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Displayed below are some selected recent viaLibri matches for books published in 1930

        ASH WEDNESDAY

      New York | London: Printed at the Curwen Press for The Fountain Press | Faber & Faber, 1930. First Edition, Signed and Limited; number 182 of 600 copies. Hard Cover. Octavo. 28 pp. As issued in blue cloth with title in gold on the upper cover and spine; a bright, fresh copy; light offsetting to the endpapers else clean; publisher's slipcase is present but worn at the joints; top rail is tentatively holding. A nice copy of the signed, first edition of a major poem by one of the most important poets of the first half of the 20th century. Signed by Eliot on the limitation page.

      [Bookseller: Michael Pyron, Bookseller]
 1.   Check availability:     IOBABooks     Link/Print  


        Meldungsbuch des Studierenden ... - Inskribiert in der juridischen Fakultät der Universität zu Wien den 11. Oktober 1923

      Porträt des Inhabers, ordnungsgemäß gestempelt usw, beiliegend die Promotions-Anzeige von 1930 zum Doktor der Staatswissenschaften. - Vor allem aber 18 Seiten Auflistung zu den besuchten Vorlesungen, damals war mit Originalunterschrift vom Dozenten der Besuch der Vorlesungen zu bestätigen (Der Dozent bestätigt eigenhändig:) - Daher Originalunterschriften von Moritz Schlick (Friedrich Albert Moritz Schlick, geb. 14. April 1882 in Berlin gest. 22. Juni 1936 in Wien, Physiker und Philosoph. Begründer und einer der führenden Köpfe des Wiener Kreises im Logischen Empirismus. Seine Beiträge im Rahmen einer wissenschaftlichen Philosophie reichen von der Naturphilosophie und Erkenntnislehre bis zur Ethik und Ästhetik. - 1922 übernahm er als Nachfolger Ernst Machs den Lehrstuhl für Naturphilosophie an der Universität Wien. Der dort 1924 von ihm gegründete interdisziplinäre Diskussionszirkel ist als der Wiener Kreis in die Philosophiegeschichte eingegangen. Daneben engagierte sich Moritz Schlick in der Volksbildung, u.a. in der Ethischen Gesellschaft und im Verein Ernst Mach. Ab 1926 stand Schlick in Kontakt mit Ludwig Wittgenstein, der ihn maßgeblich beeinflusste, - von 1929 bis 1932 diskutierte Schlick regelmäßig mit ihm. 1929 lehnte Schlick eine Berufung nach Bonn ab und wirkte in den folgenden Jahren auch als Gastprofessor (in Stanford und Berkeley, California). Seit 1929 gab er außerdem die Reihe Schriften zur wissenschaftlichen Weltauffassung heraus. Nach der Machtergreifung des Austrofaschismus in Österreich 1934 blieb Moritz Schlick an der Universität Wien. - Am 22. Juni 1936 wurde Schlick auf der sogenannten Philosophenstiege im Gebäude der Wiener Universität von seinem ehemaligen Studenten Hans Nelböck, der 1931 bei ihm promoviert hatte, erschossen. Dieser hatte bereits zuvor begonnen, seinen Doktorvater zu terrorisieren, und Schlick zweimal gedroht, ihn zu ermorden. Schlick hatte sich jeweils mit einer polizeilichen Anzeige gewehrt. Nelböck war infolgedessen in eine psychiatrische Anstalt eingeliefert, jedoch nach einiger Zeit als ungefährlich wieder entlassen worden usw.) - 2 Unterschirften nebeneinander (Inskription + Frequenz), desweiteren Unterschriften von Othmar Spann, Alfons Dopsch, Proseminar bei Karl Moritz Menzel, Karl Bühler (Ehemann von Charlotte Bühler), Josef Hupka (Rechtswissenschafter, 1944 in Theresienstadt ermordet), Hans Voltelini, Rudolf Köstler, Moriz Wlassak, Emil Goldmann usw usw. Detailfotos gerne per Mail. - Format des Meldungsbüchleins 18 x 10,5 cm. -- Bankverbindungen in Österreich und Deutschland. - Zwei gepresste Edelweiß liegen vom Vorbesitzer auch noch bei.

      [Bookseller: Antiquariat Birgit Gerl]
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        Les Demeures philosophales, et le symbolisme hermétique dans ses rapports avec l'art sacré et l'ésotérisme du Grand-Oeuvre

      Jean Schemit, Paris 1930 - Broché Un volume grand in-8 (253x167 mm), xii-350-(2) pages, un frontispice et 39 planches hors texte de Julien Champagne. Restaurations au dos Édition originale. ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION______________________________ ___________________________________________________________________________________ Original wrappers Large 8vo (253x167 mm), xii-350-(2) pages, frontispiece and 39 plates Spine repaired First edition In quarto / 4to 1046g. [Attributes: First Edition; Hard Cover]

      [Bookseller: Eric Zink Livres anciens]
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        THE BLUE BOOK MAGAZINE

      The McCall Company, Dayton, OH 1930 - Octavo, seven issues, covers and interior illustrations by Frank Hoban, pictorial wrappers. Pulp magazine. Complete seven part serial "Tarzan at the Earth's Core." All issues feature a Tarzan cover painting. Zeuscher, Edgar Rice Burroughs: The Bibliography, pp. 401. Some mild edge rubbing, some reading creases, a generally very good to nearly fine set. (20862) [Attributes: Soft Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
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        Wild Apples. With a Preface by William Butler Yeats.

      Dublin: The Cuala Press, 1930 - Octavo. Original Holland boards. With the unprinted dust jacket. A fine copy, with the dust jacket very good though chipped at the ends and corners, and a little creased and marked. First edition thus, presentation copy inscribed "with Homage to Katherine Tynan from Oliver Gogarty, Dublin 24:iv:1930" on the front free endpaper, with the very scarce dust jacket. Katherine Tynan (1859-1931) was a hugely prolific Irish poet, a significant figure in the Irish Renaissance, and a friend of W. B. Yeats. This edition of Wild Apples, which was printed in 250 copies, was preceded by the 1926 private edition of 50 copies which did not include Yeats's preface. It is the second selection by Yeats of the poems of Oliver Gogarty, likened by him in his opening poem, The Crab Tree, to "a tart crop" of wild apples. This copy also contains the publisher's advertisement card for Wild Apples laid in. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Castle

      London: Martin Secker, 1930. First British Edition. Very Good. First British edition, first printing. Very Good with spine cloth sunned, corners bumped and a previous owner name to the front free end paper. A nice copy, lacking the dust jacket.

      [Bookseller: Burnside Rare Books]
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        Le bal

      First edition, one of 56 numbered copies on Arches, tirage de tête after 16 Annam.A good copy. Grasset Paris 1930 11,5x17,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Photograph signed and dedicated.

      N. p., [c. 1930s]. - C. 189:115 mm. Matted and framed. Black-and-white photograph of the composer, inscribed in the blank margin at the foot in black ink: "To Miss Trude Goth [?] with kind regards | Béla Bartók". - Somewhat faded.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Savoy Cocktail Book - Being in the main a complete compendium of the Cocktails, Rickeys, Daisies, Slings, Shrubs, Smashes, Fizzes, Juleps, Cobblers, Fixes and other Drinks. known and vastly appreciated in this year of grace 1930.

      Constable, London. 1930 - Early (second?) printing in same year as first - no ''3'' at bottom of half-title and no errata slip. Octavo. 287 pages. Colour illustrations and decorations by Gilbert Rumbold. Art deco cloth-backed boards decorated in green, grey and black, as well as gilt foil. The design of this classic work was intended to complement the art deco of the American Bar at the Savoy. The author, the most famous cocktail barman of the twenties and thirties, was an American who had come to London in 1920 to escape from Prohibition.On the front free endpaper is the label of Meritzo Wine Company (which was dissolved in 1949). Covers slightly rubbed. Very good indeed. No dustwrapper. [Attributes: Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        Signed Photograph of Basil Rathbone

      [Circa 1930]. Gelatin silver portrait. Measuring 7" x 5". Slight waviness but still easily fine. Strong and boldly Signed in the lower left: "Sincerely, Basil Rathbone." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Collected Poems.

      The Spiral Press for Random House, New York 1930 - [2 blank], [6], 349, [9] (Table of Contents, Colophon), [2 blank] pp. Original grey buckram with bevelled edges, spine gilt with title on leather label; upper edge gilt, others uncut. Issued without dustwrapper. Sprache: Englisch, (Spine slightly browned, title-label rubbed and repaired, some foxing to the pastedowns and endpapers, typical for this title. Two pages browned; else good.). "Robert Lee Frost (geb. 26. März 1874 in San Francisco, Kalifornien; gest. 29. Januar 1963 in Boston) war ein amerikanischer Dichter und vierfacher Pulitzer-Preisträger." (Wikipedia). One of 1000 numbered copies designed and printed by The Spiral Press, New York, in handset Lutetia type by Jan van Krimpen and printed on Pannekoek paper with the Spiral Press watermark, mouldmade in Holland. Signed by the author on the half-title. Contents: "A Boy's Will"; "North of Boston"; "Mountain Interval"; "New Hampshire"; "West-Running Brook". The first collected edition of Frost's poems, with numerous revisions from their original appearances, and two poems printed for the first time. - Erste Ausgabe. Eins von nur 1000 handnumerierten Exemplaren, handgesetzt in Jan van Krimpens Lutetia und gedruckt von der Spiral Press, New York auf holländisches Pannekoek-Maschinenbüttenpapier mit dem Wasserzeichen der Presse; dies zusätzlich vom Autor auf dem Vortitel signiert. Hellbräunlichgrauer Original-Leinwandband mit goldgeprägtem Lederrückenschildchen, Kopfgoldschnitt, vorn und unten unbeschnitten. Rücken leicht nachgedunkelt, Rückenschildchen berieben und restauriert, Vorsätze leicht gebräunt; innen zwei Seiten - wohl von einem ehemals eingelegten Zeitungsausschnitt - gebräunt. Exlibris auf vorderem Spiegel und dezenter symbolischer Besitzerstempel auf erstem weißen Blatt. Sonst frisch. - First edition. Crane A14 - Blumenthal & al.: The Spiral Press (1968) 7. - RFM. Signed by Robert Frost - Weitere Bilder auf Anfrage oder auf unserer Homepage. 1000 Gramm. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Versandantiquariat Bürck (VDA / ILAB)]
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        Malý ernoch [The Little Negro]

      [Brno], circa 1930. Limited Edition. Original woodcut print in black ink on translucent paper, affixed at top edge to cream-colored cardstock. Measures 24.5 cm x 26.5 cm (cardstock slightly larger). Signed, titled, and numbered (3/25) by the author on bottom edge. The image is a close-up of a black child in livery carrying a large glass on a salver. In the background, a small crowd, all facing away, is awash in the light of a chandelier. Helena Bocho áková-Dittrichová (1894-1980) was the first female wordless novelist, and the only woman to work in this medium during its heyday. She was born in the Moravian region of what is now the Czech Republic and spent most of her life in Brno, the Moravian capital. She graduated from the Academy of Fine Arts in Prague and in 1923 received a government scholarship to study printmaking in Paris. Bocho áková-Dittrichová's unpublished wordless novel Malí ka Na Cestách [The Artist on Her Journey] recounts this period in her life. In Paris, she first encountered the wordless novels of Flemish artist Franz Masereel, the originator of the form, and was inspired to create her own. Over the course of her long career, Bocho áková-Dittrichová published several wordless novels, along with travelogues and historical works. She also worked as a printmaker and illustrator, and was highly regarded in her native land, though largely unknown elsewhere. This changed in 2014, when the National Museum of Women in the Arts held an exhibition of her work entitled "The First Woman Graphic Novelist: Helena Bocho áková-Dittrichová," and this important artist finally began to gain global recognition. Her work, however, is still not widely available.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        [Original Photograph Album of Children with Polio]

      Chicago: np, [ca. 1930-1959]. First Edition. Hardcover. Very good. Oblong 8vo. Commercial strong-bound album. Vinyl covered boards. 145 black and white; 4 color photographs verso and recto mounted to 23 black paper leaves, one or two elements loosely laid in. Front cover detached, but archivally mended. Edgewear to pages. Images generally clean, well preserved. A few prints perished. Overall very good. Original photograph album of the Zagar family of Chicago, focusing primarily on their daughter, Margaret Ann (b. 1936), and covering primarily the 1940's. Most prints snapshot in size, though notably several enlargements appear as well, including 4 class photographs between 1942-1950 from the Gompers School for the Handicapped on the city's South side at 123rd. and State St. Margaret Ann was apparently stricken with Polio at an early age, as early as 2 years old according to photograph dates, and her development is chronicled in detail, into young adulthood, closing with images of her in a wheelchair in December 1954. The images between present a rich visual archive of growing up with the disease.

      [Bookseller: Brian Cassidy, Bookseller]
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        L'Abbesse de Castro.

      Paris, Javal et Bourdeaux 1930 - Illustrée de 19 compositions de Malassis, gravées sur cuivre par Delzers et Feltesse. Édition tirée à 200 exemplaires. Celui-ci (N°17) un des 35 exemplaires sur JAPON impérial, contenant en supplément, un état en couleurs avec remarques, un état en sanguine, un état en bleu et la décomposition d'une planche. Paris, Javal et Bourdeaux - 1930 sur le titre, novembre 1929 sur l'achevé d'imprimé - 177 pages. Reliure demi chagrin orange de l'époque. Dos à 4 nerfs à filets dorés et ornement à froid. Tête dorée sur témoins, non rogné. Couverture et dos conservés. Pas de rousseur. Parfait état. Bel exemplaire, bien relié. Format in-8°(23x17). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        Ash Wednesday

      Faber and Faber & The Fountain Press, London and New York, 1930 First edition, first impression, limited issue being one of 600 numbered copies signed by the author.Octavo. Original blue cloth, titles and decoration to upper board and spine, gilt, top edge gilt others untrimmed. With the "transmatic" cellophane dust jacket and original buff cardboard slipcase.A superb copy in the minimally worn cellophane and slipcase.[116]

      [Bookseller: Blakeney Griffin Booksellers Ltd]
 15.   Check availability:     Biblio     Link/Print  


        Malý ernoch [The Little Negro]

      [Brno]: , circa 1930. [Brno], circa 1930. Limited Edition. Original woodcut print in black ink on translucent paper, affixed at top edge to cream-colored cardstock. Measures 24.5 cm x 26.5 cm (cardstock slightly larger). Signed, titled, and numbered (3/25) by the author on bottom edge. The image is a close-up of a black child in livery carrying a large glass on a salver. In the background, a small crowd, all facing away, is awash in the light of a chandelier.Helena Bocho áková-Dittrichová (1894-1980) was the first female wordless novelist, and the only woman to work in this medium during its heyday. She was born in the Moravian region of what is now the Czech Republic and spent most of her life in Brno, the Moravian capital. She graduated from the Academy of Fine Arts in Prague and in 1923 received a government scholarship to study printmaking in Paris. Bocho áková-Dittrichová's unpublished wordless novel Malí ka Na Cestách [The Artist on Her Journey] recounts this period in her life. In Paris, she first encountered the wordless novels of Flemish artist Franz Masereel, the originator of the form, and was inspired to create her own. Over the course of her long career, Bocho áková-Dittrichová published several wordless novels, along with travelogues and historical works. She also worked as a printmaker and illustrator, and was highly regarded in her native land, though largely unknown elsewhere. This changed in 2014, when the National Museum of Women in the Arts held an exhibition of her work entitled "The First Woman Graphic Novelist: Helena Bocho áková-Dittrichová," and this important artist finally began to gain global recognition. Her work, however, is still not widely available.

      [Bookseller: Ken Sanders Rare Books, ABAA ]
 16.   Check availability:     ABAA     Link/Print  


        Works

      1930. AUSTEN, Jane. The Works. London: Martin Secker, [1939]. Six volumes. Small octavo, period-style full speckled tan calf gilt, red and blue morocco spine labels, marbled endpapers, top edges stained blue. $2800.“Adelphi Edition” of the novels of Austen, handsomely bound.“The fact that she wrote comparatively little and that that little is almost always of the highest quality has resulted in the unique distinction which her reputation now enjoys, that she is the only author of her period whose works can be read, and are read, today with delight in their entirety” (Baugh et al., 1206). Includes Pride and Prejudice, Sense and Sensibility, Northanger Abbey, Mansfield Park, Emma, and Persuasion. With an introduction by novelist and editor Frank Swinnerton. Without the volume containing the short, early epistolary novel Lady Susan and the unfinished The Watsons; the volumes in this edition were issued separately. The Adelphi edition was first issued in 1923. Gilson E149. Keynes 39. Fine condition, quite handsomely bound.

      [Bookseller: Bauman Rare Books]
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        Macette.

      - S.l., s.n., s.d. [ca.1930-1940]. In-4 (33.5*26.5cm), [39]p. Belle édition entièrement gravée par Léon Courbouleix et tirée à 90 exemplaires. Ici n°13/35 Arches, second papier après 5 japon, numéroté et signé par l'auteur. L'ouvrage est orné de 15 eaux-fortes et la couverture est illustrée, le texte est gravé en noir et illuminé en or. Les exemplaires sur arches contiennent en outre un dessin original, une suite en sanguine et une suite en noir. Les suites sont présentes et complètes, il manque en revanche la première eau-forte de la suite dans le texte. Reliure signée A. Marchal, plein box orange moderne, collage représentant une femme avec une bouteille sur le premier plat, chemise demi-box à bande titrée, étui bordé du même, couvertures et dos conservés. Bel exemplaire de ce curiosa. [Attributes: Hard Cover]

      [Bookseller: Librairie Trois Plumes]
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        The Lost Golfer.

      London: John Murray, 1930. First Edition. Octavo, pp. 335. Green cloth with gilt titles to spine and upper board in pictorial dustjacket. Some wear to cloth, bumping to extremities, gilt to spine slightly dulled. Dustwrapper shows brightly some loss to the top right corner of the front panel and to the top and bottom of the spine. Some creasing, nicking, and closed tears to the edges. Some marking to all faces. Some archival tape reinforcement to rear of the dustwrapper. Overall a very good example of this title, rare in a dustjacket.

      [Bookseller: Adrian Harrington]
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        A Monograph of the Birds of Prey (Order Accipitres) Two Volumes

      Wheldon & Wesley, 1930. Leatherbound. Used: Like New. Beautifully bound in half red leather, raised bands, gold decorations on spine. TEG. Wrappers bound in at the end of each volume. Thirty-four colored plates after paintings by H. GR

      [Bookseller: Buteo Books]
 20.   Check availability:     Biblio     Link/Print  


        Whoroscope

      1930. First Edition . Signed. BECKETT, Samuel. Whoroscope. Paris: Hours Press, 1930. Slim octavo, original orange stiff-paper wrappers, staple-bound as issued: pp. [8]. $12,500.Limited first edition, number 130 of only 300 copies issued, an exceptionally rare presentation/association copy of Beckett's ""first separately published work,"" written in Paris in June 1930—""a milestone for Beckett""—inscribed on the limitation page by him, ""For William Targ With all good wishes Samuel Beckett (40 years later),"" in original wrappers. Famed editor, publisher and bibliophile William Targ, who placed Beckett first in his list of ""top ten"" authors to collect, was hailed as ""a modern Dr. Johnson,"" and often visited with Beckett on annual trips to Paris.Whoroscope is Beckett's ""first separately published workÂ… He wrote it in a matter of hours on June 15, 1930"" in Paris after hearing, at the last minute, of a literary contest sponsored by novelist Richard Aldington and Nancy Cunard's Hours Press. Especially appealing to the impoverished Beckett was the lure of a ten-pound prize—but to receive it he had to work quickly. Having spent months researching René Descartes in the Ecole Normale, he decided the poem ""would revolve around Descartes' curious penchant for eating eggs only when they had been hatched for between eight and ten days; there would be pain as well as humor in it; and time would be there as its theme, lurking scarcely visible beneath the surface. In a letter to Cunard, Beckett summarizes how quickly he wrote the poem. He recounts how he wrote the 'first half before dinner, had a guzzle of salad and Chambertin at the Cochon de Lait, went back to the Ecole and finished it about three in the morning. Then walked down to the rue Guénégaud and put it in your box. That's how it was and them were the days.'"" Only 24 when he wrote Whoroscope, the ""witty, eruditeÂ… 98-line poem impressed both Cunard and AldingtonÂ… [who] sent for Beckett the next day to congratulate him and present him immediately with the prize—in cash. He was delighted at his success and grateful for the much-needed windfall"" (Knowlson, Damned to Fame,118-119). It was Cunard and Aldington, as well, ""who suggested the addition of explanatory notes to the published version of the poem, in the manner of T.S Eliot's Waste Land [1922]. Whoroscope is Beckett's earliest surviving manuscriptÂ… Evidently short of writing paper, or too pressed for time to buy any, Beckett composed (or copied?) Whoroscope on five sides of stationary of Hotel Bristol, CarcassonÂ…. The leaves lack revision or the doodles to which Beckett resorts when hesitating. The poem was individually published by Hours Press in 1930"" (Cohn, Beckett Canon,12, 13n). ""Only a handful of people knew it had even been publishedÂ…. Nevertheless it was a milestone for Beckett"" (Blair, Samuel Beckett, 106).This virtually unobtainable limited first edition of Whoroscope, one of only 300 copies issued, is of particular importance as a presentation/association copy that is warmly inscribed by Beckett to famed editor, publisher and bibliophile William Targ, ""one of the greatest post-World War II editors."" At 22 the Chicago-born Targ ""began to amass what would eventually become a collection of thousands of rare books and first editions"" and he later became the powerful and beloved editor-in-chief at Putnam's (New York Times). On retiring in 1979 Targ founded the prestigious press, Targ Editions. His authors, as editor and publisher, include Saul Bellow, Henry Roth, Simone de Beauvoir, Tennessee Williams, Richard Wright and Mario Puzo, whose novel The Godfather Targ agreed to publish sight unseen after two other publishers had turned it down. At his death in 1999 Targ was remembered as ""a modern Dr. Johnson"" (Independent). In an oft-quoted essay on book collecting, Targ lists Beckett as first in his ""top ten"" authors to collect, and in his book, Indecent Pleasures (1975), writes of his keen anticipation before first meeting Beckett in Paris ""in the lobby of the Hotel MontalembertÂ…the prospect was dizzying, almost beyond my endurance"" (113). At Beckett's request, Targ would later arrange a meeting in Paris between Beckett and Targ's longtime friend, Saul Bellow. Limited first edition, number 130 of only 300 copies issued (100 signed). Federman & Fletcher 5. Interior fine; lightest edge-wear, mild soiling to original wrappers. A near-fine presentation copy with an especially memorable association.

      [Bookseller: Bauman Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        Narziß und Goldmund. Erzählung. Aus der Reihe: Gesammelte Werke in Einzelausgaben. [13].

      Erschienen in Berlin bei: S. Fischer, Verlag, im Jahre 1930. - Insgesamt 417+ 3 Seiten, mit Verlags- Monogramm in Rot-Druck. Inhalt: Erstausgabe mit dem seltenen Original- Schutzumschlag. Narziß und Goldmund ist eine Erzählung von Hermann Hesse. Sie entstand zwischen April 1927 und März 1929 und erschien 1930 im S. Fischer Verlag. Ein Philosophischer Roman, Historical Fiction. Der S. Fischer Verlag publizierte die Erzählung als Vorabdruck zwischen Oktober 1929 und April 1930 in der Neuen Rundschau, mit dem Untertitel >Geschichte einer Freundschaft< versehen. Die Erstausgabe erschien ebenda 1930 im Rahmen der Gesammelten Werke Hesses. Siehe auch Wikipedia. Zustand: Schutzumschlag berieben, angestaubt, einrissig, gebräunt und rückseitig geklebt, Einband und Buchschnitt braunfleckig, sonst sauber, wohl gepflegt und noch recht ordentlich erhalten. Sprache: Deutsch Gewicht in Gramm: 1050 8°(Oktav- Format bis 22,5 cm.) Original- Ganzleinen- Einband mit Original- Schutzumschlag, Einbandentwurf von E. R. Weiß. Erstausgabe, 1. bis 20. Auflage, gedruckt in Leipzig bei Bibliographisches Institut A G., siehe Wilpert/Gühring I Seite 544 Nr. 130. [Attributes: First Edition; Hard Cover]

      [Bookseller: Galerie Antiquariat Schlegl]
 22.   Check availability:     AbeBooks     Link/Print  


        Designs for Stained Glass Window

      England, 1930. 4 vols. Ink and watercolor on paper. Unframed, matted. Very good. 4 vols. Ink and watercolor on paper. Four Ecclesiastical Watercolor Drawings. Four stained glass designs by John Hardman & Co., formerly part of Hardman, Powell & Co. The company reached great popularity in the Victorian period making ecclesiastical fittings and ornaments for churches throughout England. The firm's interest in Gothic Revival led them to stained glass production in the late 1800s in which they then produced windows for churches around the world. These cartoons of windows are finely detailed showing the wide ranges of colors used in production. The two larger cartoons are annotated to indicate corrections of specific color choices.

      [Bookseller: James Cummins Bookseller]
 23.   Check availability:     Biblio     Link/Print  


        MANUSCRIPT BOOK Vagabonds in Cotswolds

      this is a stunningly executed manuscript album of pen & ink drawings and fine calligraphic text recording the authors tour round the Cotswolds in 1930, a ninety four page manuscript book filled with beautifully drawn Pen & Ink illustrations of scenes and buildings the author encountered on his tour round the Cotswolds, the book is reminiscent of the work of Alfred Wainwright, but predates his published works by many years, The Album is a small landscape format measuring 10 inches by 7 inches approx. bound in a Fine Full Leather Binding by Cox & Allen of Cambridge, page edges gilded all-round, the work is by Ernest Arthur Hodgkinson , a well-known and recorded artist born in 1883, apart from some light surface scuffs and minor rubbing to the binding, internally a few mild offsetting marks within else nice condition. A lovingly created manuscript book that is a delight to browse through and treasure.

      [Bookseller: Andrew Cox]
 24.   Check availability:     PBFA     Link/Print  


        La voie royale

      First edition of 62 numbered copies on Madagascar, the tirage de tête.Contemporary half blue morocco over marbled paper boards by Robinson, gilt date to spine, gilt fillet frame to covers, endpapers and pastedowns of light green paper, double covers and double spines preserved, top edge gilt.A very good copy in a nice binding. Grasset Paris 1930 11,5x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 25.   Check availability:     Direct From Seller     Link/Print  


        The Listeners (Very Faint)

      circa early 1930s - WATTS (Arthur): The Listeners, ca. early 1930s Santa is on the roof while a family in a snow-covered house are listening intently to a radio broadcast from a set on the dining table. Presumably an illustration for Radio Times. Watercolor on board. Measures 14-3/8 x 10-15/16 inches on larger paper. Matted and Framed. Arthur Watts (1883&#150;1935), was a talented British artist, illustrator, cartoonist and humorist, drawing early in his career for the Tatler, the Bystander, Pearson&#146;s Magazine and London Opinion, and later for Punch, Radio Times, Yachting Monthly, and also created travel posters for the railways and the London Underground; also illustrating a number of books, including three works by E M Delafield. He died in a crash aboard a KLM Royal Dutch Airlines over the Alps.

      [Bookseller: Battledore Ltd]
 26.   Check availability:     AbeBooks     Link/Print  


        Vintage photo signed ('Edward') in a dark part of the image (1894-1972, King of Great Britain, Later the Duke of Windsor)

      1930 - showing him full length wearing jodphurs and a flat hat talking to two men and a woman, smoking a cigarette, 9" x 6½", no place, no date, c.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
 27.   Check availability:     AbeBooks     Link/Print  


        Two personal photograph albums relating to Catchpole's life at home in the United Kingdom, and to his time at Abadan in Iran and in Turkey.

      Persia, Turkey and other places, 1930s. - Oblong small folio. 2 albums, the first containing 237 original photographs, the majority snapshots but some larger, mostly captioned by hand, also with a loosely inserted pencil sketch captioned "Our first home Abadan '42. Drawing room with Persian rugs", the second containing 52 original photographs, snapshots or larger, and a further 27 images in paper wallet (some duplicates). Contemp. rexine or papered boards. Fascinating collection of private photos showing the Abadan Oil refinery and life on the site in the 1930s. A series of 120 or so images is devoted to William Catchpole's time on the Abadan oilfields near Basrah and Kuwait. Catchpole became a chemist with the Anglo-Iranian Oil Company in 1933, and presumably was asked to visit the plant in this capacity. The photographs of this period show scenes on the voyages out (aboard the MV British Pride, an Anglo-Iranian tanker), life in Abadan (including the horse races), and the refinery itself. A group of 16 images show elements of the refinery, including the "cracking plant", "distillation units", and other features. Other photographs show the docks, and several show flares in the desert. The second album is undated and uncaptioned, though examination of one loosened photograph reveals a pencilled note to the verso ("Turkey between Harida Pasha and Ankara"). The photographs in the album show recreational and work-related images, including boating events, a pipeline, and three of an unidentified refinery. - William Marcus Catchpole was a grandson of Nathaniel Catchpole, founder of the brewing company Catchpole & Co. of Suffolk. The family and the business were based at Whitton, and some of the images from the first album show scenes and people at home. William Catchpole attended Radley College, and further images show the college and rowers on the river; some 100 images in the first album relate to the family's life in the UK. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 28.   Check availability:     ZVAB     Link/Print  


        Gun Club Cook Book WITH: The Gun Club Drink Book

      1930. First Edition . BROWNE, Charles. The Gun Club Cook Book. WITH: The Gun Club Drink Book. New York: Charles Scribner's Sons, 1930, 1939. Together, two volumes. Octavo, original cloth, original dust jackets. $1800.First editions of these popular and witty Prohibition-era recipe books, in scarce Leonard Holton-designed dust jackets and with humorous illustrations by Holton throughout.""A cookery book out of the ordinary—no calories, diets, nor even vitamins—an oasis in the desert of eating for health books"" (Bitting). ""This book is dedicated to thoseÂ… who know that to honor one's stomach is to humor one's disposition and that a good disposition is one of mankind's greatest blessingsÂ… from prohibitionists and from those who 'do not care what they eat so long as they get the proper nourishment,' good Lord, deliver us"" (Dedication). Both volumes with Scribner's ""A"" on copyright page. Bitting, 64. Cook Book near-fine in a slightly toned, near-fine dust jacket; Drink Book near-fine in a lightly soiled dust jacket with two long closed tears affecting front panel, very good.

      [Bookseller: Bauman Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Rubaiyat of Omar Khayyam

      , 1930. 1930. Signed. (POGANY, Willy) KHAYYAM, Omar. Rubaiyat of Omar Khayyam. The First and Fourth Renderings in English Verse by Edward Fitzgerald. With Illustrations by Willy Pogany. London: George G. Harrap, (1930). Quarto, publisher's full turquoise crushed morocco, raised bands, decorative gilt and onlaid leather emblem on front cover, marbled endpapers, top edge gilt, uncut. $2200.Signed limited edition, number 116 of only 750 copies printed for England (of a total edition of 1250 copies) signed by the artist, Willy Pogany. Splendidly illustrated, with an original etching signed by Pogany (a variant of the color-plate frontispiece), 12 full-page mounted color plates and numerous black-and-white text illustrations, including dozens of intricate etchings mounted as headpieces. Handsomely bound in the publisher

      [Bookseller: Bauman Rare Books ]
 30.   Check availability:     ABAA     Link/Print  


        A Draft of XXX Cantos.

      Limited edition, one of 200 copies printed on Canson-Mongolfier Soleil velin M.R.V. paper. 8vo. (vi), 7-141, (5) pp. Publisher's oatmeal linen, red lettered to the upper board and spine, though the latter is faded and the linen browned, bookplate of the academic, poet and translator Dudley Fitts to the front pastedown with an inscription to the opposing page with his name plus "...New York 1930 / for review Hound + Horn". Stylised initials to the start of each canto. Slight tenderness at the hinges, though the book remains sound.The Hound and Horn was founded by two Harvard undergraduates in 1927, whose literary work had been spurned by the Harvard Advocate. Gradually the outlook of the magazine broadened from its university roots and it published contributions from the likes of Gertrude Stein, T.S. Eliot and Ezra Pound; the latter appropriately enough given that the name of the magazine had been inspired by a line in his poem "The White Stag". The magazine eventually folded in 1934.

      [Bookseller: Bow Windows Bookshop]
 31.   Check availability:     PBFA     Link/Print  


        Original Chinese Poster -- Lady with Baby

      Printed in Shanghai 1930 - Original circa 1930 Chinese published poster - a rather risque image of a Chinese woman in lingerie with a baby on a day couch. 28.75" x 20.25". Linenbacked, B/B+ condition with a long, approx 6" restored tear right centre. [PTIL G1047]

      [Bookseller: Picture This (PBFA, IVPDA)]
 32.   Check availability:     AbeBooks     Link/Print  


        50th birthday limited edition

      1930. Signed. JABOTINSKY, Vladimir (Altalena). ???????? [Short Tales], ????? [Verses] and Causeries [Essays]. Paris: Voltaire, (1930). Three volumes. Slim octavo, original half brown morocco gilt, raised bands, marbled boards and endpapers, top edges gilt, uncut. Housed in a custom marbled slipcase. $6500.Signed limited edition, number 117 of 200 copies, of this collection of the Zionist leaderÂ’s stories, poems and essays, published by his friends to commemorate JabotinskyÂ’s 50th birthday, each volume signed by Jabotinsky. Text in Russian.“After Theodor Herzl and David Ben-Gurion, Vladimir Jabotinsky is perhaps the most renowned figure in Zionist historyÂ… Like Herzl, Jabotinsky was a journalist and a literary writer before he became a Zionist at the start of the new century,” his activism motivated by the brutality of the Kishinev pogrom of 1903 (Nation). Then RussiaÂ’s “foremost Zionist lecturer and journalistÂ… Jabotinsky played a leading role in the evolution of Zionist ideology in RussiaÂ… [crusading] against anti-Semitism, Jewish assimilation and the quasi-nationalism of the Bund.” Jabotinsky frequently wrote under the pen name ‘Altalena.Â’ “In 1910 [Jabotinsky] translated The Raven by Edgar Allan Poe into HebrewÂ… His translation of ten cantos of DanteÂ’s Inferno is a masterpieceÂ… but his main contributions to belles lettres were in RussianÂ… In 1930, on his 50th birthday, his friends published a limited edition of three volumes of his poems, short stories, and essays in Russian” (Encyclopaedia Judaica). Frontispiece portraits in each volume. Text in Russian. Scattered light foxing to interiors, with heavier foxing on preliminary and concluding leaves. Light foxing to edges of text blocks, bindings about-fine.

      [Bookseller: Bauman Rare Books]
 33.   Check availability:     Biblio     Link/Print  


        Catalogue de Relières du XVth au XIXth Siècle, en Vente à la Librairie Gumuchian & C.

      Paris: Gumuchian, (c. 1930s). Quarto. (181)pp. + 135ff. of plates. One of 1000 copies. A catalogue of fine bindings from this famed Parisian bookseller, profusely illustrated with full-page black and white illustrations including XX color plates. In original dust wrapper, with the English titling: "Fine Bindings." This title also appears on the covers.

      [Bookseller: Bromer Booksellers]
 34.   Check availability:     Direct From Seller     Link/Print  


        My Early Life: A Roving Commission

      1930. First Edition . Signed. CHURCHILL, Winston. My Early Life: A Roving Commission. London: Thornton Butterworth, (1930). Octavo, original purple cloth, uncut and unopened, original dust jacket. Housed in a custom clamshell box. $45,000.First edition, first state, presentation copy, of ChurchillÂ’s acclaimed autobiography, inscribed on a front flyleaf in the year of publication: “Presented by Winston S. Churchill, Dec 1930,” in exceedingly rare original dust jacket.My Early Life covers the first 25 years of Churchill's life, to the beginning of his parliamentary career. Included are accounts of his childhood, his active service in Cuba, the North West Frontier and Omdurman, and his exploits during the Boer War, detailing his famous escape from the Boers as a prisoner of war. In this autobiography ""Churchill records his experiences in words which will live as long as any 20th-century author is readÂ… My Early Life was one of the two Churchill works excerpted by the Nobel Library—for Sir Winston's 1953 Nobel Prize in Literature was won not for his war memoirs but the totality of his work. This book presents Churchill at his dazzling best as chronicler and memoirist"" (Langworth, 130). With numerous maps (including one folding) and plans and 16 tipped-in illustrations. First state, with 11 titles listed on verso of half title. This English edition precedes the American edition (issued under the title A Roving Commission: My Early Life) by three days. Cohen A91.1.a. Langworth, 129-136. Woods A37(a). Interior fine. Light wear to extremities of original cloth and fading to spine ends. Wear to exceptionally rare original dust jacket including fading and chipping. Rear flap partially detached; front panel detached but present. Overall an exceptionally desirable copy, quite scarce signed and in the virtually unobtainable original dust jacket.""

      [Bookseller: Bauman Rare Books]
 35.   Check availability:     Biblio     Link/Print  


        The Christopher Robin Birthday Book.

      London: Methuen & Co., 1930. FIRST EDITION. 8vo. Compiled by A.A.Milne and with decorations by Ernest H. Shepard. Publisher's gilt-decorated red cloth in original dustwrapper. Minor sunning to spine else a fine copy.

      [Bookseller: Adrian Harrington]
 36.   Check availability:     Direct From Seller     Link/Print  


        L'oiseau chez lui. Livre de couleurs du temps. Oiseaux de mer et de rivages

      First edition, one of 15 numbered copies on Japan, one of our off trade, deluxe edition.Preface by Camille Mauclair.Ilustre book of 10 boards inset colored lithographs and numerous in-black text Roger Reboussin.Diagnose J. Rapine.Comlpet copy of his shirt in brown full canvas flaps, dumb smooth spine label glued leading the premeir and flat with small foxing.Rare copy and pleasant.  P.U.F Paris 1930 33x41cm en feuilles sous chemise à rabats

      [Bookseller: Librairie Le Feu Follet]
 37.   Check availability:     Direct From Seller     Link/Print  


        Lettres françaises

      First edition of the French translation, one of 110 numbered copies on "pur-fil" paper Lafuma laid Navarre and reimposed in quarto foolscap, deluxe edition.Small bites on the first board. Nrf Paris 1930 16,5x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 38.   Check availability:     Direct From Seller     Link/Print  


        Architektur (Paris Notre Dame). Original-Fotografie (1920er / 1930er Jahre Abzugaus den 1950er Jahren). Bildformat: 28,2 x 37,7 cm. Verso zwei Stempel des Folkwang-Archivs und montierte Bezeichnung mit dem Namen der Fotografin sowie Folkwang-Archiv-No. 31450. -Minimale Knickspur, nur im Bildglanz sichtbar. - Siehe die ABBILDUNG.

      ***** Thalemann, Else: Architecture (Paris, Notre Dame) (approx. 1930 print approx. 1950). Silver gelantine silver print. Size: 28,2 x 37,7 cm. On verso stamps of Folkwang-Archiv, archiv No. 31450 with mounted description and name of photographer. - Minor using, seen only on layer gloss. - Please note IMAGE. 7

      [Bookseller: FOTOKUNST-Antiquariat Fahl Inhaber: Joac]
 39.   Check availability:     booklooker.de     Link/Print  


        Photograph inscribed

      1930. Signed. ROBESON, Paul. Photograph inscribed. London, circa 1937. Vintage sepia print measures 10-1/2 by 13-1/2 inches. $1800.Vintage promotional sepia print of Paul Robeson from the 1937 British film Big Fella, with Robeson standing with hands on his hips, inscribed in blue ink, “To ‘BuddyÂ’ from ‘Paul.”Paul Robeson ‘had so many talents he made acting seem narrowÂ… He was singer, actor and public speakerÂ… Robeson could sing the works of the masters; he could play OÂ’Neill and ShakespeareÂ… testament enough that hardly anyone now would dare to fill his partÂ… [but] because there were no ‘ordinaryÂ’ black parts save for servants or ‘boys,Â… a great deal of what he did [on film] depended on offers from Britain,” such as this role in Big Fella, directed by J. Elder Wills and produced in England (Thomson, 766). A musical loosely based on the novel Banjo by Harlem Renaissance writer Claude McKay, Big Fella is set on the Marseille waterfront and stars Robeson as a wanderer hired by a wealthy English couple to find their missing son. Light edge-wear and soiling, slight loss to corners, single tape repair to verso, small faint notation in red felt pen to lower right corner. A very good photograph, scarce inscribed.

      [Bookseller: Bauman Rare Books]
 40.   Check availability:     Biblio     Link/Print  


        International Sport

      1930. First Edition . (POLO) STOCK, Alphons. International Sport. London, New York: Universal Bridge of Trade, circa 1930. Tall folio (11 by 17 inches), original full burgundy pebbled morocco, watered silk endpapers, all edges gilt. $3800.Limited first edition of this gallery of the most notable equestrian sportsmen and sportswomen of the world circa 1930, one of only 250 copies, this copy unnumbered. With 65 lovely photogravure portraits, many astride their horses.Includes profiles of the King of Spain Alfonso XIII and Edward, Prince of Wales, who would go on to become Edward VIII in 1936 and then the Duke of Windsor when he abdicated. Also renowned sportswoman Pansy Ireland, William DuPont, John Hertz, Edward Hurd, George H. Mead, Prince Aga Khan, Richard Mellon, Cornelius Vanderbilt Whitney, and many others. Text in English and French. Text and photogravures clean and fine. Minor discoloration to front cover, very nearly fine condition. A splendid treasure house of important personalities in equestrian sports, very scarce.

      [Bookseller: Bauman Rare Books]
 41.   Check availability:     Biblio     Link/Print  


        Photograph inscribed

      1930. Signed. PERSHING, John J. Photograph inscribed. No place: circa 1930. Photograph measures approximately 5 by 7 inches; with full border, approximately 8 by 10 inches. $1500.Handsome photogravure of General Pershing in military uniform, inscribed: “For Cook Post, American Legion, Yonkers, New York. With cordial good wishes. John J. Pershing.”John Joseph “Black Jack” Pershing was the most accomplished American soldier of WWI. PershingÂ’s charismatic personality and his extensive experience in prior military initiatives had made him the logical choice to command the Allied Expeditionary Force during World War I. After the Allied victory in 1918, Pershing emerged as the most celebrated American hero of the war. Congress honored him by creating a new rank, General of the Armies, and he later served as Chief of Staff from 1921 to 1926. The inscription and the signature are written in two different inks, signifying that the inscription was in all probability written at a later date. Fine condition.

      [Bookseller: Bauman Rare Books]
 42.   Check availability:     Biblio     Link/Print  

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