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Displayed below are some selected recent viaLibri matches for books published in 1930

        Hills and the Sea, Malibu Coast

      1930. Wood engraving Approximately 6 x 8 inches image area plus margins on wove paper, matted, glazed and framed Paul Hambleton Landacre (9 July 1893, Columbus, Ohio - 3 June 1963, Los Angeles, California) was one of the outstanding printmakers of the modern era. His distinguished body of work was largely responsible for elevating the wood engraving to an art form in twentieth-century America. Landacre's linocuts and wood engravings of landscapes, still lifes, nudes, and abstractions are celebrated for their technical virtuosity and mastery of design. In March 1932, the artist and his wife moved to a rustic house in the Echo Park neighborhood, also known as Edendale, near downtown Los Angeles, where they lived for the remainder of their lives. Landacre died in 1963 soon after--and emotionally resulting from--the death of his wife who had been an essential working companion for 38 years, even helping the artist late in his life pull impressions from the formidable Washington hand press. In March 2006, with the growing appreciation of Landacre's artistic significance, their hillside home was declared a City of Los Angeles landmark (Historic Cultural Monument No. 839). Repositories of his work include the Boston Museum of Fine Arts; Library of Congress; Los Angeles Public Library; Museum of Modern Art, New York; Oakland Museum; New York Public Library; Philadelphia Museum; San Francisco, Achenbach Foundation for the Graphic Arts; and the Seattle Museum Fine No. 32 of 50, signed by Landacre in pencil lower left. Also signed in the plate

      [Bookseller: Antiquarian open bookshop Randall House ]
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      1930 - 280x220mm. An original sequence of nine caricatures, in ink on paper, depicting village cricketers batting, with the legend, "I didn't mind bowling at the station master or - the policeman - or the butcher's boy - or the butcher - or the parson - or the publican - or Giles the farmer - but when the local quoits champion hit me into the next county - I thought it was time to retire." Signed and dated "Hillington 1930". Mounted, framed and glazed. Arthur Mailey (1886-1967) was a successful leg break bowler, taking 99 wickets from Australia in 21 tests between 1921 and 1929, however his lasting talent was as a cartoonist and he had a particular knack of caricaturing his team mates and opponents, his ready wit creating a humorous narrative with a sequence of cartoons. He drew for the Sydney Arrow and Bulletin and the London Bystander as well as writing and illustrating a number of books, most notably his account of the Bodyline series, And Then Came Larwood and his autobiography, 10 for 66 And All That. Although individual sketches appear occasionally complete cartoon sequences are rarely seen in commerce. Mailey retired from first class cricket in 1930. [Attributes: Signed Copy]

      [Bookseller: Jonkers Rare Books]
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        Le Marie Magique.

      - P. Société des Bibliophiles Franco-Suisses, Jean Saudé Enulumineur. 1930. In-4° en feuilles sous chemise et étui. 42 compositions en couleurs hors texte d'Antoine BOURDELLE. Tirage unique limité à 125 exemplaires, réservés aux membres de la Société.

      [Bookseller: Librairie In-Quarto]
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        NUT-BROWN BEER NUT-BROWN. Being a Very Careful Analysis of Life's Major Joy

      [South Pasadena]: Printed by H. [Ward] Ritchie at the Flame Press, 1930. 1st printing thus. Age-toning to paper. A VG+ copy of this fragile item.. 4 leaves. Unopened. Printed by Ritchie at the Abbey of San Encino Press. 6-1/2" x 4-1/8" "Beer. A poem", originally published in the author's Drift and other poems [1866]. A very early item by this master printer, who states "24 copies on Incudine paper and many more on newsprint" in his The Ward Ritchie Press and Anderson, Ritchie & Simon [1961], p. 128.

      [Bookseller: Tavistock Books, ABAA]
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        NUT-BROWN BEER NUT-BROWN. Being a Very Careful Analysis of Life's Major Joy

      [South Pasadena]: Printed by H. [Ward] Ritchie at the Flame Press, 1930. 1st printing thus. Age-toning to paper. A VG+ copy of this fragile item.. 4 leaves. Unopened. Printed by Ritchie at the Abbey of San Encino Press. 6-1/2" x 4-1/8" "Beer. A poem", originally published in the author's Drift and other poems [1866]. A very early item by this master printer, who states "24 copies on Incudine paper and many more on newsprint" in his The Ward Ritchie Press and Anderson, Ritchie & Simon [1961], p. 128.

      [Bookseller: Tavistock Books, ABAA ]
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        The Theory of Fundamental Processes

      First edition, first printing. From the library of pioneering female physicist Nina Byers (1930-2014), who made important contributions to particle physics and superconductivity and had a humorous personal connection with Feynman, earning her a mention in Surely You're Joking Mr. Feynman. Byers received her bachelors in physics at Berkeley and then studied under Murray Gell-Mann and Gregor Wenzl at Chicago, completing her thesis on pi-mesic atoms in 1956. In 1961 (the same year that this book was published) she joined the faculty at UCLA where she worked on particle physics as "the first and the only female in the Physics department for 20 years" (Los Angeles Times obituary). Byers remained at UCLA for the rest of her career, through for several years she split her time between Los Angeles and the UK after she was appointed the first female physics lecturer at Oxford. During the 1970s and 80s Byers and her students were engaged in cutting edge research on areas such as gauge theories of the electroweak interactions, quarkonium, and bound state systems (UCLA Physics & Astronomy department obituary). At the same time she was deeply involved with the American Physical Society and the American Association for the Advancement of Science. "Nina served as President of the APS Forum on History of Physics, a position earned through her dedication to promoting the understanding of two weighty subjects: the role of women in physics, and the examination of physicists' role in the development and deployment of nuclear weapons" (UCLA obituary). One of Byer's most significant projects in this regard was the web archive Contributions of 20th Century Women to Physics, which includes detailed information on 83 female physicists. She also edited the volume Out of the Shadows: Contributions of Twentieth-Century Women to Physics (2006), and was a committed campaigner against nuclear weapons. In a lifetime of accomplishments, perhaps the most unusual aspect of her legacy is her warm and comical appearance in Feynman's classic memoir Surely You're Joking Mr. Feynman. Byers was put in charge of a series of physics colloquia at UCLA and wanted to include some speakers on other aspects of culture. Looking around for an expert on Mayan mathematics, she was hitting dead ends until another professor recommended Feynman, who had worked on the Dresden Codex in his spare time. As Feynman recalled it, "She nearly died! She's trying to bring some culture to the physicists, and the only way to do it is to get a physicist!" Feynman's talk was very well received, and to thank him, Byers gave him some handsome colour reproductions of the Codex. The two became good friends and remained close for the rest of Feynman's life. The present text, The Theory of Fundamental Processes, was one of Feynman's first two published books, appearing in 1961 along with Quantum Electrodynamics. Both were lightly edited versions of lectures transcribed by students. The books became influential within the physics community and contributed to Feynman's growing celebrity. As a particle physicist, Byers would have been particularly interested in Theory of Fundamental Processes, a key work at the cutting edge of her field. A price sticker on the lower cover indicates that she purchased this copy at the UCLA student shop, and the ink stains, pencilled notes on the cover and in the contents list, and other signs of use confirm that that she probably consulted it as a reference work, and perhaps used it as a textbook for her advanced students. A wonderful association copy. A Lecture Note Volume. Notes Corrected by H. T. Yura. New York: W. A. Benjamin, Inc., 1961. Octavo. Original cream wrappers printed in blue, black, and orange. Ownership signature of UCLA physicist Nina Byers to the upper wrapper, UCLA student store price ticket to the lower wrapper. Some additional notes by Byers in pencil on the upper wrapper and check marks by chapters in the contents list. A little creasing, rubbing, and toning to the wrappers, some light ink stains on the lower cover. A very good copy.

      [Bookseller: Alembic Rare Books]
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        ORIGINAL 1930 TYPED LETTER, SIGNED (re: The Maltese Falcon, The Glass Key & The Thin Man)

      1930 - Hammett, Dashiell. ONE PAGE TYPED LETTER, SIGNED ["Sincerely, Dashiell Hammett"]. 135 East 38th Street, New York, April 21st, 1930. Highly desirable unpublished early letter from one of Hammett's most creatively fruitful years in which he makes mention of all three of his greatest novels. To "Dear Mr. Hammett" (Walter Hammett of Yale University in New Haven, who had initially written wondering -- incorrectly as it turned out -- if they shared any kin), it reads: "Thanks a lot for the latest of your always kind notes. The Falcon seems to be going over pretty well and I think Earl Boothe's going to produce it on the stage in the Fall if I can get time off from the current book to do the dramatization. The next book, 'The Glass Key' is scheduled for publication in September or October, and then 'The Thin Man' and 'The Darkened Face' in February and August, 1931. Beyond that deponent saith not. Best of luck to you with the poetry and otherwise." The letter, written only two months after the book publication of THE MALTESE FALCON has some irony to it as Dashiell Hammett's precision in rattling off titles and publication dates bore no reality to what came to pass. THE GLASS KEY wouldn't be published until 1931; THE THIN MAN didn't appear until 1934. As for "The Darkened Face" -- there is a fragment of a manuscript with that title at the Harry Ransom Center, University of Texas at Austin. It now appears to have been a planned novel which never came to full fruition. Nor did Hammett write a stage version of THE MALTESE FALCON for Earl Boothe; instead the novel was almost immediately adapted to film, released by Warner Brothers Studios as a pre-code 1931 crime drama full of sexual innuendo starring Ricardo Cortez and Bebe Daniels. The Selected Letters of Dashiell Hammett 1921-1960 (edited by Richard Layman) were indeed "selected from nearly one thousand letters" yet only a mere four letters date - as this letter does -- from 1930, the year Hammett published THE MALTESE FALCON. Apart from two neat folds, the letter is in Fine, crisp condition. Custom slipcase. [Attributes: Signed Copy]

      [Bookseller: Lakin & Marley Rare Books ABAA]
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        The History of the Peloponnesian War. Translated into English by Benjamin Jowett, M.A. .

      Chelsea: Printed at the Ashendene Press 1930 - Limited edition, one of 260 copies of a total edition of 280, there being 20 copies printed on vellum. Folio. (2), 363, (1) pp. Original white full pigskin by W.H. Smith & Son with their discreet gilt stamp to the foot of the rear pastedown, spine with raised bands, gilt lettered direct to two panels, all edges uncut. Two small brown marks to the lower board, occasional light soiling to the covers, an attractive copy of a finely printed work. Printed by St. John Hornby at the Ashendene Press at Shelley House, the opening lines of each book and the marginal notes are printed in red and were designed by Graily Hewitt. The main part of the text is printed in black using Ptolemy type while the marginalia utilises Blado Italic.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
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        A small collection of "Tijuana bibles" (erotic comic books)

      [U.S.A.] : [various publishers], [c.1930-50, with two later examples c. 1970]. Seventeen titles, all oblong duodecimo, in original stapled wrappers, roneo printed, most [8] leaves, illustrated in comic strip format; occasional wear and marks, but generally in good condition. 1. Corn-Hole Productions presents J. Wellington Wimpy in You bring the ducks 2. Gertie Gulp presents Needlenose Noonan in Heavy duty 3. Chambers and Hiss in Betrayed 4. Iona Douche-Bag presents Tillie in Foul ball 5. Poop-deck Pappy in "Bolls." (lacking lower wrapper?) 6. Ginger Rogers in "A flying fuck" 7. Schnozzle 8. Les extases 9. Mustachs 10. Henry 11. Henry (1970s reprint) 12. Reel fun 13. Andy Gump 14. Alexander Smart in "Tit for tat" 15. Stoop N. Takit present Joe Palooka with Knobby 16. [Untitled] 17. Sad sack in sad deal (1970s reprint) Publications of this type were given the generic name of "Tijuana Bible", as they were thought to have been published in Tijuana, Mexico, from the late 1920s on. Several of the present group appear unrecorded in OCLC. One of the most comprehensive collections of Tijuana bibles is held in the Duke University Library collection: "The Tijuana bibles include a wide range of characters, many inspired by (or lifted from) mainstream media and celebrities. The most frequently used characters were from newspaper comic strips, including Andy Gump, Betty Boop, Blondie and Dagwood, Dick Tracy, Ella Cinders, Dumb Dora, Wimpy, Pete the Tramp, Tillie the Toiler, and Popeye. Other bibles include generic figures such as travelling salesmen (including a vacuum cleaner man, a book salesman, a radio salesmen, and so on); parodies of real people, including Nazis, boxer Joe Louis, and other celebrities; or versions of popular movie heroines, such as Snow White or Mae West." (Duke University Library)

      [Bookseller: Douglas Stewart Fine Books]
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        When I was Very Young

      New York and London: Random House / Fountain Press and Methuen 1930. SIGNED LIMITED FIRST EDITION. Number 340 of 842 copies. Octavo, pp.28, printed in two colours, illustrated by Shepard, limitation page at rear. Publisher's pictorial pink cloth decorated with nursery characters, paper title label to spine, deckle edges, brown card slip-case. Slightly toned, box fractionally worn. Overall a fine copy.

      [Bookseller: Adrian Harrington Rare Books]
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        Four Faultless Felons

      UK: Cassell, 1930. 1st Edition 1st Printing. Hardcover. Fine/Very Good. Four Faultless Felons by GK Chesterton First Edition Cassell 1930. No inscriptions, no foxing or browning. A fine copy in a VG dust jacket, priced 7/6.

      [Bookseller: Brought to Book Ltd]
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        Bruyère - fashion design 1930s.

      "Diner au cabaret??Modetekening van de collectie van Marie-Louise Bruy?re. Medio jaren 1930. Gouache op grijs papier.Mme. Bruy?re (1884-?) was geboren op het Franse platteland, maar haar ambitieuze ouders verhuisden naar de groeiende voorsteden van Parijs, waar het hen voor de wind ging. Ze woonden in het chique Saint Gratien, waar ook Princesse Mathilde (het nichtje van Napoleon I) woonde. Ze volgde haar opleiding bij Cheruit en vervolgens bij Lanvin. In 1928 opende ze haar eigen ?Bruy?re Couture??, en met haar collectie van begin 1930 plaatste ze zich tussen de toonaangevende jonge ontwerpers van haar tijd zoals Schiaparelli, Alix, Rochas en Mainbocher. Haar faam groeide internationaal, waardoor ze in 1937 een grand salon aan de Place Vend?me kon openen. Haar kleding was chique, zeer draagbaar en bovenal modieus, opvallend door subtiele en ongewone design elementen. Met twee shows per jaar van elk 200 modellen, had ze een enorme productie en had in 1947 328 medewerkers. Haar bedrijf groeide tot midden jaren 1950. Als men dan overstapt naar prêt-a-porter gaat het na een paar jaar ten onder.Prijs: ?750,- (incl. lijst).

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
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        On Being Ill

      London, Hogarth Press 1930 - First edition. Copy 223 of an edition of 250 signed and numbered copies. The printed limitation statement of 125 copies has been over-printed with a line and the figure 250 inserted. An excellent copy in dustwrapper. Woolmer 245. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Grogan]
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        Autograph Letter Signed; "Sinclair," to Luigino and Dorothy, Baron and Baroness Franchetti, July 18, 1949

      -. Folded, corners slightly bent, fine.. 2 pages, written on one leaf of personal printed stationery, approx 7-1/4 X 7-1/2 in. Lewis writes to announce his plans for sailing to Europe and travel itinerary together with his recently retired brother, who has never been out of the country. Lewis received the Nobel Prize for Literature in 1930, the first American to be so honored.

      [Bookseller: Locus Solus Rare Books]
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        Pablo Picasso 1/1250

      Editions des Chroniques du Jour, Paris, 1930 - Pablo Picasso, Translated from the Spanish by Warre B. Wells, Paris & London, 1930, Limited edition, 1158/1250, this being one of 650 copies in English and one of the 250 copies printed on behalf of A Zwemmer, Charing Cross Road. (550 were in French and the remainder with a lithograph of Picasso). Complete with four exquisite colour pochoir plates, each tissue guarded & numerous black & white plates and illustrations. Original printed wrappers, sewing weak, with some paper loss to the spine, in the publisher's glassine dust jacket torn at head & foot with small loss, all preserved in publisher's original linen-backed printed board chemise with cloth ties, slightly rubbed and dust soiled, 4to [Attributes: First Edition; Hard Cover]

      [Bookseller: finecopy Ltd PBFA]
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        Four Faultless Felons

      Cassell, UK 1930 - Four Faultless Felons by GK Chesterton First Edition Cassell 1930. No inscriptions, no foxing or browning. A fine copy in a VG dust jacket, priced 7/6. [Attributes: First Edition; Hard Cover]

      [Bookseller: Brought to Book Ltd]
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        The John Riddell Murder Case: A Philo Vance Parody

      New York: Charles Scribner's Sons, 1930. 1st Edition. Cloth. Near Fine/Very Good Plus Jacket. Full Page Plates By Miguel Covarrubias Throughout. 1st Printing Xii, 318 Pp. + "A Sporting Offer" Game At Rear. First Edition, First Printing With Scribner's Seal And "A" And 1930 Date On Copyright Page, 1930 Date On Title Page, Top Edge Of Page Block With Publisher's Red Stain. Book Near Fine, Just A Trace Of Rubbing At Corners Of Book, No Marks, And Two Abrasions, 1/8" And 1/4", Along Bottom Ede Of Rear Board. This Example Is Distinguished By The Intact Publisher's "A Sporting Offer" Seal To Rear Pages [Unopened And Very Scarce Thus], Four Tiny Chips On Edge But Seal Never Broken. Dj Is Very Good Plus Light Wear, Minute Losses At Corners, Somewhat Dusty And With Slight Fading To Spine, Not Price-Clipped ($2.00).

      [Bookseller: Arroyo Seco Books]
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      Large 4°, 12 text pages with partly coloured illustrations within text and full-page illustrations (Very Good, partly uncut in the upper part, tiny tears in margins). - Tashkent, Uzbekistan 1930. This is an edition of an extremely rare political-satirical magazine, published in Turkic language in different scripts in Tashkent in Uzbekistan. The magazine ridicules the contemporary political situation and the pope, with the title page showing him supported by the rich, Fascists, and Muslims. The magazine was published from 1923 on under different spelling of the same word Mu?tum, My?tum and Muštum, meaning The Fist. This is the April edition, published in 1930. We could not trace any examples of the magazine in institurtions worldwide. Two German libraries (University Library of Tübingen and the State Library of Berlin) possess some separate editions from 1980s and 1990s.

      [Bookseller: Antiquariat Dasa Pahor]
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        BUNNY AND BROWNIE: The Adventures of George & Wiggle.

      A&C Black, London. 1930 - Darkening and rubbing to spine and boards, which are a bit sprung but very sound. Decorative paper label on front. Some occasional slight spots of foxing to pages ow a very clean copy internally. A previous owner has very lightly and carefully coloured in the rear endpaper design with a faint pink shading and, less neatly, two of the in-text line drawings. investigation of a small deformation two thirds of the way down the spine dislodged the tip of a crayon, caught within the spine, which, by the shade of brown, was from the crayon used to make the colouring many years ago. Ow very good indeed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Dennys, Sanders & Greene]
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        Kak Mi Pishem (Why We Write)

      Izdatelsvo Piscatelei v Leningrade, 1930 - Cloth / Boards. Good +. First Edition. 216 pp + (8). 10,200 copies but quite scarce, probably due to the inclusion of Zamyatin. Covers show edgewear with loss of color along edges (now white), binding cracked but holding at titlepage and before rear endpaper. A few pencil notes and underlinings. [553]. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
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        Nydegger Familien Chronik

      - Vers / ca. 1930. In-4 oblong, cartonnage toile. / Oblong 4to, clothbound hardcover. L'histoire généalogique d'une famille suisse-allemande et américaine (branches en Floride, Illinois, Ohio, New York.). Fac-similé du texte manuscrit, nombreuses photos originales en reproduction. Très petit tirage, hors-commerce, aucun exemplaire en bibliothèque publique (Worldcat). / Genealogical history of a Swiss-German and American family (branches in Florida, Illinois, Ohio, New York.). Manuscript text in facsimile, numerous original photographs in photo-reproduction. Originally not for sale, very small print run, no institutional copy known (Worldcat). * Americana * Voir photographie(s) / See picture(s). *** Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du mardi au samedi de 14h à 19h. Si vous souhaitez passer à la librairie pour un livre, merci de nous prévenir au préalable, l'ensemble du stock visible en ligne n'étant pas immédiatement consultable. *** Langue : Français

      [Bookseller: Chez les libraires associés]
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        Die Forderung des Tages. Reden und Aufsätze aus den Jahren 1925-1929. [Signierte Erstausgabe].

      Berlin, S. Fischer Verlag. 1930 - 8°. 19 cm. 417 Seiten, 3 Blatt. Blauer Original-Ganzlederband mit goldgeprägter Deckelvignette, goldgeprägtem Titel auf rotem Lederschildchen. Kopfgoldschnitt. (Thomas Mann. Gesammelte Werke). Nummer 55 von 150 nummerierten und von Thomas Mann im Impressum signierten Exemplaren der Vorzugsausgabe auf Hadern-Velin-Papier. Erste Ausgabe. WG 52. Potempa A1, Ausgabe IV. Einband minimal berieben, Name auf Vorsatz. Gutes bis sehr gutes Exemplar. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Lenzen GbR]
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        Les Liaisons dangereuses. 2 volumes.

      A Paris, chez Sylvain Sauvage 1930 - Ou Lettres recueillies dans une Société et publiées pour l'instruction de quelques autres. 50 compositions en couleurs, gravées sur cuivre avec la collaboration de D. A. Maillart. Complet & Contrôlé. Édition tirée à 175 exemplaires sur papier de Montval. Celui-ci porte le numéro (N°129). A Paris, chez Sylvain Sauvage - 1930 - 6 ff, 211 et 219 pages. Très belle reliure plein maroquin vert amande. Dos à 4 gros nerfs avec pièces de titre et de tomaison maroquin rouge. Tête dorée sur témoins, non rogné. Double filet doré sur débordement de maroquin encadrant les contreplats. Double filet sur les coupes et les chasses. Couvertures illustrées et dos conservés. Étuis individuels cartonnés très légèrement frottés. Pas de rousseur. Très bon état. Format in-4°(34x26). Félix Roy, dit Sylvain Sauvage est un illustrateur et technicien du livre français. Il a été exposant du Salon des artistes décorateurs et directeur de l'École Estienne. Il a illustré de nombreux ouvrages des plus grands auteurs. Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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      Istituto Poligrafico dello Stato, 1930. (Codice BS/1683) Imponente edizione promossa dal Reale Istituto d'Archeologia e Storia dell Arte di Roma. Consta di 133 splendide tavole monocromatiche o policrome (tutto il pubblicato) di cui 126 misurano cm 70,5x50, altre sette in doppio formato misurano cm 70.5x100. Sono stampate su cartoncino avorio e conservate nelle 8 grandi cartelle originali con illustrazione applicata: 1) Sepolcro di Galla Placidia, 16 tavole - 2) Battistero della Cattedrale, 25 tavole - 3) Battistero degli Ariani, 5 tavole - 4) S.Apollinare Nuovo, 35 tavole - 5) Cappella Arcivescovile, 22 tavole - 6) San Vitale, 20 tavole - 7) S.Apollinare in Classe, 5 tavole - 8) S.Giovanni Evangelista, S.Michele in Africisco, Sant'Agata, Basilica Ursiana, 5 tavole. Ogni cartella contiene un frontespizio in rosso e nero con l'indice delle tavole contenute. L'edizione comprendeva anche 8 fascicoli di testo a cura di Corrado Ricci, uno per ogni cartella, con cordoncino originale al dorso. La nostra raccolta ne conserva soltanto due: il quinto (47 pp., 15 figure: piuttosto usato ma completo) e il settimo (65 pp., 14 figure di cui una tavola a colori applicata: come nuovo). Stato di conservazione: le cartelle sono in ottime condizioni, qualche lieve lesione ai dorsi, strappetti al dorso del quarto fascicolo. Le tavole sono tutte in perfette condizioni. Euro 700.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Japanese Folio of Kimono Fabric Samples

      - N.d., circa 1930. 37.5 by 28 cm. 36 panels with content, 16 of which have large swatches of fabric with floral, geometric, wave, foliage, butterfly and other motives, often combined in unusual, collage-like ways. The facing pages have loose line illustrations, sometimes heightened with silvery metallic sprinkles, that repeat some of the decorative element(s) of the fabric, such as a particular flower formation, or supplement it, as a fabric dominated by wavy formations has an illsutraiton of seaside birds and a paddle wheel on the opposite page. The front cover has a patchwork of various fabric designs as well. The book has a beautiful cohesion, and it is an object of beauty that transcends the lovely fabrics by themselves. Light wear to the outside boards.

      [Bookseller: White Fox Rare Books, ABAA/ILAB]
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        Mucche al pascolo con contadina.

      1930. Olio su tela in cornice dorata coeva. Cm. 69 x 96. Firma in basso a destra.

      [Bookseller: Libreria Cicerone M.T.]
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      NY Metropolitan Books (1930) 312 pp., frontispiece by Paul F. Berdanier; small 8vo, blue cloth stamped in black. In Grosset and Dunlap pictorial dustjacket with artwork by Paul F. Berdanier. Edges slightly dusty, else near fine in lightly edgeworn jacket with slight fading to spine portion

      [Bookseller: Chanticleer Books, ABAA]
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      L' Art Grec, Paris 1930 - Original pictorial wraps (softcover) with glassine jacket housed in blue marbled chemise and matching slipcase with paper title label. Number 94 of 500 copies printed on Vidalon all-rag paper. Preface by Sir James Rennel Rodd. Quarto. 12 x 9½ inches. Pages. v, [2], 119. 32 original etchings by Lyc. Kogévinas. Lithographed frontis plate, 13 intaglio reproductions of maps and prints (7 hand-colored), numerous in-text illustrations. Text in French; preface in French and English. Light scattered foxing to prelims, else a fine copy in lightly rubbed and worn slipcase. Size: Folio [Attributes: Soft Cover]

      [Bookseller: Books & Bidders, Antiquarian Booksellers]
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        The Cat Who Went to Heaven

      New York: The Macmillan Company, 1930. Cloth. Very Good/Very Good -. Lynd Ward. The 1930 1st edition of this wonderful collaboration between Elizabeth Coatsworth and Lynd Ward. Solid and VG (light offsetting at the pastedowns and endpapers, small pasted-on author biography at rear pastedown) in a bright, VG- example of the fragile dustjacket, with light chipping and creasing along the panel edges and 1" loss at the spine base. Still though, very presentable. Octavo, nicely illustrated thruout by the formidable Lynd Ward.

      [Bookseller: Appledore Books, ABAA]
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        Discours des Misères de ce Temps.

      Paris, Le Fuseau chargé de laine 1930 - Orné de nombreuses gravures au burin sur cuivre d'Albert Decaris dont 20 hors-texte (Complet & Contrôlé). Édition tirée à 359 exemplaires sur les presses d'Aimé Jourde pour le texte, et d'Edmond Rigal pour les gravures. Celui-ci (n°172) un des 300 sur vergé de Montval. Enrichi d'un dessin original signé d'Albert Decaris non noté sur la justification. Paris, Le Fuseau chargé de laine 1930. Très belle reliure plein maroquin violine signée R. et A. Mondrac. Dos lisse avec titre vertical doré. Décors mosaïqués en couleurs sur les plats, les contreplats et le dos. Gardes de velours rose avec petites pièces de cuir en couleurs. Le dessin original est contrecollé sur le premier plat de couverture. Couverture illustrée et dos conservés. Parfait état. Format in-4° (33x26). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        Cakes and ale or the skeleton in the cupboard

      William Heinemann, London 1930 - First edition, 8vo, pp. [4], 270; fore-edges spotted, half title and title page slightly foxed, else a near fine copy in the dust jacket which shows slight wear at top of spine, and two old tape stains on the versos of the jacket flaps. Page 147 is in state B (no priority). Toole Stott A40a [Attributes: First Edition; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        Not Without Laughter

      Alfred A. Knopf, New York 1930 - Some relatively light edge and corner wear. Spine is somewhat sunned and has a small area of damage between title and author. Overall book shows expected aging from time and reading. This copy is from the library of civil rights activist and has his signature and bookplate along with the date (1930) and the notation "Tuskegee Institute." Moon left his position at Tuskegee in 1930 and went on to work for the NAACP as Public Relations director and eventually as editor of The Crisis. Moon also wrote books on African-American voting rights and other important subjects. Moon's signature and the Tuskegee inscription make this an important association between Langston Hughes, The Tuskegee Institute, the NAACP and, of course, Henry Lee Moon. ; Small 8vo 7½" - 8" tall; 324 pages; Signed by Associated [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Ridge Books]
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      Dayton, OH: The McCall Company, 1930. Some mild edge rubbing, some reading creases, a generally very good to nearly fine set. (20862). Octavo, seven issues, covers and interior illustrations by Frank Hoban, pictorial wrappers. Pulp magazine. Complete seven part serial "Tarzan at the Earth's Core." All issues feature a Tarzan cover painting. Zeuscher, Edgar Rice Burroughs: The Bibliography, pp. 401.

      [Bookseller: John W. Knott, Jr., Bookseller, ABAA/ILA]
 33.   Check availability:     Biblio     Link/Print  

        Autograph draft of poem to Liese Karr

      Zurich 1930 - Einstein, Albert (1879-1955). Autograph draft of an untitled poem in German, written to Liese Karr. 1 sheet, written on the back of a mimeographed slip, two lines canceled but legible. Zürich, 1930 (dated in pencil by Einstein’s secretary, Helen Dukas, in the upper right corner). Tear at vertical crease, small chip in one margin, but very good. A charming example of Einstein’s gift for light verse. In November 1930 Einstein visited Zürich to be fêted as a special guest of honor at the celebration of the 75th anniversary of the Swiss Federal Institute of Technology—the famous ETH, where he had received his diploma in physics in 1900 and later served as professor of theoretical physics. Einstein’s host during his stay in Zürich was Frau Liese Karr, widow of a grain merchant distantly related to Einstein’s mother; Einstein had known the Karr family since his student days, when the Karrs had kept "a watchful but discreet eye" on him during his time at the ETH (Clark, Einstein: The Life and Times, p. 25). Einstein’s poem, thanking Frau Karr for her hospitality, appears to have been drafted on the day of his departure by train for Berlin. The poem can be translated as follows: Dear Liese, before I rush off I still send you this line I heard many Swiss citizens Who talked untiringly This celebration was not in vain For it filled up my purse Valiant men, true and worthy, Not for nothing sparkles their plumage Now that it’s all over Can I find rest again Now [ ] it’s enough Today at four my train leaves To you, however, full of regret I say farewell It was cozy at your house You, your cat, your child and your feast.

      [Bookseller: Jeremy Norman's historyofscience]
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        Dorothy's Dilemma: A School Story

      Chambers 1930 - 1st edition, true first edition, red cloth, gilt titles, very good to fine copy lacking dust jacket [Attributes: First Edition; Hard Cover]

      [Bookseller: HAUNTED BOOKSHOP P.B.F.A.]
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      - Nrf, Paris 1930, 12x19cm, broché. - Edizione originale, una delle 647 copie numerate sul filo puro, solo carta di grandi dimensioni dopo 109 ripristinata. esemplare piacevole nonostante le guardie un po 'd'ombra e cucite. - [FRENCH VERSION FOLLOWS] Edition originale, un des 647 exemplaires numérotés sur pur fil, seuls grands papiers après les 109 réimposés. Agréable exemplaire en dépit des gardes très légèrement ombrées et piquées et du dos comportant des traces d'insolation en tête et en pied.

      [Bookseller: Librairie Feu Follet]
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        [Donna somala vista di spalle]

      1930 circa. Disegno a carboncino su carta, mm. 500x350. Non firmato. Di certa attribuzione. Romano Dazzi, figlio del celebre scultore Arturo, nato a Roma nel 1905, dimostrò eccezionale predisposizione al disegno fin dalla primissima infanzia, tanto che Ugo Ojetti, apprezzandone il talento lo presentava già al pubblico nella "Illustrazione Italiana" del 1918. Nel 1923 inviato in Libia dal Governo italiano per documentare le operazioni militari ed eseguire disegni di soggetto coloniale, scopriva la sua passione per il mondo africano, che rimarrà una costante della sua produzione artistica.

      [Bookseller: Taberna Libraria]
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      Albert Lévy, s.d. ma, 1930. (Codice AN/2537) In 4° (cm 33) 2 voll., XXIV-319 pp. Opera fondamentale, prima e unica edizione. Holtein raccolse questa straordinaria collezione tra il 1889 e il 1911. Sontuosa edizione su carta a mano avorio, grandissimi margini, di eccellente nitidezza le splendide tavole fotografiche. Tomo I: pref. di R.Koechlin, bibliografia, testo storico-tecnico ill. con 152 figure n.t., e 36 belle tavole con centinaia di pezzi importanti rappresentati. Tomo II: (VI)-290 pp. di catalogo (comprendente anche armi antiche della Persia, Turchia ed altri paesi) in cui sono ampiamente descritti centinaia di pezzi illustrati nelle 84 tavole che seguono. Imponenti volumi, legature d'amatore m.marocchino rosso e grandi angoli, dorso a nervi, titoli oro, sguardie marmorizzate, cop. orig. conservate, nastri segnapag. in seta. Custoditi nei cofanetti originali elegantem. marmorizzati all'antica. Superbo esemplare (Hardcover, Fine). Euro 2800.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Vile Bodies - SIGNED

      Chapman and Hall, 1930. Hardcover. Very Good. A first edition, first printing published by Chapman and Hall in 1930. A very good copy with some fading to the spine as well as rubbing to the spine and edges. Stain to the top edge with some spotting to the page edges. SIGNED by way of a signature cut on the half title page. One bookplate to the rear of this page. Rare copy of the first edition.

      [Bookseller: John Atkinson Books]
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        Isaac Bashevis Singer.

      [Warsaw, Poland, ca. 1930]. - B&W Photograph, 8 x 10 inches. Very Good with some creasing, photo slightly bowed. Provenance: Peter Howard, Serendipity Books.

      [Bookseller: Wittenborn Art Books]
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        Cinq études d'architecture pour les "bars automatiques Presto" à Paris (14 bd des Italiens et Place de la Bourse), 1930

      Paris, 1930. Dessin. Illus. by Otto Bauer. Assez bon. Aucune reliure. Signé par l'auteur. 5 dessins originaux signés : 1) extérieur du bar automatique Presto 14 bd des Italiens, encre de Chine et aquarelle signée sur calque monté sur carton (image : 42,5 x 28,5 cm, carton : 65 x 49 cm), 2) étude pour l'extérieur pour un bar Presto (non retenu ?), encre de Chine et crayons gras signé et daté (1930) sur calque monté sur carton (image : 62,5 x 43 cm, carton : 63 x 58 cm), 3) projet d'intérieur, encre de Chine, aquarelle et crayon gras signée sur calque monté sur carton (image : 46,5 x 33 cm, carton : 64,5 x 50 cm), 4) projet d'intérieur, encre de Chine et crayons gras signé et daté sur calque monté sur carton (image : 62 x 30,5 cm, carton : 62 x 47,5 cm), 5) projet d'intérieur, encre de Chine, aquarelle et crayon gras signée sur calque monté sur carton (image : 19 x 17,5 cm, carton : 30,5 x 23 cm). Deux des cartons portent en outre le cachet de l'architecte. La façade du 14 bd des Italiens fut réalisée quasiment à l'identique. D'après les documents que nous avons pu voir, le mobilier et certains aménagements intérieurs figurant dans les études sont identiques ou proches de ce qui a été finalement réalisé. Né à Vienne en 1897 l'architecte Otto Bauer s'est installé à Paris en 1926. Il y réalisa les bureaux du quotidien "Le Journal", ainsi que ces deux "bars automatiques" de la chaine "Presto", l'un 14 bd des Italiens (actuellement occupé par la BNP), l'autre à l'angle de la place de la Bourse, de la rue Vivienne et de la rue des Filles-Saint-Thomas, à l'emplacement de l'actuel immeuble de l'Autorité des Marchés Financiers (AMF). Il réalisa également une résidence à Garches (où s'installera plus tard le chanteur Guy Béart) et dessina aussi intérieurs et mobilier. Saisissants dessins d'architecture art-déco. Salissures et petits accidents aux cartons, les études elles-mêmes en bel état, sauf la plus petite d'entre elles, avec une trace de pliure longitudinale..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        Písma Josefa Váchala, jím vytvořená řezaná i odlitá, a pou?itá v jeho knihách [The typefaces of Josef Váchal. Created, cut, and cast by him and used in his books]

      Sánka (ed. Non Multis, vol. 9) 1930 - Original paper-covered vellum binding, in the original protective calque and gray paper slipcase; 41, [3] pp. Very good. [A Bibliography of Typefaces by Josef Váchal]. A rare reference work which catalogs, illustrates, describes and analyzes the unique woodcut letter forms created for his artist books by the visionary Czech painter and graphic artist, Josef Váchal (1884-1969), who was profoundly influenced by esoteric and mystic thought. the essay by the noted typographer and book designer Karel Dyrynk (1876-1949) is accompanied by many full-page reproductions of Váchal's letters, including one page in black and red. This is copy no. 46 of only 60, signed by the author, printed on thick Zanders paper, and published by Arno Sá?ka, the Czech bibliographer of fine press editions. Sánka 3018. KVK, OCLC show only the copies at the British Library and Yale. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Penka Rare Books, ILAB]
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