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Displayed below are some selected recent viaLibri matches for books published in 1927

        Sand and Foam: A Book of Aphorisms

      London: William Heinemann, 1927. First edition of this powerful collection of aphorisms, poems, and parables from the author of The Prophet. Octavo, original cloth. Warmly inscribed by the author on the front free endpaper, "To Marie Luise, With a greeting across the garden, Kahlil.'' Also laid in is a autograph signed two paged letter on his letterhead, completely in Gibran's hand. It reads, "Good morning to you, dear Marie Lousie, and many blessings upon you. I have before me now a kindly number of your letters, and I feel quite rich. You see, I went to the country for a while, and while I was there no letters were forwarded to me. Everybody thinks that I must try and get out of the world as though I have never been in it. And they say that I am not well enough to do anything but lie on my back and be still. They are all stupid! I like the little photographs in your last letter very much. They make you seem quite dashing! The hair is infinitely better and, of course, more becoming. No doubt that at the end of October 'your tresses, like molten gold, falling from heaven to the earth,' will [be] a pleasant sight to the gods of this world--and the gods of other worlds. I am glad you still like the drawing. Who knows, I may make a better one next winter! And if I should do so, you would want it- and I will not give it to you- and that's that!!! Always your faithful Kahlil Boston Aug. 28 1927." In near fine condition. Sand and Foam' is a collection of profound and inspirational thoughts from the master of timeless wisdom, Kahlil Gibran, author of 'The Prophet'. Abstract and specific, amused and awed, direct and circuitous, this work draws together strands of advice and motivation to enrich the mind, heart, soul and life of the reader.

      [Bookseller: Raptis Rare Books]
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        Nine Original Snap Shot Photos of Charles A Lindbergh on the USS Memphis on June 4, 1927, One of Them Signed by Lindbergh

      Near Fine. Nine glossy sepia-toned gelatin silver photographs. Each is approximately 5.75" x 3.5". Some light fading else near fine. Mounted with corners on cardstock and thus removable, the leaves likely removed from a photo album or scrapbook. Most feature Lindbergh meeting or talking with officers and enlisted sailors. In another he is seated in the pilot's seat of the cockpit of the Memphis' scout seaplane. In another picture, Lindbergh, accompanied (probably) by the ship's Captain, peers through binoculars, while in the background a newsreel photographer captures the scene. Lindbergh has Signed the image with blue ink ("C. A. Lindbergh") in the lower right hand corner. Lindbergh returned to the United States on the Memphis after his epic flight to Paris in the Spirit of St. Louis on May 20, 1927.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Poems

      Alfred A. Knopf, New York 1927 - The second American edition, ( originally published in 1920 ). Published by Alfred A. Knopf in 1927. A near fine copy of the book with a prior owner's signature. Near fine dust jacket with a fingernail sized chip to the top of the spine and some light edge rubbing. The title which signaled the arrival of a singularly gifted poet. [Attributes: Hard Cover]

      [Bookseller: The Reluctant Bookseller]
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        Erich Heckel, Knabenkopf, Original Lithographie, signiert + limitiert

      1927 - ERICH HECKEL, Döbeln/Sachsen 1883 - 1970 Radolfzell/Bodensee, Knabenkopf, 1927, Lithographie auf Japanpapier, Rechts unten mit Bleistift signiert und datiert, Links unten betitelt, Seltener Abzug auf Japanpapier, Gesamtauflage nur 20 Exemplare, Darstellungsgröße: 27 x 21,2 cm, Blattgröße: 59 x 44 cm, Rahmen: 87,5 x 70,5 cm, Werkverzeichnis Dube L281, Handgefertigter Rahmen, säurefreies Passepartout, Museumsglas, Versand in Deutschland kostenlos, Europa Euro 50,-, Welt Euro 100,-

      [Bookseller: Michael Draheim]
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        Das Männchen kommt zum Zauberer. Eine neue Bildergeschichte vom Männchen.

      Berlin: Herbert Stuffer Verlag. 1927 Mit zahlr. handkolorierten Illustrationen. Farb. illustr. Pappeinband. Einband minimal berieben und minimal braunfleckig, sehr schönes Exemplar Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
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        The Dynasts: An epic drama of the war with Napoleon in three parts, nineteen acts, and one hundred and thirty scenes, the time covered by the action being about ten years [Limited Edition, Signed]

      Macmillan and Co, London 1927 - Limited to 525 large-paper copies. Three volumes; quartos (28cm.); uniformly bound in vellum-backed battik-style paper-covered boards, gilt spines, custom cloth slipcase. Just a hint of wear, else a Near Fine set. Signed by the author on Vol. I colophon. [Attributes: First Edition; Signed Copy]

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        [Morte Darthur.] The Birth, Life and Acts of King Arthur,

      London: J. M. Dent & Sons, Ltd.,, 1927. of his noble knights of the round table, their marvellous enquests and adventures, the achieving of the San Greal and in the end Le Morte Darthur, with the dolorous death and departing out of this world of them all. The text as written by Sir Thomas Malory and imprinted by William Caxton... now spelled in modern style, embellished with many original designs by Aubrey Beardsley. With an introduction by Professor John Rhys and a note on Aubrey Beardsley by Aymer Vallance. Large quarto. Original black cloth over bevelled boards, spine and front cover elaborately decorated in gilt, titles gilt to spine, top edge gilt, others untrimmed. Woodcut half-title, gravure frontispiece with tissue-guard, woodcut title page, 21 full page wood engravings (including 6 double-page), numerous text illustrations, and approximately 365 repeated designs for chapter headings and borders, all by Aubrey Beardsley. Wear to extremities, notably at spine ends, foxing to prelims; a very good, partly unopened copy. First edition thus, with a foreword by Aymer Vallance, an eleventh chapter heading, and a note on the designs which were accidentally omitted from the first edition by R. A. Walker. This is the third Beardsley edition overall, and was issued in a run of 1,600 copies. Beardsley's Morte Darthur was commissioned by British publisher J. M. Dent in 1892 and first published in twelve monthly magazine instalments between June, 1893, and mid-1894. It "was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" (Lupack). Beardsley's illustrations for the Morte established him as the voice of the 1890s and La Morte Darthur proved to be an immediate sensation upon publication. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" (ibid.).

      [Bookseller: Peter Harrington]
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        Morte Darthur.] The Birth, Life and Acts of King Arthur, of his noble knights of the round table, their marvellous enquests and adventures, the achieving of the San Greal and in the end Le Morte Darthur, with the dolorous death and departing out of this world of them all. The text as written by Sir Thomas Malory and imprinted by William Caxton. now spelled in modern style, embellished with many original designs by Aubrey Beardsley. With an introduction by Professor John Rhys and a note on Aubrey Beardsley by Aymer Vallance.

      London: J. M. Dent & Sons, Ltd., 1927 - Large quarto. Original black cloth over bevelled boards, spine and front cover elaborately decorated in gilt, titles gilt to spine, top edge gilt, others untrimmed. Wear to extremities, notably at spine ends, foxing to prelims; a very good, partly unopened copy. Woodcut half-title, gravure frontispiece with tissue-guard, woodcut title page, 21 full page wood engravings (including 6 double-page), numerous text illustrations, and approximately 365 repeated designs for chapter headings and borders, all by Aubrey Beardsley. First edition thus, with a foreword by Aymer Vallance, an eleventh chapter heading, and a note on the designs which were accidentally omitted from the first edition by R. A. Walker. This is the third Beardsley edition overall, and was issued in a run of 1,600 copies. Beardsley's Morte Darthur was commissioned by British publisher J. M. Dent in 1892 and first published in twelve monthly magazine instalments between June, 1893, and mid-1894. It "was one of the most original and certainly one of the most controversial of the nineteenth-century artistic reinterpretations of Malory" (Lupack). Beardsley's illustrations for the Morte established him as the voice of the 1890s and La Morte Darthur proved to be an immediate sensation upon publication. "Often shockingly overt in their sexuality and eroticism, the illustrations rejected the aesthetic of the Pre-Raphaelites who were Beardsley's original mentors and offered a revisionist and parodic treatment of their medievalism. Ultimately, Beardsley went far beyond his original intention to 'flabbergast the bourgeois' of his day; he also challenged generations of readers and artists to view Arthurian society through his own modernist lens" (ibid.). Lasner 22c; Barbara Tepa Lupack, Illustrating Camelot, 2008, Chapter 4; Ray, The Illustrator and the Book in England from 1790-1914, 314.

      [Bookseller: Peter Harrington. ABA member]
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        My Own Life. Stanford Dingley

      Mill House Press (The). 1927 - 0 27 pages; Limited edition #35 of 80 for sale as noted on the colophon. Numbered in pencil. In publisher's red cloth embellised with gilt and with spine faded. 6.25" x 3.5". Stanford Dingley is a village and civil parish in West Berkshire, England, between Newbury, the nearest large town (West Berkshire's largest) , and Theale, which has the nearest motorway junction. Mostly consisting of farmland. [Attributes: Hard Cover]

      [Bookseller: poor man's books (mrbooks)]
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        List of the Officers of the Bengal Army, 1758–1834. Alphabetically Arranged and Annotated with Biographical and Genealogical Notices.

      London: Constable & Company Ltd. [vols. 2 & 3]; Phillimore & Co. Ltd. [vols. 3 & 4], 1927-46 - 4 volumes, octavo. Original red cloth, spines lettered and ruled in gilt, blind rules to covers, bottom edges untrimmed (fore edges also untrimmed in volumes 3 & 4). With the dust jackets for volumes 1 & 2. Edges spotted, endpapers browned, short split to vol. 1 inner hinge, vol. 3 very slightly sunned along extremities, vol. 4 spine rolled, the 2 dust jackets spotted, with slightly chipped and frayed spines and joint-ends, and a few other minor nicks or chips. An excellent, bright set. First edition of this extremely uncommon and indispensable reference work, containing over 7,000 records and much improved and expanded from its predecessor, Dodwell and Miles's Alphabetical List, which was published in 1838. There was an 18-year hiatus between the publication of the second and third volumes, and the dust jackets of the first two volumes state that the print-run was limited to 500 copies of each, of which 450 were for sale; the final two volumes were also issued in a limited edition, though the number of copies is not stated. We trace four complete sets in auction records in the last 50 years, with no recorded mention of the dust jackets. Hodson (c. 1883-1963) was an officer in the Indian Army. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        The Poems. Illustrated By Jean de Bosscchère.

      New York: Boni & Liveright, 1927 - Octavo (235 × 154 mm). Contemporary purple crushed half morocco by Whitman Bennett (New York), spine lettered and decorated in gilt with gilt raised bands, gilt floral patterned sides, boards ruled in gilt, gilt floral patterned endpapers, top edge gilt, other edges uncut. Ownership inscription to verso of front free endpaper. Extremities slightly worn; otherwise an excellent copy. 8 colour plates and 8 black and white plates. First Bosschère edition, in a very attractive binding.

      [Bookseller: Peter Harrington. ABA member]
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        Tableaux de Paris.

      Emile-Paul Frères - Paris, 1927, petit in-folio plein maroquin bleu nuit à décor de filets à froid, jeu de cercles et étoiles dorés, mosaïques de maroquin rouge, courts filets dorés et intégration du titre sur le premier plat. Le décor, géométrique et abstrait court sur le dos et les bords des contreplats. Gardes de soie. Couvertures conservées. Etui assorti au décor. Reliure signée Jacques ANTHOINE-LEGRAIN. 259pp.-3ff. Textes inédits de Paul Valéry, Roger Allard, Francis Carco, Colette, Jean Cocteau, Tristan Derème, Raymond Escholier, Georges Duhamel, Jean Giraudoux, Max Jacob, Edmond Jaloux, Jacques de Lacretelle, Valéry Larbaud, Paul Morand, Pierre Mac Orlan, André Salmon, Charles Vildrac, Jean-Louis Vaudoyer, André Warnod, André Suarès. Edition illustrée de 5 lithographies et 15 eaux-fortes originales de Pierre Bonnard, Edmond Céria, Daragnès, Hermine David, André Dunoyer de Segonzac, Pierre Falké, Tsuguharu Foujita, Marie Laurencin, Marquet, Charles Martin, Henri Matisse, Luc-Albert Moreau, Jean Oberlé, Pascin, Rouault, Maurice Utrillo, Van Dongen, Vlaminck, de Waroquier. Edition originale imprimée en deux couleurs. Tirage unique à 225 exemplaires. Notre exemplaire est un des 200 vélins, hors commerce, imprimé pour le peintre Charles Martin, l'un des collaborateurs de cet ouvrage. Mahé III-488 / Carteret IV-374 "[Edition] très estimée pour la variété des littérateurs et des artistes qui ont collaboré." Jacques Anthoine-Legrain (1907-1970), gendre de Pierre Legrain dont il reprend l'atelier en 1929, propose ici une réalisation dans le pur style Art Déco. Le décor, courant sur les deux plats et le dos, intégrant le titre dans le décor du plat, est caractéristique de l'oeuvre novatrice de ce très grand relieur, l'un des fondateurs de la Société de la Reliure Originale. Quelques très pales et rares rousseurs, principalement sur les tranches. Un ouvrage réunissant les plus belles plumes de la première moitié du XXème siècle aux artistes majeurs de l'époque dont plusieurs membres de l'Ecole de Paris. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Lis Tes Ratures]
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        Psychiatrie. 9., vollständig umgearbeitete Auflage.

      Leipzig, Verlag von Johann Ambrosius Barth, 1927, 8, XIX, 454, (2) XII, 1471, (5) pp., 243 Abbildungen,, 36 Schriftproben, 2 farb. taf., 2 Portraits, 2 orig. Leinenbände 1 Einband mit kleiner Restauration, ansonsten frisches Exemplar. Selten! Letzte - Neunte *), vollständig umgearbeitete Auflage!1.Bd.: Allgemeine Psychiatrie von Johannes Lange. 2. Bd.: Klinische Psychiatrie. I. von Emil Kraepelin.Der von Kraepelin bearbeitete Teil der klinischen Psychiatrie enthält folgende Kapitel: Die Einteilung der Seelenstörungen Das Irresein bei Hirnverletzungen Das Irresein bei Hirnerkrankungen Die Vergiftungen Das infektiöse Irresein Die Syphilitischen Geistestörungen Die Dementia paralytica Das endokrine Irresein Register."Als ich mich nach langen Bedenken entschloß, noch einmal an eine Neubearbeitung des vorliegenden Werkes heranzugehen, war ich darüber klar, daß eine befriedigende Lösung dieser Aufgabe unmöglich sei. Die geradezu beispiellosen Fortschritte, die unsere Wissenschaft im Laufe der letzten Jahrzehnte gemacht hat, namentlich die Entwicklung zahlreicher Hilfswissenschaften, schließen eine annähernd vollständige Darstellung unseres Gesamtwissens auf dem Gebiete der Psychiatrie durch einen einzelnen Verfasser aus, eine Tatsache, die sich in der Entstehung von Sammelwerken deutlich genug kundgibt. Wenn ich trotzdem ans Werk gegangen bin, so leitete mich der natürliche Wunsch, auch über die Erfahrungen des letzten Drittels einer fast 50jährigen irrenärztlichen Tätigkeit noch Rechenschaft zu geben. Der mich immer von neuem fesselnde Zwang, die Fortschritte unseres Wissens lehrbuchmäßig zusammenzufassen, hat es mir leider dauernd unmöglich gemacht, einzelne Teilgebiete wirklich gründlich zu bearbeiten. Ich habe mich vielmehr immer darauf beschränken müssen, die am Krankenbette gewonnenen Erkenntnisse ohne nähere Begründung in dieses Buch aufzunehmen. So sind dessen einzelne Auflagen in der Hauptsache ein Ausdruck meiner persönlichen wissenschaftlichen Entwicklung geworden. Gerade darum empfinde ich das Bedürfnis, soweit meine Kräfte es mir gestatten, meiner Lebensarbeit noch einen gewissen Abschluß zu geben. Allerdings muß ich mich dabei im Hinblicke auf den Umfang der Aufgabe von vornherein auf die Behandlung rein klinischer Fragen beschränken. Ich betrachte es als eine besonders glückliche Lösung, daß Herr Kollege Lange sich auf meine Bitte bereit erklärt hat, die Bearbeitung der ,,allgemeinen Psychiatrie" für mich zu übernehmen. Ebenso war es mir willkommen, daß ich vor allem dem ersten Teile der ,,klinischen Psychiatrie", dessen Rückständigkeit mich am stärksten bedrückte, eine neue Form geben konnte. Ich brauche nur an die Lehre von den Kopfverletzungen, an die Enzephalitis lethargica, an Wilsons Krankheit, an die Entwicklung unseres Wissens von der Paralyse zu erinnern, um anzudeuten, welche Fortschritte wir auf diesen Gebieten gemacht haben. Aber auch die syphilitischen Hirnerkrankungen, namentlich die angeborene Lues, ferner die endokrinen Formen seelischer Störung bedurften dringend einer Neubearbeitung. Dabei ergab sich eine Verschiebung des Stoffes, insofern eine Anzahl kleinerer Abschnitte aus der Darstellung der Oligophrenien in diesen Band herübergenommen wurde, während das Irresein der Rückbildungsjahre und des Greisenalters zunächst ausgeschieden werden mußte. So enthält der vorliegende Band im wesentlichen eine Schilderung aller derjenigen Geistesstörungen, die durch äußere Ursachen hervorgerufen werden, durch Verletzungen und grobe Erkrankungen des Gehirns, durch Infektionen und durch Vergiftungen, einschließlich der Selbstvergiftungen. Soweit es mir irgend erreichbar erschien, bin ich bemüht gewesen, meine Darstellung auf eigene Erfahrungen zu stützen. Allerdings ist mir dabei mehr denn je die Unzulänglichkeit unserer Hilfsmittel zur Sammlung und Verwertung klinischer Beobachtungen zum Bewußtsein gekommen. Wie trügerisch die am Krankenbette gewonnenen, durch allerlei Zufälligkeiten beeinflußten "allgemeinen Eindrücke" sind, wird jeder erkennen, der daran geht, sie zahlenmäßig nachzuprüfen. Aber auch die meist von jüngeren Fachgenossen im Drange des Dienstes verfaßten Krankengeschichten können bei der Reichhaltigkeit und dem vielfachen Wechsel der psychiatrischen Krankheitsbilder nur ein höchst unvollkommenes Bild des wirklichen Geschehens bieten. Dazu kommt, daß es nur ausnahmsweise möglich ist, alle wünschenswerten Untersuchungen durchzuführen, daß die Vorgeschichten aus den verschiedensten Gründen meist sehr lückenhaft sind, und daß es nur bei einer verhältnismäßig kleinen Zahl von Fällen möglich ist, den gesamten Verlauf der Krankheit genauer zu verfolgen. Berücksichtigen wir endlich, daß recht selten eine den höchsten wissenschaftlichen Anforderungen entsprechende Erhebung des Leichenbefundes stattfindet, so ist es klar, daß nur ein winziger Bruchteil der Tatsachen, die uns von der Natur tagtäglich geboten werden, für unsere klinische Arbeit verwertbar wird. Aber auch von den schließlich in unseren Aufzeichnungen niedergelegten Beobachtungen kommt sehr wenig wirklich zur Verarbeitung, während die große Masse ruhmlos in den auf gespeicherten Archiven versinkt. Nur die sogenannten "interessanten" Fälle haben etwas bessere Aussicht, das Licht der wissenschaftlichen Betrachtung zu erblicken. Es ist wahrlich leichter, diese Mängel unserer klinischen Forschung zu erkennen, als sie zu beseitigen sie sind zum Teil naturnotwendig. Dennoch scheint es mir nicht undurchführbar, im Laufe der Zeit einen möglichst großen Schatz von gründlich und einheitlich durchuntersuchten, nach allen Richtungen hin abgeschlossenen Beobachtungen über alle Formen des Irreseins zu sammeln, der uns jederzeit einen ungefähren Überblick über die gesamte wissenschaftliche Erfahrung auf unserem Gebiete vermitteln könnte. Eine annähernde Vollständigkeit nicht nur hinsichtlich der schulmäßigen, sondern vor allem auch der meist vernachlässigten unklaren und zweifelhaften Fälle wird allerdings nur in mühevoller und entsagungsreicher Arbeit erreicht werden können. Soweit es die Rücksicht auf die lehrbuchmäßige Darstellung zuließ, bin ich schon jetzt bemüht gewesen, einen möglichst großen Teil des mir vorliegenden Beobachtungsstoffes in meine Krankheitsschilderungen aufzunehmen. Daraus ergeben sich gewisse Übelstände, die von mir selbst gewiß nicht schwächer empfunden werden, als vom Leser. Zunächst kommt es, wenn man alles wiedergeben will, was bei einer größeren Zahl gleichartiger Kranker beobachtet wurde, zu einer ermüdenden Häufung von Einzelheiten zu einer Überladung der Krankheitsbilder, die sich der Leser im einzelnen natürlich nicht im entferntesten so reichhaltig vorstellen darf, wie sie nach den Aufzählungen erscheinen. Sodann aber kehren selbstverständlich die gleichen Wahnbildungen, Gedankengänge, Sinnestäuschungen, Handlungen bei sehr verschiedenen Krankheiten wieder, so daß die kennzeichnenden Unterschiede in der Fülle des Gleichartigen zu ersticken drohen. Es wäre ohne Zweifel für den reinen Lehrzweck richtiger, sich jeweils mit einer kleinen Auswahl recht einleuchtender Beispiele zu begnügen und so zu einer scharfen Herausarbeitung der verschiedenen Krankheitsbilder zu gelangen. Ich habe mich zu einem solchen Verfahren trotz seiner augenscheinlichen Vorteile nicht entschließen können. Es schien mir dem bisherigen Entwicklungsgänge dieses Buches mehr zu entsprechen, einen Überblick über die Wirklichkeit innerhalb eines bestimmten Erfahrungskreises zu geben, als nach meinem Ermessen auszuscheiden was verwirrend wirken könnte." .. München, den 4. Okt. 1926. Dr. Kraepelin." Vorwort1. Auflage 1883 2. 1887 3. 1889 4. 1893 5. 1896 6. 1899 7. 1903-04 8. 1909 8. Nachdruck 1920 9. 1927.

      [Bookseller: MedicusBooks.Com]
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        Chamber Music (Joyce's First Book - Signed Association Copy from Fugitive Poet Merrill Moore to Original Organizer of the Fugitive Poet Meetings, Sidney M. Hirsch)

      London: Jonathan Cape, 1927. Early Edition. Hardcover. Very Good. 5 1/4 X 8 Inches. 40 PP. One of only 393 copies published by Cape. This is technically the fourth edition of James Joyce's first book. Each of the original three editions were published with similar limitations, so locating any of these early printings has become quite difficult. This particular copy bears an important association related to the Southern Fugitive and Agrarian Poet movement of the early 20th Century. Signed, "For Sidney Mitron Hirsh, with admiration and esteem - Merrill Moore, London. Sept. 4, 1928." Moore attended Montgomery Bell Academy and went on to Vanderbilt University in 1920. It was at this time that he joined in with the Fugitive Poets that included the likes of John Crowe Ransom and Robert Penn Warren. For a number of years, the "Fugitives" met on a bi-weekly basis at the home of local poet and eccentric character, Sidney Hirsch. These informal meetings at Hirsch's residence brought about monumental work from Allen Tate, Ransom, Penn Warren and Donald Davidson among others. This particular book not only represents the sharing of literary gold among the members of the Fugitive group, it is a tangible piece from the collection of the man who put the proverbial and literal "roof over the head" of the group. Original blue cloth boards. Slight toning to interior pages and a few dog-eared corners. Name and title embossed in gold gilt on the spine. Lacks DJ.

      [Bookseller: Back in Time Rare Books, LLC]
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        Men Without Women

      Charles Scribner's Sons 1927 - Charles Scribner's Sons, New York 1927. First Edition / First Printing / First Issue. Dated 1927 with Scribner's logo present. Weighs more than a pound. Page number 3 perfect. Tan cloth boards with black lettering. {ref: Hanneman A18a}. Book Condition: Very Good, age toning, shelf wear. Facsimile dust jacket. Wrapped in a new removable mylar cover. [Attributes: First Edition; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
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        Diffraction of Cathode Rays by a Thin Film" (Thomson, Paget, Reid) in Nature, Vol. 119, No. 3007, June 18, 1927, p. 890 AND "The Diffraction of Cathode Rays by Thin Films of Platinum (Thomson) in Nature, Vol. 120, No. 3031, December 3, 1927, p. 802

      FIRST EDITION IN ORIGINAL WRAPS OF THOMSON & REID'S NOBEL PRIZE WINNING PAPERS "for the experimental discovery of the diffraction of electrons by crystals" (Nobel Prize Portal). The experiments conducted here "beautifully confirmed the [de Broglie's] wave theory" (Lindau Nobel Laureate Portal). Sir George Paget Thomson was born in 1892, the son of the physicist Sir J. J. Thomson. Paget Thomson studied at Cambridge's Trinity College, later working for a year studying atomic structure with his father; this was followed by work at Cavendish Laboratory until WWI. Following a post at Cambridge, Paget Thomson became Professor of Natural Philosophy at the University of Aberdeen. It is at Aberdeen that Paget Thomson began to carry out experiments revealing the phenomena of electron diffraction with thin metal foils and high-voltage electrons. In 1924, the de Broglie hypothesis argued that a wave must be associated with the motion of any material corpuscle. "Reasoning that the effect would be easier to analyze with a solid than with a gaseous target, Thomson asked one of his students, Alexander Reid, to modify an existing apparatus and investigate the scattering of a beam of electrons with energy in the keV range through this celluloid films at normal incidence" (Lindau). In the first paper offered here (June 1927), Reid and Paget Thomson describe "the rings formed when a beam of cathode rays was sent at normal incidence through a thin film of celluloid and struck a photograph plate placed some distance behind the film. These were attributed to a diffraction of the cathode rays by the film, the cathode rays behaving as waves of wave-length h/mv according to de Broglie's theory of wave mechanics, and regularities in the structure of the film, or in the size of the molecules, making it behave as a kind of diffraction grating" (Abstract). In the paper of 1927 December, Paget Thomson (working alone) confirmed and extended his experimentation "to films of gold, aluminium, and of an unknown (probably organic) substance. In particular, the relation that the size of the rings is in all cases inversely as the momentum of the cathode rays is fully confirmed, and the number and size of the rings correspond remarkably with what is to be expected from the known crystalline structure of gold and aluminium, using de Broglie's expression for the wave- length of the cathode rays" (Abstract). "Whereas his father had seen the electron as a particle (and won his Nobel Prize in the process), Paget Thomson demonstrated that it could be diffracted like a wave, a discovery proving the principle of wave-particle duality which had first been posited by de Broglie in the 1920s as what is often dubbed the de Broglie hypothesis" (Strickland, Creators of Quantum Physics, 180). CONDITION & DETAILS: Two issues in original wraps. London: Macmillan. 4to. (10.5 x 7.5 inches; 262 x 188mm). Ex-libris with stamps on front wraps; professionally rebacked at the spine (see scan). Slight wear; bright and clean throughout. Both very good condition.

      [Bookseller: Atticus Rare Books]
 16.   Check availability:     Biblio     Link/Print  


        Amerika. Roman.

      München, Kurt Wolff (1927). - 8°. 391 (1) S. Rötliches OLn. mit Deckel- und Rückenschild (Schrift in Blau). 1. Ausgabe des 'amerikanischen Romans', nachdem der Anfang im Jüngsten Tag erschienen war, vom Verfasser 'Der Heizer' genannt. Mit dem Nachwort von M(ax) B(rod). - Hemmerle S. 31; Raabe/HB 146.10; WG 10. Etwas unfrisch und fleckig, gering bestoßen. [Attributes: First Edition; Hard Cover]

      [Bookseller: Georg Fritsch Antiquariat]
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        REFERENCE CATALOGUE OF CURRENT LITERATURE (2 TOMO).

      Varias editoriales., London 1927 - Encuadernacion en plena piel; buen estado de conservacion. Aunque figuran como tomos II y III el tomo II: A-K, y el tomo III: L-Z. Inmenso trabajo de recopilacion de catalogos de libros literatura impresos en el Reino Unido durante el año 1927. Tamaño: 21 x 14 x 22 cm. de lomo. 5000 paginas aproximadamente cada tomo. BIBLIOGRAFIA-IMPRENTA

      [Bookseller: Libreria Anticuaria Jerez]
 18.   Check availability:     AbeBooks     Link/Print  


        China in sign and symbol. A panorama of Chinese life, past and present

      Shanghai: Kelly & Walsh, 1927. xx, 227p., hardcover in dustjacket, the dustjacked stained along top edge, especially on the rear panel; untrimmed edges foxed, mild musty scent. Illustrations of shop signs and other symbolic placards.

      [Bookseller: Bolerium Books, ABAA]
 19.   Check availability:     Direct From Seller     Link/Print  


        The Scattering of Electrons by a Single Crystal of Nickel" in Nature 119, No. 2998, April 16, 1927, pp. 558-560

      FIRST EDITION IN ORIGINAL PRINTED WRAPS OF DAVISSON & GERMER'S SEMINAL CONFIRMATION OF DE BROGLIE'S HYPOTHESIS ON THE WAVE NATURE OF MATTER. For this work, Davisson and Thomson shared the 1937 Nobel Prize in Physics "for the experimental discovery of the diffraction of electrons by crystals" (Nobel Prize Portal). Fine condition housed in custom clamshell box. Davisson and Germer's 1927 confirmation of de Broglie's hypothesis --the first observation of the wave nature of electrons. de Broglie's wave-particle duality hypothesis and this 1927 confirmation were major steps forward in the experimental confirmation of quantum mechanics. Though Davisson's discovery was somewhat "accidental", it is considered the "definitive confirmation of de Broglie's hypothesis" (L'Annunziata, Radioactivity, 428; Brush, Making 20th Century Science, 224).  "The Nobel prize-winning discovery of electron diffraction in 1927 had its starting point in research" begun in 1917 in the engineering department at Western Electric" (Kraugh, Quantum Generations 130). As part of an unrelated lawsuit, Clinton J. Davisson and his assistant, Lester Germer, "began work on the thermionic emission of Wehnelt cathodes. Although the work did not influence the outcome of the suit… it eventually developed in a highly satisfactory and completely unexpected way. In their extended research program, Davisson and Germer were led to study electron emissions from metal surfaces under electron bombardment. In 1924 [their] electron-electron scattering experiments resulted in patterns that Davisson interpreted as arising from the crystal structure of the metal, but nothing further seemed to follow from the experiments. The physicists did not think of electrons as waves. "It was only in the spring of 1926, when Davisson spent a holiday in England, that he happened to learn about de Broglie's ideas of 1924 that electrons might be diffracted by crystals. At that time, Davisson did not know of the new quantum mechanics, but he was told by European colleagues that Schrödinger's theory might be the key to understanding his experiments. In a letter to Richardson, he wrote 'I am still working at Schrödinger and others and believe that I am beginning to get some idea of what it is all about. In particular I think that I know the sort of experiment we should make with our scattering apparatus to test the theory'. "The new direction of the old research program resulted in [this] famous Davisson-Germer experiment proving experimentally de Broglie's formula that", in short, matter also behaves like waves" (ibid). Davisson and Germer's experiment, one they at first did not understand, had definitively demonstrated the wave nature of the electron, thereby confirming de Broglie's hypothesis. Their experiment put wave-particle duality on solid experimental footing and was a major step forward in the development of quantum mechanics. Note that in addition to this issue we also offer the full volume separately. CONDITION & DETAILS: London: Macmillan. Complete single issue professionally rebaked at the spine. Small quite faint institutional stamp on the front wrap (see photos). 4to. Bright and clean inside and out. Fine condition. Housed in custom clamshell box.

      [Bookseller: Atticus Rare Books]
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        The Passing Seasons.

      London: Country Life 1927 - LIMITED EDITION. 132/250. Folio. (45 x 35 cm.). Recent half red morocco, cloth boards. 18 full page colour illustrations each signed in pencil on the mount by the artist. Intermittent light spotting mainly to margins, one text leaf repaired without loss. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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        Zeitschrift des Ehmcke-Kreises. Blätter für gestaltendes Schaffen. 41 Hefte in 31 Heften

      Ehmcke-Kreis, München, 1927-1938. Insgesamt ca. 2000 S. mit vielen Illustrationen in verschiedenen graphischen Techniken sowie zahlreiche oft farbige, montierte Reklame-Entwürfe, kartonierte Original-Einbände mit meist farbigen Einband-Illustrationen, (teils gering gebräunt) - Enthalten: 2. Jahrgang, Heft 7 und 8-9 / 3. Jahrgang, Heft 1-2, 4-5, 9 und 10 / 5. Jahrgang, Heft 1, 3, 4, 5, 7, 8, 9 und 10 / 6. Jahrgang, Heft 1, 2, 3-4, 8-9 und 10 / 7. Jahrgang, Heft 1, 2, 3, 4, 5, 6, 7-8 und 9-10 / 8. Jahrgang, Heft 1 und 2-3 / 10. Jahrgang, Heft 1 / 12. Jahrgang, Heft 3-4 -

      [Bookseller: Celler Versandantiquariat]
 22.   Check availability:     booklooker.de     Link/Print  


        AMERICAN ARMY IN CHINA: Tientsin, Peking, Shanghai, Hankow, Hong Kong &c., 1927-

      - [China n.d. ca. 1927-1928]. Brown simulated alligator cloth covers, 37 x 27.5 cm., black pages, spine ribbon-tied, ca. 400 b.w. photos corner mounted, images very good, sharp and clear images NOT faded,solid,nicely done. V E R Y R A R E ! **** *** **** . . SUPERB PHOTO ALBUM OF THE CHINESE CIVIL WAR: . . Beginning of The Communist Party led led by Mao Tse-tung . . V.S. the Kuomintang [KMT] or Chinese Nationalist Party . Led by Chiang Kai Shek. . The United States Supported the KMT. In this album, we see how the KMT soldiers hosted the American Army in China, using their trains and military bases throughout China. * This unusual album contains 400 original b. w. photographs & and is an historic photographic record of American military deployment showing Dough-boys in China, probably from the U.S. Army's 2nd. Battalion, 15th. infantry, per the flag and insignia found on a group formation photograph. A minority are with written captions, by and large taken by the person who made the album, also enhanced with a small percent of professional Chinese photos, some of which have in-negative captions. * There are ca. 3 or so photos missing else completely filling 32 pages or 64 sides + one on the inside back cover. The inside of the front cover has five attractive period color luggage type adverts from various hotels: Hotel Lankershim & Coast Line Military & Naval Hotel San Francisco, Cal; The Court Hotel, Tientsin North China; Grand Hotel des Wagons Litz; Astor House Hotel Ltd., Tientsin. * The album begins with photos of a Chinese playing a Pi-pa [snake skin banjo], then there are three other photos: first two show a Chinese military camouflage train engine from which a Yank soldier in his campaign hat descends, and a long train of cars with a large howitzer mounted upon one, last shows French [?] troops at parade rest with their rifles and white gloves and crested helmets with anchors [naval or marines] with others in the background with some officers. * The next two pages show Chinese coolies swing a basket from the creek top water a field, a mother suckling her baby with her family at the farm, a large water tower in the wet slums and a group of Doughboys at attention in formation, they wear boots, leggings, chrome World War I type dress helmets, a rifle, back pack with bayonet, cartridge pouch belts with green wool hip-length jackets. The opposite page shows another view of the Chinese military train, a pair of large mounted guns on an armored train car. To the right is a Chinese officer pointing to a large pierced hole in the train with a foreign engineer peering out from the small window. The train sports the Republic of China flag with a Chinese military unit flag painted on the side. Another view shows a group of abandoned Chinese coffins that went to the dogs; a group of soldiers in garrison caps at attention with fixed bayonets as the officers salute someone near the person taking the photo, some Chinese officers also present. * Next 2 pages show Chinese on a wheel barrow, some Japanese women by a pond in Kimono and a group of British troops from their colonial Empire: blacks, Indians, white trumpeter, Chinese, and others with musical instruments all wear white cork-type pith helmets. A group of Japanese officers mugging for the camera. Photos of the railhead and large number of Chinese troops with rifles, and kit at the railway station, some on march carrying their flags others in open box cars with touring cars that are on the move, another of camouflaged armored train cars, one shows a number of foreign soldiers looking out of a train car window, some are with tiny embossed stamp at right corner: "Mei Lee Tien Tsin." * The album continues with a mixture of images of civilian Chinese, Chinese military, their trains, moving air planes, weapons, war refugees in tents, military views of barbed wire fortifications, trenches, machine gunners Russian soldiers, Chinese officers, Chinese air force, funerals, rickshaw pullers, cam

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        The Stabilization of the Mark

      London: George Allen & Unwin Ltd,, 1927. Octavo. Original black cloth, spine lettered and ruled in gilt, front board ruled in blind. With 2 newspaper obituaries for Schacht laid in. Photographic portrait frontispiece. Spine ends and corners bumped and worn, a few minor marks to boards, hinges gently cracked but firm, endpapers tanned, overall a very good copy. First UK edition in English, first impression, presentation copy, inscribed by the author, "To Mr Fred B. Bate, with kind regards", dated 17 November 1927, to the front free endpaper. The recipient is presumably the American broadcaster Frederick Blantford Bate (1886–1970), who was the NBC representative in London at the time. The book was originally published in German in Stuttgart by Deutsche Verlags-Anstalt earlier the same year. The German financial expert is credited with almost single-handedly halting the Weimar Republic's hyperinflation crisis of 1922–3 with the introduction of the Rentenmark—the subject of this book—and thereafter he served as president of the Reichsbank before becoming minister of economics (1934–7) under Hitler's rule. Although charged in 1945 as a war criminal for his early support of Hitler and for his role in enabling Hitler's armament plans, he was acquitted at Nuremberg and went on to establish his own bank and act as an international financial consultant. This copy is accompanied by two brief newspaper articles from the Chicago Daily News and the Chicago Sun-Times, both dated 5 June 1970, on Schacht's life; Schacht had died the day before. Both name Schacht as "the financial wizard who helped Hitler's rise to power".

      [Bookseller: Peter Harrington]
 24.   Check availability:     Biblio     Link/Print  


        Treasure Island (with scarce dust jacket)

      George H. Doran Company, New York 1927 - Copyright date (circa 1927). With a Very Rare Dust Jacket. Illustrated throughout by Edmund Dulac including frontispiece, text illustrations. Original green cloth with blindstamp design, gilt title and spine, illustrated endpapers, illustrated jacket. With the price still intact on the inside front flap, dust jacket now in a clear cover. First American Edition with Dulac plates. Fair amount of wear and staining to jacket, some small chips and closed tears to edges, larger chips at corners and head of spine, some wear to cloth with rubbing to extremities, abraded areas at head and heel of spine; foxing to frontispiece and initial pages, offestting from plates. Tinted top page edges, for edge pages are not cut. Decorated inside covers front and back. Text and illustrations remain bright and clean, binding is secure, a solid collectible book. Size: 4to - over 9" x 12" Tall [Attributes: First Edition; Hard Cover]

      [Bookseller: mclin haven books [IOBA]]
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        1920 - 1927. [Architectural projects of the VKhUTEMAS faculty].

      Izd. VKHUTEMASa Moskva 1927 - Quarto (24 x 17 cm). XIV, 45 pp. illustrated with 45 photogravures of student architectural drawings. Original photomontage wrappers designed by El Lissitsky; some wear along edges, joints weak, light soiling. Fresh example of the first edition with original wrappers showing Lissitsky's design that ingeniously combined an image of a hand with the compass with innovative use of type. The book includes an introduction by professor N. Dokuchayev and some of the VKhUTEMAS faculty's architectural drawings: renderings of factories, the Palace of Labor, communal housing and other state-sponsored projects, most unrealised. The VKhUTEMAS Workshop had a brief but significant existence, established in 1920 and dissolved in 1930. Its impact both at the time and now is tremendous, as the Workshop furthered the development of constructivism and rationalism in architecture. Created by Vladimir Tatlin in 1920 under the name 'Higher Art and Technical Studios', the school was formed by the merging of the Stroganov School of Industrial Art and the Moscow School of Painting. Abandoning traditional curriculum and encouraging the avant-garde, the school quickly became the leading art school in the post-revolutionary period. Key instructors were Aleksandra Exter, Kazimir Malevich, Lyubov Popova, Alexander Rodchenko and Nadezhda Udaltsova. From a print run of 1000 copies, rare in fine condition considering the fragility of the production. MoMA 702. [Attributes: First Edition; Soft Cover]

      [Bookseller: Shapero Rare Books]
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        Carmen -

      A la Cité des Livres 1927 -, Paris - 1 volume. In-4 104 pp. Sous étui et coffret. Sous couverture rempliée. Ouvrage orné de gravures sur bois en couleurs dans le texte et hors texte d'Hermann-Paul dont un en frontispice. Très bon état. TIRAGE LIMITE à 290 exemplaires numérotés. Celui-ci un des 22 exemplaires sur Japon impérial. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
 27.   Check availability:     AbeBooks     Link/Print  


        Lazarus Laughed (1925-1926) A Play For An Imaginative Theatre [Three Separate Volumes: First Limited Edition Signed By O'neill, + Fine First Trade Edition In Fine Dj, + A Unique Third Printing Signed By Entire Cast And Crew

      New York : Boni & Liveright, Inc., 1927. 1st Edition 1st Printing. Green Cloth. Very Good/Near Fine Dustjacket. 8 3/8 " High. Three Different Editions: A Fine Copy Of The Signed Limited First Edition Of The Book, Signed By O'neill, In A Near Fine Original Slipcase. Also Included Is The First Trade Edition, Near Fine In A Near Fine, Unfaded Dust Jacket, Not Price-Clipped. Also Included Is A Unique Copy Of The Third Printing, February 1928, The Printing Just Before The First Production Of The Play, At The Pasadena Playhouse. Prepared By Or For Claude D. Seaman [Of The Standard Lighting Company, Los Angeles], With His Name On Front Endpaper Carefully Blocked In Ink. Printed Heading, By Hand, On First Blank "World Premiere/ Of O'neill's/ "Lazarus Laughed"/ Pasadena Community Playhouse/ April 9 - 1928"; Repeated On Verso; Half Title With Line For Author's Signature [But He Was Not Present And This Line Is Thus Blank]; Verso With "World Premiere..." Text Repeated, With Lines For Director, Musical Director, Director Of Movement, Art Director, Production Manager, Business Manager, And The Chairman Of The Production Committee, Each Line Signed By The Person Holding That Position; Title Page; Verso Is Copyright Page; Synopsis Page; Verso Are Lines Drawn And Extended To Each Of The "Characters" Listed On The Following Page, Each Line Signed By The Person Who Played That Part, Maurice Wells Thus Signing Twice, 14 Signatures In All; "World Premiere" Text Repeated At Foot Of Characters Page And Again On Verso; "Act One" Title Page; Verso Repeats Then "World Premiere...' Text, Followed By Lijnes For Each Of The Producing Staff / Setting, Including The Designer James Hyde, And 11 Others. With, Laid In Loosely, The Los Angeles Newspaper Review By The Spectator Of The Production Which Shortly Moved To The Hollywood Music Box [Theatre], With A Clipped Newspaper Ad For The Production Citing A Cast Of 250 And A Production Cost Of $100,000. The Play Has Since Been Produced Only Four Times, Due In Part To The Expense And Difficulty, But Also To Its Philosophical, Didactic Yet Confrontational Tone Which Has Not Set Well With General Audiences Since The Original Use Of This Dramatic Form Several Thousand Years Past. Irving Pichel [1891-1954] Played The Title Role. He Also Played The Servant, Sandor, In Dracula's Daughter, Fagin In The 1933 Film Oliver Twist, And About 57 Other Films 1930-1939, With Minor Roles In Films He Later Directed. He Directed Films 1932-1954, Including The Most Dangerous Game, She, Earthbound, Hudson's Bay, The Moon Is Down, They Won't Believe Me, The Miracle Of The Bells, Destination Moon, And Santa Fe. In 1947 Hje Was One Of The Hollywood 19 Subpoened By The House Un-America Activities Committee; He Was Not Called To Testify, But Was Blacklisted, Requiring Him To Work Outside The Us. Victor Jory [1902-1982] Was Canadian, Attended School In Pasadena, Appeared In Theatre All Over The Us And Made His Motion Picture Debut In 1930, Later Appearing In Over 150 Pictures And Dozens Of Tv Episodes. [Note That This Book Is Not Signed By O'neill. Gilmor Brown, Producer Of The Play, Was Director Of Public Speaking And Dramatics At Caltech, Later Director Of The Pasadena Playhouse, And Responsible For Making It Into One Of The Premier Small Theatres In The U.S. From The 1920'S Into The 1950'S, Routinely Featuring Prominent Starring Actoirs And Furnishing An Entree For Many Actors Who Later Became Successful In Motion Pictures And Tv.

      [Bookseller: Arroyo Seco Books]
 28.   Check availability:     IOBABooks     Link/Print  


        The Catastrophe. Kerensky's Own Story of the Russian Revolution.

      New York: D. Appleton and Company, 1927 - Octavo. Original red cloth, title in black to spine and front board. Somewhat rubbed and soiled, frayed head and tail of spine, lower corners rubbed through, endpapers lightly browned, pale toning to the text, overall very good. Portrait frontispiece. First edition, published in French and German the following year. Firsthand account of the revolutions of 1917 by the head of the Provisional Government, this copy inscribed verso of the frontispiece "To the Association of Russian Advocates in France", dated Paris 1932. Early signatures of Kerensky are uncommon. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The History of the Valorous and Wittie Knight-Errant Don Quixote of the Mancha

      The Ashendene Press 1927 1928, Chelsea - Two parts in one volume Folio (c.427 x 310 mm). full red and light brown morocco, spine with five raised bands, lettered in gilt, top edges gilt, others uncut and untrimmed, marbled endpapers. One of 225copies on Bachelor paper (20 copies printed on vellum). Printed in red and black in Ptolemy type, text in double columns. Borders and initials are designed by Louise Powell and then cut on wood by W. M. Quick and Geo[rge] H. Ford. This is the largest sized book of the Ashendene Press."Don Quixote" represented a new direction for the Ashendene Press in its typeface and decoration. The new typeface by Emery Walker was based on the font used in the Ulm 1482 edition of Ptolemy and was "a much lighter, more elegant letter than the earlier fount," the denser Subiaco type. "And with the use of this less dictatorial type face, the printer could cast away a little of his restraint in planning whatever lay outside it. So in Don Quixote we find at last an alphabet of open and freely drawn, decorative initial letters, designed by Louise Powell and shadowing something of Kelmscott Press taste from years before." -Franklin, pp. 56-57. Spin and front cover with slight uneven fading of the red morocco, else fine [Attributes: Hard Cover]

      [Bookseller: Randall House Rare Books (ABAA)]
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        Das Bechstein-Bilderbuch

      C. Bechstein Pianofortefabrik-Aktiengesellschaft 1927 - 95 pp., illustrations. In German, English and French. cover & spine are worn with significant tears, stains inside covers & on 1st & last 2 pages, minor age-toning of other pages 0.0 [Attributes: Soft Cover]

      [Bookseller: Masalai Press]
 31.   Check availability:     AbeBooks     Link/Print  


        ESSAYS IN ZEN BUDDHISM. FIRST SERIES - SECOND SERIES - THIRD SERIES [FIRST EDITION 3 VOLUME SET]

      London: Luzac and Company, 1927. Complete set of Suzuki's Essays in three octavo volumes including the very scarce First Series, all First Editions. These epoch making volumes were published by Luzac and Company of London for The Eastern Buddhist Society of Kyoto, Japan, in 1927,1933, and 1934. True first editions not to be confused with the Rider reprints published in the 1950's. All bound in the original cloth with spines lettered in gilt. First Series, 1927, x, 423 pages. Contents include Zen As The Chinese Interpretation Of The Doctrine Of Enlightenment; Enlightenment And Ignorance; History Of Zen Buddhism In China, From Bodhi-Dharma To The Sixth Partiarch (Hui-Neng); Satori, And Practical Methods Of Zen Instruction; The Meditation Hall And The Ideals Of Zen Life; The Ten Cow-Herding Pictures. Very good with browning to the endsheets, no markings. Second Series, 1933, xii, 326 pages, with twenty-five collotype reproductions of Old Masters (some fold-out). Contents include The Koan Exercise; The Secret Message Of Bodhidharma; Two Zen Text-Books (the Pi-Yen-Chi and the Wu-Men-Kuan); Passivity In The Buddhist Life. Insect holes at extreme top corner of the first thirty pages, else clean and very good, no markings. Third Series, 1934, xiv, 392 pages, with thirty-three collotype reproductions of Old Masters (some fold-out). Contents include From Zen To The Gandavyuha; The Gandavyuha, The Bodhisatva-Ideal, And The Buddha; The Bodhisatva's Abode; The Desire For Enlightenment; The Significance Of The Prajna-Paramita-Hridaya Sutra In Zen Buddhism; The Philosophy And Religion Of The Prajnaparamita; Buddhist, Especially Zen, Contributions To Japanese Culture; The Zen Life In Pictures. Very good with clean, unmarked text. Suzuki was the first great scholar-interpreter of the East to the West. He virtually single-handedly brought the message of Zen, and Buddhism in general, to the West. His writings have sparked a radical change in Western ways of thinking. The historian Arnold Toynbee has predicted that future historians, when looking back on this period, will consider of major significance not events currently viewed as being of lasting importance, but rather an event few people are even aware of: the transmission of Budhhism from East to West. . First Edition. Hard Cover. Very Good.

      [Bookseller: RON RAMSWICK BOOKS, IOBA ]
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        Mesicník pro stavební umení (= Der Bau. Monatsschrift für Baukunst). V. Jahrg., Heft 1 - 12 (Juli 1926 - Mai 1927).

      Originalausgabe. - Kompletter Jahrgang der bedeutenden Zeitschrift des tschechischen Konstruktivismus mit vorgeb. Jahresinhaltsverzeichnis. - Enthält u.a. einen mehrteiligen Beitrag von Karel Teige über Konstruktivismus und neue Architektur in der UdSSR sowie einen umfangreichen Artikel über das Bauhaus Dessau. Bildunterschriften in Tschechisch, Französisch und Deutsch. - Insgesamt ordentlicher Zustand. - Heller 112f.

      [Bookseller: Rotes Antiquariat]
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        Les Feuilles Libres: Hommage a Leon-Paul Fargue

      Paris: Librairie de L'Etoile, 1927. 1st. Original wraps. Fine. The 1927 1st edition, #6 OF ONLY 10 COPIES ON JAPON PAPER AND INCLUDING A FRAGMENT OF HANDWRITTEN MANUSCRIPT BY L.P. FARGUE. Clean and Near Fine in its original wrappers. Octavo, 207 uncut pages plus publisher's ads at rear.

      [Bookseller: Appledore Books, ABAA]
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        The Stabilization of the Mark.

      London: George Allen & Unwin Ltd, 1927 - Octavo. Original black cloth, spine lettered and ruled in gilt, front board ruled in blind. With 2 newspaper obituaries for Schacht laid in. Spine ends and corners bumped and worn, a few minor marks to boards, hinges gently cracked but firm, endpapers tanned, overall a very good copy. Photographic portrait frontispiece. First UK edition in English, first impression, presentation copy, inscribed by the author, "To Mr Fred B. Bate, with kind regards", dated 17 November 1927, to the front free endpaper. The recipient is presumably the American broadcaster Frederick Blantford Bate (1886–1970), who was the NBC representative in London at the time. The book was originally published in German in Stuttgart by Deutsche Verlags-Anstalt earlier the same year. The German financial expert is credited with almost single-handedly halting the Weimar Republic's hyperinflation crisis of 1922–3 with the introduction of the Rentenmark—the subject of this book—and thereafter he served as president of the Reichsbank before becoming minister of economics (1934–7) under Hitler's rule. Although charged in 1945 as a war criminal for his early support of Hitler and for his role in enabling Hitler's armament plans, he was acquitted at Nuremberg and went on to establish his own bank and act as an international financial consultant. This copy is accompanied by two brief newspaper articles from the Chicago Daily News and the Chicago Sun-Times, both dated 5 June 1970, on Schacht's life; Schacht had died the day before. Both name Schacht as "the financial wizard who helped Hitler's rise to power". [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        le quai des brumes

      gallimard 1927 - exemplaire 1080/1145 très belle dédicace à Georges MERIC par MAC ORLAN très rare [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: MBLIVRES]
 36.   Check availability:     AbeBooks     Link/Print  


        Treasure Island (with scarce dust jacket)

      New York: George H. Doran Company, 1927. Copyright date (circa 1927). With a Very Rare Dust Jacket. Illustrated throughout by Edmund Dulac including frontispiece, text illustrations. Original green cloth with blindstamp design, gilt title and spine, illustrated endpapers, illustrated jacket. With the price still intact on the inside front flap, dust jacket now in a clear cover. First American Edition with Dulac plates. Fair amount of wear and staining to jacket, some small chips and closed tears to edges, larger chips at corners and head of spine, some wear to cloth with rubbing to extremities, abraded areas at head and heel of spine; foxing to frontispiece and initial pages, offestting from plates. Tinted top page edges, for edge pages are not cut. Decorated inside covers front and back. Text and illustrations remain bright and clean, binding is secure, a solid collectible book.. Revised Edition. Hardcover. Very Good/Good. Illus. by Edmund Dulac. 4to - over 9" x 12" Tall. Collectible.

      [Bookseller: Mclin Haven]
 37.   Check availability:     Biblio     Link/Print  


        Troilus and Criseyde: Folio Society Limited Edition

      London: The Folio Society Book. As New. Hardcover. As New, Hardcover Bound in full goatskin leather Blocked in 22-carat gold with a design by Neil Gower from Gill's original engraving in Solander Box, Limited Edition 1250 Copies, Limited to 1,250 copies Bound in full goatskin leather Blocked in 22-carat gold with a design by Neil Gower from Gill's original engraving Printed on Rigoletto Panna 5 full page illustrations Elaborate title page and decorative borders throughout Felt-marked paper Gilding on all three page edges Ribbon marker Book Size: 12½" x 7¾". 328 pages Accompanied by a 48-page commentary volume Quarter-bound in buckram with Merida paper sides Presented in a buckram-bound solander box A masterly facsimile of the acclaimed Golden Cockerel Press edition of Chaucer's masterpiece, this beautiful work unites the talents of typographer Robert Gibbings and artist-engraver Eric Gill. Designed to capture the beauty and grace of the great medieval psalters and books of hours this masterpiece embraces traditional styles to create a truly modern and unique work of art. This Folio Society limited edition has been produced to exacting standards, from the choice of materials to the traditional craftsmanship of binding the books. This Folio Society limited edition has been produced to exacting standards, from the choice of materials to the traditional craftsmanship of binding the books. The original 1927 cover was an unexciting quarter-binding with patterned paper sides, so we commissioned Neil Gower to create a new design derived from one of Eric Gill's full-page illustrations. The image and titling are blocked in 22-carat gold on full leather. The poem is accompanied by a commentary volume containing essays by Roderick Cave on the history of the Golden Cockerel Press, and Professor Barry Windeatt on the sources, structure and interpretation of Troilus and Criseyde. In the 1920s the Golden Cockerel Press produced three works which are considered amongst the finest achievements of the private press movement, uniting the talents of the typographer Robert Gibbings and artist-engraver Eric Gill. They represented a union between text and illustration that has remained a gold standard for designers ever since. We are now pleased to present the earliest of these masterpieces: Chaucer's Troilus and Criseyde. This was the work that marked the start of a fertile creative collaboration between Gill and Gibbings. Although Gill had worked on books for Gibbings before, this was the first project to fire his enthusiasm and inspire his finest work. Gill greatly admired medieval manuscripts (he had begun his working life as a calligrapher) and he wanted to create a modern response to the books of hours and psalters which so delighted him. He developed borders to frame each page with marginal illustrations, and initial letters often printed in red and blue - a very pared-down, but conscious allusion to illuminated manuscripts. For Troilus and Criseyde Gill also created full-page illustrations with which to begin each of the five books of the poem. It reveals the moment at which Gill's ideas were developing from more traditional illustration to a very different kind of page design, and unites the beauty of both forms The story of Troilus and Criseyde is of early medieval origin, and would have been familiar to Chaucer's readers. Troilus is a Trojan prince. Criseyde is the daughter of the traitor Calchas. The pair fall in love, and are brought together by Criseyde's uncle Pandarus. They are blissfully happy until Criseyde is forced to leave Troy. She betrays her vows of fidelity to Troilus and accepts the love of Diomedes, a Greek leader. The poem ends with Troilus' death at the hands of Achilles and his final happiness as he ascends to heaven. A poem of extraordinary power, Troilus and Criseyde is a consummate work of art in both its themes and construction. It is divided into five parts, with the lovers' union taking place exactly halfway through the poem. Its .

      [Bookseller: Anglo Dutch Books]
 38.   Check availability:     Biblio     Link/Print  


        Schmucker französischer Künstlereinband

      LOUŸS, Pierre: Poësies. Mit einer Titelillustration. Paris: Crès (Berger-Levrault, Nancy) 1927. Kl.-8°. 4 Bll., 270 S., 4 Bll. Weinroter Künstlereinband aus Marokkoleder mit dekorativer, symmetrischer Gold- und Farbprägung aus Linien und Rastern auf Deckeln, Rücken und Innenkanten, goldgeprägtem Rückentitel, Vorsätzen aus Kamm-Marmor mit Goldflitter sowie Kopfgoldschnitt. Posthum veröffentlichte Sammlung mit 58 Gedichten des umtriebigen Erotikers, zusammengestellt aus seinen bekanntesten Zyklen wie „Astarté" (1897) und Gedichten, z.B. „Aphrodite" (1896) und „Psyché" (1927). Der ursprünglich als beige Broschur mit rot-schwarzem Umschlag- und Rückentitel sowie Titelillustration erschienene Band liegt hier in einem nicht signierten Künstlereinband vor, dessen Gestaltung an den Stil einiger berühmter französischer Buchbinder der Moderne erinnert, vor allem an die auf Klarheit in der Linienführung und harmonische Komposition bedachten Arbeiten von George Cretté und Henri Creuzevault, aber auch mit bestimmten, in den 1920er-Jahren entstandenen Einbänden von Charles Benoît („Tableau du palais" (Pierre Lowell), 1928) und Pierre Legrain vergleichbar ist, welcher letzterer 1926 schon ein Buch von Pierre Louÿs mit einem ähnlichen Einband versehen hatte („Trois Filles de leur mère"). S. 3 des Inhaltsvereichnisses falsch eingebunden, Einband minimal berieben, die Vorsätze stellenweise mit Lichtrand, insgesamt sehr sauberes Exemplar im ausgezeichnet erhaltenen Künstlereinband. Duncan/Bartha 17, 18 (Benoît), 84 (Cretté), 14 (Legrain).

      [Bookseller: Domenico Jacono Antiquariat / Verlag / G]
 39.   Check availability:     Direct From Seller     Link/Print  


        The Protocols of Zion].

      Doloi Zlo Parizh 1927 - Octavo (24 x 15.7 cm). 64 pp. Original publisher's wrappers including a photogravure. A fine, fresh example of this émigré edition of the most notorious of anti-semitic slanders. The text of the 24 protocols comes from the Nilus' 1911 edition, with addition of an extensive introduction by the publisher, Duke Mikhail Gorchakov. "The Protocols" is an antisemitic hoax purporting to describe a Jewish plan for global domination. It was first published in Russia in 1903, later translated into multiple languages, and disseminated internationally in the early part of the 20th century. The text purports to document the minutes of a late 19th-century meeting of Jewish leaders discussing their goal of global Jewish hegemony by subverting the morals of "gentiles", and by controlling the press and the world's economies. Following the October Revolution, the Protocols of Zion came to be seen in a new light by the Russian right. Viewed through the prism of their anti-semitic beliefs, the predominantly Jewish make-up of the new Bolshevik government appeared to provide material proof of the prophecies that the text had purportedly first revealed. In order to make those links explicit, this émigré edition uses as its cover a photograph of Soviet officials titled, "The Jewish Government in Russia". Books on Jewish and Masonic conspiracies abounded during the early years of Russian emigration, finding fertile ground amongst the more reactionary elements of the community. In reality, these works tend to reveal rather less about the given subject matter than they do about the émigré community's own attempts to make sense of their own unhappy fate. In 1930s it was proved that the source material for the forged text consisted jointly of "Dialogue in Hell Between Machiavelli and Montesquieu", an 1864 political satire by Maurice Joly and a chapter from "Biarritz", an 1868 novel by the antisemitic German novelist Hermann Goedsche. [Attributes: Soft Cover]

      [Bookseller: Shapero Rare Books]
 40.   Check availability:     ZVAB     Link/Print  


        Un Maitre de la Caricature Andre Gill. 2 tomes. Paris

      Editions de l'Ibis 1927 - First Edition. 2 vols. 4to, viii, 311; iv, 344pp, original decorated wrappers [Attributes: Soft Cover]

      [Bookseller: Far Eastern Booksellers / Kyokuto Shoten]
 41.   Check availability:     AbeBooks     Link/Print  


        Kinabalu: The Haunted Mountain of Borneo

      Witherby, London 1927 - Enriquez was a natural adventurer of the late British colonial period. Born in India and educated in England, he joined the Indian Army, but eventually moved to Burma and then to Malaya before returning to Burma to retire. Wherever he went he wrote evocative accounts of the people and the wildlife he came across. He climbed the summit in 1925, the 22nd person recorded to have done so. His main purpose was to collect butterflies. This account, is of his ascent of Mount Kinabalu in present day Sabah still remains an ideal introduction for any visitor to the area. 199 pages. For further details, please see the scanned contents page There are also indices of butterflies, birds, insect and plants and a general index. Weight 0.8kg. Post free within Malaysia.The spine is sunned and the rest of the cover mottled. The text block has spotting, the frontispiece has come loose but is present. The binding is tight, the text is clear and there is mild tanning with very occasional spotting throughout. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Penang Bookshelf]
 42.   Check availability:     IberLibro     Link/Print  


        THE DYNASTS. An Epic-Drama of the War with Napoleon, in Three Parts, Nineteen Acts and One Hundred and Thirty Scenes, the Time Covered By the Action Being About Ten Years

      London: Macmillan, 1927. Limited. Hard Cover. Near Fine/No Dust Jacket. Frances Dodd. Small Quarto. SIGNED BY THOMAS HARDY ON COLOPHON. ALSO SIGNED BY ILLUSTRATOR FRANCIS DODD ON ENGRAVED FRONTISPIECE. Limited to 525 copies printed on large paper. BOOKPLATE SIGNED IN PENCIL BY ERIC GILL. From Samuel Kahn's library with his bookplate. THREE VOLUMES. A near fine set bound in quarter vellum over decorative paper-covered boards. No dust jackets. In custom cloth covered slipcase.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
 43.   Check availability:     Biblio     Link/Print  


        Miti, leggende e superstizioni dell' Abruzzo - Vol. II Studi comparati

      Ubaldo Caroselli Editore, 1927. ITALIANO 0,69 Volume intonso brossurato in carta leggera. Copertina riattaccata con nastro adesivo e dorso mancante che influisce sulla stabilita delle pagine. Bruniture alle pagine e ai tagli. Numerose illustrazioni e IV ( 4 ) tavole fuori testo. USATO

      [Bookseller: Biblioteca di Babele]
 44.   Check availability:     maremagnum.com     Link/Print  


        THE CHESTER PLAY OF THE DELUGE...

      Waltham St. Lawrence, Berks.: Golden Cockerel Press, 1927. Quarto. Polished red buckram. Illustrated with ten large wood-engravings by David Jones. Spillmark affecting top edge and running down side panels, and affecting two leaves (not the woodcuts). A dull but sound copy, from the library of printer/typographer C.P. Rollins, with his bookplate. Edited by J. Isaacs. One of 275 numbered copies, printed on hand-made paper. A modest copy, with some association interest, of one of the masterworks of Jones's career as a book illustrator.

      [Bookseller: William Reese Company - Literature ABAA-]
 45.   Check availability:     Biblio     Link/Print  

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