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Displayed below are some selected recent viaLibri matches for books published in 1930

        Vierwaldstättersee, Vogelschauansicht. Aquarell u. Gouache.

      ca. 1930 - 90 x 117 cm, 70 x 98 cm, unter Passepartout, gerahmt, Tadell. Prachtvolle Vogelschauansicht des Vierwaldstättersees, rechts mit dem Blick auf die Berge der Zentralschweiz, und links über den Zürichsee. Unten rechts signiert: J. Weber, «Gut Hohenrain», Zürich II. Vermutlich für eine gedruckte Karte (rechts unten Textfeld). Johannes Weber (1871-1949), Zürcher Maler, zuerst Kunstgewerbeschule, 1890-92 Ecole nat. des arts décoratifs, Ecole nat. des Beaux -Arts u. Académie Colarossi Paris. 1892-1905 Zeichenlehrer Kantonssschule Frauenfeld, danach wieder Studien in Paris. 1917-1937 Zeichenlehrer an der kant. Oberrealschule. Zahlreiche Portraits von Persönlichkeiten des öffentlichen Lebens wie Gerneral Ulrich Wille etc., Landschaften, etc. 1200 gr. Schlagworte: Gemälde - Aquarell [Attributes: Signed Copy]

      [Bookseller: antiquariat peter petrej]
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      Farrar & Rinehart, 1930, Hardcover (Printed Boards), Book Condition: Good Condition, Dust Jacket Condition: No Dust Jacket, Inscribed by Author. Signed and inscribed by the author "Carrying this all the way across the Atlantic is carrying a joke too far - fondly - Groucho Marx". Size: 191 x 126 mm. Text body is clean, and free from previous owner's annotation, underlining and highlighting. The foot of the spine has been repaired in an amateurish way so, it is now inset from the remainder of the spine. . No foxing in this copy. Free from previous owner's inscriptions. Edges browned. Covers are grubby and the corners are scuffed. Quantity Available: 1. Shipped Weight: Under 750 grams. Category: Humour; Antiquarian & collectable; Inscribed by Author. Pictures of this item not already displayed here available upon request. Inventory No: 71166.

      [Bookseller: Truffle Books]
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        ORIGINAL 1930 TYPED LETTER, SIGNED (re: The Maltese Falcon, The Glass Key & The Thin Man)

      New York, 1930. Hammett, Dashiell. ONE PAGE TYPED LETTER, SIGNED ["Sincerely, Dashiell Hammett"]. 135 East 38th Street, New York, April 21st, 1930. Highly desirable unpublished early letter from one of Hammett's most creatively fruitful years in which he makes mention of all three of his greatest novels. To "Dear Mr. Hammett" (Walter Hammett of Yale University in New Haven, who had initially written wondering -- incorrectly as it turned out -- if they shared any kin), it reads: "Thanks a lot for the latest of your always kind notes. The Falcon seems to be going over pretty well and I think Earl Boothe's going to produce it on the stage in the Fall if I can get time off from the current book to do the dramatization. The next book, 'The Glass Key' is scheduled for publication in September or October, and then 'The Thin Man' and 'The Darkened Face' in February and August, 1931. Beyond that deponent saith not. Best of luck to you with the poetry and otherwise." The letter, written only two months after the book publication of THE MALTESE FALCON has some irony to it as Dashiell Hammett's precision in rattling off titles and publication dates bore no reality to what came to pass. THE GLASS KEY wouldn't be published until 1931; THE THIN MAN didn't appear until 1934. As for "The Darkened Face" -- there is a fragment of a manuscript with that title at the Harry Ransom Center, University of Texas at Austin. It now appears to have been a planned novel which never came to full fruition. Nor did Hammett write a stage version of THE MALTESE FALCON for Earl Boothe; instead the novel was almost immediately adapted to film, released by Warner Brothers Studios as a pre-code 1931 crime drama full of sexual innuendo starring Ricardo Cortez and Bebe Daniels. The Selected Letters of Dashiell Hammett 1921-1960 (edited by Richard Layman) were indeed "selected from nearly one thousand letters" yet only a mere four letters date - as this letter does -- from 1930, the year Hammett published THE MALTESE FALCON. Apart from two neat folds, the letter is in Fine, crisp condition. Custom slipcase.. Signed by Author. Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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      [Bookseller: SCADTA]
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      New York / London , FOUNTAIN PRESS / FABER e FABER, 1930 - Esemplare Out of series. 16mo. pp. 28. Firmato dall'Autore (Signed by the Author). Ottimo (Fine). Esemplare Out of series. Prima ed. di 600 es. numerati e firmati dall'A. [Galati, 1980]. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Saint Peter Relates an Incident of the Resurrection Day

      New York: Viking Press. Fine. 1930. Limited Edition; 1st Printing. Hardcover. #Signed, Limited Edition - limited to 200 copies, this is #176. The book is in Fine condition and was issued without a dust jacket, but with a slipcase. The slipcase is in good only condition. The book and its contents are in clean, bright condition. The text pages are clean and bright. The slipcase is missing the whole top edge but is otherwise in Very Good condition. Extremely Scarce printing. ; Signed by Author .

      [Bookseller: S. Howlett-West Books]
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        AN OUTLINE HISTORY OF PAINTING in Europe to the End of the Nineteenth Century

      The Medici Society, London 1930 - Octavo. 274pp, 149 illustrations of which 24 are in colour, finely bound by Sangorski & Suttcliffe in 3/4 brown crushed morocco over marbled paper covered boars with matching endpapers, raised bands with compartments ruled in gilt, top edge gilt. A fine, bright copy.

      [Bookseller: Alcuin Books, ABAA]
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        Le Calamiste alizé. Onze Poésies Illustrées de Onze eaux-fortes originales par A. B.

      Ohne weitere Angaben. [Paris, René Bonnel, um 1930]. - 4°. Vortitel, Titel, 13 Bll. mit kalligraphierte Text , |11 erotische kolorierte Originalradierungen|, davon 10 im Text sowie eine als Tafel mit Remarquen. Eingelegt in eine Pappmappe d. Zt. Eins von 3 numerierten Exemplaren auf Japan (Gesamt 100). Das Werk enthält 11 pornografische Gedichte, gedruckt in handschriftl. Faksimile. Das Werk ist im Text versehen mit der Angabe "Cap d'Avor 1919". Dazu schuf Auguste Brouet (1872-1941) erotische Radierungen, die vorallem orgiastische Szenen zeigen, darunter auch homoerotische. Hier in der seltenen kolorierten Fassung. Unbeschnitten. Einige Lagen mit schwachen blassen Braunflecken. Am Rand teils leicht fingerfleckig. Dutel 1127 (ohne Abb.) Simonson, Midi, 199. Zum Künstler s. Vollmer 1, 325. Selten. ------------------------ Titre, 13 ff. non numérotés imprimées et illustrés au recto. Le texte reproduit le manuscrit en fac-simile. 11 eaux-fortes rehaussées à l'aquarelle dont une hors-texte avec remarques en noir en marge, les autres en bas de page, attribuées à A. Brouet. Un des 3 exemplaires sur Japon (total 100). Qqs. pâle taches brunes. Taches de doigts légers. -----------------------------|English description available on request.|

      [Bookseller: Antiquariat Ars Amandi]
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        The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church According to the Use of the Protestant Episcola Church in the United States of America. Together with the Psalter or Psalms of David

      (Boston:) Printed for the Commission (by D. B. Updike, the Merrymount Press), 1930 - Folio, original blind-stamped dark red morocco, t.e.g., others untrimmed. Text in red and black. ? One of the great monuments of the career of printer Daniel Berkeley Updike and considered one of the finest examples of 20th century American book design. ? From the library of David & Valerie Belch. Skillful repairs to the hinges and edges; fine copy, enclosed in a chemise and cloth case. The first of this edition, one of 500 copies printed.

      [Bookseller: Brick Row Book Shop, ABAA]
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        A Treatise On Money: In Two Volumes.

      New York: Harcourt, Brace & Company, 1930. First American editions of each volume. Octavo, two volumes, original cloth. Each volume is fine in the original dust jackets which have had some professional restoration. "In 1930, Keynes brought out his heavy, two-volume Treatise on Money, which effectively set out his Wicksellian theory of the credit cycle. In it, the rudiments of a liquidity preference theory of interest are laid out and Keynes believed it would be his magnum opus[however, criticism was swift and extreme] and the Treatise led to the formation of a reading group, known as ?'the circus,?' composed of young Cambridge economists Richard Kahn and others Kahn dutifully delivered reports of the Circus?'s discussions to Keynes, who subsequently began revising his ideas. One resulting criticism of the Treatise was that it failed to provide a theory of the determination of output and employment as a whole— a particular pertinent question given the huge amount of unemployment at the time" (History of Economic Thought).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Konvolut aus 57 S/W Fotografien einer Reise zwischen Venedig und Dalmatien.

      -,, o. O., 1930 - S/W Abzüge auf Karton. o. O., -, o. J. [zwischen 1930 - 1950]. ca. 17,5 x 24 cm. Leichte Gbrsp. - Zwei Bilder aus Venedig, der Diokletianspalat auf Split, Straßenbilder und Momentaufnahmen des Alltagsleben; interessante Reisemomente leider nicht im Detail bezeichnet. Deutsch [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        Bibliomystikon oder Die Geheimbibel der Eingeweihten. 1. Band: Anthropoziokon. 2. Band: Dämonozoikon. 3. Band: Theozoikon [von 10 Bänden].

      - Ariosophische Bibeldokumente und Bibelkommentare zu allen Büchern der heiligen Schrift, auf Grund der anthropologischen und archäologischen Forschungen und der arischen, klassischen und orientalischen Bibelversion zusammengestellt. [2. Aufl.] Pforzheim u. Preßbaum bei Wien, Privatdruckverlag Bibliomystikon (Auslieferung durch Verlag H. Reichstein), 1930, 1931, 1931. 128 S., 2 Bll. mit 8 Taf. u. wenigen Textfig. / 160 S., 2 Bll. mit 4 Taf. / 164 S. mit 7 Abb. auf 4 Taf., 8°, Goldgepr. O-Leinen (3 Bde.) Hieronimus 53. Gesamt sind 10 Bde. in 15 Teilen erschienen. Vorliegend die ersten drei Teile. - Aus dem Inhalt Bd. 1: Psalm 76 in teutscher Übersetzung; Die Grundlagen der bibliomystischen Forschungsmethode; Archäologische u. anthropologische Dokumente für den biblischen Vormenschen, Tiermenschen u. Affenmenschen; Thesen u. Hypothesen der ariosophischen Esoterik; Kritik der historisch-archäologischen Dokumente. - Bd. 2: Buch Job, Kapitel 40 u. 41 als Einstieg in die Geheimbibel; Die Dämonozoa, Behemoth, Leviathan u. Teufel als bösartige prähistorische Elektrozoa enthüllt. - Bd. 3: Der elektrozoische Ursprung der Religionen u. Christus als gekreuzigter Seraph; Die Methode der Lesung u. Erklärung der Bibel u. der anderen esoterisch-ariosophischen Schriften. - Bd. 3 mit Notiz im Vorsatz u. einigen Bleistiftanstreichungen (zumeist im Rand u. radierbar), sonst gute Expl.

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        Deutscher Kamera-Almanach 1930(20.)- OPBd; 1931(21.)-OLWd.; 1932(22.)-OLWd.; 1933(23.)-OPBd. mit OUmschlag; 1934(24.)-OPBd. mit OUmschlag; 1935(25.)-OPBd. mit OUmschlag; 1936(26.)-OPBd. mit OUmschlag; 1937(27.)-OPBd. mit OUmschlag; 1939(29.)-OLWd. mit OUmschlag; 1940(30.)-OLWd. mit OUmschlag. Wichtige Sammlung der 10. Jahrgänge aus der verlassenschaftlichen Bibliothek nach weltbekannten, tschechischen Kunst-Photograph Jan Lauschmann (*1. April 1901 Raudnitz a. Elbe - +1. Januar 1991 Brünn)

      Berlin: Union Deutsche Verlagsgesellschaft 1930 - 1940 OPBd./OPBd. mit OUmschlag/OLWd./OLWd. mit OUmschlag, 8°, mit zahlreichen teils farbigen Fotografien und Anzeigen im Text. Alle Exemplare leicht berieben und bestoßen. Manche Decken leicht beschmutzt; Buchschnitte durchlaufend etwas beschmutzt. Umschläge stellenweise, meistens Ränder und Kapitalbereiche, leicht eingerissen, sonst in sehr gutem Zustand. Feste und schöne Exemplare, sehr guter Zustand. Selten.Kunst-Foto, Zeitungen u. Zeitschriften

      [Bookseller: Antikvariát Valentinská]
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        19 vollendet ausgeführte Zeichnungen von in freier Wildbahn ausgestorbenen oder stark bedrohten Tierarten. Mischtechnik aus Blei, Tusche und Feder, eingelegt in zwei Blatt stabilen Karton.

      Vermutlich England, um 1930/1940.. Größe der Einfassungskartons: ca. 34 x 39,5 cm. Die maximalen Abmessungen der Darstellungen 26 x 31,5 cm bzw. 24 x 35,5 cm. Wohlerhalten. Die vermutlich als Vorzeichnungen zu einer Publikation anzusehenden Blätter können aufgrund von in den Bildlegenden angeführten Informationen zur jeweils aktuellen Bestandsgröße der Tierart bzw. zum Status ihrer aktuellen Gefährdung, aber auch anhand der Wortwahl in den Angaben von Verbreitungsgebieten auf den Zeitraum von 1930 bis 1940 datiert werden. Dargestellt werden der Elfenbeinspecht, der Dodo (Dronte), der Riesenalk, die Wandertaube, der Karolinasittich, die Stellersche Seekuh, der Dünnschnabelnestor, der Huia oder Lappenhopf, eine Mönchsrobbe (die karabische?), der Asiatische Löwe, der Falklandfuchs, die Säbelantilope, die Nilgauantilope, der Schomburgk-Hirsch, der Davidshirsch sowie die drei asiatischen Nashornarten: das Sumatra-, das Java- und das Panzernashorn.

      [Bookseller: Antiquariat Stefan Wulf]
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        4 autograph letters signed ("Alma").

      [Vienna], , [1930] and undated. - Oblong large 4to. Altogether 7 pp. With 3 autogr. envelopes. Amicable letters to composer Paul von Klenau, including her and Werfel's regret on his departure.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Marguerite Kirmse's Dogs. Introduction by Reginald T. Townsend

      New York: Derrydale Press, 1930. First edition, one of 750 copies. Original etched frontispiece, "Hello There", signed in pencil by Marguerite Kirmse. 75 illustrations reproducing etchings by Kirmse. 1 vols. 4to. Three quarter linen over blue boards, paper spine label. Fine. Kirmse, Marguerite. First edition, one of 750 copies. Original etched frontispiece, "Hello There", signed in pencil by Marguerite Kirmse. 75 illustrations reproducing etchings by Kirmse. 1 vols. 4to. Siegel 41; Frazier K-5-a

      [Bookseller: James Cummins Bookseller]
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        Sir Gawain and the Green Knight

      Oxford: Oxford University Press. Second Edition (Corrected Impression of the First Edition).. A rare,crisp example of the corrected 1930 version of Tolkien and Gordon's edition of the great Middle English Poem, Sir Gawain. The book is squarely bound in the original publisher's cloth with gilt decoration; internally a little browning to pages. The ownership signature of 'D Rose 1936' appears on the first blank with further ink annotation to the text in the same hand. A very nice copy. . Second Edition (Corrected Impression of the First Edition). Oxford, Oxford University Press, 1930. Octavo. 211 pages. Original Hardcover. A rare,crisp example of the corrected 1930 version of Tolkien and Gordon's edition of the great Middle English Poem, Sir Gawain. The book is squarely bound in the original publisher's cloth with gilt decoration; internally a little browning to pages. The ownership signature of 'D Rose 1936' appears on the first blank with further ink annotation to the text in the same hand. A very nice copy. Sir Gawain and the Green Knight (Middle English: Sir Gawayn and þe Grene Kny?t) is a late 14th-century Middle English chivalric romance. It is one of the best known Arthurian stories, with its plot combining two types of folklore motifs, the beheading game and the exchange of winnings. The Green Knight is interpreted by some as a representation of the Green Man of folklore and by others as an allusion to Christ. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish and English stories, as well as the French chivalric tradition. It is an important poem in the romance genre, which typically involves a hero who goes on a quest which tests his prowess, and it remains popular to this day in modern English renderings from J. R. R. Tolkien, Simon Armitage and others, as well as through film and stage adaptations. It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who challenges any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle. The poem survives in a single manuscript, the Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Purity and Patience. All are thought to have been written by the same unknown author, possibly Cameron of Sutherland, dubbed the "Pearl Poet" or "Gawain Poet", since all four are written in a North West Midland dialect of Middle English (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop]
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      British Museum, London 1930 - two volumes, xvii, 371, (vii) pages, 201 fine collotype plates, folio, original light brown cloth lettered in gilt, Near Fine. A remarkable work drawing largely from the collections of Gustave Dreyfus, Henry Oppenheimer, and T. Whitcombe Greene. 20 years in preparation, it covers medals from 1390-1530, stopping there as "Cellini, and the engravers who followed in his steps, present little artistic interest." CS 14287*. IF ORDERED THROUGH ABE, THERE WILL BE A REQUEST FOR AN ADDITIONAL SHIPPING CHARGE DUE TO ITS WEIGHT AND VALUE. [Attributes: Hard Cover]

      [Bookseller: Charles Davis]
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        (Ivancice 1860 - 1939 Prag). Eigenhändiger Brief mit Unterschrift an Herrn \'Frant. Sebl\' in Prag. Poststempel \'Velky Osek 16.IX.(19)30\'. 2 S. auf 1 Blatt. 4°. Gefaltet.

       1930 In tschechischer Sprache mit Vorschlägen zu einer Terminabsprache für einen Vortrag, er bittet um telegraphische Benachrichtigung, damit er nicht umsonst nach Prag fahren muß.- Dabei: Adressierter, frankierter gelaufener Briefumschlag. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Schramm]
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        Les demeures philosophales et le symbolisme hermétique dans ses rapports avec l'art sacré et l'ésotérisme du Grand OEuvre.

      Jean Schemit, Libraire, Paris 1930 - Jean Schemit, Libraire, Paris 1930. Gr.-8°. Préface de Eugène Canseliet, F. C. H. Ouvrage illustré quarante planches d'après les dessins de Julien Champagne. 2 (w), [1 Bl. Frontispiz], XI, 350 S., 1 Bl. priv. Lwd. mit aufgezogenen OKartons. Brüning 6029. Dorbon-Ainé 1802. Miers S. 228. Gebelein (Alchemie) S. 31 ff. Eugène Canseliet (Alchimie) - Erste Ausgabe, eine zweite erschien 1960, eine dritte 1965 [u. weitere 1979, 1985 u. 1999]. Zum Pseudonym Fulcanelli siehe: "Jean-Julien Champagne, alias Fulcaneli", ap "Dossier Fulcanelli", Les Cahiers de la Tour Saint-Jacques, IX (1962), S. 181-204 und Robert Amadou, "L'Affaire Fulcanelli", in "L'Autre monde", n° 74, septembre 1983, S. 43. - Beiliegend eine handschriftl. Notiz von Joachim Telle, darauf vermerkt das vorliegendes Exemplar in einer Auflage von 300 Exemplaren erschienen ist. Diese Ausage ist nicht nachzuvollziehen. Komplettes Exemplar mit allen 40 Tafeln. - Handschriftl. Rückenschild, 2 (w) Bl. mit dezenter Marginalie, letztes unpaginiertes Bl. verso minimal fl., sonst ein gutes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Occulte Buchhandlung "Inveha"]
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        Moby Dick or The Whale.

      New York: Random House,, 1930. Illustrated by Rockwell Kent. Octavo. Original black cloth, titles and illustrations to spine and front board in silver. With the dust jacket Illustrations throughout by Rockwell Kent. Bookplate to front pastedown, mild bumping to ends of spine, in the toned dust jacket with mild wear to extremities. A very good copy. First Rockwell Kent trade edition, first printing. First published the same year by the Lakeside Press of Chicago in a three-volume limited edition, this trade edition proved immensely popular. It has been credited with contributing greatly to the rediscovery of Moby Dick as a classic. A lovely copy.

      [Bookseller: Peter Harrington]
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        Les Liaisons dangereuses.

      A Paris, chez Sylvain Sauvage 1930 - Ou Lettres recueillies dans une Société et publiées pour l'instruction de quelques autres. Avec des Figures de Sylvain Sauvage (1888-1948), Directeur de l'École Estienne, il a illustré de nombreux ouvrages. 50 compositions en couleurs, gravées sur cuivre avec la collaboration de D. A. Maillart (Complet & Contrôlé). Édition tirée à 165 exemplaires, en outre 10 hors-commerce. Celui-ci (n°129) sur papier de Montval. A Paris, chez Sylvain Sauvage 1930. Très belle reliure plein maroquin vert amande. Dos à 4 nerfs avec pièces de titre et de tomaison maroquin rouge. Tête dorée. Double filet doré encadrant les contreplats. Couverture conservée illustrée. Etuis individuels cartonnés très légèrement frottés. Pas de rousseur. Très bon état. Format grand in-4° (34x26). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        Die Form. Zeitschrift für gestaltende Arbeit. 5. und 6. Jahr.

      Reckendorf,, Berlin, 1930 - Berlin, Reckendorf, 1930-31. Folio. 616, 480 S. Mit zahlreichen Abbildungen. Halbleinen. Zwei Jahrgänge dieser epochalen, vom Werkbund herausgegebenen Zeitschrift für Design, Architektur und Städtebau, Film, bildende Kunst und Kunsthandwerk, die von 1925-1934 erschien. Die vorliegenden Nummern enthalten Beiträge von Paul Renner, Marcel Breuer, Johannes Itten, Wilhelm Wagenfeld, Richard Neutra und vielen mehr. - Ohne Umschläge gebunden. Sprache: Deutsch / German [Attributes: Hard Cover]

      [Bookseller: EOS Buchantiquariat Benz AG]
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        "Pogrom on the Next Block. Warsaw"

      [Warsaw, 1930. Ferrotyped gelatin silver print. Photographer's New York stamp on verso. 10 x 8 in. Creased along right edge of image, adhesive stains to verso. Framed. Ferrotyped gelatin silver print. Photographer's New York stamp on verso. 10 x 8 in. Vishniac's images captures a Warsaw Jew hiding from members of the anti-Semitic Endecja movement.

      [Bookseller: James Cummins Bookseller]
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        Langner, Reinhold. - "Römerin".

      - Zeichnung / Federzeichnung, aquarelliert & schwarz laviert, auf dünnem Papier, 1930. Von Reinhold Langner. 24,0 x 19,0 cm (Darstellung) / 33,2 x 25,5 cm (Blatt) / 33,8 x 26,2 cm (Trägerkarton). Unten in schwarzer Feder bezeichnet, datiert und signiert. - Original auf Karton aufgesetzt. Papier etwas gewellt und knickspurig. Insgesamt mäßig guter Zustand. Reinhold Langner (1905 Weinböhla - 1957 Ockritz bei Dresden). Deutscher Holzbildhauer, Zeichner und Grafiker. 1922-25 Lehre zum Maurer und Holzbildhauer. 1925-33 Studium der Holzbildhauerei an der Kunstgewerbeakademie Dresden bei Theodor Arthur Winde. 1929/30 Studienreise u.a. nach Italien und Spanien. 1933 Verweis von der Akademie wegen seiner sozialdemokratischen Gesinnung. Bis 1942 freischaffend als Bildhauer tätig; z.B. Schnitzarbeiten an der Marienberger Rathaustür (1938/39). Ab 1943 Lehrer an der Staatlichen Kunstakademie Dresden. 1945-47 kommissarischer Leiter der Akademie der Bildenden Künste Dresden (HfBK). 1946-48 dort Professor für Bildhauerei. 1948/49 Professor für Angewandte Plastik und Rektor an der Hochschule für Werkkunst Dresden. 1949 Wechsel an die Technische Hochschule Dresden als Lehrbeauftragter für Bauplastik, 1952-57 Professur. Ab 1950 Lehrbeauftragter an der Universität Leipzig. Ab 1950 Direktor des Museums für Sächsische Volkskunst im Jägerhof in Dresden. Machte sich um Erhalt und Entwicklung der erzgebirgischen Volkskunst bemüht, weshalb man ihn als "Vater der erzgebirgischen Schnitzer" apostrophierte. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        Madame Bovary. Moeurs de province

      - Paris, Javal et Bourdeaux 1930. In-Folio en feuillet sous couverture rempliée et double étui. 321 pages illustrées de 25 eaux-fortes originales de Charles Huard (22 hors texte et 3 bandeaux). Tirage limité à 125 exemplaires. Celui-ci un des 25 exemplaires de tête sur japon ancien et portant len°9, contenant quatre états des illustrations : un état d'eau-forte pure, un état bistre avec remarques, un état en couleurs avec remarques, un état définitif. En outre, cet exemplaire est enrichi d'une aquarelle originale à la sépia signée. Rares piqûres sur les premiers feuillets blancs. Bel exemplaire. [Attributes: Signed Copy]

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        The Savoy Cocktail Book: Being in the main a complete compendium of the Cocktails, Rickeys, Daisies, Slings, Shrubs, Smashes, Fizzes, Juleps, Cobblers, Fixes, and other Drinks, known and greatly appreciated in the year of grace 1930, with sundry notes of amusement and interest concerning them, together with subtle Observations upon Wines and their special occasions

      New York: Richard R. Smith Inc, 1930. Octavo, 287 pages. Illustrated throughout. First US edition of this iconic art-deco cocktail book, compiled by Harry Craddock of London's Savoy Hotel. Some light foxing throughout. Two small spots to front edge of text block, and some light edgewear. Otherwise bright and lean in black, green, and gray-stamped gold foil over black cloth.

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Ulysses Vom Verfasser geprüfte definitive deutsche Ausgabe von Georg Goyert. Titel und Einband von Emil Preetorius.

      Zürich, Rhein-Verlag, 1930. 3. Kl.-8°, gebundene Ausgabe, Seide 2 Bände (komplett), Kl.-8° (17.3*11 cm), 631/611 S., Dünndruck, Blockbuchbindung, dunkelgrüne Seide m. Rückengoldprägung in Pappkladden m. goldenem Bezugspapier u. montierten Rückenschildchen, Kopfgoldschnitt, goldene Lese- u. Kapitalbändchen, orangerote Orig.-Schutzumschläge, Pappschuber m. goldenem Bezugspapier. Seltene Einbandvariante der 3., auf Subskription erschienenen Auflage, Rhein-Verlag, Zürich 1930. Pappschuber berieben u. bestoßen, Seitenschnitt gering braunfleckig, ansonsten sehr gut erhalten, zumindest weitgehend ungelesen. Keine Einträge, keine Gerüche übler Art. Versand D: 5,00 EUR

      [Bookseller: Reader\'s Corner, Versandantiquariat]
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        Revolution und Konterrevolution in China.

      1930. HEARTFIELD, John. Revolution und Konterrevolution in China. Übersetzung aus dem englischen Manuskript von Paul Frölich. By Manabendra Nath Roy. 478 pp. 8vo., bound in publisher's cloth and dust-wrapper designed by John Heartfield. Berlin: Soziologische Verlagsanstalt, 1930. |~||~||~||~| One of Heartfield's most striking and gruesome designs. Minor wear. Not in Siepmann.

      [Bookseller: Ursus Rare Books]
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        Private Lives An Intimate Comedy in Three Acts IN UNCLIPPED DUSTWRAPPER

      Heinemann,, 1930. 8vo., First Edition; original blue cloth, gilt back, a very good, bright, clean copy in unclipped dustwrapper printed in blue, the latter mildly dust-soiled (rather more heavily so at backstrip), chipped at head and head and tail of backstrip, with small hole (affecting lettering) at cente of backstrip, and small closed tear on rear panel. VERY SCARCE IN THE DUSTWRAPPER

      [Bookseller: Island Books]
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        Years of Grace (SCARCE FIRST PRINTING)

      Houghton Mifflin Company, Boston and New York 1930 - Dated 1930 to both copyright page and bottom of title page; no later dates or printings mentioned. Thus; the first printing of this Pulitzer prize winner. Corners of boards peeking through the black cloth. Red titles to spine and front board age-dulled, but still easily legible. Maroon topstain also a bit age-dulled, but uninterrupted. This book would therefore grade "good," save that both front & rear blank free endpapers and also the half-title page are gone; the first page is now the title page. Colorful period bookplates of former owner to both pastedowns. Interior text block lovely and unmarked. We also offer later editions, including a signed copy. (This first printing is NOT signed.) 581 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Cat's Curiosities]
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        Uncle Dottery, A Christmas Story

      Bristol: Douglas Cleverdon, 1930. One of only 50 copies with extra prints of the 2 engravings. Two wood engravings by Eric Gill. One of only 50 copies with extra prints of the two engravings in a special compartment at the back, the total edition was 350. 8vo., original quarter vellum, green cloth sides, spine lettered in gilt, uncut, two small ink marks on upper cover, otherwise very good. The two wood engraved vignettes by Gill are Physick numbers 385 & 386. Cleverdon writes that these blocks were originally engraved by Gill in 1926 for an edition of Disraeli but weren't used. The blocks later came into Cleverdon's possession who used them for this story.

 32.   Check availability:     Biblio     Link/Print  

        HANN.-MÜNDEN und Umgebung. Reliefpanorama von Hann.-Münden und Umgebung mit den Städten als Vogelschauansichten.

      - Teilaquarellierte Bleistiftzeichnung, um 1930, 72 x 58 cm. Zeigt den Weserlauf von Witzenhausen bis Hameln, im Mittelpunkt Hann.-Münden als schöne Gesamtansicht (diese und die umliegenden Berge koloriert). Das dargestellte Gebiet reicht im Südwesten bis Kassel (mit skizzierter Ansicht) und im Osten bis Göttingen. Fulda und Weser sind blau aquarelliert. Das Weserbergland schön durchgearbeitet mit Angabe der einzelnen Bergzüge. - Auf festem Zeichenpapier, sehr gut erhalten.

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 33.   Check availability:     ZVAB     Link/Print  


      New York, Toronto: Longmans, Green and Co.,. 1930. original gray cloth, front and spine panels stamped in black.. Bookplate of noted collector William Harry Hopkins affixed to front. paste-down. A fine copy in very good pictorial dust jacket (designed. by Hermann Post) with light wear at edges and two closed tears, each. with internal tape mend. A bright, attractive example of an uncommon. jacket. (#149271). First U.S. edition. The U.S. edition adds a preface by Wright dated "New York, January 15, 1930" that did not appear in the 1929 Collins edition. A superior novel in which Wright explores human evolution based on degeneration of the race due primarily to continual destruction of past civilizations through the misuse of scientific discoveries. Comprises "The Amphibians," first published in book form in 1925, and its sequel, "The World Below," first published here. A third book was planned but never written. The story is "set in the far future, when humans are extinct and forgotten ... the time traveling protagonist accidentally precipitates a crisis in the affairs of a race of telepathic Amphibians who coexist with the giant humanoid Dwellers ... the first part [is] an imaginative tour de force." - Anatomy of Wonder (1981) 2-128. THE AMPHIBIANS is "a work comparable in its scope only to [Wells's ] THE TIME MACHINE and [Hodgson's] THE NIGHT LAND." - Stableford, Scientific Romance in Britain 1890-1950, pp. 183-85. Anatomy of Wonder (1976) 3-72; (1981) 2-128; (1987) 2-144; (1995) 2-154; and (2004) II-1293. Bleiler, Science-Fiction: The Early Years 2437. Clareson, Science Fiction in America, 1870s-1930s 833. Clarke, Tale of the Future (1978), p. 58. Gerber, Utopian Fantasy (1973), p. 150. Locke, A Spectrum of Fantasy, p. 235. Negley, Utopian Literature: A Bibliography 1217. Sargent, British and American Utopian Literature, 1516-1985, pp. 188. Survey of Science Fiction Literature V, pp. 2497-2500. In 333. Bleiler (1978), p. 213. Reginald 15670.

      [Bookseller: L. W. Currey, Inc.]
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        The Edwardians.

      London: Published by Leonard & Virginia, The Hogarth Press,, 1930. Octavo. Original orange cloth, titles to spine gilt. With the dust jacket. Spine slightly sunned, edges lightly foxed; an excellent copy in the jacket with minor loss to spine ends, some tape repairs to verso and short closed tear to foot of spine. First edition, first impression. There was also a signed limited edition of 125 copies.

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  


      London: Cresset Press, 1930. No. 264 OF 350 COPIES on paper (and three on vellum) n. Hardcover. 335 x 205 mm (13 1/8 x 8"). 5 p.l., xv-xxiii, [1], 133 pp., [1] leaf. No. 264 OF 350 COPIES on paper (and three on vellum). Original vellum-backed cream-colored silk covers, flat spine gilt lettered, top edge gilt, others untrimmed. In the original ivory printed dust jacket (later enhanced neatly with color). Additional title and 12 illustrations (headpieces) by John Nash, colored by stencil process (title page and headpiece for January with colors enlivened by a previous owner). Ransom, p. 8. Front panel of dust jacket missing a 3/8" portion halfway across the top and with a significant adjacent closed tear, minor soiling, other trivial imperfections, but without restoration and otherwise excellent; the volume itself in very fine condition inside and out. This appealing production from the Cresset Press is the earliest important work by Spenser, first published in 1579. Its 12 eclogues, which mostly take the form of dialogues among shepherds, deal with love, Queen Elizabeth, religion, right conduct, singing, and poetry. Although John Nash (1893-1977) was a remarkably versatile painter and illustrator, he is best remembered for his wood engravings, which grace a number of private press books. The uncommonly seen dust jacket is a bonus in its own right and for the protection it has provided the delicate silk boards, so easily soiled, but here remaining clean and bright.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      Emile-Paul frères 1930 - - Emile-Paul frères, Paris 1930, 15,5x20cm, broché. - Edition originale, un des 100 exemplaires numérotés sur Hollande, tirage de tête après 50 Japon. Envoi autographe signé de Jean Giono à Christian Michelfelder. Ouvrage illustré d'un frontispice de Lucien Jacques. Une petite déchirure recollée en pied du dos, première garde légèrement ombrée. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 100 numbered copies on Holland paper, head drawing after 50 Japan. autograph dedication of the author autograph signed by Jean Giono Christian Michel Illustrated frontispiece of a book of Lucien Jacques. Glued a small tear in foot of the back, first guard lightly shaded. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Marguerite Kirmse's Dogs. Introduction by Reginald T. Townsend

      Derrydale Press, New York 1930 - Kirmse, Marguerite. First edition, one of 750 copies. Original etched frontispiece, "Hello There", signed in pencil by Marguerite Kirmse. 75 illustrations reproducing etchings by Kirmse. 1 vols. 4to. Siegel 41; Frazier K-5-a Three quarter linen over blue boards, paper spine label. Fine Original etched frontispiece, "Hello There", signed in pencil by Marguerite Kirmse. 75 illustrations reproducing etchings by Kirmse. 1 vols. 4to [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Mitsou. Vingt-six eaux-fortes et pointes-seches de Edgar Chahine.

      Paris, Societe Nouvelle des Editions d'Art Devambez, 1930 - 4° (29 x 24 cm) 124 S., 9 Bl., 26 Orig.-Radierungen, Weinroter Ganzmaroquin-Bd. m. vergoldetem Rückentitel, Kopfgoldschnitt, marmorierten Vorsätzen auf Seide (Reliure Asper, Genève)., Rücken min. beschienen, Seidenvorsatz minimal fleckig (durchgedrungener Klebstoff) Nr. 96 von 196 Exemplaren. Die ersten 120 auf vélin de rives, fabrique et filigrane specialement, contenant les gravures dans leur état definitif. - Colette (eigentlich Sidonie-Gabrielle Claudine Colette; (1873-1954), französische Schriftstellerin, Varietékünstlerin und Journalistin. Sie bekam als erste Frau in Frankreich ein Staatsbegräbnis. - Edgar Chahine, né en 1874 à Vienne (Autriche) et mort à Paris en 1947, peintre et graveur français d'origine arménienne. 2500 gr. Schlagworte: Illustr. Bücher - Originalgrafik

      [Bookseller: antiquariat peter petrej]
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        The Savoy Cocktail Book

      London: Constable, 1930. First edition. Octavo, original half black cloth, pictorial endpapers. Illustrations by Gilbert Rumbold. In near fine condition. An exceptional example. Savoy Cocktail Book features 750 of Harry Craddock?'s most popular recipes. It is a fascinating record of the cocktails that set London alight at the time—and which are just as popular today. From Slings to Smashes, Fizzes to Flips, and featuring art deco illustrations, Harry Craddock was "the king of cocktail shakers," and The Savoy Cocktail Books contains humorous anecdotes on the origin of the cocktail and its purpose ("for the solace of man"), as well as "an elucidation of the Manners and Customs of people of quality in a period of some equality." "Behind every great bartender (literally) is a roughed-up, stained copy of The Savoy Cocktail's been an industry must-have since its first edition" (GQ).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 40.   Check availability:     Biblio     Link/Print  

        Le Livre Des Rois translated by Joseph-Charles Victor Mardrus

      Paris: F.L. Schmied, 1930. leather_bound. Orig. full vellum. Fine in fine brown leather framed paper mache slipcase.. Unpaginated. 25.5 x 19.5 cm. Limited edition, copy 101 of 175 signed by the printer, Gonin & Cie, with the first full page plate signed in pencil by Schmied. Pochoir illustrations after Schmied designs, 26 colored initials, five full-page colored wood engravings, and 15 colored wood engravings in text. "The illustrations are lively and printed in bright penetrating colors suggestive of the Near East." RITCHIE 34. Full white vellum by G. Cendron, inlaid panel of salmon levant with gold tendrils and onlaid green leaves, brown leather spine label printed in gilt, all edges uncut. The first page after title discolored at the inner margin, not affecting text or Gonin design.

      [Bookseller: Royoung bookseller, Inc.]
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        Die Schöne und das Biest. Serie von 4 erotischen Orig. -Tuschzeichnungen.

      o. O., o. Vlg., ca. 1930 - 4 Bl., Blattgrösse 22 x 30 cm, Zeichungen 15 x 22 cm, Min. angeschmutzt. Unikat! Der Künstler dürfte aus dem tschechischen Raum stammen. Hübsche, schlüpfrige Serie angelehnt an die Geschichte vom Loch Ness. Nessie in Gestalt eines Pimmels auf vier Beinen, wird durch die Möse einer am Strand stehenden Frau hervorgelockt. Wird nur an Erwachsene ab 65 verkauft! 1100 gr. Schlagworte: Sittengeschichte - EroticaIllustr. Bücher - allgemein

      [Bookseller: antiquariat peter petrej]
 42.   Check availability:     AbeBooks     Link/Print  

        Signed self-portrait

      New York 1930 - Signed self-portrait [19 cm x 14 cm] by the famed artist, Lynd Ward. Attractively mounted and framed [33.5 cm x 28.5 cm] This pint was made as a promotional piece and likely gifted to friends of the publisher and artist. The self-portrait was limited to 100 copies. Scarce. This self-portrait coincided with the publication of 'Mad Man's Drum'

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        The Finger of Fate.

      London: Hodder and Stoughton Limited,, [1930]. Stories. Octavo. Original blue cloth, spine and front board lettered in black. With the dust jacket. Contemporary gift inscription to front free endpaper. Spine rolled, edges toned, light uniform tanning to free endpapers as usual, occasional surface-splitting to hinges between gatherings. An excellent copy in the bright dust jacket, just slightly toned and marked on the rear panel. First edition, first printing. During the First World War McNeile served with the Royal Engineers, whence his pseudonym; he is best remembered for his stories recounting the adventures of Captain Hugh "Bulldog" Drummond, of which he wrote ten (with his friend Gerald Fairlie, supposedly the model for the eponymous hero, writing a further seven after McNeile's death in 1937). "Thirty years on Ian Fleming noted that his hero, James Bond, was Sapper from the waist up and Mickey Spillane below" (ODNB). Highly uncommon with the dust jacket.

      [Bookseller: Peter Harrington]
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        The Finger of Fate. Stories.

      London: Hodder and Stoughton Limited, [1930] - Octavo. Original blue cloth, spine and front board lettered in black. With the dust jacket. Contemporary gift inscription to front free endpaper. Spine rolled, edges toned, light uniform tanning to free endpapers as usual, occasional surface-splitting to hinges between gatherings. An excellent copy in the bright dust jacket, just slightly toned and marked on the rear panel. First edition, first printing. During the First World War McNeile served with the Royal Engineers, whence his pseudonym; he is best remembered for his stories recounting the adventures of Captain Hugh "Bulldog" Drummond, of which he wrote ten (with his friend Gerald Fairlie, supposedly the model for the eponymous hero, writing a further seven after McNeile's death in 1937). "Thirty years on Ian Fleming noted that his hero, James Bond, was Sapper from the waist up and Mickey Spillane below" (ODNB). Highly uncommon with the dust jacket. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        National Academy of Design Annual Exhibition Catalogue Grouping

      1930. Hardbound. Printed wraps, bound into leather bindings with missing covers and worn spines. 10 Bound Volumes and two loose issues. This grouping is comprised of the following issues, all bound into crumbling leather-bound volumes that may or may not have covers (Brackets indicate issues within a single volume): [61st Annual, 1886; 5th Autumn, 1886; 62nd Annual, 1887; 6th Autumn, 1887; 63rd Annual, 1888; 7th Autumn, 1888; 64th Annual 1889; 8th Autumn, 1889; 65th Annual, 1890; 9th Autumn, 1890; 66th Annual, 1891; 10th Autumn, 1891], [67th Annual, 1892; 11th Autumn, 1892; 68th Annual, 1893; Loan Exhibition, 1893; Loan Exhibition of Works in Bronze and iron (from China and Japan with Illustrations) from the Collection of Heber R. Bishop, 1893; 12th Autumn combined with A Loan Exhibition of Asian Arts; 69th Annual with Short Lectures on Art, 1894; 13th Autumn, 1894; 70th Annual, 1895; 14th Autumn, 1895], [71st Annual, 1896, 15th Autumn, 1896; 72nd Annual, 1897, 16th Autumn, 1897; 73rd Annual, 1898; 17th Autumn, 1898; 74th Annual, 1899; 75th Annual, 1900], [76th Annual, 1901; 77th Annual, 1902; 78th Annual, 1903; 79th Annual, 1904; 80th Annual, 1905; ], 81st Annual, 1906, Winter Exhibition, 1906[[ 82nd Annual, 1907; Winter Exhibition, 1907; 83rd Annual, 1908; Winter Exhibition, 1908; 84th Annual, 1909; Winter Exhibition, 1909]. [85th Annual, 1910; Winter Exhibition, 1910; 86th Annual, 1911; Winter Exhibition, 1911; 87th Annual, 1912; Winter Exhibition, 1912]. [88th Annual, 1913; Winter Exhibition, 1913; 89th Annual, 1914; Winter Exhibition, 1914; 90th Annual, 1915; Winter Exhibition, 1915]. [91st Annual, 1916; Winter Exhibition, 1916; 92nd Annual, 1917; Winter Exhibition, 1917; 93rd Annual, 1918; Winter Exhibition, 1918], [94th Annual, 1919; Winter Exhibition, 1919-1920; 95th Annual, 1920; Winter Exhibition, 1920; 96th Annual, 1921; Winter Exhibition, 1921; 97th Annual, 1922; Winter Exhibition, 1922]. [102nd Annual, 1927; Winter Exhibition, 1927; 103rd Annual, 1928; Winter, 1928; 104th Annual, 1929; Winter Exhibition, 1929; 105th Annual, 1930; Special Exhibition of Member's Work, Nov. 1930]. Also includes a similarly bound compilation of the following: Constitution and Bylaws of The National Academy of Design, 1829; the same, 1839; the same, 1850 (lacking title-page); the same, 1865; the same, 1882; the same, 1888; the same, 1891; proposed amendments, 1896; Constitution and Bylaws, 1896; the same, 1898; the same, circa 1906. A total of 76 rare and hard-to-find catalogues. Includes Annuals: (61-97, 102-104), Winter (1906-1922, 1927-1929), Autumn (5-17), Two individual Loans and one Special Exhibition.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Stock Market Theory and Practice.

      New York: B. C. Forbes,, 1930. Octavo. Original black boards, titles to spine gilt, decoration to boards in blind, top edge brown. With the dust jacket. With 105 illustrations, charts and diagrams, 3 of which are folding. A fine copy in the slightly faded jacket, with extremities rubbed and some shallow chips to extremities. First edition, first printing, with the scarce jacket. This is the first of Schabacker's three major works on the stock market. The youngest financial editor of Forbes magazine, Schabacker writes, "so long as he plays courageously fair with his sincere study … there seems no reason why the average student should not reap the rewards of successful stock market operation". The book aims to give a complete background of basic knowledge with which to pursue market activities, documenting important charting patterns and discussing trends, support, and resistance. "Schabacker was the first to make technical analysis and charting an organized discipline" (Linda Raschke). With over a hundred charts and illustrations, and a frontispiece featuring a detailed map of the New York financial district.

      [Bookseller: Peter Harrington]
 47.   Check availability:     Biblio     Link/Print  


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