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Displayed below are some selected recent viaLibri matches for books published in 1923

        Götz von Berlichingen mit der eisernen Hand. Ein Schauspiel.

      Hellerau und Wien, Avalun Verlag, 1923 - 115 (2) Seiten mit 17 Originalholzdrucken Sechundzwanzigster Avalun-Druck. Nr. 6 von 200 Exemplaren der Vorzugsausgabe in Ganzpergament. Die ganzseitigen Holzschnitte monogramiert, im Impressum vom Künstler signiert. Handgebundener Einband von P.A. Demeter mit Innen- und Stehkanten-Vergoldung, Rückentitel und Illustration auf dem vorderen Buchdeckel in Schwarz. Gedruckt in der Werkstatt Jakob Hegner in Hellerau bei Dresden in einer einmaligen Auflage von dreihundertfünfzig numerierten Stücken. Der Buchschmuck ist auf Japanbütten, der Text ist auf Zanders Bütten gedruckt. Alois Kolb (österr. Maler, Radierer und Lithograph 1875-1942), leitete den Satz, die Ausstattung und radierte den Bildschmuck (Original Radierungen). Die Drucke 1 bis 200 in Ganzpergament, Nummer 201 bis 350 in Halbpergament. In den Stücken der Ganzpergament-Ausgabe ist jedes Vollbild, in den Halbpergament-Exemplaren der Druckvermerk vom Künstler handschriftlich unterzeichnet. Die bei den Nummer 1 bis 50 enthaltene Mappe mit den Sonderabzügen fehlt. Sprache: Deutsch Gewicht in Gramm: 2200 4°, Original-Ganzpergament mit Rückentitel und Deckelvignette im Leinenbespannten Schuber, Goldkopfschnitt und lineare Kanten- und Innenkantenvergoldung Sechsundzwanzigster Avalun-Druck - einmalige Auflage von dreihundertfünfzig numerierten Stücken. [Attributes: First Edition; Signed Copy]

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Der Backofen. .benebst gleichermaßen raren und kurzweiligen Schwänken in Terzinen und Ottaven verfaßt von den geistlichen und weltlichen Herren Lodovico Ariosto - Aloyse Cynthio Degli Fabritii - Domenico Batacchi - Giambattista Casti. Übertragen von Gaston Vorberg unter Mitarbeit von Walther Bähr. Mit Holzschnitten von Eduard Ege.

      München, Georg Müller Verlag, 1923 - 167(2) Seiten, bedruckter Original Pergamenteinband mit Rückenillustrationen in Original-Schuber, kolorierte Deckelillustration, farbiges Titelblatt, Kopfgoldschnitt, Lesebändchen, "Dieses Werk wurde im Auftrage des Verlages Georg Müller in München im Herbst des Jahres 1922 in der Offizin von Dietsch und Brückner zu Weimar in einer einmaligen nicht für den öffentlichen Handel bestimmten Auflage von sechshundert Exemplaren für Subskribenten gedruckt. Die Holzstöcke schnitt Eduard Ege. Die Exemplare 1 bis 100 wurden auf Bütten angezogen, bei den Nummern 1 bis 30 druckte der Künstler die Holzschnitte auf Japan. Dies ist Nummer 25" (Kolophon). Hayn/Got. IX,99. Einband mit den typischen Beschabungs- und Fleckenspuren eines Pergamenteinbandes der neueren Zeit. Minimale Stockflecken auf den Vorsätzen. Eine Ecken minimalst gestaucht. Gutes Exemplar. Selten, Rare. Good copy. Limited. Private edition. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition]

      [Bookseller: Antiquariat Schröter -Uta-Janine Störmer]
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        Poems and Seven Drawings (SIGNED)

      [San Francisco, CA]: [Grabhorn Press], 1923. Limited to 250 copies. INSCRIBED "To alleviate Chicago/M.D./San Francisco/June 5, 1924." 4to. [45] pp. Illustrated with seven full-page woodcuts from drawings by Dixon. Title page printed in red and black and with Dixon's thunderbird device. Publisher's tan boards with black lettering & blue paper pastedowns. Professionally rebacked; light wear & age-toning to extremities; small stain to rear board; a very good copy. An uncommon title, and more so with Dixon's inscription. Dixon's only foray into poetry along with his distinctive drawings. An early, and scarce, Grabhorn Press item. "Bound in coarse tan linen with decorations hand-painted in orange on front and back covers. Some copies in tan boards lettered in black on front cover and on back." (Grabhorn 52).

      [Bookseller: Carpe Diem Fine Books]
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        10 Jahre deutsche Werbe-Graphik.

      Internatio GmbH Verlag, Berlin 1923. - 4°, Halbleineneinband, 98 Seiten, s-w- und (teils montierte) farbige Abb. unnummerierte und unsignierte Ausgabe! Einband etwas berieben, lichtrandig und fleckig, das montierte Indianerbild mit minimalster Läsur, Einbandkanten mit partiellen Abwetzungen der obersten Kartonschicht, Schnitte mit weißen Fleckchen, vord. Vorsatz falzig, 5 der montierten farbigen Bilder mit Eckfalz, Bl. 84/83 und 95/96 mit minimaler Randläsur, SS. 90-94 mit kleinen Läsuren (wohl herstellungsbedingt), sonst gut. Das Buch dürfte lange dem H. gehört haben und erst in den 1960ern von ihm verschenkt worden sein.

      [Bookseller: Cassiodor Antiquariat]
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        Falbalas & Fanfreluches: almanach des modes, présentes, passées et futures pour 1923

      Paris: Meynial, 1923. Barbier, George. Small quarto. 12pp., + (12)ff. colored plates. One of 600 copies. Art Deco legend George Barbier contributed fashion plates to several albums and almanacs starting in 1912 before finally starting his own publication in 1922 titled Falbalas et Fanfreluches. Each annual issue included an almanac for the year, a guest essay, and twelve bright pochoir plates. Not all of the plates are traditional fashion plates; Barbier chose to include many fantastical renderings of period and foreign costumes and folk dress, presented in his usual elegant style. Falbalas et Fanfreluches was issued from 1922 through 1926, making this the second of five total issues. This 1923 edition includes "Modes" by Colette, as well as a color-illustrated title page and an additional black & white headpiece. Near fine, loose as issued in a chemise, illustrated with a trio of women surrounded by feathers and pearls, and original glassine. (Colas 1026).

      [Bookseller: Bromer Booksellers]
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        Meldungsbuch des Studierenden . - Inskribiert in der juridischen Fakultät der Universität zu Wien den 11. Oktober 1923

      - Porträt des Inhabers, ordnungsgemäß gestempelt usw, beiliegend die Promotions-Anzeige von 1930 zum Doktor der Staatswissenschaften. - Vor allem aber 18 Seiten Auflistung zu den besuchten Vorlesungen, damals war mit Originalunterschrift vom Dozenten der Besuch der Vorlesungen zu bestätigen (Der Dozent bestätigt eigenhändig:) - Daher Originalunterschriften von Moritz Schlick (Friedrich Albert Moritz Schlick, geb. 14. April 1882 in Berlin; gest. 22. Juni 1936 in Wien, Physiker und Philosoph. Begründer und einer der führenden Köpfe des Wiener Kreises im Logischen Empirismus. Seine Beiträge im Rahmen einer wissenschaftlichen Philosophie reichen von der Naturphilosophie und Erkenntnislehre bis zur Ethik und Ästhetik. - 1922 übernahm er als Nachfolger Ernst Machs den Lehrstuhl für Naturphilosophie an der Universität Wien. Der dort 1924 von ihm gegründete interdisziplinäre Diskussionszirkel ist als der Wiener Kreis in die Philosophiegeschichte eingegangen. Daneben engagierte sich Moritz Schlick in der Volksbildung, u.a. in der Ethischen Gesellschaft und im Verein Ernst Mach. Ab 1926 stand Schlick in Kontakt mit Ludwig Wittgenstein, der ihn maßgeblich beeinflusste, - von 1929 bis 1932 diskutierte Schlick regelmäßig mit ihm. 1929 lehnte Schlick eine Berufung nach Bonn ab und wirkte in den folgenden Jahren auch als Gastprofessor (in Stanford und Berkeley, California). Seit 1929 gab er außerdem die Reihe Schriften zur wissenschaftlichen Weltauffassung heraus. Nach der Machtergreifung des Austrofaschismus in Österreich 1934 blieb Moritz Schlick an der Universität Wien. - Am 22. Juni 1936 wurde Schlick auf der sogenannten Philosophenstiege im Gebäude der Wiener Universität von seinem ehemaligen Studenten Hans Nelböck, der 1931 bei ihm promoviert hatte, erschossen. Dieser hatte bereits zuvor begonnen, seinen Doktorvater zu terrorisieren, und Schlick zweimal gedroht, ihn zu ermorden. Schlick hatte sich jeweils mit einer polizeilichen Anzeige gewehrt. Nelböck war infolgedessen in eine psychiatrische Anstalt eingeliefert, jedoch nach einiger Zeit als ungefährlich wieder entlassen worden usw.) - 2 Unterschirften nebeneinander (Inskription + Frequenz), desweiteren Unterschriften von Othmar Spann, Alfons Dopsch, Proseminar bei Karl Moritz Menzel, Karl Bühler (Ehemann von Charlotte Bühler), Josef Hupka (Rechtswissenschafter, 1944 in Theresienstadt ermordet), Hans Voltelini, Rudolf Köstler, Moriz Wlassak, Emil Goldmann usw usw. Detailfotos gerne per Mail. - Format des Meldungsbüchleins 18 x 10,5 cm. -- Bankverbindungen in Österreich und Deutschland. - Zwei gepresste Edelweiß liegen vom Vorbesitzer auch noch bei.

      [Bookseller: Antiquariat Birgit Gerl]
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        Telegramma autografo firmato al ''Fascio combattenti Biella''. Datato Roma 10 luglio 1923 ore 23

      1923. 1 pagina in-4, telegramma n. 6937 con timbro di ricezione e archiviazione ''Ministero Affari Esteri 1548, 12 luglio''. ''Ricevuto con sollecitudine encomiabile vostro rapporto stop - approvo vostra linea condotta stop - c'è un liberalismo rispettabile assieme un altro che va duramente combattuto e smascherato. Mussolini''.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Macrolepidoptera of the World Vol. 7: Noctuiformes [and] Vol. 8: The American Geometridae

      Stuttgart: Fritz Lehmann, 1923-1931. 2 vols: (iv), 412; (ii), 144, 104 col plates. Hardback. 4to, 2 vols bound in 1, qtr calf, gt, a few light scuff marks, raised bands to spine, gt tooling to compartments, leather title-pieces, teg. Plates clean. Vg copy. English edition. All published. Fine chromolithographic plates - Vol. 7 with 87 plates numbered: 1-49, 55-83, 85-86, 88-91, 93, 94, 96; Vol 8 with 16 plates numbered: 1-15, 17. 'Missing' plate numbers were never published. Includes title page to vol. 7 and provisional title page to vol. 8.

      [Bookseller: Pemberley Natural History Books]
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        Brierfschreiberin (Ostergruß). Lithographie.

      Signiert "R Wacker". Druck auf Bütten mit Wasserzeichen "Bergisch Gladbach". 32,5 x 25,5 cm. Papier: 41 x 31,5 cm. Söhn HDO 72715-8. Eines von 25 Exemplaren der Vorzugsausgabe. Blatt 8 aus Die Schaffenden, IV. Jahrgang, 3. Mappe, 1923. Erschienen im Euphorion Verlag, Berlin (mit dem Trockenstempel). - Der Maler und Graphiker Rudolf Wacker gilt als einer der bedeutendsten Vertreter der Neuen Sachlichkeit in Österreich. In den 1920er Jahre lebte er in Berlin und mit seinen zu der Zeit noch expressionistischen Arbeiten geriet er ins Visier der Nationalsozialisten und verließ Deutschland. - Sehr gut erhaltenes Blatt stellenweise mit nur ganz minimalen Gebrauchspuren an den Blattkanten.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        The Art of the Chinese Potter from the Han Dynasty to the End of the Ming [Limited Edition]

      New York: Alfred A. Knopf, 1923. First American Edition. Lavishly produced catalog comprised of 192 images of pieces both in public and private hands, compiled in part by Robert Lockhart Hobson, the head of the department of Ceramics and Ethnography at the British Museum and one of the founding members (and later president of) the Oriental Ceramic Society. Limited to 1500 copies of which 500 are reserved for the United States of America, this being no. 767. Large, thick quarto (28.5cm.); publisher's half vellum over batik-style paper-covered boards, top edge gilt; xx,20pp. & 152 leaves of photographic plates, approximately half in color and each accompanied by a printed tissue-guard; additional color photographic frontispiece with printed tissue guard. Some light shelf wear, vellum lightly dust-soiled with some brief foxing, front joint expertly recased, else a Very Good, sound copy, internally near fine.

      [Bookseller: Lorne Bair Rare Books]
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        The Book of the American Indian

      New York: Harper & Brothers Publishers, 1923. Copyright date is 1923, first edition, first printing, Illustrated by Frederic Remington. No tears or bent pages, previous owners name on the inside fly leaf ther is some browning to the inside front cover from some article that had been laid in.This is folio work of short stories, in its original dust jacket, contains numerous plates (many in full color) after Frederic Remington. Hannibal Hamlin Garland was an American novelist, poet, psychical researcher, essayist, and short story writer. He is best known for his fiction involving hard-working Midwestern farmers. This antique volume is solidly bound in two-tone cloth with a pictorial pastedown on the front cover. There is light external age/wear, including some heavier rubbing at the edges. The pages show light toning and occasional marginal spotting. The plates are clean and bright, with vivid coloration to many. The dust jacket shows light wear, with the clipped flaps still displaying the original price of $6.00. Text and illustrations are bright and clean, binding is secure, a solid collectible short stories of Native Americans . . first Edition. Hardcover. near Fine/near Fine. Illus. by Frederic Remington. Folio - over 12" - 15" tall. Collectible Native American.

      [Bookseller: Mclin Haven]
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        La mise au tombeau

      Editions du monde nouveau 1923 - - Editions du monde nouveau, Paris 1923, 12x19cm, relié sous étui. - Edition originale, un des 5 exemplaires sur Japon impérial, le nôtre spécialement imprimé pour l'auteur. Reliure en plein maroquin aubergine, dos passé à quatre nerfs, date dorée en queue, roulettes dorées sur les coiffes, doubles filets dorés sur les coupes, encadrement d'une dentelle dorée sur les gardes, gardes et contreplats de papier à effet moiré, couvertures et dos conservés, tête dorée; étui bordé du même maroquin à intérieur de feutrine bleu ciel, élégante reliure signée de J. van West. Mention manuscrite de l'auteur en dessous de la justification du tirage. Ouvrage illustré d'un frontispice en héliogravure de Armand Rassenfosse et enrichi d'un retirage, sur papier fort et monté sur onglet, au verso duquel l'auteur a ajouté une précision manuscrite. De plus, notre exemplaire est agrémenté d'une lettre autographe signée, de quatre pages, montée sur onglet, qu'une proche amie adressa à l'auteur, et placée à l'endroit du texte où René-Louis Doyon évoque sa personne. Coupures de presse jointes. Rare et émouvant témoignage du "Mandarin", une des plus étonnantes figures intellectuelles du début du XXème siècle et qui fut à la fois le découvreur de Malraux et de Jouhandeau et le principal éditeur d'Isabelle Eberhardt, avant de se ruiner avec une édition critique monumentale de Sainte-Beuve. Ses "livrets du Madarin" eurent une grande influence sur la vie littéraire de l'époque. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 5 copies on Imperial Japan, ours specially printed for the author. Bound in full morocco eggplant, back past four nerves, when golden tail, golden wheels on the caps, double gilt on the cuts, frame with golden lace on the guards, guards and contreplats paper moiré, blankets and kept back, top edge gilt; bordered the same morocco inside felt blue, elegant binding signed by J. van West case. Handwriting of the author under the justification of the draw. Illustrated book with a frontispiece in photogravure Armand Rassenfosse and enriched with a reprint on strong and mounted on tab paper, the back of which the author has added a handwritten precision. In addition, our model is complete with an autograph letter signed, four-page mounted on tab, a close friend spoke to the author, and placed at the point in the text where René-Louis Doyon talks about his person. Clippings attached. Unique and moving together. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Im Café. Lithographie.

      Signiert "Rudolf Schlichter". Druck auf Bütten. 40,4 x 30,8 cm (blattgroß). Söhn HDO 72716-7. Eines von 125 Exemplaren. Blatt 7 aus: Die Schaffenden, IV. Jahrgang, 4. Mappe, 1923. Erschienen im Euphorion Verlag, Berlin. - Der deutsche Künstler Rudolf Schlichter gilt als einer der wichtigsten Vertreter der Neuen Sachlichkeit. Schlichter studierte an der Kunstgewerbeschule in Stuttgart und an der Kunstakademie in Karlsruhe, u. a. bei Wilhelm Trübner und Hans Thoma. Schlichter unternahm mehrfach Studienreisen nach Italien und Frankreich und bekam durch seinen Malerkollegen Julius Kasper Kontakt zur Unterwelt. In Karlsruhe gehörte er zu den Mitbegründern der Gruppe Rih, übersiedelte dann nach Berlin, wo er sich der Novembergruppe, der Berliner Secession, den Berliner Dadaisten und der KPD anschloss. In den frühen 20er Jahren erschienen viele Buchillustrationen Schlichters. Sein Freundes- und Bekanntenkreis reichte von Bertolt Brecht, Sternberg, Alfred Döblin und Grosz bis hin zu Carl Zuckmayer, den er schon in Karlsruhe kennengelernt hatte. 1925 waren Werke Schlichters in der Ausstellung Neue Sachlichkeit in Mannheim zu sehen. Zwei Jahre später lernte er seine spätere Frau Elfriede Elisabeth Koehler, kennen und begann sich von der Politik abzukehren und dem Katholizismus zuzuwenden. Zu seinen Bekannten zählten nun Ernst von Salomon und die Brüder Ernst Jünger und Friedrich Georg Jünger. Unter den Nationalsozialisten wurden viele seiner Werke aus Museen entfernt und Schlichter wurde mit einem Arbeitsverbot belegt. Im Jahr 1939 zog Schlichter nach München, wo er unter anderem Kontakt zu Hans Scholl hatte, und sich der katholischen Zeitschrift Hochland anschloss. 1942 wurde Schlichter ausgebombt und verlor dabei einen Teil seiner Werke. Nach dem Krieg nahm er an der Ersten Deutschen Kunstausstellung in Dresden teil und gründete in München die Neue Gruppe. Gelegentlich arbeitete er für die satirische Zeitschrift Der Simpl. Sein Schaffen wandte sich jetzt dem Surrealismus zu. Rudolf Schlichter trat 1950 dem wiedergegründeten Deutschen Künstlerbund bei. - Minimal gebräunt und im Unterrand minimal wellig. Im rechten äußeren Rand ganz schwache Quetschspur. Insgesamt sehr gutes Exemplar.

      [Bookseller: Kunstantiquariat Joachim Lührs]
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        Designs of Leon Bakst for the Sleeping Princess A Ballet in Five Acts after Perrault. Music by Tchaikovsky. Preface by André Levinson.

      London Benn Brothers Limited 1923 - Bakst Designs For Sleeping Beauty BAKST, Leon, [illustrator]. PICASSO, Pablo, [contributor]. The Designs of Leon Bakst for the Sleeping Princess. A Ballet in Five Acts after Perrault. Music by Tchaikovsky. Preface by André Levinson. London: Benn Brothers Limited, 1923. One of 1,000 copies this being number 394. Folio (15 1/4 x 11 1/2 inches; 388 x 294 mm). Two color vignettes and fifty-four full-page color plates by Bakst (printed in France), and a full-page portrait of Leon Bakst by Pablo Picasso. Quarter vellum over light blue fine-grain cloth. Spine lettered in gilt. Top edge gilt, others uncut. A small snag to cloth on front cover as well as a very light scratch. A few light finger smudges. Overall a near fine copy. "In less than six weeks- his time was necessarily restricted- Leon Bakst composed, or rather improvised the six scenes and the three hundred costumes (a whole world of pictorial fiction) which the ballet contains." (From the forward) Niles & Leslie. HBS 67822. $4,250 [Attributes: Hard Cover]

      [Bookseller: Heritage Book Shop, ABAA]
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        Grand Bal des Artistes Travesti Transmental.

      Salle Bullier, Paris: L'Union des Artistes Russ, February 23, 1923 - Folio. Original tan wrappers printed in blue. Wrappers tanned, chipped, creased, and separated from contents, dark spots to upper wrapper, creasing to corners of contents. Very good condition. Tipped-in plate and illustrations throughout. The rare programme for the Grand Bal des Artistes, "a philanthropic venture for the Union des Artistes Russes, a society that brought together many of the Russian émigré painters and critics such as Victor Bart, Sonia Delauney, Serge Romoff, Léopold Survage, and Zdanevich. Goncharova and Larionov designed much of the publicity material including the programe, the flyer, and the ticket They also invited Russian and French colleagues including Bart, Albert Gleizes, Juan Gris, Ferdinand Léger, Pablo Picasso, and Survage – to sponsor and design forty loges which were then sold in aid of the Union" (Bowlt, Faces Painted with Fanciful Patterns, in USSR 5/6). The programme itself includes two illustrations by Picasso, as well as images by Gris, Derain, and Gontcharova, and facsimile poems by numerous authors. The Union organised a number of artists' balls in the early 1920s, but this was by far "the most ambitious The program included four dance bands and two bars serving 'pommes frites anglaise et cocktails' and the dancing was supplemented by all kinds of happenings" (Bowlt). A fantastic and ephemeral publication. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Dessins

      1923. First Edition . COCTEAU, Jean. Dessins. Paris: Libraire Stock, 1923 [i.e. 1924]. Large quarto, original cream paper wrappers, uncut. Housed in a custom clamshell box. $9000.Signed limited first edition, number 44 of only 625 copies, this being one of only 50 copies “sur Hollande Van Gelder,” with a large laid-in original pen-and-ink drawing by Cocteau entitled “Hommage a Paul Morand,” depicting a wealthy woman reclining in a lounge chair, a copy of one of MorandÂ’s books dangling from her hand.Dessins contains more than 100 line cuts of CocteauÂ’s early drawings, dedicated to Picasso with the apology: “Poets do not draw. They untie the knots in handwriting and then retie them differently.” Because some plates were spoiled in the printing and therefore had to be restruck, the work did not actually appear until 1924. CocteauÂ’s large original laid-in drawing depicts a stylish woman lounging on a wooden chair, a copy of a book by Paul Morand dangling from her hand. Paul Morand, often classified as a modernist and imagist, met Cocteau in 1917 at the premiere of CocteauÂ’s ballet Parade. The two were very much part of the same avant-garde artistic and social movements. Morand remained a member of the literary elite throughout his life, though he was an unapologetic collaborator with both the Vichy regime and the Nazis during World War II. Owner signature.Interior generally fine, slight soiling and a bit of wear mainly to extremities of original wrappers, expert joint repairs. A scarce near-fine copy, most desirable with original drawing by Cocteau.

      [Bookseller: Bauman Rare Books]
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        The Meaning of Relativity: Four Lectures Delivered at Princeton University, May, 1921.

      Princeton:: Princeton University Press,. Very Good. 1923. Hardcover. B00G3KUDU8 . Translated from the German by Edwin Plimpton Adams. First American edition. Moderate shelf wear and aging, upper corner of front free endpaper is clipped, else very good in dark blue cloth with gilt lettering. No dust jacket. ; 123 pages .

      [Bookseller: Grendel Books, ABAA/ILAB]
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        Kleine Prosa.

      Erste Ausgabe. - Selten, da ein Großteil der Exemplare 1923 bei einem Lagerbrand vernichtet wurde bis 1922 waren gemäß Verlagsunterlagen von der Auflage von 1500 Exemplaren nur 735 verkauft worden. - Einband etwas gebräunt, Ecken berieben, Vorsatz mit Besitzvermerk, sonst gut erhaltenes Exemplar. - W/G 10.

      [Bookseller: Rotes Antiquariat]
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        Le couronne de Vulcain

      First edition, one of 100 numbered copies on Arches paper, the only printing along with 12 on Chapelle. With 3 original bistre-colored lithographs hors texte by Suzanne Roger.Manuscript signatures of the author and illustrator below the justification. A very good copy. Edition de la Galerie Simon Paris 1923 19,5x25cm broché

      [Bookseller: Librairie Le Feu Follet]
 19.   Check availability:     Direct From Seller     Link/Print  


        Grand Bal des Artistes Travesti Transmental.

      Salle Bullier, Paris: L'Union des Artistes Russ, February 23,, 1923. Folio. Original tan wrappers printed in blue. Tipped-in plate and illustrations throughout. Wrappers tanned, chipped, creased, and separated from contents, dark spots to upper wrapper, creasing to corners of contents. Very good condition. The rare programme for the Grand Bal des Artistes, "a philanthropic venture for the Union des Artistes Russes, a society that brought together many of the Russian émigré painters and critics such as Victor Bart, Sonia Delauney, Serge Romoff, Léopold Survage, and Zdanevich. Goncharova and Larionov designed much of the publicity material including the programe, the flyer, and the ticketÂ… They also invited Russian and French colleaguesÂ… including Bart, Albert Gleizes, Juan Gris, Ferdinand Léger, Pablo Picasso, and Survage – to sponsor and design forty loges which were then sold in aid of the Union" (Bowlt, Faces Painted with Fanciful Patterns, in USSR 5/6). The programme itself includes two illustrations by Picasso, as well as images by Gris, Derain, and Gontcharova, and facsimile poems by numerous authors. The Union organised a number of artists' balls in the early 1920s, but this was by far "the most ambitiousÂ… The program included four dance bands and two bars serving 'pommes frites anglaise et cocktails' and the dancing was supplemented by all kinds of happenings" (Bowlt). A fantastic and ephemeral publication.

      [Bookseller: Peter Harrington]
 20.   Check availability:     Biblio     Link/Print  


        World Crisis

      1923. First Edition . CHURCHILL, Winston. The World Crisis. London: Thornton Butterworth, (1923-31). Six volumes. Octavo, modern full burgundy morocco gilt, raised bands, spine compartments decorated with gilt Churchill lions, marbled endpapers, all edges gilt. $6000.First English editions of ChurchillÂ’s important history of World War I. “Not only the best account of the most tremendous convulsion the world has ever seen, but one of the most brilliant treatises on war that has ever been written” (Spectator).During WWI, Churchill served variously as the head of the British Navy, Minister for Munitions, and as a foot soldier in the trenches. The World Crisis offers his first-hand account of the British government's massive efforts to win the war, and depicts the political events that would serve as object lessons for Churchill when WWII broke out. Illustrated with numerous maps (many folding), charts, facsimiles, photographs, and a large folding colored map at rear of last volume. Preceded by the American editions, although ""the English is more aesthetically desirableÂ… equipped with shoulder notes on each page which summarize the subject of that pageÂ… It is more popular among collectors who wish to own only one edition"" (Langworth, 108). With all errata slips as called for in Woods. Cohen A69.2. Woods A31(a). Langworth, 105-108. Owner signature to top of title page of Volume V.A fine set of this increasingly scarce Churchill work, handsomely bound.

      [Bookseller: Bauman Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        The Tomb of Tut-Ankh-Amen discovered by the late Earl of Carnarvon and Howard Carter.

      3 Volumes. 1st. Editions. Large 8vo. pp. xvi, 231: xxxiv, 269: xvi, 247: photographic plates. Original pictorial cloth, Very Good in in professionally restored dust wrappers.

      [Bookseller: Michael S Kemp Bookseller]
 22.   Check availability:     PBFA     Link/Print  


        Chansons pour elle

      Edition features original illustrations, tail-lamp and colored headings by Quint, a 50 numbered copies on Japan, deluxe edition.Binding to bradel full paper decorative patterns, smooth spine piece brown morocco, wrappers and back preserved and bound in, gilded head, elegant binding signed P. Goy & C. Vilaine.Our copy, like copies of the deluxe edition, is full of his suite illustrations.Beautiful and rare copy pleasantly established. René Kieffer Paris 1923 16x25,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 23.   Check availability:     Direct From Seller     Link/Print  


        Autograph postcard signed with original sketches

      , 1923. 1923. Signed. EINSTEIN, Albert. Autograph postcard signed with original sketches. Near Jerusalem, circa February 5, 1923. Postcard illustrated with a rendering of the Red Star Liner Belgenland, measuring 5-1/2 by 3-1/2 inches, with two sketches by Einstein on the recto and autograph letter by Einstein in German (along with an autograph letter by his traveling companion) on the verso. $49,000.Extremely rare autograph postcard signed written by Einstein during his visit to Palestine

      [Bookseller: Bauman Rare Books ]
 24.   Check availability:     ABAA     Link/Print  


        World Crisis

      , 1923. 1923. First Edition . CHURCHILL, Winston. The World Crisis. London: Thornton Butterworth, (1923-31). Six volumes. Octavo, original navy cloth. Housed together in a custom slipcase. $6000.First English editions of Churchill

      [Bookseller: Bauman Rare Books ]
 25.   Check availability:     ABAA     Link/Print  


        Contraception

      1923. First Edition . STOPES, Marie Carmichael. Contraception. London: John Bale, Sons & Danielsson, 1923. Octavo, original green cloth, original dust jacket. $3200.First edition of the first British textbook on the theory, history, and provision of birth control by birth control advocated and sexologist Marie Stopes, the author of Married Love, in very scarce original dust jacket.""As a scientist, [Marie] Stopes is still a figure of some interest. Her major claim to fame, however, rests on her work as birth control advocate and sex educator. She played a unique and essential role in publicizing contraception and making it a topic for discussion. She created a new genre of marriage manual with Married Love, a book which literally changed lives"" (DNB). Though less famous than Married Love today, Contraception was similarly influential among the professional class of its time. Stopes offered medical and legal professionals the tools (and perhaps permission) to deal with contraception, popularizing the idea that contraception should no longer be taboo and that healthy, happy, desired babies were the proper outcome for British women. Her work on actual birth control devices, relied on heavily here, also changed the manner in which birth control was provided in Britain, placing control and indeed responsibility firmly in the hands of women. ""The first important English handbook on birth control"" (Garrison-Morton 1641.2). ""One of the first factual and unemotional discussions of the subject"" (Heirs of Hippocrates 2316). With an Introduction by Professor Sir William Bayliss and Introductory Notes by Sir James Barr, Dr. C. Rolleston, and Dr. Jane Hawthorne. Bookseller ticket.Book with interior quite nice and only light wear to extremities, very scarce dust jacket with a bit of wear and toning to extremities. A near-fine copy.

      [Bookseller: Bauman Rare Books]
 26.   Check availability:     Biblio     Link/Print  


        Peintre de la Vie Moderne

      1923. BAUDELAIRE, Charles. Le Peintre de la Vie Moderne, Constantin Guys. Paris: Éditions René Kieffer, (1923). Folio, contemporary full brown morocco, elaborately blind-tooled spine and boards, raised bands, marbled endpapers, top edge gilt, uncut. $1500.Limited first illustrated edition, number 123 of 550 copies, of BaudelaireÂ’s highly influential essay in which he differentiates the modern age from that which came before, with 16 plates of watercolors by Constantin Guys, whose work inspired Baudelaire to write the essay. Beautifully bound by René Kieffer.Constantin Guys “has everywhere sought after the fugitive, fleeting beauty of present-day life, the distinguishing character of that quality which, with the readerÂ’s kind permission, we have called ‘modernityÂ’. Often weird, violent and excessive, he has contrived to concentrate in his drawings that acrid or heady bouquet of the wine of life” (Le Peintre de la Vie Moderne). With these words, Baudelaire named, and created, the modernist movement. Baudelaire “was a precursor of modern poetry by his perception of the symbolic correspondences of colors, scents, and sounds, by his exploration of the musical possibilities of the French language, and above all by his evocative power” (Harvey & Heseltine, 53-54). While this was first published in 1863, it was not until this lovely 1923 edition that BaudelaireÂ’s words were united in one volume with the watercolors by Guys that inspired them. Text in French. Original wrappers and spine bound in. Small binderÂ’s ticket.A handsome, fine copy, beautifully bound and illustrated.

      [Bookseller: Bauman Rare Books]
 27.   Check availability:     Biblio     Link/Print  


        Le grand écart

      - Stock, Paris 1923, 12,5x19cm, broché. - Prima edizione, una delle 500 copie numerate sul filo puro. La nostra copia è arricchita con una spedizione dell'autore decorato con un disegno del volto di un giovane uomo. Torna un po 'passato senza gravità, bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 500 exemplaires numérotés sur pur fil. Notre exemplaire est enrichi d'un envoi de Jean Cocteau agrémenté d'un dessin représentant le visage d'un jeune homme. Dos très légèrement passé sans gravité, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Toine. -

      A. Ferroud, F. Ferroud 1923 -, Paris - 1 volume. In-12 93 pp. Reliure demi-maroquin bleu marine

      [Bookseller: Librairie KOEGUI]
 29.   Check availability:     AbeBooks     Link/Print  


        Autograph postcard signed with original sketches

      1923. Signed. EINSTEIN, Albert. Autograph postcard signed with original sketches. Near Jerusalem, circa February 5, 1923. Postcard illustrated with a rendering of the Red Star Liner Belgenland, measuring 5-1/2 by 3-1/2 inches, with two sketches by Einstein on the recto and autograph letter by Einstein in German (along with an autograph letter by his traveling companion) on the verso. $49,000.Extremely rare autograph postcard signed written by Einstein during his visit to Palestine—one of only a couple manuscript items from this visit known to exist—featuring a very rare self-portrait sketch by Einstein as well as a sketch of the traveling companion he mentions in his letter. Letter in German.Einstein writes to noted Zionist Arthur Ruppin in full (translated from German): ""To my dear Mr. Ruppin, We are having unforgettable days in Palestine. With the sun shining, in cheerful company. Your wife is standing next to me and looking at what I am writing about her. She is counting the days until you come back. Yours, A. Einstein."" (At the time, Ruppin had been on an extended fundraising trip in the United States, see: Wisconsin Jewish Chronicle, December 15, 1922.) Above his note, Hanna Ruppin also writes her husband (translated): ""Dear Arthur, A pleasant tour of the city. Included is a picture by Prof. Einstein. Warm greetings, Hanna."" True to her word, on the recto, Einstein had drawn a diminutive self-portrait (signed below) together with a rendering of ""Frau Ruppin."" Above the drawings, he added the words, ""Jerusalem,"" ""Heiligenschein"" (or ""halo"") with an arrow pointing to the halo-like marks over his self-portrait's head. Einstein's depiction of himself as a rotund, almost comical figure stands in contrast to the elegantly-dressed ""Frau Ruppin"" with her stylish hat, shapely figure and umbrella. A newly minted celebrity following the reception of the 1921 Nobel Prize for physics, Einstein was on his return to Europe following a six-month lecture tour that took him as far as Japan in late 1922. He returned to Europe via Sri Lanka and the Suez Canal, stopping at Port Said on February 1, 1923 for two weeks in Palestine. Einstein made the stop at the invitation of Arthur Ruppin (1876-1943), an early Zionist thinker and leader. Academically trained in Germany in economics and law, Ruppin was awarded the Krupp prize in 1899 for his dissertation on Darwinism and industry. He joined the Zionist Organization in 1905 and acted as a land agent to purchase land in Palestine in order to facilitate the migration of European Jews. From 1933 to 1935, he headed the Jewish Agency which assisted German Jews fleeing Nazi persecution in settling in Palestine. At the time of Einstein's visit to Palestine, Ruppin was on an extended fundraising tour in the United States (Wisconsin Jewish Chronicle, December 15, 1922, p. 10). From Port Said, Einstein boarded a train for Jerusalem, where he was greeted not unlike a visiting head of state in light of his of recent scientific achievements, as well as his support of the establishment of a Jewish state in Palestine. The first night, Einstein was the guest of an aide to the British High Commissioner for the Palestinian Mandate and he spent the next two days informally touring the Old City, as well as taking a trip to the Dead Sea via Jericho. February 5th marked the first day of his official tour organized by the Zionists. Writing in his travel diary, he recorded (translated): ""Tour of two Jewish colonial settlements west of Jerusalem, belonging to the city. The construction is carried out by Jewish workers' cooperative in which the leaders are elected. The workers arrive without specialized knowledge or expertise and achieve excellence after a short time. The leaders are paid no more than the workers."" According to corresponding sources, Einstein's first visit that morning was to the suburb of Beth Hakerem, in the west of Jerusalem, accompanied by Hanna Ruppin, together with Hadassah Samuel and Solomon Ginzburg. (see: Ha'aretz and Doar Hayom, February 7, 1923, and Kark and Oren-Nordheim 2001, p. 169). On the afternoon of February 7th, Einstein delivered the inaugural lecture on the future sight of the Hebrew University on Mount Scopus, an institution in which he was intimately involved . There, he apologized for not being able to deliver his address in Hebrew and then proceeded to give a 90 minute talk (in perfect French) outlining his theory of relativity (Einstein, Collected Papers, Volume 13, p. lxvi). After Jerusalem, Einstein travelled to Tel Aviv, where Mayor Meir Dizengoff bestowed him the honor of honorary citizenship, upon which he remarked, ""I have already had the privilege of receiving an honorary citizenship of the City of New York, but I am tenfold happier to be a citizen of this beautiful Jewish town."" In his travel diary, Einstein recorded his favorable impressions of the young Jewish settlement: ""The accomplishments of the Jews in just a few years in this city arouses the highest admiration… An incredibly active people, our Jews."" (Travel Diary, February 8, 1923). His tour continued with visits to Haifa and Tiberious, and ending in Jerusalem before he departed via rail for Port Said the morning of February 14th. On February 16th, he embarked on the R.M.S. Ormuz for Marseilles. From there he travelled to Spain, delivering lectures in Barcelona and Madrid. Although Einstein would never again travel to Palestine, he continued to support efforts to promote Jewish settlement and especially the Hebrew University. Upon the death of Israel's first President, Chaim Weizmann, Abba Eban, the Israeli Ambassador to the United States, formally offered him the post. Although deeply moved by the offer, he did not believe himself qualified for such a position. (New York Times, Nov. 19, 1952, p. 1) Although Einstein used a postcard for the Red Star Line, Belgenland, he did not sail aboard the ship as it had yet to make its maiden voyage (April 1923). However, Einstein's last voyage to Europe was aboard the Belgenland in 1933. Arriving in Antwerp, he learned that Adolf Hitler had become Chancellor of Germany. Realizing that he could never reside in Germany again, he left, first for Great Britain, and then the United States, where he became a citizen in 1940. This letter is extremely rare. Letters written by Einstein during his only visit to Palestine are virtually unknown and no examples have appeared at auction for the past forty years. The Collected Papers of Albert Einstein record only two other pieces of manuscript (apart from his travel diary) written during this period: a February 11, 1923 ALS to Chaim Weizmann written from Haifa (location of original not presently known) and an ALS, February 14, 1923, written to Arthur S. Eddington (now part of the collections of the University of Cambridge). Although Einstein was known to accomplish drawings, signed self-portraits are virtually unknown. We are aware of only three other examples, none of which have ever sold at public auction (nor are we aware of a private sale of the same). Faint horizontal crease with a tiny tear at left margin does not affect the drawings or Einstein's note on the verso, minor rub spot below address line. About-fine condition.

      [Bookseller: Bauman Rare Books]
 30.   Check availability:     Biblio     Link/Print  


        Fermé la nuit

      First edition, one of 108 copies re-imposed in Tellière quarto format, this one of 100 nominative copies lettered in Roman characters, the tirage de tête.Half long-grained green morocco, very slightly faded, covers and spine preserved.A very good copy. Nrf Paris 1923 16,5x22,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 31.   Check availability:     Direct From Seller     Link/Print  


        Portrait photograph signed "Sophie" (Dorothea Ulrike Alice, 1870-1932, Princess of Prussia, daughter of Emperor Friedrich III, wife, 1889, of King Constantine I of Greece)

      1923 - showing the recently widowed Queen three quarters length, in profile, wearing mourning, in a fine silver frame by Asprey 9

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Le mystère d'Ulysse

      1923. Nrf, Paris 1923, 13,5x18,5cm, broché. - Nrf, Paris 1923, 13,5x18,5cm, broché. - Prima edizione, una delle 1035 copie numerate su Arches previste. Prezioso autografo firmato di Charles Maurras: "Al mio caro maestro Anatole France che ricordo buio del grande odissea." Il nostro esemplare ha acquisito due correzioni manoscritte di Charles Maurras nel testo alle pagine 15 e 22. Libro illustrato frontespizio un ritratto di Charles Maurras di Luc-Albert Moreau. Qualche piccolo foxing minore. [FRENCH VERSION FOLLOWS] Edition originale, un des 1035 exemplaires numérotés sur vergé d'Arches. Précieux envoi autographe signé de Charles Maurras : "A mon cher maître Anatole France  cette obscure réminiscence de la belle odyssée." Notre exemplaire est enrichi de deux corrections manuscrites de Charles Maurras dans le texte aux pages 15 et 22. Ouvrage illustré en frontispice d'un portrait de Charles Maurras par Luc-Albert Moreau. Quelques petites rousseurs sans gravité. Notre exemplaire est présenté sous chemise et étui en plein papier bleu marine.

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     maremagnum.com     Link/Print  


        Photograph signed

      1923. Signed. EDISON, Thomas Alva. Photograph of an oil portrait signed. No place, circa 1930. Original photolithograph on cardstock, measuring 8 by 10 inches, matted and framed, entire piece measures 13 by 15 inches. $3500.Photograph of a three-quarter profile oil painting of Edison, signed by him beneath the image.By the time Edison filed his last (1,093rd) patent at age 83, he was working mostly from his home office and laboratory, where, though increasingly frail, he enjoyed greeting former associates and famous admirers. The painting reproduced here was produced just a year or so before his death. Minor toning to lower right margin, very nearly fine condition, signature bold.

      [Bookseller: Bauman Rare Books]
 34.   Check availability:     Biblio     Link/Print  


        Mount Everest.

      A chromolithographed board game in three sections, approx. 43 x 30cm., folding and contained in the original box, chromolithographed image of mountaineer looking over at Everest pasted as issued to lid, rules in English and French pasted inside lid, complete with four metal pieces in the form of climbers, die and die-holder; minor wear to box, else in very good condition.This attractively produced board game draws directly on the Everest expeditions of 1921 and 1922. The players negociate the various hazards presented by Everest - crevasses, illness, blizzards, and accidents - with a relative safe point reached at the Rongbuk Glacier Camp (16,500 feet).

      [Bookseller: Meridian Rare Books]
 35.   Check availability:     PBFA     Link/Print  


        Génitrix

      First edition, one of 40 numbered copies on light green paper, the tirage de tête, along with 10 hors commerce copies on China and 30 on Japan paper. Half navy blue morocco over marbled paper boards by Bernasconi, spine in six compartments, covers and spine preserved, top edge gilt.This copy retaining its portrait of the author by Raymonde Heudebert, here in two states as in the copies of the tirage de tête.A very good copy in a nice binding.Grasset Paris 1923 12x19,5cm relié

      [Bookseller: Librairie Le Feu Follet]
 36.   Check availability:     Direct From Seller     Link/Print  


        Chansons pour elle

      Ren

      [Bookseller: Librairie Le Feu Follet]
 37.   Check availability:     AbeBooks     Link/Print  


        Degas

      London: Ernest Benn Ltd, 1923. Limited Edition . Hardcover. Good/No Jacket. Degas, Edgar. Limited edition no. 753/1000 copies, heavy book, quite good condition light foxing to tips of pages. No dustjacket.

      [Bookseller: Treasured Books Ltd]
 38.   Check availability:     Biblio     Link/Print  


        Albrecht Schaeffer. Lene Stelling. Originallithographien von Alfred Kubin.

      Berlin, Druck: Otto v. Holten, 1923 - 25,3 x 20,8 cm, 42 (2) Seiten, drei Original-Lithografien (alle signiert), brauner Ganzlederband (Kratzspuren, Prägung auf dem Vorderdeckel), Vorsätze fleckig. Impressum: >Lene Stelling wurde im Auftrag von Gotthard Laske bei Otto v. Holten, Berlin im Herbst 1923 in einer einmaligen Auflage von 300 numerierten und vom Dichter mit Namenszug versehenen Exemplaren gedruckt. Die drei Originallithographien sowie Initial und Einbandzeichnung stammen von Alfred Kubin. In den Exemplaren I-L auf Van=Gelder=Bütten und LI-C auf Zanders=Bütten sind alle drei Lithographien, in den Exemplaren 201-300 ist das erste Blatt signiert. Dieses Exemplar trägt die Nr. XIII [13/300 der Vorzugsausgabe A; handschriftlich] [Schaeffer, Unterschrift]<. Marks A 74. - Rodenberg (Otto v. Holten) 246. - Lose beiliegend: Verlagsverzeichnis (4 Seiten; Faltblatt) Alfred Kubin. Bibliographisches Verzeichnis seines graphischen Werkes. Georg Müller Verlag München. 18 Titel verzeichnet. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Stader Kunst-Buch-Kabinett]
 39.   Check availability:     ZVAB     Link/Print  


        THE ECCLESIASTICAL REVIEW

      AMERICAN ECCLESIASTICAL REVIEW THE DOLPHIN PRESS, 1923. INGLESE 30 Ventisei volumi,dall'anno 1923 all'anno 1937,escluso il 1934.Coperte rigide verdi con evidenti segni del tempo e piccole lacerazioni su di esse.Tracce di umidità e di muffa.Vol.69 dell'anno 1923 con frontespizio mancante.Piccolo quadrato mancante al frontespizio dei volumi.Lieve fioritura. USATO

      [Bookseller: Biblioteca di Babele]
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        Shackleton's Last Voyage. The Story of the 'Quest' by Commander Frank Wild. From the Official Journal and Private Diary kept by Dr. A.H. Macklin.

      London: Cassell and Company, Ltd., 1923. FIRST EDITION, IN FINE CONDITION. The narrative of Shackleton's final expedition, with a coloured frontispiece, numerous maps, and over 100 illustrations from photographs. Large octavo, pp. xvi; 372. Bound in publisher's decorated blue cloth showing ship on stormy seas against a gilt-stamped sunset, with nautical endpapers designed by Garth Jones. Stunning spine, with additional gilt illustration in great detail, and titles in like. Cloth in fine condition, with all illustration to boards and spine in exceptional clarity. Black and white ruling to upper. Corners of front board bumped, very light wear at endcaps. Textblock largely clean throughout, with spotting to edges. Small bookseller label to pastedown. A beautiful example of this real-life adventure.

      [Bookseller: Adrian Harrington]
 41.   Check availability:     Direct From Seller     Link/Print  


        Sainte Geneviève

      Tokyo, Chinchiocha 1923 - LIVRES Illustrations de Audrey Parr gravées par Bonkotsu Igami; dessin au verso par Keisen Tomita avec un poème de Claudel en fac-similé. Magnifique ouvrage d'un tirage à mille exemplaires numérotés; celui-ci (n° 181) est enrichi d'un envoi autographe de Claudel daté du 19 mai 1923 à Tokyo. Il n'aurait été tiré en réalité que 312 exemplaires. Reliure japonaise en accordéon sous ais de bois, dans un boîtier de toile de lin comportant 2 attaches en ivoire. Infime défaut au plat inférieur et boîtier sali. [Attributes: Signed Copy]

      [Bookseller: Librairie Seigneur]
 42.   Check availability:     AbeBooks     Link/Print  

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