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Displayed below are some selected recent viaLibri matches for books published in 1928


      Published by Houghton Mifflin Company, 1928. 1st edition.. Hardback. Very Good/Very Good. Illustrated by Rackham, Arthur. Very good condition in a very good dustwrapper. A charming story of the proud little queen and her beautiful lonesome doll. 31 unique illustrations including four in colour. Attractive tan pictorial cloth, black title to spine. A rare Rackham title being published only in America. Spine just very slightly bumped. Pale stain to front cover which is hardly noticeable. Tiny bookseller's stamp to front pastedown. Inscription in pencil to front endpaper. Very light water stain to margins of pages in second half of book. Pages very lightly browned. First gathering pulled at hinges and slightly misaligned. Closed tear to gutter edges of first gathering. Contents page almost detached. Pictorial dustwrapper is slightly grubby with a few light stains, chipped at corners with a few small edge-tears. Difficult to find in good condition due to paper used being of poor quality, this is an exceptionally bright copy, rare in original wrapper. [S]

      [Bookseller: Stella & Rose's Books]
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      New York: Doubleday, 1928 COX, A. B. (Anthony Berkeley). THE AMATEUR CRIME. Garden City, New York: Doubleday, Doran and Co. 1928. First Edition of this extremely scarce Hubin listed classic Golden Age mystery by this author best known for his works written under the names Anthony Berkeley and Francis Iles including, 'The Poisoned Chocolates Case' and 'Malice Aforethought'. 8vo. 349 pp. A very good or better copy in yellow cloth, black titles to spine, in a nearly Very Good dust jacket, shallow chips to spine ends and top edge, half dollar sized chip at lower front panel, modest darkening to spine, inch closed tear at top rear panel. Published in the U.K. as, 'Mr. Priestley's Problem'. Barzun & Taylor, A Catalogue Of Crime. Pronzini & Muller, 1001 Midnights. $850.00. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
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      Stratford-on-Avon: Shakespeare Head Press, 1928. No. 6 OF 100 SETS on handmade paper and in the deluxe binding, SIGNED BY THE ARTIST (along with 500 regular copies). Hardcover. 241 x 159 mm (9 1/2 x 6 1/4"). Eight volumes. Translated from the Greek into French by James Amyot and from French into English by Thomas North. No. 6 OF 100 SETS on handmade paper and in the deluxe binding, SIGNED BY THE ARTIST (along with 500 regular copies). Publisher's black half morocco over burnt orange linen by Morley of Oxford (stamp-signed on front pastedown), raised bands decorated with thick and thin gilt rules, top edges gilt. With tondo portrait of author on title page, portrait of Elizabeth I at head of dedication page, and portrait of the appropriate subject at the beginning of each biography. With the laid-in carbon copy of the description from Philip C. Duschnes, describing the set (perhaps in the 1960s or '70s) as "in perfect condition." Franklin, p. 235; Ransom, p. 15. One cover with tiny blemish and vague dent to tail edge, but BEAUTIFULLY WELL PRESERVED, entirely clean, fresh, and bright internally, and in virtually unworn bindings. This is the very fine deluxe version of the Shakespeare Head Plutarch, printed on thick, beautiful Batchelor handmade paper. It aims to be faithful to North's original 1579 version, with its quaint spelling and punctuation, its inconsistent use of capitalization and italics, and its woodcut portrait busts of the subjects of the biographies. These busts have been reproduced here for about half of Plutarch's subjects, but when more authentic portraits have been available from ancient coins or medals, they have been substituted as the headpieces. Born in the latter part of the first century, Plutarch conceived of his 46 biographies (not counting those no longer extant) as studies in character, chronicles of how his famous Greeks and Romans responded to the vicissitudes of fortune. He is a very important source for both Greek and Roman history, and over the centuries has been one of the West's most influential authors. Renaissance scholars could find Latin translations in print beginning in 1470, but not until 1579, when Thomas North issued his version from the French of Amyot, were the "Lives" available in English. DNB praises the work as "admirably vivid and robust prose." North (1535?-1601?) dedicated the work, no small undertaking, to Queen Elizabeth, and it inspired several of Shakespeare's plays. Our deluxe version of this edition is much more highly prized than the 500 regular copies and commands a substantially higher price, especially when found, as here, in essentially unused condition.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      1928. 1. (ROBINSON,CHARLES)illus. RUBAIYAT OF OMAR KHAYYAM, done into verse by Laurence Housman. London & Glasgow: Collins Cleartype Press [1928]. 4to, blue leather with gilt decorations, all edges gilt, a FINE COPY IN THE PUBLISHER'S BOX WITH COLOR PLATE ON COVER (box faded and with some strengthening). This is a beautiful book, illustrated with 4 tipped-in color plates by Robinson, plus a decorative title page and decorations on each page of text. Rarely found with the box.

      [Bookseller: Aleph-Bet Books, Inc.]
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        The Legend of Sleepy Hollow

      London: George G. Harrap & Co. Ltd.,, 1928. Illustrated by Arthur Rackham. Tall quarto. Original full vellum, titles to spine and upper board gilt, pictorial endpapers, top edge gilt, others untrimmed. Tipped-in colour frontispiece and 7 plates by Arthur Rackham. Lower corner bumped, boards a little spotted. An excellent copy. Signed limited edition, one of 250 numbered copies signed by the artist.

      [Bookseller: Peter Harrington]
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      1928. 1. (RACKHAM,ARTHUR)illus. THE LEGEND OF SLEEPY HOLLOW by Washington Irving. London: George Harrap (1928). 4to (7 3/4 x 10"), green gilt cloth, top edge gilt, Fine in dust wrapper (dw piece off bottom of spine and sl. frayed else nice). First edition with these illustrations, illustrated by Rackham with pictorial endpapers plus 8 really beautiful color plates, as well as many nice black and white drawings throughout the text. A really nice copy.

      [Bookseller: Aleph-Bet Books, Inc.]
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        The Anatomical Exercises of Dr. William HARVEY De Motu Cordis 1628

      London: Nonsuch Press [1928] Beautiful full morocco with 5 raised bands to spine and gold outling to upper and back boards. Gold printing to spine and gold gilt top edge. Other edges untrimmed.De Circulatione Sanguinis 1649: The First English text of 1653 now newly edited by Georffrey Keynes. Issued on the occasion of the tercentenary celebration of the first Publication of the text of De Motu Cordis. Printed and made in Holland with the types of Joan Michael Fleischman and of Christopher van Dijck. Printed on Dutch paper 1450 copies, this COPY is 272. Offsetting of edges of endpapers from leather turns ins. Rest of interior pages, crisp, unmarked, beautiful. Always happy to send detailed photos to serious buyers.. Leather. Fine/No Jacket. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Laura's Rare Books]
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      London: Elkin Mathews & Marrot, 1928. First edition, limited to 500 numbered copies signed by Lawrence on the limitation page meant for sale of a total edition of 530. Copy #385. Illustrated paper-covered boards. Hand set in Imprint Shadow and printed by Robert MacLehose & Co. at the University Press. Spine ends with touch of shelfwear, offsetting to endpages and small owner book plate on front pastedown; dustjacket with narrow six inch chip on spine, chipped spine topedge, upper corners with some loss and toning but intact and folds werll on book. Very Good condition in a just Good dustjacket with an archival cover.. Signed by Author. First Edition. Hardcovers. 8vo - over 7¾" - 9¾" tall. Limited Edition. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
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        Rawdon's Roof (Signed Limited Edition)

      London: Elkin Mathews and Marrot, 1928. First Edition. First Edition. One of 500 copies (this being No. 373) SIGNED by the author. Near Fine lacking dust jacket. Light offsetting to the endpapers, with owner's bookplate to the verso of the front endpaper. An attractive copy.

      [Bookseller: Royal Books, Inc.]
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        L'EXPLORATION PAR FUSEES DE LA TRES HAUTE ATMOSPHERE ET LA POSSIBILITE DES VOYAGES INTERPLANETAIRES ... Conference faite a l'Assemblee generale de la Societe Astronomique de France le 8 Juin 1927

      Paris: Au Siege de la Societe Astronomique de France,. 1928. original reddish-brown wrappers printed in black, edges untrimmed.. Some wear to overlapping edges, front cover soiled, a very good copy.. Rare. (#135444). First edition. Printed as a supplement to the March 1928 issue of L'ASTRONOMIE. "Expounds original hypotheses of space flight that the author began to formulate in 1908 independently of the rocketry and astronautical ideas of pioneers Konstantin E. Tsiolkovskii, R. H. Goddard, and Herman Oberth. Calculates optimum rocket shapes, motion of a rocket in a vacuum, and safe acceleration speeds for manned flight. Presents the earliest known suggestions of atomic or nuclear rocket propulsion for planetary space missions, and considers the possibility of extraterrestrial life" (Pisano and Lewis). "One of the earliest and really serious papers on interplanetary travel and on the exploration of the upper atmosphere, by means of rockets. Esnault-Pelleterie"s study is independent of the slightly earlier treatise, in German, by Oberth, which he states he had not seen. The author devotes special attention to the problem of the escape velocity necessary to overcome the earth's gravitational pull, which he estimates at 10,000 meters per second. It was Esnault-Pelterie who coined the term Astronautics for the science of space flight. The present paper appeared as special supplement of the BULLETIN DE LA SOCIÉTÉ ASTRONOMIQUE DE FRANCE, année 42, with a separate half-title and title- page" (Interlibrum). Ciancone 65. Interlibrum 270 #114. Ley, Rockets, Missiles, and Space Travel, revised edition, 1957, p. 505. Norman 714. Pisano and Lewis 1197. Norman 714.

      [Bookseller: L. W. Currey, Inc.]
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        The House at Pooh Corner

      New York. E.P Dutton and Co. 1928. Bound in half green cloth and decorated yellow pictorial paper over boards. Square 8vo. This edition on large paper is limited to 250 numbered and signed copies of which this is number 19. Signed in ink by Milne and Shepard on the limitation page. Illustrated with drawings and decorations by E.H Shepard. Several small light specks of foxing to front and rear paper covered boards. Usual light discoloration to front and rear pastedown from binding process. Small previous owners bookplate to front free endsheet. Some light needle thin patches of foxing encroaching onto the yellow papered board from just beneath the edge of the front pastedown. Book is wrapped in original glassine, which shows 4 or 5 pin sized specks of foxing and housed in publishers original pictorial slipcase which is somewhat darkened along edges with scattered foxing inside. A Lovely copy of this most rare signed edition.

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB]
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        The House at Pooh Corner. With Decorations by Ernest H. Shepard

      London: Methuen & Co., (1928). . First deluxe edition, 8vo, xii, 178, (2) pp. Illustrations throughout and on the endpapers, signature of Adèle Alsop to fly leaf. Signed by Milne on the title page. Original publisher’s limp dark green morocco with gilt decoration, a.e.g., slight wear to the spine ends otherwise a very good copy. Adèle Alsop was Milne’s wife’s first cousin.

      [Bookseller: Bow Windows Bookshop]
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      Published by Methuen & Co. Ltd., 1928. 1st edition.. Hardback. Nearly Fine/Very Good. Illustrated by Shepard, E.H.. Nearly fine condition in a very good dustwrapper. In which Pooh builds a house, Small gets lost and Tigger is unbounced..! Deluxe edition in publisher's blue calf binding. Gilt border to front cover with floral motif at each corner and gilt vignette of Christopher Robin and Eeyore. Gilt vignettes and floral decoration to spine. All edges gilt. Front cover and edge of spine has faded from dark blue to blue-grey but doesn't detract from the beautiful appearance of the book. A few small marks to covers. A little bumping/wear to corners. Browning to endpapers. Blue bookmark is now detached and frayed - but still present to rear of book. Gilt is lovely and bright. Original glassine wrapper present, with creasing and a couple of small nicks and tears. Contained in publisher's box for the leather bound edition, which shows original price and title etc. Edges of box are worn and chipped in places, with some browning and grubby marks. Box is still sound. Overall an excellent example of this deluxe binding, still with original box. This copy would make a wonderful gift. [S]

      [Bookseller: Stella & Rose's Books]
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        The House At Pooh Corner

      London, London, Methuen & Co.,, 1928. With Decorations by Ernest H. Sheppard Octavo. Finely bound by The Chelsea Bindery in full pink morocco, titles and pictorial centre tool to spine gilt, raised bands, rule to boards gilt, multiple decorative blocks to boards gilt, twin rule to turn-ins, gilt edges. Illustrated by E. H. Shepard. A fine copy. First edition, first impression. The little bear described by Christopher Milne in his autobiography as his "inseparable companion" has also become the inseparable companion of generations of children, often remaining the object of that faith late into adulthood. First appearing in 1924, along with his troop of animal friends, in When We Were Very Young, Winnie-the-Pooh was immortalised in Milne's two volumes of poetry and two story books. The illustrations by E. H. Shepard are probably as much loved as Milne's words - the combination of their talents making the books' appeal so remarkably enduring.

      [Bookseller: Peter Harrington]
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        The House at Pooh Corner

      New York: E. P. Dutton & Co., Inc., 1928 First edition, limited issue. One of 250 numbered copies signed by both Milne and Shepard. Original publisher's pink salmon gilt decorated cloth. A near fine copy with only minor fading and light wear to the spine, small former owner gift inscription to front endpaper.. Signed by Author & Illustrator. First Edition. Hard Cover. Near Fine.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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        HOUSE AT POOH CORNER - publisher's dummy

      1928. 2. MILNE,A.A. HOUSE AT POOH CORNER. London: Methuen (1928). 8vo (5 x 7 1/2"), salmon colored gilt cloth, top edge gilt, Fine condition in dust wrapper (dw is VG, lightly soiled with some fraying at top of spine). This is a rare PUBLISHER'S DUMMY that contains 53 pages including headers for the preliminary pages and then text with illustrations by E.H. SHEPARD followed by blank pages. The contents page is partial, the Introduction has the header only.

      [Bookseller: Aleph-Bet Books, Inc.]
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      Published by Methuen & Co. Ltd., 1928. 1st edition.. Hardback. Very Good. Illustrated by Shepard, E.H.. Slightly better than very good condition with no wrapper. In which Pooh builds a house, Small gets lost and Tigger is unbounced..! Deluxe edition in publisher's blue calf binding. Gilt border to front cover with floral motif at each corner and gilt vignette of Christopher Robin and Eeyore. Gilt vignettes and floral decoration to spine. All edges gilt. Very very light rubbing to top and tail of spine and corners. A few very light scuffs to covers. Inscription in ink dated 1928 to front endpaper. Endpapers lightly browned. A couple of very small margin marks, one small margin tear and a few light creases to corner tips of last few pages. Otherwise contents are beautifully bright and clean. A super copy of this handsome book. Contained in original box with white title label to lid. Box is worn at edges and reinforced with 'magic' tape along two edges of the lid. [S]

      [Bookseller: Stella & Rose's Books]
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      1928. 1. MILNE,A.A. HOUSE AT POOH CORNER. London: Methuen (1928). 8vo (4 7/8 x 7 3/8"), publisher's full blue calf with double gilt rules, floral decorations in corners and picture in center, gilt pictorial spine, all edges gilt, spine slightly sunned else Fine. First edition, DELUXE EDITION. Illustrated by E.H. SHEPARD.

      [Bookseller: Aleph-Bet Books, Inc.]
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      Gorgeous, full leather fine binding, with animal vignette compartments, a complete set of four books, in two volumes by A. A. Milne, WHEN WE VERY YOUNG, 1928 and NOW WE ARE SIX, 1st edition, 1927.  Second volume contains WINNIE-THE-POOH, 1926 and THE HOUSE AT POOH CORNER, 1929.  Both are published by the Methuen Co., Limited, London.  Both are in near fine, save old owners bookplate front fly.  Superb gilt corner critters, along with a center portrait, animal vignette end papers, colors still vivid and bold.  Ernest H Shepard illustrations.  Clean pages, very tight, no foxing or stains, gilt page edging.   See the many photos provided, ask any questions.

      [Bookseller: Smith House Books & Antiques]
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        The House at Pooh Corner

      London: Methuen, (1928). First edition. With illustrations by Ernest H. Shepard. The final installment of the Christopher Robin books introduces the character Tigger to the residents of the Hundred Acre Wood. Although his characters are now beloved by children worldwide, Milne didn’t intend his stories about Pooh to be for children. Instead, they were meant to entertain the child within us all. Milne was a noted playwright who made a point to write whatever he pleased, never wanting to be tied down by his success. Spine slightly faded, very light rubbing to lower corners, else a fine copy in the original peach cloth, with pictorial gilt stamping. T.e.g. Dust wrapper shows minor toning to spine and staining to spine head from older tape repair to verso, affecting the titling. A near fine example of a beloved children’s favorite.

      [Bookseller: Bromer Booksellers]
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      Published by Methuen & Co. Ltd., 1928. 1st edition.. Hardback. Nearly Fine/Nearly Fine. Illustrated by Shepard, E.H.. Nearly fine condition in a nearly fine dustwrapper. In which Pooh builds a house, Small gets lost and Tiggers is unbounced... Salmon pink cloth. Gilt vignette and lettering. Top edge gilt. Numerous b/w illustrations. Minimal wear with a tiny nick to cloth at base of spine. Light mark to spine. Corners are sharp, gilt bright. Browning/foxing to endpapers and a couple of foxspots to outer page edges. Small patch of surface paper damage to front endpaper/pastedown, else contents are nearly fine. Wrapper is faded to spine, with light rubbing, a few small marks and light edge-creasing. A beautiful copy in an excellent example of original dustwrapper. Now also contained in a custom made slip-case that is in excellent condition and is helping to keep the book in superb condition. This copy would make a wonderful gift. [S]

      [Bookseller: Stella & Rose's Books]
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        The House at Pooh Corner [3]

      Published by Methuen & Co. Ltd., 36 Essex Street, Strand, London First Edition 1928. London 1928. First edition hard back binding in publisher's original salmon pink cloth covers, gilt lettering to the spine, twin gilt lines across the spine tips, two gilt vignettes of Christopher Robin and Winnie the Pooh to the upper panel, gilt border line, top edge gilt, black silhouette on pink paper of all the characters across the paste downs and end papers with 100 Aker Wood to the background. 8vo 7½'' x 5¼'' [xii] 178 [ii] printed pages of text with monochrome illustrations throughout. Spine not faded, thin brown ghost marks to the end papers where the dust wrapper has been resting. Very Good condition book in Good condition dust wrapper with slight tanning to the spine, two small tears to the upper gutters, shallow rubs to the corners, a little dust soiling to the pale pink paper, priced 7/6 to the spine. Member of the P.B.F.A.

      [Bookseller: Little Stour Books PBFA]
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        The House at Pooh Corner

      E.P. Dutton & Co., 1928. First Edition. Hard Cover. Near Fine/No Jacket. Shepard, Ernest H.. Signed by author. Signed by illustrator. First American edition. Variant with Japanese vellum limitation page from large paper edition bound in following copyright page, with the words 'on Large Paper' partially obscured. Numbered 119 of 250 and signed by A.A. Milne and Ernest H. Shepard. Lacks jacket. Spine slightly faded, faint wear to corners. An excellent copy. 1928 Hard Cover. We have more books available by this author!. xi, 178 pp. Original red cloth, gilt titles, rules, and decorations, all edges gilt. Illustrated endpapers. One of Milne's classic stories featuring Winnie the Pooh and Christopher Robin's adventures in the Hundred Acre Wood. Illustrations by Ernest H. Shepard.

      [Bookseller: Yesterday's Muse]
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        THE HOUSE AT POOH CORNER. Decorations by Ernest H. Shepard

      London: Methuen, 1928. Pink pictorial cloth stamped in gilt, top edges gilt, black on pink illustrated endpapers. (xii), (180) pp. Spine only lightly sunned; sunning to gutter of rear cover; offset yellowing to inner margins of free endpapers; else a fine and bright copy, no owner names. "First Published in 1928" on verso of title leaf. Second issue dust jacket has slight spine darkening and rubbing, shallow chips across spine tips (no lettering lost); tidy internal repair with matching paper to spine folds, tips, and across part of top; VG or a bit better in all. An attractive copy of the fourth and final Pooh book (but the one which introduces Tigger). "So they all went off together. But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest a little boy and his Bear will always be playing." - The End.. First printing. Hardcover.. Octavo.

      [Bookseller: Steven Temple Books (ABAC / ILAB)]
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        The House at Pooh Corner

      London: Methuen, 1928 First edition, first printing. Illustrated by E. H. Shepard. Original publisher's gilt decorated salmon cloth, jacket. About fine with the front corner lightly bumped and some mild offsetting to endpapers, in a jacket with a lightly toned spine, some chipping to spine ends and at upper corners of flaps folds, else very good.. First Edition. Hard Cover.

      [Bookseller: B & B Rare Books, Ltd., ABAA]
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      Published by Methuen & Co. Ltd., 1928. 1st edition.. Hardback. Very Good. Illustrated by Shepard, E.H.. Very good condition with no wrapper. Beautifully rebound in vellum by the Cottage Bindery, Bath. Gilt decorations to spine. Gilt Pooh motifs to every corner. Top edge gilt. Colour illustration inlaid to front and rear cover. Original endpapers retained. B/w illustrations throughout. One leaf (page 3-4) missing although remainder of contents near fine. Rear endpaper a little grubby. Both endpapers reinforced. Fox-spots to half-title. A couple of very faint margin marks. A beautifully bound copy of this children's classic. Contained in red slipcase which has cloth retained from original front mcover laid onto the front. [S]

      [Bookseller: Stella & Rose's Books]
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        The House at Pooh Corner

      London: Methuen & Co Ltd, 1928 In the salmon pink cloth covers with gilt image and tooling to front cover, rear cover has a tiny amount of fading to edges. Spine has faded a little, title in gilt, edges bumped a little. Internally, NO inscriptions, clean tight and bright, (xi), 178 pp, printed by Jarrold and Sons Ltd, Norwich. A very pleasing first edition of one of the most popular Childrens titles.

      [Bookseller: Madoc Books]
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      Published by Methuen & Co. Ltd., 1928. 1st edition.. Hardback. Very Good. Illustrated by Shepard, E.H.. Very good condition with no wrapper. In which Pooh builds a house, Small gets lost and Tigger is unbounced..! Deluxe edition in publisher's blue calf binding. Gilt border to front cover with floral motif at each corner and gilt vignette of Christopher Robin and Eeyore. Gilt vignettes and floral decoration to spine. All edges gilt. Spine and corners bumped and slightly rubbed. Spine and top edge of rear cover is slightly faded. Some light scuff marks to covers. Endpapers lightly browned. Some small marks to page and some of the illustrations have been very neatly (and faintly - it is possible that attempt has been made to erase completely) coloured in with pencil crayons. Piece from centre of page 137/8 has been torn out and now very neatly repaired - almost didn't spot it! A tiny closed tear to lower margin of page 143/4. A nice copy of the first edition in deluxe binding. [R]

      [Bookseller: Stella & Rose's Books]
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        The Spicklefisherman and Others

      New York: The Derrydale Press, 1928. Deluxe edition, one of 35 on handmade paper, signed by White on dedication leaf. 8vo. Illustrated by A.B. Frost, Oliver Kemp and Gordon Stevenson. 112, [2] pp. Original light blue marbled boards, printed label on upper cover and gilt title on japan vellum spine, t.e.g., others uncut. Almost fine copy, with some toning to spine, bump at heel. Bookplates of Daniel B. Fearing, Newport, R.I., & Walter Rutherford Peterson. In custom blue morocco backed slipcase. Siegel 19; Frazier W-7-D ("very rare"); Bruns W84; Not in Thacher . The deluxe edition is half an inch taller and wider than the trade. A rare book with splendid angling provenance

      [Bookseller: James Cummins Bookseller]
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        DIE WELT IST SCHÖN Text by Carl Georg Heise.

      Munich: Kurt Wolf, 1928. First ed. Renger-Patzsch, Albert. 4to., (1) p., 100 photographic plates. Flexible blue cloth. A few specks of foxing to the fore and bottom edge, else a fine copy in the scarce dw, which is slightly rubbed only at the spine ends and tips and lacking one small chip at the base of the spine. One of the principal works illustrating the "new objectivity" in photography.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        Tales of Fresh Water Fishing ( Dust Jacket)

      London: Hodder & Stroughton, 1928. The 1st English Edition binding the Harpers Bros sheets and photographic endpapers which are identical to the sheets and binding of the American Edition except for the addition of a beautiful gilt bamboo fly rod and reel to the front panel of the book and a completely different Dust Jacket with the photo inset of a huge trout laying in repose along rod and reel. The book is in fine condition save some bowing to the front panel with no flaws or fading, chips, loss of cloth or discolorations. the Dust Jacket is housed in a brodart jacket cover with craft paper rather than white paper which blinds nicely with the jacket. Wear at the spine ends. No chips or significant tears. An Attractive Copy.. First Edition. Gilt Cloth. Nearly Fine/Very Good. Illus. by with Photographs By the Author. Quarto.

      [Bookseller: California Bookseller - J. R. Aboud]
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        Handbook Of Yosemite National Park

      True First Edition With The Extremely Rare Dust Jacket. Inscribed And Dated (1928) By Author To Yellow Stone Naturalist M.P. Skinner.

      [Bookseller: federal Book Depository]
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        The Autobiography of Edward Lord Herbert of Cherbury with an Introduction By CH Hereford

      Newtown, Montgomeryshire: Gregynog Press, 1928 Number 203 of 300, bound in brown buckram with the Herbert arms blocked in gilt on upper cover. Gilt spine titling. On Batchelor hand made paper, (xv), 93 pp, 9 wood engravings by HW Bray, completed in March 10th 1928, some very faint scratches to the front and rear covers and the corners are bumped slightly. Spine's edges are slightly bumped. (Harrop 10/ p188)

      [Bookseller: Madoc Books]
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        Selling by Telephone

      BUSINESS BOURSE, NEW YORK 1928 - blue cloth hardcover; ex-library, previous owner pencil markings to table of contents and along borders DATE PUBLISHED: 1928 EDITION: 339 [Attributes: Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
 34.   Check availability:     AbeBooks     Link/Print  

        Le Grand Silence Blanc (Roman Vecu D'alaska)

      Paris: Editions Mornay 1928, 1st Edition. (Hardcover) (8),237,(1). Fine. Quarto. Bound in half red contemporary morocco and marbled paper boards. Heavily gilt spine. Corners to match. Marbled endpapers to match. Original wrappers and spine bound in. Top edge gilt. Numerous wonderful specially printed illustrations throughout. A fine clean copy. #284 / 680 copies. Bound in a near contemporary French designer binding by George Huser signed on the bottom of the spine. This Rouquette is considerably scarcer than Gagnon's other illustrated book, Maria Chapdelaine. A wonderful copy in a special binding..

      [Bookseller: Aquila Books]
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        Memoirs of a Fox-Hunting Man

      London: Faber & Gwyer, 1928. Decorated vellum in a dust jacket that is faded on the spine. Limited to 300 copies of which this is #45. Signed by Sassoon and Nicholson. Vellum is slightly bowed. An almost fine copy of a very attractive book that is difficult to find in its original dj.. Signed By the Author and Illustrator. 1st. Vellum. Fine/About Fine. Illus. by William Nicholson. Octavo.

      [Bookseller: Contact Editions]
 36.   Check availability:     Biblio     Link/Print  

        Memoirs of a Fox-Hunting Man, Memoirs of an Infantry Officer and Sherston's Progress

      London: Faber and Gwyer Limited, Faber and Faber. 1928, 1930, 1936., 1928. All Signed Limited Editions, finely printed on hand-made paper. 3 volumes. Tall 8vo. The complete trilogy. Publisher's uniform blue buckram with gilt titles to spine, t.e.g. Some of the usual sunning, most notably to the first two volumes, some offset browning to endpapers else a very good set, attractively housed in a protective leather-spined clamshell box.

      [Bookseller: Adrian Harrington Rare Books]
 37.   Check availability:     Biblio     Link/Print  

        La Divina Commedia or The Divine Vision in Italian and English

      London: The Nonesuch Press,, 1928. The Italian text edited by Mario Casella of the University of Florence with the English version of H. F. Cary and 42 illustrations after the drawings by Sandro Botticelli. Folio. Original orange vellum, titles to spine, ruling and roundels to boards and top edge gilt. Housed in a blue cloth folding case. 34 double and 8 single-page plates after Botticelli. A superb copy with only minor loss of colour at the extremities. A fine example of the Nonesuch edition of Dante, one of a limited edition of 1475 numbered copies.

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  


      London: Faber and Gwyer Ltd. , 1928. Limited ed. Hardcover. Very Good +. 6 x 9 in. 395 pp. Blue cloth boards with gilt lettering on spine. A limited, signed edition on hand-made paper of 260, of which this is number 202. Condition of the book is VERY GOOD+ ; just the merest hint of shelf wear, covers extraordinarily clean and unblemished. Spine is sunned. Binding is tight and hinges have no play whatsover. The text is bright, clean and unmarked, with just a hint of foxing to the endpapers. Included is a 4 1/2 x 7 inch loose page of hand-laid paper with ink sketches of WWI officers, which was in this book when we bought it. I can't prove that they are by Sassoon, but they bear a striking similarity to a few others I researched online, notably sketches on letters from the front, circa 1917. See photograph provided and decide for yourself. A lovely copy of this rare and cherished book, with a likely terrific bonus in the sketch. Sport/Memoir. RGR.

      [Bookseller: Andre Strong Bookseller]
 39.   Check availability:     Biblio     Link/Print  

        La Divina Commedia

      London,: Nonesuch Press, 1928.. Folio, with 42 plates (many double-page), spine moderately sunned, binding a little thumbed; very good overall in original gilt decorated orange Japon vellum boards. A magnificent edition of the Divine Comedy illustrated with 42 beautifully printed plates from the original sketches by Sandro Botticelli. This is undoubtedly one of the finest books produced by the Nonesuch Press in their long and fruitful history.Botticelli's drawings are delicate and understated, and this is the first occasion they have been married with Dante's text in the form of a printed book. The plates are remarkably for their subtlety and faith to the original artworks, and are were specially produced by French artisan printmaker Daniel Jacomet, who is now renowned for his pochoir stencil work for Picasso and other eminent artists of the era.The Divine Comedy is printed in the original vernacular Italian alongside the cherished English language translation of Henry Francis Cary. In sympathy with Botticelli's fifteenth-century illustration, the type has been set in blado italic reminiscent of incunabula of the era.Edition limited to 1475 numbered copies.Dreyfus, A History of the Nonesuch Press, 50.

      [Bookseller: Hordern House Rare Books]
 40.   Check availability:     Biblio     Link/Print  


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