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Displayed below are some selected recent viaLibri matches for books published in 1930

        Birds in Design

      San Francisco: Walter Karl Titze. [circa 1930]. First. First edition. Folio. Ex-library. Originally spiral bound in wrappers, the spirals have been removed and the whole has been rebound in buckram boards, retaining the original wrappers. Twenty large and beautiful silk screen illustrations of stylized birds, presumably for wallpaper design. Perforated stamp and a few small markings on the title leaf, and a couple of numbers in ink on the extreme inside gutter of one plate, else without additional library marks to the text block (boards have library markings). Lovely and extremely scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Whoroscope

      Paris: Hours Press, 1930. Original stapled red wraps lettered in black. One of only 300 copies, this being no. 250. Original wraparound band announcing this as the winner, judged by Nancy Cunard and Richard Aldington, of an award for the best piece on the subject of time. Wraparound band a little darkened at edges, wraps a little sunned at edges. Very light foxing throughout. This is Beckett's first published work and the myth is that it was shoved under Cunard's door just before midnight at the deadline and of course it won and started one of the great literary careers of the 20th century. A very good copy. . 1st. Wraps. Very Good. Tall Octavo.

      [Bookseller: Contact Editions]
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        An Angler's Anthology. Collected by .

      London: Country Life Limited, [1930] - First edition. 4to. Illustrated from Drypoints by Norman Wilkinson. xix, [168] pp. Bound in three quarters green morocco and matching cloth, t.e.g., by Bayntun. Fine [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Shepherd of Guadaloupe (First Edition with Publisher's Wraparound Band)

      New York: Harper and Brothers, 1930. First Edition, First Printing. Hardcover. Very Near Fine/Very Near Fine. Blue textured cloth over boards, title and decorations stamped in yellow onto upper board and spine, 12mo (7-9/16 inches tall), pp. 335, illustrated endpapers, stated first edition with code C-E (March, 1930) on copyright page. Volume with just a bit of softening to spine ends and a pencil erasure ffep. Unclipped DJ with a few small closed tears to top edge. Twentieth Anniversary band with one faint crease and a minuscule 2mm closed tear to rear. Complete with the uncommon publisher's wraparound band, printed to celebrate the 20th anniversary of the Harper/Grey association (1910-1930), with the publication of this book. DJ artwork and pictorial endpapers by Stockton Mulford. Ref. Arnold, p. 73.

      [Bookseller: Harropian Books, IOBA]
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        RECENT PAINTINGS BY VANESSA BELL. With a Foreword by Virginia Woolf.

      The London Artists' Association, February 4th to March 8th, 1930., London - Woolf. Virginia. RECENT PAINTINGS BY VANESSA BELL. With a Foreword by Virginia Woolf. London: The London Artists' Association, February 4th to March 8th, 1930. A fine, fresh, amazing example. Issued in an edition of 500 copies, most of which never saw the big picture. [Kirkpatrick B10 - "It is probable that the catalogue was distributed free"]. Sm. 8vo., 8 pages - printed stapled self-wrappers. The first four pages of text consists entirely of Virginia Woolf's forward. [Attributes: First Edition; Soft Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Recent Paintings

      London: The London Artist's Association,, 1930. February 4th to March 8th 1930. With a Foreword by Virginia Woolf. 4 page pamphlet staple-bound and printed in black. Wrappers a little rubbed and spotted, staples rusting. A very good copy. First edition, published 4 February 1930. Approximately 500 copies were printed, and probably freely distributed. Scarce.

      [Bookseller: Peter Harrington]
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        Konvolut von 37 Gummidrucken, vorwiegend Landschaftsaufnahmen, davon 15 doppelt.

      um 1920-1930 (?). 0, Steyr, - Original Fotografie. Steyr, um 1920-1930 (?). vers. Bildformate, meist 14,5 x 22,1 cm. Unten rechts monogrammiert mit "D". Deutsch

      [Bookseller: Antiquariat Weinek]
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        La Princesse de Cleves.

      . Paris: Pour Les Bibliophiles du Palais 1930. Illustr. with lithographs by Charles Guerin. Small 4to. 195 pp. Limited to 200 numbered copies. Uncut in publisher's cover and box. A few leaves weakly foxed, lithographs clean..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Kota.

      1930 - Lama di coltello da parata di etnia non identificata attribuibile ai Kota del Gabon. Formato: Ottone lavorato di cm 30x16. Molto buono.

      [Bookseller: Studio Bibliografico Adige]
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        Saka, Ngandu, Mbole.

      1930 - Normalmente sono strumenti che testimoniano il rango sociale del proprietario, scheda n. 5.81 pg. 308 del libro "La forma perfetta" di Roberto Ballarini. Già provvista di supporto metallico. Formato: Dimensioni di cm 65x25, peso circa 1 kg. Molto buono.

      [Bookseller: Studio Bibliografico Adige]
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        Memoir on a trans-Neptunian planet.Lynn, Mass.: T. P. Nichols & Son, 1915.

      First edition of Lowell's prediction of the existence of a planet beyond the orbit of Neptune, which initiated the search that culminated in 1930 with the discovery of Pluto. "More than any other astronomer of his generation, Percival Lowell (1855-1916) had a profound influence on the general public. His thesis that the planet Mars was the abode of intelligent life continued to excite the public mind decades after his death... Lowell's name is also forever linked with Pluto; although he did not live to see that distant planet, there is no doubt that his inspiration advanced the date of its detection by many years" (DSB).<br/><br/> "As early as 1902, Lowell was lecturing and writing about his conviction that a planet existed beyond the orbit of Neptune. He had studied the orbits of a number of comets and had noticed gaps and groupings which he felt were significant. In 1905, the first of his two extended searches for "Planet X" began. This phase lasted until 1909, and was essentially carried out by Lowell, a trio of graduate assistants and William T. Carrigan, a "computer" from the US Naval Observatory's Nautical Almanac Office in Washington DC. Lowell employed Carrigan to perform a number of calculations on the orbits of Uranus and Neptune. Lowell was interested in "residuals," differences between the calculated positions of the planets and the positions which were actually observed. <br/><br/> "Lowell's second search spanned the years 1910-1915. This search was based upon calculations using the formulae of celestial mechanics. In essence, it was similar to the predictions of Adams and Le Verrier [for the orbit of Neptune], but using residuals which were much smaller. The calculations, thus, were much more difficult and involved. This search culminated in the publication entitled "Memoir on a Trans-Neptunian Planet," in <i>Memoirs of the Lowell Observatory</i>, vol. 1, 1915" (Bakich, p. 299). Just before submitting his paper, Lowell wrote to his chief observer at Flagstaff, "I am giving my work before the Academy on January 13. It would be thoughtful of you to announce discovery at the same time." No discovery was made however and, as Lowell's brother later wrote, "That X was not found was the sharpest disappointment of his life." Ironically, it is now known that on the nearly 1000 photographic plates exposed during his second search were two images of Pluto! <br/><br/> "At about the same time as Lowell's observations were being carried out, William Henry Pickering (1858-1938) of the Harvard College Observatory made a series of published predictions of trans-Neptunian planets based upon his own calculations. The first report appeared in 1908 [sic]" (<i>ibid</i>.). An offprint of this report accompanies the offered paper ('A search for a planet beyond Neptune,' in <i>Annals of the Astronomical Observatory of Harvard College</i>, Vol. LXI - Part II, 1909). <br/><br/> In January 1929 Clyde W. Tombaugh (1906- ) joined the staff at the Lowell Observatory, with the task of finding Planet X. He used a new technique, namely comparing two plates taken some time apart by "blinking", that is shining a light successively through one plate and then the other so that objects on both plates remained steady while an object on one plate but not the other blinked. He found Planet X on 18 February 1930 and after repeated verification the discovery was announced on 13 March, 149 years to the day after Herschel's discovery of Uranus. In May the Lowell Observatory proposed the name Pluto for Planet X, appropriately incorporating Lowell's initials into its name. <br/><br/> M. E. Bakich, <i>The Cambridge Planetary Handbook</i>, 2000; P. M. Sadler, 'William Pickering's Search for a Planet Beyond Neptune,' <i>Journal for the History of Astronomy</i>, Vol. 21 (1990), pp. 59-64.. Offprint from Memoirs of the Lowell Observatory, Vol. 1, No. 1. 4to (311 x 235 mm), pp. 105 with nine plates (two double-page). Original printed wrappers, lower capital with small loss

      [Bookseller: Sophia Rare Books]
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        60 Fotos / 60 Photos / 60 Photographies

      Klinkhardt & Biermann, Berlin 1930 - First edition. Softcover. The second of only two books in Franz Roh's Fototek Series with text by him in English, French, and German. Designed by the legendary Jan Tschichold. A close to near fine copy in photo-illustrated wrappers with some minor wear at the base of the spine and with a near fine example of the scarce printed belly band. A very nice copy of this important book. [Attributes: First Edition; Soft Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
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        UN CREPUSCULE D’ISLAM Illustré de 36 eaux-fortes originales du peintre-graveur Lobel-Riche.

      Paris, chez l?'Artiste, 1930. In-4 gr. (mm. 330x255), brossura alla francese, custodia, astuccio, testo e tavole a fogli sciolti, pp. (6),233,(5), con 36 pregevoli composizioni di Lobel-Riche composte da 16 tavole fuori testo e 20 grandi testate incisioni all?'acquaforte, in 2 stati: 1 ?"d?'eau-forte pure?" e 1 ?"en noir avec toutes les remarques?" - di cui noi possediamo 35 (su 36) tavole. Cfr. Carteret,IV, p. 103: ?"Belle publication cotée?" - Benezit,VIII, p. 739: Almery Lobel-Riche (1880-1950), pseudonyme de Riche Alméric, a illustré un grand nombre d?'oeuvres littéraires?". Affascinante edizione di 315 esempl. numer. Il ns., 172, ?"sur vélin d?'Arches à 2 états?", è molto ben conservato.

      [Bookseller: Libreria Malavasi sas]
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        Oscar Björck. Med ett hundratal reproduktioner i färgtryck och svarttryck samt med en inledning av Prins Eugen.

      . Stockh. 1930. Rigt illustr. i s/h og farver. 4to. 232 s. Indb. ubesk. med o.o. og helt guldsnit samt bred indvendig guldbordure i smukt helskind af olivengrön oaseged. Bindet sign. P.A. Norstedt & Soners Bokbinderi Stockholm 1930. * Bibliofilupplaga, nr. 17 af 100 numr. ekspl. pa offsetpapper..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Beggars Abroad

      Garden City: Doubleday. 1930. First. First edition. Fine in very near fine dustwrapper with a little soiling. Inscribed by the author: "To Mort Grant from his old friend Jim Tully 1930." Sometime tramp Tully makes his first trip to Europe. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        James Reid: Selected Wood Engravings

      Boston, Massachusetts:: Brier Hill Press,, 2013.. Edition of 125. 10 x 14 x 1.5" cloth-covered clamshell box with 16 page booklet and two wrappers containing wood engravings. Engravings numbered and printed on 80 lb. Mohawk Superfine smooth cover. Photo of Reid and his wife Alyse mounted on the interior of the case. Paper titles on spine. Signed and numbered on the colophon by Strossi. Brier Hill Press: "The inaugural publication of Brier Hill Press, James Reid: Selected Wood Engravings, marks the first appearance of these superb images since they were published in book form more than eighty years ago. The portfolio contains thirty-two original wood engravings in two separate folders: nineteen from The Life Of Christ in Woodcuts, (Farrar & Rinehart, 1930), and thirteen from The Song of Songs, (Farrar & Rinehart), 1931.&#11;"James Reid&#39;s 1930 and 1931 projects for Farrar & Rinehart heralded the appearance of a highly talented young artist whose distinctive style and masterful interpretive skills were highly praised in their day and highly prized ever since. While Reid illustrated several books in subsequent years, his work as a wood engraver was cut short by the severity of the great depression. As a result, he turned principally to commercial art for the remainder of his long and successful career.&#11;"Apart from a very few images printed from the blocks by James Reid for family members to commemorate special occasions, there was never a separate edition of the individual engravings. Of the one hundred and eight blocks that he created for the two books, a total of forty-two have survived and remain in possession of the Reid family; the whereabouts and fate of the remaining blocks are not known.

      [Bookseller: Vamp & Tramp, Booksellers, LLC ]
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        DER HAMER - Worker's Monthly

      - New York, 1930-31. Un volume au format 225X309mm, reliant 13 fascicules. Année 1930 : nos. 6 et 7. (la couverture du no. 6 manque). Année 1931 : nos. 1 à 12 (3/4 double) : Couvertures conservées. 14 numéros de cette revue communiste yiddish. Couvertures ou illustrations de Louis Lozowick, William Gropper, Mitchell Siporini, Jos Lomoff, Gan Kolski et d'autres. Rare. Bon état général.(Avant garde periodical, modernism, typography). Photos supplémentaires sur demande. [Attributes: Hard Cover]

      [Bookseller: Le Grand Verre]
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        Snehyttens Sange. Orig. udg.

      . Kbhvn. 1930. 160 s. Lidt lös i ryggen. * Med dedikation "Til Fröken Else Danielsen med Tak fra Deres aerbödige Knud Rasmussen"..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Georges Annenkoff. Par --

      Chroniques du Jour (1930), Paris - First edition. Numbered (158/52-351). In original hard paper. Slight damage on spine. 31, (1), (3) p., 31 plates. Yury (Pavlovich) Annenkov (1889-1974) was a Russian painter, scenic designer, book illustrator, a "miriskusniki" member of the circle around the Russian art magazine Mir Iskusstva, which had a major influence on Russians who helped revolutionize European art in the early 20th century. Annenkov studied art at University of St. Petersburg together with Marc Chagall. 1911-12 went to Paris to work at the studios of Maurice Denis and Félix Vallotton. His first book illustrations were published in the late 1910s, among them his most known work Alexander Blok's "Twelve" (1918). In 1922 his book "Portraits" was published, which contains 80 pictures of the key-figures of Russian art of the time. He left the Soviet Union permanently in 1924, first lived in Germany than he settled down in Paris where he continued his work as an artist and costume designer. In original hard paper. Slight damage on spine [Attributes: First Edition; Hard Cover]

      [Bookseller: Földvári Books]
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        [Broadside]: Night Baseball Under Flood Lights: House of David Baseball Team vs. Quakertown A.A. ... See the House of David's famous "Pepper" Game

      [Quakertown, Pennsylvania?: no publisher. circa 1930]. Broadside. Approximately 9" x 11.75". Photographically illustrated on orange paper stock. One modest tear and a crease along the left-hand margin else near fine. Shrink-wrapped on foam core. The House of David was a barnstorming novelty baseball team run by a religious commune. They sported long hair and beards, supposedly in order to show respect to the God of Israel. They became so popular that to meet demand they divided into three teams, hiring professional, non-commune players to fill out their roster and insisting they growing their hair long or wear false beards. Scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Pindar's Odes of Victory. With an Introduction and a Translation into English Verse by C.J. Billson: Embellished with wood-engravings by John Farleigh. Slipcase. (2 volumes)

      Blackwell / Shakespeare Head Press, 1930, Hardcover, Book Condition: Very Good, Dust Jacket Condition: No Dust Jacket, Illustrated By: John FarleighSize: 4to - over 9?" - 12" tall. Text is in multiple languages. Text in English and in GREEK. Text clean. Numbers written in pencil on free endpage of volume I. Raised bands on spine. Light tanning to spine. Previous owner?s name on free endpage of both volumes. Top edge gilt. Black & white illustrations. Boards lightly rubbed. Morocco blue full leather boards. Slipcase is morocco-lined canvas and is lightly bumped at edges. Limited edition to 250 copies. First volume is not numbered and is dated 1928, the second volume is number 7 and dated 1930. Illustrator: John Farleigh. Quantity Available: 1. Inventory No: 133580.

      [Bookseller: The Dusty Bookshelf]
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        Unser Kent

      Privately Printed, Cortland, New York 1930 - Uncommon Rockwell Kent item. 1 of only 85 copies issued, with an original lithographed frontispiece SIGNED BY ROCKWELL KENT. Additionally, THIS COPY INSCRIBED BY KENT on the front free endpaper to noted collector P.K. Thomajan. Folio, unpaginated, top edge gilt. Vellum spine over blue cloth boards with red and gilt leather label to front panel. A bright, VG copy with minor scuffing to the panels. A fragile and attractive production, and very well-preserved. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        The Savoy Cocktail Book

      Constable, London 1930 - The signed limited edition of 250 copies, of which this book is No. 230. The book is firmly and squarely bound in the original decorative cloth, the covers are slightly rubbed and marked, there is minor damage to the spine ends and the spine is a little faded. The text block is slightly age toned and foxed, mainly to the edges and to the earlier and later leaves, there are also a few minor stains, but there are no inscriptions, other than that of the author. A lovely book, highly decorative and very much of its time, this signed limited edition is very uncommon. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: J and M Books Limited]
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        L'Outillage. Pferde ziehen ein Boot an Land. Original-Radierung. Oben rechts in der Platte signiert.

      1930 - 1930. Plattengrösse:18x24 cm. 1 Blatt auf Japanbütten. Blattgrösse 32x50 cm. Aus dem Nachlass von Ellen Rifkin Hill. - Blatt am Rand mit Kniterspuren.

      [Bookseller: Biblion Antiquariat]
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        Die Kompatibilität der Feldgleichungen in der einheitlichen Feldtheorie

      Berlin, : Verlag der Akademie der Wissenschaften. Sonderabdruck / Offprint.. Außergewöhnlich guter Zustand. / Original Brochure in Fine condition.. Sonderabdruck / Offprint. Berlin, Verlag der Akademie der Wissenschaften, 1930. 8°. 8 Seiten. Originale Broschur. Außergewöhnlich guter Zustand. / Original Brochure in Fine condition. [Sitzungsberichte der Preussischen Akademie der Wissenschaften. Sitzung der physikalisch-mathematischen Klasse 1930. - I.] [Weil No.169]

      [Bookseller: The Time Traveller's Bookshop]
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        Die Philosophie des Helvetius. Originales Typoskript von Löwenthal's geplanter Habilitationsschrift mit teilweise ausführlichen, handschriftlichen Annotationen und Einschüben von Löwenthal

      Ohne Ort. Sehr guter Zustand dieses aussergewöhnlichen Dokuments des bedeutenden Soziologen und Mitbegründers der kritischen Theorie. Die handschriftlichen Ergänzungen in dunkler Tinte. "Die zu Beginn der dreißiger Jahre niedergeschriebene, als Habilitationsleistung gedachte Schrift "Helvetius" konnte wegen der Zeitumstände damals nicht mehr eingereicht werden" (aus der editorischen Nachbemerkung von: Löwenthal, Leo: Philosophische Frühschriften. Schriften / Bd. 5.).. Ohne Ort, ohne Jahr (ca.1930). 4°. III, 116 Seiten. Originales Halbleinen. Sehr guter Zustand dieses aussergewöhnlichen Dokuments des bedeutenden Soziologen und Mitbegründers der kritischen Theorie. Die handschriftlichen Ergänzungen in dunkler Tinte. "Die zu Beginn der dreißiger Jahre niedergeschriebene, als Habilitationsleistung gedachte Schrift "Helvetius" konnte wegen der Zeitumstände damals nicht mehr eingereicht werden" (aus der editorischen Nachbemerkung von: Löwenthal, Leo: Philosophische Frühschriften. Schriften / Bd. 5.). Leo Löwenthal (3 November 1900 ?- 21 January 1993) was a German sociologist usually associated with the Frankfurt School. Born in Frankfurt as the son of assimilated Jews (his father was a physician), Löwenthal came of age during the turbulent early years of the Weimar Republic. He joined the newly founded Institute for Social Research in 1926 and quickly became its leading expert on the sociology of literature and mass culture as well as the managing editor of the journal it launched in 1932, the Zeitschrift für Sozialforschung. Heterodox and independent Marxists, open to new intellectual currents such as psychoanalysis, and predominantly Jewish, the Institute's members swiftly fled Germany when Adolf Hitler came to power in 1933. After a year in Geneva, they settled in New York, where Columbia University gave them shelter. Löwenthal maintained a close relationship with his colleagues, even during the war when several of them moved to California and he began to work with the Office of War Information in Washington. Although Horkheimer, Adorno, and Friedrich Pollock returned to Frankfurt to reestablish the Institute after the war, Löwenthal, like former members Herbert Marcuse, Franz Neumann, Otto Kirchheimer, and Erich Fromm, chose to remain in the United States. After seven years as research director of the Voice of America, and another year at the Stanford Center for the Advanced Study of the Behavioral Sciences, he joined the Berkeley Speech Department in 1956 and shortly thereafter the Department of Sociology. Although officially retiring in 1968, Löwenthal remained vigorously active in departmental and University affairs until virtually the end of his life. From 1968 to 1972, he served on the Budget Committee, and in 1973-74, chaired the Sociology Department. The celebrated private seminar Löwenthal conducted with graduate students interested in the sociology of literature was launched during the student strike of 1970 and continued to meet through the last months of 1992. As two of its participants, Jim Stockinger and Terry Strathman, remember it, the seminar produced a remarkable ?"cross-generational dialogue,?" whose focus on literature ?"was particularly liberating?" for sociologists unaccustomed to literary analysis. ?"Good wine, cheese, hearty and spirited debate and a large dose of German conviviality,?" they recalled, ?"made these evenings unforgettable experiences.?" As a former teaching assistant of Löwenthal's, Pamela Munro (now an actress) adds that in these evenings in San Francisco, "Löwenthal exuded a Weimarian atmosphere." Löwenthal's publications were collected during the 1980s, both in German, by the Suhrkamp Verlag, and in English, by Transaction Press. Most notable among them were Prophets of Deceit (written with Norbert Guterman in 1949), Literature and the Image of Man (1957) and Literature, Popular Culture, and Society (1961). Also included were his early writings on Jewish themes and his last ruminations on postmodernism, against whose dangers he warned. His autobiographical reflections, including fascinating conversations with the German sociologist Helmut Dubiel, were published by the University of California as An Unmastered Past in 1987. The extensive interviews he gave in 1989 to another German interlocutor, Frithjof Hager, dealt with postmodernism and other contemporary themes; they stimulated a collection of responses by European and American scholars published in honor of his ninetieth birthday as "Geschichte Denken: Ein Notizbuch für Leo Löwenthal" by the Reclam Verlag of Leipzig. For his eightieth, he had been the recipient of a Festschrift of celebratory essays in the journal Telos. In the last decade of his life, Löwenthal was richly honored on both sides of the Atlantic. Awarded the Berkeley Citation and the Federal Republic of Germany's Distinguished Merit Cross in 1985, he also received honorary doctorates from the University of Siegen, the Free University of Berlin, and the University of Hamburg. Further, he was given the city of Frankfurt?'s Goethe Medal and Adorno Prize, as well as a year at the Berlin Institute for Advanced Study. In 1985, the first full-length appreciation of his work was published by Michael Kausch as "Erziehung und Unterhaltung: Leo Löwenthals Theorie der Massenkommunikation". As the final survivor of the Frankfurt School?'s inner circle, Löwenthal achieved international recognition as a symbol of its remarkable collective achievement. Löwenthal's training in collaborative scholarship and his broad humanistic learning allowed him to play a leading role both in the institutional and intellectual life of the campus as a whole. An early supporter of the Free Speech Movement, but troubled by the excesses that followed, he was a leading member of the faculty committee chaired by Charles Muscatine that produced the widely admired report published as Education at Berkeley. Löwenthal displayed an extraordinary ability to maintain close friendships with scholars in disparate fields and begin new ones with members of very different generations. He remained a vital presence long after his active teaching days were over. His quick, often acerbic wit, uncanny shrewdness in judging ?- and gleefully gossiping about ?- people, and manifest zest for living life fully never deserted him. Nor did his intransigent refusal to abandon the long-cherished ideals of his youth, even as he soberly acknowledged the improbability of their ever being realized. Ruthlessly unsentimental and impatient with cant of any kind, he nonetheless refused to succumb to the sour cynicism of those who turn into the deadly adults Horkheimer and Adorno warned against. Löwenthal died in Berkeley, California. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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        Pen and Ink Drawing depicting a Fashionable Lady standing in Front of a Parisian Café

      n.p., c 1930. 15 x 11-1/4 inches (image size). Signed by Birch lower left. Matted, framed, and glazed. Fine

      [Bookseller: James Cummins Bookseller]
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        Tasmania : Hellyer Gorge, Burnie--Waratah Road, N.W. Coast.

      Spurling & Son [1930s], Launceston - Photographic print (60x42cm), mounted with border and framed in wood (80x60cm); the lettering in the border is added by hand, in yellow. The original framer's ticket - W.H. Pridmore, Hobart - on the rear. ***A striking image of the rainforest through which the road passes, with Spurling's own car visible (as often in his photographs). *** Please use [Ask Bookseller a Question] option below to confirm availability and get accurate postage quote for this item (the amount quoted is for an 'average' hard-cover book of up to 1kg in weight).

      [Bookseller: Astrolabe Booksellers (member of ANZAAB)]
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        Gemeinsamer Kampf der Arbeitenden und Arbeitslosen bringt Erfolg. [The Joint Fight of the Workers and the Unemployed Brings Success.]

      Ca. 1930 - Collage. Drawing in black ink with mounted textual vignettes. Singed at lower left corner. 45,5 × 33 cm. The main figures of the image are the giant and powerful worker and unemployed men who comes hand in hand from the factory whose image with smoky chimneys is serving as the background. At the lower part, the foreground of the image, five capitalists are running and trying to escape from the giant proletarians that are almost step on them. The running figures are holding placards and a flag with the German words: "Notstandsarbeit", "Rationalisierung" and "Vorwärts". Sándor Ék alias Alex Keil (1902-1975) was a Hungarian graphic artist who is mostly known for his communist propaganda posters and cartoons. Ék spent some months in Russia in the early 1920s and became the disciple of El Lissitzky. Between 1925 and 1933 he lived in Germany and worked as an illustrator for the "Arbeiter Illustrierte Zeitung" and the official newspaper of the Communist Party of Germany, "Die Rote Fahne". He gained reputation with his anti-fascist and communist posters and cartoons that could be compared to the works of John Heartfied. This picture has probably been published in one of the newspapers or it was a design for a poster. Collage. Drawing in black ink with mounted textual vignettes. Singed at lower left corner

      [Bookseller: Földvári Books]
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        Ölgemälde " Apfelblüte im Alten Land "

      . Hübsches kleines Ölgemälde der Apfelblüte im Alten Land ( bei Hamburg ) des Künstlers Eduard Möller. Abmessungen: Höhe x Breite: 44 x 39 cm ( mit Rahmen 52,5 x 48 cm ). Alt gerahmt. Ca. 1930 gemalt, rechts unten signiert. ( Bitte beachten. Aufgrund der Bildgröße hier nur ausgerahmter Versand ohne Rahmen oder aber Selbstabholung des Bildes in meinem Ladengeschäft ). ( Pic erhältlich /webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
 30.   Check availability:     ZVAB     Link/Print  


        Moby Dick: Or, the Whale

      New York: Random House, 1930 Illustrated by Rockwell Kent. First edition. Publisher's black cloth boards, with lettering and whale illustrations stamped in metallic silver; in the original gray pictorial dust jacket, with the same whale illustrations to the front panel and spine in black and blue, lettered in black. A fine copy, with a hint of wear to the spine ends, minor rubbing to the spine, else fine; unclipped dust jacket, with minor wear and light rubbing to the extremities, a few minor nicks to the spine head, light toning to the spine and panel edges, else fine. Overall, a near fine and pleasing copy. One of the great American novels, Moby Dick is narrated by Ishmael, a sailor on the Pequod. The ship is led by the tyrannical Captain Ahab who is consumed by his thirst for revenge on a ferocious sperm whale named Moby Dick. The novel employs a symbolic use of the color white - an expansion upon Melville's similar symbolism in his 1850 novel White-Jacket. Melville wrote Moby Dick as his friendship with fellow American Renaissance author Nathaniel Hawthorne was developing and dedicated the book to him. In 1926, prolific illustrator and artist Rockwell Kent was commissioned to illustrate Richard Henry Dana, Jr.'s Two Years Before the Mast, but the artist declined, choosing instead to create illustrations for Moby Dick. Kent was given full artistic license, which he used to create a now iconic series of woodcut prints, including the matching covers and dust jacket. After critics rediscovered the text in the 1920s, Rockwell's illustrated edition helped accelerate the renewed appreciation of Moby Dick that helped establish it as a crowning achievement in American Romantic and Renaissance writing.. Illus. by Kent, Rockwell. 1st Edition. Hard Cover. Near Fine/Dust Jacket Included.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        On Being Ill

      London: The Hogarth Press 1930. 34 pp., Signed by Woolf on limitation page. Limited to 250 copies, this copy bears the hand inscribed number 145. Quarter vellum binding with aquamarine coloured boards. Seldom read copy, (the prelims are unopened), there is a touch of fading to the rear board, a small mark on the spine, and a subtle hint of general light fading and shelf wear. Bookplate (of the Marchioness of Tweeddale) on pastedown. A lovely copy. . Very Good. 1/4 Vellum. Signed Limited Edition. 1930. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Stephen Foster Books]
 32.   Check availability:     Biblio     Link/Print  


        How Little Grey Rabbit Got Back Her Tail

      London William Heinemann Ltd. 1930. Very rare first printing copy of Alison Uttley's second book. Reading copy only. Average wear externally with backstrip missing. Child's lead pencil scribbles and lettering upon front board else unmarked. Average wear and soiling to contents. Back hinge open. One-inch openings at head and tail of front hinge. Hairline opening in binding at page 48. With restoration this copy will be a prized possession. First Printing Hardcover 12mo - over 6?" - 7?" tall; First Printing. Fair Tempest, Margaret

      [Bookseller: RareNonFiction.com]
 33.   Check availability:     ZVAB     Link/Print  


        KIKI'S MEMOIRS: Kiki of Montparnesse

      Paris:: Edward Titus/Black Manikin Press,. 1930. First edition. Stiff paperwraps with printed wrap-around band. Hemingway introduction. Issued in plain glassine wrapper and unprinted, cardboard mailing slipcase. There are three small areas on cover that appear to be lightly foxed, otherwise, the book is fine. The printed wrap-around band has one small chip at fold and a bit of fading on the side facing the opening of the cardboard slipcase (which is complete, square, but has some darkening of the top edge and is lightly soiled). The glassine wrapper has split down one side and some edges are rough. An attractive copy.

      [Bookseller: Quill & Brush]
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        Tanar of Pellucidar

      New York Metropolitan Books 1930 - The Third Pellucidar Novel BURROUGHS, Edgar Rice. Tanar of Pellucidar. Frontispiece by Paul F. Berdanier. New York: Metropolitan Books, [1930]. First edition of the third Pellucidar novel. Octavo. 312 pp. Frontispiece. Original bright blue cloth lettered in black on front cover and spine. Spine very slightly rubbed at extremities. Otherwise a fine copy. In the original color pictorial dust jacket by Paul F. Berdanier. First published as a six-part serial in The Blue Book Magazine, March-August 1929, with a front cover illustration on each of the first five installments by Frank Hoban (Hoban also did a great many interior black and white illustrations) and a map by Burroughs in the first three installments. Heins P3.1. Zeuschner 520. HBS 67054. $2,250 [Attributes: First Edition; Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Krieg und Krieger

      - Junker & Dünnhaupt, Berlin, 1930. 203 S., original Leinen-Einband, (Ecken minimal bestoßen/einige Randnotizen) - Erste Ausgabe / Enthält, neben einem Vorwort Jüngers, den Erstdruck von "Die totale Mobilmachung" sowie Beiträge u.a. von F. Hielscher, F. G. Jünger u. E. v. Salomon / Das Handexemplar des Schriftstellers Rudolf Huch (1862-1943), älterer Bruder der Dichterin Ricarda H. und auch als kulturkritischer Essayist tätig. Im Januar 1931 veröffentlichte Huch eine ausführliche Rezension von "Krieg und Krieger" in "Die Neue Literatur" (Jg. 32; Nr. 1, S. 42-43) / Mühleisen 244 - [Attributes: First Edition; Hard Cover]

      [Bookseller: Celler Versandantiquariat]
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        Dance Night

      New York: A.L. Burt. (1930). Reprint. A tiny, faint stain at the bottom of the first couple of leaves, else fine in an attractive, good plus dustwrapper with several small chips, tears, and internal repairs. A pleasing copy of this reprint of the author's exceptionally uncommon fourth book, the reprint itself is exceptionally uncommon. Powell was a prolific and well-regarded, but, until a relatively recent and well-deserved revival, mostly forgotten author. For forty years she was a valued jewel of the New York literary world and if you read her books it's easy to see why. Any jacketed copy of this title and of this vintage is very scarce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 37.   Check availability:     IOBABooks     Link/Print  


        Degenerate Oxford?

      London: Chapman & Hall,, 1930. Octavo. Original black cloth, titles to spine and ruling to upper board in green. Very light partial tanning to free endpapers. An excellent copy. First edition, first impression. A book on student life at Oxford by a university friend of Evelyn Waugh.

      [Bookseller: Peter Harrington]
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        Reisebeschreibungen von deutschen Beamten und Kriegsleuten im Dienst der Niederländischen West- und Ost- Indischen [Westindischen / Ostindischen] Kompagnien 1602 - 1797. 1. - 13. Band (komplett): I.): 1. Johann Gregor Aldenburgk. Reise nach Brasilien, 1623-1626. 2. Ambrosius Richshoffer. Reise nach Brasilien, 1629-1632. 3. Michael Hemmersam. Reise nach Guinea und Brasilien, 1639-1645. II): Johan Verken. Molukken-Reise. III): Johann Jacob Merklein. Reise nach Java, Vorder- und Hinter-Indien, China und Japan 1644-1653. IV): Johann von der Behr. Reise nach Java, Vorder-Indien, Persien und Ceylon 1641-1650. V): Albrecht Herport. Reise nach Java, Formosa, Vorder-Indien und Ceylon 1659-1668. VI): Johann Jacob Saar. Reise nach Java, Banda, Ceylon und Persien 1644-1660. VII): Johann Christian Hoffmann. Reise nach dem Kaplande, 1671-1676. Johann Schreyer. Reise nach dem Kaplande 1669-1677. VIII): Johann Sigmund Wurffbain. Reise nach den Molukken I [1632-1638]. IX): Johann Sigmund Wurffbain. Reise nach den Molukken II [1638-1646]. X): Elias Hesse. Gold-Bergwerke in Sumatra 1680-1683. XI): Christoph Schweitzer. Reise nach Java und Ceylon 1675-1682. XII): Martin Wintergerst. Reisen auf dem Mittelländischen Meere I [1688-1710]. XIII): Martin Wintergerst. Reisen auf dem Mittelländischen Mere II [1688-1710].

      Haag, Martinus Nijhoff, 1930 - 1932.. Gr.-8°. Dreizehn uniforme Originalhalbleinenbände mit hübsch illustrierten Vorderdeckeln. Einige Ecken etwas bestoßen, Hinterdeckel teils wenig angestaubt. Die Reiseberichte einzeln paginiert, je Band ca. 150 - 300 Seiten mit teils gefalteten Abbildungen, Karten und Porträts der Reisenden. Einige Vorsätze gedunkelt, sonst angenehm sauber und fest in der Bindung. Guter Zustand. -- 13 vols., (fold.) (facs.) plates, orig. unif. clothbacked pict. boards. Htitles occas. foxed. Spines yellowed. Fine set.. #GeoUeb

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 39.   Check availability:     ZVAB     Link/Print  


        Dance Night

      New York: Farrar and Rinehart. 1930. First. First edition. Corner of the front fly a little torn, else a nice, near fine copy lacking the dustwrapper. A pleasing copy of the author's exceptionally uncommon fourth book, and considered the finest of her "Ohio" novels. Signed by the author: "Love, Dawn." Powell was a prolific and well-regarded author, but mostly forgotten until a relatively recent and well-deserved revival. For forty years she was a valued jewel of the New York literary world and if you read her books it's easy to see why. Rare, especially signed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 40.   Check availability:     Biblio     Link/Print  


        DANCE NIGHT By DAWN POWELL 1930 First Edition RARE

      FARRAR & RINEHART, NY 1930 - TITLE: DANCE NIGHT By DAWN POWELL 1930 First Edition RARE AUTHOR: DAWN POWELL PUBLISHER - (LOCATION) / COPYRIGHT: FARRAR & RINEHART, NY 1930 EDITION: First Edition CATEGORY: Dance, Super Rare BINDING/COVER: Hardback with dust jacket COLOR: ORANGE CONDITION: Ex-library copy with the usual stamps and markings present. The dust jacket is in poor condition; there is a large sized chip to the center of the spine area (see photo); there is a large stain to the back edge of jacket near the hinge (see photo); the flaps are glued to the boards; there is some chips along the top edge. The 'Net, $2.00' is still on the front flap near the upper area. There are library stamps and dates on the inside; the inside looks used. The book is very readable with the overall pages still in good condition. There are age like smudges on just a few pages. Some of the corner edges of the boards are scuffed. Book is without marks or writings other than those of the library, pages are fairly clean and book is tight and sturdy. All the pages are present in book. SIZE: 5 ½ x 8 ½ (approximately) PAGES: 298 pages. Fair++/Poor dust jacket condition. BACKGROUND/DESCRIPTION: RARE First Edition. FARRAR & RINEHART, NY 1930. THIS IS THE AUTHOR'S VERY SCARCE FOURTH BOOK IN THE FIRST EDITION. THERE ARE NO OTHER FARRAR & RINEHART FIRST EDITION 1930 COPIES FOUND WITH THE DUST JACKET FOR SALE ON THE INTERNET AT THE TIME OF THIS RESEARCH (Hence the very high price)!!!! This may be the only surviving first edition dust jacket!! COMPETITIVE PRICING! Once paid, book(s) will ship immediately to customer (it's on the way), you are welcomed to email about shipment date! REFUNDS: All ViewFair books, prints, and manuscript items are 100% refundable up to 14 business days after item is received. InvCodePrc 3900+ E H V VIEWFAIR BOOKS: 007337 [Attributes: Hard Cover]

      [Bookseller: VIEWFAIR BOOKS]
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        Original 1930's Cost and Pattern Book for Roberts & Belk Ltd. Sheffield

      Sheffield Furnival Works c1930, 1930A massive folio pattern book weighing over 10? Kilos and approx 20" X15" comprising 175 pages of original photographs with copious manuscript notes, of a wide range of products manufactured from the early 30's to the 50's in Silver, glass EPNS and Brittania ware Tea and coffe sets, candle sticks & candleabra,cocktail shakers,punch bowls,flower vases, dishes, egg cookers,cruets,baskets,trays,salvers, entr? dishes, shrimp service, pin trays, lamps, casseroles,muffin dishes, with a mass of specific detailed information. Full Leather and reversed calf elaborately laced by Townsends of Surrey Street. Dusty with plenty of scope for restoration but an invaluable archive. Additional pictures available on request...

      [Bookseller: John L Capes [Books Maps & Prints]]
 42.   Check availability:     Bookzangle     Link/Print  


        THE IRON STAR

      New York: E. P. Dutton & Co., Inc.,. [1930]. Octavo, pp. [i-vi] vii [viii] [1-2] 3-357 [358-360: blank] [note: last leaf is a blank],. original brown cloth, front and spine panels stamped in black, fore and bottom edges untrimmed.. Narrow strip of tanning along gutter margins of free endpapers, else. a fine copy in nearly fine pictorial dust jacket (designed by Julie. Brown) with some fading of spine panel (nearly inevitable as the. jacket is printed on pink paper stock). A very attractive example of. the jacket which is rarely seen in decent condition. Signed copies of. this book are uncommon. (#104193). First edition. Of 2000 copies printed, this is one of 750 in the second binding. Presentation copy inscribed by Bell to writer and early SF fan Robert H. Barlow: "To R. H. Barlow, / With the regards of 'John Taine,' / - - hoping that you will continue / to enjoy my stories / JT." Anatomy of Wonder (1981) 2-106; (1987) 2-117; and (1995) 2-125. Bleiler, Science- Fiction: The Early Years 2155. Clareson, Science Fiction in America, 1870s- 1930s 743. Locke, A Spectrum of Fantasy, p. 210. In 333. Bleiler (1978), p. 190. Reginald 13966.

      [Bookseller: L. W. Currey, Inc.]
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        Duncan Grant. With an introduction by Roger Fry. New Edition. Living Painters.

      Hogarth Press., London 1930 - Original paper covers with a design to upper cover by Duncan Grant. Rubbed at spine, a little foxed water stain throughout, less noticable on the plates. With on the rear end-paper a fine pencil drawing of a standing male figure by Stanley Spencer. [Attributes: Soft Cover]

      [Bookseller: Roe and Moore]
 44.   Check availability:     AbeBooks     Link/Print  

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