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Displayed below are some selected recent viaLibri matches for books published in 1930

        Frank Lloyd Wright: Architecte Américain

      Paris: Albert Morancé, 1930. Plates a tad age toned as usual with portfolios from this era; near fine overall in the near fine illustrated string-tied portfolio.. First Edition. Loose sheets in string-tied portfolio. With 25 numbered loose sheets and 9 four-page gatherings as issued. The gatherings consist of architectural drawings renderings, introductory material (in French by Jean Badovici), and the colophon. The plates are black and white images of Frank Lloyd Wright's buildings.

      [Bookseller: Harper's Books, Inc.]
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        Autograph letter signed.

      Boulogne-Billancourt, [after 1930]. - 4to. 1¾ pp. To an "Editorial Board": "What you asked me in your last letter represents the hardest task for me. I am a badly organized and lazy person in regards to anything that is not related to my direct work, which is sculpture. There is enough literature, a few monographs, and lots of magazines and newspaper articles, but to put it all together is beyond my ability. I will send you the one that I received recently as an example. Incidentally this is one is flattering, but there are a few that are not so rewarding. Anyway - all that is not really important. I believe that the day will come when the contour of my art will become clear. Meanwhile, for those who want to know from where I came and how old I am - here is my short autobiography. I was born on 30th of August (new style) in v[illage] Druskeniki; Grodno county, in a pious Jewish family. I studied at vocational school in Vilna and in 1909 went to Paris to study scultpure (I did some as a self-taught since my early childhood). So I have lived here since that time, I even became a naturalized French citizen. I studied at the Academy and since 1912 have had several exhibitions in different salons, but not many. I did have a personal exhibition at the Rosenberg gallery in 1920 and a second one, very extensive in 1930. My works are in different personal collections and museums. There is not much exciting in happening in my life. That's all. With all my respect [.]". - Though Pablo Picasso is credited with creating Cubism, Lipchitz advanced and further interpreted the style by applying the principles of Cubist painting to sculpture. When he moved to Paris in 1909, he became acquainted with Picasso, as well as fellow sculptors Juan Gris and Alexander Archipenko. During this time he created Cubist sculptures including his "Sailor with Guitar". In 1924, Swiss avant-garde architect Le Corbusier built a studio for Lipchitz on the outskirts of Paris, whence our letter was written. By the time the Nazi's occupied France, forcing Lipchitz to move to the U. S., he was known around the world. - Folded with a small vertical fold tear at the upper edge and four file holes in the margin not affecting the text. With a moderate amount of foxing and some uneven age toning on the recto. A fragment of paper headed "Le Musée" is affixed to the upper left corner.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Solaria. Rivista mensile di letteratura diretta da Alberto Carocci e Alessandro Bonsanti

      Edizioni di Solaria (F.lli Parenti) 1930-32 Annate 1930 - 31 - 32 - 33 della rivista fiorentina Solaria per un totale di 32 fascicoli. Annata 1930 completa: 9 fascicoli; annata 1931: 9 fascicoli, manca l'ultimo numero, il 12o, di dicembre; annata 1932: 9 fascicoli, manca il no 4 di aprile; annata 1933: 5 fascicoli, manca il numero doppio, 2 - 3 del febbraio - marzo. I fascicoli si presentano in buone condizioni generali, minimi difetti ai dorsi, arrossature al p. del numero di gennaio 1932, restauri al d. e al p. post. del n. 3 del 1931. Storica rivista nata a Firenze nel 1926 per iniziativa del giornalista Alberto Carocci che dall'esperienza della 'Ronda' eredito' il culto per l'eleganza formale e un implicito disimpegno nei confronti del regime fascista. Solaria fece conoscere Tozzi e Svevo, ma anche Proust, Joyce, Eliot e Kafka. Le pubblicazioni vennero sospese nel 1936, dopo alcuni interventi della censura fascista. Tra i collaboratori figurano Montale, Debenedetti, Gadda, Bacchelli, Vittorini e Ungaretti. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        4 autograph letters signed ("R. Slatin").

      [Probably Merano], 1930. - Large 4to. Altogether 6 pp. on 4 ff. In German, to a "dear doctor and friend": "[.] I should like to see you and your dear wife again before my departure [.]" (letter of 12 April; with punched holes in left margin [not touching text]). - "I arrived here 3 days ago after 4 weeks in Bad Hall - without any noticeable results [.]" (letter of 3 September). - "I took Anne Marie from Fetan, where she spent the summer, back to St. Blasien. She has not had the care she needs, but looks well altogether and is happy, though I am not [.]" (letter of 28 September). - "Thank you for your kind letter; I hope that you and your dear wife will do me the honour of dining with me on Saturday at 1 PM [.]" (letter of 6 October). - On stationery with printed address.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Frauenschmückung. Original- Federzeichnung., Bildbeschreibung: Künstler im Frack und Zylinder in gebückter Haltung, heftig den Unterschenkel einer jungen nackten Frau bemalend, hinter ihm ein 2. Künstler ohne Kopfbedeckung, stehend mit dem Pinsel Maß- nehmend, in Richtung eines 2. Modells im rechten seitlichen Hintergrund, nur mit einem Hut bekleidet.

      - Kommentar: Der Dichter, Zeichner und Maler Reiner Zimnik, geboren am 13. Dezember 1930 in Beuthen/Oberschlesien; 1945 Zuzug nach Landshut/Niederbayern. Beginn einer Schreinerlehre, 1948 Gesellenprüfung; 1949 Wiedereintritt ins Gymnasium; 1952 Abitur; anschließend studierte er bei Professor Oberberger an der Akademie der bildenden Künste in München. 1957 Abschlussdiplom, seitdem als freischaffender Künstler tätig. Erhielt u. a. den Eichendorff- Literatur- Preis, 1958 den Förderpreis Literatur der Stadt München und war 1961 Stipendiat in der Villa Massimo in Rom, Bayerischer Poetentaler, sowie 1993 den Schwabinger Kunstpreis. Lehraufträge an verschiedenen Sommerakademien, u. a, in Salzburg, Neuburg/Donau und Irsee. Laufend Ausstellungen in Städten des In- und Auslandes; erste große Retrospektiven 1985 im Münchner Stadtmuseum, 1988 im Museum Ostdeutsche Galerie in Regensburg. Reiner Zimnik arbeitet und lebt in München. Auch seine Märchen für Kinder und Erwachsene, wie Der Bär auf dem Motorrad, Jonas der Angler, Der kleine Millionär oder die chaplinesken Figuren wie >Der LektroGsanglR Zimnik, (19)79, daneben stark geprägter Stempel der Papierfabrik Schoellerhammer. Unikat. Blattgröße 31,5 x 44 cm, auf starkem, chamois- farbigem Spezial- Büttenpapier. Auf der Rückseite mit Bleistift beschriftet, sowie 3 Original- Stempel, zwei in dunkelblau und einer in grüner Farbe, Werkverzeichnis Nr.: 748. [Attributes: Signed Copy]

      [Bookseller: Galerie Antiquariat Schlegl]
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        Mitsou. Vingt - six eaux - fortes et pointes sèches d'Edgar Chahine.

      Paris, Editions d'Art Devambez, 1930. 1930 In - 4, en feuilles, couverture rempliée et illustrée, chemise, pièces de titre maroquin brun, étui bordé. 26 eaux - fortes et pointes - sèches dont 8 hors - texte gravées, par Edgar Chahine. Tirage à 196 exemplaires, celui - ci l'un des 60 sur Japon impérial avec les gravures en deux états : deuxième état avec remarques et un état définitif. Il est enrichi de deux esquisses originales au crayon bleu par Edgar Chahine, sur un feuillet. N° 39.

      [Bookseller: Livres de A à Z - Beatrice Bablon]
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        Brief mit eigenh. U.

      München, 13. November 1930. - 1/3 S. Gr.-4to. An Eugen Pinner vom Berliner „Fontane-Abend": „[ ] Vielen Dank für die freundliche Übersendung der Ehrenkarten für den Fontane-Abend am 29. November. Aber, wie Sie sehen, bin ich zur Zeit nicht in Berlin und werde auch am 29. leider nicht anwesend sein können [ ]". - Auf Briefpapier mit gedrucktem Briefkopf.

      [Bookseller: Kotte Autographs GmbH]
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        Aveux Non Avenus

      1930. CAHUN, Claude. Aveux Non Avenus. With a preface by Pierre Mac Orlan. Illustrated with 10 heliographs executed by Moore after designs by Cahun. 8vo., bound in original publisher's wrappers. In a new cloth folding box. Paris: Éditions Du Carrefour, 1930. |~| A mint copy of this much sought-after book, the only one illustrated with the surreal images of Cahun (Lucy Schwob), the celebrated poet, writer and photographer. Cahun, one of the most mysterious figures of the Surrealist movement, incorporates many self-portraits in her montages which are imbued with a keen sense of the absurd. Rarely found in such fine condition. One of an edition of 525 copies. Roth, The Book of 101 Books 62-63.

      [Bookseller: Ursus Rare Books]
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        Lombard, Carole]. ARCHIVE OF SIX CAROLE LOMBARD ORIGINAL PARAMOUNT "FILE COPY" SCRIPTS (1931-1937).

      Paramount Studios 1930 - [Lombard, Carole]. ARCHIVE OF SIX CAROLE LOMBARD ORIGINAL PARAMOUNT "FILE COPY" SCRIPTS. Los Angeles: Paramount Studios, 1931-1937. Remarkable and possibly unique collection of primary source material related to actress Carole Lombard's tenure as one of Paramount Studio's most glamorous stars. SIX original screenplays, all side-stitched in studio self-wrappers, all rubber-stamped "FILE COPY" and all in Very Good or better condition. 1. 146pp original studio-mimeographed screenplay dated February 24th, 1931 for "UP POPS THE DEVIL" complete with holograph revisions and blue revision leaves. 2. 110pp original studio-mimeographed screenplay dated November 11th, 1931 for "NO ONE MAN" co-starring Ricardo Cortez. 3. Complete Final Draft studio-mimeographed screenplay dated October 24th, 1933 for "BOLERO" co-starring George Raft. 4. 116pp original studio-mimeographed screenplay dated December 26th, 1933 for "WE'RE NOT DRESSING" co-starring Bing Crosby. 5. 121pp original studio-mimeographed screenplay dated November 8th, 1934 for "RUMBA" co-starring George Raft. 6. 170pp original studio-mimeographed screenplay dated August 28th, 1937 for "TRUE CONFESSION" co-starring Fred MacMurray and John Barrymore. These are the kind of original scripts which rarely survive from this era, especially in this superb condition. There are likely less than 3 or 4 known survivors of each of these titles and, as a group, these six scripts may represent the largest collection of original Paramount Carole Lombard screenplays in private hands. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Lakin & Marley Rare Books ABAA]
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        FOUR FAULTLESS FELONS.

      London: Cassell and Company, Ltd., [1930]. - First edition. 8vo. Some light foxing to page edges and corners slightly bumped, else near fine, bright, tight copy in a bright, crisp dust jacket that has been professionally internally restored along flap folds and spine ends. An excellent story that tells how these four men became felons and why they were faultless. An exceptional copy of a scarce book, especially in the elusive dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        GULLIVER'S TRAVELS

      London, 1930. No. 134 OF 195 COPIES on paper (and 10 on vellum) n. Hardcover. 364 x 256 mm (14 1/4 x 10 1/8"). Two volumes. No. 134 OF 195 COPIES on paper (and 10 on vellum). FINE RECENT DARK GREEN HALF MOROCCO, GILT, BY COURTLAND BENSON, lighter green marbled paper sides, raised bands, spines handsomely gilt in compartments in antique style with large elegant floral stamp centerpiece and curling leafy cornerpieces, gilt titling, top edge gilt, others untrimmed. With a total of 27 engravings (26 images), as called for: a title page vignette featuring a bust of Swift (appearing in each volume), eight head- and tailpieces, five full-page maps, and 12 DELICATELY HAND-COLORED COPPER-ENGRAVED PLATES (including two frontispieces) BY REX WHISTLER, each within an ornate baroque-style frame. Front pastedown of volume II with the bookplate of Charles J. Rosenbloom. Ransom, p. 7. A VERY FINE SET inside and out. This is a beautifully rebound copy of one of the major Cresset books. Inspired by such masters as Watteau, Canoletto, and Boucher, Whistler's work, including the witty drawings here surrounded by rococo frames, recall the 18th century heyday of French book illustration. Horne quotes a 1984 exhibit at the British Museum that says, "This playful essay in 18th century pastiche is, like much fine English book-making of the 1920s and 1930s, aesthetically backward-looking. Whistler's drawings are matched by a text printed in a revival of John Baskerville's 18th century types." Reginald John "Rex" Whistler (1905-44) made a name for himself in mural painting, stage design, and book illustration, and in "Gulliver," his skills as a theater designer and as a muralist align to produce what is widely regarded as his masterpiece, as well as a highspot of 20th century fine printing. Horne describes him as "one of the most gifted figures of the years between the wars," and laments that his artistic career was brought to a tragically premature end by World War II, during which Whistler died while serving as a tank troop leader in France. Our copy's prior owner, Pittsburgh attorney and businessman Charles J. Rosenbloom (1898-1973), was a philanthropist, bibliophile, and art collector with broad interests and refined taste.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Shepherd of Guadaloupe

      Harper & Brothers Publishers, New York 1930 - First Edition, First Printing SIGNED by Zane Grey to his mistress "To Mildred, from Zane" Included with this book is a black and white photo of Mildred Smith laid into the book. Mildred Smith was one of the author's well known mistresses as several of her letters to Zane Grey have shown up at auction. This book is the TRUE FIRST EDITION with the words "FIRST EDITION" printed on the copyright page. This original First Issue dustjacket has the $2.00 printed price present on the front flap with some wear to the spine and edges. The book is in nice shape. The binding is tight with NO cocking or leaning with minor wear to the boards. The pages are clean with no writing, marks or bookplates in the book. A lovely association copy SIGNED by the author in collector's condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        My Early Life

      London: Thornton Butterworth Limited,, 1930. A Roving Commission. Octavo. Original dark pink cloth, titles to spine and front board gilt, publisher's device to boards in blind. Frontispiece and 15 other plates, folding map, maps to the text. Contemporary gift inscription to front free endpaper. Spine sunned and a touch cocked, light spotting to edges, prelims and endmatter slightly foxed, text block strained in a few places but holding firm. An excellent copy. First edition, first impression; second issue with the first volume of World Crisis listed in the "Works by the same author" on the half-title verso. Churchill's first volume of sustained biography is a highly entertaining account of his childhood, schooldays at Harrow, military training at Sandhurst, experiences as a war correspondent in Cuba, and service attached to the Malakand field force on the northwest frontier of India, charging with the 21st lancers at Omdurman, and as a POW in South Africa during the Boer War.

      [Bookseller: Peter Harrington]
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        THE UNFORESEEN

      London: Hodder and Stoughton. [1930]. First edition, first printing. Original blue cloth with black titles to the front and spine, in dustwrapper. A very good or better clean and bright copy with no inscriptions or stamps. Complete with the scarce original dustwrapper which is lightly rubbed and nicked to the extremities. Correctly priced 7/6net to the spine. Hubin.Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        The History of the Peloponnesian War

      Initials from the alphabet designed by Eric Gill for the Press'sUtopia, marginal chapter summaries and opening lines, designed by Graily Hewitt, printed in red. printed in Ptolemy type with Blado marginal chapter summaries. One of 260 copies. Folio, original white pigskin, uncut, very slight rubbing to small parts of the spine, tiny mark on upper cover, otherwise very good and fresh. Chelsea, The Ashendene Press. 1930. Translated by Benjamin Jowett, Regius Professor of Greek at Oxford.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        History of the Peloponnesian Wars. Translated into English by Benjamin Jowett, M.A

      Chelsea: Ashendene Press, 1930. Hewitt, Graily. Folio. 363pp. One of 260 copies printed in red and black on handmade paper. The opening line of each of the eight books is designed by Graily Hewitt and printed in red, and the other red initial letters are from an alphabet designed by Eric Gill for "Utopia." This was the last of the great Ashendene folios, and the present copy is very fine, but for very minor soiling to the full white pigskin binding and a few small spots of offsetting to endpapers. Housed in a cloth slipcase. (Hornby XXXVII).

      [Bookseller: Bromer Booksellers]
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        Adelboden Schweiz 1400 m. Farbige Original-Lithographie.

      Bern, Gedruckt bei: Polygraphische Gesellschaft Laupen-Bern, 1930.. Bildgrösse: 102 x 64 cm. Guter Zustand..

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
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        Meeting the Bear Market

      HARPER & BROS, NY 1930 - Signed with small inscription from Author, "Irving Esuv, With all Good Wishes from the Author. Glenn Munn. General shelf wear, lightly tanned spine, and crease in cover, otherwise, good binding, clean body and unmarked text. DATE PUBLISHED: 1930 EDITION: 276 [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Gulliver's Travels

      1930. SWIFT, Jonathan. (WHISTLER, Rex, illustrator).Gulliver?'s Travels.London: The Cressett Press, 1930.Two volumes.Lovely Cresset Press illustrated edition of Gulliver?'s Travels, number 17 of only 195 copies, with 12 charming full-page hand-colored plates, five maps, head- and tailpiece illustrations by Rex Whistler, two folio volumes in handsome publisher?'s morocco by Wood.First published in 1726, Swift?'s masterpiece remains a ?"remarkable feat in the creation of imaginary worlds as a vehicle for satire upon the political and religious establishments of the day?" (Clute & Grant, 914). ?"Of all Swift?'s writings it best shows the merits of his mind and his gifts of expression?" (Baugh et al., 865). Rex Whistler was an esteemed British artist, illustrator and designer whose promising life and career were cut short during the invasion of Normandy, where he was killed by a mortar round at the age of 39.Ransom, Cresset 14.Spines gently sunned. A delightful production in fine condition.

      [Bookseller: Bauman Rare Books]
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        Rubáiyát of Omar Khayyám

      London: George G. Harrap & Co. Ltd.,, 1930. The First and Fourth Renderings in English by Edward Fitzgerald. Large octavo (260 × 198 mm). Deluxe binding of aquamarine morocco, gilt lettered spine, circular gilt floriate motif with coloured onlays on front cover, top edges gilt, untrimmed, marbled endpapers. Decorative titlepage printed on a pale ochre background; 12 tipped-in colour plates, designs and decorations (some tipped-in) by Willy Pogány. A few faint blemishes to front cover. Signed limited edition, one of 1,250 numbered copies signed by the artist and with an original etching also signed by him.

      [Bookseller: Peter Harrington]
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        Moby Dick

      Random House, New York 1930 - A superb copy of the 1930 1st Rockwell Kent-illustrated trade edition (following the landmark 3 Vol. Lakeside Press edition). Remarkably clean and bright in its silver-decorated and lettered dark cloth. No wear or rubbing of any kind to the design, nor is there any foxing or other markings to the interior. Incredibly, the book is easily Near Fine and even borders on Fine. And the iconic, Kent-illustrated dustjacket is also bright and clean and presents remarkably well. There's no chipping or paper loss to speak of and the one flaw -the very light creasing at the panel edges and spine ends-- is subtle and inoffensive. A crisp, clean, Near Fine dustjacket. Thick 12mo, the sharpest copy this bookseller has seen. [Attributes: First Edition; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        UN MAESTRO DI FEDE E DI VITA. VICO NECCHI

      Milano, Vita E Pensiero, 1930. In-16, brossura, pp. 137. In buono stato (good copy).

      [Bookseller: Bottega delle occasioni]
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        The Two Tickets Puzzle

      London: Victor Gollancz Ltd,, 1930. Octavo. Original black cloth, spine lettered in red. With the dust jacket. Edges and endpapers foxed, occasional foxing to contents, spine rolled; a very good copy in the slightly soiled jacket that has sunned spine and edges, a few nicks to extremities and corner of rear panel separating. First edition, first impression. A detective story, published in the US later the same year under the title The Two Ticket Puzzle. The publisher's retained copy with their ink stamp to the front panel of the dust jacket and the front free endpaper.

      [Bookseller: Peter Harrington]
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        Die Wohnung für das Existenzminimum - Einhundert Grundrisse met erklärenden Referaten von Victor Bourgeois, Le Corbusier unf Pierre Jeanneret, Sigfried Giedion, Walter Gropius, Ernst May und Hans Schmidt

      1930 Frankfurt Am Main Englert & Schlosser 1930 - first edition - texts Die internationalen Kongresse für Neues Bauen by Giedion-Die Wohnung für das Existenzminimum by May-Die soziologischen grundlagen der Minimalwohnung für die städtlische Bevölkung by Gropius-Analyse des éléments fondamentaux du problème de la "Maison Minimum" by Le Corbusier et jeanneret-L'Organistation de l'Habitation Minimum by Bourgeois-Bauvorschriften und Minimalwohnung by Schmidt - 24,5 x 18 cm - 43 pgs text + [2]pgs (blank, tittle part with plas) + 207 ground-plans with small explanation in german, french and english + 1 pg catalogue editor + 16 pgs english summary - stamps on tittlepage, last page, library copy , traces of use on cover and first pages (pictures avalable), tittlepage and last page with resauration with japanese paper but the inside without tears and markings - first edition is quite rare [Attributes: First Edition]

      [Bookseller: A. Van Zaelen antiquariaat]
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        Los Pintores Impresionistas. Traducción de Manuel Sánchez Sarto

      Barcelona, Editorial Labor, 1930. 4to.menor; 124 pp. y 46 láminas. Encuadernación original en tela estampada.

      [Bookseller: Hesperia Libros]
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        Lámpara de los Príncipes. Siray al-müluk. Traducción española de Maximiliano Alarcón

      Madrid, Instituto Valencia de Don Juan, 1930. Dos volúmenes en 4to.; LXIII, 438 pp. y 3 hs., 546 pp., 2 hs. Edición limitada de 500 ejemplares. Cubiertas originales. Notable alfaquí, considerado como el unificador del malikismo, nació en Tortosa y estudió jurisprudencia en Zaragoza con al-Bayi, antes de partir hacia Bagdad en 1083, y recalar finalmente en Alejandría, donde se opuso severamente a la ideología ismailista de la dinastía fatimí. Emitió para Yusuf ibn Tasufín el gobernante almorávide del Magreb una fatwa que permitió a éste el ataque a los reinos de taifas peninsulares. Enfrentado a Abu Hamid Muhammad al-Gazzali, Algazel, escribió este famoso tratado político y ético como respuesta al "Nasihat al-muluk "(Consejo de Príncipes) de Algazel.

      [Bookseller: Hesperia Libros]
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        Paz. [Frieden. 1930]. Traducción del alemán por Fermín Soto

      Madrid, Editorial Cénit, 1930 [Colección Novelistas Nuevos]. 4to.; 317 pp., 1 h. Cubierts originales dibujadas por Puyol.

      [Bookseller: Hesperia Libros]
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        Entre dos frentes. Memorias de Madame Smit. Novela de Paz, de Amor y de Justicia

      Barcelona, Editorial Lux, 1930. 4to.; 236 pp., 1 h. Enc. original en tela

      [Bookseller: Hesperia Libros]
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        Look Homeward, Angel A Story of The Buried Life

      London, William Heinemann Ltd., 1930., 1930. FIRST UK EDITION. Author's first book. 8vo., pp. vii, 613. Elegantly hand-bound in half blue calf, spine gilt-lettered in six compartments with raised bands, cloth sides. A fine copy in attractive recent leather binding. Listed in Modern Library's Top 100 Novels [1998].

      [Bookseller: Adrian Harrington Rare Books]
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        Plaisir de Bibliophile. Gazette trimestrielle des amateurs de livres modernes. Nº 21, Avril 1930. Textos de Claude Roger-Marx; Luc-Albert Moreau, lithographe y Louis Martin-Chauffier; les reliures de Paul Bonet, entre otros

      Paris, Au Sans Pareil, 1930. 4to.; 64 pp., con ilustraciones entre el texto y una lámina separada. Edición limitada y numerada. Cubiertas originales.

      [Bookseller: Hesperia Libros]
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        In Memoriam by Alfred Lord Tennyson

      London: Nonesuch Press, 1930.. Tall 8vo., bound in the 1980s in suede and calf painted with green paint and with inlaid sculpted leather pieces, on the back is a pendulum made from silver cord and black painted leather and there is a gilt dot on each cover, the fore edges are painted grey and black, the inside covers are in full black morocco with a large cross tooled on each of them, signed with Sellars's monogram on the lover turnin. In an extraordinary sculptural box of two glass sides framed in black which slot into a black stand, the material is leather pieces glued together, formed and then varnished. The box has caused a very slight rubbing to the spine but this is generally in extremely good condition. A remarkable achievement, executed by Sellars in the early 1980s. The binding suits the book well with more than a whiff of High Victorian mourning.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        Collection Decors et Couleurs. Album No. 1

      1930. VALMIER, Georges. Collection Decors et Couleurs. Album No. 1. Illustrated with 20 pochoir plates. Folio, 440 x 344 mm, issued loose in original tan portfolio, pochoir title on front board, with ties. Original tissue guards present. Paris: Aux Editions Albert Levy, 1930. One of 100 copies. A perfect copy of this Art Deco port-folio of brightly coloured pochoir plates designed by the French painter Georges Valmier. The coloured plates present multiple patterns for a particular colour scheme. These patterns served as Art Deco designs for wallpaper and textiles. Georges Valmier (1885-1937) was an accomplished artist influenced by several of the major artistic movements at the turn of the century, especially Cubism. This becomes clear in the present portfolio which includes, amongst others, a Cubist rendering of a guitar. The colours in this publication are especially vibrant; Valmier's designs were printed by Jean Saudé, a master of the pochoir process. Saudé was the greatest exponent of the art of pochoir or stencil printing, and his name is associated with nearly all of the important Art Deco books issued in France. Complete copies of this portfolio are rare as most have been segmented by the print trade.

      [Bookseller: Ursus Rare Books]
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        Das Geld Schreibt

      1930. HEARTFIELD, John. Das Geld Schreibt. By Upton Sinclair. 215, [1] pp. 8vo., bound in original boards and dust-jacket designed by John Heartfield, in a new black cloth folding box, title and author printed in black on yellow leather spine label. Berlin: Malik-Verlag, 1930. Two copies of the German edition of Sinclair's 1927 novel Money Writes, the first with the original uncensored cover by Heartfield, and the second with the censored cover. Both are very rare. The first version was illustrated with a photograph of Emil Ludwig with his family. The censored version, with the faces of the family excised, appeared as a result of Ludwig's victory in his lawsuit against Malik. The rear wrapper of the censored copy is missing a corner, and has some wear, but overall acceptable copies. Pachnicke, Peter and Klaus Honnef, John Heartfield, no. 335. Valencia, John Heartfield en la Coleccion del IVAM, p.78. Siepmann, Montage: John Heartfield vom Club Dada zur Arbeiter-Illustrierter Zeitung, A132.

      [Bookseller: Ursus Rare Books]
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        My Early Life. A Roving Commission

      Thornton Butterworth Limited, London 1930 - With 28 maps and illustrations. 8vo. Newly bound by Bayntun-Riviere in half crimson morocco with black cloth sides, the spine lettered in gilt with rampant lion centre tools, hand-marbled endleaves, gilt edges.

      [Bookseller: George Bayntun ABA ILAB]
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        A Treatise On Money: In Two Volumes.

      Harcourt, Brace & Company, New York 1930 - First American editions of each volume. Octavo, two volumes, original cloth. Each volume is fine in the original dust jackets which have had some professional restoration. "In 1930, Keynes brought out his heavy, two-volume Treatise on Money, which effectively set out his Wicksellian theory of the credit cycle. In it, the rudiments of a liquidity preference theory of interest are laid out and Keynes believed it would be his magnum opus[however, criticism was swift and extreme] and the Treatise led to the formation of a reading group, known as ‘the circus,’ composed of young Cambridge economists Richard Kahn and others Kahn dutifully delivered reports of the Circus’s discussions to Keynes, who subsequently began revising his ideas. One resulting criticism of the Treatise was that it failed to provide a theory of the determination of output and employment as a whole— a particular pertinent question given the huge amount of unemployment at the time" (History of Economic Thought). [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        A Treatise On Money 2 Volumes The Pure Theory Of Money & The Applied Theory Of Money

      Macmillan & Co., UK 1930 - 2 volume set. Dark blue cloth boards with gilt lettering to spine, octavo. Volume 1- The Pure Theory Of Money.[ xvii], 363pp. Light rubbing to boards and a small indentation to front edge. Company library plate to front pastedown, remains of library sticker and name stamp to flyleaf. The paper gutter is splitting at rear but gutter is still tight, main text is tight and clean. Volume II, The Applied Theory Of Money, [viii]424pp. Dark blue cloth boards with gilt lettering to spine. The boards are slightly paler than those on volume 1. lightly ribbed. Company bookplate on front paste down, remains of library sticker and name stamp on flyleaf. Text is tight and clean. Nice copies of a relatively rare first edition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Hanselled Books]
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        AIZ.Das Illustrierte Volksblatt

      1930. HEARTFIELD, John. AIZ.Das Illustrierte Volksblatt. Volume lX No. 104. With photomontage by John Heartfield. Folio, loose as issued. Berlin: Neuer Deutscher Verlag, 1930. |~||~||~||~||~| From 1930 to 1938 Heartfield provided photomontages that were published in the Arbeiter-Illustrierte Zeitung. Many of these astonishing images are masterpieces of the art of caricature, and resulted in Heartfield having to flee for his life. This issue has the photomontage depicting a pregnant woman in front of a dead soldier, with the caption " Forced supplier of human material take courage! The state needs unemployed workers and soldiers!" A fine copy. David Evans. John Heartfield AIZ pp.46-47

      [Bookseller: Ursus Rare Books]
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        The Book of Common Prayer

      Boston: The Merrymount Press for the Commission, 1930. the finest product of the American Press in our time. One of 500 copies. Printed from electrotypes taken from hand composition in Janson roman type with initial letters and titling drawn by W.A. Dwiggins on English handmade paper. Folio, original blind-stamped wine red pigskin, top edge gilt, others uncut. A really good copy of a book with a notoriously weak soft pigskin binding. Updike was commissioned by J.P. Morgan, Jr. to print the Standard Edition of the Prayer Book for the Episcopal Church when it adopted its important second revision of it in 1928. His magnificent work became one of the most important books in the history of American printing and a landmark of the mastery of typography. The sole ornament to the superb type setting being a single fleuron on the title-page. It became Updike's most famous book: "it is one of the few superb books of modern printing history...the finest product of the American Press in our time..." (Pottinger) Booklabel of Clarence B. Hanson, Jr.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        The Bridge.

      New York: Horace Liveright, 1930 - Octavo. Original blue cloth, titles to front board and spine gilt. A fine copy. Frontispiece photograph of the Brooklyn Bridge by Walker Evans. First US edition, first printing. The Bridge, Crane's major work, was first published in limited format in Paris by the Black Sun Press in February 1930, some six weeks in advance of the Liveright edition, which was intended to be the trade edition. Harry Crosby's suicide in December 1929, while publication was still being arranged, was a sad portent of Crane's own tragic end. Walker Evans, whose photographs illustrate both editions, was then unknown. Connolly, Modern Movement, 64; Schwartz & Schweik A3.1. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        SUBMARINE STORIES

      Dell Publishing, Inc. March, 1930, New York - Octavo, single issue, pictorial wrappers. Front cover has been professionally re-attached to spine, minor restoration to lower left front corner, interior cover edges re-enforce, piece missing from lower left rear cover. A rare pulp. (16074) [Attributes: Soft Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        Look Homeward, Angel

      William Heinemann, LTD London 1930 - First Edition, First Printing with "First Published 1930" printed on the copyright page. A beautiful copy. This ORIGINAL First Issue dustjacket has the 10s.6d.net publisher's printed price present on the spine. The book is bound in the publisher's original blue cloth. The binding is tight with NO cocking or leaning and the boards are crisp with minor wear to the edges. The pages are clean with NO writing, marks or bookplates in the book. A wonderful copy in collector's condition. [Attributes: First Edition; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Die drei ersten Frauen des Kaisers Franz, Wertheimer 1893, HOFBI

      Wertheimer Eduard, 1848bis1930 - Die drei ersten Frauen des Kaisers Franz, Wertheimer 1893, HOFBIBLIOTHEK WITTELSBACH. 8°, 21x13 cm., orig. Hldr., 163 S., nur gering gebräunt. Verfasser/in: Eduard von Wertheimer Verlag: Leipzig, Duncker & Humblot, 1893. Themen: Elisabeth Wilhelmine, -- Consort of Franz I, Emperor of Austria, -- 1767-1790. Marie Therese, -- Consort of Franz I, Emperor of Austria, -- 1772-1807. Maria Ludovica Beatrix d'Este, -- Empress, consort of Franz I, Emperor of Austria, -- 1787-1816. AUS DER BIBLIOTHEK VON MARIE THERESE V.WITTELSBACH --MIT EIGENHÄNDIGEM BISITZEINTRAG--- Marie Therese von Österreich-Este (1849–1919) Marie Therese Henriette Dorothea, auch Maria Theresia (* 2. Juli 1849 in Brünn; † 3. Februar 1919 auf Schloss Wildenwart/Chiemgau) war Erzherzogin von Österreich-Este, Prinzessin von Modena und von 1913 bis 1918 die letzte Königin von Bayern. [Attributes: Hard Cover]

      [Bookseller: Hammelburger Antiquariat]
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        The Bridge

      New York: Horace Liveright,, 1930. Octavo. Original blue cloth, titles to front board and spine gilt. Frontispiece photograph of the Brooklyn Bridge by Walker Evans. A fine copy. First US edition, first printing. The Bridge, Crane's major work, was first published in limited format in Paris by the Black Sun Press in February 1930, some six weeks in advance of the Liveright edition, which was intended to be the trade edition. Harry Crosby's suicide in December 1929, while publication was still being arranged, was a sad portent of Crane's own tragic end. Walker Evans, whose photographs illustrate both editions, was then unknown.

      [Bookseller: Peter Harrington]
 43.   Check availability:     Biblio     Link/Print  


        Chasse à tir d’aujourd’hui - Beauce, Gâtinais, Puisaye, Sologne, Val de Loire

      1930. relié. D'OccasionétatCorrect. Orléans, Imprimerie Henri Tessier, 1930. Fort et grand In-8, reliure pleine toile marron simili chagrin. Illustrée de figures dans le texte et de 12 planches photographiques hors-texte sur papier couché, 342 p. Plats légèrement déformés. Gérard d?'Havrincourt fort de ses 40 années d?'expériences acquises sur des terrains de chasse très différents tant en France qu?'à l?'étranger, révèle ici tout sa science cynégétique. Parmi les nombreux chapitres, on trouvera notamment : la chasse au chien d?'arrêt ; le perdreau naturel ; le faisan ; Nos chiens d?'arrêt (races françaises, anglaises) ; Le braconnage ; Les procédés de destruction des animaux nuisibles, le piégeage, les oiseaux de proie, etc. Edition originale. Thiébaud, 493.

      [Bookseller: Librairie]
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        The History of the Pelopennesian War

      Chelsea: Ashendene Press, 1930. The last Ashendene folio. One of 260 copies printed on Batchelor Ashendene 'knight in armour' paper, there were 20 copies on vellum. The red initials are from the alphabet designed by Eric Gill for the Press'sUtopia, marginal chapter summaries and opening lines, designed by Graily Hewitt, printed in red. Printed in Ptolemy type with Blado marginal chapter summaries. Folio, original white pigskin, uncut. Spine very slightly darkened, one tiny mark on upper cover, otherwise very fresh and clean. Translated by Benjamin Jowett, Regius Professor of Greek at Oxford. The final Ashendene folio and the first time Hornby had thought to use different type for the side-notes which works very well. With the booklabel of Clarence B. Hanson

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        The Canon of Medicine of Avicenna [INSCRIBED]

      Dedicated by the author and has a signed biography pamphletLuzac and Company, 1930Email baileybooksinfo@gmail.com for a technical description and photos. Response within 24 hours. We provide swift and professional service.

      [Bookseller: Bailey Books]
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        12 Schellack-Platten im Original Electrola Ordner mit Musica brasileira.

      Rio de Janeiro Industria Brasileira um 1930 - Original Electrola Ordner mit 12 Plattentaschen, Ordner mit Gebrauchsspuren. Inliegend 12 Schellack Platten mit jeweils 25 cm Durchmesser. Schellackplatten mit Nutzungsspuren, jedoch kein "Haken" der Musik. 78 RPM, teilweise mit Aufkleber "Brasil consumo 600 Reis", Tudo disco do Industria brasileira. Eine Platte mit geklebter Bruchstelle im Rand (ca. 20 Rillen betreffend) Disco 1: Victor 34386-A "Meu consolo e voce" Samba 1° premio no concurso na esposicao do estado novo (Nassara e Roberto Martins) Orlando Silva c/orchestra Victor brasileira; 34386-B "A Jardineira" marcha 2° premio no concurso na esposicao do estado novo (Benedicto Lacerda e Humberto Porto); Orlando Silva c/orchestra Victor brasileira. Disco 2: RCA Victor 80-1245-A "Yaya vance que morré" Lundu (Xisto Bahia) Vania Orico com orquestra; 80-1245-B "Maria Macambira" popular brasileiro (Baby de Oliveira - Oradia P. Oliveira) Vania Orico com orquestra. Disco 3: RCA Victor 80-1022-A "O que tu es" Cancao (Catullo da Paixao Cearense - Anacleto de Medeiros) Vicente Celestino com orquestra; 80-1022-B "Luar do Sertao" cancao (Catullo da Paixao Cearense) Vicente Celestino com orquestra e coro. Disco 4: Victor 26805-A "Sueno azul" Tango (Roberto Zerrillo, Tibor Barczy) Oswaldo Fresedo e sua orchestra tipica Estribilho cantado por Roberto Ray; 26805-B "Se empieza jugando" Ranchera (Emilio Fresedo, Guillermo del Ciancio) Oswaldo Fresedo e sua orchestra tipica Estribilho cantado por Roberto Ray. Disco 5: Continental 16.940-A "Oh!" Fox-Trot Byron Gay, Arnold Johnson Quinteto Continental; 16.940-B "Cafundo" Baiao, Luiz Bandeira Qinteto Continental. Casa Lux Porto Alegre. Disco 6: Odeon 13.704-A "Noite de Reis" Tango (Pedro Maffia, J. Curi, com versao de Virginia Amorim) Roberto Paiva RIO 10201; 13.704-B "Os Olhinhos do menino" Toada (Luiz Vieira) Roberto Paiva RIO 10200 (disco com defecto na beira). Disco 7: RCA Victor 80-1100-A "Mulher rendeira" Toada, Gravacao original do filme da Vera Cruz "O Cangaceiro" Coro misto; 80-1100-B "Lua Bonita" Toada, Gravacao original do filme da Vera Cruz "O Cangaceiro" (Ze do Norte, Jose Martins) Ze do Norte com conjunto e coro. Disco 8: Odeon 13.351-A "Prenda minha" Cancao (Arr.: Radames Gnattali) Cristina Maristany com o Quarteto de Cordas Celio Nogueira 9422; 13.351-B "Casinha Pequenina" (Arr.: Radames Gnattali) Cristina Maristany com o Quarteto de Cordas Celio Nogueira 9423. Disco 9: Odeon Veroton 11402-A "Como vaes voce?" Marcha (Ary Barroso) Carmen Miranda acomp. pelo conjuncto regional de Pixingguinha e Luperce; 11402-B "No Taboleiro da Bahiana" Batuque (Ary Barroso) Carmen Miranda e Luiz Barbosa acomp. pelo conjuncto regional de Luperce Miranda. Disco 10: RCA Victor 80-0779-A "Tres Boiadeiros" Toada campera (Anacleto Rosas Junior) Palmeira e Luizinho; 80-0779-B "Luiz Baiao Balanceio" (Palmeira, Luizinho). Disco 11: Odeon Veroton 10762-A "Hymno Nacional Brasileiro" (Francisco Manoel) Banda do Regimento Naval sob a regencia do Tenente A. R. de Jesus; 10762-B "Hymno a Joao Pessoa" Marcha (Eduardo Souto) Banda do Regimento Naval sob a regencia do Tenente A. R. de Jesus. Disco 12: Todamerica TA-5.179-A "India" Guarania, J. Asuncion Florez, M. Ortiz Guerrero Versao: Jose Fortuna Cascatinha & Inhana com Salinas e seu conjunto tipico; TA-5.179-B "Meu primeiro Amor" (Lejania) Cancao paraguaia Herminio Gimenez Versao: Jose Fortuna Cascatinha & Inhana com Salinas e seu conjunto tipico.

      [Bookseller: Versandantiquariat Christine Laist]
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