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Displayed below are some selected recent viaLibri matches for books published in 1928

        Good Morning City. Bleeding Town. [Original-Farbserigrafie und Metallprägung / original colored silkscreen and metalic embossment].

      0 - Friedensreich Hundertwasser, geboren 1928 in Wien, gestorben auf der Queen Elizabeth II. vor Neuseeland. Nummer 6518 von 10000 nummerierten Original-Farbserigrafien. Eins von 200 Exemplaren der Serie HH "Black Clouds, Grass Tower. Metalic windows Blue". Mit 2 japanischen Stempeln, der geprägten Werknummer "686" und der Bezeichnung "Giudecca 1969". Mit dem Namenszug in der Darstellung und betitelt, signiert "Friedensreich, 24. März 1970 auf Regentag bei Lubi". Zweimal nummeriert: Bei der oberen Nummerierung ist zu erkennen, das zunächst die Nummer 6517 vergeben wurde, diese wurde ausgebessert, neu daruntergeschrieben, zusätzlich wurde diese Änderung von Hundertwasser durch Signatur "Hundertwasser" bestätigt. Mit Prägestempel der Galerie Dorothea Leonhart in München und 3 weiteren Stempeln. Im Rand mit Farbmuster. In 10 Farben und 8 Metallfarben auf Fabriano gedruckt. Maße Blatt: 85,0 x 55,5 cm. Maße Platte / Abbildung: 76,5 x 47,0 cm. Blatt im Randbereich teils minimalst gedunkelt, ansonsten sehr gutes Exemplar. Number 6518 of 10000 original numbered colored silkscreens on fabiano. One of two hundred copies of the series HH "Black Clouds, Grass Tower. Metalic windows Blue". Signed by Hundertwasser "Friedensreich, 24. März 1970 auf Regentag bei Lubi", signed twice next to the number with "Hundertwasser". Measure sheet: 85,0 x 55,5 cm. Measure plate / image: 76,5 x 47,0 cm. Few parts at the border area lightly darkened, otherwise fine condition. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Lenzen GbR]
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        The Boys Book of Chemistry: A Simple Explanation of Up-To-Date Chemistry, Together with Many Easily Made Experiments

      E. P. Dutton & Company, New York. Hardcover. Rare! September 1928. Sixth Printing. E. P. Dutton & Company, New York., 265 pages, Profusely Illustrated by Author. 1 lb 2 oz. (7.625 x 5.5 x 1.25 inches Red Hardcover gold lettering in fair chipped dust jacket) Good Condition. light edge-wear, high quality sewn binding stretched in numerous places, 1-inch page tear on illustration page opposite title page along bottom inner edge, Text is Clean and Unmarked! Next Day Shipping! Title: The Boys Book of Chemistry: A Simple Explanation of Up-To-Date Chemistry, Together with Many Easily Made Experiments by Charles Ramsey Clarke. Contents Summary: When Chemistry was Young; The Apparatus and Chemicals You Need; Experimenting with Water; About the Gases We Call Air; Some other Common Gases; What Acids, Bases, and Salts Are; Metals, Alloys, and Amalgams; Practical Chemistry Simply Explained; Some Brilliant Chemical Tests; Chemistry In and Around the House; The Electro-Chemical Arts; The Chemistry of Photography, The Soil, and The Chemistry of Warfare; Synthetic Chemistry for Beginners, Plus Appendices. Biblio . Good. 1928. September 1928, 6th Printing Edition .

      [Bookseller: Jemi Books]
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        Eigenh. Manuskript mit U.

      [Berlin, 11. Dezember 1928]. - 2¼ SS. auf 3 Bll. 4to. Sehr eindringliche Reflexion über das eigene Schaffen, über Bühne und Film und Kunst im Allgemeinen und auch über Berlin, wo der Schriftsteller sich gerade aufhielt, um einer Aufführung seines Stücks „Der Zinker" beizuwohnen, das zur selben Zeit, eben am 11. Dezember, unter dem Titel „The sign of the Leopard" am Broadway seine Premiere feierte: „It is two o’clock in the morning and very cold. Does Berlin ever go to sleep? It is the most restless and yet the most restful city in the world. It has the hum of London but there are times when London is quiet and the streets are deserted but in Berlin the night revellers going home meet the early risers going to work . there will be snow I think – I can smell it in the air. I suppose I should be wise and go to bed. But to leave a play that is three parts written is very difficult for me. Still I can get up early in the morning. I wonder how ‚Der Zinker’ will be received? The company is an excellent one, but it is curious to listen to your own play in a language which you cannot understand. And yet it is fascinating to listen to these rich German voices and watch the actors move and gesticulate . It is eight o’clock in New York, the curtain is up on the premiere of ‚Der Zinker’ (they call it ‚The Sign of the Leopard’ there)[.] Will Carl Brandt telephone me from New York . I wonder what sort of a girl is playing the principal role? Some German girls have a certain appealing beauty [.] What was the name of that girl I met yesterday? [.] I should like to be able to read what t[he] German correspondent wrote about my views on art. So many English people use the word ‚art’ when they mean ‚aesthetic’. They tell me I am not an artist because I write about criminals. Other people are artists when they write about God and show him in plus fours [d. s. kurze Hosen, die zehn Zentimeter unters Knie reichen und im Allgemeinen zum Sport getragen werden]. I have my own views on the personal God but there are millions of people to whom he is something real and beautiful. Why wound the spirit of millions of good people? It is like desecrating the grave of a mans mother. But it may be good art. I don’t know. I am bourgeoisie I suppose . Half past two . taxis and cars still rolling to and from the Brandenburger Tor. A restless friendly city. How hard everybody works and how serious they are . They work hard on the stage and in the studios . there were two or three English actors in the cinema-studio I visited this afternoon. They were sorry that the film was finishing . Everybody had been so kind to them[.] ‚My God they work hard!’ said one ‚but they work to schedule! You know exactly what you have to do and when you have to do it!’ . Bed is a nice place but that wedge shaped bolster under your head is an abomination . What was the name of that young German actress? . Very lovely . I wonder how she would film? . God in plus fours . art has many expressions [.]". – Tls. mit winzigen Randläsuren, sonst sehr wohlerhalten, wenn auch etwas fleckig.

      [Bookseller: Kotte Autographs GmbH]
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      Houghton Mifflin Company 1928 - 1st 1928. Very good condition in a very good dustwrapper. A charming story of the proud little queen and her beautiful lonesome doll. 31 unique illustrations including four in colour. Attractive tan pictorial cloth, black title to spine. A rare Rackham title being published only in America. Spine just very slightly bumped. Pale stain to front cover which is hardly noticeable. Tiny bookseller's stamp to front pastedown. Inscription in pencil to front endpaper. Very light water stain to margins of pages in second half of book. Pages very lightly browned. First gathering pulled at hinges and slightly misaligned. Closed tear to gutter edges of first gathering. Prelims almost detached. Pictorial dustwrapper is slightly grubby with a few light stains, chipped at corners with a few small edge-tears. Difficult to find in good condition due to paper used being of poor quality, this is an exceptionally bright copy, rare in original wrapper. [S] [Attributes: First Edition; Hard Cover]

      [Bookseller: Stella & Rose's Books, PBFA]
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        Verlainiens et décadents EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Editions Marcel Seheur, 1928. Fine. Editions Marcel Seheur, Paris 1928, 13,5x18cm, relié. - First edition, one of 50 numbered copies on Holland, deluxe edition. Binding half morocco cherry, back with five nerves, golden tail date marbled paper plates, paper contreplats guards and the tank cover and spine preserved (insolated back and filled with a missing head), gilded head, elegant binding signed P. Goy & C. Vilaine. Rare autograph dated and signed by the author Mr. Crottet. Iconography. Nice copy pleasantly established. - [FRENCH VERSION FOLLOWS] Edition originale, un des 50 exemplaires numérotés sur Hollande, tirage de tête. Reliure en demi maroquin cerise, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés (dos insolé et comportant un manque comblé en tête), tête dorée, élégante reliure signée de P. Goy & C. Vilaine. Rare envoi autographe daté et signé de Gustave Le Rouge à Monsieur Crottet. Iconographie. Bel exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        107 Recettes Ou Curiosités Culinaires Receuillies Par Paul Poiret, Président Honoraire Du Club Des "Purs Cent", Suivies De Quelques Pages De publicité Gratuite Par Sébastien Voirol

      1928. POIRET, Paul. 107 Recettes Ou Curiosités Culinaires Receuillies Par Paul Poiret, Président Honoraire Du Club Des "Purs Cent", Suivies De Quelques Pages De publicité Gratuite Par Sébastien Voirol. [6], 212, [2] pp. Illustrated with 107 plates by Allix. 4to., bound in contemporary three-quarter brown morocco over marbled boards, preserving the original front wrapper. Paris: Henri Jonquières et Cie, 1928. |~||~||~||~| A book of recipes collected by the self-proclaimed "King of Fashion," Paul Poiret. Among the recipes creators are Chosson, the chef at Maxim's and Ernest Verdier of the Maison Dorée. The book came out just one year before Poiret's fashion house closed. One of an edition of 100 copies on velin pur fil Lafuma. A very good copy.

      [Bookseller: Ursus Rare Books]
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        Irénée EDITION ORIGINALE Tirage de tête

      Paris: Nrf, 1928. Fine. Nrf, Paris 1928, 17x22cm, broché. - First Edition, one of 109 numbered copies on laid Lafuma-Navarre and reimposed in quarto format foolscap, leading copy. Tiny bites without gravity on the back. Rare and nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 109 exemplaires numérotés sur vergé Lafuma-Navarre et réimposés dans le format in-quarto tellière, tirage de tête. Infimes piqûres sans gravité sur le dos. Rare et agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Miscellaneous Poems By Jonathan Swift, D.D.,

      1928. Beautifully Illustrated by Robert GibbingsHandsomely Bound by Riviére & SonSWIFT, Jonathan. GIBBINGS, Robert, illustrator. GOLDEN COCKEREL PRESS. [RIVIÉRE & Son, binders]. Miscellaneous Poems By Jonathan Swift, D.D., Dean of Saint Patrick's Cathedral, Dublin. Edited by R. Ellis Roberts; decorated with Engravings on Wood by Robert Gibbings. [Waltham Saint Lawrence, Berkshire]: The Golden Cockerel Press, 1928.Limited to 375 numbered copies (this being #74). Quarto (10 1/16 x 7 1/2 inches; 256 x 191 mm.). [4, blank], viii, 67, [2], [3, blank] pp. Title-page printed in red and black, thirteen wood engravings by Gibbings.Bound by Riviére & Son (stamp-signed on front turn-in) in full niger morocco, front cover with a geometric design enclosing a panel of three tulips, decoratively stamped and lettered in gilt. Spine with two raised bands, decoratively paneled and lettered in gilt, rear board with single gilt-line border, gilt-ruled board edges and turn-ins. A few very light 'dark' spots on upper cover otherwise very fine. Housed in the original russet cloth slipcase.The poems are printed from the text in the Reverend John Mitford's edition of 1833 (Colophon).Robert Gibbings (1889-1958) was an Irish artist and author who was most noted for his work as a wood engraver and sculptor, and for his books on travel and natural history. Along with Noel Rooke he was one of the founder members of the Society of Wood Engravers in 1920, and was a major influence in the revival of wood engraving in the twentieth century. Gibbings knew all the leading wood engravers of the day and a number of authors, which enabled him to publish modern texts as well as classic ones.Chanticleer, 58; Kirkus, 34.

      [Bookseller: David Brass Rare Books, Inc.]
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        Hymn on the morning of Christ's Nativity

      Chelsea: Ashendene Press, 1928. A beautiful Christmas greeting from the Hornbys. One of c.220 copies printed on French hand-made paper. Full page woodcut by Noel Rooke. Printed in Ptolemy type with two large initials in red. Pp.16. 4to., original printed blue paper wrappers, sewn with green silk thread. A little creasing and darkening to edges of wrappers, slight offset from the booklabel to the title page, otherwise very good. "This little Book has been printed to carry to our friends far & near our heartiest good wishes for a Merry Christmas and a Happy New Year, 1928-1929". A really charming Christmas keepsake from the Hornbys with their usual Christmas message printed on the front wrapper. The large initials are particularly stunning.

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        A Salmon River

      Dutton's, New York 1928 - Limited to 250 copies. Signed on title-page. Illustration of "Griswold Gray" salmon fly instead of map as frontispiece. 239, [1] pp. Printed at the Plimpton Press. 1 vols. 8vo. Bruns "Very Scarce" We have not seen another copy in this full crimson morocco binding, the author's own copy was bound in full green; all others seen have been bound in limp green. Consists of selections from two previous privately printed books, including "Observations on a Salmon River".Inscribed by Griswold, "William F. de Haynes 1928" on half-title. Bruns G-187 "red morr. doubtful", noting copies in black or green Original Publisher's deluxe full crimson morocco, with gilt stamped Griswold device on upper cover, wide turn-ins, tan morocco doublures, t.e.g. Inner hinges repaired, joints started, spine dark, one corner rubbed. Very good Illustration of "Griswold Gray" salmon fly instead of map as frontispiece. 239, [1] pp. Printed at the Plimpton Press. 1 vols. 8vo Limited to 250 copies. Signed on title-page [Attributes: Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Paz, poder y abundancia. Traducción y prólogo de Federico Climent Ferrer

      Barcelona, Antonio Roch, Editor, s.a. (hacia 1928). 4to. menor; 353 pp. y una lámina retrato. Enc. original.

      [Bookseller: Hesperia Libros]
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      London: Andrew Block,, 1928. Square octavo (28 leaves). Original marbled wrappers, paper label on front cover. Woodcut title vignette of the Green Man, 12 plates, colophon. Small neat library label at top corner of front cover, some loss of paper from partially split spine, some creasing, tears and chips, internally a little used, one plate ("Brothers") has a light pencil grid drawn over the top (presmuably for purposes of copying the image). First and limited edition, first impression, one of 200 copies; decidedly scarce: only six copies in British and Irish institutional libraries (BL, National Library of Scotland, National Library of Wales, Oxford, Exeter, V&A), while OCLC adds another dozen copies worldwide. Invalided out of the army with neurasthenia in 1918 Ralph Chubb (1892-1960) studied at the Slade and became a close friend of Leon Underwood, who was responsible for Chubb's work being exhibited: at Chenil's (1922) and the Goupil Gallery (1929). "He was a part-time art teacher at Bradfield College [Berkshire] (1924-27), but had to resign for sexual indiscretions. He taught life-drawing at St. Martin's School of Art (1930-33). Early on, he seemed destined to have a fairly conventional artistic career but he painted pictures which shocked and wrote books which no-one would publish" (Horne, The Dictionary of 20th Century British Book Illustrators, p. 144). He later produced painstakingly illuminated works in the manner of Blake and a mystical personal ethos "declaring homosexuality and pederasty to be an inextricable part of a new religion" (Horne).

      [Bookseller: Peter Harrington]
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        The Yellow Book. An Illustrated Quarterly (Vols. I-XIII) [with] The Yellow Book. A Selection

      London & Boston: Elkin Mathews & John Lane and Copeland & Day [and] Edwin Valentine Mitchell, 1928. Mixed set, first editions of vols. III, V, VII, VIII, IX, X, XII (other vols. later issues without ads). Numerous illustrations. 15 vols. 8vo. Yellow cloth decorated in black. Very good set (spines a bit dull, a few heads bumped; back board of vol. III scuffed and soiled; vol. VIII heavily soiled, worn, some loss at ends, with a clean duplicate in later issue). Selection: Fine in fine dust jacket. Mixed set, first editions of vols. III, V, VII, VIII, IX, X, XII (other vols. later issues without ads). Numerous illustrations. 15 vols. 8vo. BEARDSLEY'S YELLOW BOOK. The Yellow Book, conceived by Aubrey Beardsley and Henry Harland, is the most famous of the Bodley Head periodicals and one of the most famous works of the fin de siècle period. Among its most notable contributors are Henry James, Richard Le Galliene, Max Beerbohm, A. C. Benson, George Gissing, George Saintsbury, J.A. Symonds, Edmund Gosse, Richard Garnett, George Moore, Austin Dobson, Kenneth Grahame, E. Nesbit, Arnold Bennet, Baron Corvo, John Buchan, H. G. Wells and W. B. Yeats. Many of these authors' works appear here in first edition. The Yellow Book also contains the illustrated work of many of the leading artists of the period, including Frederick Leighton, Pennel, Sickert, Rothenstein, Houseman, Anning Bell, Walter Crane, Sargent, the Gaskeins, and Charles Robinson. However, it is Beardsley's style that will forever mark the Yellow Book as a classic in the literature of illustration. The legendary 1890s publication, British decadence in its original format. Lasner 65

      [Bookseller: James Cummins Bookseller]
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        Lord Peter Views the Body

      London: Victor Gollancz Ltd,, 1928. Octavo. Original black cloth, spine lettered in red. An excellent copy. First edition, first impression. A collection of 12 short stories featuring Sayers's recurring character Lord Peter Wimsey. From the publisher's archive.

      [Bookseller: Peter Harrington]
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        My Hunting Sketch Book [and] My Hunting Sketch Book Volume Two

      London: Eyre and Spottiswoode Limited, 1928. - The Large-Paper Edition DeLuxe - Signed by Lionel EdwardsEDWARDS, Lionel. My Hunting Sketch Book [and] My Hunting Sketch Book Volume Two. Written and Illustrated by Lionel Edwards, R.I. London: Eyre and Spottiswoode Limited, 1928-1930. Large-Paper Copies. Limited to 255 and copies and 185 copies signed by Lionel Edwards (these being copies #155 and 90 respectively). The mounted color frontispiece in volume one is also signed by Lionel Edwards.Two folio volumes (12 7/16 x 10 1/8 inches: 315 x 258 mm.). xiv, 28, [1, blank], [1, colophon], 2, blank] pp., with fifteen mounted color plates; xvi, 40, [1, blank], [1, colophon], 2, blank] pp., with twelve mounted color and nine black and white plates.Publishers quarter vellum over red cloth boards, front covers titled in gilt, top edge gilt, others uncut. Slight rubbing to corners, otherwise a fine set.Volume one with the Sporting Gallery exhibition announcement dated November 1928 for the original drawings for "My Hunting Sketch Book" laid in.Lionel Edwards (1878-1966) was a British artist who specialized in painting horses and other aspects of British country life. He is best known for his hunting scenes but also painted pictures of horse racing, shooting and fishing. He provided illustrations for Country Life, The Sphere, The Graphic and numerous books. His artistic output was remarkable: he wrote almost 30 books and illustrated many more, including editions of Black Beauty, Lorna Doone and The Black Arrow, in addition to numerous private commissions. He became a member of the Royal Cambrian Academy of Art in 1926 and the Royal Institute in 1927. His favorite medium was watercolor, although he used oils more in his later years. [Attributes: First Edition]

      [Bookseller: David Brass Rare Books, Inc.]
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      London: Printed by Bernard Newdigate at the Shakespeare Head Press for the Cresset Press, 1928. No. 102 OF 195 COPIES on paper (and 10 copies on vellum.) n. Hardcover. 368 x 264 mm (14 1/2 x 10 3/8"). Two volumes. No. 102 OF 195 COPIES on paper (and 10 copies on vellum.). Publisher's black stained vellum by Sangorski & Sutcliffe (stamp-signed on rear pastedown), raised bands, gilt titling on upper cover and spine. Two large vignettes and 10 POWERFUL EXPRESSIONISTIC ENGRAVED PLATES, the vignettes and six of the plates by Blair Hughes-Stanton, the other four by Gertrude Hermes. Ransom, p. 6; Hughes-Stanton 4. A hint of rubbing to extremities, one leaf with closed marginal tear, but A FINE SET, quite clean, fresh, and bright inside and out. This is a very well-preserved copy of one of the two or three most handsome and striking products of the Cresset Press, operated between 1927 and 1931 under the direction of Dennis M. Cohen and A. I. Myers. For this majestic "Pilgrim's Progress," as for other publications, they employed for their printers the Shakespeare Head Press, directed at Stratford-on-Avon by Bernard Henry Newdigate. Between the wars Newdigate (1869-1944) was probably the most important name in private press printing. Franklin says that Newdigate's years at the Shakespeare Head Press made it "the most mature and sophisticated of the private presses." The work Newdigate did for distribution by his own as well as by other presses comprised an output that had a profound influence on the standards of book production in Britain. The artists Blair Hughes-Stanton (1902-81) and Gertrude Hermes (1901-83) both studied at the school of Leon Underwood at Hammersmith. They were still in their twenties when they executed these sophisticated expressive woodcuts, and both went on to have long and productive careers as avant-garde artists. In her book on her father's work, Penelope Hughes-Stanton says that the present production "was perhaps the first real test of the two young artists' ability to harness their rampant expressionism and fit it into the restricting reins of a letterpress production." Newdigate pressured them to make their art look more like that of Eric Gill, but they resisted and successfully established their unique personal styles as illustrators. The names of the plates here give a sense of the drama involved: "The Valley of the Shadow of Death," "The River of God," "The Pilgrims Cross the River of Death," "The Slough of Despond," "The Fight between Grim and Great-Heart," and so on.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      Nonesuch Press, London 1928 - This is a Limited Edition of 1475 copies, of which this is number 214. It is printed on Van Gelder paper by Daniel Jacomet. The Italian text was established originally in 1923 by Mario Casella and revised for this edition by him. The English translation by H.F. Cary was originally published in 1814 and with corrections in 1844. Full orange vellum over boards, folio size, no dust jacket. There is foxing on the first free endpaper and the last free endpaper, but all other pages and all plates are pristine and present. The spine is badly sunned, there is a long light scratch on the front cover and a deeper shorter scrape. Former owner's pastedown bookplate on endpaper. The vellum has pulled the boards a bit, which vellum has a tendency to do as it ages. [Attributes: First Edition; Hard Cover]

      [Bookseller: Trouve Books]
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        La Cuisine Lyonnaise

      Lyon: Librairie de P. Masson, 1928. Large octavo 136 pages. First edition, n° 818 of 900 examples on vélin blanc, from a total edition of 1040. Illustrated. A year earlier, the author issued a twenty-three page booklet with the same title. "Treats of the old Lyonnaise innkeepers, cabarets, and famous restaurants; the Lyonnaise cookery, accompanying wines, and typical recipes..." (Bitting). A fine copy, uncut, in original printed wrappers, with glassine. [OCLC locates eleven copies; Bitting, page 475].

      [Bookseller: Rabelais - Fine Books on Food & Drink]
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        Do XXI Stoleti Prestoupit

      WEISKOPF, F.C. Do XXI Stoleti Prestoupit. 113pp. 8vo., bound in publisher's illustrated wrappers. In a new cloth folding box. Prague: Odeon,1928. |~||~||~||~| A handsome example of Czech avant garde book design with a stunning photomontage cover.

      [Bookseller: Ursus Rare Books]
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        Die Tragische Geschichte Von Hamlet Prinzen Von Daenmark

      Weimar: Printed at the Cranach Press by Henry Kessler., 1928-9. The German edition in an original deluxe Dorfner binding. Wood engravings by Edward Gordon Craig, and wood-engraved lettering by Eric Gill, typeface designed by Edward Johnston, after that used by Fust & Schoeffer in their Mainz Psalter of 1457. The hemp and linen fibre paper was made by Maillol. No.130 of only 230 copies of the German edition. Folio, original full red morocco, spine lettered with borders in gilt by Otto Dorfner of Weimer, the Press binders. A couple of tiny marks but generally an extremely good copy. The fore edge has some spotting as usual and there is some browning in the margin not affecting the text on p.57-9 and 70-73, othwrwise a very good copy. Intended by Count Kessler as the crowning glory of his private Cranach Press, Hamlet was 17 years in gestation from when he had seen Gordon Craig's black figures for his Moscow Hamlet and decided that spectacular woodcuts could be printed from them. The result is one of the most important and spectacular works of the private press movement. Brinks, The Book as a Work of Art, The Cranach Press, p.412.

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        Motherhood in Bondage

      New York: Brentano's 1928 - 8vo., blue cloth lettered in black; covers slightly discolored. First edition. A presentation copy, inscribed: "To Senator Walcott, with my compliments & regards, Margaret Sanger, Feb. 13, 14, 1931," on the front endpaper. ---- In addition to representing Connecticut in the US Senate between 1929 and 1935, the recipient Frederic C. Walcott served as commissioner of welfare of Connecticut, a member of the advisory committee of the Human Welfare Group of Yale University, and regent of the Smithsonian Institution. A significant presentation copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
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        ABRAHAM LINCOLN 1809-1858

      Boston Houghton Mifflin Company 1928 - 4 volumes. First Edition, the Manuscript Edition and one of only 1000 numbered copies specially bound and with a leaf from the original Beveridge manuscript. Illustrated throughout with a profusion of plates in each volume. Tall, royal 8vo, publisher’s original dark blue ribbed cloth with light blue lettering labels gilt over blue paper-covered boards. xxvi, 297; vi, 310; vi, 361; vi, 381 including index. An especially fine set, extremely well preserved and bright, as mint and pristine with only the most minor hint of mellowing. A partially unopened set, with the leaf of autograph manuscript. SCARCE FIRST EDITION AND THIS, FROM THE LIMITED ISSUE WITH A LEAF OF AUTOGRAPH MANUSCRIPT INCLUDED. Beveridge, known also for his great biography of Chief Justice Marshall, spent many years researching the available materials for this work. He made ongoing investigations, questioning what had been published by others and trusting no agent without verifying the work. He made journeys to the Lincoln country, sifted the the many traditions which have grown wherever the family rested, and sought to see for himself how far the neighborhood could influence the man. He was tireless in reading collections of papers still unpublished, in carefully going through files of newspapers, journals and books. The result of his labours presented itself in the form of this fine four volume work on Lincoln in the years leading up to the presidency. [Attributes: First Edition; Hard Cover]

      [Bookseller: Buddenbrooks, Inc. ABAA]
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      London: Printed by Bernard Newdigate at the Shakespeare Head Press for the Cresset Press, 1928. No. 6 OF 10 SPECIAL COPIES PRINTED ON VELLUM (and 195 on paper) n. Hardcover. With Intensely Rich Woodcut Images on Vellum. 365 x 254 mm (14 3/8 x 10"). Two volumes plus portfolio of plates. No. 6 OF 10 SPECIAL COPIES PRINTED ON VELLUM (and 195 on paper). Fine publisher's russet morocco by Sangorski & Sutcliffe (stamp-signed on front turn-in), covers lettered in gilt, metal clasps, raised bands, wide turn-ins with multiple ruled border, all edges gilt. The volumes housed, along with an extra suite of engravings, in a (slightly worn but still very good) fleece-lined matching cloth box and slipcase. Two large vignettes and 10 POWERFUL EXPRESSIONISTIC ENGRAVED PLATES ON VELLUM, the vignettes and six of the plates by Blair Hughes-Stanton, the other four by Gertrude Hermes, with matted duplicates of the plates (ALL OF THE ENGRAVINGS SIGNED), the extras done on thin paper and contained in their own portfolio. Front pastedowns with the bookplate of the Garden Collection (see below). Ransom, p. 6; British Library Private Press Books, p. 141; Hughes-Stanton 4. A couple of faint scratches to boards, spines a shade darker than the covers, a small handful of leaves with the usual faint discoloration that is inevitable with vellum, otherwise A SUPERB SET, the text clean and fresh, with smooth, bright vellum leaves, and the bindings unworn. This is the wonderful deluxe version of one of the finest productions of the Cresset Press, our copy from a notable collection renowned for the outstanding condition of its holdings. It is not too much to say that the collection of The Garden Ltd., assembled by Haven O'More with funding from Michael Davis, was the most outstanding library of notable books put together in America in the second half of the 20th century. When it was auctioned by Sotheby's in 1989, the sale brought in $16.2 million. The library included high spots from all periods (the four Shakespeare folios, the first of "Don Quixote," and Blake's "Songs of Innocence and Experience" brought in more than $5 million alone), and the collection was breathtaking in its impeccable condition-as is evidenced by the present set, which was lot 305 in the sale. O'More had acquired it at the sale of noted collector Doris Benz in November of 1984.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The Philip Lehman Collection, New York. Paintings.

      Editeur Calmann-Lévy (Edizione Privata - Braun & Co.)., Paris. 1928 - In-folio (cm 48,5 x 38), leg. editoriale in mezza pergamena con tit. al dorso e al piatto, cc. non num. 224. Contiene la riproduzione monocroma a piena pagina di CV dipinti, più una tav. a colori all'inizio. Ogni opera è descritta accuratamente, e accompagnata dalla bibliografia. Edizione non venale di 300 esemplari numerati: i primi 200 su carta litografica Cina, gli altri su Velin d'Arches - il nostro esemplare è il n° 66. Philip Lehman (1861 - 1947) è stato un banchiere e finanziere statunitense, membro dal 1887 della 'Lehman Brothers', fondata dal padre Emanuel e da suo fratllo, e manager della compagnia dal 1901 al 1925. Iniziò a collezionare importanti opere d'arte dal 1911; la collezione, ceduta al figlio Robert, oggi fa parte dell' 'Ala Robert Lehman' del Metropolitan Museum. Piccoli difetti - leggere abrasioni, piccolissime mancanze - alla legatura; perfetto all'interno.

      [Bookseller: Daris s. r. l.]
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        Spring Comes to Noe Valley (View of Noe Valley and St. Paul's Church from the Artist's Studio)

      San Francisco: Circa 1970s. Oil on board Signed lower right. 27.5 x 21.75 inches. Framed. John J. Payne (1928-1999)was a San Francisco based artist. He studied with Lorser Feitelson at the Art Center College of Design in Los Angeles. Payne painted in a naif and hard edge style. He exhibited in the Tillman Place Gallery and the Maxwell Gallery in the 1950s and 1960s. The artist's sister, Frances Payne, PhD, numbered each of the artist's works. This is Work no. 377.

      [Bookseller: Alan Wofsy Fine Arts]
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      - MILNE,A.A. MORE VERY YOUNG SONGS. London: Methuen (1928) folio, cloth backed boards, tips rubbed and covers very slightly soiled else VG-Fine. LIMITED TO ONLY 100 NUMBERED COPIES SIGNED BY MILNE, ERNEST SHEPARD & H. FRASER SIMSON, THIS COPY HAS THE NUMBER LINE CROSSED OUT AND WRITTEN IN AS A PRESENTATION COPY FOR THE CHILDREN'S WARD HOSPITAL. Musical notation for 10 charming songs are beautifully illustrated in black and white by Shepard. Scarce. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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      SHEPARD. MILNE,A.A. HOUSE AT POOH CORNER. London: Methuen (1928). 8vo, full calf with gilt vignettes and floral decoration, all edges gilt, 103p., Fine in original publisher's box with printed label (box rubbed with light soil). 1st edition, DELUXE EDITION. Illustrated by E.H. SHEPHARD. Scarce in this binding and in the box.

      [Bookseller: Aleph-Bet Books, Inc.]
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        The House At Pooh Corner With Decorations by Ernest H. Shepard.

      London: Methuen & Co., 1928 - Octavo (190 x 128 mm). Finely bound by The Chelsea Bindery in pink morocco, titles and pictorial centre tool to spine, raised bands, single rule to boards, multiple decorative blocks to boards, twin rule to turn-ins, original endpapers, gilt edges. An excellent copy. Illustrated by E. H. Shepard. First edition, first impression. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Bambi: A Life in the Woods

      New York, New York, U.S.A: Simon and Schuster, 1928. 1st Edition. Hardcover. Very Good/No Jacket. Limited first US edition. One of 1000 copies issued prior to the first trade edition. First edition in English. Plain green cloth boards. Gilt titles to spine. Boards are lightly rubbed with wear at extremities. Head of spine beginning to fray. Spine faded and gilt nearly worn away. First edition statement from the original sleeve has been clipped and taped into Foreword facing page, and the tape has yellowed and left ghosts on preceding and verso pages. Else toned pages are clean and crisp. Binding sound. Illustrated. Pictorial end papers. 209 pages. Measures about 5.5 x 7.5 inches. First edition statement from publisher, precedes page 1: From The Inner Sanctum of Simon and Schuster. This is a first edition copy of Bambi. A thousand copies have been printed and bound. None are for sale. The Inner Sanctum thinks that Bambi will ultimately have a large sale, and hopes that a copy of this copy will not only be pleasant to read, but of possible increased value at a future time. Originally published in Austria in 1923, Bambi was adapted by Disney into the hugely popular film of the same name. The novel was well received by critics and is considered a classic, as well as one of the first environmental novels ever published.

      [Bookseller: Crooked House Books & Paper]
 29.   Check availability:     Biblio     Link/Print  

        Urformen der Kunst,, photographische Pflanzenbilder von Professor Karl Blossfeldt. Herausgegeben mit einer Einleitung von Karl Nierendorf,

      Berlin : Verlag Ernst Wasmuth, (1928). - Mit 120 ganzseitige schwarzweißen Bildtafeln, XVII (I) Seiten, SCHÖNES EXEMPLAR Sprache: Deutsch [Attributes: First Edition; Hard Cover]

      [Bookseller: Antiquariat Im Baldreit]
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      New York: Printed by the Grabhorn Press, San Francisco, for Random House, 1928. No. 104 OF 150 COPIES n. Hardcover. 368 x 242 mm (14 1/2 x 9 5/8"). 2 p.l., 156 pp., [1] leaf. No. 104 OF 150 COPIES. Publisher's Philippine mahogany boards backed with brown Niger morocco by William Wheeler, raised bands, spine with titling in blind, "TKD" embossed in blank on the portion of the spine leather extending onto the front board. Paragraph marks in red or blue, 32 woodcuts in the text, and 34 large hand-illuminated initials in red, blue, and gold by Valenti Angelo. Heller & Magee 107. One page with faint paint residue in the margin, but A VERY FINE COPY, the binding extremely bright and virtually unworn, and the text showing no signs of use. This attractively bound, printed, and illuminated edition of a famous Medieval travel book is one of the finest productions of the Grabhorn Press, and was recognized in 1928 as one of the 50 Books of the Year by the AIGA design association. The content, type, illustrations, illuminations, and binding come together to create a tribute to early books and at the same time a very pleasing example of modern private press printing. This book marked the first use in America of the Bibel Gotisch type designed and cut by Rudolf Koch, and Heller & Magee observes that the work "was an ideal subject for this type and for the simple medieval illustrations of Valenti Angelo that accompany it" (not to mention the 5,100[!] initials Angelo illuminated by hand in the 150 copies). The Press had intended to offer the work for direct sale, but the entire run was purchased by Bennett Cerf (who saw the proofs on a visit to San Francisco) for issuance under the imprint of Random House. First appearing as an anonymous French manuscript in about 1357, Mandeville's account exists in many forms: there are at least 22 versions known from some 250 surviving manuscripts, and the work was printed at least 20 times in the 15th century. The book continued to appear with regularity in English during the 16th and 17th centuries, but the 1725 printing upon which the Grabhorn edition is based is said by Cox to be the "completest edition up to date," and it is characterized by Lowndes as "the best English edition." Cox tells us that although "long accepted as an authentic and valuable record of travel," the work is now known to be a fabrication, perhaps pieced together by a monk fluent in languages and with access to a large library, but with no experience as a world traveller. Regardless of its origin, it continues to provide fascinating reading as an account of the known world in the 14th century. Authentically quaint, the woodcuts here are based on illustrations in early printed editions. The Grabhorn Press bibliography tells us that of this edition, "a few copies exist with the illustrations hand-colored. These were done for experimental purposes and were not for sale." While the illustrations in this copy are, in fact, hand colored (and done carefully and tastefully), it is possible this enhancement was the work of a later owner. It is also possible that this is a specially colored copy for "TKD," who may have been someone important to the Press, but whose identity is unknown to us.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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        The American Negro: A Study in Racial Crossing

      New York: Alfred A. Knopf. 1928. First. First edition. 92pp. Fine in a very good plus dustwrapper, with small chips at the spinal extremities and a little fading along the edges of the spine. Explorations in the definition of racial characteristics, by a Northwestern University anthropologist who was a pioneer in the field of African-American studies. Very scarce in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     IOBABooks     Link/Print  

        Encyclopaedia Judaica. Das Judentum in Geschichte und Gegenwart. Band 1 bis 10 komplett. [Herausgegeben von Jakob Klatzkin und Ismar Elbogen]. Band 1: Aach-Akademien; Band 2: Akademien-Apostasie; Band 3: Apostel-Beerajim; Band 4: Beer-bing - Caligari; Band 5: Cahan-Draguignan; Band 6: Drama-Gabinius; Band 7: Gabirol-Hess; Band 8: Hesse-Jerusalem; Band 9: Jerusalem-Kimschi; Band 10: Kimchit-Lyra.,

      Berlin: Verlag Eschkol 1928-1932. - MNE I, 205. - Die erste Encyclopaedia Judaica erschien seit 1928 in Berlin im Verlag Eschkol von Nahum Goldmann. Herausgeber waren Jakob Klatzkin und Ismar Elbogen. Deren Erscheinen musste nach nur zehn von 15 deutschsprachigen (A–Lyra) Bänden infolge der Machtergreifung der Nationalsozialisten eingestellt werden, 40.000 schon gedruckte Exemplare wurden in Leipzig 1933 vernichtet. Zwei hebräische Bände (A-Antipas) wurden unter dem Namen Eshkol publiziert - Ehemaliges Bibliotheksexemplare mit Rückensignatur, Inventarnummern und Stempeln auf Schnitten und Titelblatt. Einbände etwas berieben und an den Ecken leicht bestoßen, Leder unterschiedlich stark berieben und Rücken des ersten Bandes ausgeblichen. Kapitale teils stärker berieben. Schnitte etwas angestaubt und Papier gleichmäßig etwas gebräunt. Insgesamt gut erhaltenes Exemplar des bedeutenden und gesuchten Werkes. Sprache: Deutsch Gewicht in Gramm: 32000 4° (29,5 x 23 cm). Orig.-Halblederbände mit Leinenbezügen, Goldprägung auf dem Vorderdeckel, goldgeprägten Rückentiteln, Marmorpapiervorsätzen und goldgefärbten Kopfschnitten. [Hardcover / fest gebunden]. 10 Bände (= so vollständig/alle erschienenen). [Attributes: Hard Cover]

      [Bookseller: Antiquariat Kretzer]
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        Encyclopaedia Judaica. Das Judentum in Geschichte und Gegenwart. Band 1 bis 10 komplett. [Herausgegeben von Jakob Klatzkin und Ismar Elbogen]. Band 1: Aach-Akademien; Band 2: Akademien-Apostasie; Band 3: Apostel-Beerajim; Band 4: Beer-bing - Caligari; Band 5: Cahan-Draguignan; Band 6: Drama-Gabinius; Band 7: Gabirol-Hess; Band 8: Hesse-Jerusalem; Band 9: Jerusalem-Kimschi; Band 10: Kimchit-Lyra.

      Berlin: Verlag Eschkol 1928-1932.. 10 Bände (= so vollständig/alle erschienenen). 4° (29,5 x 23 cm). Orig.-Halblederbände mit Leinenbezügen, Goldprägung auf dem Vorderdeckel, goldgeprägten Rückentiteln, Marmorpapiervorsätzen und goldgefärbten Kopfschnitten. [Hardcover / fest gebunden].. MNE I, 205. - Die erste Encyclopaedia Judaica erschien seit 1928 in Berlin im Verlag Eschkol von Nahum Goldmann. Herausgeber waren Jakob Klatzkin und Ismar Elbogen. Deren Erscheinen musste nach nur zehn von 15 deutschsprachigen (A-Lyra) Bänden infolge der Machtergreifung der Nationalsozialisten eingestellt werden, 40.000 schon gedruckte Exemplare wurden in Leipzig 1933 vernichtet. Zwei hebräische Bände (A-Antipas) wurden unter dem Namen Eshkol publiziert - Ehemaliges Bibliotheksexemplare mit Rückensignatur, Inventarnummern und Stempeln auf Schnitten und Titelblatt. Einbände etwas berieben und an den Ecken leicht bestoßen, Leder unterschiedlich stark berieben und Rücken des ersten Bandes ausgeblichen. Kapitale teils stärker berieben. Schnitte etwas angestaubt und Papier gleichmäßig etwas gebräunt. Insgesamt gut erhaltenes Exemplar des bedeutenden und gesuchten Werkes.

      [Bookseller: Antiquariat Kretzer - www.bibliotheca-th]
 34.   Check availability:     ZVAB     Link/Print  

        Nadja EDITION ORIGINALE Grand papier

      Paris: Nrf, 1928. Fine. Nrf, Paris 1928, 12x19cm, broché. - First edition, one of 796 numbered copies on pure wire only major papers after Japan and the 1 109 reimposed. Iconography. . - [FRENCH VERSION FOLLOWS] Edition originale, un des 796 exemplaires numérotés sur pur fil, seuls grands papiers après 1 Japon et les 109 réimposés. Iconographie. .

      [Bookseller: Librairie Le Feu Follet]
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        Mesicnik Pro Stavebni Umeni Stavba. Bd. VII (1928) & Bd. VIII (1929/30).

      Prag / Vydává Klub Architektu 1928 - 1928 - 1930. 195 S., 192 S., 2 Bde. OLn. Mit Fotos & Plänen reich illustriert! Maßgebliche Zeitschriftenpublikation des tschechischen Konstruktivismus zum Neuen Bauen in Europa - Ohne die Umschläge, bei Bd.VIII ist das Register mit eingebunden; in Bd. VII ein Blatt mit Ausschnitt; Einbände teilweise an den Kanten leicht berieben; sonst guter Zustand d. Bde.! 2200 Gramm. [Attributes: Hard Cover]

      [Bookseller: Eugen Küpper]
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        Le Petit Pierre. Edition revue et corrigee par l'auteur

      Paris, Calmann-Levy, 1928. (12), 302, (6) pages. Maroquin gris, dos orne et a 5 nerfs, filets dores, dentelle interieure, dorure en tete, couverture originale engagee, 8°. - N° 245 sur papier Velin du Marais. - Reliure signe Asper, Geneve. - Tres bel et propre exemplaire.

      [Bookseller: Buch & Kunst Antiquariat Flotow GmbH]
 37.   Check availability:     ZVAB     Link/Print  

        The Quantum Postulate and the Recent Development of Atomic Theory.

      [Edinburgh: R & R Clark, April 14, 1928. First edition, extremely rare offprint issue, of this fundamental paper introducing Bohr's statement of his 'complementarity' principle, the basis of what became known as the 'Copenhagen interpretation' of quantum mechanics. "From the epistemological point of view, the discovery of the new type of logical relationship that complementarity represents is a major advance that radically changes our whole view of the role and meaning of science. In contrast with the nineteenth-century ideal of a description of the phenomena from which every reference to their observation would be eliminated, we have the much wider and truer prospect of an account of the phenomena in which due regard is paid to the conditions under which they can actually be observed - thereby securing the full objectivity of the description" (DSB). This is the first copy of this offprint we have seen on the market, and there is no copy on OCLC or COPAC. The paper was published essentially simultaneously in German, Danish, English and French. The concept of complementarity started to develop in Bohr's mind during discussions with Heisenberg in Copenhagen early in 1927, when Heisenberg was preparing for publication his famous paper on the uncertainty principle. In fact, the published version of Heisenberg's paper contains a note added in proof which mentions 'recent investigations by Bohr [that] have led to points of view that permit an essential deepening and refinement of the analysis of the quantum mechanical relationship attempted in this work'. "Bohr presented his ideas on complementarity for the first time at an international congress of physics in Como in the fall of 1927, commemorating the centenary of Volta's death. On this occasion, he stressed that in the quantum world, contrary to the classical world, an observation of a system can never be made without disturbing the system. But how can we then know the state of the system? The quantum postulate would seem to imply that the classical distinction between the observer and the observed was no longer tenable. How then would it be possible to obtain objective knowledge? Bohr's reflections on these and related questions led him to introduce the notion of complementarity as denoting the use of complementary but mutually exclusive viewpoints in the description of nature. Two years later, he defined the complementarity principle as 'a new mode of description... in the sense that any given application of classical concepts precludes the simultaneous use of other classical concepts which in a different connection are equally necessary for the elucidation of phenomena'... The wave description and the particle description are complementary and thus in conflict. But Bohr argued that the physicist is still able to account unambiguously for his experiments, for it is he who chooses what to measure and thereby destroys the possibility of the realization of the conflicting aspect... "The complementarity principle became the cornerstone of what was later referred to as the Copenhagen interpretation of quantum mechanics. Pauli even stated that quantum mechanics might be called 'complementarity theory', in an analogy with 'relativity theory'. And Peierls later claimed that 'when you refer to the Copenhagen interpretation of the mechanics what you really mean is quantum mechanics' ... by the mid-1930s Bohr had been remarkably successful in establishing the Copenhagen view as the dominant philosophy of quantum mechanics." (H. Kragh, Quantum Generations, 1999, pp. 209-210). 4to (266 x 192 mm), original printed bown wrappers (some very light scuffing and one short closed tear to upper margin), pp. [579] 588-590, offprint from Nature, vol. 121, no. 3050, pp. 580- 590, April 14, 1928. Entirely unrestored.

      [Bookseller: SOPHIA RARE BOOKS]
 38.   Check availability:     Direct From Bookseller     Link/Print  

        The Cult of the Peacock Angel

      London: H.F. & G. Witherby,, 1928. A Short Account of the Yezidi Tribes of Kurdistan. With a Commentary by Sir Richard Carnac Temple. Octavo. Original black cloth, title gilt to the spine, blind panelling to the front board. Frontispiece and 5 other plates. Lightly rubbed, endpapers browned, pale toning to the text, and a scatter of marginal foxing, a very good copy. First edition. Uncommon anthropological study, "the outcome of curiosity aroused in myself as to the ancient faith of the little known Yezidi tribes, based on a visit to their strongholds and amplified by a little research amongst the existing literature on the subject" (Preface). Empson's "visit" would seem to have taken place while he was serving with No.1 Squadron in Iraq. Empson remarks that in his commentary the respected orientalist Sir Richard Temple "has not always adopted my own or my authorities' explanations, but I do not look on this as a misfortune, as the object before us is to get at the truth, which is often accomplished by noting and eventually reconciling difference of views on matters still but imperfectly known". Bookplate of Andrew Morrison with "Map of South Perses and the Shores of the Gulph" to the front pastedown.

      [Bookseller: Peter Harrington]
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        History of Polk County Florida

      The Record Co. Printers, St. Augustine, FL. 1928 - 379 pages, 8" x 11", Brown cloth cover with embossed gilt title on front cover & spine, some wear at top and bottom of spine and extremities. Binding is tight, interior clean with faint toning. previous owner's name written in ink on front fly, illus. with b/w photos, Book contains: History of Bartow, Lakeland, Winter Haven, Haines City as well as other towns including discussion of phosphate, citrus, cattle industries and biographies of community leaders. Part 1 - Narrative: pages 13 -186 & Part 2 - Biographical: pages 189 - 379. Extremely scarce. Conditions of Sale All sales are governed by our Condition [Attributes: First Edition; Hard Cover]

      [Bookseller: Vivian J. Moore]
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        Le charme de Bruges

      1928. relié plein maroquin marron.. Bon état. Editiohn d'Art H. Piazza, collection "Les cent onze", Paris, 1928. Grand in-4 (30 x 24 cm) sous étui bordé de maroquin, belle reliure signée Flammarion en plein maroquin marron, dos avec quatre nerfs à très fort relief, titre doré, doré sur tête, filets sur les coupes, contreplats à décor encadrant or et maroquin vert, soie sur les gardes, illustrations de H. Cassiers : exemplaire sur Japon impérial (n°23/31) avec aquarelles suite des planches en noir et suite en couleurs, enrichi d'une aquarelle signée de l'artiste. Monod 7859.

      [Bookseller: Librairie]
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        Die Dreigroschenoper. [The Threepenny Opera.]

      Berlin: Felix Bloch Erben,, 1928. Octavo. Original buff wrappers, titles to front cover in black. Spine slightly rolled, wrappers lightly creased with an inked number to top corner, spine ends a little worn, a couple of light marks and some pencilled annotations to contents. An excellent copy. First edition of Brecht's masterpiece, based on John Gay's 18th-century English ballad opera, The Beggar's Opera. It was first performed with music by Kurt Weil, on August 31, 1928 at the Theater am Schiffbauerdamm, Berlin. Uncommon.

      [Bookseller: Peter Harrington]
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        Signed Robert Frost First Edition with Autograph Quote from one of his poems

      n.p., n.d.. 8vo.. "Book with Autograph Quotation Signed ?Robert Frost? on title page of ?West-Running Brook.? New York: Henry Holt and Company, 1928. First Edition. 64 pages, 5.5? x 8.75?. Dark green paper-covered boards with cloth spine. Gilt title on spine. Cover paste down with a black impress design on cover; similar woodcut on frontispiece. Minor flaws, bumped. Very Good Condition. Autograph Quotation Signed, in full, ?Something there is that doesn?t love a wall / Robert Frost / For Genevieve Jefferson.? This is the first line of ?Mending Wall,? one of his most famous poems, the first selection in Frost?s second collection of poetry, North of Boston, published in 1914. The poem, written in blank verse, begins ?Something there is that doesn?t love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast.? Frost?s quoted line is repeated towards the end of the poem which concludes ?Good fences make good neighbors.?"

      [Bookseller: University Archives]
 43.   Check availability:     Biblio     Link/Print  


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