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Displayed below are some selected recent viaLibri matches for books published in 1930

        As I Lay Dying

      New York: Jonathan Cape & Harrison Smith, 1930. First Edition. Hardcover. Very Good. First edition, first printing, second issue with the "I" properly aligned on page 11. Very Good, with darkening to spine cloth and wear at the crown, corners gently bumped, pages toned, previous owner emboss to front free end paper and vintage bookseller ticket to rear paste down. Lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
 1.   Check availability:     IOBABooks     Link/Print  

        Rois De France Original Manuscript

      Paris, 1930. Unbound. Paul Fort's original manuscript, neatly and beautifully written in ink; quarto, 79 leaves of heavy cream paper and laid loose into a green portfolio. Paul Fort drew much of his inspiration from the Middle Ages, and the aballad form that he used almost exclusively was taken from the same period. He filled some forty volumes with his delicate ballads. He was also active in the theatre, even before the turn of the century, writing some plays himself and producing what were considered "difficult" plays by some of his contemporaries. In 1956, he received the Grand Literary Prize of the City of Paris for his works. Fine. Together with the limited edition of the book (#48 of 200 copies), Inscribed to Madame Christian Schram Senior and with an 11 line holograph poem, initialed "P. F." and dated Paris, May, 1931; and with an excellent 4 page autograph letter signed and dated October 8, 1930. A near fine copy.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        Two personal scrapbook-photograph albums belonging to Buckskin Ben Stalker, the owner of Buckskin Ben's Wild West Show

      Cambridge, Indiana, 1930. Two albums (each approximately 9" x 11.5") containing 74 pages with over 150 newspaper clippings, 97 photographs and real-photo-postcards (RPPC), several business letters, and three promotional handbills. The inside cover of one album is annotated in green ink: "Property of / Buckskin Ben (Ben Stalker) / Per. Address. / Buckskin Ben's Famous / Wild West Show / Cambridge City. Ind. / Lloyd Jeffries / Publicity Director." Buckskin Ben's photographic business card is mounted below the inscription. The photographs and RPPC include images of Ben in costume and mufti, trick riding, bucking broncos, animal acts including a high-diving dog, rope tricks, trick shots and sharpshooting by the Stalker children, the human impalement knife-throwing act, the cast relaxing, and more.All of the items in one album have been glued in place. Much of the material in the second album has been attached using what appear to be mounting "dots" that are integral to the pages. The albums have some wear, but all pages are soundly attached. Some of the clippings have toned. The spine of one album has been repaired with black cloth tape; now-yellowed cello-tape (affecting two clippings) was used to help hold its front cover in place. This is a unique, personal collections of memories compiled over almost thirty years by the owner and star-performer of a very successful Wild West Show. Buckskin Ben's Wild West, which has been called "The Biggest Little Wild West Show on Earth," was the creation of Ben Stalker, who was born in what is now the state of Oklahoma and never knew his parents. Stalker claimed to have been raised in an isolated cabin by a Native American trapper known as Rocky Mountain Tom White until the age of 12 when, according to a later annotation in the one of the scrapbooks, he a became a temporary ward of the famous pioneer, Ezra Meeker. Eventually, Ben found work on a cattle drive and by the age of 15 had become a seasoned cowboy. He married in the mid-1880s and shortly after became inspired to start a Wild West show on his own. His new wife, Mary shared his vision, picked up a rifle for the first time, and practiced until she became a crack shot. Mary also agreed to participate in what would become their featured "Human Impalement Act," where she stood stock-still against a wooden backboard while Ben threw knives around her profile. Eventually, they raised five children, and all became full-fledged sharpshooters featured in the show along with a number of other cowboy performers who specialized in rough and trick riding, lasso throwing, rope tricks, and animal acts. Ben's shows were billed as "Refined, High Class" entertainment with "No gambling or immoral attractions connected to the company." Each show consisted of six to eight half-hour acts and began with a musical performance by the exceptionally popular Buckskin Ben Family Band in which every family member played an instrument. Although the show always remained rather small, it was very successful, and in 1905 appeared for 14 weeks at Coney Island. Ben frequently signed on for entire seasons to travel with larger circuses and carnivals performing throughout the East, Midwest, Canada, and Mexico. When not on tour, the Stalker family and there show resided in Cambridge, Indiana. The show, renamed Buckskin Ben's Wild West Dog and Pony Show, continued in operation until 1929 when Ben retired at the age of 86.

      [Bookseller: Read 'Em Again Books, ABAA]
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        Polar bear fending off wolves [supplied title for the painting]

      New York, 1930. Watercolor and pen-and-ink painting, with highlights applied in white, 26 x 18 inches, an action scene of a polar bear on hind legs fighting off a pack of wolves, a wolverine perched on a snow-covered ledge above, ready to strike - "nature, red in tooth and claw." Signed by the artist in the lower right corner. The painting was produced to serve as the frontispiece for Paul Annixter's Wilderness Ways (1930). Bull was among the most respected illustrators of North American wildlife during the first half of the 20th century. A native of West Walworth, New York, he studied at the Athenaeum and Mechanics Institute in Rochester, before becoming an apprentice taxidermist at the Ward Museum of Natural History. In 1893 he prepared an exhibition of 400 birds for the Guatemalan government for the World's Columbia Exposition in Chicago. His outstanding work on the project won him an appointment as chief taxidermist of the National Museum in Washington. Much of his free time was devoted to his lifelong pursuit of drawing and painting animals, and he was a frequent visitor to the National Zoo; he also took classes at the Corcoran Gallery. Determined to devote himself fulltime to his art, he moved to New York, spending decades there producing paintings for illustrating books and magazine articles, more than 100 titles, and contributing regularly to the Saturday Evening Post, Life, Colliers, and other periodicals. He was especially noted for the anatomical realism of his depictions, a skill derived from his long experience as a taxidermist. Old tideline along bottom edge, upper corners a little chipped, one cracked, other minor wear around the edges. (#5190).

      [Bookseller: Bartlebys Books]
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      Large folio, containing loose, the half title and title pages, 4pp of text (all in French) and 24 heliogravure plates of which 12 are in colour. Published in Paris by Ch Massin & Cie circa 1930. Slight wear to some page edges. String ties missing. Faded and rubbed edges to paper covered boards.

      [Bookseller: Chantrey Books]
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        RASSEGNA DELLA ISTRUZIONE ARTISTICA. Ministero della Educazione Nazionale - Direzione Generale delle Antichità e Belle Arti. Diretta da G. Ruberti.

      Regio Istituto di Belle Arti, 1930-1938. In-4, brossura, in 9 cartelle in tela. Offriamo una raccolta pressochè completa di 9 annate, dal 1930 (anno I) al 1938, cosi' composte: dal 1930 al 1933: annate di 8 numeri cad. - dal 1934 al 1938: 12 num. cad. Nella nostra raccolta il 1935 con 6 fascicoli (mancano i numeri dal 4 al 9) e il 1938 con 10 (mancano i numeri 5 e 6). Tutto il pubblicato. Cfr. Cat. dei Periodici delle Bibl. Lombarde,IV,94. In buono stato (good copy).

      [Bookseller: Libreria La Bottega delle Occasioni]
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        Polar bear fending off wolves [supplied title for the painting]

      New York 1930 - Watercolor and pen-and-ink painting, with highlights applied in white, 26 x 18 inches, an action scene of a polar bear on hind legs fighting off a pack of wolves, a wolverine perched on a snow-covered ledge above, ready to strike — "nature, red in tooth and claw." Signed by the artist in the lower right corner. The painting was produced to serve as the frontispiece for Paul Annixter's Wilderness Ways (1930). Bull was among the most respected illustrators of North American wildlife during the first half of the 20th century. A native of West Walworth, New York, he studied at the Athenaeum and Mechanics Institute in Rochester, before becoming an apprentice taxidermist at the WardMuseum of Natural History. In 1893 he prepared an exhibition of 400 birds for the Guatemalan government for the World's Columbia Exposition in Chicago. His outstanding work on the project won him an appointment as chief taxidermist of theNational Museum in Washington. Much of his free time was devoted to his lifelong pursuit of drawing and painting animals, and he was a frequent visitor to the National Zoo; he also took classes at the Corcoran Gallery. Determined to devote himself fulltimeto his art, he moved to New York, spending decades there producing paintings for illustrating books and magazine articles, more than 100 titles, and contributing regularly to the Saturday Evening Post, Life, Colliers, and other periodicals. He was especially noted for the anatomical realism of his depictions, a skill derived from his long experience as a taxidermist. Old tideline along bottom edge, upper corners a little chipped, one cracked, other minor wear around the edges. (#5190) [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Bartleby's Books, ABAA]
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        The Christopher Robin Birthday Book

      Methuen & Co.Ltd, London, 1930 Very good in a very good dust jacket. First Edition as indicated by the copyright date of 1930 stated on the copyright page. A wonderful date book for birthdays, decorated by E.H. Shepard. Each page features a black and white illustration and two dates of the year, each with a character quote; along with blank space for the owner to enter birthdays. Completely unused and blank throughout. Book is very good in original red cloth covered boards with gilt stamped detailing. Slight edge wear, bending of the spine ends, and minor foxing. Dust jacket is intact with some soiling and darkening; chipping along the edges, at corners, and spine ends. A small piece is missing from the top of the spine end. A wonderful collector's piece.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books]
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      - 13 tirages Aubervilliers, c. 1930, , 13 tirages gélatino-argentiques contrecollés sur papier fort gris en feuille et réunis sous chemise cartonnée in-4 oblongue à cordelette, , Série photographique réalisée dans les ateliers de la maison Magloire située à Aubervilliers. Spécialisée dans la confection de tripes, pâté, saucisses. mises sous conserves. L'entreprise fournissait les fameuses tripes à la mode de Caen. Les clichés, de bonne qualité, portent pour la plupart une légende tapuscrite contrecollée en bas de l'image. Les formats sont compris entre 125 x 170 et 230 x 175 mm. Les clichés permettent de visualiser les différentes étapes de la confection jusqu'à la livraison en présence des ouvriers hommes et femmes : Le "Pesage des tripes", "la préparation des abats", la cuisson au four, la préparation des pâtés, le remplissage et le sertissage des boîtes, la stérilisation en autoclaves - avec un beau cliché montrant un ouvrier contrôlant la température de stérilisation sur un tableau - ; "l'atelier de force motrice" avec une chaudière à vapeur et chargement automatique, 4 modèles de camionnettes de livraison ("parmi nos 17 modèles) ; enfin un cliché présentant un ensemble de conserves empilées de la maison Magloire. Intéressant album montrant les conditions de travail et les outils de la conservation alimentaire de l'époque. Ex-dono manuscrit. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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      London: Ernest Benn Ltd., 1930. Hardcover. Near Very Good/Near Fine. London: Ernest Benn Ltd., 1930 2nd Printing. Rare Early Sayers. This is the 2nd impression stated from April 1930) (not 1928 Benn first impression). Original red cloth, black spine print. p. 287. The peach coloured 3/6 Benn wrapper (rare as hen's teeth) is clean like the day it was issued. Note that both first and second impressions of these elusive early Sayers titles were tiny print runs. The book itself has page edge foxing, slight board warp, spine fading and offsetting to the endpapers but is extremely tight and clean inside. Hubin, p. 366. Cooper & Pike, p. 271-273. Full jacket scans on request, questions cheerfully answered and customer satisfaction quaranteed. Find out why 75 % of our business is from repeat customers. Extra shipping and insurance at cost to many destinations.. Hard Cover. Near Very Good/Near Fine.

      [Bookseller: Finefinds Collection Management]
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        My Early Life.

      London: Thornton Butterworth Limited,, 1930. A Roving Commission. Octavo. Original dark pink cloth, titles to spine and front board gilt, publisher's device and broad single rules to covers in blind, bottom edge untrimmed. Housed in a custom red crushed half morocco solander box. Photographic frontispiece and 15 plates of which 12 from photographs, folding map, 8 maps and 2 plans to the text. Spine faded, and with a short closed nick to the headcap, very small portion of wear to head of front joint, corners very lightly bumped and rubbed, a few small pale marks to front cover, light toning. A very good copy. First edition, first impression, first state (without the cancel half-title). With Churchill's signed inscription to the front free endpaper: "Inscribed for Oliver Baldwin by his colleague at Westminster, Winston Churchill, August 1936". A superb association copy of Churchill's first volume of sustained biography. Oliver Baldwin (1899-1958) rebelled against the politics of his father, Stanley, and was elected Labour MP for Dudley in 1929, having unsuccessfully contested the same seat in 1924. He had previously seen active service in France before being appointed an infantry instructor in newly independent Armenia and serving in the Turkish-Armenian War, during which he was arrested first by Bolshevik revolutionaries and later by Turkish authorities who suspected him of being a Russian spy. When Stanley Baldwin became prime minister of the National Government in 1935 Churchill was invited to serve on the air defence committee, but really was hoping for a cabinet role. That winter he travelled to Morocco, where he received the news that his son, Randolph, was to contest the Ross and Cromarty by-election in February as Unionist candidate against Malcolm MacDonald, son of Ramsay and, until his narrow defeat in the general election in November, one of only eight remaining Labour MPs who supported the National Government. Churchill was appalled, fearing the consequences for his advancement under Baldwin, and wrote to Clementine that "Rothermere is sending Oliver Baldwin to write up Randolph, which he is apparently ready to do, and to write down Malcolm, which of course is what all other Socialists revel in. So we shall have Ramsay's son, Baldwin's son and my son ? all mauling each other in this remote constituency" (Gilbert, Churchill, vol. 5, p. 697). Churchill appears to have used his influence with Rothermere, who soon arranged for Oliver to write an article "examining the relations of fathers and sons in politics and pointing out that sons must take their own line and their fathers cannot be held responsible" (idem, p. 698). MacDonald comfortably won the election, with Randolph Churchill a distant third, and the following month Winston learned he was not to offered the newly created post of minister for the co-ordination of defence. Further differences between Churchill and the government were beginning to emerge, however, and in response to Baldwin's continuing emphasis on appeasement and defence, especially following the remilitarisation of the Rhineland, he "began to call for Britain to take the lead in the pursuit of collective security through the League of Nations, a policy that opened up the possibility of co-operation with the Soviet Union. And although he continued to base himself mainly on the Conservative Party, he began to reach out?with the assistance of a cross-party organization, the Focus?for Liberal and Labour support" (ODNB). In August, the month of the inscription, Churchill was much disturbed by the outbreak of the Spanish Civil War. He wrote two articles for the Evening Standard, the first arguing for collective neutrality among the European powers, the second predicting that "the growing ascendancy of Nazism" would be accelerated, regardless of the result (Gilbert, Churchill, vol. 5, p. 783). He took little part in public controversy, though protested privately to Anthony Eden about the proposed Anglo-Egyptian Treaty. His main undertaking was to complete the third volume of Marlborough. He left for France on the 24th, spending a few days painting at the château of Consuelo Balsan near Dreux before travelling to Paris, where he had a sobering lunchtime discussion with French politician Georges Mandel, together with his literary assistant William Deakin, who had come to collect the Marlborough proofs. He returned to England in October to pursue his campaign for "arms and the covenant". Oliver Baldwin later returned to parliament as Labour MP for Dudley in 1945, was elevated to the peerage on the death of his father in 1947, and the following year was appointed governor of the Leeward Islands, though was recalled in 1950, probably owing to combination of his outspoken socialist views, his racially inclusive approach to the local population, and his open homosexuality, which had already been cited against him at the time of his appointment. He died in 1958.

      [Bookseller: Peter Harrington]
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      Oxford: Shakespeare Head Press by Basil Blackwell, 1930. Limited to 450 copies, this no 168. Fine but for spotting to the cloth sides as so often found. Limited to 450 copies, this no 168. Five volumes. Quarto. Illustrated with wood engravings by John Farleigh: Portrait, title-pages, dedication and 48 full-page engravings. Bound in publisher's quarter red smooth morocco with tan linen cloth sides, the spines with titles and imprint in gilt. Ransom Checklist 70; Poole. Wood Engravings of John Farleigh, p. 116.

      [Bookseller: First Folio]
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        Dreyfus Collection. [Alternate subtitle from half-title: Certain of the sculptures from the collection of Gustave Dreyfus, Paris, which was acquired in its entirety from the executors of his estate in MDCCCXXX by Sir Joseph Duveen, bart.]

      1 pp. intro. to the Dreyfus collection of Renaissance sculpture by Kennedy, professor of art at Smith College, with annotated list of plates, followed by 57 orig. tipped-in photographic plates, also by Kennedy, ranging in size from approx. 11 1/4" x 15" to 8 1/2" x 10", of examples in the collection from the Italian (pls. I-L) and Northern Schools (pls. LI-LVII), incl. those by Desiderio da Settignano, Donatello, Luca della Robbia, Verrocchio, and Michel Colombe. Photographs in fine condition with exceptional clarity and contrast, rag paper sl. toned with deckled fore and bottom edges, preliminaries a bit soiled. Large folio. Cloth, scuffed and soiled, some separation at front hinge. London (Privately printed) 1930. From the edition of 24 signed by the printer, ex-libris John Pierpont Morgan, small armorial bookplate front board verso, signed dedication from Duveen to J.P. Morgan librarian Bella da Costa Greene on flyleaf. This scarce volume is one of several that Duveen used to publicize his acquisition of the renowned Dreyfus collection of fine and decorative arts.

      [Bookseller: F.A. Bernett Books]
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        "La sieste".

      1930 1Aquarelle et gouache sur papier, signée en haut à droite, (1930), 54 x 71 cm., cadre à caisson baguette chêne. Frans de GEETERE (1895 - 1968) étudie aux Beaux-Arts de Bruxelles, puis s'installe à Paris pour vivre sur une péniche près du Pont-Neuf. Il publie plusieurs ouvrages à compte d'auteur dont "les Malmenés" (1964). Il illustre "Les Chants de Maldoror" de LAUTREAMONT (1927), "les Lettres d'un satyre" de Rémy de GOURMONT(1926) et "Mes communions" de Georges EEKHOUD (1925). Cette oeuvre est à rapprocher d'une des 12 eaux-fortes de l'artiste illustrant l'ouvrage Spasmes et dont le titre est "La Porte Noire". Cette oeuvre d'une grande douceur montre une jeune femme de dos, endormie, jupon et jupe relevés sur le haut du bassin.

      [Bookseller: Librairie Chrétien]
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        On ferme.

      Sans lieu, Pour les amis du docteur Lucien-Graux, 1930. - In-8°, 34p. Edition originale illustrée de lithographies originales de Maurice Berdon. Celui-ci un des 25 exemplaires de tête sur Japon impérial accompagnés d'une suite sur Chine. Signé par Carco en page de faux-titre et enrichi d'un autoportrait signé de l'auteur sur une feuille volante insérée en début d'ouvrage. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Le Cabinet d'Amateur]
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        Signed Photograph

      1930. Used; Like New/Used; Like New. An extraordinary signed vintage postcard photograph of the legendary entertainer shown in a very sexy cabaret costume, boldly signed in blue ink, ca. 1930. 10 x 15 cm. Very fine.Baker was most noted as a singer, while in her early career she was a celebrated dancer. She was given the nicknames the "Black Venus" or the "Black Pearl", as well as the "Créole Goddess" in anglophone nations, while in France she has always been known in the old theatrical tradition as "La Baker."

      [Bookseller: Schubertiade Music & Arts ]
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        LA PAIX. Traduction nouvelle de M. Louis MARTIN-CHAUFFIER. Gravures au burin par J.-E. LABOUREUR.

      1930Paris, Pour les Bibliophiles du Palais, 1930. Grand in-8 (182 X 264) broché, couverture rempliée, premier plat de la couverture illustré d'une vignette gravée, titre gaufré en lettres dorées sur le premier plat, chemise et étui de l'éditeur ; 164 pages. EDITION ORIGINALE de la traduction et PREMIER TIRAGE des 25 GRAVURES au burin de Jean-Emile LABOUREUR (dont 3 hors-texte, 20 en-têtes et 2 bandeaux) et six vignettes sur bois. Tirage limité à 200 EXEMPLAIRES numérotés sur vélin de RIVES, tous nominatifs (n°83, imprimé pour Monsieur Jacques Piédelièvre). Exemplaire en PARFAIT ETAT. FINE COPY. PICTURES AND MORE DETAILS ON REQUEST.

      [Bookseller: Librairie ancienne & Moderne Eric Castér]
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        Collection of 50 Standard Oil Bulletins 1921-1935

      Excerpt from Standard Oil website referencing the art: With their unique convergence of social philosophies, artistic ideals, progressive attitudes and the ferment of the times, the artists were in the vanguard of what became known as the ?California Style.? Many narrowed traditional distinctions between fine and commercial art and managed to achieve recognition for both. Most of the illustrators represented one or more distinctive schools of art ? such as Fauvism, ?plein air? (literally, ?open air? or alfresco) and Modernism ? that gave an intellectual underpinning to their work. For the entire article . A collection of 50 Standard Oil Bulletins, published monthly by Standard Oil. The front (and back through 1930) covers are illustrated by "California Style" artists and include Maynard Dixon, Maurice Logan, Harold Von Schmidt, Waldo Bemis, W. R. DeLappe, Neher, Robert Kerfott, J. L. Starr and others. Few with discoloration to margins. Light staple rust.

      [Bookseller: Eclectibles]
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        Legends of Ancient China

      Chefoo, China: Temple Hill Cut-outs, c. 1930 or earlier. Hardcover. Fine. Oblong 8vo. Eight leaves of handmade heavy paper interleaved with text leaves printed on glassine. Each page has a silhouette intricately cut out of black paper and mounted. Bound in a Chinese-style binding with woven tapestry covers depicting a stream, pagodas, bridge, village and water bird, all in shades of green, beige and brown. The firs page contains a cutout of two figures, one in a boat, and the other on land with a tree and the title cut out of its branches. Thereafter are pictures of the seven legends with an English description facing on glassine: stories of children, frogs, the friend who failed, all popular legends of ancient China. With a letterpress sheet laid in describing the intricate process of making the silhouettes. A fine exemplar. A production of the Women's Bible School, Self-help Dept., Presbyterian Mission, Chefoo (now Yantai). The mission was established in 1899.

      [Bookseller: Thorn Books]
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        Wien 1898 - 1961). Blumenstillleben mit Schmetterling. Öl auf Holz. Um 1930. Unten rechts signiert 'O.R. Dogarth'. 40 x 30 cm. Im vergoldeten Stuckrahmen.

      1930 - Dogarth studierte an der Kaiserlich-Königlichen Kunstgewerbeschule in Wien u.a. bei A.M. Boehm, A. von Kenner und F. Cizek. Seine bevorzugten Motive waren Landschaften, Stillleben und Blumenstücke, die er im Stile des 17. Jahrhunderts in Szene setzte.- Blumenbukett mit Rosen, Tulpen und weiteren sommerlichen Blumen in einer Vase, oben links ein kleiner Schmetterling.- Verso schwacher Stempel.- Stuckrahmen mit kleiner Fehlstelle in unterer rechter Ecke.- Dabei ein Kaufbeleg vom Auktionshaus Stahl von 2000.- Aus der Sammlung Häusler, Kiel. Gewicht in Gramm: 500

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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      Paris, Fasquelle, 1930 23 x 16,8 cm, broché, couv. rempliée bleue imprimée en vert, 284 pp. Edition originale. L'un des 75 ex. num. du tirage de tête (le nôtre le n°14) imprimés sur papier Japon. Très bel et long envoi à Jean Herbert : " A Jean Herbert / cette pièce que depuis / trente ans les chansonniers / ont aidée, avec une amitié / aussi sincère que celle que / j'ai toujours eue pour eux. / Très cordialement / Marcel Pagnol / 1957". Dos lég. décoloré. Comédie en quatre actes. Première représentation en France au théâtre des Variétés en 1928.

      [Bookseller: Librairie Faustroll]
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        [Cabarets & Maisons closes].

      1930 ca Ensemble 11 cartes publicitaires imprimées en couleurs en forme de coeur, d'étoile et de pampre. Vénus, 124 Bd du Montparnasse Nu..ées d'Étoiles Revue de Leardy et Verly (2 exemplaires) ; Paradise 119 Boulevard Montparnasse J. Verly présente la dernière production de Leardy & Verly 37 Ex.Position nues 25 jolis mannequins 6 danseuses dans un décor de A. Liquois (2 exemplaires) ; Eve 7 place Pigalle Nu intégral revue suggestive dans un cadre intime entièrement nouveau avec les 20 plus jolies filles d'Eve et les meilleures vedettes de cabaret ; Gladys Hamilton présente sa nouvelle production Nus de minuit avec les plus jolis modèles de Montparnasse au Mirage 9 rue Delambre (4 exemplaires) ; Chez les Nudistes au Zelli's 16bis rue Fontaine ; Schubert Restaurant Salon de Thé, 134 Bd du Montparnasse.

      [Bookseller: Bonnefoi Livres Anciens]
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        The Five Star Theatre Presents: Foiled by Essolube. A Jig-Saw Melodrama. A 150 piece Moto Monster Puzzle featuring Zero-Doccus, Karbo-Nockus, Moto-Munchus, Oilio-Gobelus, Moto-Raspus. Sponsored by the Makers of Essolube.

      [New York: Standard Oil, c.1930s] - 150-piece puzzle printed in colour on a cardboard backing (435 × 285 mm). With the original brown paper wrapper printed in black. A couple of small spots to the lightly toned wrapper. In excellent condition. Puzzle and wrapper window-mounted, glazed, and presented in a black and red wooden frame. Overall size: 101 x 63 cm. During the 1930s, and prior to his career as an author, Theodore Geisel worked as an illustrator for the Standard Oil Company, where he designed the successful "Quick Henry, the FLIT!" bug-spray ads in which characters are menaced by gigantic Seussian pests. The artist's contract with the company lasted for 15 years and covered numerous products. This puzzle is part of Standard Oil's "Moto Monsters" campaign, featuring five car-damaging beasts who can be defeated by Essolube. It depicts a family happily driving away in their convertible as the monsters look on in annoyance, and advertises Essolube in the top right corner. An attractive puzzle in superb condition, this is one of the rare items that Seuss produced for children long before he was known as a children's book author.

      [Bookseller: Peter Harrington. ABA member]
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        3 ALS ("R. Slatin"). Vienna and [Merano], 1930 and 1931.

      1930. Large 4to. Altogether (1+1+1 =) 3 pp. on 3 fols. In German, to a "dear Doctor and friend", regarding the sudden death of a common friend and other personal matters: "To my horror I had to read in the paper that our dear friend Hofrat Fuchs has died suddenly - - Before he went to Florence with his daughter Mrs. Hoffmann he came to me - and made plans for our next meeting - his death touches me closely! [...]" (24 November 1930). - "[...] I hope to be able to leave the sanitarium on the 14th and then travel to Merano at the end of the week [...]" (11 September 1931). - "Unfortunately, the news from my little girl is not good. O plan to go to St. Blasien on Oct. 4 & 5 to see her and Dr Backmeister [...]" (undated, "Saturday"). - 2 letters on stationery with printed address.

      [Bookseller: Antiquariat Inlibris]
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        A Remedy For Disappearing Game Fishes

      Huntington Press, New York 1930 - Foreword by French Strother. Illustrated with woodcuts by Harry Cimino. Copy #125 of 990, the first publication of the press. This copy is INSCRIBED by the President on the verso of the front end paper "To Deb Hall With good wishes of Herbert Hoover" Small bookplate (1" x 0.75" ) on the rear paste down from now defunct book store. 8vo 6.38" x 9.75 (iv) viii 1-41 Very attractive special issue piece with marbled boards and linen paper. Handling indent on spine where removed from slip case. Previous bookseller notation in pencil on FFE. Fine in a Very Good+ slipcase with paper spine label, several spots on front, one small spot on rear. "Man and boy, the American is a fisherman. That comprehensive list of human rights, the Declaration of Independence, is firm that all men (and boys) are endowed with certain inalienable rights, including life, liberty and the pursuit of happiness, which obviously includes the pursuit of fish". (p. 4). Cloth-backed marbled boards in original slipcase with paper spine label [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Montgomery Rare Books & Manuscripts]
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        Nymphes Dansant avec des Satyres.

      P. Devambez 1930. In-4° en ff, sous chemise et étui (manque le dos de l'étui). 20 eaux-fortes originales, dont 10 H.T. gravées par Tigrane POLAT. Tirage limité à 151 exemplaires, un des 100 sur vélin de Rives. Notre exemplaire est enrichi d'un dessin original signé, au format du livre.

      [Bookseller: Librairie In-Quarto]
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        4 TYPED LETTERS, INCLUDING 3 SIGNED, by the Modernist poet WALLACE GOULD admired by William Carlos Williams & Marsden Hartley.

      Circa, [1930].. [1930].. - Four letters by the poet Wallace Gould addressed to John Hyde Preston, author of "Mad Anthony Wayne" and "Revolution 1776" and associated with "Direction" Magazine. Three of the letters are signed by Gould, the other unsigned but with a manuscript correction in the poet's hand. All four letters are typed on 14 inch high by 8-1/2 inch wide buff paper. Each, directly or indirectly mentions his book "Aphrodite" which he would like to correct and revise by hand. In what appears to be the first letter, with over 400 words densely typed on one page, Gould writes to Preston: "I have intended to write you... I shall ask you if you possess a volume of Aphrodite. If so, would you find it interesting to possess in exchange for it another, with subsequent corrections and revisions? I have a great desire to place such a volume in your possession frankly with the ulterior motive of its being thus preserved for posterity.... Like so many other publishing houses, the Macaulay house is primarily interested in socialism and negrophilism and memoirs of famous bad women, including Peggy Joyce, but not Aphrodite, and has taken up the publication of poetry only as a new broom to sweep out Eleanor Glynn...." Far from wealthy, Gould inquires whether a play to be performed at the University is free: "And do I understand rightly that a Greek play is to be given soon at the University? ... And like Pericles, does Jefferson open the theater free to the mob? I quiver in suspense." Signed in full "Wallace Gould".<p>In a second letter, nearly 600 words densely typed on 2 pages, Gould again inquires about Aphrodite, apologizing for the necessity of trading copies with Preston because his "financial affairs have come to a crisis here...." He comments on Preston's forthcoming book "Mad Anthony Wayne": "I am eager to read the history of your American madman. Get the publishers to do up the book, so that you will have no excuse for not sending it." He goes on to say: "You asked about Farmville. Farmville is where Lee surrendered ----- southern Virginia, middle southern, a hundred and some miles from Richmond. No, less than a hundred.... Peggy Hopkins Joyce and I put Farmville on the map. She was born here...." Signed in full.<p>In his third letter of approximately 380 words, Gould now addresses his friend as "My dear Preston" and indirectly inquires if Preston has received his copy of Aphrodite. He goes on to reveal that "You and Alfred Kreymborg are the only ones I ever write to, these days. Do you know Alfred? He is an exception to the rule that applies to the artistic cult, so far as old fashioned friendship goes...." He later asks, "By the way, honey, solve a mystery for me if you can. In the November number of Harper's (I think November) there was a sonnet with a strange theme. It was written by a woman by the name of Onsett or some such name and was called Expatriate ------- was all about some poor devil playing solitaire as I do in my own poems, exactly, and about teakwood (which I would not have in the house). But the rest of it ran true, even to the end, at which point the expatriate, whatever that is, went to the window and looked out on the night, and off, up toward Maine. Strange, is it not?" Gould has made 2 corrections in pencil and signed in pencil "Wallace Gould". The left edge of this letter is roughed and the letter is slightly soiled and creased with several finger smudges as if it had been handled frequently.<p>His last sad letter, nearly 400 words, speaks of deep poverty: "There must come a change before I do more work. My very soul is sick with disgust and boredom. For the first time in my life I have been powerless to act ------ to rouse myself and get out of it all. Sheer poverty has forced me to chloroform all but three of my only spiritual companions, my cats, and for them I have three bottles of chloroform ready... I read your letter with a thrill for you, however, and particularly your hopes of going westward, willy-nilly, even though with money.... Go on. Make yourself successful. Enjoy life, that is, rationally. Never tie yourself either by hope or compassion to any living being. Nobody is worth it. But do not forget to write to me. I charge you never write to me by reason of compassion or duty, however, for I much prefer that our friendship, almost impersonal as it is, and even as it may remain, must remain clean." This sad letter is not signed, although Gould has made two corrections in ink.<p>A moving correspondence, in very good condition, folded for mailing. <p>The Dictionary of Literary Biography writes of Wallace Gould that "Between 1917 and 1922 Wallace Gould published about twenty poems in some of the most celebrated little magazines of the day: the Dial, Poetry, Others, the Seven Arts, Broom, and the Little Review. He published two volumes of poetry, Children of the Sun: Rhapsodies and Poems (1917) and Aphrodite and Other Poems (1928). Poems by Gould werre included in a few anthologies, most conspicuously those in which Alfred Kreymborg had a part. Kreymborg was Gould's most faithful partisan and champion, but he was not alone in his enthusiasm for Gould's work, which was also praised by William Carlos Williams, Marsden Hartley, Paul Rosenfeld, Kenneth Rexroth, and a few casual reviewers. In Gould's correspondence there is evidence that later in his life he was at work on a poem somehow involving American history, but none of his work seems to have been published during the last twelve years of his life."<p>In an article entitled "The Poet of Maine" published in "The Little Review", Marsden Hartley proclaims "Thirty-seven years ago a tidal wave washed up on the shores of Maine a titan. It left him sitting on a rock and never returned."<p>"It was on return visits that I made the acquaintance of Wallace Gould the poet, who was to give me the pleasure of making him known to the poets Alfred Kreymborg and William Carlos Williams, who praised Gould's poetry for its solid execution and a true modernist touch, and who was a fanatical worshiper of Byron. Gould began life as a child prodigy at the piano and for some unknown reason gave up the idea of becoming a public pianist and for years afterwards played the piano in the first period of the silent pictures. Gould was physically enormous - weighing two hundred pounds which his six feet one carried with ease. He was by nature a voluptuary - oriental even in his worship of luxury and food - was an excellent cook and often cooked elaborate meals after work at night, sharing this of course with friends - the cooking itself being the chief delight. He was handsome with olive skin suffused with warm red glowing eyes, and dark hair - and was he said some sort of cousin to Holman Day who has written many local ballads ... Gould lived with and supported a foster mother and the lifelong grind at the piano earning twenty-five a week was an exhausting self-imposed duty - but he stayed until things took a turn, then left the white house with the green blinds and never returned. No one has heard of him for years though rumour has it he went South, married eventually, and scorned all chance of publicity either as a poet or as a person.... Wallace Gould was cynical for natural reasons - he had been crucified by the pressure of duty. He could not leave the woman who had rescued him from the fate of orphanage - he loved her - called her his mother all his life." [Quoted from "Somehow a Past: The Autobiography of Marsden Hartley"].<p>In a chapter of his Autobiography "The Baroness", William Carlos Williams writes "At about this time Wallace Gould arrived in New York from his Maine hide-out and almost immediately found that it would be impossible to support himself here. Some woman who admired his work had loaned Wally an apartment. When I found him he had on a black stock, a black suit with great white cuffs, and if he wasn't trembling with fright, he wasn't far from it. That day, in fact within the hour, he had been standing at the bottom of the stairs, his hand on the newel post, when his hostess had come downstairs and had pressed her breast upon the back of his hand, pinning it there, so to speak. He had been too frightened to withdraw the hand, and there she had him.... 'I'm up shit creek' ... 'I'm broke,' he said in terror. 'What am I to do?' It was around Christmas. 'Look,' I said, 'get your stuff and come out to Rutherford with me. I've got the car at the door.' He stayed with us all winter, giving little Bill piano lessons for his board, though I hadn't asked for it. But when March arrived the Indian blood in his veins-- he was quarter Abnaki Indian on his mother's side---asserted itself and he packed his kit. I gave him twenty dollars or so to start him off. He went by train to Washington, D.C., thence to start walking, which he did, to end up after a few days at Farmville, Virginia, where he spent the remainder of his life."

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        The Mystery Of 31, New Inn

      Dodd, Mead & Company, New York 1930 - Originally published in 1912 and now virtually unobtainable in jacket. Original gray cloth stamped in red and black on the front panel and black only on the spine. Patterned endpapers. With the complete and brilliant example of the J. W. Oliver dust jacket. A Dr. Thorndyke and Dr. Jervis novel set in London and specifically around the Inns of Court. Top edge stained red. [Attributes: First Edition; Hard Cover]

      [Bookseller: First Place Books]
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        Awisha's Carpet The Story of a Little Arab Girl. Inscribed by Martin.

      Garden City, New York: Doubleday, Doran and Company. Very Good in Very Good- dust jacket. 1930. First Edition. A fine stated first edition inscribed "With the very good wishes of Dahris Martin May 15, 1931." Twenty-eight plates, four of which are in color; pictorial end-papers. Blue cloth with cinnamon text. Very scarce dust jaket with large substantial to head of spine. ; 8vo ; xiii, 190. pages .

      [Bookseller: William Chrisant & Sons' Old Florida Boo]
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        I'm Lucky At That (First Edition)

      Garden City: Doubleday, Doran, 1930. First Edition. First Edition. Born in England, David Betts drifted around the American West before coming to New York and finding work driving cabs. He was dubbed "The Taxi Philosopher" after publishing several letters featuring his views on life and in the "New York Evening Post" during the 1920s. Proletarian through and through, "I'm Lucky At That" is part memoir of Lett's transient working life and part homespun, epigrammatical advice, written in his rough, conversational dialect. Near Fine in a Very Good plus example of the rare dust jacket. Owner name and address stamp to the front pastedown. Bump to the upper rear board. Jacket is lightly toned, with a couple of short closed tears, and light chipping. Rare in jacket.

      [Bookseller: Royal Books, Inc.]
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        My Early Life, a variant binding unknown to bibliographers

      Thornton Butterworth Limited, London 1930 - This is the first edition, first printing, of Churchill&#146;s extremely popular autobiography. This copy offers an additional enticement to collectors, being a variant binding not noted by bibliographers and only the second copy we have encountered bound thus. Various states of the first edition, first printing are known. First states were bound in both a coarse and a smooth plum colored cloth, have the title stamped on the front cover in either three or five lines, and contain a list of 11 Churchill titles in the boxed list of "Works by the same Author" on the half-title verso. Second state copies are distinguished by the addition of "THE WORLD CRISIS: 1911-1914" to the boxed list of works on the half-title verso, making 12 titles. It was presumed that all second state copies featured bindings with a five-line title on the front cover. In his excellent bibliography of Churchill's works, Ronald Cohen states: ". most, perhaps even all, copies of the second state will be found in binding cases in which the front cover is stamped in 5, rather than 3, lines." This unrecorded variant is a first printing, second state copy in the coarse cloth binding with three lines on the front cover. Condition approaches very good overall. The binding remains tight with sharp corners, vividly bright boards, and little of the customary wear. The chief detraction is both sunning and some mottling to the spine color. The contents remain respectably bright with light spotting primarily confined to prelims and page edges. My Early Life covers the years from Churchill&#146;s birth in 1874 to his first few years in Parliament. One can hardly ask for more adventurous content. These were momentous and formative years for Churchill, including his time as a war correspondent and cavalry officer in theatres as varied as Cuba, northwest India, and sub-Saharan and southern Africa. This time contained a wide range of experiences in Churchill&#146;s life. Not only was he developing as an author, publishing his first books, and making his first lecture tour of North America, but this was also the time of his capture and daring escape during the Boer War, which made him a celebrity and helped launch his political career. Churchill would take his seat in Parliament only weeks after the end of Queen Victoria's reign. My Early Life remains one of the most popular and widely read of all Churchill's books. And for good reason, as the work certainly ranks among the most charming and accessible of his many books. An original 1930 review likened it to a "beaker of Champagne." That effervescent charm endures; a more recent writer called it "a racy, humorous, self-deprecating classic of autobiography." To be sure, Churchill takes some liberties with facts and perhaps unduly lightens or over-simplifies certain events, but this is eminently forgivable and in keeping with the wit, pace, and engaging style that characterizes the book. My Early Life sold very well at the time and has seen a great many editions since, many of them collectible in their own right, but of course a premium attaches to first editions. The challenge for collectors is that the plum colored binding of this edition proved especially susceptible to fading, soiling, and wear; nearly all copies are considerably spine faded. Moreover, the contents are susceptible to heavy spotting and the binding is often cocked. This helps explain why so many first editions of this book have been torn apart and rebound. Bibliographic reference: Cohen A91.1.c* (Previously unidentified variant binding), Woods/ICS A37(ab.1), Langworth p.131 [Attributes: First Edition; Hard Cover]

      [Bookseller: Churchill Book Collector ABAA/ILAB/IOBA]
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        Manuel De Falla.

      1930 - Illustrations. First edition, limited to 1000 copies.4to., printedwrappers, fore edge untrimmed. Paris, Editions Cahiers D'Art. A presentation copy inscribed on the verso of the dedication 'pour le Dr.Roger Steinmetzen bien cordial souvenir de notre rencontre à Genève Manuel de Falla 30AoÛt 1931'. A 5 bar musical quotationhas been elegantly drawn above the inscription in the same black pen, the word concerto in brackets underneath. Dr. Steinmetz was a pianist, who performed mostly in Switzerland in the early twentieth century.Considered to be one of the most important Spanish composers of the twentieth century, Falla fled to Argentina following the victory of General Franco in 1939 and refused to return despite offers of a large pension from Franco's government. Spine joint rather badly torn at the tail and less severely at the head, some slight marks to the covers. Contained within a brown folding box with an oval cutout on the front cover into which is set a black and white portrait of Falla. [Attributes: First Edition; Signed Copy]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        PFRONTEN. Prächtige Panorama- Gesamtansicht von Pfronten-Berg, -Ried, Heitlern, Pfronten-Dorf bis Steinach, links im Hintergrund Füssen und Neuschwanstein, im Mittelgrund das Lechtal mit Schönbichl und Vils, rechts die Breitenbergbahn.

      - Aquarell mit Deckfarben in Grau auf Karton sign. "J. Ruep Mchn.", um 1930, 14 x 42 cm. Eine der plastischen, detailgetreuen Darstellungen, die für Joseph Ruep, der Auftragsarbeiten für geographische Verlage ausführte, so typisch sind. Mit Einzeichnung aller Gipfel von der Hochplatte bis zum Aggenstein. - Sehr dekorativ! [Attributes: Soft Cover]

      [Bookseller: Peter Bierl Buch- & Kunstantiquariat]
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      Longmans, Green and Co., London, New York, Toronto 1930 - Octavo, pp. [i-vi] vii [viii] 1-307 [308: blank] [note: first leaf is a blank], original sage green cloth, front and spine panels stamped in black. First edition. Although printed in England, this is probably the American issue of this book. Collection of eighteen stories. "Short stories with an Egyptian setting, some of which are fantasy and weird, and some at least of which first appeared in magazines under the pen name of 'Abu Nadaar' ." - Locke, A Spectrum of Fantasy, p. 161. The title story was reprinted in POWERS OF DARKNESS (1934), one of Philip Allan's anthologies in the "Creeps" series. Bleiler (1978), p. 144. Reginald 10437. Free endpapers tanned, tape ghosts on endpapers, a very good copy in good pictorial dust jacket with wear at edges, small chip from bottom rear panel, some internal tape mends at edges, several with show through at three corners of rear panel, and clipped price. The jacket presents well overall. (#147588) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Künstlerischer Nachlass Eugenie Wallner (Genia Wallner), Wien, Theater, ca. 1930-1960

      Vieles datiert, Zeitraum zirka 1930 bis Anfang der 60er Jahre - Der künstlerische Nachlass der Eugenie Wallner (Genia Wallner) aus Wien in drei Alben(-Fragmente) mit Zeichnungen zu Theateraufführungen und persönlichen Zeichnungen - ein hellblaues betitelt "Karikaturen über meinen Mann! Gezeichnet von Eugenie Wallner Wien. 1931-1943", ein ockerfarbenes mit schwarzem Rücken, betitelt "Theaterskizzen aus dem 'Gedächtnis' nachgezeichnet von Genia Wallner Wien", sowie ein rotes unbetiteltes Album - alle drei gefüllt mit Zeichnungen (Aquarell, Stift), unsortiert, unvollständig; datiert aus der Zeit um 1930 bis in die 50er Jahre des vergangenen Jahrhunderts; Maße der drei Alben: ca. 31 x 21,5, 30,5 x 17,5 und 32 x 23 cm; mit Zeitenspuren, Flecken, Läsuren, Risse etc., unsortiert und anscheinend im Laufe der Zeit durcheinandergwürfelt; es findet sich auf einen wenigen Blättern ein Adress-Angabe "Wien, St.-Veit-Gasse 4" (heute zwischen Stadlergasse und Beckgasse, parallel zur Hummelgasse und zur Münichreiterstraße). Interessantes künsterlisches Konvolut aus dem Wien der Zeit des Sigmund Freud und danach. Wir haben für dieses Konvolut eine übersichtliche Internetseite mit vielen Bildern zusammengestellt, die Sie abrufen können unter der Webadresse Am Wochenende kein Versand, ansonsten Schnellversand (oft noch am gleichen Tag). Bitte mailen Sie uns einfach, falls Sie Fragen haben, oder rufen Sie uns an!

      [Bookseller: berlin.internetantiquariat]
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        Baubeschreibung des Messerschmitt-Sport- und Reiseflugzeuges BFW M 23 c. für den Internationalen Rundflug 1930.

      (Augsburg ) 1930 - 8°. (1) 18 Blätter. Mit 2 mitpaginierten Plänen in Blaupause und 6 montierten postkartengroßen Original-Photographien. Original-Karton-Schnellhefter. Der Text wurde hektographiert. Die Photographien zeigen hauptsächlich das Flugzeug von außen. - Klammern leicht rostig. Einband etwas berieben. - Beiliegend: 1 Original-Photographie. - Sehr selten. [Attributes: Soft Cover]

      [Bookseller: Antiquariat Gerhard Gruber]
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      Date : 1930 Dimensions : 75x106cm Imp : F. Champenois, Paris Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
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      Date : 1930 Dimensions : 61x99cm Imp : J. Robillon, Paris Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
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      Date : 1930 Dimensions : 74x104cm Imp : LUCIEN SERRE & CIE, PARIS Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
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      Date : 1930 Dimensions : 62x100cm Imp : MOULLOT - MARSEILLE Condition : entoilée A Affiche originale entoilée en parfait état.

      [Bookseller: Philippe Beguin livres anciens affiches ]
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        Applied Design: Blockprinted Textiles (Volume V; Motifs)

      Milwaukee WPA Handicraft Project [193?], Milwaukee - Elephant folio (19 x 25"). 10 loose framed plates, as issued. Original olive cloth portfolio with title label on front cover. String ties. This extremely rare portfolio was made by the Milwaukee Handicraft Project, one of the most successful and innovative Works Progress Administration (WPA*) projects in the US, which employed thousands of people, teaching them to make a variety of handmade wooden and cloth articles. This fifth volume (of a series of six) is devoted to motifs, and contains 10 splendid motifs in vibrant colors on linen. Each piece is taped on heavy cardstock (as issued) with paper frame overlays, and has a typed title label taped at lower margin of mount:Mother Goose A, B & C (3); Tyrolean; Circus Montage A, B & C (3); Country Schoolhouse; Madeira; and Dykstra Plaid. Verso of cardstock with stamp "WPA Handicraft Project # 7040, Milwaukee, Wisconsin. Sponsored by Milwaukee County and Milwaukee State Teachers College." Ex-library copy with thin paper strip with typewritten title and library inventory number attached with non-abrasive tape along front joint. Some age wear, with moderate discoloration and age-toning to cloth. Ex libris and library barcode as well as publishers bookplate on inside of front cover. Abrasion on bookplate. Slight age toning to outer edges of cardstock. Portfolio in overall good- to good, interior in good+ to very good, plates in very good condition. * The WPA (Works Progress Administration) was a government sponsored project developed in the early 1930's to help remove hundreds from the welfare rolls and to provide many workers with the training and skills they needed to qualify for jobs in the private sector. It was Milwaukee's response to the Great Depression which hit America in 1929. At some stage over 1300 unskilled poor women produced work for the program making useful artistic items such as draperies, dolls, toys, furniture, prints, books, costumes and rugs. The project improved the quality of life of children and adults in Milwaukee by producing materials of exceptional design, outstanding quality and lasting educational value. Unfortunately the program was discontinued in 1943 mainly as a result of the economic recovery that took place in the United States. [Attributes: First Edition; Hard Cover]

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        [Children's Book Complete Manuscript Mock-up With Eleven Superb Full-Size Quarto Watercolor Illustrations] "De Brug Naar Elfenland"

      1930. Oblong quarto (13 x 10 inches). Color pictorial original watercolor illustration on card paper. An exceptionally beautiful and expertly illustrated children's book executed by the artist probably in the 1930's with full-size original watercolor title-page and ten full-size original watercolor illustrations accompanying and associated with the text, which is marvelously written out by hand, including vignettes and page numbering in red. To our knowledge, the book was never published, and we are unaware of the artist who produced this wonderful children's lap book. Near fine. Most scarce thus.

      [Bookseller: Nudelman Rare Books ]
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        Himalaia Cashmiriano: relazione sulle note originali Borelli-Calciati-Piacenza.

      Rizzoli, Milano, 1930. (8) 391 (1) 223 (1) p. [62] c. di tav. f.t. [7] c. di panorami ripiegati fuori testo [1] c. di schizzo topografico a colori ripiegato alla fine del volume 30 cm tela cofanetto. PIACENZA Mario. - Nacque a Pollone nei pressi di Biella il 21 aprile 1884 secondogenito di Felice (1843-1938) e di Silvia Bozzalla Pret preceduto da Guido (1881-1939) e seguito da Enzo (1892-1968). La famiglia era imparentata con i Sella dal momento che la madre era figlia di Effisia Sella sorella di Quintino Giuseppe Venanzio (padre del celebre fotografo alpinista Vittorio Sella) e Francesco. Il padre era il proprietario di una delle più antiche aziende del settore laniero del Biellese uno dei pochi distretti industriali della giovane Italia postunitaria capace di competere con l'estero. Continuando la tradizione di famiglia (il lanificio Piacenza era stato fondato nel 1733) Felice seppe ammodernare l'organizzazione del lavoro e rivolgersi a una produzione di qualità. Nell'effervescente clima culturale biellese del tempo in cui si mescolavano sfide imprenditoriali cultura positivista e lampi di attrazione romantica per l'arte si sprigionò soprattutto dopo il 1863 anno di fondazione del Club Alpino Italiano la scintilla dell'alpinismo che contagiò Guido e Mario Piacenza fin dalla giovinezza. Mario studiò dai padri rosminiani a Domodossola e successivamente si laureò in giurisprudenza all'Università di Torino. Solo dopo aver frequentato all'estero dopo la laurea le migliori scuole tecniche soprattutto in Belgio e in Germania si occupò della fabbrica paterna con il fratello Guido assai preparato nel campo tessile e supervisore della conduzione tecnica dell'azienda.Negli anni dello studio i fratelli Piacenza praticarono la marcia in montagna e l'alpinismo. Pur accomunati dalla stessa passione alpina cui unirono anche l'interesse per l'esplorazione in terre lontane oltre che per la fotografia e la cinematografia Mario e Guido differenziarono il proprio modo di salire verso le alte quote: il primo UsatoBuono Anno pubblicazione: 1930. Più che buono piccoli difetti alle estremità del dorso. ...

      [Bookseller: Studio Bibliografico Adige]
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        Le vite de' piu eccellenti pittori, scultori et architetettori

      CASA EDITRICE SONZOGNO, 1930. ITALIANO 11 Tre volumi rilegati in mezza legatura in pelle che comprende anche gli angoli e copertine rigide cartonate, con titoli e fregi oro al dorso, che presenta segni di usura, come pure gli angoli in pelle; i volumi raccontano approfonditmente la vita e le opere dei più illustri artisti, con numerosissime illustrazioni in nero nel testo; presente autoritratto di G. Vasari nel primo volume; in generale i tre volumi sono in buono stato, eccetto per i normali segni del tempo, come l' imbrunimento delle pagine e la legatura lievemente lenta ma salda USATO

      [Bookseller: Biblioteca di Babele]
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        MALAISES dessins et textes Gus Bofa. Paris. La machine. 1997.

      1 volume in-4° broché, couverture rempliée, fac-similé de l'édition de 1930 enrichi de dessins inédits. Notre exemplaire comprend deux dessins originaux préparatoires pour l'illustration de la couverture de la Baïonnette du 25 mars 1920. 1 dessin signé à la mine de plomb rehaussé de gouache blanche avec légende autographe (21,5 x 18,5 cm) et un dessin en couleurs (gouache) même illustration. On y joint la couverture de la Baïonnette. Très bon état pour les dessins, petite tache et petite fissure sur l'ouvrage sans gravité.

      [Bookseller: Comptoir du Livre Ancien et Moderne - Li]
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        Collected Poems

      New York: Random House, 1930. Limited Edition. Hardcover. This is an exceptional copy of the first, signed, and limited edition of the book that won the author his second Pulitzer Prize in 1931. Collected Poems is the first collected edition of Frost?s poems. This signed and limited edition preceded the trade edition by four weeks. The 1,000 copies of the limited edition were signed by Frost on the half-title and hand-numbered on the limitation page, this copy numbered ?801?. Unique in content, this collection based on Frost's first five books saw two poems printed for the first time (?The Last Word of a Bluebird? and ?What Fifty Said?) as well as addition of four poems previously published only in periodicals. The binding is tan heavy linen cloth with beveled edges, brown leather spine label, and gilt top edge, the contents printed on heavy, laid paper with untrimmed fore and bottom edges. The book was issued in a glassine jacket with laid paper flaps pasted to the glassine; these jackets understandably typically do not survive and, without them, the handsome linen binding proved prone to wear, soiling, and toning. This copy is a truly fine survivor. The binding is beautifully bright and clean, square and tight with sharp corners and virtually no wear, the leather spine label flawless. The contents remain bright with no previous ownership marks and no spotting and a stiff feel, as if never read. The top edge gilt remains bright, the untrimmed fore and bottom edges immaculate. The glassine wrapper is poor, having admirably protected the book beneath, but suffered in the process. There are losses to extremities and the rear cover is raggedly torn, with a significant portion detached. The glue that affixed the original laid paper flaps to the glassine has long since failed, but the flaps nonetheless remain, laid in. The original glassine and paper flaps are protected beneath a removable, clear mylar cover. Iconic American poet and four-time Pulitzer Prize winner Robert Lee Frost (1874-1963), the quintessential poetic voice of New England, was actually born in San Francisco and first published in England. When Frost was eleven, his newly widowed mother moved east to Salem, New Hampshire, to resume a teaching career. There Frost swiftly found his poetic voice, infused by New England scenes and sensibilities. Promising as both a student and writer, Frost nonetheless dropped out of both Dartmouth and Harvard, supporting himself and a young family by teaching and farming. Ironically, it was a 1912 move to England with his wife and children ? ?the place to be poor and to write poems? ? that finally catalyzed his recognition as a noteworthy American poet. The manuscript of A Boy?s Will was completed in England and accepted for publication by David Nutt in 1913. A convocation of critical recognition, introduction to other writers, and creative energy supported the English publication of Frost?s second book, North of Boston, in 1914, after which ?Frost?s reputation as a leading poet had been firmly established in England, and Henry Holt of New York had agreed to publish his books in America.? Accolades met his return to America at the end of 1914 and by 1917 a move to Amherst ?launched him on the twofold career he would lead for the rest of his life: teaching whatever ?subjects? he pleased at a congenial college? and ?barding around,? his term for ?saying? poems in a conversational performance.? (ANB) By 1924 he had won the first of his eventual four Pulitzer Prizes for poetry (1931, 1937, and 1943). Frost spent the final decade and a half of his life as ?the most highly esteemed American poet of the twentieth century? with a host of academic and civic honors to his credit. Two years before his death he became the first poet to read in the program of a U.S. Presidential inauguration (Kennedy, January 1961). Bibliographic reference: Crane A14

      [Bookseller: Churchill Book Collector]
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        Le Livre de Goha le Simple.

      Lyon, Association des Cinquante "La Belle Cordière" 1930. Petit in-4° en ff, sous chemise et étui. Frontispice, 1 H.T., 4 têtes de parties gravées en 2 état (noir et couleurs), 40 eaux-fortes et 4 culs-de-lampe gravés en noir par Henri Le RICHE. Tirage limité à 90 exemplaires, un des 20 sur vélin reservés aux correspondants.

      [Bookseller: Librairie In-Quarto]
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