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Displayed below are some selected recent viaLibri matches for books published in 1928

        Five Harmon Foundation Programs for the Exhibition of the Work of American Negro Artists

      New York: The Harmon Foundation. 1928-1935. First, and only editions. Five volumes. Octavos. Stapled illustrated self-wrappers. Overall near fine, with titles and full descriptions below. Established in 1922 the Harmon Foundation was "the most influential social organization of the twentieth century that promoted and exhibited art by Negroes [&] the major resource for the financial support of Negro artists from 1926 to 1933 [striving] to keep the momentum of excitement around Negro American culture from the Harlem Renaissance and turn it into a narrative of social progress during the late 1920s and into the 1930s" (Cooks. Exhibiting Blackness: African Americans and the American Art Museum, p.11). Essentially, the shows promoted by the Foundation helped to define and focus African-American artists and their art during the Harlem Renaissance.The catalogues include work by Aaron Douglas, Palmer Hayden, Sargent Johnson, Malvin Gray Johnson, Meta Warrick Fuller, Allan Rohan Crite, Lois Maillou Jones, Laura Wheeler Waring, Archibald J. Motley, Hale Woodruff, James A. Porter, Nancy Elizabeth Prophet, Richmond Barthe, William H. Johnson, Richard Bruce Nugent, Augusta Savage, and many others. Full list below:1. Exhibition of Fine Arts Productions of American Negro Artists. 1928. 11pp. Illustrated. Slight soiling, fine.2. Exhibition of Fine Arts by American Negro Artists. 1929. [12]pp. Illustrated. Spine worn, else near fine.3. Exhibit of Fine Arts by American Negro Artists. 1930. 10, [4]pp. Illustrated. Modest soiling, else near fine.4. Exhibition of the Work of Negro Artists. 1931. 47pp. Illustrated. Small chips on both front and rear wrap, else near fine.5. Negro Artists: An Illustrated Review of their Achievements. 1935. 59pp. Illustrated. Small, older library stamp, else near fine. Includes a Directory of Negro Artists.A nice representative selection, including the more uncommon early programs. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Blèche

      Nrf, 1928. - Nrf, Paris 1928, 17x22cm, broché. - Prima edizione, uno dei 109 esemplari numerati su Lafuma Navarra e ripristinata nel quarto formato di carta protocollo, testina di stampa. L'esposizione alla luce nel piede posteriore, bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 109 exemplaires numérotés sur Lafuma Navarre et réimposés dans le format in-quarto tellière, tirage de tête. Légère insolation en pied du dos, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        L'EROICA - RASSEGNA ITALIANA - QUADERNO 115

      Ed. Ettore Cozzani 1928. Anno di edizione:1928 - Pagine:64 - Lingua:Italiano - Altezza cm:34 - Larghezza cm:24,5 - Tipologia illustrazioni:disegni, fotografiche, in bianco e nero, a piena pagina - Tipo copertina:Brossura - Condizioni del prodotto:Perfette - Segni particolari:RARO, Prima Edizione - Note:Intonso - Pos:LUG01 - RARO numero dell'Eroica, in assoluto la più bella rivista del '900, impressa su sontuosa carta filigrana. Provenienza: Archivio privato Ettore Cozzani "L'Eroica ha segnato senz'altro la rinascita della silografia in Italia. La rivista ha vissuto fino al 1944 e i suoi 310 numeri, quasi tutti monografici, rappresentano un monumento editoriale, un repertorio fondamentale per osservare i mutamenti dello stile e l'oscillazione del gusto in un trentennio, oltre a permetterci la riscoperta appassionata di tanti artisti dimenticati". In questo numero: Adolfo De Carolis, Enrico Cavilgia, Proust (trad. D. Cinelli), Valentino Ghiglia, Delfino Cinelli, Enrica Tagliacozzo - Levi, Arturo Alcaro, Guido Pusinich.

      [Bookseller: Libreria 3 Vintage]
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        Le boy de sa majesté

      René Kieffer, 1928. - René Kieffer, Paris 1928, 20,5x26,5cm, broché. - Prima edizione, uno dei 200 esemplari numerati in Madagascar, la nostra ingiustificata dal trade off, disegnare solo con il Giappone 10. Autograph firmata dall'autore. Libro Illustrato 7 xilografie originali di Frans Masereel. Due piccoli spazi senza testa gravità e piedi della colonna, punti luce sulle guardie. - [FRENCH VERSION FOLLOWS] Edition originale, un des 200 exemplaires numérotés sur Madagascar, le nôtre non justifié car hors commerce, seul tirage avec 10 Japon. Envoi autographe signé de Pierre Humbourg. Ouvrage illustré de 7 bois gravés originaux de Frans Masereel. Deux petits manques sans gravité en tête et en pied du dos, légères piqûres sur les gardes.

      [Bookseller: Librairie Le Feu Follet]
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        Ame de paysages

      1928. Les cent femmes amies des livres, Paris 1928, 20,5x26cm, en feuilles sous chemise et étui. - Les cent femmes amies des livres, Paris 1928, 20,5x26cm, en feuilles sous chemise et étui. - Edizione originale stampato 130 copie numerate e registrate in Giappone, il nostro per la signora J. Charuit. Libro illustrato con splendide composizioni floreali autore incisa su legno da Pierre Bouchet e le iniziali dorate e ornamenti tipografiche a colori. Firmato autografo dell'autore alla signora J. Charuit "amico ... poesia ..." arricchisce le prime due strofe di una quartina manoscritta contenuta in questo libro di poesie dal titolo "Il paesaggio è tranquillo e difficile" "Il paesaggio è tranquillo e duro, / In un candore che placa / Si ritiene che questo pezzo riviera / riposo sotto un globo di vetro / A maggiociondolo si lascia cadere / fiorito spina bianco / ascolto profumi .. La sera / Confessioni di prateria " Molto bella copia. [FRENCH VERSION FOLLOWS] Edition originale imprimée à 130 exemplaires numérotés et nominatifs sur Japon, le nôtre pour madame J. Charuit. Ouvrage illustré de belles compositions florales d'après Anna de Noailles gravées sur bois par Pierre Bouchet ainsi que de lettrines dorées et d'ornements typographiques en couleurs. Envoi autographe signé de Anna-Élisabeth, Comtesse de Noailles à Madame J. Charuit "... amie de la poésie..." enrichi des deux premières strophes manuscrites d'un quatrain contenu dans ce recueil de poèmes et intitulé "Le paysage est calme et dur" : "Le paysage est calme et dur, / D'une candeur qui désaltère / On croit que ce morceau d'azur / Repose sous un globe de verre. / Un cytise se laisse choir / sur la blanche épine fleurie. / Ecoute les parfums du soir, / Confidences de la prairie !" Très bel exemplaire.  

      [Bookseller: Librairie Le Feu Follet]
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        Piccolo trattato di tecnica pittorica

      Milano, Scheiwiller, 1928. Bross. ed. con sovraccoperta incamiciata (18X13) pp. 105 (7). Dal colophpn; Il presente volume e' stato composto e stampato per gli Amici del Libro a cura e spese di Giovanni Scheiwiller (..) Si sono stampati: 50 esemplari, con impostazione speciale in macchina, su carta Ingres della Cartiera Pietro Miliani di Fabriano, numerati da I a L, 300 esemplari su carta bianca vergata soffice della S. A. Cartiere Burgo di Verzuolo, numerati da 001 a 300 . Nostro es. n 26 / 300. Firma di appartenenza di Pompeo Borra al frontespizio. Ottimo stato; legatura perfetta, brunitura della carta molto lieve considerano l'anno di pubblicazione

      [Bookseller: Libreria Menabò]
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        The British Campaigns in Europe 1914-1918

      London: Geoffrey Bles, [n.d. 1928].. FIRST EDITION. Demy Octavo. pp. 1024. In publisher's purple cloth, sunned to extremities, titled in gilt to spine. Very good. In a very good example of the scarce dustwrapper, spotted, chipped to spine ends with light edgewear and a closed tear to the upper margin front panel. Toned to page edges, internally clean and bright. All maps and charts present. A very handsome copy of a book seldom seen in its dustwrapper. A new edition based on the 1920 work by Doyle but extended to include the campaigns in Italy and Salonika.A new edition based on the 1920 work by Doyle but extended to include the campaigns in Italy and Salonika.

      [Bookseller: Adrian Harrington Rare Books]
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        Bottoms Up: 52 Cock-Tail Spins for High Flyers

      Chicago: Buzza Company. FIRST EDITION. Original paper. RARE CLASSIC PROHIBITION-ERA COCK-TAIL BOOK, WITH THE RARE ORIGINAL CORKSCREW. "This rare Prohibition Era cocktail recipe book, die-cut in the shape of a cocktail shaker, was published in the U.S. in 1928, at the height of the Prohibition Era, flaunting the ban on alcohol with cocktail recipes by famous silent film stars, vaudeville performers and musicians, including W. C. Fields, Fanny Brice, Florenz Ziegfield, Ted Lewis and George Gershwin. "Bottoms Up is notable for two reasons.  It was one of only a few cocktail books published in the U.S. during Prohibition, and it's the earliest known example of a book of cocktail recipes of famous celebrities. This is a natural pairing.  While most Americans found it difficult or impossible to obtain alcohol during Prohibition, celebrities, especially in the entertainment business, thrived on the underground cocktail culture. "It's significant that "Tex" Guinan is included. Mary Louise "Texas" Guinan made her silent film debut in 1917 in The Wildcat, becoming America's first movie cowgirl, "The Queen of the West". "However Tex's importance in this cocktail book was her notorious reputation as the owner and manager of a Prohibition Era speakeasy called the 300 Club at 151 W. 54th Street in New York City. Her club was routinely raided by the police, but Tex always claimed that the patrons had brought the liquor in with them.  The 300 Club was the gathering spot of New York's wealthy and famous, including George Gershwin, Reggie Vanderbilt, Gloria Swanson, Clara Bow, Irving Berlin, John Barrymore and Rudolph Valentino.  Ruby Keeler and George Raft were discovered as dancers at Tex's 300 Club. "Each of the celebrity cocktail recipes concludes with a nostalgic "Do You Remember?" reminiscence of the grand bars, hotels and casinos that had once flourished before Prohibition. "The book also contains a page of Antidotes and Pick-me-ups, Helpful Hints for making cocktails, Rules of the International Bar Flies, The Amalgamated Order of Beer Shifters, and The Code of the Bar Flies. "Today's tradition of American cocktails primarily developed during, and because of, Prohibition.  Cocktail books before this era were usually trade publications intended for professional bartenders.  Then the 1920s and early 30s saw the emergence of do-it-yourself cocktail books, mostly published in England, France, Canada and Cuba, featuring the new explosion of cocktails that developed during Prohibition.  Very few cocktail books were published in the U.S. at this time, since the ingredients weren't available, and Bottoms Up is the rarest of them all.  So far, only two copies of this book are known to have survived" (Richard Powers, stanford.edu). Although rare, it is our experience that there are significantly more than two copies in existence. NOTE: Includes the very rare original corkscrew (which has been polished and cleaned). Chicago: The Buzza Company, 1928. 41 pp. Illustrated with photographs. 22.5x16 cm in the shape of a cocktail shaker, illustrated wrappers, string bound; custom olive-green silk box. Wear and a few chips to edges, minor pencil marks on a few blanks. A well-preserved copy of a very rare and fragile item.

      [Bookseller: The Manhattan Rare Book Company]
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        Ma vie et la psychanalyse suivi de Psychanalyse et médecine

      Gallimard, 1928. - Gallimard, Paris 1928, 12x19cm, relié. - Prima edizione della traduzione francese di Marie Bonaparte, uno dei 65 esemplari numerati sul filo puro, unico grande papiers.Reliure metà nero marocco, colonna vertebrale con cinque nervi, quando la coda d'oro, piatti di carta marmorizzata, guardie di carta e contreplats al serbatoio, coperchi e della colonna vertebrale conservato (secondo appartamento Lunghezza scolorita, indietro insolated), testa dorata, elegante vincolante firmato P. & C. Goy Vilaine.Quelques piccolo rousseurs.Exemplaire ben stabilite. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française établie par Marie Bonaparte, un des 65 exemplaires numérotés sur pur fil, seuls grands papiers. Reliure en demi maroquin noir, dos à cinq nerfs, date dorée en queue, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés (deuxième plat décoloré en pied, dos insolé), tête dorée, élégante reliure signée de P. Goy & C. Vilaine. Quelques petites rousseurs. Exemplaire parfaitement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Men Without Women

      New York: Charles Scribner's Sons, 1928. Second Printing. Hardcover. Near fine in original black cloth with original gold paper title labels on upper board and spine, spine label has two small chips and is lightly creased. Near fine price-clipped pictorial dust jacket with title and author penned by previous owner to inside of dust jacket spine, mild chipping to corners.. Duodecimo. 13.5 x 19.5 cm. 232 pp. Illustrated yellow endpapers. Signed by Hemingway on front free endpaper. Second printing of his second collection of short stories.

      [Bookseller: Captain's Bookshelf, Inc., ABAA]
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        Le carrosse du Saint Sacrement -

      René Kieffer 1928 -, Paris - 1 volume. In-8 Sous étui bordé. Reliure plein maroquin aubergine. Cuivre encré enchâssé dans le plat supérieur. Dos lisse avec titre doré. Tête dorée. Couverture et dos conservés. Reliure signée KIEFFER. Ouvrage orné d'eaux-fortes en couleurs hors texte par TOUCHAGUES, ainsi que d'ornements autour du texte de chaque page. Excellent état. TIRAGE LIMITE à 550 exemplaires numérotés, celui-ci un des 50 exemplaires de tête sur Japon. Exemplaire n°1 comprenant 3 états des eaux-fortes. Il a été ajouté 1 cuir enchâssé dans le plat supérieur et 7 états de la même planche: 1 dessin sur calque signé, 3 dessins à l'encre signés, 1 esquisse à l'encre, 1 planche en sépia avec le coloris original de l'artiste, 1 épreuve en couleurs avec corrections manuscrites de l'artiste. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
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        The Case with Nine Solutions.

      London: Victor Gollancz Ltd,, 1928. Octavo. Original black cloth, spine lettered in red. With the dust jacket designed by E. McKnight Kauffer. Spine spotted, edges and endpapers foxed; an excellent copy in the slightly soiled and toned jacket. First edition, first impression of Connington's sixth detective novel. With the scarce illustrated jacket by E. McKnight Kauffer, from the brief period before the publishers adopted their signature yellow jackets. From the publisher's archive with a few minor annotations to the dust jacket and their ink stamp to the front panel and front pastedown.

      [Bookseller: Peter Harrington]
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        The Green Toad.

      London: Victor Gollancz Ltd,, 1928. Octavo. Original black cloth, spine lettered in red. With the dust jacket designed by E. McKnight Kauffer. Some foxing to edges; an excellent copy in the bright jacket with toned spine and edges. First edition, first impression of this uncommon title from the first year that Gollancz were in operation, with the scarce illustrated jacket by E. McKnight Kauffer, from the brief period before the publishers adopted their signature yellow jackets. From the publisher's archive.

      [Bookseller: Peter Harrington]
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        The Four Tragedies of Memworth.

      London: Victor Gollancz Ltd,, 1928. Octavo. Original black cloth, spine lettered in red. With the dust jacket designed by E. McKnight Kauffer. Minor foxing to endpapers and edges, spine rolled; a very good copy in the slightly soiled jacket, that has a couple of nicks to extremities. First edition, second impression (two months after the first). A detective story, with the scarce illustrated jacket by E. McKnight Kauffer, from the brief period before the publishers adopted their signature yellow jackets. The publisher's retained copy with their stamp to the title page.

      [Bookseller: Peter Harrington]
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        Shanghai of To-Day : A Souvenir Album of Fifty Vandyck Prints of "The Model Settlement"

      Shanghai: Kelly & Walsh, Limited 1928. Second edition enlarged. 15, plus 50 plates, pp. Publisher's original beige cloth spine over grey card wraps. Pictorial onlay to front cover with red & gilt title and design. Spine slightly marked with short tear to cloth. Some wear to edges and corners. Dampstain to rear cover, also affecting final few leaves. Pictorial endpapers. Introduction by O. M. Green, editor of the "North China Daily News." Fifteen pages of text followed by fifty full-page tipped-in photographic plates of architecture and street scenes of Shanghai. Scarce. In Very Good condition. . Very Good. Cloth Spine Card Boards. Second Edition. 1928. 4to..

      [Bookseller: Fosters' Bookshop]
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        The Voiage and Travaile of Sir John Maundevile Kt. which Treateth of the Way to Jerusalem and of Marvayles of Inde, with other Ilands and Countryes.

      New York: Random House [Grabhorn Press], 1928. - Copy no. 37 of 150. Illustrated with 31 woodblock prints and 34 decorative initials hand-illuminated in red, gold, and blue by Valenti Angelo. Original half tan niger and wood boards, folio (14.25x9.5 inches). Near Fine, in slipcase. Handsome edition of this famed compilation of voyages which first appeared around 1366; Mandeville claimed to have traveled through Turkey, Persia, Arabia, Syria, North Africa and Indian himself, but modern scholars have ascertained that the work was largely gathered from various literary sources. Printed from the English edition of 1725. The type, designed and cut by Rudolph Koch, was used for the first time in America in this book. Signed at the colophon by Valenti Angelo and additionally inscribed by Edwin Grabhorn. GB 107. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ted Kottler, Bookseller]
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        Orlando: A Biography

      New York: Crosby Gaige, 1928 - First Edition. One of 800 numbered copies signed by Woolf. A few tiny cloth spots; about fine. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        Lady Chatterley?s Lover

      1928. first edition. First Edition of ?Lady Chatterley?s Lover? LAWRENCE, D.H. Lady Chatterley?s Lover. [Florence]: Privately Printed [by the Tipografia Giuntina], 1928.First edition. Limited to 1,000 numbered copies, (this being copy number 466) signed by the author. Octavo (8 17/8 x 6 1/4 inches; 225 x 159 mm.). [4], 365, [1, blank] pp.Rebound [by the Chelsea Bindery] within the last twenty years in full black morocco, covers ruled in gilt, spine with five raised bands decoratively tooled and lettered in gilt in compartments, marbled end-papers, top edge gilt, others uncut.Some very light staining affecting limitation leaf, title-page and a few margins throughout the text, otherwise an excellent example of this fictional account of the day-to-day life of an English Gamekeeper?.Lady Chatterley?s Lover is tripled with Ulysses and Tropic of Cancer as the seminal suppressed books from the first half of the twentieth century."No account of Lady Chatterley?s Lover can be complete without some notice of the most memorable review of the novel by Ed Zern, which appeared in Field and Stream for November 1959, p. 142 (see also The D. H. Lawrence Review 8 (Fall 1975) 376-377). It is short and reproduced here for the benefit of those who do not have access to a copy. The review was written as the result of a request from the editor, Hugh Grey, that Mr. Zern choose an outdoor book for review as a ?sort of test case?.??Although written many years ago, Lady Chatterley?s Lover has just been reissued by the Grove Press, and this fictional account of the day-to-day life of an English gamekeeper is still of considerable interest to outdoor minded readers, as it contains many passages on pheasant raising, the apprehending of poachers, ways to control vermin, and other chores and duties of the professional gamekeeper. Unfortunately one is obliged to wade through many pages of extraneous material in order to discover and savor these sidelights on the management of a Midland shooting estate, and in this reviewer?s opinion this book cannot take the place of J.R. Miller?s Practical Gamekeeping.??Hereafter, no Lawrence collection can be said to be complete without a copy of Miller?s Practical Gamekeeping to place alongside Lady Chatterley?s Lover!? (Warren Roberts, p. 152-153).Roberts A42a.

      [Bookseller: David Brass Rare Books, Inc.]
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        Original photographic portrait of George Bernard Shaw.

      N.p.:: Raphael,, 1928. on original studio mount, matted, framed and glazed. Very slight silvering at lower margin; otherwise very fine.. 7-3/4 x 5-3/4 inches (image),.

      [Bookseller: Jeffrey H. Marks Rare Books]
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        Les Rues Sans Voitures. Les Chaussees Sans Piétons.

      Typed and handwritten manuscript, 28 pp. total, by the French architect, for a patented visionary town development project, involving the construction of roads and buildings in such a way as to allow the independent movement of cars and pedestrians, patented by Ventre together with business partner Henri Sauvage, comprised of a 2-page typed proposal, an 11-page typed manuscript with several hand-written notations and edits, and a 15-page initial draft consisting of a mix of typed and hand-written pages. Not illustrated. Some minor soiling or foxing, small tear to first page, minor scattered creasing to corners. Pages loose as issued. Paris (self-published) n.d. (1928).

      [Bookseller: F.A. Bernett Books]
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        La Tonadilla escénica. 3 complete volumes

      Madrid : Tip. de Archivos, 1928, Hardcover, First Edition. Very good copies in the original gilt-blocked cloth. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall; tight, bright, clean and strong. Provenance; Bookplate from Westfield College. Physical description; 3 tom. ; 8º. Subjects; Tonadillas - History and criticism. Music - Spain - History and criticism. Spanish drama - 18th century - History and criticism. Music. Theatre. Spanish Drama. 18th Century. Librettos. Genre; notated music. Text is in Spanish. Inventory No: 228002. First Edition

      [Bookseller: MW Books Ltd.]
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        Le Petit Jésus. Cinq eaux-fortes de Mariette Lydis.

      P., Editions du Delta, s.d. (1928 d'après la BnF), 1 vol. petit in-4° (242 x 197) broché sous couverture crème rempliée, titre imprimé en rose sur le plat supérieur, de 45 pp. - (1) f. (justificatif de tirage). Petite déchirure recollée en bas du dos, très bel exemplaire par ailleurs. - Edition originale tirée à 310 exemplaires numérotés, 1 des 300 sur Arches à la forme (N°17). Cinq superbes eaux-fortes hors-texte de Mariette Lydis, très inspirée dans cet ouvrage. Très bel envoi autographe signé de l'auteur en page de faux-titre à l'encre légèrement estompée " Pour Monsieur Marcel Jouffret pour que le Petit Jésus l'emparadise dans le monde et dans l'autre. Delteil ". Réf. biblio. : Carteret V, 62. [Attributes: First Edition; Signed Copy]

      [Bookseller: Bouquinerie Aurore (SLAM-ILAB)]
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        Catherine Paris

      Société d'Edition Le Livre, Paris 1928 - Un volume in-4 (31,5 cm x 23 cm), 287 pp. Trente pointes sèches de Ceria (Un frontispice, 6 hors texte et 23 in texte). Un des trente exemplaires de collaborateur (H.C) sur vélin. Avec un bel envoi manuscrit de l'auteur et une planche sur japon. Première édition illustrée. Broché, sous couverture rempliée. Un mors fendu sur 3 cm. Une coiffe fragile. Exemplaire non coupé. " Catherine-Paris était née à Bucarest, d'un père ancien élève du lycée Louis-le-grand, et d'une mère qui avait des visions " . Pour accéder à la totalité de notre offre, consultez notre site et notre blog Paris-Libris. [Attributes: Soft Cover]

      [Bookseller: PARIS-LIBRIS]
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        Mescal.

      London: Kegan Paul, Trench, Trubner & Co. Ltd.,, 1928. The 'Divine' Plant and its Psychological Effects. With an introduction by MacDonald Critchley. Small octavo (153 x 94 mm). Original buff paper boards, red cloth backstrip, printed paper label to spine as issue, front board lettered in red. Extremities very lightly rubbed, spine gently rolled, small chip to label not affecting text, pale marking to pp. 22-3. An excellent copy. First edition, first impression. Highly significant presentation copy of the author's breakthrough study of mescaline-induced hallucinations, handsomely inscribed "To Professor W. R. Miles, with compliments of the author Heinrich Klüver, Chicago, Nov. 1928" on the front free endpaper, with the book label of the recipient Walter Richard Miles to the front pastedown. Miles (1885-1975) was an influential American psychologist and president of the American Psychological Association, noted for his work on the effects of alcohol and for his development of experimental apparatus. From 1922 to 1932 he ran the experimental laboratory at Stanford University, where Klüver completed his PhD on eidetic phenomena ? unusually strong mental images ? in 1924, having arrived from Germany the previous year. "Heinrich Klüver (1897-1979) was one of the twentieth century's most widely influential scientists, a pioneer in the fields of psychology, neuroanatomy, and psychochemistry ? Klüver's early interests were in eidetic imagery ? By chance ? Klüver stumbled upon a reference in the literature, by W. Jaensch in 1921, to a plant that, upon ingestion, was capable of generating eidetic phenomena in noneidetic individuals ? With some help from his friend, the prominent psychophysicist Samuel Fernberger, Klüver came into possession of the plant, and on October 18, 1925, consumed it ? [He] would get much more out of his 'experiment' (as he called it) than he had imagined ? The sensory phenomena it induced were so profound that he would boldly declare: 'The importance of mescal for psychological research cannot be questioned' [p. 1]. He would publish multiple works detailing his experiments on himself and others with the plant, perhaps most famously his 1928 monograph" (Davoli, "Neurognostics Question: Heinrich Klüver's 'Divine' Plant", in Journal of the History of the Neurosciences, 16:318-19, 2007).

      [Bookseller: Peter Harrington]
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        Ashenden.

      London: Heinemann,, 1928. Octavo. Original blue cloth, titles to front board and spine gilt. With the dust jacket. Housed in a quarter blue morocco slipcase. Bookseller's ticket to rear pastedown. Spine gently rolled; an excellent copy in the jacket with extremities a little rubbed and nicked. First edition, first impression.

      [Bookseller: Peter Harrington]
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        The House at Pooh Corner

      London: Methuen & Co. 1928. First edition. 178 pp. Recent full coral-pink morocco. Raised bands to spine with gilt lettering. Top edge gilt. Original endpapers bound in. Endpapers slightly darkened. Illustrations by E. H. Shepard. No ownership names. A fresh and bright copy. . Near Fine. Full Morocco. First Edition. 1928. 8vo..

      [Bookseller: Fosters' Bookshop]
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        England And The Octopus (In the First Issue Wrapper)

      The First UK printing published by Geoffrey Bles in 1928.The BOOK is in VERY GOOD++ condition. Hardback quarter cloth binding and is unlettered.I presume this is a variant first issue binding or an advance copy.Text-block a little dusty.Small red crayon previous price to the right upper corner of the front blank endpaper.A little bumping to the lower corners, otherwise a lovely copy.THe scarce paper WRAPPER is complete and is in VERY GOOD condition.Edge wear with loss at the spine ends.Closed tears along the spine and flap folds and one across the spine.Printed price on the spine has been crossed out and replaced with a blue crayon price.The period wrapper design looks very striking in the removable Brodart archival cover.A classic text with wonderful B/W photos and an 'Epilogue' at the rear of the book by Patrick Abercrombie, Professor of Town Planning at Liverpool University.Extremely scarce in the original wrapper -Only the second copy we have handled. Collectible.Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks ABA PBFA]
 27.   Check availability:     Biblio     Link/Print  


        The Golem.

      Victor Gollancz, London. 1928 - First U.K. edition. Translated by Madge Pemberton. Octavo. 288 pages. Original black cloth lettered in red. ''.an immensely sensational book, full of weird excitement.'' (from the blurb).Very good indeed in very good, slightly chipped dustwrapper, designed by E. McKnight Kauffer, darkened at the spine. Very scarce. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
 28.   Check availability:     AbeBooks     Link/Print  


        [Sterling, George- Association Copy] Sonnets to Craig

      Long Beach: Upton Sinclair, 1928. First edition. Original maroon cloth, black stamped lettering. Scarce true first edition, self-published (preceding commercial edition in the same year). Superb associatiion copy, with lengthy inscription by Mary Craig Sinclair (i.e. "Craig"), wife of Upton Sinclair, and namesake to the present book (see below). Craig writes: "To William Ellery Leonard [poet, playwright], Whose beautiful appreciation of George's loss poems lessens my sadness. Perhaps George did not grieve in vain. Mary Craig Sinclair [Kimbrough]. April 15, 1928, Long Beach, California." And on front pastedown, an inscription from Leonard reads: "The letter referred to was as follows: Dear George Sterling... and Craig... and Upton. You have all three done together some thing wonderful in its beauty and noble in its humanity, which will endure in American storyt and art. Faithfully, William Ellery Leonard. About April 10." A fascinating thread, given the fact that Mary Craig very nearly married George Sterling. "Mary Craig Kimbrough married [Upton] Sinclair onnly after long agonizing between Sinclair and his old Carmel poet frien George Sterling. In 1928 in Long Beach, Sinclair actually published some of Sterling's love sonnets to Mary Craig." [From "Literary LA," by Lionel Rolfe, 2009].

      [Bookseller: Nudelman Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        Petits contes nègres pour les enfants des blancs

      Les éditons des portiques, 1928. - Les éditons des portiques, Paris 1928, 12x19cm, broché. - Prima edizione di carta corrente. Precious dedica autografa firmata dall'autore Jules Supervielle "per Supervielle, bambini ladro." Un piccolo minore mancanza marginale sulla prima guardia, manca la testa di una pagina che è stata tagliata male, piccole tracce di pieghe sul secondo piatto. Prezioso autografo dedizione poeta poeta. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe signé de Blaise Cendrars à Jules Supervielle : " à Supervielle, voleur d'enfants." Un infime manque marginal sans gravité sur la première garde, manques en tête d'une page qui a été mal découpée, petites traces de pliures sur le deuxième plat. Précieuse dédicace autographe de poète à poète.

      [Bookseller: Librairie Le Feu Follet]
 30.   Check availability:     maremagnum.com     Link/Print  


        Contes... Edition conforme aux textes originaux établié par Luois Perceau, et ornée d'illustrations en couleurs par Gerda Wegener.

      Le Livre du Bibliphile - Georges Briffaut editeur, 1928 - 29. Due volumi di cm. 25, pp. vi, (2) 327 (3); (4) 263 (3). Con 14 tavole e 72 vignette, il tutto finemente colorato a pochoir. Bross. orig. con velina protettiva. Perfetta conservazione. Ciascun volume con il prospetto editoriale illustrato allegato. Il presente esemplare appartiene alla tiratura h.c. (fuori commercio) di probabili 16 copie stampate su "Japon impérial a la forme" contenente un disegno originale firmato di Gerda Wegener ed una suite in nero delle illustrazioni (anch'essa contenuta in custodia originale). Esemplare proveniente dalla biblioteca personale di Louis Perceau che fu dispersa a Parigi verso il 2005 in un'asta tenutasi all'Hotel Drouot.

      [Bookseller: Studio Bibliografico Benacense]
 31.   Check availability:     maremagnum.com     Link/Print  


        Poèmes d'enfance

      Grasset, 1928. - Grasset, Paris 1928, 14x19cm, relié. - Prima edizione, una delle copie numerate su Alfa. Binding bande dolore metà nere, colonna vertebrale piatto decorato con filetti dorati e tre strisce mosaicata di bordeaux dolore sulle stoviglie, reti dorate nella cornice della striscia di carta rossa, guardie e contreplats carta rossa, copertine conservati e schienali , la testa dorata. autografo eccezionale firmata da Anna de Noailles a schermo intero: "A Jeanne Lanvin, questo libro mi tocca purtroppo il caro volto di mia sorella che ti ha amato e mi ha detto con un affascinante divertimento gioia che aveva, ogni tempo per vedere voi. Coryez per la mia ammirazione ". libro illustrato di ritratti 4 rotocalco. - [FRENCH VERSION FOLLOWS] Edition originale, un des exemplaires numérotés sur alfa. Reliure en demi chagrin noir à bandes, dos lisse orné de filets dorés ainsi que de trois listels mosaïqués de chagrin bordeaux, traces de frottements sur les mors, sur les plats, filets dorés en encadrement de la bande de papier rouge, gardes et contreplats de papier rouge, couvertures et dos conservés, tête dorée. Exceptionnel envoi autographe signé d'Anna de Noailles à pleine page : "A Jeanne Lanvin, ce livre qui me touche tristement par le cher visage de ma soeur qui vous aimait et me racontait avec une joie charmante le plaisir qu'elle avait eu, chaque fois, à vous voir. Coryez à ma très vive admiration". Ouvrage illustré de 4 portraits en héliogravure.  

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     maremagnum.com     Link/Print  


        Art Deco advertising poster - Cognac Sorin, 1928.

      A TOAST TO THE STARS"Cognac Sorin'. Lithography made by J. Spring, published by Vercasson in Paris, January 1928. Signed in the print on the lower right. Size (image): approx. 151 x 109 cm.The artist follows the new design for advertising posters that started at the beginning of the 20th century with Leonetto Cappiello: one catchy theme, joyful, with exuberant colors, a striking image that you understand in a fraction of a second and never forget.The pierrot raises his glass to the stars against that shine against a deep blue sky. The golden yellow returns in the glass and the brand name and emphasizes the special character of this cognac.Price: € 2.150,-.

      [Bookseller: Inter-Antiquariaat MEFFERDT & DE JONGE]
 33.   Check availability:     NVvA     Link/Print  


        The Culture of the Nude in China With 32 Original Photographs

      Berlin: Eigenbrödler Verlag, 1928. First edition. Wraps. . Very Good/Good. 4to. 27.5 by 21 cm. 7 pp., followed by 31 photographic plates. The 32nd photograph is on the dust jacket, making this copy complete. A gravure process was used for the photos, creating a slightly gauzy, dreamy feel. The composition of each is striking, with a single prop generally and a plain background. The photos are arresting in their Sino minimalism. The nudity, it seems to us, is about this paring down of distraction and not meant to be erotic. We wonder what the nude woman might be thinking or what she is about, but she remains an fascinating enigma. Foxing on dust jacket edges, and some miniscule tears (one mm at most) along edges of DJ. Very slight light foxing on edge of a few leaves. Mostly clean.

      [Bookseller: White Fox Rare Books and Antiques]
 34.   Check availability:     Biblio     Link/Print  


        Ashenden Or The British Agent

      William Heinmann London 1928 . First New Impression April 1928 from same year March First. Near Fine Slate Blue Cloth HB in FINE facsimile of original DJ with red and grey searchlights intersecting and original price(7/6) on spine. Slight chip on spine, 304pp. Novel of the film with John Gielgud and some may say the inspiration for Le Carres' George Smiley and Ian Flemings' James Bond. Spotting to Title page and final page, but overall a well-presented rare First of this work.

      [Bookseller: Pellegrino Books]
 35.   Check availability:     Biblio     Link/Print  


        Chinesische Miniaturen. Aus Dem Leben Einer Chinesischen Dame.

      Wien.: Hermes-Druckerei E & G. Urban.. 1928.. 12 delicate colour plates presented in cream card mats in portfolio with paper covered boards. The beautiful plates show well dressed Han Chinese ladies, with bound feet, engaged in various activities including writing a letter, needlework, playing music, painting, taking refreshments, dancing, smoking opium, and dressing. Title page and two pages of explanatory text in German. Paper folds on portfolio torn in a few places, portfolio worn with minor loss at corners. 43 x 34cm. Very good set. First published in Leipzig in 1924. .

      [Bookseller: Asia Bookroom]
 36.   Check availability:     Biblio     Link/Print  


        The Golem

      Victor Gollancz. First English edition., London 1928 - The author's first novel; is Athanasius Pernath turing into a golem or . Dustwrapper designed by Edward McKnight Kauffer Owner stamp, prelims and extremities foxed, else very good in dustwrapper with remnants of tape bleed on the reverse. [Attributes: First Edition; Hard Cover]

      [Bookseller: Badger Books]
 37.   Check availability:     AbeBooks     Link/Print  


        Le Grand Jeu du N°1 au N°3, collection complète

      Le Grand Jeu, 1928. - Le Grand Jeu, Paris Eté 1928 - Automne 1930, 19x24cm, 3 volumes brochés. - Originale per ogni volume di questa rivista surreale sapendo solo 3 numéros.Contributions René Daumal, Robert Desnos, Roger Gilbert-Lecomte, André Rolland Reneville, Maurice Henry, George Ribemont Dessaignes, Saint-Pol-Roux Edition, Roger Vailland, André Masson, Mayo, Hans Arp, Arthur Rimbaud con inediti ... Dos e piatto marginalmente insolated, un po 'Lunghezza spaccatura, tracce di nastro adesivo sulle prime e ultime pagine di volumi 1 e 2, un piccolo gri- gri penna a sfera sul fondo del secondo corso del secondo volume, altrimenti piacevole complesso in termini di fragilità di exemplaires.Rare serie completa di tre numeri di questa rivista famosa e molto raro surrealista. - [FRENCH VERSION FOLLOWS] Edition originale pour chacun des volumes de cette revue surréaliste qui ne connût que 3 numéros. Contributions de René Daumal, Robert Desnos, Roger Gilbert-Lecomte, André Rolland de Réneville, Maurice Henry, Georges Ribemont-Dessaignes, Saint-Pol-Roux, Roger Vailland, André Masson, Mayo, Hans Arp, Arthur Rimbaud avec des inédits... Dos et plats marginalement insolés, un mors fendu en pied, traces de papier adhésif sur les premières et dernières pages des volumes 1 et 2, un petit gri-gri au stylo bille en pied du deuxième plat du second volume, sinon agréable ensemble au regard de la fragilité des exemplaires. Rare ensemble complet en trois numéros de cette célèbre et très rare revue surréaliste.

      [Bookseller: Librairie Le Feu Follet]
 38.   Check availability:     maremagnum.com     Link/Print  


        Cover title:] Budapesti képeskönyv. Ólomba metszette Cselényi Walleshausen Zsigmond. [Budapest Picture Book.]

      Hungária Hirlapnyomda és Részvénytársaság, Budapest 1928 - First edition. In publisher's illustrated wrappers. Bound with string. (10) plates. Cselényi Walleshausen's scarce expressionist portfolio of ten images showing urban scenes. Zsigmond Cselényi Walleshausen was a Hungarian Expressionist painter, graphic artist and author. Studied painting in Hungary and in Paris. Participated in numerous exhibition all over Europe, among them at the Wiener Salon in 1920 and at Belvederé in 1922. He was involved in the modernist and avant-garde movements, associated with the "KÚT" (Képz?m?vészek Új Társasága [New Society of Artist]), published his articles in the periodical of "KÚT" and in Tivadar Raith's "Magyar Írás". Cover slightly chipped at edges, bumped at corners. Inside clean. Overall a fine copy. In publisher's illustrated wrappers. Bound with string [Attributes: First Edition; Soft Cover]

      [Bookseller: Földvári Books]
 39.   Check availability:     AbeBooks     Link/Print  


        Traité du style

      Nrf, 1928. - Nrf, Paris 1928, 16,5x21,5cm, broché. - Prima edizione, una delle 109 copie numerate su cui Lafuma Navarra e ripristinata nel quarto formato di carta protocollo, testina di stampa. Esemplare bello e raro. - [FRENCH VERSION FOLLOWS] Edition originale, un des 109 exemplaires numérotés sur vergé Lafuma Navarre et réimposés dans le format in-quarto tellière, tirage de tête. Bel et rare exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 40.   Check availability:     maremagnum.com     Link/Print  


        Le livre de Marco Polo [.] Rédigé en français sous la dictée de l'auteur en 1295 par Rusticien de Pise, revu et corrigé, par Marco Polo lui-même, en 1307.

      Pékin, Na-Che-Pao (Albert Nachbaur), 1924-1928. - 4to. 3 vols. Text of Marco Polo in all caps and extensive commentary in regular font printed on one side of folded sheets of Chinese paper. Folded woodcut map by Erhard in three colours laid in loose at end of vol. 1. Contemp. half brown Havana over blue diced cloth, gilt-lettering on spines. Limited edition, number 217 of 500 copies on Chinese rice paper, of an edition of 550. Based on Jean-Pierre Pauthier's 1865 edition (not 1867, as announced on the title page). - Some foxing to edges and some margins. Some wear to spine ends and extremities. Provenance: from the library of Jean R. Perrette with his bookplate on the pastedown. Henze IV, 381. OCLC 2969693. [Attributes: Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 41.   Check availability:     ZVAB     Link/Print  


        Ty Cobb: The Idol of Baseball Fandom

      Avondale Press, 1928, Hardcover (Original Cloth), Book Condition: Good Condition, 1st Edition. Front board discolored/splotchy 268 pages. Moderate water damage to covers, text unaffected. Quantity Available: 1. Category: Sports & Pastimes; Baseball; Pictures of this item not already displayed here available upon request. Inventory No: 21648. 1st Edition

      [Bookseller: Archer's Used & Rare Books]
 42.   Check availability:     Bookzangle     Link/Print  


        L'EROICA. Rassegna Italiana. Anni XVI - XXXIV.

      1928 - 1944. (Codice CW/6396) In 4° (cm 34x27) pp. Un grande volume con la raccolta di 11 fascicoli (3 doppi, 2 tripli, 1 multiplo): Anno XVI N. 120/121 - Anno XVII N: 127 - 128 - 129/130 - Anno XVIII N.139 - Anno XXII - XXIII N. 186/187 - Anno XXVI N. 221/222 - Anno XXVII N. 235/236/237 (fascicolo dedicato a Gabriele D'Annunzio) - Anno XXXII N. 290/291/292 (fascicolo dedicato a Bruno da Osimo, contiene 5 tavole fuori testo di cui 4 ripiegate) - Anno XXXIV N. 305/310. Margini non rifilati, conservate tutte le copertine originali illustrate, quella del N. 120/121 applicata al piatto del volume. Numerose tavole fuori testo, molte applicate. Qualche sporadica, lieve ingiallitura. Dedica autografa di Ettore Cozzani nella prima pagina dell'ultimo numero. Elegante e solida legatura d'epoca in mezza tela e angoli, tassello e titolo oro. Splendido, freschissimo volume. Euro 950.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
 43.   Check availability:     maremagnum.com     Link/Print  


        Gospel of the Goat Thirty Lithographs Limited, signed

      Chicago: Pascal Covici. Very Good. 1928. First Limited Edition. 1/2 Morocco. No. 52 of 100 copies; 30 full-page 11 x 14.7 inch lithographs with titled tissue-guards; introduction by C.J. Bulliet.; interesting bookplate of William Hawes Smith to front pastedown; recent sturdy half morocco. Nativity plate exuberantly pencil-signed by King.; Folio; Signed by Artist .

      [Bookseller: William Chrisant & Sons, ABAA, ILAB, FAB]
 44.   Check availability:     IOBABooks     Link/Print  


        Urformen der Kunst; Photographische Pflanzenbilder.

      Verlag Ernst Wasmuth A.G., Berlin. No date [1928]. First edition, first printing. xvii, (3) pages followed by 120 black and white photographic plates printed on the rectos only. Large 4to (32 x 25 cm). Green cloth binding with gilt lettering on front cover and spine. Spine faded, front board partly darkened otherwise in great condition. Introduction by Karl Nierendorf. (The Open Book, Hasselblad Center, pp. 66-67). "Karl Blossfeldt (1865-1932) was a German photographer, sculptor, teacher, and artist who worked in Berlin, Germany. /.../ Blossfeldt made many of his photographs with a home-made camera that could magnify the subject up to thirty times its size, revealing details within a plant's natural structure. Appointed for a teaching post at the Institute of Royal Arts Museum in 1898 (where he remained until 1930), he established an archive for his photographs. Blossfeldt never received formal training in photography. Blossfeldt developed a series of home-made cameras that allowed him to photograph plant surfaces in unprecedented magnified detail. This reflected his enduring interest in the repetitive patterns found in nature's textures and forms. In Berlin from the late nineteenth century until his death, Blossfeldt's works were primarily used as teaching tools and were brought to public attention in 1928 by his first publication Urformen der Kunst (Art Forms in Nature). Published in 1928 when Blossfeldt was 63 and a professor of applied art at the Vereinigte Staatsschulen für freie und angewandte Kunst, Urformen der Kunst quickly became an international bestseller and in turn, made Blossfeldt famous almost overnight. His contemporaries were impressed by the abstract shapes and structures in nature that he revealed. Swiftly regarded as a seminal book on photography, Blossfeldt's factual yet finely detailed imagery was praised by Walter Benjamin, who declared that Karl Blossfeldt 'has played his part in that great examination of the inventory of perception, which will have an unforeseeable effect on our conception of the world'. He compared him to Maholy-Nagy and the pioneers of New Objectivity, and ranked his achievements alongside the great photographers August Sander and Eugene Atget. The Surrealists also championed him, and George Bataille included his images in the periodical Documents in 1929" Wikipedia.

      [Bookseller: Antikvariat Morris]
 45.   Check availability:     Antikvariat     Link/Print  


        Bi al Safina Naz perur hawl al qarrah al Ifriqiyya (In the ship Naz perur around Africa)

      Cairo: Dar ul Kutub al- Misriyya, 1928 Book. Very Good. Hardcover. 1st Edition. 4to - over 9¾ - 12" tall. Very rare limited edition to 500 copies. Arabic text 424 p include many photographic illustrations inside the text. The first part is about the Somalian territories and the British Kenya. The second part is about the Belgic Kongo, the British Tenjaniqa, the Portuguese Angola, Victoria waterfalls, colony of the Cap, the Canary Islands and the Island of Malta. The third part is about Victoria waterfalls, Rodezia (?), Kalahary desert, Territory of the Cap, Madera archipel, Island of Malta and Marmariqa(?). Contemporary binding. YUSUF KAMAL WHO WAS A MEMBER OF THE ROYAL FAMILY IN EGYPT AND A WELL KNOWN ART AND MAPS COLLECTOR, ALSO WAS AN AUTHOR WHO WROTE AND TRANSLATED SOME GEOGRAPHICAL WARKS. For other work by Yusuf Kemal see inventory no. 000454.

      [Bookseller: Archive]
 46.   Check availability:     Biblio     Link/Print  


        Edle nacktheit in China

      Eigenbrodler Verlag, Berlin 1928 - First edition, large 8vo, pp. 7 (text), [1], [31] (full-page photogravures), [1]; text in German; French-fold textblock, maroon paper wrappers, in a dust jacket sporting the 32nd (unique) photogravure on upper cover; light soiling to dust jacket, very good. Perckhammer served in the Seige of Tsingtao during the First World War, and from 1917 to 1919 was a Japanese prisoner of war. He remained in China after his release, and produced two photo books. One was a collection of Peking street scenes, and the second was this book, a collection of soft focus nudes, mainly of prostitutes from Macao, which had to be smuggled out of China. In his introduction to the English language edition Perckhammer states, "Pictures of nude women, setting aside the ugly caricatures of the "Spring pictures" of erotic scenes, simply do not exist in China. Therefore I believe, I have created something entirely new and of value," and indeed we have seen few if any such books appear ourselves. The book was later banned by the Nazis under their list of harmful and undesirable writings. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
 47.   Check availability:     AbeBooks     Link/Print  

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