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Displayed below are some selected recent viaLibri matches for books published in 1927

        Die Staatstheorie im französischen (franzoesischen) Denken von Heute. [In: Revue Universitaire Internationale. Offiziells Organ der Vereinigung für studentische Völkerbundarbeit. Deutsche Ausgabe.].

      Paris, January 1927. 8vo. Entire issue present, in the original printed wrappers, uncut. Wrappers a bit soiled, and first leaves of the entire issue with a few tears, far from affecting text, and a brown spot to first few leaves. Otherwise internally fine. Inner hinge weak. Pp. 26 - 39. [Entire volume: 70, (8), (1, -colophon) pp.].. The extremely scarce first printing, in German, of Sartre's third publication, "The Theory of State in modern French Thought". The work appeared simultaneously in German, French, and English, and all three publications are of the greatest scarcity. Contat and Rybalka were unable to find the French edition for the bibliography of Sartre's works and had to do with the English version. They state that the "Revue universitaire internationale" is not to be found anywhere, in no French libraries: "Il nous a été impossible de retrouver l'édition francaise de cette revue qui était publiée à Paris par la Fédération universitaire internationale simultanément en francais, anglais et allemand. Le titre de l'édition francaise est: "Revue universitaire internationale". Elle ne figure au catalogue d'aucune bibliothèque de France." (Contat & Rybalka).The present article is a brilliant and well founded essay of state theory by the 22 year old Sartre, published 16 years before his philosophical breakthrough, "L'Etre et le Néant" from 1943. Sartre was urged by his fellow opinionator Daniel Lagache to write the article. Lagache was the editor of the "Revue Universitaire Internationale", in which the article appeared. "Il s'agit d'une étude brillante et solidement documentée où Sartre, déployant la virtuosité intellectuelle d'un normalien bien entraîné, examine le philosophie du droit de quelques théoriciens francais du droit international, en particulier de Hauriou, de Davy et de Léon Duguit." (Contat & Rybalka).Contat & Rybalka 27/3

      [Bookseller: Lynge & Søn A/S]
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        Los Clasicos Olvidados (Nueva Biblioteca de Autores Espanoles): Complete in 10 Vols. [In Spanish];

      Madrid, Compania Ibero-Americana de Publicaciones, published under the direction of Pedro Sainz y Rodriguez, 1927-1931.. Vol. I - Obras escogidas de Bartolome Jose Gallardo (1); Vol. II - Obras escogidas de Bartolome Jose Gallardo (2); Vol. III - Alvaro Cubillo de Aragon Las Munecas de Marcela El Senor de Noches Buenas; Vol. IV - Obras completas de Juan Alvarez Gato; Vol. V - Desengano del hombre en el Tribunal de la Fortuna y Casa de Descontentos ideado por D. Juan Martinez de Cuellar; Vol. VI - Philosophia secreta por Juan Perez de Moya (1); Vol. VII - Philosophia secreta por Juan Perez de Moya (2); Vol. VIII - Las apologias de la lengua castellana en el siglo de oro; Vol. IX - Ruperto de Nola Libro de Guisados; Vol. X - Obras escogidas de Salvador Jacinto Polo de Medina. HARDBACKS, quarter-plum cloth, with burgundy cloth covered boards, gilt lettering on cream spine labels, decorative end-papers, red and black lettering on title-pages, pages: xxxvi, 266, [i] indice, [iv] adverts.; 322, [i] indice, [v] adverts.; xciv, 235, [i] indice, [iii] adverts.; xlix, [i], 215, [i] indice, [v] adverts.; xvi, 166, [i] indice, [v] adverts.; xxii, 314, [v] adverts.; 339, [v] adverts.; xxx, 188, [v] adverts.; xlviii, 247, [vi] adverts.; 388, [i] indice, b & w illus. in some vols., 8vo., 130mm x 210mm, (5" x 8.25"), ex-academic library, plates on front end-papers and some rear end-papers, small stamps on title-pages and last pages, covers slightly rubbed at some edges and corners with minor losses, some heads and tails slightly rubbed, Vol. IX has bumped corners and creasing to top corner of pages, Vol. X has slight fading to front cover and browning throughout, otherwise a fine sound set. 6Kg.

      [Bookseller: Baldwin's Scientific Books]
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        Egenhændigt manuskript med underskrift til avisartiklen "Kolisch-Kvartetten", trykt i Politiken den 28.11.1927.

      Dateret (med stempel) "25 NOV 1927". 28 x 22. 3 sider. Med tilføjelser og ændringer i Nielsens hånd. Alle tre ark foldet på midten og har et mærke efter en papirklips i øverste venstre hjørne. Tredje ark signeret af Nielsen selv.Three leaves. Original handwritten and signed manuscript in with additions and corrections in Carl Nielsen's own hand. All three leaves folded once in the middle. Third leaf signed by Nielsen.. Brevet er en opfordring til københavnske musikelskere til at høre den berømte Wiener kvartet Kolisch-Kvartetten der skulle spille i byen den 29. november 1927. Nielsen skriver blandt andet: "Der forestaar det Kjøbenhavnske Musikpublikum en / sjælden Begivenhed! Det er virkelig lykkedes at faa / denne berømte Wiener-Kvartet til at optræde her / i byen." Nielsen er yderst begejstret for kvartettens musik og musikere, og om dem skriver han: "[...], så er det her fire besynderligt fanta= /stiske moderne Sjæle der usynligt farer ud og ind og ægger, kærtegner, bider og klapper vort Øre og / vort Sind, saa vi bestandigt er midt i en hel ny / Virkelighed".Kvartetten opførte blandt andet Nielsens egen Opus 44 (for stryger-kvartet). (Fellow, Carl Nielsen til sin samtid, P 140).Carl August Nielsen (1865 - 1931) er den mest betydelige og internationalt anerkendt danske komponist, og han er i dag bedst kendt for sine seks symfonier. Han var 62 da han skrev nærværende artikel, og havde på dette tidspunkt skåret kraftigt ned på sin musikalske aktivitet, som følge af et alvorligt hjerteanfald to år tidligere. Han forsatte dog med at komponere musik frem til sin død, og i 1927 udgav han sin selvbiografi Min Fynske Barndom, hvilket sammen med Kolisch-Kvartetten opførelse af sin strygekvartet i F-dur var det der optog ham mest i denne period. (brev fra Carl Nielsen til Emil Telmányi, 30.11.1927, (DK-Kk, C II, 10)).Kolisch-Kvartetten var i 1920erne en af de største og mest anerkendte ensembler på den klassiske musikscene især i Europa og USA men også i Asien, og de indspillede en lang rækker plader med hovedsageligt Schubert og Mozart.Et af kvartettens særtræk var at de ofte spillede koncerter uden brug af noder. Dette var ikke et forsøg på at fremstå overlegen men derimod et produkt af yderst ihærdig øvelse, hvilket overflødiggjorde noderne. Dette bevirkede at musikken i langt højere grad kom til at fremstå levende og dynamisk, hvilket også Carl Nielsen bemærker.___________________Carl Nielsen encourages the Danish music society to attend a concert with the famous Viennese quartet Kolisch Quartet. Carl Nielsen is today widely recognised as Denmark's greatest composer

      [Bookseller: Lynge & Søn A/S]
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        Les Hommes Abandonnes. Illustre de lithographies par M. de Vlaminck

      Editions Marcel Seheur Paris: Editions Marcel Seheur. 1927. One of 25 copies on Japon Shidzuoka with an extra suite on Chine, from a total issue of 345: 25 tirage de tete on Japon Shidzuoka as described above, 320 on Velin d'Arches ordinary issue (20 of which hors commerce). Page size: 12 7/8 x 9 1/4". Bound: full black crushed morocco by E. MAYLANDER spine with author, title, date and place in gilt, five raised bands extending to front and back panel simulating clasps, all edges gilt, caramel morocco doublures surrounded by gold fillet, brown and blue silk brocade flyleaves, paste-paper flyleaves, ex-libris on lower front paste- paper, signed on lower front turn-in, "Rel. E. Maylander. Dor.," original wrappers bound in, morocco-edged paste-paper slipcase, signed in gilt, "Maylander." spine a bit rubbed on raised bands. Illustrated with one original etching (frontispiece)and 24 original lithographs, plus two additional suites (the ordinary issue had one additional suite), this is the second Vlaminck title published by Seheur. Mourlot pulled the lithographs. Vlaminck (1876-1958), one of the more prolific members of the School of Paris, exhibited with the Fauves in 1905. His earlier work is generally more sought after than his later studied landscapes. This lovely book -- with its strong graphic images -- gives reason to that prejudice. References: Lilly Library, Beyond Illustration: The Livre d'Artiste in the Twentieth Century, No. 16. Rauch 94. See an Image.

      [Bookseller: Priscilla Juvelis, Inc. ]
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        Svenska Fåglar efter Naturen och på Sten ritade. Med Text af Einar Lönnberg. Andra Upplagan. 1.-(3.) Delen. 3 Bd.

      Stockholm, Förlaget Svenska Fåglar, (1927-29). Folio. 3 originale helldrbd. i flammet kalv, rig rygforgyldning, indfarvet titelfelt i skind, rovfugl i guldtryk på forpermer, stregforgyldning. Permer med et par mindre småskrammer.(Forlagets luxus-indbinding). 10,295;10,296-546;16,547-902 pp. Tekstillustrationer samt 364 smukke farveplancher. Indvendig helt frisk.. Denne, af Einar Lönnberg, reviderede udgave af Brdr. Wrights berømte fugleværk fra 1828-38, udvider værket med bl.a. de uudgivne plancher, således at de oprindelige 184 arter er blevet til 355 - samtlige svenske fuglearter. - Anker: 544 - Nissen: 1026

      [Bookseller: Lynge & Søn A/S]
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        Svenska fåglar efter naturen och på sten ritade. I-III.

      Stockholm, Svenska fåglar, 1927-29. Andra upplagan. 3 volymer, 9 + (3) + 295; 9 + 2 + 296-546; 16 + 547-902 s. Med 364 litograferade planscher. Förlagets halvfranska band i förlagets kassett. Guldornerade ryggar, marmorerade snitt. Numrerad upplaga till förmån för Verner von Heidenstams fond till skydd för Sveriges djurvärld. Detta är nummer 1402. Heidenstams namnteckning med foto på extra försättsblad. Ägarmärke (EAG) på främre pärmen. Bra skick på banden.. Text av Einar Lönnberg

      [Bookseller: Antikvariat Röda Rummet AB]
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        Lafcadio's Adventures (Les caves du Vatican)

      Alfred A. Knopf New York: Alfred A. Knopf. 1927. First. First American edition of this issue and the second English language edition. Translated by Dorothy Bussy. Originally issued by Knopf in 1925 as The Vatican Swindle, this issue was supplied with the original sheets but with new front matter as well a new dustwrapper and boards. Spine lettering a little dull, else fine in a very attractive, near fine dustwrapper with a bit of age-toning at the spine. One of Gide's more important works, and exceptionally uncommon in jacket. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Strawberry Hill Accounts a Record of Expenditure in Building Furnishing, &c. Kept By Mr Horace Walpole from 1747 to 1795

      Oxford: Oxford at the Clarendon Press, 1927.. Limited Edition. Very Good Plus/Good Plus. Quarto Limited to 500 copies.Collation, xx[2]213[1]pp, illustrated frontis. Bound in original publishers half vellum, vellum corners, marble boards. Vellum slightly dusty, binding in very good clean firm condition. Dust jacket has a few small nicks or tears, quite heavily dust marked, but in good condition. Internally, no loose pages or writing. Pages in very good clean condition. 8946.A16

      [Bookseller: George Jeffery Books]
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        Kew Gardens. Decorated by Vanessa Bell.

      London: The Hogarth Press, (1927).. Third edition, one of 500 copies, this copy not numbered, small 4to, (24) leaves printed on one side only. Text held within different and unique decorative borders by Vanessa Bell, faint signs of a label having been removed from the paste down. Original decorative boards with some soiling, spine slightly browned, some subtle restoration to the lower joint. A very good sound copy. Kirkpatrick A3c.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
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        The Bunker at the Fifth

      William Hodge & Co. Edinburgh and Glasgow: William Hodge & Co.. (1927). First. First edition. Black cloth titled in red. Illustrated. Owner name on the front fly, foxing on the foredge that encroaches a little on some pages, else near fine lacking the dustwrapper. A rare golf mystery. Reportedly only one jacketed copy is known. Donovan and Murdoch 1520. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Bauten und Pläne. Mit einem Beitrag von Adolf Behne.

      80 S., 21 S., Inserate, 1 w. Bl. Mit vielen s/w. Abbildungen und Skizzen. Schwarzer Originalleinwandband mit Silber- und Rotpgrägung. "Neue Werkkunst." - Einband und Typographie von Johannes Molzahn. - Rücken schwach berieben. - Sauberes Exemplar. - Selten. [3 Warenabbildungen bei antiquariat.de]

      [Bookseller: Daniel Thierstein Buchantiquariat]
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        Three Lives

      John Rodker London: John Rodker, 1927. THIRD ENGLISH EDITION. Hardcover. Slate blue paper-covered boards. Minor offsetting to front and rear free endpapers. A very good copy in the original dust jacket (grey paper, printed in black, Wyndham Lewis blurb on front panel) which is missing a chip at top of spine panel and also has a piece of the top of the spine panel floating loosely (neither affecting any lettering). Wilson (A1d) states that this edition was not issued in jacket. The first UK edition (1915, John Lane) was made up from sheets of the American Grafton Press printing (300 copies with cancel title pages). Then an edition printed in England was published by John Lane in 1920. This, then, is the third UK edition, but the second to be actually printed in England. Obviously an uncommon item in jacket. Wilson, who actually owned a copy of the Grafton Press first edition in jacket, had not seen an example of this jacket.

      [Bookseller: Robert Dagg Rare Books ]
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        Einsame Stimme. Ein Buch Gedichte.

      Gr.-8°, 173 S. mit dem Porträt des Dichters in Original-Lithographie von George Grosz, Orig.-Leinen. Erste Ausgabe.- Eines von 900 nummerierten Exemplaren, vom Autor im Impressum eigenhändig signiert. Hier ein Exemplar der einfachen Leinenausgabe, die eigentlich nach dem Impressum nur noch nummeriert sein sollte.- Beiliegt Vorderteil des Orig.-Umschlages.- Tadelloses Exemplar.

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Die gegenstandslose Welt. (Die Übersetzung besorgte A. von Riesen). Schriftleitung: Walter Gropius u. L[ászló] Moholy-Nagy.

      104 S. Mit zahlr. Textabb. Gr.-8°, Orig.-Leinenbd. Bauhausbücher, XI. - Erste Ausgabe der bedeutenden kunsttheoretischen Schrift, welche in die Reihe der Bauhausbücher aufgenommen wurde, obwohl, wie man dem Vorwort der Schriftleitung entnehmen kann, sie in grundsätzlichen Fragen vom Standpunkt des Bauhauses abweicht. ?Die russische Publikation des ersten Teils (...) war lange geplant, aber von ihren Initiatoren unterlassen worden, nachdem bereits der Drucksatz hergestellt worden war. Der zweite umfangreiche Teil des Buches (...) wurde speziell für die Serie der Bauhausbücher geschrieben und illustriert? (Holstein). - Malewitsch erhielt 1927 die Erlaubnis, nach Westeuropa zu reisen. Grund dafür war, neben einer Ausstellung in Warschau, eine Exposition seiner Werke im Rahmen der ?Großen Berliner Kunstausstellung?. Hier lernte er Schwitters, Arp u. Moholy-Nagy kennen. Bei seinem Besuch des Bauhauses kam es schließlich zu dem Entschluß, die Schriften ?Einführung in die Theorie des additionalen Elementes der Malerei? u. ?Suprematismus? in der Reihe ?Bauhausbücher? zu veröffentlichen. (Vgl. Tendenzen der Zwanziger Jahre 1/170). - Das Werk wird in nahezu allen maßgeblichen Schriften zur Kunstgeschichte des zwanzigsten Jahrhunderts genannt; von Werner Haftmanns ?Malerei im 20. Jahrhundert? bis zu Werner Hofmanns ?Die Moderne im Rückspiegel: Hauptwege der Kunstgeschichte?. Eine Ausnahme stellt der Zeitgenosse Malewitschs, Carl Einstein, dar, welcher den Konstruktivismus u. Suprematismus in seinem wichtigen Propyläen-Band als ?Kitsch der Vernunft? bezeichnet. - Typographie von László Moholy-Nagy. - Wingler 563, 11. - Fleischmann 169. - Bolliger V, 69. - Holstein, Buhaus 202.

      [Bookseller: Rotes Antiquariat]
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        Sämtliche Werke. Jubiläumsausgabe in zwanzig Bänden, einer Hegel-Monographien (in 2 Bänden) und einem Hegel-Lexikon (in 4 Bänden). Auf Grund des von L. Boumann, Fr. Förster, E. Gans u.a. besorgten Originaldruckes im Faksimileverfahren neu herausgegeben v. Hermann Glockner. - Zusammen 26 Bände (alles).

      8vo (21,5 x 14 cm). Mit 1 Portrait Hegels. Rotbraune OLwd. m. schwarzer Prägung u. RSchild. bzw. Ohldr. (Bd. 25-26). Farbiger Kopfschnitt. Die vollständige Glocknersche Ausgabe samt dem erschließenden Hegel-Lexikon. - Die Rücken teils fleckig u. mit Fingerspuren, einige Bände am Kapital bestoßen. Innen sauber und wohlerhalten. [4 Warenabbildungen bei antiquariat.de]

      [Bookseller: Antiquariat Düwal]
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        Epigramme

      Wien - Leipzig: Verlag Die Fackel. 1927. First. First edition. Octavo. 101, [6]. Green cloth gilt. A little foxing on the boards, near fine. Inscribed by the author: "fur Mary Dubspensky. Karl Kraus. Wein, im Sept. 27." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Now We Are Six

      Methuen London: Methuen, (1927). First edition. This famous collection of children’s verses, featuring Milne’s son, Christopher Robin, and his bear, is illustrated throughout with Ernest H. Shepard’s whimsical drawings. Signed at a later date on the title page by Shepard. Handsomely bound by Bayntun-Rivière in deep red morocco, with gilt ruled borders and spine in six compartments. Four little Pooh-Bears are stamped in gilt on the spine. Vignette in gold of Christopher Robin with his fishing pole stamped on the front cover. Original cloth wrappers bound-in. A.e.g. A lovely presentation of Milne’s classic, in immaculate condition.

      [Bookseller: Bromer Booksellers ]
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        Now We are Six. With Decorations by Ernest H. Shepard.

      London: Methuen & Co. (1927).. First edition, 8vo, (xii), 103, (1) pp. Illustrations throughout, half title browned. Original gilt decorated maroon cloth, t.e.g., spine slightly rubbed and sunned, dust wrapper lightly marked and browned, loss to the top of the spine and the top corner of the upper wrapper.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
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        Now We Are Six

      London: Methuen & Co 1927 London: Methuen & Co, [1927]. First edition. Large Paper Edition. no. 107 of 200 numbered copies, signed by Milne and Shepard. Printed by Jarrold & Sons Ltd., Norwich. 4to. Illustrations by E.H. Shepard. 103, [1] pp. 1/2 cloth, boards with paper label, unopened, uncut, minor foxing internally, in cloth slipcase. An extra label for the upper cover tipped in at the back. A Handsome Copy

      [Bookseller: James Cummins Bookseller ]
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        Sein und Zeit. Erste Hälfte (alles). Sonderdruck aus "Jahrbuch für Philosophie und phänomenologische Forschung", Band VII herausgegeben von E. Husserl - Freiburg i.B.

      Halle, Max Niemeyer, 1927. Lex 8vo. Orig. full cloth binding. Gilt title-label with minor wear (less than usual). Minor wear to capitals and corners, and inner front hinge a bit weak, otherwise very nice. Annotations to front free end-paper, otherwise internally very nice, clean, and bright. XI, (1), 438 pp. (no errata leaf, as usual).. First edition, off-print, of Heidegger's main work, "Being and Time", -one of the most influential philosophical works of the 20th century, and most likely the most influential work of continental philosophy in the 20th century. This is the special printing of the first appearance of the work. It was published in "Jahrbuch für Phänomenologie und phänomenologische Forschung", edited by Edmund Husserl, also in 1927, and the special edition appeared simultaneously. The work was issued in original wrappers and in publisher's cloth binding. This is the original cloth-binding issue. The work is difficult to find in good condition."Sein und Zeit" is without doubt Heidegger's most important work, and it is also his first significant academic work; it earned him the professorship at the University of Freiburg. Because of this work, Heidegger's contribution to the world of continental philosophy must be said to be unsurpassed

      [Bookseller: Lynge & Søn A/S]
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        Bestiaire. Original drawing in India ink

      NP Paris NP 1927vg 6" x 3 3/4". Original finished drawing in India ink matted and framed in modern black wood, not examined out of the glass. This exceptional and fascinating art work has been made according to Remizov's favorite method of composition, which is a mixte medium collage, a technique of gluing superimposed multiple layers of paper, with frames or borders defining each individual drawing and the work as a whole. The Bestiaire depicts three allegoric animal characters, of which one can be identified as a hog. Remizov's predilection for fantastic, distorted, fragmented and non-figurative images is clearly shown in this drawing. This work is dated "Paris 1927" and the caption is in Russian and French. This stunning and unique piece of Art is in near fine condition.

      [Bookseller: Eric Chaim Kline - Bookseller ]
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