slipcase. The book is in very good condition. The extremities are gently rubbed, soiled and faded. The spine is heavily faded, and subtly rolled. The title label on the spine has a very small loss from the bottom right corner. There is a small damp stain at the foot of the spine, and there is a 7 inch long light blue colored pencil mark on the front board. The boards are barely perceptibly concave. The illustrations are very slightly offset on the opposite pages, and the pages are lightly tanned. Despite the subtle tanning, the pages are actually quite clean and bright. The book is sturdy. The slipcase in fair condition only, with mild staining. The top edge is missing, and the underlying boards are exposed along the edges. There are numerous splits in the edges as well. Number 5 of 299 copies. Signed by the author/illustrator on the limitation page. Ward's second work is a visual tale of man's quest for power, and the inevitability of death. A masterpiece from one of the giants of twentieth century illustration. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        The Apes of God

      London: The Arthur Press,, 1930. Octavo. Original orange and white cloth, titles to spine in blue. With the dust jacket. Pencilled ownership signature to front free endpaper. Cloth a little rubbed with a couple of light spots and dulling to the lower edges, light spotting to endpapers and scattered through contents. An excellent copy in the rubbed and browned jacket with frayed ends of the spine panel and some nicks and closed tears. First edition, first impression.

      [Bookseller: Peter Harrington]
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        Mad Man's Drum

      Harrison Smith & Robert Hass, New York 1930 - A novel in pictures, and with a great bonus - an original woodcut by Ward, signed, loosely inserted. Ward made his name doing these fabulous books without words. And this is an extremely rare SIGNED copy. The still excellent binding is from another Ward engraving, and it forms an overall pattern. The signature is with an inscription by Ward, and it is on the half title. The book is safe inside a stiff plastic jacket, presumably added at a later date. A BRILLIANT and RARE combination of book, print, and inscription. Extremely collectable, of course, but especially so at this price. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Booksniffer]
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        Ten Poems More

      Hours Press, Paris 1930 - Pictorial boards (by Len Lye) with quarter bound leather spine, gilt stamped. First Edition, #101 of 200 signed by author. Rubbed at edges and extremities Size: Quarto [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
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        The Castle

      London: Martin Secker,, 1930. A Novel. Translated by Willa and Edwin Muir Octavo. Original blue cloth, titles to upper board and spine gilt, top edge stained yellow. With the dust jacket. Some typical spotting to fore edge, very minor partial browning to the endpapers, spine just a little faded, but an excellent copy in the nicked and slightly rubbed dust jacket with the inevitable tanning at the spine and a trace of loss at the head and foot of the spine panel. First English edition, first impression. The Castle will never attain the fame of its sister The Trial, but in literary terms it is more than a match. This was the first publication in English of any of Kafka's books, preceding English editions of The Trial and Metamorphosis by some seven years. It is far scarcer than either.

      [Bookseller: Peter Harrington]
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        L' Arbre des voyageurs.

      Paris: Editions de la Montagne. 1930 - 165 x 251 mm. One of 65 copies on Arches from the total deluxe edition of 121. Signed in ink by the artist and author on the colophon. Original wrappers in glassine. Pages partially uncut. With 4 original lithographs: Mourlot nos. 2-5. Presented in a cloth chemise and quarter-morocco slipcase. Cramer, 1; Rauch, 163. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Wittenborn Art Books]
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        Bunny and Brownie. The adventures of George & Wiggle

      London, A. & C. Black, Ltd.,, 1930. Written & illustrated by Ida Rentoul Outhwaite. Quarto. Finely bound by The Chelsea Bindery in bright green morocco, titles and decoration to spine, raised bands, single rule to boards, pictorial block to front board, roll to turn-ins, marbled endpapers, gilt edges. With 8 colour illustrations and 8 black and white illustrations. Some occasional light foxing, an excellent copy in a fine binding. First edition, first impression.

      [Bookseller: Peter Harrington]
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      Albert Lévy, s.d. ma, Paris 1930 - (Codice AN2537) In 4° (cm 33) 2 voll., XXIV-319 pp. Opera fondamentale, prima e unica edizione. Holtein raccolse questa straordinaria collezione tra il 1889 e il 1911. Sontuosa edizione su carta a mano avorio, grandissimi margini, di eccellente nitidezza le splendide tavole fotografiche. Tomo I: pref. di R.Koechlin, bibliografia, testo storico-tecnico ill. con 152 figure n.t., e 36 belle tavole con centinaia di pezzi importanti rappresentati. Tomo II: (VI)-290 pp. di catalogo (comprendente anche armi antiche della Persia, Turchia ed altri paesi) in cui sono ampiamente descritti centinaia di pezzi illustrati nelle 84 tavole che seguono. Imponenti volumi, legature d'amatore m.marocchino rosso e grandi angoli, dorso a nervi, titoli oro, sguardie marmorizzate, cop. orig. conservate, nastri segnapag. in seta. Custoditi nei cofanetti originali elegantem. marmorizzati all'antica. Superbo esemplare (Hardcover, Fine). Euro 2800 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA ~ Tutti i libri subito disponibili. Descrizioni precise, consegna rapida con imballaggio solido. All books are in stock in fine conditions or described meticulously. Very safe packaging ~

      [Bookseller: Bergoglio Libri d'Epoca]
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        The Castle

      New York: Alfred A. Knopf,, 1930. Translated from the German by Edwin and Willa Muir. Octavo. Original grey cloth, titles to spine and castle design to upper board in blue and black, top edge dyed black. With the dust jacket. Lightly toned to spine and edges of boards, front endpapers browned. An excellent copy in the price-clipped, rubbed, nicked, and tanned jacket with tape repairs to the verso. First US edition, first printing of the Muir translation. The Castle was originally published in Germany in 1926. This, the first English translation, was originally published in London in 1930.

      [Bookseller: Peter Harrington]
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        Second Manifeste du Surr? alisme

      ?âditions Kra, Paris . 1930 - 103 S., kart., unaufgeschnitten, 28,5 x 23 cm. 1. Ausgabe. Vortitel mit Widmung Bretons. Einband mit Randl?§suren. [Attributes: First Edition; Soft Cover]

      [Bookseller: Galerie Buchholz OHG (Antiquariat)]
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        Le Cantique des Cantiques. Gravures en tallie-douce d'Edy Legrand

      N. Matzneff, Editions Orion, 1930 - This copy is a copy separate from the primary limitation and the hors de series copies that were published for named collaborators, Bound in a light brown decorated leather cover as per the photo. 26 x 33.5 cm, 106 pages . Contains in addition to the leather bound volume 3 portfolios of 33 drawings each. Some very minor foxing but not affecting the platesthemselves.The entire 3 portfolios and the book contained in a hinged slipcase. Digital photos upon request. [Attributes: First Edition; Hard Cover]

      [Bookseller: Atticus Books]
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        Le cantique des cantiques.

      Paris: N. Matzneff Editions Orion, 1930. - Folio. Limited to 110 copies; this is No. 25. Printed in two colors. Modern half calf over marbled boards. Illustrated with 35 original etchings (with aquatint and drypoint) by Edy Legrand. With four suites of the etchings (140 etchings in all). Ex-library copy. Perforated library stamp on title-page; library's name stamped on the edge of each etching. The book is actually in very good condition, and the description does not do it justice. This book, due to its size and weight, requires additional postage.

      [Bookseller: Sam Gatteno Books]
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        DESSINS DE MAITRES FRANCAIS : HENRI DE TOULOUSE-LAUTREC, soixante-dix reproductions de Léon Marotte et un catalogue par Maurice Joyant.

      Paris, Helleu et Sergent éditeurs, 1930, - 33x46. Emboîtage de toile beige. En feuillets. Bien complet des 70 dessins en couleurs. L'un des 360 exemplaires (80). Ouvrage magnifique et en très bel état. Envoi de photo sur demande. [Attributes: First Edition; Hard Cover]

      [Bookseller: Atticus Books]
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        Les xylographes du XIVe et du XVe siècle au cabinet des estampes de la Bibliothèque Nationale. (2 Bde.).

      Paris / Brüssel, Les Editions G. van Oest, 1927 / 1930 - 2° (38 x 228.5 cm), 178 u. 148 S., zus. 131 montierte, meist farb. Taf. a. 130 Taf., Brosch. m. OU in (Priv.-)Lwd.-Schmuckschuber., Bibliotheksstempel a. V.deckel, Titelbl. u. im Impressum, vereinzelt brauner Abklatsch der Taf. auf gegenüberliegendes Bl., Bindung der ersten Lage in Bd. 2 etw. gelockert; allg. gutes Ex. EA. Erster Bd.: Ex. Nr. 191/650; zweiter Band nicht nummeriert. 8000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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