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Displayed below are some selected recent viaLibri matches for books published in 1930

        SWIMMING THE AMERICAN CRAWL

      NY: Houghton Mifflin, 1930. In Collaboration with Clarence A. Bush. Illustrated. Small 8vo., blue cloth, stamped in yellow, in dust jacket. First Edition. Signed presentation from Weissmuller on the title page: For Vern your [sic] a great guy, Johnny Weissmuller." Uncommon to find signed first editions or any in the original dust jacket. Weissmuller was an Austro-Hungarian-born American competition swimmer and actor, best known for playing Tarzan in films of the 1930s and 1940s and for having one of the best competitive swimming records of the 20th century. After retiring from competitions, he became the sixth actor to portray Edgar Rice Burroughs's ape man, Tarzan- a role he played in 12 motion pictures. Dozens of other actors have also played Tarzan, but Weissmuller is by far the best known. His character's distinctive Tarzan yell is still often used in films. Very Good (bit of rubbing & edgewear; contents clean & tight; small spot of sticker residue to front pastedown & very tiny red dot on the lower edge) some wear (chips, tears & creases; $2.50 price is present on the front flap) d/j. Scarce!

      [Bookseller: Antic Hay Books]
 1.   Check availability:     Biblio     Link/Print  


        Kits and Cats With Louis Wain in Pussyland. Father Tuck's Hurrah Series.

      London, Raphael Tuck & Sons, No. 9080. Designed in England, Printed in Bavaria. No date, circa 1930. Card hardback, tall, 15 x 8 inches. Shaped top edge. Colour illustrated paper covered boards. In very good condition., Some minor rubbing to edges and corners, bump to bottom corner with tape repair to spine and some tape to boards. Inside pages slightly tanned, a couple of thumb marks, some minor dark rubbing to first page. Bookseller label to corner of front board "W.C. Bluett, Holsworthy." Coloured illustrations bright and clean. A very rare and wonderful example of Louis Wain's famous Cats' Books. 12pp. 4 coloured full-page illustrations (one double page centre spread.) and B&W illustrations. Some of the Very Best Full Color Plates from the Master of Feline Illustration, One of The Rarest of all The Louis Wain Books. "The Right Sort," "Anxious Rooks," "Fuzzy's Failure," "Paying The Bill," "The Black Intruder," "A Nasty Tumble," "The Punishment," and "Glee." Plates Titled; "Supper-Time," "How Paulina Took The Ducklings Out," "We Are Seven." According to Rodney Dale, the title Kits and Cats was originally published in 1904 (Dale, 95) by Raphael Tuck in the "Little Pets" series (No. 8838). This book was smaller in size, was not 'shaped' and contained completely different stories and pictures. Dale, 96.

      [Bookseller: The Antique Map & Bookshop]
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        Imaginary Letters

      Black Sun Press, Paris 1930 - 1st edition, one of 300 from a total edition of 375. Original plain wrappers fine, printed dustjacket, glassine dustjacket with some toning, else both near fine and a good original cardboard slipcase. [Attributes: First Edition; Soft Cover]

      [Bookseller: Biblioctopus]
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        Ganzlederausgabe - Ulysses. Komplett in 2 Bänden. Dritte Ausgabe. Dünndruck.

      Zürich,, Rhein, 1930 - 8°. 611 S., 632 S., grüne Orig.-Ganzlederbände mit den seltenen roten Orig.-Schutzumschlägen, Goldkopfschnitte und goldfarbenes Lesebändchen, in 2 mit Goldpapier bezogenen Orig.-Pappschubern. Titel und Einband von Emil Preetorius. - Selten. Schutzumschläge leicht fleckig und randbestoßen, Schuber in den Falzen angebrochen. Die Bücher selbst tadellos erhalten und sauber. de Band:

      [Bookseller: erlesenes · Antiquariat & Buchhandlung]
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        30 [DRAYSIK] LIDER FAR KINDER

      Moskve [Moscow]; Kharkov ; Minsk : Tsentraler Felker-Farlag Fun F. S. S. R.,(1930). 1st edition. Dramatic Original Period Modernist Illustrated Paper Covers, 4to, 13, 38 pages. Includes music ; 26 cm. In Yiddish. Title translates as, "30 Songs for Children. " For solo voice with piano accompaniment. Music with texts in Romanized Yiddish. SUBJECT (S) : Children's songs. OCLC lists 6 institutions with holdings (HUC, NLI, American Jewish U, Florida, YIVO, Harvard) . The booklet was later lightly bound into a cloth binding, but that binding has cleanly come loose, acting now as a protector for the original intact illustrated paper binding. Cover and paper toning as expected. Small pencil marks and tiny corner chip on cover, blind stamp on title page number on half title, A very attractive copy, about Very Good- Condition. (YID-26-15)

      [Bookseller: Dan Wyman Books]
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        A Critical and Historical Corpus of Florentine Painting, Section 3 The Fourteenth Century (7 volumes in 8 books + Vol 9)

      New York: College of Fine Arts, New York University. Hardcover. VG, art school ex-library set with few signs of use. Markings on spine and text block edges, pockets and bar codes at rear. Great shelf appeal.. All volumes: beige, coarse woven cloth; gilt lettering to spine. Various paginations, all illustrated. Approximately 75 pounds shipping weight for this set, so will require extra postage. A monumental set of 8 books (7 volumes, published between 1930 and 1958) along with the Supplement of "The Fourteenth Century: The Painters of the Miniaturist Tendancy" published in 1984 and authored by Miklos Boskovits. This set LACKS VOLUMES 6+7+8.

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        I fasti militari dei Finanzieri d'Italia Pagine storiche scritte su documenti dal T. Colonnello Sante Laria - Parte I 1800-1870

      Editori Alfieri & Lacroix - Milano, MILANO 1930 - ITALIANO Volume degli anni '30 in stato discreto, coperta illustrata in cartone rigido goffrato, scritta "Ricordo Allievo Pastore Michelangelo Scuola Alpina della R. G. di Finanza Predazzo - Trento 1-10-1938" su piatto anteriore e foglio di guardia, macchia d'umidità su piatto anteriore e prime pagine, bruniture, scritte e macchie su piatto inferiore, strappo e tentativo di restauro con scotch sul dorso, bordo e punte consunti, tagli con accenno di fioritura, pagine in buono stato, fori d'insetto su prime pagine, gora su alcune pagine, disegno su foglio di guardia, scritte su ultimo foglio di guardia, firma d'appartenenza su pagina di dedica. Prefazione dell'On. Prof. Luigi Rava. LXXIV tavole, su carta patinata, con illustrazioni in b. e n., altre X tavole, montate su cartoncino nero con illustrazioni a colori, fuori testo, alcune tavole staccate dalla legatura. Magnifiche testatine, eleganti capilettera e finalini arricchiscono la veste tipografica del volume. Solo I volume.

      [Bookseller: Biblioteca di Babele]
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        The Book of Beauty.

      London: Duckworth,, 1930. Tall quarto. Original white cloth, titles to spine gilt, top edge red, others untrimmed. Colour frontispiece by Gertrude Lawrence, illustrated title page, 27 monochrome photographic plates with loose tissue-guards, and black and white illustrations in the text, by Beaton. Ownership inscription to front free endpaper. Boards somewhat rubbed and marked, extremities a little bumped. An excellent copy. First edition, signed limited issue, number 10 of 110 copies. The Book of Beauty is Beaton's first book featuring his sketches and portraits of many well-known women, including a number of royalty and his sisters Nancy and Baba who were his first photographic models. An uncommon work with only three copies of the limited issue traced at auction.

      [Bookseller: Peter Harrington]
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        Histoire scientifique et militaire de l'Expédition française en EGYPTE, d'après les mémoires, matériaux, documents inédits. ATLAS SEULS.

      1930 - 1834, A.-J. Dénain Et Delamare, Editeurs-Propriétaires 1930 - 2 atlas in-4 oblong "à l'italienne" ( 280 X 350 mm ), demi basane chocolat, dos lisse orné de filets dorés. 309 planches ( sur 310, il manque la planche 310 ), certaines dépliantes, gravées en premier tirage et 3 cartes. Imposante publication elle en vint à compléter la Description de l'Egypte parue entre 1809 et 1826, tout en se voulant supérieure par son exactitude et son exhaustivité. Elle tient à la fois de l'encyclopédie et du livre de voyage. « une source partiellement originale et de premier ordre » ( De Meulenaere ). L'iconographie est due pour une large part à VIVANT DENON, qui a gravé lui-même ses compositions. Brunet, III 209 - De Meulenaere, 110-111 - Quérard, VII 562-563. Reliures épidermées, très minimes défauts à quelques feuillets, les planches sont fraîches. De la bibliothèque de l'égyptologue Adolphe CATTAUI ( Ex-libris gravé au premier contreplat de chaque volume ). Voyages Explorations Histoire Géographie Antiquité Egypte [Attributes: Hard Cover]

      [Bookseller: Tiré à Part]
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        Ash Wednesday

      New York: The Fountain Press, 1930. First Edition. Hardcover. Fine/near fine. 1st edition. Number 267 of 600 copies signed by T. S. Eliot. 400 were for sale in America and 200 in Britain concurrently; this copy one of the former, but all 600 precede the trade edition by a few days. Original cloth, fine, original tissue jacket with small chips (photographed in the jacket), original paper slipcase with rubs and with a small, loose chip from the bottom panel put back and secured. You can buy this copy or not, but don't buy one without the jacket and slipcase, and that's true of any book when complete copies are available (Book Code).

      [Bookseller: Biblioctopus]
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        Banalité. Compositions de Loris et Parry.

      P., NRF Gallimard, 1930, 1 vol. in-folio (388 x 285) broché sous couverture rempliée blanc cassé imprimée en noir et gris, de 80 pp. - (2) ff. (justificatif et achevé d’imprimer).Pliures au dos, infime manque en queue, très bel exemplaire. - Première édition illustrée de 16 « réogrammes et recherches d’objets » de Fabien Loris et Roger Parry, reproduits en hors-texte à l’héliogravure par Barry.Tiré à 357 exemplaires (35 Japon et 322 Hollande), 1 des 22 Hollande hors commerce (N°H.C.S), ici signé à l’encre par Loris et Parry (ce n’est pas le cas de tous les exemplaires).« Fasciné par les écrits fantastiques de Fargue, Parry réalise, en 1929, 16 photographies à partir de ses rêves, qui sont publiés dans une version illustrée en 1930. Les images de Banalité font penser à un cours intensif de la Nouvelle Vision en 16 leçons. Parry utilise l’exposition multiple, le photogramme (assisté par l’artiste et acteur Fabien Loris), le photomontage, la solarisation et le tirage négatif, et il emploie chaque technique avec tant de verve et d’imagination que l’absence potentielle d’unité dans l’enchaînement des photographies ne s’avère jamais problématique ». (Parr & Badger, Le Livre de Photographie : une histoire, volume I, pp. 100-101). [Attributes: Signed Copy]

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        Principles of Clothing Selection [ Early 1930s College Course Project from Columbia University Teachers College Student ]

      Very Good. Ephemera. Over 80 loose sheets of manuscript entries illustrating the principles of women's clothing selection using magazine illustrations, cloth swatches, and hand-drawn color sketches. The project appears to be based on the textbooks Principles of Clothing Selection (1930) and Clothing for Women (1929). Home economics and fashion appeared in college curricula after World War I when more women moved into the workforce in professional roles and wardrobe needs changed. The sheets are contained in a worn envelope marked with the name of Hazel Stine, who received a B. S. In Education and Practical Arts from Columbia in 1933. Her observations on style show her preferences (or those of her professors) : "Trim and in quite good taste are the clothes worn by the conservative type." Ms. Stine's project also contains a candid self-assessment: "Weight--174 (much over-weight) ," a sketch of her body from head to toe, a listing of her "Bad Points", and a "Score Card for Personal Appearance." Her color drawings illustrating outfits she would choose for herself appear on two sheets. She received an A- for her effort. ; 14 1/2" x 9" .

      [Bookseller: Back of Beyond Books, ABAA]
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        Le Livre de la Jungle

      Un des 72 exemplaires sur Japon Impérial numéroté, Traduction de Louis Fabulet et Robert d'Humières, Compositions de Deluermoz gravées sur bois par Louis-Joseph Soulas, 1 vol. in-8 reliure demi-maroquin à coins violet, dos à 5 nefs, tête dorée, couv. et dos conservés, reliure signée de Cochard, collection Les Beaux Livres, Editions Mornay, Paris, 1930, 269 pp. et 4 ff. Bon exemplaire de cette très belle édition, sans le tirage de luxe sur papier du Japon ( infime petit choc à une coupe, parfait état par ailleurs) Français

      [Bookseller: Librairie Du Cardinal]
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        Poems 1886-1929. I. Departmental Ditties. Barrack-room Ballads. The Seven Seas. II. The Five Nations. Songs from Books. III. Verses from "Sea Warfare". The Years Between. The Muse among the Motors. Verses from "A History of England". Verses from "A Diversity of Creatures". Verses from "Land and Sea Tales". Verses from "Debits and Credits". Verses not collected in Book form.

      New York, Doubleday, Doran and Co., 1930.. SIGNED FINELY BOUND EDITION. In three volumes, large octavo. LIMITED EDITION to 537, of which 525 are SIGNED by the author to limitation page of vol. I; this No. 109. Finely bound in recent full red morocco with raised bands, gilt and gilt titles to spines; double gilt rule to boards with gilt cornerpieces; top edges gilt, others untrimmed, inner gilt dentelles; marbled end papers. A lovely fine set, inside and out, housed in an protective cloth slipcase.

      [Bookseller: Adrian Harrington Rare Books]
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        Danseuse écriture".

      1930 - Aquarelle signée en bas à droite, (1930), 37 x 24 cm., encadrée. ZIG (1901-1936), illustrateur de music-hall, réalise des costumes pour le Casino de Paris, avec l'affiche des "Dolly Sisters", les Folies Bergère et le Moulin Rouge en prenant le relais de Gesmar. ZIG croque, à l'aquarelle, une danseuse coiffée de plumes d'oies géantes et couverte d'une ceinture de parchemins, hommage à l'écriture. Infimes taches et plis. Oeuvre originale

      [Bookseller: Librairie Chretien]
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        FINE FURNITURE

      Random House, New York 1930 - Stiff blue wraps with a paper label on the spine. Originally issued with five other titles by Sherwood Anderson and others, housed in a slipcase and limited to 875 copies. This copy is separate and is SIGNED by the author and dated "Hollywood, Calif. 1940" on the half title page. Scarce thus. Near Fine with a slightly darkened spine [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        POEMS

      Faber & Faber (1930), London - Auden's first regularly published book after the very scarce 1928 POEMS privately printed by Stephen Spender. Bloomfield A2: 1000 copies. Two small chips to the top edge. One of the best copies we have seen with no fading of the blue integral dustwrapper. A beautiful copy [Attributes: First Edition; Soft Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Poems

      London: Faber & Faber Ltd.,, 1930. Octavo. Original blue paper wrapper with a border of 4 red rules to front cover, title to front, leaves untrimmed, some leaves uncut. Loss to spine ends extending onto header of front wrapper, short closed tear to bottom of front wrapper, slight toning to front wrapper edge, internally clean. A very good copy. First edition, first impression. The first of Auden's works, 1000 copies only were published in the first edition. In addition to his poetry, this work contains the play "Paid on Both Sides: A Charade", which is dedicated to Cecil Day-Lewis and was written during Auden's stay in Berlin 1928-9.

      [Bookseller: Peter Harrington]
 18.   Check availability:     Biblio     Link/Print  


        Adieu aux fortifications.

      - (Paris). Société de Saint-Eloy. 1930. 1 volume in-4, en feuilles, couverture imprimée, sous chemise et étui.(10) pp., 178 pp., (4) pp. Edition originale illustrée de 51 eaux-fortes originales en bistre, dont 11 hors-textes. Tirage unique à 127 exemplaires sur vélin d’Arches. Exemplaire nominatif de Georges Templier (n°75).L’ouvrage est consacré à l’histoire des anciennes enceintes de Paris, avec une longue «promenade sur les fortifs», au moment où l’enceinte Thiers est presque entièrement détruite et la «zone» annexée à la ville. Edition richement illustrée de 51 eaux-fortes par les artistes sociétaires, dont BROUET, GUSMAN, DECARIS, LE MEILLEUR, JOUAS, DAUCHEZ. Bel ouvrage sur le Paris tournant de siècle. Monod I, 1558. 999 [Attributes: First Edition]

      [Bookseller: Librairie Pierre PREVOST]
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        Documents Archéologie beaux-arts ethnographie varietés Magazine illustré

      Paris 1930.. 2me année. No. 3. "Hommage a Picasso". 4°. 5 Bll., S. 113-183 (1). Mit zahlr., tlw. ganzseit. Abb. OBrosch. Textes de Jacques Baron, Georges Bataille, Robert Desnos, Carl Einstein, Maurice Heine, Eugène Jolas, Marcel Jouhandeau, Edouard Kasyade, Michel Leiris, Camille Mauclair, Marcel Mauss, Georges Monnet, Léon Pierre-Quint, Jacques Prévert, Charles-Henri Puech, le Dr Reber, Georges Ribémont-Dessaignes, Georges Henri Rivière, André Schaeffner, Roger Vitrac. - Rare document bien préservé. "Documents was a Surrealist art magazine edited by Georges Bataille. Published in Paris between April 1929 and January 1931, it ran for 15 issues, each of which contained a wide range of original writing and photographs. It was overseen by the writer-philosopher Georges Bataille, who became more and more its single guiding figure as the issues progressed. Primarily through the pages of this journal, Bataille forcefully challenged the tenets of Surrealism espoused by André Breton in favor of an alternate model, in which humanity could embrace the formless, the sordid, the discarded and disregarded." (monoskop)

      [Bookseller: Antiquariat Burgverlag]
 20.   Check availability:     Biblio     Link/Print  


        Sechs Personen Suchen einen Autor Film Novelle

      12mo., original cloth backed paper boards, preserved in a folding box. Berlin, Verlag von Reimar Hobbing. c [

      [Bookseller: Maggs Bros. Ltd.]
 21.   Check availability:     Direct From Seller     Link/Print  


        The Book of Beauty.

      London: Duckworth, 1930 - Tall quarto. Original white cloth, titles to spine gilt, top edge red, others untrimmed. Ownership inscription to front free endpaper. Boards somewhat rubbed and marked, extremities a little bumped. An excellent copy. Colour frontispiece by Gertrude Lawrence, illustrated title page, 27 monochrome photographic plates with loose tissue-guards, and black and white illustrations in the text, by Beaton. First edition, signed limited issue, number 10 of 110 copies. The Book of Beauty is Beaton's first book featuring his sketches and portraits of many well-known women, including a number of royalty and his sisters Nancy and Baba who were his first photographic models. An uncommon work with only three copies of the limited issue traced at auction. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 22.   Check availability:     ZVAB     Link/Print  


        Poems 1886-1929. I. Departmental Ditties. Barrack-room Ballads. The Seven Seas. II. The Five Nations. Songs from Books. III. Verses from "Sea Warfare". The Years Between. The Muse among the Motors. Verses from "A History of England". Verses from "A Diversity of Creatures". Verses from "Land and Sea Tales". Verses from "Debits and Credits". Verses not collected in Book form.

      New York, Doubleday, Doran and Co., 1930.. SIGNED FINELY BOUND EDITION. In three volumes, large octavo. LIMITED EDITION to 537, of which 525 are SIGNED by the author to limitation page of vol. I; this No. 109. Finely bound in recent full red morocco with raised bands, gilt and gilt titles to spines; double gilt rule to boards with gilt cornerpieces; top edges gilt, others untrimmed, inner gilt dentelles; marbled end papers. A lovely fine set, inside and out, housed in an protective cloth slipcase.

      [Bookseller: Adrian Harrington Rare Books]
 23.   Check availability:     IOBABooks     Link/Print  


        The 42nd Parallel, 1919, & The Big Money Transfer (The U.S.A. Trilogy)

      Harper & Harcourt, Brace 1930 - First Editions, First Printings of all three books SIGNED by John Dos Passos on a tipped in signature in the first book, 42nd Parallel. All three books are the TRUE FIRST EDITIONS with the ORIGINAL dustjackets with some wear to the edges and panels. The books are in excellent condition with light wear to the spines. The pages are exceptionally clean with NO writing, marks or bookplates in any of the books. Overall, a lovely set SIGNED by the author. We buy Dos Passos First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Friedrich der Große im Spiegel seiner Zeit. Erster Band: Jugend und Schlesische Kriege bis 1756 / Zweiter Band: Siebenjähriger Krieg und Folgezeit bis 1778 / Dritter Band: Geistesleben, Alter und Tod), mit 24 Lichtdrucktafeln * G A N Z L E D E R - V o r z u g s a u s g a b e ( v o l l s t ä n d i g in 3 Bänden, eines von 200 Expl. auf feinstem Büttenpapier)

      Berlin, Verlag von Reimar Hobbing, 1930. Vollständige Ausgabe im original Verlags-Handeinband: 3 Bände, fein genarbtes Ganzleder / Leder / GLdr / OLdr / Ldr im Format 21 x 29,5 cm) mit reichverziertem Rückentitel und Deckelvignette in Goldprägung sowie Kopffarbschnitt. XII+309 / 298 / 320 Seiten, Schrift: Fraktur, mit vielen Textabbildungen, 24 ganzseitigen Lichtdrucktafeln sowie Druckvermerk: \"Die Bildauswahl und die Satzanordnung besorgte Professor Max Kutschmann. Einband nach Entwurf von E. R. Weiß. Das Papier fertigte die Chemnitzer Papierfabrik zu Einsiedel. Druck durch Offizin W. Büxenstein / Berlin. 200 Exemplare wurden auf feinstem Einsiedel-Bütten gedruckt und in Ganzleder gebunden\". - \"Warum handgebunden? - Die wesentlichsten Vorzüge des guten Handbandes sind: Die einzelnen Druckbögen werden mit der Hand nach dem Schriftspiegel gefalzt. Die Bogenränder werden dadurch zwar ungleich, aber das Satzbild steht gerade. Um infolge der ungleichen Ränder ein späteres zu starkes Beschneiden mit der Maschine zu vermeiden, werden die Bogen einzeln, vorne und unten, mit der Pappschere auf ein Mittelmaß rauh beschnitten. Dadurch wird der Druckrand weitestgehend geschont. Als erste und letzte Lage wird dem Buche zum Schutze eine leere Papierlage hinzugefügt, welche mit einem feinen Leinen- oder echten Japanpapierfalz versehen ist. Geheftet wird der Handband nach sorgfältiger Auswahl des Heftzwirnes auf echten erhabenen oder aufgedrehten flachen Bünden und auf Pergamentriemchen (welche beim Pergamentbande durch den Rücken gezogen werden). Die Deckel werden in einem tiefen Falz angesetzt, mit den Bünden nach außen. Ein Herausreißen aus der Decke ist somit nur unter Zuhilfenahme von Werkzeug möglich. Als Einbandmaterial kommen sumachgares, lichtechtes Saffian, Kalbleder, vereinzelt auch Rindsleder, ferner naturelles und weißes Schweinsleder sowie Kalbspergament zur Verwendung. Ein mit der Hand hergestelltes, dazupassendes Überzugpapier sowie Handvergoldung oder Blinddruck am Rücken ergänzen das Werk nach außen. Ein solcher Einband entspricht allen Anforderungen, die an einen Gebrauchsband gestellt werden können.\" Aus einem alten Prospekt von Richard Hönn, ehemals Handbinderei des Verlages Albert Langen, Werkstatt für feine Buchbinder- und Lederarbeiten in München, Dienerstrasse 14.- Vorzugsausgabe, Lederhandband, Ganzlederband, Ganzlederausgabe, deutsche Kunstbuchbinderei im 20. Jahrhundert, Handvergoldung, Lebensbild, Biografie, Friedrich II., preußische Monarchie, Preußen im 18. Jahrhundert - Ganzleder-Vorzugsausgabe in sehr guter Erhaltung Versand D: 5,90 EUR Vorzugsausgabe, Lederhandband, Ganzlederband, Ganzlederausgabe, deutsche Kunstbuchbinderei im 20. Jahrhundert, Handvergoldung, Lebensbild, Biografie, Friedrich II., preußische Monarchie, Preußen im 18. Jahrhundert

      [Bookseller: Galerie für gegenständliche Kunst]
 25.   Check availability:     buchfreund.de     Link/Print  


        Romantic China: An album containing forty-two photographic studies of China's Historic Monuments and Charming Beauty Spots complete with descriptive and historical notes.

      Shanghai, Browhite Arts, 1930, first edition. - 1 volume in quarto, modern binding, with frontispice and 41 full-page plates from photographs with description and historical narrative. As it is not uncommon, this copy includes plate numbers errors but all plates are present. A very good and clean copy. This album is becoming very scarce and highly searched by collectors. The White Brothers (Herbert and Henry) went to China in 1922 as missionaries becoming deeply interested in China, and as skilled photographers spent much time documenting it. As explained in their Foreword and Postscript, their missionary zeal focused on helping youth of China with artistic talents to be self-supporting by coloring and copying their photos. The brothers established Browhite Arts in Shanghai to market their work.

      [Bookseller: INDOSIAM RARE BOOKS]
 26.   Check availability:     AbeBooks     Link/Print  


        150 Erotic "Reader" Pamphlets

      1930. Near Fine. A lusty collection 145 erotic story pamphlets, circa 1930s. All 24mos. 32pp. to 64pp., each with two to six black and white photos of nude men and women doing what you would expect nude men and women to do. Stapled printed wrappers of various colors. Overall very good with scattered tears, nicks, and creases to the extremities; about five with moderate rubbing, splitting at the spine ends, or small tears.Mystery surrounds the production of these erotic pamphlets sometimes referred to as "readers" to differentiate them Tijuana Bibles, their illustrated cousin. According to Jay A. Gertzman in his book Bootleggers and Smuthounds readers first started appearing in a larger format in the teens and 20s before shrinking to the one-handed pocket-sized version seen here. Their popularity reached a climax in the 1930s with the confluence of cheap lithography, printers' desire to make the most of paper scraps, and a highly virile production and distribution network of writers, booksellers, and printers producing behind the counter adult fare.Readers were sold at ever imaginable venue from bookstores, cigar stores, and gas stations to grocery stores, barbershops, and diners. The copies here are priced $5 with a few higher page count titles going for what seems the outrageous price of $10. As one would expect, the publication information is scant if at all at present. Even than it's rather suspect, unless one believes several titles were coincidentally produced by Camel Publishing in Humpsville, Illinois. Some of our favorite titles -- apparently produced in Paris and Havana - include In the Back of a Cadillac, She Wears No Bloomer, Balls for My Baby, and How to Play Gin Rummy and Win, which we assume was printed to fool authorities in case of discovery since the game Bill and Nancy play is not gin rummy though both clearly come out winners.A generous collection of lurid tales guaranteed to fill your perfectly natural desires.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 27.   Check availability:     Biblio     Link/Print  


        Imaginary Letters

      Paris: Black Sun Press, 1930. First Edition. Wrappers. Fine/near fine. 1st edition, one of 300 from a total edition of 375. Original plain wrappers fine, printed dustjacket, glassine dustjacket with some toning, else both near fine and a good original cardboard slipcase.

      [Bookseller: Biblioctopus]
 28.   Check availability:     IOBABooks     Link/Print  


        Kretzschmar, Bernhard. - Um einen Menschen. - Blatt 2. - "Begräbnis".

      - Radierung / Kaltnadel, mit Plattenton, in Schwarz, auf gelblichem Büttenpapier, 1930. Von Bernhard Kretzschmar. 27,2 x 43,3 cm (Darstellung / Platte) / 39,5 x 53 cm (Blatt). Schmidt-Werner R 180 b (von b). In der Platte rechts unten signiert und datiert: "B. Kretzschmar 30". Verso in Bleistift in Bleistift von fremder Hand bezeichnet "p.m. Bernhard Kretzschmar". Trockenstempel des Druckers Ernst Lau. - Posthumer Druck von der originalen Platte durch Ernst Lau (1981). - Tadellos erhalten. Sehr guter Zustand. Bernhard Kretzschmar (1889 Döbeln - 1972 Dresden). Deutscher Maler und Grafiker, Vertreter der Neuen Sachlichkeit. Lehre zum Dekorationsmaler. 1909-11 Studium an der Kunstgewerbeschule Dresden. Reisen in die Schweiz und nach Italien. Studium an der Dresdner Akademie, 1914 Meisterschüler von Carl Bantzer. Freundschaft mit Peter August Böckstiegel und Conrad Felixmüller, mit denen er die 'Gruppe 17' gründet. 1918 Meisterschüler bei Oskar Zwintscher. Vernichtet 1920 sein expressionistisches Frühwerk. 1927 Mitglied der Dresdner Sezession. 1937 werden 47 Arbeiten als "entartete Kunst" beschlagnahmt. 1942-44 auf Einladug von Frtz Löffler mit Erich Fraaß und Edmund Kesting in Krakau und Galizien. 1945 Zerstörung vieler Werke durch den Bombenangriff auf Dresden. Ab 1946 Professor an der Hochschule für bildende Künste in Dresden (HfBK). 1954 Reise nach China. 1957 Nationalpreis der DDR. Ab 1969 Mitglied der Deutschen Akademie der Künste. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Moby Dick or The Whale

      New York: Random House,, 1930. Illustrated by Rockwell Kent. Octavo. Original black cloth, titles and illustrations to spine and front board in silver. With the dust jacket. Illustrations throughout by Rockwell Kent. An excellent, bright copy in the unusually crisp dust jacket, spine panel lightly toned and a hint of rubbing to extremities. First Rockwell Kent trade edition, first printing. First published the same year by the Lakeside Press of Chicago in a three-volume limited edition, this trade edition proved immensely popular. It has been credited with contributing greatly to the rediscovery of Moby Dick as a classic.

      [Bookseller: Peter Harrington]
 30.   Check availability:     Biblio     Link/Print  


        Moby Dick

      New York: Random House, 1930. First Thus. Hardcover. Very Good. First edition thus. Near Fine with bump to top corner of boards, pages toned. Silver stamping rather bright and fresh, with just a hint of rubbing. Dust jacket with spine toned, a bit of chipping and loss, rubbed at folds, with tape and mending tissue repairs made from the verso with the front flap formerly completely detached and mended, else Very Good. A lovely example of Melville's classic illustrated by Rockwell Kent, uncommon with bright silver stamping and in the dust jacket.

      [Bookseller: Burnside Rare Books, ABAA ]
 31.   Check availability:     ABAA     Link/Print  


        1st editions of her first 4 novels, all inscribed to her Uncle; Jig-Saw (1925); Saw Dust (1926); If the Tree Is Saved (1929); For What? (1930)

      London: Duckworth, 1930. First Edition. cloth. Good. 1) Jig-Saw [Duckworth]: 1st edition. Cloth faded, spine soiled and with a tear to the tip, otherwise good condition. Signed presentation copy inscribed, "To Dear Uncle Willie with love from Barbara Cartland, 9-3-25." Armorial bookplate of William Hall; 2) Saw Dust [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie to whom I am indebted for many of the thoughts in this book, and especially for the interest, kindness, and helpful criticism always accorded me. With my best love, Barbara. March 20, 1926." 3) If the Tree Is Saved [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie with love from Barbara." 4) For What? [Hutchinson]: 1st edition. Cloth faded, edges soiled, one spot, else good. Signed presentation copy inscribed, "Uncle Willie with love from Barbara.". Barbara Cartland is the 3rd best selling author of all time (1 billion books), trailing only William Shakespeare and Agatha Christie. Our 4 books are all frustratingly scarce 1st editions, even without their dustjackets, just try and get any one of them. And it is only pretentious and crusty, subject scorning, literary snobbery (romance novels are trash), that prevents them from being 10 times as expensive as they are here, and your odds of finding another inscribed set (chasing the horizon), are lower than the chicken vote for Colonel Sanders, though I suppose you could try saying "Beatlejuice" 3 times, and see if that leads to anything.

      [Bookseller: Biblioctopus]
 32.   Check availability:     IOBABooks     Link/Print  


        (Photo album): Extensive Family Photo Album of Travel, Fashion, and Nature in the 1920s-1930s

      Pittsburgh, Pennsylvania / New York / Ohio, 1930. Near Fine. Oblong quarto measuring 10" x 7". String tied, black leather over stiff paper boards. Contains 1,020 black and white gelatin silver or sepia toned photographs measuring between 0.5" x 0.5" and 5" x 4" with some captions. Some edgewear else near fine album with fine photographs.An abundant collection of family photographs from 1918 through to 1930 collected by Rachel Elyada Wayne. The photographs are well composed even including some photographs with intentional double exposures and diamond cut outs. Wayne's family lived in Pittsburgh, Pennsylvania occasionally traveling together on family vacations or adventuring with friends. The family often travels to various places in New York, Pennsylvania, and Ohio, with captions such as, "Taken at Columbus, Ohio after eating our lunch, when a flat tire was being fixed and just before committing on our way to Cincinnati and Newport, NY July 1928". There are several pictures of Wayne and her family visiting the state capital in New York and on Coney Island, camping trips in Vandergrift, Pennsylvania, and family reunions in Youngstown, Ohio. The traveling photos usually show the family's automobiles from the 1920s and pictures of their camping groups, Apollo Camp and Luchlurg Camp. They also visited different caves including Mammoth and Sand Cave in Kentucky. One family trip also shows a small plane crashed into the ground, smoke and flames caught by the camera. The photographs cover a wide span of the different family member's lives. There are pictures of babies and young children that later are shown as teenagers making funny faces, posing, or in one photo eating Cracker Jacks. There are a couple wedding photographs, pictures of family gatherings, posed outfit pictures, photos of people dancing, and one with an elderly couple pretending to battle with brooms. Small captions are written on photographs with the names of the children, "Che Che's Happy-go-lucky!" The album also mentions where some of the family members worked. A large group photo with Rachel Elyada Wayne and some of her family members is pictured with the caption "Pittsburgh Trust Co." as Rachel was a stenographer for the bank. There are also a couple photos of some of the young women in the Rickety Rackety Serenaders, a women's singing group and instrumental band. Included are several photographs of some of the young men in their military uniforms dated 1929.Some of the photographs are of animals and nature. A few of the photographs are of deer in the snow, the camping sites, and some of the boats in the rivers. There are also a couple pictures of a lightning storm, where the bolts of lightning can be seen in the photographs. An extensive collection of particularly aesthetically pleasing family photographs featuring nature, fashion, and travel during the 1920s through to the 1930s.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 33.   Check availability:     IOBABooks     Link/Print  


        Sechs Personen Suchen einen Autor. Film-Novelle

      1930 - 12mo., original cloth backed paper boards, preserved in a folding box. Berlin, Verlag von Reimar Hobbing. c [ A fine association copy of the scenario for one of several unsuccessful attempts to render Pirandello's most famous play into film. Inscribed by Pirandello, ?al Dr Hans Feld, per ricordo affettuoso. Luigi Pirandello. Berlin 9 iv 1930?, and below that by Lantz, ?dem altbewährten Freund Dr Hans Feld, der als Erster fÜr diese Film äffertlick [?] eingetraten ist, in besonderen elätzing [?] Adolf Lantz. Berlin, 1930? Loosely inserted is an autograph postcard signed by Pirandello to dr Feld, thanking him for ?della generosa difesa che coraggiosamente? (his generous and conrageous defence of his work). Feld was a Jewish German film maker, who worked with Eisenstein and others, and who fled Nazi Germany, initially to Czechoslavakia and then to Britain. A good copy, covers a little stained. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
 34.   Check availability:     AbeBooks     Link/Print  


        Ganzlederausgabe - Ulysses. Komplett in 2 Bänden. Dritte Ausgabe. Dünndruck.

      Zürich, Rhein, 1930. 8°. 611 S., 632 S., grüne Orig.-Ganzlederbände mit den seltenen roten Orig.-Schutzumschlägen, Goldkopfschnitte und goldfarbenes Lesebändchen, in 2 mit Goldpapier bezogenen Orig.-Pappschubern. Titel und Einband von Emil Preetorius. - Selten. Schutzumschläge leicht fleckig und randbestoßen, Schuber in den Falzen angebrochen. Die Bücher selbst tadellos erhalten und sauber. Versandkostenfreie Lieferung James Joyce, L.

      [Bookseller: \"erlesenes\" - Antiquariat und Buchhand]
 35.   Check availability:     buchfreund.de     Link/Print  


        Cakes and Ale or The Skeleton in the Cupboard

      london: William Heinemann, 1930. 1st Edition 1st Printing. Hardcover. Fine/Near Fine. 7.5x5.25. The speaker in Maugham's novel is one Ashenden, an author, whose memories of youth and early manhood disclose piece by piece this entire life of Edward Driffield, Grand Old Man of Letters.The career of this doyen of literature is a mischievous commentary on the literary world of England from 1880 to to-day(1930), and the subtlety of his indirect criticism emerging from a story that is full of unexpected twists. A wonderfully clean and unmarked copy of the first British edition of Maugham's famous book, with a slight bump to lower spine end. Jacket is unclipped (7/6net.) on Spine. A near fine jacket which would be fine except for a tiny chip at front corner and very slight wear to bottom of spine. A great collectible.

      [Bookseller: Oshtemo Book Sellers]
 36.   Check availability:     Biblio     Link/Print  


        Not Without Laughter

      New York: Alfred A. Knopf, 1930. Fourth Printing. Hardcover. Good. Signed. First edition, fourth printing. Signed by Langston Hughes, warmly inscribed "To Dorothy, one grand girl-- Langston / San Fransisco / May 22, 1932." Good, with light staining to cloth, light fraying to cloth along tips, lean to spine, front hinge exposed. Assumed to be inscribed to Dorothy West, a fellow Harlem Renaissance writer, whom Hughes nicknamed "The Kid." In 1932, Hughes and West, along with a group of African American activists, traveled to Russia by boat to make a film about racial injustice and cruelty in the American South, in part sponsored by the Soviet Union government. The film was never made, though Hughes and West remained in Russia together for a year. Though the two were never proven to be romantically involved, West asked Hughes to marry her in a 1933 letter. He declined.

      [Bookseller: Burnside Rare Books ]
 37.   Check availability:     ABAA     Link/Print  


        The Bridge

      New York: Horace Liveright, 1930. First Edition. Hardcover. Fine/very good. 1st American edition and 1st trade edition (a rawly edited, 275 copy, Paris limited edition preceded). The Bridge is a metaphor of American power, and was itself a bridge between past and present, a transition from 19th to 20th century poetry. Fine in a very good jacket, spine faded, tape removed, short tears strengthened, but integral and superior for it. Author to editor signed presentat- ion copy (in ink), a lofty association, inscribed to Tom Smith, editor in chief for Horace Liveright, the publisher of The Bridge, and it is Tom Smith's fingerprints that are all over this poem, perfected here by his precise editing, revising and correcting, and the nearly unfathomable Crane needed editing more than most. Ref: Connolly 100. Tom Smith was an enormity, a leading force in the American literary renaissance that changed literature and the relationship between it, and the American public, profoundly and forever. And it was the relationship between Horace Liveright and Tom Smith, that was the inspirational model for Ben Hecht and Charles Mac Arthur (yet another relationship), as they co-wrote and co-directed their 1935 film noir (if anything before 1941 is technically classified as noir), The Scoundrel, which won the Oscar for best screenplay. This is the best copy of The Bridge I've ever heard of.

      [Bookseller: Biblioctopus]
 38.   Check availability:     IOBABooks     Link/Print  


        Moby Dick

      New York: Random House, 1930. First Thus. Hardcover. Very Good. First edition thus. Near Fine with bump to top corner of boards, pages toned. Silver stamping rather bright and fresh, with just a hint of rubbing. Dust jacket with spine toned, a bit of chipping and loss, rubbed at folds, with tape and mending tissue repairs made from the verso with the front flap formerly completely detached and mended, else Very Good. A lovely example of Melville's classic illustrated by Rockwell Kent, uncommon with bright silver stamping and in the dust jacket.

      [Bookseller: Burnside Rare Books, ABAA]
 39.   Check availability:     Biblio     Link/Print  


        Wald-, Kultur- und Siedlungskarte der Rheinprovinz 1801-1820. Publikation XII der Gesellschaft für Rheinische Geschichtskunde.

      Köln, Gesellschaft für Rheinische Geschichtskunde, 1930. - 1. Auflage. Mit 44 (von 45) Karten im Maßstab 1:50.000 und weiteren Beilagen. Mappe Folio. Karten 40x40 cm. 2 S. Vorbemerkungen (gefaltetes großes Bl.); 51 S. Jahresbericht; 45 Blatt Erläuterungen zu den Karten (ungebunden); 44 großformatige, kolorierte Karten. Hardcover. Halbleinenmappe mit rotem, fleckigem Leinen. Rotes, montiertes Deckelschild mit goldenem Titeldruck in gutem Zustand. Deckel etwas fleckig. Karten innen sehr sauber, wenige Ecken mit kl. Knick, etwas gebräunt. 1 Erläuterungsblatt unten geknickt. Jahresbericht auf dem Deckeltitel mit rotem Buntstift beschrieben, innen sehr sauber. Vorbemerkungen sehr sauber. Erich Kuphal (* 1. Juli 1895 in Haldensleben; † 5. Januar 1965 in Köln) war ein Archivar und Historiker. (Wikip.) Die Auflistung der enthaltenen Karten ersehen Sie bitte der dem Angebot angefügten Fotografien. Die Erläuterungsblätter zu den einzelnen Karten umfassen 1 bis 4 Seiten. Die Karte Nr. 81 "Saarbrücken" fehlt in dieser Mappe. Alle anderen sind vorhanden. Beigefügt ist der 74.-75. Jahresbericht der Gesellschaft für Rheinische Geschichtskunde über die Jahre 1954-1955. Köln, Welzel & Sohn, 1956. Klammerheftung, 51 S. Auf S. 30 dieses Jahresberichts (roter Buntstiftstrich seitl.) ist die Zweite Abteilung: Wald-, Kultur- und Siedlungskarte der Rheinprovinz 1801-1820 im Maßstab 1:50 000 aufgeführt. Die Karten sind den Lieferungen 1 bis 9 zughörig und einzeln aufgelistet. [Attributes: Hard Cover]

      [Bookseller: Augusta-Antiquariat GbR]
 40.   Check availability:     ZVAB     Link/Print  


        Three typescript articles: "Are We Alone in the Universe?", "The River of Life", "Mystery of the Body". Each covering page headed: "World copyright by Cooperation". Together with galley proofs for each article.

      [late 1930s] - Quarto. "Alone": 11pp.; galleys: 3 pp.; "River": 15 pp.; galleys: 4 pp.; "Mystery": 14 pp.; galleys: 4pp. Each typescript held with a paper clip at head; galleys with single punch hole at top left and green treasury tags. Holograph corrections and emendations (not in Churchill's hand) to "Alone" and "Mystery". In excellent condition. There has been considerable recent interest in Churchill's essay "Are We Alone in the Universe?" In an article for Nature, astrophysicist Mario Livio describes his visit to the US National Churchill Museum in Fulton, Missouri, when "director Timothy Riley thrust a typewritten essay by Churchill into my hands. In the 11-page article, 'Are We Alone in the Universe?' [Churchill] muses presciently about the search for extraterrestrial life. He penned the first draft, perhaps for London's News of the World Sunday newspaper, in 1939 — when Europe was on the brink of war. He revised it lightly in the late 1950s while staying in the south of France at the villa of his publisher, Emery Reves. For example, he changed the title from 'Are We Alone in Space?' to 'Are We Alone in the Universe?' to reflect changes in scientific understanding and terminology. Wendy Reves, the publisher's wife, passed the manuscript to the US National Churchill Museum archives in the 1980s. Riley, who became director of the museum in May 2016, has just rediscovered it. To the best of Riley's knowledge, the essay remained in the Reves's private collection and has never been published or subjected to scientific or academic scrutiny. Imagine my thrill that I may be the first scientist to examine this essay" ("Winston Churchill's essay on alien life found", Nature, vol. 542, issue 7641, 15 Feb. 2017). Livio's piece aroused international media interest in Churchill's "unpublished" article, although Professor Christopher Bell of Dalhousie University, Nova Scotia, pointed out that an earlier, shorter version of "Are We Alone in the Universe?" had appeared in the Sunday Dispatch, a Beaverbrook weekly, on 8 March 1942 under the sensational headline "Are There Men in the Moon?" The essay appears in Cohen's bibliography (C662), where he comments: "Written before the war but published here [i.e. the Sunday Dispatch] for the first time. Subsequently published in Collected Essays, Vol. IV, pp. 493–8". Material relating to these articles in the Churchill Archive at Cambridge (CHAR 8/644) is headed "Literary: News of the World articles by WSC" and dated 1939. This group of pieces "includes proofs for three unpublished articles (indicated by a 1962 note): 'The Mysteries of the Body' on cells, organs, blood, the digestive system, the liver, the nervous system and the brain, the senses, reproduction, and genetics; 'Are We Alone in Space?' on the necessary conditions for life to develop outside the Earth; 'The River of Life' on the origin of life on Earth up till human life (with a supplement from the Illustrated London News showing human evolution)". "Mystery of the Body" is in large measure the same essay as that published under the title "What Do You Know About Yourself?" (Cohen 666, also written before the war, published in the Sunday Dispatch 5 April 1942 and reprinted in Collected Essays, vol. IV, pp. 499–503). "The River of Life" may be the article published as "Life Under the Microscope" (Cohen C669, Sunday Dispatch 19 April 1942), but this is not reprinted in the Collected Essays so we have been unable to make a comparison. These ephemeral pieces attest to Churchill's prodigious output during the 1930s, when he lived by his writing and "many subjects were grist to his tireless mill. Apart from anything else, he had no Cabinet salary after 1929 and it was largely his journalism that enabled him to maintain his comfortable standard of living. He therefore accepted virtually every opportunity for publication with alacrity and professionalism. Articles may have been delivered by taxi at the last possible moment, but he never missed a copy date,

      [Bookseller: Peter Harrington. ABA member]
 41.   Check availability:     ZVAB     Link/Print  


        Collection of 180 splendid original b/w photos dating from the 1930's.

      - Small formats. Some were used as a cutout. Most of these mounted onto colored card stock of various sorts. A.o. a few cyanotypes. l Albert Kuyle, the pseudonym Louis M.A. Kuitenbrouwer (1903-1958) used for his publications, was a fervent Roman Catholic journalist and novelist, who was very active for the publishing company and literary monthly De Gemeenschap around 1930. Kuitenbrouwer was responsible for the design of De Gemeenschap-editions and preferred photographic or photomontage covers. He fostered the art of photography, and these are probably trials to make art photos himself. One photo shows his portrait, and on one his name is mentioned: 'juni '31 foto kuitenbrouwer'.

      [Bookseller: Fokas Holthuis]
 42.   Check availability:     ZVAB     Link/Print  


        1st editions of her first 4 novels, all inscribed to her Uncle; Jig-Saw (1925); Saw Dust (1926); If the Tree Is Saved (1929); For What? (1930)

      London: Duckworth, 1925-1930. 1) Jig-Saw [Duckworth]: 1st edition. Cloth faded, spine soiled and with a tear to the tip, otherwise good condition. Signed presentation copy inscribed, "To Dear Uncle Willie with love from Barbara Cartland, 9-3-25." Armorial bookplate of William Hall; 2) Saw Dust [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie to whom I am indebted for many of the thoughts in this book, and especially for the interest, kindness, and helpful criticism always accorded me. With my best love, Barbara. March 20, 1926." 3) If the Tree Is Saved [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie with love from Barbara." 4) For What? [Hutchinson]: 1st edition. Cloth faded, edges soiled, one spot, else good. Signed presentation copy inscribed, "Uncle Willie with love from Barbara.". Barbara Cartland is the 3rd best selling author of all time (1 billion books), trailing only William Shakespeare and Agatha Christie. Our 4 books are all frustratingly scarce 1st editions, even without their dustjackets, just try and get any one of them. And it is only pretentious and crusty, subject scorning, literary snobbery (romance novels are trash), that prevents them from being 10 times as expensive as they are here, and your odds of finding another inscribed set (chasing the horizon), are lower than the chicken vote for Colonel Sanders, though I suppose you could try saying "Beatlejuice" 3 times, and see if that leads to anything. Good.

      [Bookseller: Biblioctopus]
 43.   Check availability:     Direct From Seller     Link/Print  

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