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Displayed below are some selected recent viaLibri matches for books published in 1930

        The Principles of Quantum Mechanics

      Oxford: The Clarendon Press, 1930. Hardcover in acceptable condition. No jacket. First edition. Previously owned by Clive Kilmister. Kilmister's signature and book plate on front pastedown. Boards are marked and scored. Spine is slightly faded. Leading corners, edges and spine are bumped and worn. Leading corners and spine ends are nicked. Page block and pages are marked and tanned. Penned and pencilled annotations on a few pages (possibly by Kilmister). Text remains legible throughout. Volume is slightly cocked and binding is visible throughout but remains intact. HCW. Hardcover. Acceptable/No Dust Jacket. Used.

      [Bookseller: PsychoBabel & Skoob Books]
 1.   Check availability:     Biblio     Link/Print  

        Imatges. Setmanari Grafic d'Actualitats Barcelona. Year I, no. 1 (11 June 1930) through Year I, no. 25 (25 November 1930) (all published).

      A complete run of all 25 issues (bound in one volume, each issue approx. 24 pp.) of the short-lived cultural journal published in Barcelona shortly before the tumultuous era of the Spanish Civil War, featuring articles on cultural and social events, art, cinema, travel, sports, politics, fashion, etc., with contributions by many noted scholars, critics, and cultural figures, profusely illustrated throughout after many hundreds of photographs. Large 4to. Boards. Some minor rubbing and soiling to boards, foxing to endpapers. Barcelona (Administracio Llibreria Catalonia) 1930.

      [Bookseller: F.A. Bernett Books]
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        Ã‰TUDES DE NU

      Paris: Librairie des Art Décoratifs, 1930. First edition. Krull, Germaine. Small 4to., (3) pp. text with 24 full-page photogravure plates, laid into a cloth backed paper over boards, ribbon tied portfolio. The text leaves are lightly toned at the edges with the photogravure plates also lightly toned when the unprinted areas of the paper stock are revealed; very good. The original portfolio is rubbed and worn, with the title hand-inked along the spine and a tear to the cloth. A near exact facsimile portfolio has been made, the typeface on the label is slightly less bold. All are housed in a newly made clamshell box of cloth with quarter morocco and spine label. A beautiful series of female nudes, from full figure to details. The strong and dramatic lighting accentuate the lush female forms. Parr and Badger, The Photobook, Volume 1, p. 78.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
 3.   Check availability:     Biblio     Link/Print  

        Le Parc de Saint-Cloud.

      1930 - Plume, encre de Chine et lavis, sur papier fin collé sur carton, (1920), cachet de l'atelier au dos, 12 x 21 cm. Belle étude représentant le parc de Saint-Cloud et ses promeneurs, avec vue sur les hauteurs. Les masses blanches et noires de la feuille et du lavis s'équilibrent avec beaucoup d'élégance. Petites déchirures au bord supérieur. Louis WILLAUME (Lagny 1874-Bois Colombes 1949) est élève des peintres William Bouguereau et Gabriel Ferrier. Il débute au salon de la Société Nationale des Beaux Arts en 1899, et reçoit le prix de la société des paysagistes en 1920, le prix Corot au salon de 1923 et la médaille d’or à la section des gravures en 1929. Il réalise environ 500 eaux-fortes.En 1948 il fait partie de la Société des Peintres graveurs français, créée sous l'impulsion de Bracquemond dès 1889. Spécialisé dans le paysage, Janine Bailly-Hertzberg le cite dans son dictionnaire du paysage au XIXe. Plusieurs de ses estampes sont conservées à la calchographie du Louvre. Oeuvre originale

      [Bookseller: Librairie Chretien]
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        [U.S.A. trilogy, comprising] The 42nd Parallel; [with] 1919; [and] The Big Money

      New York Harper & Brothers / Harcourt, Brace [through 1936] 1930 Three octavo volumes (probably unread), First Printings, in the original publisher's bindings and pictorial dust jackets. The 42nd Parallel: First edition (so stated, with correct A-E code), one of only 7500 copies issued. xii,426pp. Maroon cloth spine, decorative orange paper covers with over-all silver and blue design (one of two variants—no priority established), gilt paper spine label lettered in black, top edge stained orange, plain wove orange end papers. Just about Fine (spine label tarnished, very gently shelf rubbed, but binding tight and square); in better than Near Fine jacket (lightly chipped, spine panel slightly faded, but all lettering quite legible). 1919: First Edition (so stated), one of 10,250 released. viii,473,[1]pp. Orange cloth, upper cover and spine lettered in silver, top edge stained light chocolate. Fine, bright, square and tight; in better than Near Fine jacket, lightly rubbed with a few tiny chips. The Big Money: First Edition (so stated), one of 10,000 copies printed. viii,561,[1]pp. Blue cloth, upper cover and spine lettered in silver. Fine, in just about Fine jacket with light creasing to edges. Provenance: Bonhams Sale 19972, Lot 5175, collection of Michael Lerner with his book labels laid in. Potter 12, 13, 16. Modern Library 100, 23. Fine

      [Bookseller: Fine Editions Ltd.]
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        Soldiers' Pay [Dennis Wheatley's copy]

      London Chatto & Windus 1930 First Impression (no further printings noted), one of only 2000 copies of the author's first title published in the United Kingdom, with preface by Richard Hughes (who wrote "A High Wind in Jamaica" and, incidentally, helped launch Faulkner in England). 8vo: xii,326,[6, including four pages of publisher's advertisements]pp. Publisher's coarsely woven aquamarine cloth, spine lettered in gilt, top edge stained aquamarine, bottom edge uncut; cream-colored dust dust jacket printed in red and black, priced 7s/6d. Dennis Wheatley's copy, with his bookplate on front paste down. Top edge spotted, others lightly browned, otherwise about Fine, square and tight, in better than Near Fine jacket, the spine dust-soiled and a bit darkened, edges lightly rubbed and nicked. Petersen A2.14. Fine-

      [Bookseller: Fine Editions Ltd.]
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        The Great Airport Mystery

      Grosset & Dunlap, 1930 True first printing, 1930A-1 in Carpentieri, very good red cloth in a very good dust jacket. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books ]
 7.   Check availability:     ABAA     Link/Print  

        CAPÍTULO DEL TOISÓN DE ORO, CELEBRADO EN BARCELONA EL AÑO 1519. Estudio histórico por el Conde Vilanova. Ilustraciones heráldicas y dirección de Félix Domenech y Roura

      Graf. Juan Sallent, Barcelona/Sabadell 1930 - Gran folio, 185 págs. con un gran número de grabados en dorado y color, 45 láminas fuera de texto, 51 grabados intercalados en el texto, viñetas en color. Ejemplar núm. 18 de una tirada de 200 ejemplares en papel hilo con filigrana especial. Barbas. Lujosa encuadernación estilo francés del siglo XIX, en plena piel, con filetes dorados en lomo y planos, ruedas doradas en cejas, y guardas de seda. Magnífica impresión de gran riqueza ornamental, de esta obra dedicada a la orden nobiliaria del Toison de Oro, dividida en dos partes. La primera narra la historia de la orden, desde su fundación el 10 de enero de 1429 por Felipe el Bueno de Borgoña, hasta la muerte del emperador Maximiliano I en enero de 1519. A partir de la pág. 85, la obra se dedica al tema anunciado en el título: el Capítulo celebrado en Barcelona en marzo de 1518, (al estilo de la Corte de Borgoña, que corresponde al año de 1519 en España), según el manuscrito inédito del Acta Capitular de Barcelona, conservado en el archivo de la Orden. El Capítulo se reproduce en facsímil, en láminas a dos tintas situadas en las páginas impares, acompañadas de su traducción en las pares. Prácticamente todas las páginas contienen bellísimos grabados, muchos de ellos en oro y a todo color, dentro del texto, o en forma de cabecera o viñeta, el ejemplar cuenta además con láminas, en negro y color, impresas con gran calidad, así como las láminas a dos tintas con el texto en facsímil del Capítulo. Aunque en la portada conste Tomo I, es todo lo que se imprimió. (Palau, 365700). Genealogía. Heráldica. Historia. Órdenes de caballería. Bibliofilia. Genealogy. Heraldry. History. Chavalry orders. Bibliophilism.

      [Bookseller: Libreria Anticuaria Studio]
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        The Four Horsemen of the Apocalypse -- ORIGINAL COVER ART

      - Original cover painting, circa 1930. Gouache on illustration board. The image is 13½ x 14¾' on illustration board 14½ x 20". An original painting for the cover of Blasco-Ibáñez's great novel (the title of which is here alarmingly misspelled!). The art does not appear to have been published, although the artist, Paul Quinn, did execute cover paintings and interior illustrations for a number of books. The Four Horsemen of the Apocalypse is one of the great novels of World War I, centering on the French and German sons-in-law of an Argentinian land-owner who find themselves fighting on opposite sides of the conflict. The English translation was the top-selling book in the United States when it was published in 1919. Loss and stain to upper left margin: very good overall. [Attributes: First Edition]

      [Bookseller: Carpe Librum]
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        Dias de Ira: 23 Dibujos y Poemas del Terror Blanco Español.

      Three introductory leafs, including a foreword by Romain Rolland in Spanish, German, and French, and an introduction in Spanish and German by the Secretary of the International Association of Workers, followed by 23 bold and graphic original black-and-white images with evocative titles including "The Dictator," "The Law," "Capitalism," "Religion," "Fascism," "The Mercenary", "Torture", and "The Garrote", each image titled in German, French, English, Dutch, and Spanish, with a brief poetic caption in Spanish. Some pages with minor creasing, spot of foxing to title page. Lg. 4to. Illustrated wrpps. portfolio, contents loose as issued, portfolio with some toning, professionally restored. Berlin (Internationale Arbeiter-Assoziation) 1930.

      [Bookseller: F.A. Bernett Books]
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      The Derrydale Press. Near Fine. 1930. Hardcover. Deluxe limited edition of only 75 copies of which this is #6. Signed frontispiece etching by Schaldach. Full brown morocco leather bound cover with 5 raised bands and lovely gilt embossed wildlife decor has a hint of wear at the corner of the lower cap and lightly bumped top corners. Cover is otherwise pristine. Boards and spine are straight. Binding is tight. Pages clean and pristine. Frontispiece and color plates protected by tissue. ; Signed by Illustrator .

      [Bookseller: New Boston Fine and Rare Books]
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        Marguerite Kirmse's dogs

      The Derrydale press. Very Good+. 1930. Hardcover. Limited edition of only 750 copies. Signed by illustrator on frontispiece. Cover has light sunning tot he spine and near top edge and a small minor crease in the spine cloth and is in is in very good+ or better condition. Boards and spine are straight. Binding is tight. Pages clean and in very good condition. ; Signed by Illustrator .

      [Bookseller: New Boston Fine and Rare Books]
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        Praktisches Vorlagenwerk für Dekorationsmaler (30 Tafeln in 9 farbigem Offsetdruck)

      Seifried & Schwab, Atelier für Raumkunst, Karlsruhe 1930 - 30 color plates mounted on card stock, resting in paper-covered portfolio with color illustrated paste-down, ribbon ties and cloth spine. Portfolio protected by modern mylar. Plates are nine-colored offset prints of interior wall designs for ornamental painters. Some designs by E. Reinhardt. *Detailed description of plates below. Age wear, foxing and staining on boards. Cloth split along head and tail of spine, firmly holding. Sporadic foxing and few finger smudges to margin & verso of some plates. Tiny part on bottom right edge on plate 4 missing. Small sticker of F. Casnaova & Cie. on front board. Text in German. Portfolio in good-, plates in overall very good condition. Scarce portfolio with illustrations in stunning vibrant colors. * Plates: 1) Saaldekoration geeignet für Konzertsaal, Theatersaal, Tanzsaal. 2) Saaldekoration geeignet für Wirtschaft oder Speisehalle. 3) Saaldekoration für Festsaal, Wein-, Tee-, Speise-, Empfangsraum, Bibliothek, Lesezimmer. 4) Saaldekoration für Weinrestaurant, Empfangshalle, Wandelhalle, Wohndiele, Sitzungszimmer, Bibliothek, Herrenzimmer. 5) Saaldekoration für Cafe, Teestube, Tanzdiele, Vorhalle, Empfangsraum. 6) Saaldekoration für Cafe, Weinstube, Eingangshalle, Wandelhalle. 7) Zimmerdekorationen. a) Geeignet für Wohnzimmer, Schlafzimmer, Empfangszimmer, Nebenzimmer. b) Geeignet für Wohn-, Speise-, Warte-, Empfangs-, Neben-Zimmer, Vorhalle. 8) Zimmerdekoration geeignet für Diele, Empfangsraum, Vorhalle, Trauzimmer, Clubzimmer. 9) Zimmerdekorationen für a) Wohn-, Damen-, Empfangs- und Sprechzimmer. b) für Vorraum, Nebenzimmer, Wartezimmer, kleines Cafe. 10) Zimmerdekoration für Vorraum, Wintergarten, Gartensaal, Musikzimmer, Ausstellungsraum. 11) Zimmerdekorationen für a) Wohnzimmer, Herrenzimmer, Jagdzimmer, Empfangszimmer, Wirtschafts-Nebenzimmer. b) Speisezimmer, Diele, Musikzimmer, Bibliothek, Sitzungszimmer, Restaurant. 12) Zimmerdekorationen beide a & b geeignet für Wohnzimmer, Schlafzimmer, Herrenzimmer, Empfangsraum. 13) Zimmerdekorationen für Wirtschaft, Bauernstube, Speisezimmer, Wohnzimmer, Schlafzimmer, Empfangszimmer, Kinderzimmer, Wartezimmer, Lesezimmer, Arbeitszimmer, Wirtsch.-Nebenzimmer, Vorhalle. 14) Dekoration geeignet für Wohnzimmer, Schlafzimmer, Kinderzimmer, Wartezimmer, Büro, Flur, Herrenzimmer, Empfangszimmer, einfaches Kaffee- oder Weinstübchen. 15) Treppenhaus. 16, 17, 18 & 19) Treppenhaus. 20) Stimmungen für Korridore, Küchen und Badezimmer. 21) Zimmerdekoration für Räüme fast jeglicher Art, insbesondere für Empfangszimmer, Schlafzimmer oder Vorraum. 22, 23, 25 & 27) Wandmuster mit Borden. 24 & 26 Wandmuster. 28) Abschlussborden. 29) Wandfriese. 30) Einzelmotive. [Attributes: First Edition; Hard Cover]

 13.   Check availability:     AbeBooks     Link/Print  

        ON BEING ILL

      Richmond: The Hogarth Press. 1930. First edition, first printing. First edition, first printing. Signed by the author. Publisher?s original vellum backed green cloth with gilt titles to the spine, in dustwrapper. Marbled endpapers. Woodcut vignette on the final leaf. A lovely very near fine clean, bright and tight copy, the contents without foxing, previous owner?s inscriptions or stamps. Complete with the bright and attractive lightly rubbed and nicked Vanessa Bell designed dustwrapper which has a couple on tiny closed tears to the extremities. An excellent example. One of 250 copies printed. This numbered 153 and signed by Virginia Woolf in purple ink on the limitation page. Provenance: Although unmarked as such, this copy is from the collection of Peggy Belsher, secretary and head clerk at the Hogarth Press from 1928 to 1936. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 14.   Check availability:     Biblio     Link/Print  

        The Maltese Falcon

      New York: Alfred A. Knopf, 1930. First edition. Very Good +. A Very Good + copy with a previous owner's name on the front end paper and minor soiling to the boards. Despite the defects a very presentable copy of Hammett's masterpiece. Hammett's classic hard-boiled detective tale, which would go on to influence countless others in the genre. The story features the first appearance of Sam Spade - a character Hammett referred to as a man with "no original" - and was initially serialized in the classic pulp magazine Black Mask before it was published in book form. Hammett was inspired by his own work as a detective, which is thought have contributed to Hammett's lauded realism. Famed mystery author, Raymond Chandler, said of the work: "If you can show me 20 books written approximately 20 years back that have as much guts and life now, I'll eat them between slices of Edmund Wilson's head." The Maltese Falcon also inspired numerous films, including the 1941 noir classic of the same name, (which Variety called "one of the best examples of actionful and suspenseful melodramatic story telling in cinematic form") written and directed by John Huston and starring Humphrey Bogart, Mary Astor, and Sydney Greenstreet. The film would be nominated for three Academy Awards - including Best Picture - and was chosen for preservation by the Library of Congress' National Film Registry. The novel appears on Modern Library's list of the 100 best English Language Novels of the 20th century. Very Good +.

      [Bookseller: Whitmore Rare Books]
 15.   Check availability:     Biblio     Link/Print  

        Christmas Journey.

      1930 - MAYS, Douglas Lionel. Christmas Journey. Original pencil, gouache and watercolour illustration, signed 'Mays' within the image, c.1930. 360 x 210 mm. £495 [Attributes: Signed Copy]

      [Bookseller: Henry Sotheran Ltd]
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        The Bungalow Mystery

      New York: Grosset and Dunlap, 1930. First Edition. Hardcover. Fair/None. Illustrated by Russell Tandy. First Edition. Fair condition only. Blue cloth cover bumped, rubbed, worn, soiled with some stains. Front hinge cracked at title page, binding exposed at page 156. Four plates: frontispiece, page 159 (loose), page 96, page 157 (loose). No jacket.Your purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation.

      [Bookseller: Ohio Book Consortium]
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        Occupied Territory.

      London: Hogarth Press,, 1930. Octavo. Original green cloth, titles to spine gilt. With the pictorial dust jacket designed by Trekkie Parsons, the author's sister. Spotting to edges of text block. An excellent copy in a slightly toned and ege-chipped jacket with small snag to centre of front panel. First edition, first impression. Scarce in the jacket, which was the first jacket designed by Trekkie Parsons, the author's sister, and like her, a long-term collaborator of the Hogarth Press.

      [Bookseller: Peter Harrington]
 18.   Check availability:     Biblio     Link/Print  

        Akrobatik-Karikatur mit Schwein und Hund. Farbige Kreide.

       1930. Signiert \"W.A. Hablik\" und gewidmet \"Herrn Aug. Str[ä/ü?]bel zur Erinnerung.\". Auf China. 23,6 x 23,4 cm. Humoristisches, fein durchgearbeitetes Blatt. Gekonnte Darstellung der Tiere und ein interessantes Beispiel für den karikierenden Umgang Wenzel Habliks mit dem Thema Zirkus. - Der Maler, Radierer und Kunstgewerbler Wenzel Hablik studierte an der Wiener Kunstgewerbeschule und der Prager Akademie; seit 1908 war er in Schleswig-Holstein ansässig. Das Wenzel-Hablik Museum widmete dem Themenbereich Tierwelt und Zirkus im Oeuvre Habliks eine eigene Aussstellung mit dem Titel \"Habliks Tierwelt. Vom Bild bis zur Figur\". \"Einheimische und exotische Tierarten, phantastisch-animalische Fabelwesen und humorvolle Zirkusszenen: Tiere spielen im Werk von Wenzel Hablik eine besondere Rolle und dienen ihm als inspirierende Vorlage. In bunten Illustrationen, Skizzen, Ölgemälden, Metallskulpturen und Stoffentwürfen hält er sie fest. Es gibt kaum einen Bereich in seinem Schaffen, in dem er sich nicht mit der Tierdarstellung auseinandersetzt.\" ( - Sehr gut erhalten. Montierung in den Ecken teils minimal durchschlagend. Versand D: 5,00 EUR Hablik, 20. Jahrhundert, Expessionismus, 20th century, Originalhandzeichnung, Zirkus, Tiere, Karikatur,

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        The Director's Photograph Album for Ward Manor, the Old Folks Home and Youth Camp of New York City's Association for Improving the Condition of the Poor

      Annandale-on-Hudson, New York, 1930. Photograph Album. Very Good. Photography likely by Alfred Tennyson Beales. This large photograph album (13" x 15") contains 40 pages with over 80 photographs ranging in size from approximately 3" x 5" to 8" x 10". Almost all of the photographs have typed captions, many long and detailed. A large map and a two-page essay are mounted on three of the pages. Some of the pages have a little light edge-wear, but the photographs are in nice shape; several pages have vacant spaces where a few photographs have been removed. The album shows some wear and the joint of the front cover has been repaired with black cloth tape. The album cover has been stamped in gilt, "Ward Manor / On the Hudson / Ollie A. Randall." Ward Manor was the Old Folk's Home and Youth Camp for the New York City's Association for Improving the Condition of the Poor (AICP). In 1926, William Boyd, the owner of a baking company, purchased a large grey stone building and the surrounding land near Annandale-on-Hudson and donated it to the ACIP, which in turn used it create "a welcoming place for poor people to spend the last years of their lives." Eventually the ACIP bought surrounding properties and not only expanded the number of elderly rooms, but also created a summer vacation resort for semi-employed adults and a summer camp for impoverished children. Ollie A. Randall was the director of Ward Manor from 1926 until 1945, and this is her personal photograph album. Images include photos of the buildings, the grounds, the residents engaged in activities (gardening, hiking, knitting, rug making, etc.), common and personal rooms, resort activities (tennis, shuffleboard, horseshoe pitching, croquet), and camp scenes (campers, lodging, swiming, interacting with animals, ping-pong, arts and crafts, outdoor games, plays and performances, hayride, farming, a children's circus, etc. Ward Manor was transferred to Bard College in 1963 and today, the grey stone building serves as a domitory and student center. This is a unique photographic record of an important innovative and pioneering urban social program.

      [Bookseller: Read 'Em Again Books, ABAA]
 20.   Check availability:     IOBABooks     Link/Print  


      London: Faber and Faber, 1930. Pale blue boards, lettered in gilt. Color frontis. Boards a bit sunned, as usual, small surface chip and hairline crack in spine, internally very good or better. First edition, limited issue, of Ariel Poem number 29. One of four hundred numbered copies, printed on large handmade paper, and signed by the author. Accompanied by a good copy of the trade issue, that preceded the limited by a bit more than a week (wrappers a bit darkened and foxed). GALLUP A17a & b.

      [Bookseller: William Reese Company - Literature ABAA-]
 21.   Check availability:     Biblio     Link/Print  

        Turnpikes and Toll-Bars (2 Volumes, complete)

      Hutchinson & Co, London 1930 - circa1930; no date given; djs w/chipping, in mylar; 3/4 red leather w/red boards; xxxvi + 871 clean, unmarked pages; Introduction by The Rt. Hon. The Earl of Birkenhead; A vast and comprehensive compilation of data on British (plus American and Foreign) turnpikes, highways, tollgates, coaching, highwaymen, and other features of the British road, compiled from contemporary sources, and the writings of Burns, Byron, Dickens, Wordsworth, Pope, Ruskin, Coleridge, Shakespeare and a host of others. Lavishly illustrated, it was the first book in English on the subject, and will conceivably the last; it could hardly be bettered (COACHING) First Edition, No. 174 of 500 copies. 2 vols Size: folio [Attributes: First Edition]

      [Bookseller: Dorley House Books, Inc.]
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        TWENTY YEARS AT HULL-HOUSE With Autobiographical Notes

      New York: MacMillan Company. Very Good+ in Very Good+ dust jacket. 1930. Later Printing. Hardcover. Foxing to DJ; Inscribed 'faithfully yours' by the author; B&W Illustrations; 8vo; 462 pages .

      [Bookseller: Complete Traveller Antiquarian Bookstore]
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        Romantic China. An Album Containing... Photographic Studies of China's Historic Monuments and Charming Beauty Spots Complete with Descriptive and Historical Notes. By... Co-Authors of "Peking the Beautiful"

      Shanghai: Browhite Arts, (1930). First edition, small 4to, (76) pp. 32 black and white photographic illustrations, light marginal browning throughout. Original decorative maroon cloth, slightly rubbed and dusty, otherwise a very good copy. Scarce.

      [Bookseller: Bow Windows Bookshop]
 24.   Check availability:     Biblio     Link/Print  

        Michael and Mary: A Play (Signed Limited Edition)

      London: Chatto and Windus, 1930. First Edition. First Edition. One of 260 copies (this being No. 120) SIGNED by the author. Light fading to the spine, else a bright Fine copy. A lovely copy of this play by the author of "Winnie the Pooh."

      [Bookseller: Royal Books, Inc.]
 25.   Check availability:     Biblio     Link/Print  

        Haveth Childers Everywhere.

      Paris: Babou & Kahane, 1930. paperback. fine/near fine. Thin 4to, cream colored wrappers printed in green & black, glassine d.w. Paris: Babou & Kahane; N.Y.: Fountain Press, 1930. Limited Edition. Number 55 of 100 copies, printed on hand-made iridescent Japan, and signed by Joyce. The glassine wrapper is minimally chipped on the spine. Fine, lacking the slipcase.

      [Bookseller: Argosy Book Store]
 26.   Check availability:     Biblio     Link/Print  

        A Production Being Thirty-Two Collotype Plates Of Designs Projected Or Realised For The Pretenders of Henrik Ibsen And Produced At The Royal Theatre Copenhagen 1926

      London: Oxford University Press, 19304. First edition. Hardcover. Orig. vellum backed red cloth, front cover and spine lettered in gilt. Teg. Near fine in chipped, worn paper chemise and nicked green slipcase. Craig, Edward Gordon. 21 pages in text. Large folio, 51 x 39 cm, Limited edition copy 90 of 105 on hand-made paper signed by Edward Gordon Craig (from total edition of 605). Thirty-two full page theatrical designs, including eleven in color -- watercolor, chalk and gouache drawings with tissue guards. As a director Craig was testy, and considered extremely difficult to work with; he ultimately refused to direct or design any project over which he did not have complete artistic control. In practice this left him mainly jobless for the last forty years of his life.

      [Bookseller: Royoung bookseller, Inc.]
 27.   Check availability:     Biblio     Link/Print  

        Die niederländischen Meister. Beschreibendes Verzeichnis sämtlicher Zeichnungen. 2 Bände (Text- und Tafelband).

      Berlin, Verlag Bard, 1930 - Textband: 5 Bll., 340 Seiten. - Tafelband: 815 Abb. auf 220 Tafeln. Folio. (35,5 x 28 cm). Orig.-Leinenbände mit Rückentitel. *Beschreibendes Verzeichnis und zugleich Bestandskatalog der Niederländischen Zeichnungen im Kupferstichkabinett Berlin. Standardwerk und durch den großformatigen Tafelband mit hervorragenden Lichtdrucktafeln auch ein Augenschmaus für den Kunstkenner. - Der Textband gelegentlich mit kleinen Anstreichungen und handschriftlichen Ergänzungen oder Berichtigungen in Bleistift von Dr. Wolfgang Schulz. Insgesamt sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 7000 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Braun]
 28.   Check availability:     ZVAB     Link/Print  

        Important archive of signed documents from the files of his agent, Herman Citron, with 9 letters and 6 documents signed by Hitchcock, including: 7 T.Ls.s. relating to the films, I Confess, Mischief, Rear Window, The Trouble with Harry and The Man Who Knew Too Much.

      Various sizes, various dates, 1930s-1970s. , 1930. c.220pp., in card folder. Mostly fine. The archive contains original and retained letters, notes and agreements regarding film direction services, television and record company contracts, publishing and serial rights, and securing film rights including those for The Lodger, Mischief, Strangers On a Train, plus initial interest over Ice Station Zebra (which Hitchcock did not direct). There are also documents with two signatures and six initialled signatures of Patricia Hitchcock - the director's only child - an actress and producer who appeared in his films Stage Fright (1950), Strangers on a Train (1951), Psycho (1960). As expected there is much correspondence with the major Hollywood studios including letters signed by executives of Twentieth Century Fox, MGM, Warner Bros., Universal City Studios, Selznick International Pictures, and Myron Selznick (signed by their managing director). The premium material comprises; Original contract (1938) between Mayflower Pictures and Hitchcock Baker for Jamaica Inn (released 1939) signed and wax sealed by Mayflower. Pp19, plus associated correspondence. Hitchcock's retained copy agreement with Selznick International Pictures, hiring his services for one motion picture (Rebecca, released 1940). Pp.18, Signed by film mogul Daniel O'Shea for David O'Selznick, Culver City, 1938. Hitchcock's retained copy agreement with author Marie Belloc Lowndes securing film rights to her novel 'The Lodger', a psychological thriller based on the story of Jack The Ripper, filmed in 1944 with Merle Oberon. 2pp., 1940. Hitchcock: TLS to MCA (1949) re directing 'Nos deux Consciences' (I Confess, 1953) Hitchcock: original contract (1950) to secure film rights for the novel 'Mischief' by mystery writer Charlotte Armstrong. SIGNED by director and author. Hitchcock and Highsmith; brief agreement (1950) between Mary Patricia Highsmith and Alfred Hitchcock relating to the novel Strangers on a Train. 3 lines, unsigned. Hitchcock; TLS to MCA (1953) relating to the contract to direct Rear Window (1954). Hitchcock: 2 T.L.S.s to MCA (1954) regarding contract with Paramount to direct three motion pictures (which would be Rear Window, To Catch a Thief and The Trouble With Harry). One letter with pencil annotation concerning the three-film deal, noting 'mucho dinero'! Hitchcock; TLS to MCA (1954) regarding The Trouble With Harry (1955). Hitchcock: 2 T.L.S.s to MCA (1955) concerning Filwite Productions Inc. Filwite produced the Hitchcock - directed movie The Man Who Knew Too Much (1956). Hitchcock: a completed UK Income Tax exemption declaration, TWICE SIGNED. Hitchcock: letter re registering the film titles MARNIE and THE BIRDS (unsigned. 1961). Hitchcock: 2 agreements signed, between Hitchcock and his artists agency (1962). Hitchcock: Agreement signed, between Hitchcock and his artists agency (1963). Hitchcock: Signed Agreement to appear on 'The Dick Cavett Show' (1972). Hitchcock: five documents relating to Hitchcock's appearance on BBC TV's 'Film Night (1972). The remaining material concerns all aspects of Hitchcock's career, such as granting permission for use of his name in other productions, contracts with Psycho author Robert Bloch, summaries of production costs for various projects, contributing to an article 'Motion Pictures' published in Encyclopaedia Britannica, memos for Alfred Hitchcock Mystery Magazine and the TV series Alfred Hitchcock Presents.., legal and agency documents, a property taxt refund, plus notes on old agreements where money wasn't collected.

      [Bookseller: Adrian Harrington Rare Books]
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        Torrente Marano. Riassunto fotografico di parte delle opere eseguite nel decennio 1946 - 1955.

      Bologna, 1956. Album di grande formato (cm. 50 x 37) in pelle verde con 32 fogli in cartoncini grigio; con 28 foto di 22 x 16 e una 30 x 40. Eccezionalmente interessante documentazione della situazione postbellica del nostro Appennino.

      [Bookseller: Libreria Piani gia' Naturalistica]
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        Photo Album]: Colorado Family including Earthquake

      Pueblo, Colorado 1930 - Oblong quarto. Measuring 7" x 11". String-tied black cloth over paper boards with "Photographs" stamped in gilt on the front cover. Contains 238 sepia toned or black and white gelatin silver photographs measuring between 4" x 3" and 5.5" x 8" affixed to stiff black paper with some captions. Very good photo album with some spotting and edgewear with near fine photographs with some edgewear.A photo album of a Western American family, the Gillian's, kept between the early 1900s through the 1930s in the Colorado area, three photos are printed as cyanotypes. Many of the photos show the family posing around their home in various group photos. Some of the photos show a little girl in various costumes and others show people working on the Gillian's farm. An early photo shows women working at a switchboard. Roughly 24 photos show the aftermath of an earthquake in Pueblo, Colorado, presumably close to the Gillian home. The photos feature the devastating effects the earthquake had on the main street of the town, turning buildings to rubble and uprooting the railroad. One section shows the family on a trip to a ranch which involves horseback riding, hiking, and posing around early automobiles. The Gillians also frequented New York for vacations with trips detailed here of Lake George and Birch Grove.An extensive album of family photos including farm life and an earthquake. [Attributes: Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 31.   Check availability:     AbeBooks     Link/Print  

        The Last Hero

      Hodder and Stoughton 1930 - The First Saint book published by Hodder and Stoughton in 1930 - The Last Hero by Leslie Charteris. Scarce First Edition in DJ. Blurb on rear cover explaining what a great writer Leslie Charteris is. Slight restoration to DJ by professional restorer. A beautiful and very rare book. No date but dedication is dated January 1930 and only refers to "Meet the Tiger" on the title page. Some mild foxing to wrapper and spine colour is slightly different shade, as is the spine cloth, see pictures. VG+ book in VG+ wrapper. Please ask any questions you might have. Paypal accepted. [Attributes: First Edition; Hard Cover]

      [Bookseller: Fawsley First Editions PBFA]
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        My Early Life. Together with: Thoughts and Adventures.

      London: Thornton Butterworth, 1930 and 1932., 1930. FIRST EDITIONS, octavo. Handsomely bound in matching half dark green morocco with gilt titles and tooling to spines, green cloth boards, top edge gilt. Illustrated with photographic frontispieces and several cartoons. A fine set, housed in a fleece-lined cloth slipcase. These two volumes represent Churchill's only autobiographical works.

      [Bookseller: Adrian Harrington Rare Books]
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        ELZTAL. Reliefpanorama des Elztals mit den Städten als Vogelschauansichten.

      - Aquarell mit Deckfarben über Bleistift, sign. "J. Ruep", um 1930, 46 x 60 cm. Schöner Blick von Gundelfingen, Glottertal, St.Peter, St.Märgen und Furtwangen in das Elztal, in der Ferne Kinzigtal und Offenburg. Der Hauptort ist Waldkirch, am linken Bildrand noch mit feiner Gesamtansicht von Emmendingen. - Auf Leinwand aufgezogen. [Attributes: Hard Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
 34.   Check availability:     ZVAB     Link/Print  

        Vecchia Genova. Trenta litografi di Riccardo Lombardo con testo di Mario Labo.

      Genova, Stabilimenti Italiani Arti Grafiche, 1930. 1 Doppelblatt Titelei, 1 Blatt Verzeichnis der Lithographien, 30 Lithographien in Braunton, jeweils eingelegt zwischen ein Doppelblatt mit Beschreibung und lithogr. Vignette. Lose in Halbleinenmappe mit marmoriertem Bezugspapier, montiertem Titelschild und 2 Leinenschließbändchen. Groß-Folio. (Blattgröße: 52,5 cm x 37, 5 cm; Bildgröße: ca. 38 x 27 cm). Mit Signatur von Roccardo Laombardo und Mario Labo auf Titelei. - Nr. 64 von 290 Exemplaren - . Auf dem Innendeckel der Mappe mit schwarzer und roter Tusche handgeschriebene Urkunde: \"Dem scheidenden Kommandanten des deutschen Wehrmacht-Standort-Offizier Trapani und Genua, Herrn Major Schad in Dankbarkeit seine Offiziere, Beamten, Unteroffiziere und Mannschaften. Genua, den 10. Juli 1943.\" (Mit 19 Unterschriften). Sehr schönes, sauberes Exemplar. Die einzelnen Lithographien: 1. Porta Soprana. 2. La Torre di Palazzo Ducale. 3. Palazzo San Giorgio. 4. La Porta del Molo. 5. Il Ponte di Carignano. 6. Il Campanile di San Lorenzo. 7. I tetti di San Lorenzo. 8. Il Campanile di S. Donato. 9. Santo Stefano. 10. Piazza San Matteo. 11. San Giovanni di Prè. 12. Sant` Agostino. 13. San Pancrazio. 14. San Pietro in Banchi. 15. L`Albergo die Poveri. 16. Palazzo Tursi. 17. Palazzo Durazzo Pallavicini. 18. Piazza del Ferro. 19. Piccapietra. 20. Mascherona. 21. Le Fosse del Colle. 22. Vico delle Grazie. 23. Piazza del Ponticello. 24. Piazza die San Silvestro. 25. L`Altana. 26. Il Colle. 27. S. Pietro della Foce. 28. S. Maria della Sanità. 29. Lo Sperone. 30. S. Barnaba. Versand D: 4,90 EUR [Kunst. Lithographien. Italien. Genua. Deutsche Wehrmacht.]

      [Bookseller: Antiquariat An der Rott Emma Eigl]
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        Nancy Drew Mystery Stories: The Bungalow Mystery

      Grosset & Dunlap, Inc., 1930 Very good in a very good dust jacket. First edition, first printing, 1930 A-1. Previous owner's name on front free end paper, and small book seller's sticker affixed the to back free end paper. Rubbing along the top and bottom edges, and slight foxing on top page ends. Jacket has two pieces missing at the top of the front panel, as well as missing pieces at the top and bottom of the spine. Chipping at corners and rubbing along the edges, a couple of closed tears at front panel. Comes housed in a custom-made slipcase.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
 36.   Check availability:     Biblio     Link/Print  

        The Edwardians.

      London: Hogarth Press,, 1930. Octavo. Original orange cloth, titles to spine gilt. Spine gently rolled, slight spotting to edges of text block. An excellent copy. First edition, first impression. Inscribed by the author to Peggy Belsher, secretary and head clerk at the Hogarth Press from 1928 to 1936: "For Miss Peggy Belsher, V. Sackville-West (front free endpaper). July 1930". There was also a signed limited edition of 125 copies.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  

        Entwurf einer Landschaft. Illustré de lithographie par C.-L. Roux. (d.i. Gaston-Louis Roux)

      Editions de la Galerie Simon, Paris 1930 - Paris, Editions de la Galerie Simon 1930. 19,5x26 cm. 28 n.n. S. mit 5 ganzseitigen Originallithographien. Originalbroschur. Raaben 65.10 - Skira 320. - Erste Ausgabe. - 1/900 numerierten, von Einstein und Roux signierten Exemplare auf Van Geldern Bütten. - Mit handschriftlicher Widmung von Daniel Henry Kahnweiler für Jügen Claus auf dem Vorsatz: "von einem alten Freunde Carl Einsteins". - Kahnweiler hat 1920 die Editions und Galerie Simons gegründet die er, unter dem späteren Namen seiner Frau, als Galerie Louise Leiris, bis kurz vor seinem Tode 1979 weiterführte. - Einsteins lyrischer Text, radikal in seiner Gestaltung und begleitet von ebenso radikalen Grafiken des zu Unrecht fast vergessenen Surrealisten Gaston-Louis Roux. - Schönes, fleckenloses Exemplar. - Selten. Sprache: N [Attributes: First Edition; Soft Cover]

      [Bookseller: Daniel Thierstein]
 38.   Check availability:     IberLibro     Link/Print  

        Aquarell. Signiert „J. Weinheber | 1930".

      O. O., Juni 1930. - Ca. 115:115 mm. Gerahmt hinter Glas. Auf der Rückseite des Rahmens eh. bezeichnet „Original Motiv | Wiesenbach NÖ | J. Weinheber, Juni 1930". – Der Trägerkarton an den Ecken etwas bestoßen.

      [Bookseller: Kotte Autographs GmbH]
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      Duckworth 1930 - Limited signed first edition, no. 99 of 110 copies signed by the author and with a page of manuscript tipped-in. Near fine book, very slight rubbing at spine ends and corners. Frontispiece, maps and b/w photos. 206 pp. 1 vols. 8vo. Waugh's First Travel Book. Housed in a custom-made slipcase. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
 40.   Check availability:     AbeBooks     Link/Print  

        Österreich-Ungarns letzter Krieg 1914 - 1918. Bände 1 bis 7 und Beilagenbände 1 bis 7 (ohne Registerband) Hg. vom Österreichischen Kriegsarchiv

      Verlag der Militärwissenschaftlichen Mitteilungen 1930 - 8°, O-Leineneinbände. Band 1: XIX + 835 Seiten, 1930. Beilagenband 1: Skizzen 1 - 56, Beilagen 1 - 28. Band 2: XV + 814 Seiten, 1931. Beilagenband 2: Skizzen 1 - 36, Beilgaen 1 - 40. Band 3: XVI + 624 Seiten, 1932. Beilagenband 3: Skizzen 1 - 20, Beilagen 1 - 32. Band 4: XVII + 745 Seiten, 1933. Beilagenband 4: Skizzen 1 - 4, Beilagen 1 - 29. Band 5: XIV + 746 Seiten, 1934. Beilagenband 5: Beilagen 1 - 35. Band 6: XVIII + 792 Seiten, 1936. Beilagenband 6: Beilagen 1 - 36. Band 7: XIX + 856 Seiten, 1938. Beilagenband 7: Beilagen 1 - 39, 1 Anlagenheft. Alle Bände in gutem Zustand. Bei Band 1 äußeres Leinen von Rückenkante gebrochen, Bindung nicht betroffen. Ohne dem Registerband. Alle Beilagen komplett (!) vorhanden ohne fehlender Nummern 0 S. [Attributes: Hard Cover]

      [Bookseller: Buchhandlung W. Neugebauer GmbH & Co.KG]
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        The Maltese Falcon

      Knopf, 1930 A very good first edition, with matching 1930 date on copyright page and title page and no mention of later printings. Spine of book slightly sun-darkened. Comes in a custom-made collector's slipcase.. 1st Edition. Hardcover. Very Good/No Jacket.

      [Bookseller: Bookbid Rare Books]
 42.   Check availability:     Biblio     Link/Print  

        Discours des misères de ce temps [gravures au burin sur cuivre d'Albert Decaris]

      Paris: Le fuseau chargé de laine, 1930. Livre. Illus. by Albert Decaris. Assez bon. En Feuilles. Signé par l'illustrateur. In-4. Paris, Le fuseau chargé de laine, 1930. 33 x 26 cm, in-4, (6) 193 (6) pp. - frontispice et 19 planches hors texte (compris dans la pagination), vignette de titre, 22 gravures dans le texte (en-têtes et culs-de-lampe), 12 lettrines gravées, couverture gravée sur les deux plats (soit 57 gravures au total), en feuilles sous couverture illustrée, chemise et étui muets. Tirage à 359 exemplaires. Celui-ci l'un des 300 sur vergé de Montval (n° 177). Notre exemplaire est enrichi de DEUX DESSINS ORIGINAUX (lavis et mine de plomb) signés de Decaris, au format de l'ouvrage (32 x 25 cm) mais n'ayant pas servi à l'illustration de celui-ci. Rousseurs parfois un peu envahissantes. (MONOD, 9905 ; CARTRET, IV, 347 : "très belle publication recherchée et fort cotée").

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Ölgemälde \" Apfelblüte im Alten Land \"

       Hübsches kleines Ölgemälde der Apfelblüte im Alten Land ( bei Hamburg ) des Künstlers Eduard Möller. Abmessungen: Höhe x Breite: 44 x 39 cm ( mit Rahmen 52,5 x 48 cm ). Alt gerahmt. Ca. 1930 gemalt, rechts unten signiert. ( Bitte beachten. Aufgrund der Bildgröße hier nur ausgerahmter Versand ohne Rahmen oder aber Selbstabholung des Bildes in meinem Ladengeschäft ). ( Pic erhältlich /webimage available ) Versandkostenfreie Lieferung Altes Land, Alte Land, Vier- und Marschlande, Hamburg, Gemälde, Ölgemälde, Eduard Möller, Möller

      [Bookseller: Antiquariat Friederichsen]
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        Discours des misères de ce temps [gravures au burin sur cuivre d'Albert Decaris]

      Le fuseau chargé de laine, Paris 1930 - Paris, Le fuseau chargé de laine, 1930. 33 x 26 cm, in-4, (6) 193 (6) pp. - frontispice et 19 planches hors texte (compris dans la pagination), vignette de titre, 22 gravures dans le texte (en-têtes et culs-de-lampe), 12 lettrines gravées, couverture gravée sur les deux plats (soit 57 gravures au total), en feuilles sous couverture illustrée, chemise et étui muets. Tirage à 359 exemplaires. Celui-ci l'un des 300 sur vergé de Montval (n° 177). Notre exemplaire est enrichi de DEUX DESSINS ORIGINAUX (lavis et mine de plomb) signés de Decaris, au format de l'ouvrage (32 x 25 cm) mais n'ayant pas servi à l'illustration de celui-ci. Rousseurs parfois un peu envahissantes. (MONOD, 9905 ; CARTRET, IV, 347 : "très belle publication recherchée et fort cotée") [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        4 TYPED LETTERS, INCLUDING 3 SIGNED, by the Modernist poet WALLACE GOULD admired by William Carlos Williams & Marsden Hartley.

      Circa, [1930]. [1930] - - Four letters by the poet Wallace Gould addressed to John Hyde Preston, author of "Mad Anthony Wayne" and "Revolution 1776" and associated with "Direction" Magazine. Three of the letters are signed by Gould, the other unsigned but with a manuscript correction in the poet's hand. All four letters are typed on 14 inch high by 8-1/2 inch wide buff paper. Each, directly or indirectly mentions his book "Aphrodite" which he would like to correct and revise by hand. In what appears to be the first letter, with over 400 words densely typed on one page, Gould writes to Preston: "I have intended to write you. I shall ask you if you possess a volume of Aphrodite. If so, would you find it interesting to possess in exchange for it another, with subsequent corrections and revisions? I have a great desire to place such a volume in your possession frankly with the ulterior motive of its being thus preserved for posterity. Like so many other publishing houses, the Macaulay house is primarily interested in socialism and negrophilism and memoirs of famous bad women, including Peggy Joyce, but not Aphrodite, and has taken up the publication of poetry only as a new broom to sweep out Eleanor Glynn." Far from wealthy, Gould inquires whether a play to be performed at the University is free: "And do I understand rightly that a Greek play is to be given soon at the University? . And like Pericles, does Jefferson open the theater free to the mob? I quiver in suspense." Signed in full "Wallace Gould".In a second letter, nearly 600 words densely typed on 2 pages, Gould again inquires about Aphrodite, apologizing for the necessity of trading copies with Preston because his "financial affairs have come to a crisis here." He comments on Preston's forthcoming book "Mad Anthony Wayne": "I am eager to read the history of your American madman. Get the publishers to do up the book, so that you will have no excuse for not sending it." He goes on to say: "You asked about Farmville. Farmville is where Lee surrendered ----- southern Virginia, middle southern, a hundred and some miles from Richmond. No, less than a hundred. Peggy Hopkins Joyce and I put Farmville on the map. She was born here." Signed in full.In his third letter of approximately 380 words, Gould now addresses his friend as "My dear Preston" and indirectly inquires if Preston has received his copy of Aphrodite. He goes on to reveal that "You and Alfred Kreymborg are the only ones I ever write to, these days. Do you know Alfred? He is an exception to the rule that applies to the artistic cult, so far as old fashioned friendship goes." He later asks, "By the way, honey, solve a mystery for me if you can. In the November number of Harper's (I think November) there was a sonnet with a strange theme. It was written by a woman by the name of Onsett or some such name and was called Expatriate ------- was all about some poor devil playing solitaire as I do in my own poems, exactly, and about teakwood (which I would not have in the house). But the rest of it ran true, even to the end, at which point the expatriate, whatever that is, went to the window and looked out on the night, and off, up toward Maine. Strange, is it not?" Gould has made 2 corrections in pencil and signed in pencil "Wallace Gould". The left edge of this letter is roughed and the letter is slightly soiled and creased with several finger smudges as if it had been handled frequently.His last sad letter, nearly 400 words, speaks of deep poverty: "There must come a change before I do more work. My very soul is sick with disgust and boredom. For the first time in my life I have been powerless to act ------ to rouse myself and get out of it all. Sheer poverty has forced me to chloroform all but three of my only spiritual companions, my cats, and for them I have three bottles of chloroform ready. I read your letter with a thrill for you, however, and particularly your hopes of going westward, willy-nilly, even though with money. Go on. Make yourse [Attributes: Soft Cover]

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Schwarzes Revier.

      - Bln., Fischer 1930, Or.-Ln.m.illustr.Schutzumschl.151 S., 127 Fotos d.Verf.auf 64 Taf., Band-u.Umschlagentw.(m.Fotomontage) v.W.Beucke.1.Ausg.dieser berühmten Reportage aus dem Ruhrgebiet.Umschlagränder etw.berieben, mit kl.Einrissen u.2 kl.Fehlstellen, Schnitt schwach stockig, sonst schönes Expl. [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Die Schmiede]
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