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Displayed below are some selected recent viaLibri matches for books published in 1927

        Now We Are Six

      36 Essex Street, W.C. London: Methuen & Co Ltd., 1927. First Edition. Decorative Cloth. Very Good/Very Good. 12mo - over 6¾" - 7¾" tall. E.H. Shepard. First Edition 12mo - over 6¾" - 7¾" tall. Original maroon cloth with gilt lettering and vignette in pictorial dustwrapper. Top edge gilt. Pictorial end papers and line drawings by E.H. Shepard. Book Condition: Very Good Top & bottom of spine slightly rubbed, Slight creasing and age toning to portion of Half title page, bookplate to verso of front free endpaper (with some resulting crinkling to endpaper).Dust Jacket Condition: Very Good. Spine slightly browned and chipped with loss at head, upper corners slightly chipped, closed tear and slightly creasing to portion of top edge of upper cover.

      [Bookseller: Lazarus Books Limited]
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        Now We Are Six - First Deluxe Edition

      Methuen & Co. Ltd., 1927. 1st deluxe edition. First Edition. Hardback. Fine/No Jacket. Now We Are Six, 1st deluxe ed., 1927, illustrations by E.H. Shepard, contemporary previous owner inscription to front endpaper, a.e.g., original green calf gilt in exceptionally bright condition, with none of the usual spine fade. 8vo

      [Bookseller: finecopy]
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        NOW WE ARE SIX

      London, Methuen, 1927.. FIRST EDITION 1927, 8vo, maroon cloth gilt, gilt vignettes to upper and lower covers, pink illustrated endpapers, top edges gilt. Illustrated by E. H. Shepard. Spine just very slightly darkened, very little light foxing to front endpaper, 30 mm (1½") wide vertical strip slightly browned at inner edge of half-title and inner edge of blank verso of final page, no inscriptions. Near Fine in like DUSTWRAPPER (dw: slightly darkened on spine, head and tail of spine a touch worn, a tiny closed tear at top of each hinge tiny chip to top corner of upper panel, minute chip at foot of front fold). MORE IMAGES ATTACHED TO THIS LISTING.

      [Bookseller: Roger Middleton]
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        Now We are Six

      London: Methuen & Co Ltd., 1927. First Edition. Fine Binding. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. With Decorations By Ernest H. Shepard. Size 7.25" x 4.75". 103 pages. 1927 First Edition. Deluxe Edition in Publisher's original Deluxe Binding. Blue calf covers, the front board is decorated with a gilt central picture of Christopher Robin with his fishing rod and double gilt border with floral corner pieces. Gilt titles at the top of the spine, 5 gilt vignettes of Christopher Robin intertwined with gilt flowers, and Methuen in gilt at the foot of the spine. All edges gilt. Pink pastedowns and endpapers with blue line illustrations of Christopher Robin, Pooh and Rabbit. Vignette of Christopher Robin on the title page and the wonderful line illustrations throughout by Ernest H. Shepard. In very good condition, corners rubbed, edges slightly rubbed, the leather is frayed at the very head and foot of the spine but with no loss to the gilt title or Methuen, spine a little faded calf slightly faded. The internal condition is excellent, very clean, the half title is slightly toned else the contents are very clean, no finger marks or inscriptions.

      [Bookseller: Lazarus Books Limited]
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        NOW WE ARE SIX

      Published by Methuen & Co. Ltd., 1927. 1st edition.. Hardback. Very Good/Good. Illustrated by Shepard, E.H.. Slightly better than very good condition in an almost very good dustwrapper. Red cloth, gilt titles, vignette and border. Top edge gilt. Pink pictorial endpapers. Delightful b/w illustrations throughout. 103 pages. Spine and corners are a little bumped, with some wear. Tiny bit of fading to top of spine and edge of front cover. Foxing to outer page edges and a few light margin marks. Binding is nice and tight. Wrapper is browned, especially to spine, with chips of loss to top and tail of spine and corners. 1.5" and 2" closed tears to top of front panel of wrapper. A few smaller nicks to edges of wrapper, with light creasing and a few marks. This copy would make a wonderful gift. [S]

      [Bookseller: Stella & Rose's Books]
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        Now We Are Six

      London: Methuen & Co. Ltd.,, 1927. With Decorations by Ernest H. Shepard. Octavo. Original red cloth, titles to spine and decorations to upper board gilt, pictorial endpapers, top edge gilt. Illustrated throughout by E. H. Shepard. Spine bumped, coners lightly rubbed, otherwise a bright, tight copy. First edition, first impression.

      [Bookseller: Peter Harrington]
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        NOW WE ARE SIX

      Published by Methuen & Co. Ltd., 1927. 1st edition.. Hardback. Good. Illustrated by Shepard, E.H.. Almost very good condition with no wrapper. Deluxe edition. Dark red full calf binding with gilt titles and decorations to spine and vignette to front cover. All edges gilt. Numerous b/w illustrations. Pictorial endpapers. 103 pages. Some chipping/lifting to leather on spine (2.4 inches). Top and tail of spine are chipped with slight loss to leather and a little fraying. Corners are worn, with a few small chips. Some scuffs to covers. Binding is still nice and tight. Foxing to endpapers. Inscription in ink to verso of front endpaper. Brown marks to half-title page and verso of last text page. Gilt edging is very nice and bright. [S]

      [Bookseller: Stella & Rose's Books]
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        Now We are Six. With Decorations by Ernest H. Shepard.

      London: Methuen & Co. (1927).. First deluxe edition, 8vo, (xii), 103, (1) pp. Illustrations throughout. Original Publisher's limp blue morocco with gilt decoration, spine slightly sunned with faint rubbing to ends, a handsome copy.

      [Bookseller: Bow Windows Bookshop, ABA, ILAB]
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        NOW WE ARE SIX

      1927. hardcover. <center><b>this copy signed by Milne, and with a 1927 flyer loosely inserted</b></center> Milne, A. A. NOW WE ARE SIX. With Decorations by Ernest H. Shepard. London: Methuen & Co., (1927). Original maroon cloth pictorially decorated in gilt, with dust jacket. <p>First Edition of "another book of verses to and for, by, with and from Christopher Robin, who is a little older now... Winnie-the-Pooh, perhaps an inch more round the waist, makes an occasional appearance" (per the jacket). This was the third of the four famous Milne/Shepard books, and the second to consist of verse.</p> <p>This volume is just about fine (spine very slightly darkened); the dust jacket is near-fine (spine very slightly faded, a few foxing marks on the front panel, just a hint of wear at a couple of corners). The title page is <i>SIGNED BY MILNE</i>, and loosely inserted is a flyer announcing that Ernest Shepard&#39;s original drawings for this book will be on exhibit at The Sporting Gallery in London in December 1927. NCBEL IV 671.</p> SIGNED / INSCRIBED / ASSOCIATION COPIES, CHILDREN&#39;S / JUVENILE (Sumner & Stillman Code:12150)

      [Bookseller: Sumner & Stillman]
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        The Anatomy of Melancholy [2 Vols.]

      New York: George H. Doran, 1927. First fully English translation. Limited to an edition of 500 numbered copies of which this 325. Statment of limitation signed by Pual Jordan-Smith. Bound in vellum spine and cream paper to boards, gilt title and rule to spine, gilt top, brass coloured ribbons. Lacking slipcase. Former owner&#39;s signature to front free endpaper, both volumes. This is the first English translation rendering all Latin portions of the text in English. Includes a preface by the editors and an introduction by Floyd Dell alone. Tiny spot of rubbing to gilt top first volume, some very faint spots of soiling to spines, very light scratching and some faint discolouration (due to adhesive) to paper of boards.. First Thus. Quarter Vellum. Fine/No Jacket. 8vo.

      [Bookseller: Contact Editions]
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      Paris, Les Éditions d&#39; Art Devambez, 1927.** . Droit, Jean. Reliure mosaïque, plein-maroquin bleu, avec emboîtage marbrés dorés, cadre Art Deco mosaïque en rouge, doré sur les plats, dos orné de pièce de titre doré, dos à nerfs ( 5) soulignés de filets doré, entrenerfs ornés de losagnes carmin, (...) (...)doublures de maroquin rouge et dorés dans les même style que les plats, coupes et coiffes dorés, gardes en toile bleu, page de garde marbré, (3) couverture d&#39; éditeur, frontispice en couleurs, 22,5x27,5cm, 167pp, couverture d&#39; éditeur (3), illustré en couleur et n/b. Illustré de quinze compositions originales dont sept en couleurs au repérage, gravées par Jean Droit. N° 404 de 406 exemplaires numéroté sure vélin d&#39; Arches à la forme, comportant l&#39; état définitif des eaux-fortes.

      [Bookseller: ERIK TONEN BOOKSELLER]
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        the Mediaeval Courts of Love A Paper read before Ye Sette of Odd Volumes at ye 421st meeting of ye Sette held at the Royal Adelaide Gallery, February 22nd 1927

      Ye Cayme Press 'and sold by no Booksellers' London: Ye Cayme Press &#39;and sold by no Booksellers&#39;, 1927. Ye Sette of Odd Volumes No LXXXII. . Grey paper covered boards, brown lettering on spine and front cover, on rear cover is the emblem of the Sette of Odd Volumes, with the the words &#39;There is Divinity in Numbers&#39;,. The book fits neatly into a new protective black cloth box. Limited edition, 111 of 133 copies. (110 x 150 mm), pp. 46. Presentation copy by Vyvyan Holland to &#39;Her Oddship, the Enchantress.&#39; Vyvyan Holland was the son of Oscar Wilde. He changed his name to distance himself from his father&#39;s scandals. The Sette of Odd Volumes was a dining club founded by the bookseller, Bernard Quaritch in 1878. Although many of the papers delivered to the Sette where whimsical in nature, and it would be easy to dismiss the Sette as an erudite boy&#39;s club, they often covered neglected and fascinating subjects. In this work Holland turns his attention to Mediaeval Courts of Love, where &#39;... for the first time in the history of ... Europe a woman could feel tolerably certain of not being ill used ... and for the first time it came to be acknowledged that a woman was entitled to some voice in the disposal ... of her affections. These were immense and very important strides in the march of civilization.&#39; (p. 42). Ridler 28.

      [Bookseller: G&R Stone]
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      New York: Alfred Knopf, 1927. First Edition. Hardcover. Contents clean and fresh; covers bright with sunning to the spine and darkening of the spine label. Very Good or better, lacking the scarce dustwrapper. Original green cloth with the first printing error on page 20. SIGNED by the author on the front free endpaper and quite scarce as such. There was a Limited Edition of 175 numbered and signed copies, but one rarely comes across a signed trade edition of this classic of American Literature. We found only one copy appearing at auction in the last 25 years, the Pforzheimer copy in 1987, that being inscribed to Carl Pforzheimer. The present copy is signed only and on an integral sheet of the book, not on a piece of paper added later.

      [Bookseller: Charles Agvent]
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      London: Noel Douglas, 1927. Involving All the Original Players, with thePortraits by Miss Currie Showing Notable Sensitivity 257 x 181 mm (10 1/8 x 7 1/8"). 2 p.l., 25, [1] pp. AN ESPECIALLY FINE COSWAY-STYLE BINDING IN CERULEAN BLUE MOROCCO, ATTRACTIVELY GILT, BY RIVIERE & SONS (signed on front turn-in), covers bordered with solid and stippled gilt rules accented at the corners and along each side by a looping floral tool, CENTER OF EACH COVER WITH A FINE OVAL WATERCOLOR PORTRAIT--OF SHELLEY ON THE FRONT AND OF KEATS ON THE BACK--PAINTED ON IVORY BY MISS C. B. CURRIE ("Miniatures by C. B. Currie" written in cursive on front doublure in gold ink), the portraits under glass and enclosed by a gilt stamped frame of floral and foliate tools; "Cosway Binding" and "Invented by J. H. Stonehouse" stamped in gilt on fore edges of boards, raised bands, spine compartments attractively gilt with drawer-handle and floral tools, turn-ins framed by multiple gilt rules, blue watered silk endpapers, top edge gilt (expertly rebacked, using the original spine). In a matching felt-lined buckram slipcase. Limitation page with printed and manuscript notation: "This is No. 891 of the Cosway Bindings invented by J. H. Stonehouse, with Miniatures on Ivory by Miss Currie," and signed below by Stonehouse and Currie. Covers faintly soiled, spine evenly sunned toward green, otherwise very fine, the carefully restored binding with virtually no surface wear, and the text immaculate. The earliest--and generally considered to be the finest--Cosway bindings were executed by Miss C. B. Currie, who is known to have worked between 1912-40, usually (as here) from designs by J. H. Stonehouse. The present item is a quintessential example of a genuine Cosway binding, involving the entire original cast of collaborators--Miss Currie, Stonehouse, Riviere, Sotheran--and no doubt produced in the late 1930s. We know more or less for certain that Currie did at least 950 miniatures in her lifetime, as a Cosway binding that sold at Christie's on 12 July 2000 bore that number, and most of the examples of Currie Cosway bindings in ABPC since 1975 are numbered in the 800s. The miniatures here are very finely executed, with deft strokes and a strong, appropriate feeling of melancholy, as manifested especially in the convincing treatment of the eyes--Shelley's being at once penetrating and vulnerable and Keats' being full of disillusioned pensiveness. The binding is as attractive as a Riviere production ought to be, but its gilt decoration is restrained, in keeping with the contents. The text here is a facsimile of the original printing of the tribute of one great Romantic poet to another at the latter's death. Percy Bysshe Shelley (1792-1822) was not a close friend of the slightly younger Keats (1795-1821) but recognized his great talent and was deeply moved when Keats died at the hands of consumption in Rome, where he had travelled in search of a warmer climate. In addition to lauding Keats, "Adonais," written in Spenserian stanzas, is a denunciation of the villains--carping literary critics--to whom Shelley attributed the poet's death. It is generally considered to be one of the great pastoral elegies in English. This is a facsimile of the first edition, which was printed in Pisa (where the Shelleys lived) rather than London, so that Shelley could personally oversee the printing process. He sent copies to his English publisher, James Ollier, for distribution. According to DNB, Ollier did sell the copies sent from Pisa, "but he did not republish the poem; indeed, Ollier was irksomely unco-operative over the winter of 1821-2, leading Shelley to search, unsuccessfully, for an alternative publisher.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      Published by Methuen & Co. Ltd., 1927. 5th edition.. Hardback. Nearly Fine. Illustrated by Shepard, E.H.. Nearly fine condition with no wrapper. Deluxe edition in publisher&#39;s red calf binding with gilt decorations to spine and front cover. Green pictorial endpapers. 158 pages. All edges gilt. B/w illustrations. Corners and top and tail of spine are bumped, with some light wear. Creasing and a little fraying to silk bookmark. Inscription in ink to front endpaper. Browning to free front endpaper, with outline of inscription to previous page. A couple of marks to gilt edging. Contents are excellent, apart from marks to pages 158 and 159 that mirror each other. Contained in original box for this deluxe leather edition, with original price etc. Box is in very good condition for age - but is browned with grubby marks and wear. A stunning copy which would make a beautiful gift. [S]

      [Bookseller: Stella & Rose's Books]
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      New York: George H. Doran Company New York: George H. Doran Company,. [1927]. original decorated blue cloth, front and spine panels stamped in gold, fore-edge untrimmed, bottom edge rough-trimmed.. Some mild rubbing to cloth, a very good copy in very good pictorial. dust jacket with shelf wear and rubbing, mainly to edges, minor loss. at corners and spine ends, and several closed tears at upper and. lower edges of front panel. Uncommon in the dust jacket. (#97161). First edition. "Very competent material horror stories, original in idea (for the most part), sources for a good deal of later work." - Bleiler, The Guide to Supernatural Fiction 1698. Ashley, Who's Who in Horror and Fantasy Fiction, p. 182. Barron (ed), Horror Literature 3-212. Schlobin, The Literature of Fantasy 1108. Sullivan (ed), The Penguin Encyclopedia of Horror and the Supernatural, p. 462. Tymn (ed), Horror Literature 3- 255. Bleiler (1978), p. 207. Reginald 15227.

      [Bookseller: L. W. Currey, Inc. ]
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      Chicago: American Photo-Engravers Association, 1927 The contents of this volume embrace an unusually wide range of subjects, including many examples of design, form, effect, color, application and presentation. The illustration of the Broadmoor Hotel by Maxfield Parrish is present, illustration A on the page preceding page 865. 488 numbered pages with numerous color and black and white illustrations and index, plus about an equal number of unnumered full page illustrated plates on various types of paper. Such an attractive book is bound in its orginal unattractive faux leather with raised illustration and lettering in dark red and yellow and design pressed in blind. Non-author inscription on one of the blank preliminary pages. Wear at corners and spine ends. The gorgeous illustrations and pages are fine and bright though the binding is very good.. First edition. Hardcover.

      [Bookseller: Robert Gavora, Fine and Rare Books]
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        Japanese Colour-Prints. The Collection of Alexander G. Mosle

      Liepzig.: Self published.. Number 416 of 500 numbered copies.. 1927.. Catalogue accompanied by portfolio of 8 colour prints and &#39;Descriptive Catalogue of Japanese Colour-Prints&#39;. .

      [Bookseller: Asia Bookroom]
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        The Principal Navigations, Voyages and Discoveries of the English Nation Made by Sea or Overland to the Remote and Farthest Distant Quarters of the Earth at Any Time Within the Compass of These 1600 Years (In Eight Volumes) [With]. The Voyages Traffiques & Discoveries of Foreign Voyagers with Other Matters Relating Thereto Contained in the "Navigations" (In Two Volumes)

      London & Toronto: J. M. Dent and Sons Limited 1927-1928. (Hardcover) Near fine. 10 volumes Octavo. Plates from facsimiles, drawings by Thomas Derrick, etc. Original blue cloth with endpaper maps; volumes 1-8 gilt on spines and front covers a bit darkened, gilt on volumes 9-10 bright. N.B. Extra shipping required. Before placing your order please click the link Ask Bookseller A Question. We can then confirm availability and give you an accurate quote for shipping charges, and also discuss any special requirements. Introduction by John Masefield (Volumes 1-8) & Ernest Rhys (Volumes 9-10)..

      [Bookseller: Aquila Books]
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        Hakluyt&#39;s Voyages: The Principal Navigations

      J.M. Dent & Sons Ltd., 1927. Vol. 1 through to 10 - The principal navigations voyages traffiques and discoveries of the English nation made by sea or overland to the remote and farthest distant quarters of the earth at any time within the compass of these 1600 years - by Richard Hakluyt; (Ref. # ACC-S9).. Hard Cover. Good/No Jacket. 5-1/5"x8"Tall. Voyages.

      [Bookseller: Shelf Lives]
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        The Principal Navigations, Voyages, Traffiques & Discoveries of the English Nation, Made by Sea or Overland to the Remote and Farthest Distant Quarters of the Earth at any time within the Compass of these 1600 years... Introduction by John Masefield. Illustrated... by T. Derrick

      London: J.M. Dent and Sons, (1927-8). . Ten volumes, 8vo. 140 illustrations, portraits, maps and facsimiles. Original gilt decorated grey-blue cloth, d.w.&#146;s with some minor chips and occasional subtle repairs to the reverse, lower flap of the wrapper to volume IV formerly detached and now restored, an attractive set. Hakluyt (1552-1616) never travelled further than France, but his tireless scholarship produced a work, first published in full 1598-1600, which inspired and championed the exploits of many of Europe&#146;s great explorers.

      [Bookseller: Bow Windows Bookshop]
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        Metropolis -----in the rare Dustjacket

      London: Readers Library, no Date ( 1927 ), 1st English language Edition, 1st Printing ---------small hardcover with burgundy boards, a Good copy with browning to the paper, looks like the binding was cracked at one time as there appears to be an inexpert repair resulting in a few pages extending beyond the fore edge of the text block, book is quite square and overall in very tidy condition, the dustjacket is a strong Good example -and a true rarity-, some light chipping along edges with a bit of loss at spine tips, some age darkening to the spine which looks worse in the scan than it really is, a stunning art deco dustjacket and an absolute cornerstone for any collection of science fiction, literature or movie titles, the correct 1st printing with this title NOT listed in the one page list of Readers Library titles, any image directly beside this listing is the actual book and not a generic photo . First Edition. Hard Cover. Good/Good. Illus. by Aubrey Hammond Cover Art .

      [Bookseller: Leonard Shoup]
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      London: The Readers Library Publishing Company Ltd., n.d.. [1927]. original decorated red-brown boards, front and spine panels stamped in gold.. Old gift inscription on front free endpaper. Text paper tanned,. hairline cracks along inner hinges (still sound and tight), small. damp stain to bottom edge of rear cover, a good copy in good first. printing dust jacket (with wraparound illustration by Aubrey Hammond). that does not list METROPOLIS on the rear flap, with light wear at. edges, two small chip from bottom edge of front panel, with internal. tape mend, and some fading to green ink on front panel. (#134626). First edition in English. The first printing without mention of this title in list of Readers Library books on page [7]. Novelization of the screenplay by Fritz Lang and Thea von Harbou of Lang&#39;s 1926 UFA film which was about three hours long in it&#39;s original seventeen-reel version. "Though often described as the first SF epic of the cinema, this famous German film -- of which no complete version now exists -- has just as much in common with the cinema of the Gothic. Though set in a future visually emphasized by towering buildings and vast brooding machines, the city of Metropolis has an underworld dark and medieval in atmosphere ... The story of METROPOLIS is trite and its politics ludicrously simplistic; but these flaws cannot detract from the sheer visual power of the film -- a combination of the high Expressionistic sets (the work of art directors Otto Hunte, Erich Kettelhut and Karl Vollbrecht) and Lang&#39;s direction ... METROPOLIS, which was extremely expensive and not a financial success, almost bankrupted the studio that made it (UFA). The film was cut almost as soon as it was released, and -- still in the 1920s -- shortened yet more radically in the UK and USA. Even recently restored archival versions are half an hour shorter than the original." - Clute and Nicholls (eds), The Encyclopedia of Science Fiction (1993), p. 804-5. Anatomy of Wonder (1976) 3-23; (1981) 2-112; (1987) 2-123 and (1995) 2-132. Bleiler, Science- Fiction: The Early Years 1040. Lewis, Utopian Literature, p. 198. Locke, A Spectrum of Fantasy, p. 104. Survey of Science Fiction Literature III, pp. 1383-86. Bleiler (1978), p. 93. Reginald 14733.

      [Bookseller: L. W. Currey, Inc.]
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      (New York): Dutton, 1927. Quarter-inch closed tear to spine crown, near fine. Third Beardsley edition, American issue. Limited to 1600 copies 4to. lv, 538p. Bound in black cloth over beveled boards with designs in gilt by Aubrey Beardsley on the upper cover and spine, t.e.g. Illustrated by Aubrey Beardsley with 16 full-page and four double-page illustrations, 43 borders (some repeated), 289 chapter headings (one additional heading omitted from previous editions), initial letters, and ornaments (many repeated). Lasner 22c.

      [Bookseller: First Folio]
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        Le Morte D&#39;Arthur

      New York: E. P. Dutton & Co.,, 1927. The Birth Life and Acts of King Arthur of His Noble Knights of the Round Table Their Marvellous Enquests and Adventures The Achieving of the San Greal and in the End Le Morte D&#39;Arthur with the Delourous Death and Departing out of this World of All of Them. Quarto. Finely bound by The Chelsea Bindery in full green morocco, spine gilt in compartments, gilt rules and decorative corner pieces to boards, inner dentelles gilt, marbled endpapers, top edge gilt. Photogravure frontispiece, 4 double page and 17 full page illustrations, 43 ornamental borders, 300 ornamental initials, headpieces, other decorations in the text, and cover design, all by Aubrey Beardsley. A fine copy. Third edition, limited to 1,600 copies. This third edition is the first complete edition to have been published.

      [Bookseller: Peter Harrington]
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        Birth Life and Acts of King Arthur, and in the End, Le Morte Darthur

      Dent London 1927. later edition. Hardback. Very Good/No Jacket. 3rd ed. 1 of 1600 limitation. 4to. 21 Plates (5 double page) and illustrations by Aubrey Beardsley, original dark blue cloth heavily gilt decoration and titling to spine, teg others uncut. Closed tear without loss along part of spine/cover join, minor rubbing to corners and spine ends else fresh and bright. Several previous owners&#39; plates to endpapers. Text block superb, no foxing, tight hinges. Very collectible copy. Two high quality original pen and ink drawings loosely inserted, but unattributed, both dated and signed "S" 1936. See photo

      [Bookseller: finecopy]
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        Poèmes retrouvés

      Paris: A la cité des livres, 1927. relié. 19,5x25,5cm. Edition collective et en partie originale, un des 34 ex numérotés sur Hollande, tirage de tête après 1 Japon unique et 25 Japon impérial. Reliure en demi maroquin vieux rose à bandes, dos lisse, date en queue, plats de bois noir, gardes et contreplats de papier noir rappelant la matière des plats, couvertures et dos conservés, tête dorée, reliure signée de D. & H. Mercher. Notre exemplaire est enrichi d&#39;un sonnet autographe de l&#39;auteur intitulé Madrigal et qui ne figure pas dans ce recueil. Très bel exemplaire parfaitement établi. - A la cité des livres, Paris _1927, 19,5x25,5cm, relié. - relié

      [Bookseller: Librairie Le Feu Follet]
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        To the Lighthouse

      London: Hogarth Press. G: in Good condition without dust jacket. Boards bumped, rubbed and marked. Spine darkened. Some browning within. 1927. First Edition. Blue hardback cloth cover. 320pp :: 190mm x 130mm (7" x 5") :: Bookplate of Naomi Mitchison, with her signature and book ownership quotation on front endpaper .

      [Bookseller: Barter Books Ltd]
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        To The Lighthouse

      London: The Hogarth Press, 1927., 1927. First edition. 8vo. pp. vii, 320. Attractively bound in recent half black calf over marbled boards. Internally clean, minor spotting to prelims. A very handsome copy. To The Lighthouse was Woolf&#39;s sixth novel and is widely regarded as her finest work. A modernist classic. Kirkpatrick [A10]

      [Bookseller: Adrian Harrington Rare Books]
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        To the Lighthouse

      London: Hogarth Press. G: in Good condition without dust jacket. Boards bumped, rubbed and marked. Spine darkened. Some browning within. 1927. First Edition. Blue hardback cloth cover. 320pp :: 190mm x 130mm (7" x 5") :: Bookplate of Naomi Mitchison, with her signature and book ownership quotation on front endpaper .

      [Bookseller: Barter Books Ltd]
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        Amerika. Roman.

      München, (1927). Original off-white (!) cloth with the red paper title-labels with black lettering, to front board and spine. Label on spine a bit faded. A bit of light soiling to cloth. Internally fine and clean. Housed in an elegant a custom-made box with red, gilt morocco spine and elegant marbled paper in red, black, green, and sand colours. Gilt super ex-libris to front. Box signed in gold to inner spine: Anker Kysters Eftf., gilding by Hagel Olsen.. First edition of Kafka's incomplete, posthumously published first novel, also known as "The Man Who Disappeared", in the very rare off-white variant binding (it is almost always seen in the orange cloth binding with paper title-labels that have blue lettering)

      [Bookseller: Lynge & Søn A/S]
 31.   Check availability:     Antikvariat     Link/Print  

        The National Geographic Magazine Vol. LI July-December, 1927

      National Geographic Society. Hardcover. Hardcover; English language; 4to - over 9.75" - 12" tall; National Geographic Magazine bound into hardcover each covering a six month period, this is one of 85 books in this series that we currently have in stock, most are in library bindings, some quarter leather, colours vary - please contact us before ordering if you require specific details. . Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail. . COLLECTIBLE. 1927.

 32.   Check availability:     Biblio     Link/Print  

        C. Later 1920s Collection of Fine Portrait Photography of Natalie Hays Hammond By Soichi Sunami, Peter A. Juley & Son, Ira L. Hill Studio, Ames & Others

      New York - London, 1927. Collection of fine art portrait photographs of Natalie Hays Hammond (1904-1985) heiress daughter of mining engineer and speculator-developer of mining properties John Hays Hammond who became a painter, Broadway set and costume designer, author, and patron of the arts; includes: portrait by Soichi Sunami (1885-1971) with his blindstamp at bottom right and with his studio stamp on back, 7" x 9 1/2" approx., printed on glossy stock to the edge of the paper, light edgewear, very striking and with a somewhat &#39;noir&#39; feel to the image, shadows and softening of the clothing, upturned collar, very good-we speculate that Hammond&#39;s friendship and work with the famous dancer Martha Graham may have been the &#39;meeting point&#39; for Sunami and Hammond - the photographer known for his Graham portraiture; Peter A. Juley & Son, the leading fine arts photography firm in New York from 1906 to 1975 and perhaps most famously known for their portraits of artists at work - as this portrait, matte finish in sepia tones 7 1/4" x 9" approx., with studio imprint on back and with the signature in pen lower right &#39;Juley N Y&#39;, of Hammond at studio drawing board, concentrating with pen in hand. A bit of fade towards edges, line of old mount residue on back of cardstock, nevertheless atmospheric, good plus; (3) images taken at Ira L. Hill&#39;s Studio, N.Y.C. Ira L. Hill (1877-1947) eccentric and prolific society, fashion and Broadway acting portrait photographer - each with the studio stamp and one with the handwritten &#39;Natalie Hays Hammond&#39; identified, all on glossy stock, printed to the edge. All different poses, 2 differing clothing outfits, (a) 9" x 11 3/4", light wear, few scratches & tiny abrasions, one corner chipped away, good, (b) 9 3/8" x 11 3/4", light wear, few tiny edge abrasions, very good and (c) 9 1/2" x 12 1/2", top two corners with old crease lines, some other tiny flecking in the body of the image, good; A medium size child portrait of a very young Natalie being held fondly by her father John Hays Hammond (1855-1936) "...the best-known mining engineer in the world..." after his stupendously successful exploits working with Cecil Rhodes in the development of mines in South Africa (DAB) and the source of his daughter&#39;s later fortune, in sepia tones gum print, pencil signed Ames below right, image 4 3/4" x 7" approx., hinged at side to heavy paper stock mount, approx. 8 3/4" x 12 1/2" image fine, mount with a bit of edge, tips wear, old mounting hinge residue on back of mount paper, very good; light wear; A photographic portrait of "Miss Natalie Hammond dau. of Mr. & Mrs. John Hays Hammond of Washington marble portrait in Royal Academy exhibition 1926 by Cecil Thomas Permission given to reproduce (signed) Cecil Thomas" by the sculptor, evidently commissioned by the family for the work. 6" x 8" approx., glossy stock, some minor edge, tips wear and soiling on back, very good; and (2) portraits that are unidentified as to studio: 9" x 13" approx. size for both, done in gold tones reminiscent of the best of Arnold Genthe portrait work, subtle lighting effects, soft tones and yet very dramatically posed and taken - some edge, tips wear and corner-creasing, one with two closed edge-tears - with all faults still superb images and perhaps the best-taken of the lot; all in all, a very good group of some of the best of the photo portraiture work taken by well-known society and art photographers of the time; especially interesting to have the ability to compare the same subject taken through the eyes of several master studios&#39; work; N.H. Hammond&#39;s former home in North Salem, New York is now part of the Hammond Museum and Japanese Stroll Garden in that community. . Good.

      [Bookseller: Certain Books, ABAA]
 33.   Check availability:     Biblio     Link/Print  

        The Quaker City HOLY LAND EXCURSION. An Unfinished Play

      [n.p.]:: Privately Printed,. 1927.. 8vo. 1st edition (BAL 3543). Limited to 200cc. Unpaginated [22 pp],. Printed off-white wrapper with cord tie.. Nr Fine (light browning to extremities/few faint soil marks to. wrappers/prior owner signature on verso of front wrapper).. This previously unpublished play of Clemen&#39;s written in 1867, and now published posthumously by M. Harzof, a NY bookseller. According to the BAL entry note, distribution limited to 50cc, the remainder being destroyed on orders of the publisher. A scarce piece. . facsimilies,

      [Bookseller: Tavistock Books, ABAA]
 34.   Check availability:     Biblio     Link/Print  

        THE AFRICAN SAGA. Translated from L&#39;Anthologie Negre by Margery Bianco

      New York: Pason and Clarke Ltd.,, 1927 First American Edition. First English Language Edition originally published in Paris as Anthologie Negre*, in 1921. Introduction, foreword with table of the 591 languages & dialects of Africa, extensive bibliography. Lg. 8vo., pp.378, dialect key map ep&#39;s, black topstain, stunning African inspired & designed black & ochre printed cloth with small decorative illustrations in-text. This is a fine copy [neat name on the half title] in a very good example of the rare matching design dustwrapper showing very light use [spine slightly darkened, minor chips at the extremities & a 1" shallow horizontal chip at the top of the rear panel]. Contains 103 original folk-tales, compiled from all over Africa, all of which were chosen by one of the 20th century&#39;s most important French poets. The translator, Margery Bianco was Margery (Bianco) Williams, author of "The Velveteen Rabbit." A major undertaking & acknowledged masterpiece, this volume brings to the English speaking world, for the very first time, the rich & sensitive images gathered from the Bantu, Haussa, Hottentot, Sumali & others. "And so in this anthology we have not only the wit & wisdom of Africa but the soul of a people which may be judged by the criteria of pure letters" - from the intro. by Arthur B. Spingarn. An important work by this master traveler, cubist, poet & novelist who impacted directly on the thinking of Max Jacob, Apollinaire, Cocteau & Andre Salmon with his innovative poetic techniques & revolutionary observations. A handsome & important production indeed. * Talvart And Place, Vol. II, Pp. 333 # 12.. 1st Edition.

      [Bookseller: TBCL The Book Collector's Library]
 35.   Check availability:     Biblio     Link/Print  

        Treasure Island

      London: Ernest Benn Limited,, 1927. With Illustrations by Edmund Dulac. Quarto. Original vellum, black calf label in gilt to spine. In a quarter aluminium and tan cloth slipcase. Colour frontispiece and 11 plates, engravings throughout. An excellent copy. First edition, first impression. One of a limited edition of 50 numbered copies on handmade paper signed by the illustrator on the limitation leaf.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  

        Through the Looking-Glass

      1927. Alice Bound By Kelliegram[KELLIEGRAM Binding]. CARROLL, Lewis. Through the Looking-Glass And What Alice Found There. With Fifty Illustrations by John Tenniel. Sixty-Eighth Thousand. London: Macmillan and Co., 1927. Later printing. Octavo (7 1/16 x 4 5/8 in; 179 x 117 mm). [14], 231, [1, printer&#39;s slug] pp. Frontispiece, forty-nine black and white text illustrations. A spectacular Kelliegram pictorial binding, ca. 1927, stamp-signed "Kelliegram Binding London," of full dark green crushed morocco. Covers decoratively panelled in gilt, with five characters from the story depicted in multi-colored morocco onlays on each cover. The front cover with central onlay of Humpty Dumpty in brown, red, pale green, black, blue and beige morocco and corner onlays of: the White Queen, the Red Queen, Haigha (the Messenger), and Hatta (the other Messenger). The lower cover reiterates the upper&#39;s design with a central onlay of the Walrus in brown red, pale green and beige morocco and corner onlays of: the Carpenter, the Old Sheep, Tweedledum & Tweedledee, the Frog and the Carpener. Spine richly gilt in compartments with dots and pictorial devices. Five raised bands with gilt dots. Turn-ins with gilt corner devices. Amber silk endpapers. All edges gilt. A very fine copy. Housed in the original green cloth drop-back clamshell case.[The beautifully inlaid and colorful] "Kelliegram bindings were one of many innovations of the English commercial binding firm of Kelly & Sons. The Kelly family had one of the longest connections in the history of the binding trade in London, having been founded in 1770 by John Kellie, as the name was then spelled. The binding firm was carried on by successive members of the family into the 1930s. William Henry Kelly significantly developed the company in the first half of the nineteenth century, followed by William Henry, Jr., Henry, and Hubert Kelly, who took control in 1892, taking the firm into the twentieth century&#133;The development [during the 1880s] that came to be known as Kelliegram was one of the bindery&#39;s most notable, and the popularity continues today as demonstrated by the prices Kelliegram bindings command at auction and in the rare book trade" (Dooley, Kelliegram Bindings, Brynmawr Library).

      [Bookseller: David Brass Rare Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  

        Life and Letters

      Doubleday Page & Co.,, 1927. 2 vols. Octavo. Contemporary blue half morocco with blue boards bound by Stikeman & Co. N.Y., titles and decoration to spines gilt, top edges gilt. Tips of spine rubbed, otherwise a bright and attractive set. First Edition. Limitation page signed by Conrad originally to be used with &#39;The Secret Agent&#39; has had the original title inked over and has been bound in.

      [Bookseller: Peter Harrington]
 38.   Check availability:     Biblio     Link/Print  


      London: Longmans, Green & Co., 1927. First Edition. Hardcover. Briefest of wear to the spine tips of the book. Dustwrapper with a long closed tear along the front flap joint (neatly masked by the mylar protector), chips at the spine tips but not affecting the lettering, and general edgewear with the spine darkened. About Fine in a scarce, Very Good example of the dustwrapper. First British Edition, preceding the American edition by a few days, of this winner of Wilder's first of three Pulitzer Prizes. INSCRIBED and SIGNED on the the front endpaper: "For Mrs. Isaacs/with the affection/of one of her/boys/Thornton/Lawrenceville/November/1927." The recipient appears to be Edith Isaacs, editor of THEATRE ARTS magazine, whom he befriended in the early 1920s while teaching at the Lawrenceville School in New Jersey. Isaacs offered much encouragement to Wilder, including recommending that he apply for a Guggenheim Fellowship in order to finish THE BRIDGE OF SAN LUIS REY, for which he was declined.

      [Bookseller: Charles Agvent]
 39.   Check availability:     Biblio     Link/Print  


      1927. hardcover. <center><b>"And so, reader, farewell to Sherlock Holmes!" -- a FINE copy</b></center> Doyle, Arthur Conan. THE CASE-BOOK OF SHERLOCK HOLMES. London: John Murray, (1927). Original rose cloth. <p>First Edition of the fifth and last collection of Sherlock Holmes adventures (there had also been four full-length Holmes novels). After each of the collections (except the first), Doyle claimed that he was through with Sherlock; here, Doyle in his preface again says "And so, reader, farewell to Sherlock Holmes!", and this time he meant it -- if only because Doyle himself had only three more years to live. The twelve cases include those of "the Illustrious Client," "the Mazarin Stone," "the Three Garridebs" and "Shoscombe Old Place." </p> <p>This volume is in unusually fine condition (lacking the very scarce dust jacket); W! atypically, the rose spine of the volume is <i>not</i> faded. Green & Gibson A46a.</p> MYSTERY / DETECTIVE (Sumner & Stillman Code:12013)

      [Bookseller: Sumner & Stillman]
 40.   Check availability:     Biblio     Link/Print  

        [Illustrés Modernes] François-Louis Schmied peintre graveur et imprimeur. Catalogue des livres de F.L. Schmied exposés en mars 1927 chez Arnold Seligmann suivi du catalogue général des livres de F.L. Schmied imprimés et sous presses au 28 février 1927

      Paris: Les presses de F.L. Schmied, 1927. Broché. 24x31cm. Edition originale imprimée à 300 exemplaires, le nôtre un des 20 exemplaires numérotés et justifiés par François-Louis Schmied, tirage de tête. Ouvrage illustré de 42 planches hors-texte et à pleine page. Dos et plats marginalement insolés en têtes, une éraflure en tête du deuxième plat, rares piqûres, agréable état intérieur. - Les presses de F.L. Schmied, Paris _1927, 24x31cm, broché. - Illustrés Modernes broché

      [Bookseller: Librairie Le Feu Follet]
 41.   Check availability:     Biblio     Link/Print  

        A Collection of Motivational Poster Cards (Poster Sales Letters)

      C.J. Howard. Chicago. C.J. Howard. 1927. Collection is contained in original imprinted cardboard C.J. Howard packaging box. 7"x4.75" when closed (horizontal folding card).7"x9.5" when opened. Each card presents a striking Art Deco multicolored lithograph and various coloured borders and decorations printed upon folded heavy card stock. Early in the 1920s Charles Mather, who worked for his family&#146;s Chicago printing house, the Mather Company, took an idea brought to him by one of the firm&#146;s salesmen, Charles Howard Rosenfeld. What Rosenfeld proposed was a series of posters whose focus was to give workers incentive to work better and to work harder. Mather called these prints, &#147;Constructive Organization Posters.&#148; These posters were made to be placed on office and factory walls and were expected to inspire workers to do their best. Mather sold his posters by subscription and produced more than 300 varieties between 1923 and 1929.In 1925 Rosenfeld and another employee broke from Mather to form their own company, the C. J. Howard Company, to sell incentive cards to be displayed on desks in a re-useable easel. These cards and posters were printed as multicolored lithographs to produce easily readable images accompanied by tagline messages promoting such admirable qualities as teamwork, punctuality, loyalty, and safety." -Rockwell Museum "At the dawn of the 20th century, managers had been skeptical about using visual images as communication tools because their appeals to the emotions contradicted prevailing Protestant notions of self-discipline. By deploying motivational posters and illustrated booklets managers began to loosen their former dependence on rationalism and to explore the potential of aesthetics to regulate the emotional environment. In doing so they honed their abilities to define the &#147;correct&#148; forms of selfhood in the factory and to habituate workers to the kinds of values and behaviors that managers deemed appropriate and necessary for the harmonization of workplace relations. This collection represents Motivational Aesthetics- the design rationales and sales techniques of the Syndicate&#146;s two main companies, Mather (which sold motivational posters) and C.J. Howard (which sold motivational booklets for foremen) as a case study of how managers and motivational specialists honed their abilities to cultivate workplace cooperation in the 1920s. Drawing from recent studies of emotion and affect omne may interpret the post-World War I factory as a realm of aesthetic training where habits and dispositions were actively shaped."-David Gray Cards are in Very Fine, pristine condition, retaining their original clarity and luminesence. Box presents repaired splitting to both horizontal sides and various minor rubbing - still quite functional and bright. A stunning and complete gathering of an important component of American Business,Labor and Advertising history. Only one other extant complete collection found - in the holdings of the Smithsonian Institution.

      [Bookseller: Heldfond Book Gallery, ABAA-ILAB ]
 42.   Check availability:     ABAA     Link/Print  

        Reichsbahn Bauamt Salzburg 1927

      Original photographic album. String-bound oblong quarto. A document of the construction of a section of the Reichsbahn (German railway), near Salzburg, Austria, in 1927. With 93 gelatin silver prints of vaying sizes, all numbered and captioned by hand, two hand-colored. Gripping images of Germany's industrial rise between the wars, with 15 great shots of a rail-service vehicle plunging off a bridge. Fine in string-bound batik boards.

      [Bookseller: Harper's Books, Inc. ]
 43.   Check availability:     ABAA     Link/Print  


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