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Displayed below are some selected recent viaLibri matches for books published in 1930

        Nouveaux Hopitaux. Maisons de Santé, Maternités, Etc... (Façades, Plans, Intérieurs)

      , 1930. 1930. Title pp., 1 pp. list of plates, followed by 32 nice annotated plates showing plans and photographic views of building exteriors and occasional interior views of furnished rooms (nurseries, kitchens, salons, terraces and other open spaces, entrance halls with sweeping staircases and ornamented paneling, etc.). Small folio. Cloth-backed boards portfolio, some minor soiling, edges rubbed. Paris (Massin & Cie.) 1930. (Collection "Architectura". Documents d'Architecture et de Décoration.). The buildings depicted in this portfolio include: Maison de Santé des Gardiens de la Paix; Fondation Mathilde-Henri de Rothschile; American Memorial Hospital à Reims; Hôpital Américain à Neuilly; Centre d'Hygiène Infantile, Fondation Paul Parquet, à Neuilly; Hôpital Fondation de Rothschild, Rue de Santerre, à Paris; and Maternité et École d'Accouchements à Nancy. The architects behind the designs are J. Michel & A. Mahieu, Desse & Oudin, Butler & Rodman, C. Knight, F. Le Coeur, Lucien Bechmann, and Paul Charbonnier. As of December 2017, WorldCat locates only three holdings in the United States.

      [Bookseller: F.A. Bernett Books ]
 1.   Check availability:     ABAA     Link/Print  


        STARS TONIGHT

      LATHROP, DOROTHY. (LATHROP,DOROTHY)illus. STARS TONIGHT by Sara Teasdale. NY: Macmillan 1930 (Oct. 1930). 4to, cloth backed decorative boards, slight soil on endpapers and very slight fading on cover else Fine. LIMITED TO ONLY 150 NUMBERED COPIES SIGNED BY LATHROP AND TEASDALE. Printed on fine quality paper, it is illustrated with color frontis plus 16 very beautiful full page black and whites.

      [Bookseller: Aleph-Bet Books, Inc.]
 2.   Check availability:     Biblio     Link/Print  


        Seeds of Murder

      New York: Doubleday Doran and Company / The Crime Club, 1930. First Edition. Hardcover. Very Good. First edition. (As stated on copyright page.) 302 p. Black cloth with red lettering. About Very Good in Very Good+ supplied dust jacket. Light wear. Some bookplate remnants on rear paste down, Forbes Bookshop stamp on front endpapers. Jacket spine panel a bit darkened, some scuffs and edge wear. The author's first book.

      [Bookseller: Burnside Rare Books, ABAA ]
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        Vanity Fair's Backgammon To Win

      1930 -

      [Bookseller: The Cary Collection]
 4.   Check availability:     AbeBooks     Link/Print  


        Constantinople et les détroits. Documents secrets de l'ancien ministère des affaires de Russie

      Les Editions internationales, Paris 1930 - Deux volumes 16 x 25 cm brochés de 526 et 400 pages. 1930 et 1932. Dos droits sans plis de lecture. Couvertures légèrement marquées aux angles et sur les bords, un angle corné 3 cm au premier plat du premier volume. Bonne tenue des coutires. Intérieurs jaunis sans fragilité bon état. LE COMMENTAIRE DU LIBRAIRE. Il s'agit de la traduction intégrale du premier volume de l'édition soviétique des archives diplomatiques russes sous le titre (en russe) Les Puissances européennes et la Turquie pendant la première guerre mondiale, sous la direction d'Evgenii Adamov. L'édition originale russe présente des cartes qui nesont pas reproduites par l'édition française, non plus que les introductions d'Adamov et de Grimm. L'édition française comprend une brève introduction de Lapradelle et une plus longue du juriste russe et traducteur principal Boris Mirkine-Guetzevitch (Kiev 1892 - Paris-1955). Elle constitue une documentation de premier ordre sur les enjeux méditerranéens pour la Russie de la Première guerre mondiale. Port supplémentaire à prévoir selon la destination. [Attributes: Soft Cover]

      [Bookseller: Librairie Hervé Sciardet]
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        When it's Cocktail Time in Cuba

      1930 -

      [Bookseller: The Cary Collection]
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        N BY E.

      New York: Brewer & Warren, 1930. 281 pages. Designed and illustrated by Kent. Beige pictorial cloth; with chipped dust jacket.First edition. With a Kent bookplate signed by Merle Armitage and a dedication of this book to Claire Troth, by Armitage. Laid in is a fine typed letter by Kent to Armitage dated March, 1925, discussing his artwork. "I have had a couple of letters from Mr. Harrison. While I would like very much to sell him a picture for the Museum [Los Angles Museum of Art], I cannot possibly meet his terms. I would consider it very unfair to those steady patrons of mine who are accustomed to pay more. I offered him a discount of 33 2/3%; that considering that I do get for my pictures the price that I ask seems to be generous enough.

      [Bookseller: Margolis & Moss ABAA/ILAB ]
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        THE PLAYS.

      Hodder & Stoughton. 1930. REPRINT EDITION. 8vo. (8.5 x 5.9 inches). 844pp. Early full burgundy morocco leather binding. Spine with 3 raised bands, ruled in gilt. Green name label, gilt. Gilt lettering and circular devices. Colour leather onlay illustration of Peter Pan on a tree stump, to front board. Single gilt ruled border to both boards. All edges gilt. Leather turn inswith single gilt ruled lines. Plain endpapers. The binding is not signed but is certainly the work of a skilled craftsman.

      [Bookseller: Paul Foster Books]
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        Henri Matisse

      Editions des Chroniques du Jour; E. Weyhe, Paris; New York 1930 - FIRST EDITION. A splendid celebration of the French artist's varied yet deeply characteristic work. Illustrated with black & white as well as full-color reproductions, complete with an insightful text delivering a fascinating analysis of his style and variety, the volume offers a thorough study of one of the greatest French artists of the twentieth century, and a comparative exploration with some of his contemporaries, among whom Manet, Gauguin and Cezanne. To this are added biographical informations of great relevance to any art student or scholar. Henri-Émile-Benoît Matisse (French: [¿¿¿i emil b¿nw¿ matis]; 31 December 1869 ¿ 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.[1] Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.[2][3][4][5] Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting.[6] His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Volume shows gentle aging with soft bumping of corners and some chips to edges of glassine over-wrapper. Color covers feature black & white sketch of the artist on front, with text. Wraps are well-preserved with minor edgewear. Corners are softly bumped. Spine has some loss and mild bumping and rubbing at ends. Binding is loosened with some gaps between pages, and is broken between some text pages at two places. (See photos) All plates are present. Interior displays gentle toning with minor overall aging. Inside pages are free of writing and intentional marks. Some tissue guards are faded and toned with chipped and creased edge protruding from textblock. Text block edges are mildly toned and show some tissue guard edges protruding. (See photos) Volume has light green wrapper with French folds and glassine overwrapper which shows some chipping at spine ends. Portfolio is in very good- condition with some bumping to corners, and some rubbing to edges with exposed boards. Book may exhibit additional minor signs of age or wear. Limited Numbered Edition. No. 178 of 650. Illustrated with black & white and full-color reproductions of the artist's works. With slipcase or portfolio with three original publisher string ties. Wrapper with French folds. 40 plates at rear with list of illustrations at end of volume, as well as 4 full-color plates with tissue guards. 50 pages of text. 9.25 x 11.5 inches. Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. If actual shipping cost is less than the AbeBooks estimate, it is our practice to REFUND the difference to the buyer. [Attributes: Soft Cover]

      [Bookseller: Panoply Books]
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        LE GRAND MEAULNES

      Paris: Émile-Paul Frères 1930. First edition with these illustrations. First edition with these illustrations. Limited edition. Uniquely bound by Marlis Egli in full green morocco with inlaid lilac and turquoise goatskin to the upper board and spine. Titles in black to the spine. Large 4to. Original wrappers bound in. Edges untrimmed. Illustrated with wood engravings by Hermine David, 46 of which are in in colour. Housed in a purpose made grey cloth folding case with titles to a morocco label on the spine. A superb example, beautifully illustrated and finely bound in 1990 by Swiss born [female] book-binder Marlis Eglis. A resident of Sweden, Eglis has had numerous solo exhibitions and her bindings are held by major institutions which include the Swedish Royal Library. Limited to 166 copies on vélin d'Arches, this being number 116. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 10.   Check availability:     Biblio     Link/Print  


        Adlerwerke vorm. Heinrich Kleyer Aktiengesellschaft.

      Frankfurt, Hauser-Presse, ca. 1930. - Mit 14 farbig lithograph. Tafeln (von Georg Johann Köhler). 2 Bll. Orig.-HLwd.-Mappe mit blindgepr. Firmenlogo auf Vorderdeckel. 33 x 42 cm. Die Tafeln stellen die neuesten Fabrikate der Adlerwerke dar, darunter verschiedene Adler Standard 6, 6 S und 8 Modelle, hauptsächlich Cabriolets und Limousinen. In der unteren Ecke der Illustrationen befindet sich jeweils eine weitere Abbildung, die auf die Farbe der Automobile hinweist. - Gutes Exemplar! [Attributes: Hard Cover]

      [Bookseller: Antiquariat Uwe Turszynski]
 11.   Check availability:     ZVAB     Link/Print  


        Budapest Szekesfövaros Hirdetövallalata.

      Budapest, (1930)., Piatnik R.T., - Gr. 8°. Hervorragende Typo und Illustrationen in Rot und Schwarz. 16 S., Orig.-Karton (Entwurf: Sandor Kolozsvary). - Seltene Publikation der Budapester Werbegesellschaft mit detaillierten Beschreibungen und Preislisten für verschiedene Werbemittel wie Plakate, Flyer, Säulenreklame, Werbeflächen im öfffentlichen Raum, etc. Buchblock mit doppelter Lochung. Sonst schönes und sauberes Exemplar. de Band:

      [Bookseller: erlesenes · Antiquariat & Buchhandlung]
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        Svenska trädgårdskonsten

      Inbunden bok. 1930 + 1931. Inbunden. Nära nyskick. Skyddsomslag finns i gott skick. Nordisk rotogravyr. Uppmätningar och beskrivningar och bilder Förteckning över arkitekter, trädgårdsanläggare och trädgårdsmästare Beskrivna anläggningar: Näsby, Östermalma, St Wäsby, Drottningholm, Krageholm, Sturefors, Östanå, Maltesholm, Övedskloster, Ökna, Apertin, Vrams Gunnarstorp, Grönsöö,Trolle-Ljungvby,Skarhult, Rosendal, Skabersjö, Rosersberg, Ekolsund, Strömsholm, Sjöö, Sandemar, Venngarn, Hesselbyholm, Ulriksdal, Tyreholm, Taxinge Näsby, Leufsta-, Österby-, Gimo-, och Forsmarks bruk, Gunnebo, Ellesbo, Råda, Baldersnäs, Värmlands Säby, Karlslund, Olivehult. Avhämtning kan efter överenskommelse ordnas i Stockholm, Uppsala, Karlstad mfl orter.

      [Bookseller: masken]
 13.   Check availability:     Bokbörsen     Link/Print  


        Isaac Bashevis Singer

      [Warsaw, Poland, ca. 1930]. B&W Photograph, 8 x 10 inches. Very Good with some creasing, photo slightly bowed. Provenance: Peter Howard, Serendipity Books.

      [Bookseller: Alan Wofsy Fine Arts]
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        [Chess manuscript]

      New York [?], 1930. 103-page quarto manuscript in double column, kept in a cloth-backed marbled-board binding presumably by Louis Apanowitz who apparently wrote a weekly column on chess for an unnamed newspaper, containing notes and summaries of chess matches and players (including death notices and short obituaries as well as short book reviews), and including detailed move-by-move accounts of matches between Salo Flohr and Emanuel Lasker; Adolf Anderssen and Lionel Kieseritzky; J. A. Blackburne and George Henry Mackenzie; George A. Ritzler and N. L. Colfax; Ruben Fine and Ernst Gruenfeld; Arnold Denker and Donald MacMurray, William Steinitz and Curt von Bardelebew; Dr. Max Euwe and Edgar Colle, and many others, most with a rather detailed commentary on moves and blunders. Most matches described are during the period 1880s to 1930s. Each "article" is headed by a number in Roman numerals (nos. XIX to LXXII inclusive) likely indicating a series of articles in the unnamed periodical. Much also on the Suburban Chess League and both the South- and North Jersey Chess Associations, and the Metropolitan Chess League of New York City. The manuscript drops off mid-sentence. Bound dos-a-dos is a 20-page color illustrated manuscript headed "Biology" with a number of reasonably accurate color drawings of a sunflower, red foxes, rats, bunsen burners, flasks, bell jars, etc. We believe this manuscript is subsequent to the chess manuscript described above.

      [Bookseller: Rulon-Miller Books ]
 15.   Check availability:     ABAA     Link/Print  


        L'Odyssee [THEO SCHMIED'S PERSONAL COPY]

      La Compagnie des Bibliophiles de l'Automobile-Club de France, Paris 1930 - Theo Schmied's personal copy of volume one (of four) of his father's most ambitious book illustration project, Homer's Odyssey. The printing and illustrations were done entirely on vellum, leading to enormous production costs. Their goal of printing 125 sets proved to be too costly and had to be abandoned. It is estimated that about 73 copies of the 4 volume set were actually completed, along with a few copies printed for the collaborators on the project, including our copy here which is copy 'c' and was given to Theo Schmied (1900-1985), Francois' son as well as the wood-engraver for this project. It is recorded that 3,000 goats from the High Atlas mountains of Morocco were used in the production of the vellum for this edition. Schmied went on a voyage to Greece and the Near East for the sole purpose of studying the atmospheric light of the region so that you could accurately reproduce it in this work. A stunning achievement. 23 pochoir plates (17 full-page), with highlights in silver and gold. 4to (28.7 x 23.7 cm), lvii, 115pp., 2pp. A few wrinkles to a few leaves. Loose as issued in limp vellum wrapper, gilt lettered, stiff vellum chemise, vellum slipcase (upper joint of wrapper splitting, foxing to cover.). [Monod 6075]

      [Bookseller: Zinos Books]
 16.   Check availability:     IberLibro     Link/Print  


        STILL LIFE WITH FLOWERS

      1930 - ALBERT EMILE ARTIGUE - Belgian/American Artist- 1864-1938 - Active 1931. Often described as a 20th Century Landscape artist. He was born on November 26, 1864 of Belgian/French parents in Belguim - Studied at the Paris School of Beau Arts with his wife Emma Kline Schmidt before emigrating to America in 1892 ALBERT EMILE ARTIGUE - French School 1850-1927 -Oil on canvas - STILL LIFE WITH FLOWERS - Floral Oval-1930/31 - Dimensions 30" x 22" Canvas and frame have recently been restored and both are in excellent condition. This soft romantic still life reminds us of the transience of natural beauty. The picture is signed by Emile Artigue and the signature has been checked. Provenance - Art Auction in New York in 1982 - No Returns More pictures upon reguest. Payment by Electronic Transfer (Bank Transfer)

      [Bookseller: Ronmar Books]
 17.   Check availability:     AbeBooks     Link/Print  


        Le Château de la Belle-au-bois-dormant. Le Gai Pèlerinage de Saint-Martial.

      Paris, Librairie des Amateurs, A. Ferroud. - F. Ferroud, succ. 1930 - Gravures sur bois originales en couleurs et en noir par Fred-Money. Édition tirée à 1525 exemplaires. Celui-ci (N°41) un des 70 exemplaires sur JAPON Impérial, contenant trois états des illustrations (2 états en couleurs, dont un avec remarque et un état du trait en noir. Complet & Contrôlé. Paris, Librairie des Amateurs, A. Ferroud. - F. Ferroud, succ. - 1930 - 70 pages. Conteurs et Poètes. Belle reliure plein maroquin bleu, signée Semet & Plumelle. Dos à nerfs aux titre, auteur et date en pied dorés. Tranches dorées sur témoins, non rogné. Large débordement de maroquin sur les contreplats avec filets et pointillés dorés. Fleurons angulaires mosaïqués de maroquin rouge. Filet doré sur les coupes et les chasses. Couverture illustrée et dos conservés. Étui à liseré de maroquin. Dos légèrement insolé. Pas de rousseur. Très bon état pour ce superbe exemplaire. Format in-12(19x15). Louis Marie Julien Viaud dit Pierre Loti, est un écrivain et officier de marine français. Pierre Loti, dont une grande partie de l'oeuvre est d'inspiration autobiographique, s'est nourri de ses voyages pour écrire ses romans, par exemple à Tahiti pour Le Mariage de Loti (Rarahu) (1882), au Sénégal pour Le Roman d'un spahi (1881) ou au Japon pour Madame Chrysanthème (1887). Il a gardé toute sa vie une attirance très forte pour la Turquie, où le fascinait la place de la sensualité : il l'illustre notamment dans Aziyadé (1879), et sa suite Fantôme d'Orient (1892). Pierre Loti a également exploité l'exotisme régional dans certaines de ses oeuvres les plus connues, comme celui de la Bretagne dans le roman Mon frère Yves (1883) ou Pêcheur d'Islande (1886), et du Pays basque dans Ramuntcho (1897). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        THE PRINCE OF PERIL (Signed)

      A. C. McCLurg, Chicago 1930 - A very good++ hardcover copy in a reproduced jacket from the original. STATED First Edition. === SIGNED BY OTIS ADELBERT KLINE.=== Copy is very tight. Shelf rubbing to bottom edge and corners. Cloth spine has faded to a light green. Owner's signature appears on front free endpaper. The jacket was reproduced by a professional book binder from the original. Please look at the several photographs we have posted with the description. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 35 YEARS. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Booklegger's Used Books ABAA]
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        Douze contes de Paris et de Provence. Avec cinquante lithographies originales en couleurs et douze lettrines décorées de Léo Lélée.

      - P., Les Quatre Livres, 1930, In-4, demi-maroquin bleu canard à coins, dos à nerfs, orné de caissons décorés, tête dorée, étui bordé, couverture et dos conservés, 156 pp. Reliure signée Yseux successeur de Simier.Imprimée par R. Coulouma et tirée à 250 exemplaires numérotés, celui-ci sur vélin contenant l'état définitif des illustrations : 50 lithographies dont 25 hors-texte mises sous presse par Léo Lélée et tirées sur les presses à bras de Duchatel. Livres [Attributes: Signed Copy]

      [Bookseller: pages volantes]
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        The Protestant Ethic and the Spirit of Capitalism

      New York: Charles Scribner's Sons, 1930. Hardcover. Very Good. First American edition. xi, 1(a-e)292pp. Black cloth with gilt lettering on spine. Very Good+ with small tear at head, slightly bumped corners, former owners' info on front free endpaper. No dust jacket. The first American appearance of Weber's classic of sociology, less common than its first British edition earlier the same year.

      [Bookseller: Burnside Rare Books, ABAA ]
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        1st editions of her first 4 novels, all inscribed to her Uncle; Jig-Saw (1925); Saw Dust (1926); If the Tree Is Saved (1929); For What? (1930)

      London: Duckworth, 1930. First Edition. cloth. Good. 1) Jig-Saw [Duckworth]: 1st edition. Cloth faded, spine soiled and with a tear to the tip, otherwise good condition. Signed presentation copy inscribed, "To Dear Uncle Willie with love from Barbara Cartland, 9-3-25." Armorial bookplate of William Hall; 2) Saw Dust [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie to whom I am indebted for many of the thoughts in this book, and especially for the interest, kindness, and helpful criticism always accorded me. With my best love, Barbara. March 20, 1926." 3) If the Tree Is Saved [Duckworth]: 1st edition. Cloth faded, otherwise good. Signed presentation copy inscribed, "To darling Uncle Willie with love from Barbara." 4) For What? [Hutchinson]: 1st edition. Cloth faded, edges soiled, one spot, else good. Signed presentation copy inscribed, "Uncle Willie with love from Barbara.". Barbara Cartland is the 3rd best selling author of all time (1 billion books), trailing only William Shakespeare and Agatha Christie. Our 4 books are all frustratingly scarce 1st editions, even without their dustjackets, just try and get any one of them. And it is only pretentious and crusty, subject scorning, literary snobbery (romance novels are trash), that prevents them from being 10 times as expensive as they are here, and your odds of finding another inscribed set (chasing the horizon), are lower than the chicken vote for Colonel Sanders, though I suppose you could try saying "Beatlejuice" 3 times, and see if that leads to anything.

      [Bookseller: Biblioctopus]
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        I Promessi Sposi storia milanese del secolo XVII

      MILANO: A. Barion Editore, 1930. Rilegato. DISCRETO. 13,2 18,9. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        NAVE ALICE - Nave scuola allievi R. Accademia Aeronautica. Album contenente 84 fotografie.

      Album di cm. 24x34 contenente 84 belle fotografie di cui 83 di cm. 11,5x16,5 e una di cm. 5,5x7,5. Anni 1930/1940 circa. Le foto riguardano il viaggio della Nave scuola ALICE dell'Aeronautica Militare nel Mediterraneo. Stretto di Messina, Malta, Campo di Mellaba (Tripoli), Leptis Magna, Baia di Abukir, Famagosta, Bengasi, Barca, Alessandria, Cairo, Rodi, Corinto, Atene... Con una foto dell'incontro in mare della barca a vela del Console d'Italia. Lo yacht ALICE, di proprietà della Regia Aeronautica, è stato utilizzato come nave appoggio idrovolanti per le crociere transatlantiche di Balbo. PRINCESSE ALICE II, costruita da Laird a Birkenhead come yacht e nave per ricerche oceanografiche per il principe Alberto I Grimaldi, completata ad aprile 1898, 1042 poi 930 poi 1067 poi 1094 tonn. di stazza lorda. Venduta a Lord Inverclyde nel 1914 come BERYL, noleggiata dall'Ammiragliato dal gennaio 1915 fino al marzo 1919 col pendant no. 032, nel 1921 alla Commercial Cable Co. come posacavi col nome GEORGE WARD, nel 1925-26 ad Attilio Gatti Spedizioni di La Spezia come ARDITA II, nel 1927 a Tito Campanella di Genova come yacht ALICE. Nel 1930 alla SA di Navigaz. Aerea, Genova, e nel 1933 alla Regia Aeronautica. Utilizzata per le trasvolate di Italo Balbo, dal 1930 nave scuola per l'Accademia Aeronautica. Catturata a Port de Bouc l'8 Settembre 1943, nel luglio 1944 in servizio come SG 23 (Schnell Geleitboot, nave scorta veloce) per la Kriegsmarine, poi prevista come nave appoggio per 16 lance dragamine, autoaffondata a Marsiglia il 27 agosto 1944 nel Bacino Mirabeau, demolita nel 1946/47. Axs

      [Bookseller: Libreria Bongiorno Paolo]
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        eigentl. Hans Bötticher, Dichter und Kabarettist (1883 - 1934): Eigenhändige Widmung mit U. (7 Zeilen) in seinem Buch: "Die Flasche und mit ihr auf Reisen"

      Kl.-8. 178 (+1) S. OKart. mit Deckelillustr. von Olaf Gulbransson. Erstausgabe (WG 33), von Joachim Ringelnatz auf dem Vorsatz einem engen Münchner Freund gewidmet: "Mein lieber Fritzl / zum 13. Dezember 32 / sei herzlich beglückwünscht / auf gutes Wiedersehen / im Mai / Dein / Berliner Ringel." . - // - Der "Berliner" Ringelnatz war 1930 endgültig von München nach Berlin gezogen, denn er erhoffte sich dort größere berufliche Möglichkeiten. Reminiszenz an die Münchner Zeit ist die Deckelillustration (Flasche mit Theatermasken) von Olaf Gulbransson, der ebenfalls viele Beziehungen zu Berliner Kulturszene hatte. - Nach seinem Theaterstück "Die Flasche (Eine Seemannsballade)" in 3 Akten (Knickspur als Markierung des Endes) berichtet Ringelnatz ab S. 85 im "Tagebuch von 1932" über die Entstehung des Dramas "auf Hiddensee bei Asta Nielsen und für Asta Nielsen". Der erste weibliche Filmstar in der Geschichte des Kinos verbrachte mit ihrer Familie in ihrem Haus auf Hiddensee oft mehrere Sommermonate und hatte dort Freunde, wie Joachim Ringelnatz mit Frau, Heinrich George und Gerhart Hauptmann zu Gast. Vor allem geht es aber darum, was Ringelnatz als Hauptdarsteller in seinem eigenen Stück auf Gastspielreise durch Deutschland und die Schweiz mit einem Ensemble des Stadttheaters Nordhausen erlebte. - Die Ringelnatz-Tournee, die in Prag (Treffen mit Max Brod) endete, führte von Zürich nach München. Dort gastierte die Truppe mit "Die Flasche" in den Kammerspielen und Ringelnatz hatte seine letzten Auftritte im Kabarett "Simplicissimus". Der Münchner Freund, dem diese Widmung, wohl zum Geburtstag, gilt, kümmert sich treusorgend um Ringelnatz und pflegt ihn "mit heißer Milch und Honig". Er wird mehrfach im "München" Kapitel (S. 137-145) erwähnt. Dieses beginnt mit "Als mich amicus Fritzl umarmt hatte" und endet mit: "Großer Abschied von lieben Freunden. Als am 20. Juni [1932] unser Zug nach Nürnberg auslief, winkte Fritzl uns noch lange nach." - Es war dies der letzte Besuch in München. Das in der Widmung angekündigte "gute Wiedersehen" kam nicht mehr zustande. 1933 erteilen die Nationalsozialisten Ringelnatz Auftrittsverbote in Hamburg und München. - Deckel des empfindlichen Einbands mit Einriss unten (s. Abb.) und mit geringen Gebrauchsspuren. Buchblock im ersten Teil unten minimal gestaucht, innen sonst alles sehr gut.

      [Bookseller: Antiquariat Richard Husslein]
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        Blick auf den Hamburger Hafen mit Schleppern und Dampfern. Öl auf Malkarton, rechts unten von Olde handsigniert, gerahmt.

      Bildmaß ca, 24 x 35 cm ( Höhe x Breite ). Rahmenmaß ca. 32 x 42 cm. Gezeigt wird der Blick in den Hamburger Hafen mit allerlei Schiffen, Schleppern und Dampfern. Das Gemälde von guter Erhaltung, der schöne Rahmen bestoßen und etwas fleckig. Wohl um 1930 herum gemalt.

      [Bookseller: Antiquariat Friederichsen]
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        Sitzende Frau mit Hut. Vintage-Print.

      Ca. 1930. - 22,1:16,5 cm. Glänzender Gelatineabzug auf Barrytpapier. Rückseitig mit Bleistift bezeichnet: Hoyningen-Huene. Zustandsbeschreibung auf Anfrage.

      [Bookseller: M + R Fricke]
 27.   Check availability:     ZVAB     Link/Print  


        Rudolph, Wilhelm. - "Pavian".

      - Holzschnitt, auf schwerem hellgelbem Büttenpapier, 1930/um 1960. Von Wilhelm Rudolph. 37,2 x 42,3 cm (Darstellung) / 41 x 54 cm (Blatt). Rechts unten in Bleistift signiert: "Rudolph". Links bezeichnet: "Handdruck". - Zweiter Zustand des um 1930 geschnittenen Holzschnitts, von dem auch in Kurrentschrift signierte Abdrucke existieren. Der ehemals horizontal schraffierte Hintergrund jetzt vertikal schraffiert, womit die Figur vor dem helleren Fond deutlich freigestellt wird. - Tadellos erhalten. Sehr guter Zustand. Wilhelm Rudolph (1889 Chemnitz - 1982 Dresden). Dresdner Maler und Grafiker. 1906-08 Lithografenlehre. 1908-14 Studium an der Akademie der Künste in Dresden bei Robert Sterl, Meisterschüler von Carl Bantzer. 1914-18 Soldat im Ersten Weltkrieg. Ab 1920 freischaffend in Dresden tätig. Mitglied der "Künstlervereinigung Dresden". 1932 Aufnahme der Lehrtätigkeit an der Dresdner Akademie der Künste, 1935 Professur. 1938 Entlassung und Ausstellungsverbot. 1945 Verlust des fast gesamten künstlerischen Werks durch die Bombenangriffe auf Dresden. 1946-49 erneute Lehrtätigkeit an der HfBK Dresden. 1961 Nationalpreis der DDR, Martin-Andersen-Nexö-Preis der Stadt Dresden, Kunstpreis des FDGB. 1979 Ehrenbürger der Stadt Dresden. 1980 Nationalpreis der DDR. Sprache: Deutsch [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Serenade. Gedichten. (Luxe-exemplaar).

      Maastricht/ Brussel, The Halcyon Press, 1930. Ingenaaid met omslag. In verguld linnen overslagdoos (met de titel op de rug en een vignet van John Buckland Wright op het voorplat). (4), 40 p. Gezet uit de Romanée van Van Krimpen en gedrukt in een oplage van 310 genummerde exemplaren. 1e druk. Omslag aan bovenrand wat verkleurd. Gaaf exemplaar.l Eén van de 10 Romeins genummerde luxe-exemplaren, gedrukt op Japans papier. Dit is nummer VI. De Halcyon Pers 3. Van Dijk 230.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 29.   Check availability:     NVvA     Link/Print  


        I Promessi Sposi storia milanese del secolo XVII

      A. Barion Editore, 1930. ITALIANO 0,43 Legatura amatoriale, copertina rigida, in mezza-tela; evidenti segni del tempo, cerniera esterna sfilacciata, mende alle punte, abrasioni ai piatti, bordo stanco. Pagine ingiallite, con bruniture e fioriture sparse. Presenti segni e sottolineature a penna e a matita. USATO

      [Bookseller: Biblioteca di Babele]
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        Heroes & Kings

      London: Sylvan Press, 1930. Limited edition. Very good. With Wood Engravings by Norman Janes.. Folio. Unpaginated. Finely printed on Barcham Green hand-made paper. Bound in coarsely woven red cloth blocked in gilt with a design by the illustrator on both the upper an lower boards. Top edge gilt. Contains twelve of William's poems followed by all seven of his Arthurian poetry: Tristam's Song to Iseult; Palomides' Song of Iseult; Lamoracke's Song to Blanchefleur; A Song of Palomides; Taliessin's Song of a Princess of Bysantion; The Song of the Riding of Galahad. One of 250 copies from a total edition of 300, signed by both Williams and Janes. This is copy No. 93. Light soil else a very good copy. Surprisingly scarce.

      [Bookseller: Thorn Books]
 31.   Check availability:     Biblio     Link/Print  


        RUTH DARROW & FIRE PATROL or Capturing Redwood Thieves BY MILDRED WIRT Benson, SIGNED By Author, Who is AKA Carolyn Keene, RARE Color Dustjacket of Pilot in Red Coats, Gloves & Blue Skirt with Flying Goggles in Front Airplane, Series #2,

      Grosset & Dunlap,, 1930. . Wirt AKA Carolyn Keene, BENSON, HBDJ, 1930, 1st Edition THUS , Small Triangular Chip front Bottom DJ, DJ tiny Chips & Long Cover Crease, & Small Mended TEARS Extremities DJ & Spine Ends SMALL Chips DJ, NF/VG-, AS-IS, Beige Yellow decorated Cloth with Ruth with flying Plane Background on front Lettered in Black, Cover Light Rub, Wear, Interior nice tight clean light FoX, Wear, 215 Pgs + ADS This Isnt All, Outdoor Girls, etc & ends with Lilian Garis Books Gloria at Boarding, Front flap lists to Nancy's Mysterious Letter in the Nancy Drew series, back flap lists Polly series to Joyful Adventures of Polly, back cover lists Ruth Darrow Flying series to Ruth Darrow In the Coast Guard. 5 1/4 x 7 1/2 inches. Extremely clean and bright internally with no visible flaws. Original dust jacket has some creases, small chips and edge tears but remains bright and presentable.,Author of many early Nancy Drew volumes for Stratemeyer Syndicate.. Signed by Author. First Thus. Hard Cover.

      [Bookseller: BLUFF PARK RARE BOOKS]
 32.   Check availability:     IOBABooks     Link/Print  


        A Collection of 43 SpaldingÕs Football Rule Books

      New York: American Sports Publishing, 1903-1930 - Some are in wrappers; some bound either with or without wrappers; many with notes, mostly pencil, and various enclosures, printed and holograph. These were the property of player and coach (mostly at the University of Chicago) Amos Alonzo Stagg, and his name is embossed on many covers, and while we are unfamiliar with his writing, presumably many, if not most or all, of the notes are in his hand. This is an extensive collection, but evidently not complete with every rule book from every year, and there are some duplicates. The condition varies as to be expected in publications intended for the playing field; generally very good. [Attributes: Soft Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 33.   Check availability:     AbeBooks     Link/Print  


        Stock Market Theory and Practice

      New York: B.C. Forbes Publishing, 1930. Hardcover. Very Good. First Edition, Fourth Printing as stated. Near Fine, in scarce dust jacket. Light foxing to end papers. Faint scuffing at bottom edge of boards. The dust jacket is remarkably well preserved. It shows crimping at the top of the rear panel, with a tape ghost to the verso, and very slight rubbing. An handsome copy, rare in such a nice dust jacket.

      [Bookseller: Burnside Rare Books, ABAA ]
 34.   Check availability:     ABAA     Link/Print  


        Lone Cowboy: My Life Story

      With an Exceptional Original Drawing by JamesJAMES, Will. Lone Cowboy: My Life Story. Illustrated by the Author. New York: Charles Scribner's Sons, 1930.First edition. One of 250 copies with an original James drawing bound in on thicker stock. The drawing in this copy is of a cowboy riding a running horse. The drawing is nearly half the page and has exceptional detail. The drawing is signed and dated in the lower right corner. Octavo (8 3/16 x 5 3/4 inches; 208 x 145 mm). [i]-xii, 431, [5] pp. With photographic frontispiece portrait, two facsimile letters, thirty-five full page James illustrations (included in the pagination) and numerous small drawings.Original smooth and shiny green cloth with a brown cloth spine. Original brown morocco spine label, lettered in gilt. Fore-edge uncut. Front inner hinge just barely starting. In green cloth slipcase with brown paper spine label. Overall, an excellent, about fine copy with a wonderful drawing."[Will James, a] western author and artist, was born Joseph Ernest Nephtali Dufault in St. Nazaire de Acton, Quebec, Canada, the son of Jean Dufault and Josephine (maiden name unknown). When the Dufault family moved to Montreal, he attended a Catholic school and his father ran a hotel, in which the boy heard stories of trappers that he later used to fabricate parts of his Lone Cowboy: My Life Story...Lone Cowboy, his partly faked autobiography, hoodwinked the vast American buying public, and even his wife, and was a 1930 selection of the Book-of-the-Month Club. (Its dishonesty was not exposed until 1967.) Although he wrote eighteen more books, James slowly lost his self-assurance, sense of well-being, and artistic inspiration. He constantly feared being found out as a prevaricating autobiographer." (American National Biography).Howes. Streeter.HBS 67870.$5,000

      [Bookseller: Heritage Book Shop, LLC ]
 35.   Check availability:     ABAA     Link/Print  


        THE PLAYS.

      Hodder & Stoughton. 1930 - REPRINT EDITION. 8vo. (8.5 x 5.9 inches). 844pp. Early full burgundy morocco leather binding. Spine with 3 raised bands, ruled in gilt. Green name label, gilt. Gilt lettering and circular devices. Colour leather onlay illustration of Peter Pan on a tree stump, to front board. Single gilt ruled border to both boards. All edges gilt. Leather turn inswith single gilt ruled lines. Plain endpapers. The binding is not signed but is certainly the work of a skilled craftsman. [Attributes: Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
 36.   Check availability:     AbeBooks     Link/Print  


        Beau Brummell.

      New York: Rimington & Hooper,, 1930. Royal quarto. Original red cloth-backed grey boards, pink paper label to front board, titles to spine gilt, top edge gilt. In the original green card slipcase. With 2 illustrations by W. A. Dwiggins in pink, green and orange. Spine slightly faded, contents clean. An excellent, fresh copy, in the uncommonly nice slipcase. Signed limited edition, number 161 of 550 copies, signed by the author in her trademark purple ink.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  


        Street Haunting

      San Francisco: The Westgate Press, 1930. Limited edition, no. 286 of 500 copies printed by the Grabhorn Press, signed by Woolf. 36 pp. 1 vols. 8vo. Half green morocco over printed paper boards, spine browned and joints very slightly rubbed, else fine; in original paper-over-boards slipcase. Limited edition, no. 286 of 500 copies printed by the Grabhorn Press, signed by Woolf. 36 pp. 1 vols. 8vo. Signed by Woolf. In the less common green variant binding, of which Magee estimated there was one for every ten in blue morocco. The essay was originally published in the Yale Review, October 1927. Heller & Magee 134; Kirkpatrick A13

      [Bookseller: James Cummins Bookseller]
 38.   Check availability:     Biblio     Link/Print  


        MUKARA

      New York: Rae D. Henkle Co., Inc. Publishers, [1930].. Octavo, pp. [1-10] 11-278 [279-280] [note: last leaf is a blank], original yellow cloth, front and spine panels stamped in black, top edge stained yellow, fore and bottom edges untrimmed, decorated green endpapers. First edition. The last remnant of the ancient empire of Mu is found in a hidden valley in the interior of Brazil. "Like Merritt; good reading." - Teitler (2013) 167. Bleiler, The Guide to Supernatural Fiction 289. Bleiler, Science-Fiction: The Early Years 284. Clareson, Science Fiction in America 1870s-1930s 098. Locke, A Spectrum of Fantasy, p. 42. In 333. Bleiler (1978), p. 33. Reginald 02003. A fine copy in about near fine pictorial dust jacket (with art deco design signed "C. L.") with chipping and a bit of tanning to spine panel and external tape mend to upper spine end. Presents very well overall. Scarce in the jacket. (#149394)

      [Bookseller: L. W. Currey, Inc.]
 39.   Check availability:     Biblio     Link/Print  


        Parabaik Burmese Myanmar Tattoo Book

      - CONDITION: Very Good; no marks, or tears; the black lacquer is a bit dulled. I have not attempted to clean it. There is a 1x1.5" chip in the black on one back corner and a small bump and crack on a front corner tip. The bird has a dull scratch near its head. The pages are Fine, bright, unwrinkled, and extremely clean; the folds are not rubbed or torn at all and the corners are sharp. There is no indication of when this book was published. Because the tattoo designs use four colours of varying shades, it is not an early 19th c book, The lacquer work suggests that it is older, probably before the suppression of tattoos by the British in the 1930's, so say 1890 to 1928, perhaps produced for the tourist trade and certainly barely used. BINDING: Concertina fold, leporello, book, 10.2 x 16.5 cm, 4.1 x 6.5" , with 18 + 16 "pages", pasted to decorated black lacquered wooden boards. (Unfolded, one side shows 16 double sided pages plus two "endpapers" pasted to wooden boards, making 18, the other shows 16 pages and the two boards) . The images are carefully hand coloured in several shades of green, yellow, and purple, and the edges of the rough mulberry? paper are stained in black. The boards have fine incised work in red, grey blue, and golden yellow, with lines and colours placed close together (for example, each gold "brushstroke" in our jpg is actually six fine lines). One board shows a woman in a courtyard among buildings with others looking out the windows, all very linear; the other board has elaborate curved coloured lines with a fantastic bird in the center cartouche. Parabaiks like these were produced as sample tattoo books. From the British museum, manuscript similar to ours: "The manuscript is a digest of tattoo designs for a potential client to choose from, and would have been used by the tattooer to advertise his range of work." The traditional tattoos had religious or magical powers and both protected the wearer and gave him strength. This book has 27 different tattoos, black outlined coloured drawings surrounded by text, some on double spreads and some single pages: elephants brandishing swords, goddesses riding tigers, magical birds, and creatures bearing magic squares and circles, fish, chicken headed snakes, and circles of lizards and many animals with human or goddess heads. ABE Heritage Seller, since 1996: Search ABE Keyword: oldchildrensbooks. Conservative AB condition grading, secure packing, international shipping. /anon. illustrator. [Attributes: Hard Cover]

      [Bookseller: Truman Price & Suzanne Price]
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