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Displayed below are some selected recent viaLibri matches for books published in 1928

        Chinese Paintings in American Collections, Part II, Annales du Musée Guimet

      Les Editions G. van Oest, 1928, Buckram, Book Condition: Good Plus, First Edition. Size: Elephant Folio - over 15" - 23" tall, Note that thiis is Part II only of a two volume work. Annales du Musée Guimet, Bibliothéque d'art, Nouvelle Série II. Presumed first printing of the first edition, 1928. Author's preface dated November 1924. Presumed printed and bound in France. NOT ex-library. Contemporary heavy-duty binding. Medium blue buckram, with fairly crisp gilt-stamped lettering to the spine. Light rubbing to the boards, else a reasonably clean binding. Moderate bumping and light abrasion to the spine head and tail, and slight rubbing to the gently bumped corners. Joints tender but holding; a crack is evident between the first and second signatures. The book is moderately cocked. 16.5 x 12.5 inches. T.E.G. There is no text section. With a title page plus Plates 81 through 200 complete; we can find no missing plates. All plates full-page in B&W. Heavy matte stock for the plates. Plates printed by Leon Marotte, Paris. On the whole the plates are exceptionally clean. A Good Plus copy. Somewhat scarce. A heavy book. This book appears to have been issued in a format of five portfolios of loose plates as well as in an edition of two bound volumes.

      [Bookseller: The Book Carrel]
 1.   Check availability:     Bookzangle     Link/Print  

        Petite mythologie galante à l'usage des Dames. Les Dieux Majeurs. Ouvrage très utile, composé, orné, illustré et enrichi de savantes dissertations par André Lambert.

      - P., Aux Editions d'Art Devambez, 1928, In-4 oblong, en feuilles, sous chemise cartonnée et étui de l'éditeur. ( manque une bordure de l'étui). Tirée à 401 exemplaires numérotés, celui-ci sur vélin d'Arches contenant les 13 eaux-fortes dans leur état définitif en couleurs. André Lambert, né en 1884, d'origine Suisse, élève de Cormon, influencé par Beardsley, s'est surtout consacré à l'illustration d'ouvrages sur la mythologie et les légendes antiques. Dans les années 20 , avec Georges Aubault, il fonde la luxueuse Revue Janus entièrement rédigée en latin. [Attributes: Soft Cover]

      [Bookseller: pages volantes]
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        Anna Livia Plurabelle

      1928 - JOYCE, James. Anna Livia Plurabelle. With a Preface by Padraic Colum. New York: Crosby Gaige, 1928. 12mo, original gilt-stamped brown cloth, top edge gilt, uncut. Housed in a custom clamshell box. $5000.The first separate publication of the centerpiece and most beautiful segment of Finnegans Wake, number 708 of only 800 copies signed by Joyce, a lovely copy in original gilt-stamped cloth.Responding to critics who accused him of writing off the cuff, Joyce claimed to have spent 1200 hours composing this integral part of his Work in Progress, later published as Finnegans Wake. He incorporated nearly 350 river names into the text and wrought perhaps the most lyrical of his published works. “He was prepared, he said, ‘to stake everything’ on this section of his book…” (Ellman, 598). Without original glassine. Slocum & Cahoon 32. Interior fine; minor expert repair and color restoration to spine ends. An about-fine copy of this desirable edition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bauman Rare Books]
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      London: Chatto & Windus,, 1928. Octavo. Original pale blue-green cloth, gilt lettered spine, lower edges untrimmed. With the dust jacket. Spine of binding faintly toned, a couple of very small marks to jacket spine. An excellent copy. First edition, first impression of the author's first novel, a fictionalised account of her affair with Ford Madox Ford and the breakdown of her first marriage to Willem Lenglet: "she was breaking taboos for a woman writer in English" (ODNB). This volume, which followed her 1927 book of short stories, The Left Bank, was republished the following year under the title Quartet. Rare in the dust jacket, particularly in such excellent condition.

      [Bookseller: Peter Harrington]
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        FELICIA OU MES FREDAINES. Orné de vingt eaux-fortes coloriées à la main par l'artiste.

      Paris. 1928 - ANDREA DE NERCIAT (André Robert) - [André COLLOT, illustrateur] FELICIA OU MES FREDAINES. Orné de vingt eaux-fortes coloriées à la main par l'artiste. Paris. 1928 1 volume in-4 (25,5 x 20 cm), de 238-(1) pages. 20 eaux-fortes dans le texte (à mi-page) coloriées à la main au crayon de couleurs par l'artiste. Reliure plein maroquin caramel, pastiche de reliure du XVIIIe siècle, dos à faux-nerfs richement orné aux petits fers dorés, triple-filet doré en encadrement extérieur des plats, roulette dorée en encadrement intérieur des plats, doublures et gardes de papier marbré, relié sur brochure, non rogné, couverture crème imprimée en bleu (titre). Superbe exemplaire dans une fine reliure (non signée). A noter des mors partiellement fendus, sans incidence sur la solidité de la reliure. Cuir des mors bruni. Le dos est légèrement plus foncé que les plats. Superbe condition malgré cela. TIRAGE A 331 EXEMPLAIRES SEULEMENT. CELUI-CI, 1 DES 300 EXEMPLAIRES SUR VÉLIN BLANC. Le détail du tirage est le suivant : 1 ex. sur Japon nacré blanc avec plusieurs suites ; 30 ex. sur Japon avec aquarelle et suite des remarques et 300 ex. sur vélin blanc. TRÈS BELLE ÉDITION CLANDESTINE DE LUXE ILLUSTRÉE PAR ANDRÉ COLLOT. Référence : Dutel, Bibliographie des ouvrages érotiques publiés clandestinement en français entre 1920 et 1970, n°1556. TRÈS BEL EXEMPLAIRE FINEMENT RELIÉ EN MAROQUIN A L’ÉPOQUE. [Attributes: Hard Cover]

      [Bookseller: Librairie Curiosa]
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        Das unbekannte Meisterwerk. 12 Holzschnitte von W. Masjutin.

      Berlin 1928. - 4to. 12 (inkl. Titel) Orig.-Holzschnitte davon 6 mit Bleistift signiert, 2 monogramiert und 4 mit Signaturstempel. Unter Passepartout in moderner Leinwandmappe. Oestmann 45 (mit der Angabe 11 Holzstiche). - Orig.-Umschlag liegt bei. - Titelholzschnitt stockfleckig, sonst sauber und von guter Erhaltung. - Die Auflagenhöhe der Mappe ist nicht bekannt. Sehr selten. [Attributes: Signed Copy]

      [Bookseller: Manfred Nosbuesch]
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        Memoirs of a Fox-Hunting Man

      Faber & Gwyer Ltd, 1928. 1st edition. Hardcover. Fine blue boards with gilt lettering, fine endpapers and pages with untrimmed edges fore and below as issued, with the first-issue points of the misaligned 'o' of 'platoon' on p. 365 and 'merey' for 'merely' on page 191. The dustjacket is not price-clipped, has had a modicum of conservation at the extremities, and shows very well. In sum, a very nice example of the author's famous first volume, published anonymously at the outset, in his Sherston Trilogy, his fictionalised autobiography drawing on his experiences of before, during and after the First World War.

      [Bookseller: Shellhouse Books]
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        25 Jahre Wiener Werkstätte. Künstlerfest 31.V.1928.

      Ca. 21,3 x 15 cm (Blattformat). - Lithographie. Von Maria Likarz am unteren rechten Rand mit Bleistift signiert. [Attributes: Signed Copy]

      [Bookseller: Antiquariat Rainer Schlicht]
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        Flugsport. Illustrierte technische Zeitschrift und Anzeiger für das gesamte "Flugwesen". Offizielles Organ der Flugzeugfabrikanten und Flugtechn. Vereine.

      Redaktion und Verlag des "Flugsport" 0, Frankfurt a.M., - XX. Jahrgang 1928. Kompl. in einem Band gebunden. Frankfurt a.M., Redaktion und Verlag des "Flugsport" zus. 540 S. m. Anzeigenteil, Kopffarbschnitt. Mit Faltplänen, Tafeln und zahlreichen Abbildungen. Schöner, solider Halbleder-Einband mit Rückengoldprägung, 5 echten Bünden, Buntpapierbezug und Lederecken. Sehr gut erhalten. Sprache: de Schöner, solider Halbleder-Einband mit Rückengoldprägung, 5 echten Bünden, Buntpapierbezug und Lederecken. Sehr gut erhalten. [Attributes: Hard Cover]

      [Bookseller: Signum Antiquariat]
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        The Tower

      Macmillan & Co Ltd 1928. B00085L9XE 19 to 25 cm tall, Octavo, (8vo) First Edition. Green cloth gilt. pp vi, 110 and then 2 pages of other works by Yeats. First edition. no inscriptions. A nice clean copy. Just 'Copyright' on back of title page. Title page dated 1928. Minor foxing only, and almost entirely confined to the edges. Robust packaging. 1st class post to the UK, Airmail worldwide Hardcover Good

      [Bookseller: M Godding Books Ltd]
 10.   Check availability:     TomFolio     Link/Print  

        TENNIS - Signed - 1st Edition

      Charles Scribner's Sons, London 1928 - **LIMITED TIME ONLY! 20% OFF ALL ANTIQUARIAN SHOP INVENTORY! (DISCOUNT ALREADY APPLIED TO PRICE SHOWN)** First British issue printed in the United States, the Scribner's "A" was not used in their books until 1930, hence no "A", just the date and the seal were on the first editions before then. This is the true first edition. Inscribed by the author "Cordially Yours Helen Willis", 214pp., illustrated by the author, bound in light green cloth lettered in blue, tiny speck of soiling to rear board otherwise near fine in pictorial dust jacket showing light wear around the edges. Wills was considered one of the greatest female tennis players of all time. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Antiquarian Shop]
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        Kurbeln. Die sieben Hefte der Aufzeichnungen des Filmoperateurs Serafin Gubbio.

      Berlin, Volksverband der Bücherfreunde Wegweiser Verlag, 1928. Deutsche Erstauflage, EA 245 S. 8°, Pappband mit Lederrücken von Luigi Pirandello gewidmet datiert und signiert \" alla Sign. Erna Kapp Luigi Pirendello 13.X.1934 \", Kanten etwas berieben, priv. Widmung am Vorsatzblatt, bei der letzten leeren Seite fehlt ein kleines Eck, sonst guter Zustand Versandkostenfreie Lieferung

      [Bookseller: Antiquariat Buchseite]
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      Boni and Liveright, Horace Liveright, New York 1928 - 267 x 197 mm (10 1/2 x 7 3/4"). 90 pp., [1] leaf (colophon); 114 pp., [1] leaf (colophon); 4 p.l., 298 pp., [1] leaf (blank), [1] leaf (colophon). Three separately published works in three volumes. Each work ONE OF 775 COPIES (750 of these for sale) SIGNED BY O'NEILL; FIRST EDITION of "Strange Interlude." First two works in publisher's patterned cloth backed with black buckram, both with pictorial dust jacket and in (somewhat worn) publisher's slipcase with paper label; "Strange Interlude" in publisher's stiff vellum over bevelled boards, with original tissue dust jacket and (very worn and crudely repaired) original paper slipcase. First two works with 17 illustrations (eight in "Emperor Jones," nine in "Hairy Ape") by Alexander King, as called for. Top of "Ape" dust jacket spine neatly replaced, "Interlude" vellum quite spotted (as almost always with this book), tissue jacket of "Interlude" rather torn and creased, otherwise very well preserved: the printed jackets generally clean and fine, and the volumes themselves unworn and internally without significant signs of use. This is a pleasing group of signed limited edition copies of three ground-breaking plays by the only American playwright to win the Nobel Prize for literature. The story of a railway porter who becomes the oppressive dictator of a West Indian island, "The Emperor Jones" (1920) was the play that made O'Neill (1888-1953) famous. In it, O'Neill begins to demonstrate the innovations Day considers his great contribution to American theater: "naturalism, expressionism, modern psychology, previously forbidden themes, and previously unknown plumbing of psychic and spiritual depths." It makes great use of the soliloquy, one of O'Neill's favorite devices: in six of the eight scenes, Jones is the only character who speaks. "The Hairy Ape" (1922) deals with issues of belonging and alienation, revealing O'Neill's sympathy with the laboring class oppressed by the wealthy and privileged elite. O'Neill won his third Pulitzer Prize in eight years for "Strange Interlude," an experimental play that was, in Day's words, "a surprisingly popular success although its nine acts consume five hours." Its story of a 20th century Everywoman touches on the issues of promiscuity, abortion, insanity, and adultery (the controversial content perhaps explaining some of its popularity). This grouping is intended to provide an opportunity to acquire three signed copies of important American plays at an advantageous price. Each work ONE OF 775 COPIES (750 of these for sale) SIGNED BY O'NEILL; FIRST EDITION of "Strange Interlude.". [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Phillip J. Pirages Rare Books (ABAA)]
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      1928 - number seven of the Woburn Books. London: Elkin Mathews & Marrot, 1928. Original grey paper-covered boards decorated in blue-grey, with similarly-decorated dust jacket. First Edition, being No. 187 of 530 copies SIGNED by D.H. Lawrence. This was the seventh volume of this publisher's "Woburn Books" series (there would ultimately be 18 titles) -- and it is the most sought-after today, since among the series' authors Lawrence is the one who remains the most popular. Rawdon, estranged from his wife, declares that never again will a woman sleep under his roof; yet he has an affair with a nearby married woman, who one night arrives at his door declaring that she has just left her husband and needs a roof over her head.~This is a close-to-fine copy (very slight wear at the spine); the dust jacket is very good, likewise with wear at the spine. Roberts A40. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Sumner & Stillman [ABAA]]
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        How to Behave Though a Debutante

      Doubleday, Doran & Company, Inc 1928 - Signed. First Edition stated on copyright page, title label on spine states Vanity Edition. Inscribed by Emily Post, who signed as "Muriel," the alter-ego character through whom Post narrates the book. Inscribed to society columnist Betty Beale. In Very Good condition. Corners worn through, toning to top edge of boards, light wear at spine ends, fading to spine cloth. Rear free end paper excised. A charming association between two socialites. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Junge mit dunklen Strümpfen auf einem Podest sitzend. Ölgemälde auf Leinwand, alt gerahmt.

       1928 Bildmaße: 64 x 49 cm ( Höhe x Breite ), alt gerahmt ( Rahmenmaß: 75 x 57 cm ). Rechts oben mit *D. Goldschmidt, 1928* signiert und datiert. Öl auf Leinwand. Das Bild etwas fleckig und mit einer stecknadelkopfgroßen Druckstelle, der Rahmen bestoßen. >>> Goldschmidt. David Jacob *1896 Hamburg - 1981 Lugano, Sohn des Privatbankiers Jacob Goldschmidt der Vorsitzender der rabbinischen Lehranstalt *Jeschiwa* in Hamburg war. Mitglied der Hamburgischen Künstlerschaft, dort Ausschluß 1933 wegen jüdischer Abstammung. 1936 Emigration in die Schweiz unter Zurücklassung seiner eigenen Werke und der bedeutenden Kunstsammlung deutscher Expressionisten. / Literatur: Rump *Lexikon der bildenden Künstler Hamburgs...*, Seite 147 <<<. - sehr selten - Vorkriegsbilder von Goldschmidt im streng neusachlichen Stil sind praktisch unauffindbar. ( Bitte beachten: Hier aufgrund der Größe kein Versand - hier nur Selbstabholung in meinem Ladengeschäft ) ( Pic erhältlich // webimage available ) ( Please notice: Shipment only possible without the frame ) Versandkostenfreie Lieferung Goldschmidt, David Goldschmidt, Google, Hocker, Podest, Sitzender, signiert, Google, Neue Sachlichkeit, Grindel, Hamburg, Judentum, Judaica

      [Bookseller: Antiquariat Friederichsen]
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        Manon Lescaut, translated from the French of the Abbe Prevost by D.C. Moylan, with Eleven Illustrations by Alastair and an Introduction by Arthur Symons

      John Lane, The Bodley Head ; Dodd, Mead and Co., London ; New York 1928 - A copy of the famous text by Prevost, with 11 coloured plates of illustrations by Alastair (with tissue guards). This publication was limited to 1,850 copies, of which this copy is numbered 762. Original dust jacket intact, with a little browning, especially on spine. Jacket inside edges clipped and one side a little folded. Otherwise a very nice and scarce copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
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        Hundert Jahre Reclam. Festrede von Thomas Mann, gehalten bei dem Festakt anläßlich der Hundert-Jahr-Feier des Verlages Philipp Reclam jun. am 1. Oktober 1928

       Reclam, Leipzig, 1928. 33 S. mit 26 Steinzeichnungen von Eugen Spiro, original Pappband, im Schuber, quart, (Einbanddeckel gering gebräunt/Schuber mit Gebrauchsspuren) - Nummer 271 von 100 numerierten und von Thomas Mann und Eugen Spiro signierten Exemplaren / Wilpert/Guhring, 829,35 / gute Erhaltung - Versand D: 5,90 EUR Firmengeschichte

      [Bookseller: Celler Versandantiquariat]
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        BILDER-LEXIKON. Kulturgeschichte. Ein Nachschlagewerk für die Begriffe und Erscheinungen auf dem Gebiete der Kulturgeschichte, Sittengeschichte, Folklore, Ethnographie, des Kult- und Mysterienwesens, Gesellschaftslebens, der Chronique scandaleuse, für Zeitdolumente und Biographien. Ein Sammelwerk sittengeschichtlicher Bilddokumente aller Völker und Zeiten. Hrsg. vom Institut für Sexualforschung in Wien.

       Wien/Lpz., Vlg. f. Kulturforschung 1928-31. 4 Bde. Lex.-8°. 944; 944; 916; 877 S. Mit hunderten, tls. farb. Abb. u. Taf. OHLdr. m. Blindpräg. EA.Hayn-Got. IX, 361 (nur Bd. 1); Zischka 259 - Standardwerk für den gesamten Bereich der Erotik und Sexualität. In seiner Informations- und Abbildungsfülle bis heute unübertroffen. Enthält: Bd. 1: Kulturgeschichte - Bd. 2: Literatur und Kunst - Bd. 3: Sexualwissenschaft - Bd. 4: Ergänzungsband. Versand D: 4,00 EUR Lexika, Sittengeschichte, Kulturgeschichte

      [Bookseller: Antiquariat Burgverlag]
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        Berlin vor Hundert Jahren Berlin und Seine Umgebungen in Neunzehnten Jahrhundert Eine Sammlung in Stahl Gestochener Anischten von den Augezeichnetsten Kunstlern Englands

      Berlin: Deutsche verlagsgellschaft fur Politik und Geshichte, 1928. Facsimile of the 1833 first edition. Illustrated. 1 vols. 4to. Full mottled tree calf, gilt stamped, a.e.g. In modern presentation cloth box. Fine. Facsimile of the 1833 first edition. Illustrated. 1 vols. 4to. Inscribed by Adenauer. Inscribed on the front free-endpaper from Konrad Adenauer to his Friend the Famous American Industrialist Dannie Heineman, Bonn November, 1952.

      [Bookseller: James Cummins Bookseller]
 20.   Check availability:     Biblio     Link/Print  

        Six Poems

      New York: The Latterday Pamphlets. 1928. First. First edition. Stapled wrappers. Short splits at the spine ends, a very good copy. One of 225 copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 21.   Check availability:     Biblio     Link/Print  

        Franz Schubert. Gouache auf Papier, sign. „Otto Nowak, 1928“. Verglast u. gerahmt.

      Ohne Ort, 1928. Blattgröße ca. 84 x 63 cm; Rahmen ca. 92 x 71 cm. Die schöne Gouache zeigt Franz Schubert am Klavier sitzend. - Otto Robert Nowak (1874-1945) „absolvierte die Allgemeine Zeichenschule, war 1891 Gastschüler an Wiener Akademie und ab 1893 ordentlicher Schüler der Allgemeinen Malerschule unter Julius Berger. Er lernte auch an der Meisterschule für Historienmalerei unter Siegmund L’Allemand und Franz Rumpler. Ab 1899 war er als Maler selbständig, erteilte auch Malunterricht. Er war befreundet mit dem österreichischen Architekten Max Hegele. Hegele hatte in Weidlingau bei Wien ein Haus, in dem Otto Nowak, mit seiner Frau Hedi Nowak-Reimer, viele Sommer verbrachte. Beide Künstler waren Mitglieder des Wiener Künstlerhauses [...]. Neben Zeichnungen, Gouachen und Aquarellen schuf Nowak Porträts und Historienbilder in Öl, Landschaftsgemälde, religiöse Kunst und kleinformatige Genrebilder, in denen er ein biedermeierliches Wien des 19. Jahrhunderts darstellt. Eins seiner bevorzugten Motive war das Leben Franz Schuberts, von dem er Porträts zeichnete, Illustrationen zu seinem Leben in Wien und Umgebung und seine Musik betreffend. Otto Nowaks Werke sind zugänglich im Wien Museum“ (Wikipedia). - Oberer Blattrand tlw. etw. fleckig. Rahmen tlw. etw. bestoßen. - Versand D: 12,00 EUR Nowak, Otto, Franz Schubert, Gouache, Portrait, Portrait

      [Bookseller: Antiquariat Wolfgang Friebes]
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        The House At Pooh Corner; With Decorations By Ernest H Shepard - 1st Edition

      London: Methuen & Co. Ltd. Fine in Near Fine dust jacket. 1928. First Edition; First Printing. Cloth. A lovely, just about Fine first Impression of the first edition. Bright salmon pink original cloth with gilt stamped illustrations of Pooh and Christopher Robin to front board, top edges gilt, minor traces of foxing to page edges. Complete in the Near Fine, ever so slightly rubbed dust-wrapper, tiny closed tear to the top edge of the rear panel; Once more, and for the last time we meet Christopher Robin and his friends in the forest. Pooh and Piglet, Kanga and Roo, Owl, Eeyore and Rabbit, together with all Rabbit's friends and relations, are there as before, but they are joined now by a new friend, the Strange and Bouncy Tigger. At the end Pooh makes, as far as his waist will permit, his farewell bow, hoping that if you hear no more of him and Christopher Robin, you will still keep a friendly place in your hearts for them. (from the dust-wrapper) .

      [Bookseller: Books Tell You Why]
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        The Life & Adventures of Peter Wilkins.

      London: J. M. Dent & Sons Ltd.,, 1928. Large square octavo. Original blue cloth, gilt lettered spine, large decorative gilt device on front cover, top edge brown, pictorial pastedown endpapers. With the dust jacket. Colour frontispiece, 16 plates either tinted or coloured (4 double-page), 23 illustrations in the text, by Edward Bawden. Jacket with tears or closed-tears, stains to spine and front panel, spine of binding a little rumpled otherwise a very good copy in the uncommon dust jacket. First edition illustrated by Edward Bawden, signed by him on the title page. Peter Wilkins was first published in November 1750: "the romance itself, telling the story of a castaway in a fantastic land where men and women can fly, owes much to Robinson Crusoe and something to the Arabian Nights' Entertainments and the non-satirical elements of Gulliver's Travels, but is highly inventive on its own terms... [however] Peter Wilkins had to wait over forty years for widespread recognition. It was admired by Coleridge, Southey, Shelley, Leigh Hunt, Charles Lamb, and others of their generation; it provided material for pantomimes and melodramas from 1800 to the 1870s, and was frequently reprinted, entire or abridged, during the nineteenth century" (ODNB). This handsomely produced edition (according to Alan Horne seventeen of the illustrations were sent to France to be handcoloured, see The Dictionary of 20th Century British Book Illustrators) was Edward Bawden's first major commission as an illustrator.

      [Bookseller: Peter Harrington]
 24.   Check availability:     Biblio     Link/Print  

        La Montana: Organo del Club de Exploraciones de Mexico. Vols. I-XV. [Fifteen Volumes in Five]

      Club de Exploraciones de Mexico 1928 - Mexico, 1928-1941. The original newsletters from the Club de Exploraciones de Mexico, bound in five brown buckram volumes. Vols. I-V with chipping to corners and binding now held together with cloth tape, other volumes very good plus with normal age-related tanning to contents. A very good minus set overall despite the flaws to the first volume. Text in Spanish. The club published this bulletin regularly beginning in 1928, six years after its inception. Illustrated with some photographs, the later volumes more so. Contains a wealth of information about mountaineering in Mexico. Quite scarce. Please contact us for additional pictures or information. [Attributes: First Edition; Hard Cover]

      [Bookseller: Auger Down Books, ABAA/ILAB]
 25.   Check availability:     AbeBooks     Link/Print  

        Ugiyaku - Nunivak, Plate 693 from The North American Indian. Portfolio XX

      University Press of Cambridge, Mass., and Plimpton Press, Norwood, Mass., Massachusetts 1928 - The North American Indian. Vol.13 Written, Illustrated and Published by Edward Curtis. Foreword By Theodore Roosevelt. Ex Libris, Rochester Public Library, stamp l.l. Published: University Press of Cambridge, Mass., and Plimpton Press, Norwood, Mass. Medium: Sepia printed photogravure engraving on Van Gelder paper. Photogravure by Suffolk Engr. Co., Cambridge Mass., 1928 Dimensions: Paper size 22 x 17 3/4", p.m. 17 5/8 x 12 7/8"

      [Bookseller: Arader Galleries of Philadelphia, PA]
 26.   Check availability:     AbeBooks     Link/Print  

        La Floride Francaise. Scenes de la Vie Indienne. Peintes en 1564.

      Paris. Editions Nationales.1928. 2 Vol. Folio 32 x 22,5 cm. VII, 139 P., 42 Plates. Illustr. Original Kartonage with transparent film (slightly ripped and used). Jacques le Moyne de Morgues (c. 1533-1588) was a French artist and member of Jean Ribault`s expedition to the New World. His depictions of Native American, colonial life and plants are of extraordinary historical importance. Until well into the 20th century, knowledge of Jacques Le Moyne de Morgues was extremely limited, and largely confined to the footnotes of inaccessible ethnographic bibliographies, where he figures as the writer and illustrator of a short history of Laudonniere`s attempt in 1564-5 to establish a Huguenot settlement in Florida. In 1922, however, Spencer Savage, librarian of the Linnean Society, made a discovery that opened the way to the subsequent definition of Le Moyne as an artistic personality; he recognized that a group of fifty-nine watercolors of plants contained in a small volume, purchased by the Victoria and Albert Museum in 1856 solely for its fine sixteenth-century French binding, were in fact by Le Moyne. Savage`s publications relating to this discovery prepared the way for subsequent attribution to the artist of other important groups of drawings and watercolors, which form the core of his known oeuvre.; Le Moyne was born about 1533, in Morgues, some 7 miles east of Chateaudun, in the Loire Valley, France. The first thirty years of his life are undocumented, but it seems reasonable to suppose that he trained as an artist in his native town, which was at the time a notable center both for cartography and for illumination. Le Moyne probably worked at the court of King Charles IX of France, although there is no documentary record to that effect, nor are there any surviving works by the artist dating from before his departure for Florida in 1564. Le Moyne accompanied the French expedition of Jean Ribault and Rene Laudonniere in an ill-fated attempt to colonize northern Florida. They arrived at the St. Johns River in 1564, and soon founded Fort Caroline near present-day Jacksonville. Painting in the Calvinist style, he is mostly known for hist artistic depictions of the landscape, flora, fauna, and, most importantly, the inhabitants of the New World. His drawings of the cultures commonly referred to as the Timucua (known through theri reproduction by the Dutch publisher Theodor de Bry) are largely regarded as some of the most accessible data about the cultures of the Southeastern Coastal United States; however, many of these depictions and maps are currently being questioned by historians and archaeologists as to their authenticty. During this expedition he became known as a cartographer and an illustrator as he painted landscapes and reliefs of the land they crossed. Ribault explored the mouth of the St. Johns River in Florida and erected a stone monument there before leading the party north and establishing a settlement on Parris Island, South Carolina. He then sailed back to France for supplies while Laudonniere took charge of the colony. Finding conditions unfavorable on Parris Island Laudonniere and the others eventually moved back to Florida where they founded Fort Caroline on the St. Johns Bluff in what is now Jacksonville. Many of the DeBry engravings depict the French fort and the local Saturiwa tribe, the Timucua group who lived at the mouth of the St. Johns in the area of Fort Caroline. Laudonniere`s expedition, though resulting in the production of the fascinating Le Moyne/de Bry publication and an important map of the coastal regions of Florida, was ultimately a disaster; the good relations initially established with the Indian tribes inhabiting the territories around the settlement site at St. Johns soon soured, in addition to wchich various members of the French party became disaffected, and revolted against their leaders. The final coup de grace came a year later, when a Spanish force from the Spanish colony of St. Augustine thirty miles to the south, attacked Laudonniere`s stronghold at Fort Caroline. The Spanish, under the leadership of Pedro Menendez de Aviles, stormed the colony and killed most of the Huguenots, though Laudonniere, Le Moyne and about two dozen others escaped and were eventually rescued to England. Having lost their way on the return, they sailed halft starved into Swansea Bay, England in mid-November 1565, and finally reached Paris early in 1566. Le Moyne`s highly important account of this transatlantic voyage, known today from a Latin edition published in Frankfurt in 1591 by Theodore de Bry under the title \" Brevis narratio eorum quae in Florida Americai provincia Gallis acciderunt \", clearly indicates that it was the King who instructed the artist to accompany the expedition, headed by Jean Ribault and Rene Goulaine der Laudonniere, as official recording artist and cartographer. Although only one original drawing by Le Moyne of an American subject is known today - the depiction of \" Athore showing Laudonniere the Marker Column set up by Ribault \", executed in watercolor and gouache on vellum, now in the New York Public Library - the \" Brevis narratio \" , published by de Bry as the second volume of his great series of publications on voyages to the New World, contains forty-two engraved illustrations and maps alleged to have been made on the spot by Le Moyne. The text by de Bry describes and analyses these images, and his book constitutes a major landmark in the literature of the early exploration of the Americas. (Quelle Wikipedia).; - Tirage strictement limite a 500 exemplaires dont 350 exemplaires-numerotes de I a CCCL hors commerce et 150 exemplaires numerotes de I a 150. Exemplaire No. 11. - Table des Illustrations du Texte: 1 Carte de la Floride, par Vesconte di Maggiolo (1527)./ 2 Floridae, Americae provinciae, recens et exastissima descriptio, auctore Iacobe Le Moyne, cui cognomen de Morques. Carte nouvelle et tres exacte de la Floride, province d`Amerique par Jacques Le Moyne, surnomme de Morgues (folded Map in amazing color)./ 3 Carte de la Florida francaise, 1562-1568.; - Volume of Plates: With 42 hand coloured plates with high in silber and gold, in amazing condition. - Text Volume until Page 25 hinge broken, otherwise both Volume in very good condition. French Language. Versand D: 6,00 EUR Amerika, États-Unis; Ethnographie; Florida; Indianer; Nordamerika; Völkerkunde, Französische Sprache; Kartographie

      [Bookseller: P.u.P. Hassold OHG]
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        Arabia of the Wahhabis.

      London: Constable & Co Ltd 1928 - First edition. 8vo. xvi, 422, (2) pp. Publisher's green cloth, gilt lettered to the spine, inscribed by author on the half title "24.IV.28 To Doreen and Jasper Blunt / with the author's best wishes / for long years of happiness. 28.XI.28", his inscription concluding with a line in Arabic script which translates "Help thou a land while thou dwellest therein / and say not - "I am a stranger here". Frontispiece, 28 plates, 1 large folding map of Central Arabia and a full page plan of Buraida [Buraydah]. Some general wear to the binding, occasional spotting. Jasper Scawen Blunt served in the Royal Artillery from an early age and saw action in the Middle East towards the end of the First World War, including in Hejaz. He subsequently served as a British military attaché in Greece and Turkey before serving again in the Second World War, attaining the rank of Brigadier. This book was inscribed as a wedding present, the line of Arabic verse coming from the "Diwans" of the pre-Islamic poet Abid Ibn al-Abras with Philby clearly reflecting upon the itinerant lifestyle of a military family. Although he shared a forename and a surname with the celebrated writer and Arabist Wilfrid Scawen Blunt, incidentally also a friend of the Harry St. John Philbys, Jasper Scawen Blunt and he do not appear to have been close relatives, if at all. The connection between Blunt and Philby, who were near contemporaries, would therefore likely be their shared experiences serving in the Middle East and a keen interest in matters Arabian.

      [Bookseller: Bow Windows Bookshop (ABA, ILAB)]
 28.   Check availability:     IberLibro     Link/Print  

        The House At Pooh Corner; With Decorations By Ernest H Shepard - 1st Edition

      London: Methuen & Co. Ltd. Fine in Near Fine dust jacket. 1928. First Edition; First Printing. Cloth. A lovely, just about Fine first Impression of the first edition. Bright salmon pink original cloth with gilt stamped illustrations of Pooh and Christopher Robin to front board, top edges gilt, minor traces of foxing to page edges. Complete in the Near Fine, ever so slightly rubbed dust-wrapper, tiny closed tear to the top edge of the rear panel; Once more, and for the last time we meet Christopher Robin and his friends in the forest. Pooh and Piglet, Kanga and Roo, Owl, Eeyore and Rabbit, together with all Rabbit's friends and relations, are there as before, but they are joined now by a new friend, the Strange and Bouncy Tigger. At the end Pooh makes, as far as his waist will permit, his farewell bow, hoping that if you hear no more of him and Christopher Robin, you will still keep a friendly place in your hearts for them. (from the dust-wrapper) .

      [Bookseller: Books Tell You Why]
 29.   Check availability:     IOBABooks     Link/Print  

        The House At Pooh Corner

      Published by Methuen, London in 1928. This is a lovely first edition copy of The House At Pooh Corner by A. A. Milne.  The book is in Fine condition and is housed in a Very Good/Near Fine dust jacket.  The dust jacket is the correct first edition cover, with 179th thousand stated under when we were very young on the rear flap. There are some minor marks and wear to the cover, including the edges and spine, where there is some chipping to the top and bottom. This is a little worse to the top of the spine and there is also a little rubbing here which has affected the word the. However, apart from this the cover is in very good condition and still retains its lovely original caramel colour. The book itself is in fine condition. There are some slight bumps to the corners and spine ends and some rubbing on the spine that corresponds to the rubbing of the jacket. Inside there is some light acid migration to the front and rear endpapers, otherwise this lovely book has its original beautiful bright salmon boards and bright clean pages.  Overall, this is a beautiful copy of this classic children's favourite and would be the perfect addition to any modern literature or children's first edition collections.

      [Bookseller: Everlasting Editions]
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      - BANNERMAN,HELEN. LITTLE BLACK SAMBO MAGIC DRAWING BOOK [in] FUN WITH DOTS FOR LITTLE TOTS. Platt & Munk (illustrations dated 1928, box dated 1940). There are 4 books, stiff pictorial wraps, each near fine except for a few erasures or light pencil marks and basically UNUSED in the original pictorial box. The little girl on the cover of the box is pictured holding a copy of Little Black Sambo in her arms. This is a "paint by numbers" set including an edition of Sambo with color covers and with all illustrations (by an unknown hand) portraying a grossly stereotypical American Black family. Also includes The Little Small Red Hen, Three Bears and Little Sallie Mandie magic drawing books. [Attributes: Soft Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Mémoires sur la vie privée de Marie-Antoinette. Introduction de Fr. Funck-Brentano. 2 tomes en 1 volume

      Paris, Cite des Livres 1928 - Exemplaire N° 831 sur Velin du Marais. - La meilleure édition moderne (Fierro, 261). - Reliure signé Asper, Genève. - Frais exemplaire, seulement petite réparation en entre-nerf XXIV, 240; 256 pages Maroquin rouge, dos orné et à 5 nerfs, filets dorés, dentelle intérieure, tête or, 8° [Attributes: Signed Copy]

      [Bookseller: Buch & Kunst Antiquariat Flotow GmbH]
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        The House at Pooh Corner

      London Published by Methuen, (1928). , xi, 178 pages, black and white illustrations within the textguter Zustand, ex libris aV Versand D: 1,00 EUR

      [Bookseller: Antiquariat Fischer (Preise inkl. MwSt.)]
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        20 Hrs. 40 Min. (Hours / Minutes) Our Flight in the Friendship - INSCRIBED COPY -

      New York: G. P. Putnam's Sons. 1928. Hardcover. Very Good. 2nd printing, 1928, INSCRIBED: 'To Cyril Dolan, who produced the first air- rail tickets ever used. Amelia Earhart' on the verso of the frontispiece. 'To Cyril Dolan' in heavier blue ink' for whatever reason. VG copy, lacking jacket, and p. 309 shows some tanning from the insertion of old newspaper articles related to Earhart. Also laid in are two business cards from Mr. Dolan, the first identifying him as a 'Traffic Agent' for TAT - Transcontinental Air Transport in NYC, the second identifying Mr. Dolan as 'Traffic Manager' for the New York, Philadelphia and Washington Airway Corporation of NYC. Probably signed during the September 4, 1929 visit of Earhart to Bethlehem PA, the first speaking engagement since she had become famous as the first woman to fly solo over the Atlantic. In an article from the 2001 Bethlehem Morning Call, the events of that day are recalled: 'Her plane was quickly mobbed by the throng who ran out to greet her. First in line was C.E. Dolan, the New York representative of the Transcontinental Air Transport Co. The fledgling airline was the sponsor of Earhart's visit.' If Mr. Dolan really did issue the first airline tickets ever used, that's quite a pioneering achievement in aviation, although of a vastly lower order than Ms. Earhart's accomplishments!

      [Bookseller: Caliban Books ABAA-ILAB]
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        Om djur och om människan och djurvärlden. Huvudsakligen om en liten och inställsam rovlysten, om det skydd den får hos människorna, om kelandet med den, av ICN. Ny, översedd och något tillökad upplaga.

      Stockholm; AB Seelig & co., 1928. 17x12 cm. 90 s. Häftad med tryckt omslag. Ouppskuren. Ryggen aningen solbränd, ett riss i bakre omslagets yttermarginal. Mycket fint ex. Andra upplagan av boken som först utkom 1927. Författarens vän G. O.Adelborg behandlar boken och dess författare i sin ''Redogörelser och utredningar'', där det framgår varför de två första upplagorna är så ovanliga: ''Conradson, som var till ytterlighet självkritisk och noga övervägde varje faktum, ord och formulering, tyckte emellertid, att denna första upplaga hade vissa brister, och lät inom kort draga in den i och för makulering. En andra 'ny, översedd och något tillökad upplaga', omfattande 90 sidor trycktes 1928, men makulerades omedelbart. Mot slutet av 1928 trycktes så (i 500 ex.) 'ny, översedd och ytterligare tillökad upplaga', som med sina 110 sidor tillsvidare blev den slutgiltiga.'' Conradsons strävar i detta verk efter att höja de fredliga, pålitliga djurens rykte, medan han vill sänka rovdjurens och särskilt kattens, anseende: ''De ha icke blivit bättre än de vilda rovlystna, de ha i stället blivit sämre än de sämsta av de vilda och fått ett ännu mer lågsinnat skick, en ännu mer förskräcklig uppsyn. Ja, denna uppsyn, denna förening av rovlystnad och sötaktighet, och dessa färger, dessa gröna ögons sken. Dessa ögon äro vanvettigare än de vilda frändernas. Det är dock klart, att detta slag av liv bör man ej uppmuntra.'' (s. 64-65)

      [Bookseller: Patrik Andersson Antikvariat]
 35.   Check availability:     Antikvariat     Link/Print  

        Record Flights

      Dorrance and Company, Philadelphia 1928 - First Edition, No. 77 of 500 copies. Portrait frontispiece and 17 illustrations. 286 pp. 1 vols. 8vo. Signed; One of 500 Copies. Signed by the author on the front free endpaper. Chamberlain flew from New York to Germany in June, 1927. Original patterned cloth over boards, black cloth spine, spine dulled, else fine in very good original slipcase Portrait frontispiece and 17 illustrations. 286 pp. 1 vols. 8vo [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Illustrious Prime Ministers of China: Their Ancient Manners and Philosophies: A Symphony of the Spheres

      New York: Printed by Manger, Hughes & Manger, Inc, 1928. Hardcover. Near Fine. illustrations, xii, [13]-108, [5]p. Printed on unopened double-leaves oriental style. Original illustrated boards. 30cm. No Jacket. INSCRIBED on first blank leaf by Ly to Mrs. H. O. Havemeyer, who together with her husband were noted collectors of great art.

      [Bookseller: McBlain Books]
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      Boston & New York, 1928. Original publisher's cloth, printed paper label. Corners rubbed. Bookseller's label on lower inner corner of front pastedown. Author's presentation inscription on front fly leaf. Internally clean. Very good plus. In dust jacket with minor wear, price clipped on upper and lower corners. In a blue half morocco and cloth slipcase, gilt. Roosevelt's speech supporting Alfred E. Smith for the Democratic presidential nomination. Smith was the out- going governor of New York, an office in which Roosevelt succeeded him. This copy is signed boldly on the fly leaf by Roosevelt, with a presentation inscription to a collector: "For Mr. H.D. Trevillian / from Franklin D. Roosevelt / Albany March 4th 1932.

      [Bookseller: William Reese Company - Americana]
 38.   Check availability:     Biblio     Link/Print  

        The Antichrist of Nietzsche

      The Fanfrolico Press, London 1928 - The 1928 lovely Fanfrolico Press edition of Nietzsche's "The Antichrist". Translated from the original German by P.R. Stephensen and lavishly illustrated by Norman Lindsay, with 7 of his engravings complementing the text. Bound by Kelly & Sons in half-leather over navy-blue boards and limited to 550 copies. Solid, tight and VG, with light staining and wear at the panels. Elephant folio, top-edge gilt, deckled fore and bottom-edges. A very impressive, uncommon rendering of one of Nietzsche's darkest texts, originally published exactly 40 years earlier. [Attributes: Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Dames de Californie

      Emile Hazan 1928 - - Emile Hazan, Paris 1928, 14,5x19,5cm, relié. - Edition originale, un des 20 exemplaires numérotés sur Japon, tirage de tête. Reliure en demi box noir, dos à cinq nerfs, date, nom de l'auteur et titre de l'ouvrage au palladium, plats de papier marbré façon peau de serpent, gardes et contreplats de papier bordeaux, tête de palladium, couvertures et dos conservés, élégante reliure signée de Goy & Vilaine. Ouvrage illustré, en frontispice, d'un portrait de Joseph Kessel par Achille Ouvré. Bel exemplaire élégamment établi. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition, one of 20 numbered copies on Japan, deluxe edition. Binding half black box, back with five nerves, date, name of the author and book title palladium boards so mottled snake skin paper, guards and contreplats burgundy paper, palladium head covers and backs preserved, elegant binding signed Goy & Vilaine. Illustrated book, frontispiece, a portrait of Joseph Kessel Crafted by Achille. Bel elegantly prepared copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
 40.   Check availability:     AbeBooks     Link/Print  

        Der Zauberberg [2 Volume Set]

      Berlin: G. Fischer Verlag, 1928. First edition, first printing, thus. Very mild spotting to foredges, otherwise a near fine two-volume set in original vellum-backed patterned boards, top edges gilt. Scholar David H.H. Ingalls' copy, with his bookplate affixed to the front pastedown of each volume. One of 1,000 copies, signed by Mann on the colophon. Text in German.. Duodecimo. 578; 629 pages. With a frontispiece illustration in volume one.

      [Bookseller: Captain's Bookshelf, Inc., ABAA]
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        Abd-Er-Rhaman in Paradise

      1928. the climax of Nash's representational wood engravings. Original wood engraving printed on Japanese paper with the stamp of the Paul Nash Trust. 7 x 5.5 cms. Mounted. Engraved for the Golden Cockerel Press book Abd-Er-Rhaman in Paradise and used on the title page and the dust jacket. The wood-engravings Nash produced for this book are fine examples of his work, Clare Colvin in Paul Nash Book Designs marks them out: "stylistically they mark the climax of Nash's representational wood engravings".

 42.   Check availability:     Biblio     Link/Print  

        Weiblicher Halbakt nach rechts blickend, Bleistiftzeichnung auf chamois Papier, 1928

      44x36 cm - (z. T. schwach knittrig und einige schwache Flecken) unter Passepartout, u. r. sign. und dat. Gewicht 1000 g

      [Bookseller: Buchantiquariat Kaleidoskop]
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        Düne mit Feldzeichen und Figuren auf einer Anhöhe.

      - Schwarze Kreide, ein wenig grau laviert, mit brauner Feder umrandet, auf Bütten mit Fragment eines Wasserzeichens: berönter Wappenschild, verso von späterer Hand bezeichnet. 11,2:18,1 cm. - Mit kleinem Einriß im oberen Rand, verso mit älteren Verklebungen an den oberen Ecken. Provenienz: Sammlung Prinz W. Argoutinsky-Dolgoroukoff, Paris, Lugt Suppl. 2602 d; versteigert in Berlin 8.11.1928, Nr. 522; Sammlung Adolf Gruis, Berlin, nicht bei Lugt.

      [Bookseller: Galerie Joseph Fach GmbH]
 44.   Check availability:     ZVAB     Link/Print  

        Complete set of first editions of the Pooh books, comprising When We Were Very Young (1924); Winnie-the-Pooh (1926); Now We Are Six (1927); The House at Pooh Corner (1928)

      London: Methuen, 1928. First editions. When We were Very Young is the second issue with page ix numbered. Illustrated by E.H. Shephard. 4 vols. 8vo. Publisher's gilt-stamped cloth, t.e.g. Light shelfwear to covers, some fraying to spine ends and tips of Winnie the Pooh, all but When We Were Very Young in original illustrated dust-jackets (spines darkened, some chipping and wear, closed tear to front panel of Winnie-the-Pooh, rear panel separated on The House at Pooh Corner), contemporary owner's signature on ffep of When We Were Very Young. In custom blue half morocco slipcase and chemise. First editions. When We were Very Young is the second issue with page ix numbered. Illustrated by E.H. Shephard. 4 vols. 8vo. Winnie-the-Pooh and his pals - Piglet, Rabbit, Eeyore, Tigger and Owl - and their adventures in Hundred Acre Wood (100 Aker Wood) have amused adults and children alike since they were first published. Milne attended Trinity College, Cambridge, where he was an active contributor to, and editor of, the student magazine Granta. Upon graduation, he joined Punch Magazine and published plays, screenplays, poems and 18 novels. However, it is for the work written for his son Christopher Milne, and illustrated by E.H. Shepard, that his fames endures. Payne I.A-IV.A. Cutler & Stiles, 115-16

      [Bookseller: James Cummins Bookseller]
 45.   Check availability:     Biblio     Link/Print  


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