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Displayed below are some selected recent viaLibri matches for books published in 1930

        The Secret of the Old Clock

      Grosset & Dunlap 1930 - The true first edition, first printing, of the first Nancy Drew book. Farah 1930A-1. Very good in original cloth. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Turkey and Syria Reborn. A Record of two Years Travel.

      

      [Bookseller: Henry Sotheran Ltd.]
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        THE PROTESTANT ETHIC AND THE SPIRIT OF CAPITALISM

      London: George Allen & Unwin, Ltd.. Very Good+. 1930. First Edition; First Printing. Hardcover. xii, (4), 292 pages; Clean and tight in original black cloth binding with gilt lettering at spine; a couple tiny spots of fading at spine. A very nice example of the very scarce first edition in English of this major landmark in the history of economic thought. .

      [Bookseller: Antiquarian Book Shop]
 3.   Check availability:     Biblio     Link/Print  


        Fototek 1: L. Moholy-Nagy. 60 Fotos 60 photos 60 photographies

      Klinkhardt & Biermann, Berlin 1930 - First edition. Introduction by Franz Roh. Designed by Jan Tschichold. Text in German, English, and French. Thin quarto. Photographically illustrated wrappers. Slight erosion at the paper spine, slight soiling, else a near fine copy. The first study to concentrate on the important Bauhaus artist's photography. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Reichs Handbuch Der Deutschen Gesellschaft. 2 Volumes.

      Wirtschaftsverlag, Berrlin 1930 - Vol.1(A-K) -xv, 1053 + Vol.2(L-Z) 1054-2125pp, photos. A Who's Who of Germany society. Medium wear to boardslittle discolouration to eps and VOl.2 has crease to ffep, text block is glazed paper. Courier only. 12kg Size: Elephant Folio - over 15" - 23" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Parveen Papers]
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        [Photo Album]: African-American Family Photo Album

      , 1930-1978. 1930-1978. Quarto. Red decorated boards with 3 steel rings, measuring 7" x 12". A collection of 83 photographs, both in color and black and white housed in a 3 ring binder photo album, without captions. Good only lacking the front boards with worn edges and tiny tears. The album, which was possibly assembled for the funeral of Mrs. Dorothy Gay of Lutcher, Louisiana in 1971 and continued after, as the church program is affixed to the rear board, assembles photos of an African-American family from what appears to be the 1930s until the 1970s. Some of the notable early photos include one from July of 1941 of a man in a tuxedo carrying a drum set, three from 1944 of some dapper gentlemen posing in front of a grand staircase, and one undated photo of a man in a nice looking car. The later pictures depict women in fancy fur coats, a 1978 graduation ceremony, and a little girl posing and singing. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Le Barbier de Séville.

      Paris, Librairie des Amateurs. A. Ferroud 1930 - Illustrations en couleurs par Gustave-Adolphe Mossa. Le tirage de cette édition a été limité à 970 exemplaires. Celui-ci (N°54) un des 60 sur JAPON contenant 3 états dont un état en noir. ÉDITION ORIGINALE illustrée. SUITES de toutes les illustrations, hors texte, lettrines, vignettes de titre et culs-de-lampe, avec remarques, reliées in fine. Complet & Contrôlé. Paris, Librairie des Amateurs. A. Ferroud - 1930 - 177 pages. Collection Petite Bibliothèque Andréa. Reliure plein maroquin vert signée F. Brochon. Dos à 4 nerfs aux titre et auteur dorés. Tête dorée sur témoins, non rogné. Débordement maroquin aux contreplats orné d'une chainette dorée. Couverture illustrés et dos conservés. Pas de rousseur. Parfait état. Bel exemplaire, bien relié. Format in-8°(21x15). Gustav-Adolf Mossa (1883-1971) est un peintre symboliste français, tardif dans la mouvance de Gustave Moreau, Lucien Lévy-Dhurmer, Edgar Maxence ou Émile-René Ménard. Imprégné de ses lectures, Mallarmé, Baudelaire, Huysmans, il s'inspire des maîtres du Quattrocento, des préraphaélites, de l'Art nouveau. Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        A small archive of William typescripts, photographs and ephemera.

      

      [Bookseller: Henry Sotheran Ltd.]
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        OLIVE'S LAST ROUND-UP.

      1930 - First edition. 16mo. Original gray printed wrappers, np. [98 pp.], preface, illustrated, plates, portraits, advertisements. Print Olive was a determined and ruthless man who resorted to some deadly tactics in order to have things his way in the cattle industry in his area of Nebraska. Six Guns 1165 says, "This rare little book is the story of I. P. Olive and his lynching and burning of Luther Mitchell and Ami Ketchum. There is also some information on Doc Middleton." Herd 1169 says, "Tells of the high-handed way I. P. Olive tried to control the cattle business in his section of Nebraska." Fine copy. Difficult title. [Attributes: First Edition; Soft Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB, IOBA]
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        Cagliostro and his Egyptian Rite of Freemasonry

      The Masonic Bibliophiles 1930 - New York, 1930. 4to, blue cloth spine over paper covered boards, 90 pp. One of 202 numbered copies. A lovely copy of this scarce Henry Ridgely Evans title, in excellent condition with fine contents and some foxing to paper at extremities of boards. Please contact us for additional pictures or information. [Attributes: First Edition; Hard Cover]

      [Bookseller: Auger Down Books, ABAA/ILAB]
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        Geschichte des K. u. K. Husaren-Regimentes Graf Nadasdy No 9 1904 - 1918 Mit einer Landkarte

      Selbstverlag des Regimentes, Budapest, 1930. 232 S. gebundene Ausgabe guter Zustand, Kanten gering bestoßen, Bindung gelockert - keine Seiten lose // Das Buch beschreibt die Gefechte des 1. Weltkrieges, an welchen das Regiment teilgenommen hat. Ebenfalls sind Verlustlisten und der Offiziersstab von 1904-1918 aufgelistet. G1056 Versand D: 6,00 EUR Weltkrieg, Husaren, Kavallerie, Österreich Ungarn, Austria Hungary,

      [Bookseller: Antiquarische Fundgrube e.U.]
 11.   Check availability:     buchfreund.de     Link/Print  


        Relacao Anual das Coisas que Fizeram os Padres da Companhia de Jesus nas Suas Missoes.

      Imprensa da Universidade, 1930 - Do Japao, China, Cataio, Tidore, Ternate, Amboino, Malaca, Pegu, Bengara, Bisnaga, Madure, Costa da Pescaria, Manar, Ceilao, Travancor, Malabar, Sodomala, Goa, Salcete, Lahor, Diu, Etiopia a alta ou Preste Joao, Monomotapa, Angola, Guine, Serra Leoa, Cobo Verde e Brasil. Nos Anos de 1600 A 1609. Coimbra, 1930-42. New ed. by A. Viegas. 4to. 3 vols. xli, 420, 432, 434pp. 1 plate on vol.3. Original wr. bound in new cloth, internally slightly spotted, and water stained of 3rd vol. [Attributes: Hard Cover]

      [Bookseller: The Isseido Booksellers, ABAJ, ILAB]
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        AUTOGRAPH LETTER, SIGNED, FROM THOMAS B. CLARKE TO MANTLE FIELDING, DISCUSSING ARTISTIC BUSINESS MATTERS].

      New York. March 26, 1930. - [2]pp. on a single octavo sheet of stationery. Old fold lines, minor wear. Near fine. Noted art collector and Winslow Homer patron Thomas B. Clarke writes to Mr. [Mantle] Fielding on artistic business matters, discussing the current values of American art, etc. In part: ".Mr. Cochran (of J.P. Morgan & Co. has given several more American paintings to Andover Academy, among them 'Eight Bells' by Winslow Homer. In the 'Nineties' Homer asked me to come to his studio.on Washington Square. I went there and he said 'Clarke here is a picture that I have just finished working on, and I have named it 'Eightbells.' I said 'Mr. Homer will you sell it to me?' He replied 'Yes, and I will accept $400 from you.' In 1899. it fetched over $4000. Levy sold 'Eight Bells' later to one of his clients. This buyer 'parted with it' very recently for the Andover collection for the sum of seventy thousand dollars! Some commentators upon this sale say that this price was low! The rapid advances of certain works of art by American painters seems very remarkable to me. My inclination for the selection of oil portraits from life was manifest in the sale of my collection, and at the end of the sale I started to accumulate the paintings now hanging in the Museum in Fairmount Park Phila. and in my residence here (there are 171 in all - I feel like hiding!). . You and I have known of marvellous increases in the values of portraits of Washington by Stuart, Peale and others. Copley, Trumbull, Sully et al also lead in the great advances. In coming years will portraits by these men mount in value? I feel such a situation is absolutely certain." Thomas Benedict Clarke (1848-1931), American patron and art collector, is considered by many to be the foremost patron of American painters during the late 1800s. He was praised for his attention to American artists at a time when they considered themselves neglected or ignored. Mantle Fielding is remembered today for his works on portraits of Washington.

      [Bookseller: William Reese Company - Americana]
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        Studies in Secret Service Intelligence.

      Seems to be not published, but an offset of a typescript. 1930 - J.A. Kavanagh, Studies in Secret Service Intelligence. 1930 “Crime, like more reputable industries, has its recognized leaders—every branch of crime has its men and women who are known to be their guiding principles." This seems to be an offset copy of a not-quite-finished book project for an instructional on how to operate as a private detective. This DIY comes a few years after Continental Op and Same Spade, though it still seems to be in the early period when private eyes were becoming accessible to the public at large. I can find NO copies of this work in WorldCat/OCLC and neither hide nor hair in other references. I'm not sure that it was ever published. __+__ There are 34 divisions of approximately 336 leaves (each page printed on one side only, each including a covering "contents" page and a concluding "question" page, the contents page not included in the page count. CONDITION: text is FINE; the outer manila folder wraps are in pieces. PROVENANCE: Library of Congress, deaccessioned via the Pamphlet Collections purchase to me some years ago. __+__The following 19 sections (including about 80 pieces of content (of approximately 300+ headings) represent a pretty good idea of what is contained in the book. Chapters:there are no chapter headings per se, though there are divisions simply labelled “contents”, and the end of each section has a “questions” page for review. Most of the book is not paginated. Dedicatory; The art of thinking and the art of observation, 6pp; The basuis of as, testimony, legal terms, law for detectives, evidence, the witness, dying declarations, 10pp; Different sorts of crimes: internal contradicitons, burden of proof, confession, accomplice, conspiracy, murder, embezzlement, bribery, criminal anarchy, perjury, kleptomania, verbalist type, 7pp; The study of anatomy, peculiarity of speech, cuases of wrong descriptions, 6pp; How to diagram crime scenes; studying faces; mannerisms, identification of tastes, carriage of the human body. 10pp; On Starting an Agency (including how to find clients, making reports, service charges, interviewing, 12 pp; The lie detector, morbid suspicion, secrets revealed in a single hair, photomicroscopy, five things to prove before arrest, evidence given by servants, typewriter personality, when women bluff, 6pp; How Criminals Associate, criminal lunatic, epileptics, chance criminals, deliberate criminals, crimes of passion, a moron, handwriting fo the insane, the Negro criminal, *this is where sectional pagination begins*, 13pp; Forged checks how to determine age of inks, how to detect erasures, handwriting, how to treat suspected papers, etc. 8pp; How writing shows up in photographs, how forgers use tracing paper, the higher stages of the art of forgery, how to examine documents, the document camera, the use of transmitted light, 7pp; How to detect a typewriter, typewriter inks and their characteristics, the gae of documents, effect of bleaching agents in inks, 6pp; tracing a fugitive, cooperation which a detective can rely on, tracing a taxi-cab number, pscyhology of initials, tracing stoeln jewellry, tracing missing seamen, tracing automobile thieves, 8pp; How a knowledge of handwriting helps a detective, difference between educated and uneducated writer, abnoral sex desires,m how to use a letter box to trap a thief, tracing the poison pen, why a hysterical woman should usually be suspected, 6pp; Roping, direct roping, indirect roping, counterfeiting, how to rope a Radical, 3pp; How to guard a prominent man, where to keep your guards, what to do with a suspicious package, when to use an open car, how to frisk someone in a diplomatic manner, what to do in case of attack, 3pp; Fingerprinting, 9pp; Foot-, palm, finger-tp-printing 6pp; Characteristics of Nationalities (a vicious and vile section, 6pp; Porscopy and skin, 6pp [Attributes: Soft Cover]

      [Bookseller: JF Ptak Science Books]
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        Poems Edited with notes by Robert Bridges. Second edition with an Appendix of Additional Poems, and a Critical Introduction by Charles Williams.

      London: Humphrey Milford, 1930 - Octavo. Original blue cloth boards, titles to spine and front cover gilt, top edge trimmed, others untrimmed. With the plain paper dust jacket. Small white mark to bottom edge of boards, light offsetting to endpapers, occasional leaves uncut; a very good copy in the uncommon jacket, price-clipped, spine browned, faint foxing to covers and small nicks to extremities. With 2 facsimile signatures in the text. Second, and enlarged, edition, first impression. Gerard Manley Hopkins (1844–1889) published very few poems in his lifetime and destroyed many of his early writings in a crisis of faith - he had been received into the Roman Catholic faith by Cardinal Newman himself in 1866, and in 1868 made a bonfire of his juvenilia. It was only decades after his death that, collected and largely designed by Hopkins's friend and admirer Robert Bridges, the first edition of this "sensitive, handsome, and almost complete" collection was published (ODNB). Contemporary reviews were mixed though some were stridently positive, such as Theodore Maynard: "A shy mid-Victorian priest, writing while Tennyson, Swinburne and Patmore led their various schools, was more modern than the most freakish modern would dare to be. He is the last word in technical development." Sales were slow and it had only just sold out by 1930, when this "second edition was called for by the poetry public who were demanding new, difficult poetic voices. Advocated especially by I. A. Richards, F. R. Leavis, William Empson, and Michael Roberts, so that his poems appeared in general and modernistic anthologies, followed by university and school syllabuses, Hopkins had suddenly become a popular modern poet". Uncommon in the jacket, with only two copies traced at auction. Dunne A38.

      [Bookseller: Peter Harrington. ABA member]
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        THE WORLD IN THE AIR. The Story of Flying in Pictures. Volume one only containing all autographs. Limited edition signed by eight pioneers of aviation history.

      G. P. Putnam's Sons, New York 1930 - The first and most important volume only of a two volume set. Lacking Volume II. Number 155 of 500 printed on Ragleaf all rag paper, and signed by the author and the publisher. Also signed by: Henri Farman who made the First Kilometer Flight by Aeroplane in Europe (1908); Louis Bleriot who made the world's first cross-country airplane flight (1908) and the First Airplane Flight Across the English Channel (1909); Glenn Curtiss who made the first public flight in America (1908); A. Whitten Brown co-commander of the First Non-Stop Airplane Flight across the Atlantic Ocean (1919); G. Herbert Scott Commander of the First Transatlantic Voyage in an Airship (1919); Hugo Eckener Commander of the "Graf Zeppelin" during the first flight from Germany to America (1928) and the first airship flight around the world (1929); and Claude Dornier the German designer and builder of multi-engined aircraft. Vellum-style parchment spines and corners with minor wear and minor soiling, with light purple with dark purple and gold-veined hand-made paper-covered boards. The spine label is present but with chipping to the top edge. The text is clean and unmarked. Size: Quarto (4to) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kurt Gippert Bookseller ABAA]
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        The Tale of Little Pig Robinson.

      

      [Bookseller: Henry Sotheran Ltd.]
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        Fireflies.

      New York: The Macmillan Company, 1930. First edition, later printing of this collection of aphorisms by the Nobel Prize-winning writer. Octavo, original half cloth. Boldly signed by Rabindranath Tagore on the front free endpaper. Each page of this book contains a decorative design by Boris Artzybasheff. Some rubbing and wear to the spine extremities, name to the front free endpaper. Rare and desirable signed. Fireflies were proverbs, aphorisms and maxims originated in China and Japan and were often written on pieces of silk. Tagore visited Japan and collected them in his notebooks. Each firefly, rarely more than a sentence long, represents a luminous thought on love, life, beauty or God.

      [Bookseller: Raptis Rare Books]
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        Empire und Biedermeier

      Stuttgart: Julius Hoffmann, 1930. This is a very good hardcover portfolio with the text booklet and 80 loose plates with only light wear. The hardcover portfolio has a printed salmon-colored title label, also the same label on the text booklet. The portfolio boards have a little light fading or discoloration, but still very good. The hard spine of the portfolio has the title printed in salmon colored letters also very good. The text booklet is also very good, with almost no wear, just one tiny inscription to the front endpaper of the booklet. The loose plates are also very clean and fresh. Text by Joseph Lux in German. All plates are reproduced in black & white. Seven drawings of interiors reproduced in black & white in the text booklet. This is the 7th edition of this important collection of Empire and Biedermeier furniture and decorative arts assembled by Joseph Lux and with his introduction and notes. All in all, one of the nicest copies of this we've seen. 13" high X 9" wide, 20 text pages + 80 plates. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.. Hard Cover. Very Good.

      [Bookseller: Design Books]
 19.   Check availability:     Biblio     Link/Print  


        Portrait photograph.

      Probably London, early 1930s. - Albumen print (vintage), hand-coloured and raised in gilt and opaque white. Matted (ca. 280 x 360 mm) and framed (ca. 530 x 640 mm). Signed "Lafayette" on the mat. His Royal Highness Saud of Saudi Arabia, second son of and immediate successor to Abdulaziz Ibn Saud, the founder of Saudi Arabia, as a young prince. A fine, splendidly hand-coloured portrait by Lafayette Studios, Photographers Royal and among the world's most prestigious studios of the early 20th century. - In immaculate condition. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        THE WORKS

      Oxford: Shakespeare Head Press, 1930-31. No. 302 OF 450 COPIES on paper (and 10 on vellum) n. This is the major modern fine press edition of Homer, with illustrations by one of the most popular woodcut artists of the period. The text here is Chapman's Homer, which Day calls "the greatest verse translation of the Renaissance" and perhaps "the greatest English translation of Homer." George Chapman (1559/60-1634) made his name as a poet and playwright before turning to translating classical literature. His was the first English translation of Homer to be done directly from the Greek, and it remained the standard translation until Pope's 18th century version. Chapman enjoyed a renewed popularity among 19th century poets: Keats composed a much-quoted sonnet, "On First Looking into Chapman's Homer," which begins "Much have I travell'd in the realms of gold"; and Swinburne said, "No praise can be too warm or high for the power, the freshness, the indefatigable strength and inextinguishable fire which animate this exalted work." Wood engraver, painter, illustrator, writer, and teacher John Farleigh (1900-65) had a style perfectly suited to an edition of Homer. In "A History of British Wood Engraving," Albert Garrett writes that "in terms of modern engraving, John Farleigh understood the purity of Greek engraving and largely formed his style upon the few known examples. Like the Greek engraver, he also understood the human form and could express it." He was one of the major engravers of the new British School, which focused on broadening the medium's range of expression and techniques.. 292 x 203 mm. (11 1/2 x 8"). Five volumes. Translated by George Chapman. No. 302 OF 450 COPIES on paper (and 10 on vellum). Publisher's original burnt-orange half morocco over cream-colored buckram, edges untrimmed. In a later paper-covered slipcase. With 52 wood engravings by John Farleigh, comprised of two frontispieces, woodcut-framed title pages to volumes I and V, and 48 full-page cuts. With ink ownership inscription of Daisy Patterson Hall on limitations pages. Ransom, p. 17; Franklin, p. 236; Horne, p. 185. Overall fading and significant chafing to spines, minor dressing residue to leather, faint dampstain covering about a third of the back cover of volume V (a few tiny stray stains on the spine of the same volume), but the bindings showing little wear, and the sides of the other volumes (often found foxed) virtually spotless and very pleasing. Internally a beautiful copy, as fresh and clean as one could hope for. This is the major modern fine press edition of Homer, with illustrations by one of the most popular woodcut artists of the period. The text here is Chapman's Homer, which Day calls "the greatest verse translation of the Renaissance" and perhaps "the greatest English translation of Homer." George Chapman (1559/60-1634) made his name as a poet and playwright before turning to translating classical literature. His was the first English translation of Homer to be done directly from the Greek, and it remained the standard translation until Pope's 18th century version. Chapman enjoyed a renewed popularity among 19th century poets: Keats composed a much-quoted sonnet, "On First Looking into Chapman's Homer," which begins "Much have I travell'd in the realms of gold"; and Swinburne said, "No praise can be too warm or high for the power, the freshness, the indefatigable strength and inextinguishable fire which animate this exalted work." Wood engraver, painter, illustrator, writer, and teacher John Farleigh (1900-65) had a style perfectly suited to an edition of Homer. In "A History of British Wood Engraving," Albert Garrett writes that "in terms of modern engraving, John Farleigh understood the purity of Greek engraving and largely formed his style upon the few known examples. Like the Greek engraver, he also understood the human form and could express it." He was one of the major engravers of the new British School, which focused on broadening the medium's range of expression and techniques.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 21.   Check availability:     Biblio     Link/Print  


        Le Livre blanc.

      Paris, Editions du Signe. 1930 - In-4°, 72pp, 17 pl., 3ff, couverture rempliée, broché, chemise. Première édition illustrée par l'auteur d'un frontispice et de 17 dessins h.t. Tous ces dessins ont été entièrement coloriés à la main par M.B. Armington, artiste peintre. Tirage limité à 438 ex. numérotés. Celui-ci sur vélin d'Arches. Ouvrage rare et recherché pour les 18 très belles compositions de Jean Cocteau. L'ouvrage comprend également 1 pl. de manuscrit en fac-similé. Toutes les planches sont montées sur onglet en fin d'ouvrage. «  Au plus loin que je remonte et même à l'âge où l'esprit n'influence pas encore les sens, je trouve des traces de mon amour des garçons. "J'ai toujours aimé le sexe fort que je trouve légitime d'appeler le beau sexe. Mes malheurs sont venus d'une société qui condamne le rare comme un crime et nous oblige à réformer nos penchants  », écrit en préambule l'auteur qui demeure anonyme. Récit poétique et sensible, à travers des souvenirs d'enfance et d'adolescence, des premiers émois érotiques de l'auteur. C'est d'abord la trouble et profonde attirance pour le lycéen Dargelos, puis ses premières expériences sexuelles et sentimentales avec d'autres garçons. Et enfin l'évocation de sa relation avec Jean Desbordes. [Attributes: Soft Cover]

      [Bookseller: Fata Libelli]
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        The Stray Lamb

      William Heinemann Ltd London (1930) - First Edition and presumed Advance Review Copy in plain wrappers. "a chance encounter leads the protagonist to experience the world through the eyes of various animals." Very Good in wrappers, some creases to wraps. [Attributes: First Edition; Soft Cover]

      [Bookseller: Babylon Revisited Rare Books]
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        A budapesti M. Kir. József Müegyetem építészhallgatóinak tervkiállítása 1930. Ausstellung der Entwürfe der studierenden Architekten der budapester Kgl. Ungarischen "Josef" Polytechnischen Hochschule 1930. - Exhibition of plans prepared by the students of architecture of the Royal Hungarian "Joseph" Technical University in Budapest 1930. - Exposition des projets des étudiants en architecture de l'Université Royale Hongroise "Joseph" des Sciences Techniques à Budapest 1930. - Espositione di progetti degli studenti di architettura della Regia Ungherese Università "Guiseppe" delle Scienze Tecniche di Budapest 1930.

      17 S. + 26 Bll. OBrosch. In ungarischer, deutscher, englischer, französ. und italienischer Sprache. Mit einer Farbtafel und allen s/w Abbildungen. - Leichte papierbedingte Oxidation, etw. angestaubt, leichte Gbrsp. - Unter den Professoren Ivan Kotsis, K. Nagy, Gy Sándy, A. Czakó, Gy. Wälder, I. Möller, D. Hültl, L. Warga und Gy. Sváb wurden die Studierenden unterrichtet.

      [Bookseller: Antiquariat Weinek]
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        Fireflies.

      New York: The Macmillan Company, 1930. First edition, later printing of this collection of aphorisms by the Nobel Prize-winning writer. Octavo, original half cloth. Boldly signed by Rabindranath Tagore on the front free endpaper. Each page of this book contains a decorative design by Boris Artzybasheff. Some rubbing and wear to the spine extremities, name to the front free endpaper. Rare and desirable signed. Fireflies were proverbs, aphorisms and maxims originated in China and Japan and were often written on pieces of silk. Tagore visited Japan and collected them in his notebooks. Each firefly, rarely more than a sentence long, represents a luminous thought on love, life, beauty or God.

      [Bookseller: Raptis Rare Books ]
 25.   Check availability:     ABAA     Link/Print  


        Peter Pan Cut Out Nursery Frieze.

      London: c.1930 - 16 cut out numbered ready paste wallpaper characters from the story of Peter Pan. A few figures with mild creases to edges, Peter Pan with a short closed tear on his leg. An excellent set. Illustrated by Cora E. M . Paterson. A 16 part cut-out nursery frieze by Cora E. M. Paterson who was an English illustrator, graphic designer and poster artist. A beautiful Art Deco set depicting characters and scenes from Peter Pan.

      [Bookseller: Peter Harrington. ABA member]
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        Ohne Titel.

      Collage. ca. 41 x 48,5 cm. Gerahmt. Mit eighd. datierter Signatur. - Trägerpapier etw. wellig. - Adrian, (1930 - 2008), wurde in Wien geboren. Nach der Matura studierte er ab 1950 an der Akademie der bildenden Künste Wien bei Fritz Wotruba sowie in Paris und Mailand. In den 50er und 60er Jahren stand der Künstler in einem Naheverhältnis zur Wiener Gruppe, er weitete das Feld der Bildhauerei und Malerei auf das Medium Film aus. Ausgangspunkte von Adrians Schaffen waren Plastik, Malerei, Op-Art, Computerkunst und konkrete Poesie. Parallel zu seinen literarischen, plastischen und bildenden Arbeiten schuf Adrian eine Reihe von avantgardistischen Filmen. Von Anfang an waren seine Streifen dabei eine Auseinandersetzung mit herrschenden Ideologien und behandelten Themen wie Gewalt, Sexualität, Macht und Staat, Wahrnehmung und Täuschung. Zunehmend begann er sich jedoch psychologisch-narrativen Themen zu widmen. Adrian gehörte in den 50er Jahren zusammen mit Peter Kubelka und Ferry Radax zur ersten Generation des österreichischen Avantgardefilms. Neben seiner künstlerischen Arbeit begann Adrian ab 1970, an künstlerischen Hochschulen u.a. in Hamburg, Cambridge und Wien zu unterrichten. 1988 war er österreichischer Vertreter bei der "Olympiade des artistes" in Seoul, Einzelausstellungen fanden zudem in Europa, den USA und Indien statt. Erste Auszeichnungen erhielt der Künstler bereits in den 60er Jahren: so wurde er u.a. 1992 mit dem Österreichischen Würdigungspreis für Filmkunst und dem ersten Preis der Kurzfilmfestivals "Filmzwerge" in Münster ausgezeichnet. (Zitat nach APA und Die Presse).

      [Bookseller: Antiquariat Weinek]
 27.   Check availability:     booklooker.de     Link/Print  


        Very Good Jeeves

      Doubleday Doran & Co., New York 1930 - A rare copy in exceptional condition. Dust jacket completely intact. Pages lightly toned binding is tight. Those who know Bertram Wooster best are aware that in his journey through life he is impeded and generally snookered by about as scaly a collection of aunts as was ever assembled. [Attributes: Hard Cover]

      [Bookseller: Hayden & Fandetta Rare Books, ABAA]
 28.   Check availability:     AbeBooks     Link/Print  


        Théâtres, Cinémas. Volume 3.- Complet des 50 planches.

      P., Editions d'Art Charles Moreau, s.d. (1930). - 33,5 x 26 cm, 8 p., 50 pl. En ff., portfefeuille à lacets éditeur, dos toilé blanc titré, 1er plat avec une composition typographique de J. Desnos imprimée en noir, rouge et blanc. Quelques discrètes rousseurs. Edition originale. Rare complet et en très bon état.- Oeuvres des architectes et décorateurs : Charles Siclis,18 planches (Théâtre Pigalle, Théâtre Saint Georges), G.-H. Pingusson, (Théâtre des Menus-Plaisirs), A. et G. Perret (Salle de Musique, rue Cardinet), Maurice Gras (Salle Iéna) Auburtin, André Granet, Mathon (Immeuble Pleyel), André Granet (Casino de Dax), R. Delahalle (Théâtre de l'Oeil). Photographies de Chevojon frères sauf les planches 1, 47, 48, 49 et 50. Phototypie de Faucheux et fils. [Attributes: First Edition; Hard Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
 29.   Check availability:     ZVAB     Link/Print  


        Madame Bovary - Moeurs de province.

      Paris, Javal & Bourdeaux 1930 - 25 Eaux-fortes originales de Charles Huard (22 hors-texte et 3 bandeaux). Complet & Contrôlé. Édition tirée à 525 exemplaires. Celui-ci (n°57) un des 50 sur annam impérial, numérotés de 26 à 75 contenant 4 états des illustrations : 1 état d'eau-forte pure, un état bistre avec remarques, un état en couleurs avec remarques, un état définitif. Avec un dessin original en couleurs, signé de Carlo Farneti, non justifié (format 29x20). Paris, Javal & Bourdeaux - 1930 - 322 pages. Très belle reliure plein maroquin signée R. et A. Mondrac. Dos lisse avec titre et décor dorés. Contreplats et gardes avec petites pièces de tissus et motifs dorés. Le dessin de Carlo Farneti est contrecollé sur le premier plat de couverture. Couverture et dos conservés. Pas de rousseur. Parfait état. Format in-4° (34x26). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
 30.   Check availability:     IberLibro     Link/Print  


        Institutes de Science économique (3 Tomes - Complet) [ Edition originale - Exemplaire de l'auteur ] Tome I : Introduction à la Science économique ; Tome II : Les Bases du Système économique ; Tome III : La Production et son Marché

      2 vol. in-8 reliure de l'époque demi-basane marron, Bibliothèque Internationale d'Economie Politique, Marcel Giard puis Librairie des Sciences Politiques et sociales Marcel Rivière, 1930-1936 , XIx-268 et 213 pp. ; XV-382 pp. Bon état (dos un peu frotté). Exceptionnel exemplaire, enrichi des nombreuses annotations et corrections autographes de l'auteur. L'ouvrage provient en effet de la propre bibliothèque de l'auteur, le professeur Georges-H. Bousquet (Docteur en droit en 1923 avec une thèse sur "L'évolution sociale en Hollande 1914-1922"), économiste de l'école de Pareto et Schumpeter, mais également islamisant de l'école de Goldziher et Snouck-Hugronje, professeur aux facultés d'Alger puis de Bordeaux. Peu après sa thèse, il participa à la mission de la SDN pour la restauration financière de l'Autriche. Dans les mélanges qui lui furent consacrés en 1965 dans les Cahiers Pareto, il décrit ainsi le présent ouvrage : "Cet ouvrage devait être un exposé, en langage ordinaire, des dites théories, mais comparées systématiquement aux faits, en vue de montrer en quoi elles correspondent ou non à la réalité concrète. Trois tomes en ont paru ; le reste presqu'achevé en brouillon durant les années de guerre, ne paraîtra pas. En effet, j'ai totalement échoué dans mes efforts pour intéresser qui que ce soit à cette tentative" Français

      [Bookseller: Librairie Du Cardinal]
 31.   Check availability:     maremagnum.com     Link/Print  


        THE WORKS

      Oxford: Shakespeare Head Press, 1930-31. No. 302 OF 450 COPIES on paper (and 10 on vellum) n. This is the major modern fine press edition of Homer, with illustrations by one of the most popular woodcut artists of the period. The text here is Chapman's Homer, which Day calls "the greatest verse translation of the Renaissance" and perhaps "the greatest English translation of Homer." George Chapman (1559/60-1634) made his name as a poet and playwright before turning to translating classical literature. His was the first English translation of Homer to be done directly from the Greek, and it remained the standard translation until Pope's 18th century version. Chapman enjoyed a renewed popularity among 19th century poets: Keats composed a much-quoted sonnet, "On First Looking into Chapman's Homer," which begins "Much have I travell'd in the realms of gold"; and Swinburne said, "No praise can be too warm or high for the power, the freshness, the indefatigable strength and inextinguishable fire which animate this exalted work." Wood engraver, painter, illustrator, writer, and teacher John Farleigh (1900-65) had a style perfectly suited to an edition of Homer. In "A History of British Wood Engraving," Albert Garrett writes that "in terms of modern engraving, John Farleigh understood the purity of Greek engraving and largely formed his style upon the few known examples. Like the Greek engraver, he also understood the human form and could express it." He was one of the major engravers of the new British School, which focused on broadening the medium's range of expression and techniques.. 292 x 203 mm. (11 1/2 x 8"). Five volumes. Translated by George Chapman. No. 302 OF 450 COPIES on paper (and 10 on vellum). Publisher's original burnt-orange half morocco over cream-colored buckram, edges untrimmed. In a later paper-covered slipcase. With 52 wood engravings by John Farleigh, comprised of two frontispieces, woodcut-framed title pages to volumes I and V, and 48 full-page cuts. With ink ownership inscription of Daisy Patterson Hall on limitations pages. Ransom, p. 17; Franklin, p. 236; Horne, p. 185. Overall fading and significant chafing to spines, minor dressing residue to leather, faint dampstain covering about a third of the back cover of volume V (a few tiny stray stains on the spine of the same volume), but the bindings showing little wear, and the sides of the other volumes (often found foxed) virtually spotless and very pleasing. Internally a beautiful copy, as fresh and clean as one could hope for.This is the major modern fine press edition of Homer, with illustrations by one of the most popular woodcut artists of the period. The text here is Chapman's Homer, which Day calls "the greatest verse translation of the Renaissance" and perhaps "the greatest English translation of Homer." George Chapman (1559/60-1634) made his name as a poet and playwright before turning to translating classical literature. His was the first English translation of Homer to be done directly from the Greek, and it remained the standard translation until Pope's 18th century version. Chapman enjoyed a renewed popularity among 19th century poets: Keats composed a much-quoted sonnet, "On First Looking into Chapman's Homer," which begins "Much have I travell'd in the realms of gold"; and Swinburne said, "No praise can be too warm or high for the power, the freshness, the indefatigable strength and inextinguishable fire which animate this exalted work." Wood engraver, painter, illustrator, writer, and teacher John Farleigh (1900-65) had a style perfectly suited to an edition of Homer. In "A History of British Wood Engraving," Albert Garrett writes that "in terms of modern engraving, John Farleigh understood the purity of Greek engraving and largely formed his style upon the few known examples. Like the Greek engraver, he also understood the human form and could express it." He was one of the major engravers of the new British School, which focused on broadening the medium's range of expression and techniques.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 32.   Check availability:     ABAA     Link/Print  


        Comprehensive History of The Church of Jesus Christ of Latter-Day Saints, Century One (six volume set, no index)

      Deseret News Press, Salt Lake City, UT 1930 - 559,541,572,557,619,611pp. Quarto [25.5 cm] Blue cloth with "star burst" scene. First edition volumes with steel engraved frontispieces and tissue guards with red printing. All volumes very good. The extremities are gently bumped and rubbed. There are small soiled scuff marks on the bottom edges of the text blocks. Occasionally the text block edges have small light stains. The pages are clean and bright. With an index. Fold-out maps in volume one, two and three. All volumes illustrated with full page plates. Originally published in the 'Americana' from July 1909 to June 1915 under the title, "History of the Mormon Church." Flake/Draper 7314. Scallawagiana 89. Auerbach 1948:600 [Attributes: First Edition; Hard Cover]

      [Bookseller: Ken Sanders Rare Books, ABAA]
 33.   Check availability:     AbeBooks     Link/Print  


        Originalzeichnungen. Liebesszenen aus Boudoir & Separee. 3 Original Aquarellzeichnungen. Auf Zeichenkarton, randlos.

      Ungarn, um 1930. - Von 13 x 15 cm bis 15 x 16 cm. Drei sehr feine, detailreiche Orig.-Zeichnungen eines ungarischen Künstlers in kräftigen Farben. Sie zeigen eindeutige Liebesspiele zweier Paare untereinander und einer Dame mit sich selbst. Welcher Künstler sich hinter diesen gekonnten Zeichnungen verbirgt, ist nicht belannt. Die Zeichnungen jeweils an den äußersten Ecken mit Stecknadellöchlein. 2 Zeichnungen mit roter Numerierung vorn.

      [Bookseller: Antiquariat Ars Amandi]
 34.   Check availability:     ZVAB     Link/Print  


        Doctors Recommend It! An Abbey Theatrer Tonic in 12 Doses.

      Dublin: Printed for the Subscribers by Colm O'Lochlainn, 1930. Limited First Edition. Hardcover. Near Fine. One of 500 copies. Printed for the Subscribers by Colm O. Lochlainn at the sign of the Three Candles. Oblong 4to. 25 by 31 cm. Unpaginated, twelve plates with black and white drawings by Plunkett of plays performed at the Abbey Theatre. The facing page names the play and who from it is being caricatured. Plays include Yeats' "The Hour Glass", Synge's "The Playboy of the Western World", Lady Gregory's "Dervorgilla", Lennox Robinson's "The Whiteheaded Boy", O'Casey's "The Plough and the Stars". The best-known today of the repertory actors is Barry Fitzgerald. Other actors include Eileen Crown, Michael Scott, F. J. McCormick, Arthur Shields, etc. Uncommon in commerce. A handsome copy, with only the lightest of wear.

      [Bookseller: White Fox Rare Books and Antiques]
 35.   Check availability:     Biblio     Link/Print  


        Wilhelm Leibl eine Darstellung seiner Kunst. Gesamtverzeichnis seiner Gemalde

      Bruno Cassirer, Berlin 1930 - 3/4 vellum over light marbled boards. 156 pp., followed by 259 bw plates, additional bw frontispiece and 3 images within the text. Text is entirely in German. A very nice copy of the limited edition, with the slightest curvature to the front board. Overall an excellent reference and seldom seen this side of the Atlantic. Limited to 400 copies, this being No. 140. [Attributes: First Edition; Hard Cover]

      [Bookseller: Mullen Books, ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


        A Treatise On Money

      London: Macmillan and Co, Limited,, 1930. In Two Volumes. 2 volumes, octavo. Recent dark blue morocco, titles and decoration to spines gilt, raised bands, single rule to bands, marbled endpapers, gilt edges. Tables and diagrams throughout. An excellent set. First edition, first impression, of the first of Keynes's two major contributions to economic theory and his most comprehensive work on monetary theory. It anticipates many of the ideas of the General Theory, which it immediately preceded and by which it has been, perhaps unfairly, overshadowed.

      [Bookseller: Peter Harrington]
 37.   Check availability:     Biblio     Link/Print  


        Mein Kampf. Zwei Bände in einem Band - Ungekürzte Ausgabe. Erster Band - Eine Abrechnung. Zweiter Band - Die nationalsozialistische Bewegung.

      München, Verlag Franz Eher Nachf., 1930. 4. Auflage ! 33.-42. Tausend !8°, XXVII, 782 Seiten mit einem Titelportrait A. Hitlers und 8 Seiten Verlagsanzeigen, blauer Original-Leineneinband mit Hoheitszeichen in Goldprg. auf Buchdeckel und Rückentitel in Goldprg. - Namenseintrag auf Vorsatz sonst sehr guter Zustand, schöne frühe Ausgabe - Verkauf erfolgt zu wissenschaftlichen Zwecken gemäß § 86 u. 86 a Stgb. 1930 in der 4. Auflage!! Sehr frühe Ausgabe ! c83792 Versand D: 6,00 EUR NSDAP, Zweiter Weltkrieg II und Nationalsozialismus, Geschichte

      [Bookseller: Antiquariat Ehbrecht]
 38.   Check availability:     buchfreund.de     Link/Print  


        Francisci Petrarca Vergilianus codex ad Publii Vergilii Maronis diem natalem bis millesimum celebrandum quam simillime expressus atque in lucem editus

      Hoepli,, Milano, 1930 - Cm. 43, cc. 269 con la fedele riproduzione in fac-simile del codice delle opere di Virgilio annotate da Servio appartenuto al Petrarca, il cui frontespizio venne mirabilmente dipinto da Simone Martini (e singole carte sono riprodotte a colori, compreso l'oro dove richiesto, nelle stesso formato e con gli stessi difetti del codice originale). Legatura editoriale con dorso a nervi rilevati in pelle marrone con decori ornamentali impressi a secco imitanti quelli delle legature tardomedievali. Piatti lignei. Accluso un fascicolo di 12 pp. in-folio con la titolazione, l'introduzione latina di Ulrico Hoepli e del curatore, Giovanni Galbiati, e l'Index Rerum quae in Francisci Petrarchae volumine insunt. Qualche segno d'usura al dorso, peraltro esemplare complessivamente ben conservato. Bella e non comune riproduzione facsimilare del codice virgiliano del Petrarca, curata dal Prefetto della Biblioteca Ambrosiana (depositaria del manoscritto), Giovanni Galbiati, "ascita etiam Achillis Ratti (nunc Pii XI Pont. Max.) de hoc codice commentatione". Tiratura limitata di soli 350 esemplari. Il taglio, la cucitura e la legatura sono eseguite a mano per ogni esemplare.

      [Bookseller: Studio Bibliografico Benacense]
 39.   Check availability:     IberLibro     Link/Print  


        S/W Porträtphotographie. [ca. 23 x 16,5 cm].

      Wien, Fayer, o. J. [um ?]. 1930 - Mit Prägestempel und eighd. Signatur des Fotografen. - Abzug auf Karton montiert, darunter Namensschildchen, Karton m. Gbrsp. sowie Resten von drei Klebefilmstreifen. - Berg, (1883 - 1956), versuchte sich bereits mit 15 Jahren als Komiker am Stadttheater in Leitmeritz; Engagements in Teplitz, Mährisch-Ostrau und Aussig folgten. Erste größere Erfolge hatte er gemeinsam mit Heinrich Eisenbach als Mitglied des Budapester Orpheum in Wien, dem er 17 Jahre lang angehörte. In der Folge trat er in diversen Kabaretts und Lokalen auf, wie dem Theater der Komiker im St. Annahof (Wien), an dessen Führung er sich eine Zeit lang beteiligte, und dem Ronacher. Am 2. Juli 1907 heiratete er die aus Vevey stammende Artistin Susanne Emilie Flückiger. Er spielte auch in einigen österreichischen Filmproduktionen mit, unter anderem in Charly, der Wunderaffe (1915, Regie: Joe May) und der Verfilmung des Hugo Bettauer-Romans Die Stadt ohne Juden. Berg flüchtete 1938 in die USA, wo er vom Verkauf von Papierwaren notdürftig lebte. Hin und wieder hatte er die Möglichkeit, Vorstellungen zu geben, wie im New Yorker Exilkabarett „Kabarett der Komiker". Nach seiner Rückkehr nach Wien 1949 war er unter anderem im Simpl engagiert und gab einige Gastspiele in Amsterdam und Zürich. Nachdem er keine weiteren Engagements hatte, zog er nochmals in die USA. Von 1954 bis zu seinem Tod lebte er wieder in Wien. Seine Grabstelle befindet sich auf dem Wiener Zentralfriedhof im neuen israelitischen Teil, Tor IV. Er wurde im Grab seiner 1918 verstorbenen Mutter beigesetzt. (Zitat) [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
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        [AUTOGRAPH LETTER, SIGNED, FROM THOMAS B CLARKE TO MANTLE FIELDING, DISCUSSING ARTISTIC BUSINESS MATTERS]

      New York, 1930. [2]pp. on a single. octavo sheet of stationery. Old fold lines, minor wear. Near fine. Noted art collector and Winslow Homer patron Thomas B. Clarke writes to Mr. [Mantle] Fielding on artistic business matters, discussing the current values of American art, etc. In part: "...Mr. Cochran (of J.P. Morgan & Co. has given several more American paintings to Andover Academy, among them 'Eight Bells' by Winslow Homer. In the 'Nineties' Homer asked me to come to his studio...on Washington Square. I went there and he said 'Clarke here is a picture that I have just finished working on, and I have named it 'Eightbells.' I said 'Mr. Homer will you sell it to me?' He replied 'Yes, and I will accept $400 from you.' In 1899... it fetched over $4000.... Levy sold 'Eight Bells' later to one of his clients.... This buyer 'parted with it' very recently for the Andover collection for the sum of seventy thousand dollars! Some commentators upon this sale say that this price was low! The rapid advances of certain works of art by American painters seems very remarkable to me.... My inclination for the selection of oil portraits from life was manifest in the sale of my collection, and at the end of the sale I started to accumulate the paintings now hanging in the Museum in Fairmount Park Phila. and in my residence here (there are 171 in all - I feel like hiding!). ... You and I have known of marvellous increases in the values of portraits of Washington by Stuart, Peale and others. Copley, Trumbull, Sully et al also lead in the great advances. In coming years will portraits by these men mount in value? I feel such a situation is absolutely certain...." Thomas Benedict Clarke (1848-1931), American patron and art collector, is considered by many to be the foremost patron of American painters during the late 1800s. He was praised for his attention to American artists at a time when they considered themselves neglected or ignored. Mantle Fielding is remembered today for his works on portraits of Washington.

      [Bookseller: William Reese Company - Americana]
 41.   Check availability:     Biblio     Link/Print  


        Principles of Clothing Selection [ Early 1930s College Course Project from Columbia University Teachers College Student ]

      Very Good. Ephemera. Over 80 loose sheets of manuscript entries illustrating the principles of women's clothing selection using magazine illustrations, cloth swatches, and hand-drawn color sketches. The project appears to be based on the textbooks Principles of Clothing Selection (1930) and Clothing for Women (1929). Home economics and fashion appeared in college curricula after World War I when more women moved into the workforce in professional roles and wardrobe needs changed. The sheets are contained in a worn envelope marked with the name of Hazel Stine, who received a B. S. In Education and Practical Arts from Columbia in 1933. Her observations on style show her preferences (or those of her professors) : "Trim and in quite good taste are the clothes worn by the conservative type." Ms. Stine's project also contains a candid self-assessment: "Weight--174 (much over-weight) ," a sketch of her body from head to toe, a listing of her "Bad Points", and a "Score Card for Personal Appearance." Her color drawings illustrating outfits she would choose for herself appear on two sheets. She received an A- for her effort. ; 14 1/2" x 9" .

      [Bookseller: Back of Beyond Books, ABAA ]
 42.   Check availability:     ABAA     Link/Print  


        Lex - Die Tänzerin Maja Lex.

      Ca. 1930. - ?Silbergelatineabzüge auf Barrytpapier als Postkartendruck. Je 14:9 cm. Alle vorderseitig im Druck bezeichnet. Genaue Zustandsbeschreibung auf Anfrage.

      [Bookseller: M + R Fricke]
 43.   Check availability:     ZVAB     Link/Print  

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