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Displayed below are some selected recent viaLibri matches for books published in 1923

        Cover title]: Massachusetts General Hospital Cabot Case Records

      Massachusetts General Hospital, Boston 1923 - Thick quarto. Publisher's black buckram gilt. Spine puckered, very good or a little better. Bound up newsletters or offprints issued weekly by the Hospital, the first issue is dated May 17, 1921; the last issue is dated October 16, 1923.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 1.   Check availability:     AbeBooks     Link/Print  


        Indiscretions; or, Une Revue de Deux Mondes

      Paris: Three Mountains Press, 1923. First Edition, one of 300 copies printed on watermarked Rives handmade paper; this copy out-of-series. Unbound sheets, 19-7/8" x 25-1/2", 4 sheets. 1 vols. Fine. First Edition, one of 300 copies printed on watermarked Rives handmade paper; this copy out-of-series. Unbound sheets, 19-7/8" x 25-1/2", 4 sheets. 1 vols. The Unbound Sheets. The first book of the press; rare in unbound sheets. Gallup A23

      [Bookseller: James Cummins Bookseller]
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        TOMB OF TUT ANKH AMEN, discovered by the Late Earl of Carnarvon and Howard Carter.

      London, Cassell and Company, Toronto, Melbourne, Sydney, 1923, 1927, 1933. 3 VOLUMES, COMPLETE SET, ALL FIRST EDITIONS, FIRST PRINTINGS, 1923,1927 & 1933. ALL IN DUSTWRAPPERS. 8vo, approximately 240 x 155 mm, 9½ x 6¼ inches, numerous photographic illustrations by Harry Burton (of the Metropolitan Museum of Art, New York), all present as listed in the plate lists, pages: xxxiii, 1-231; xxxiv, 1-277; xvi, 1-248, original publisher's cloth, gilt lettering to spines and upper covers, central gilt scarab on black background to upper covers, original decorated endpapers. Spines slightly bumped at head and tail, occasional pale foxing, Volume 1: slight lean, slight rubbing to head and tail of spine, slight crack to the rear inner paper hinge. Dustwrappers: a few repairs to edges on blank side to strengthen slight chipping, all volumes have a light handling vertical crease to spines, Volume 1: slight rubbing to centre of spine with tiny loss; Volume 3 has a small chip to head with slight loss, neatly repaired, the selling price on the spines of the first 2 volumes has been crossed out with pale blue ink, and to Volume 3 on the inner flap, otherwise a very good plus set. Volume 3 was issued 6 years after Volume 2 and the jacket is on slightly thinner paper with different lettering and colour. Dust wrappers now protected with transparent removable covering. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton P.B.F.A.]
 3.   Check availability:     maremagnum.com     Link/Print  


        Cruise of the Mauretania to the Mediterranean 1923 (Photo Album)[cover title]

      Stamford, CT: Publishers Photo Service, Inc., 1923. Trade Paperback Trade Paperback. Very Good. [114] pages. 13-3/4 by 10-1/4 inches. Photo album of the first luxury cruise of the RMS Mauretania (Cunard Line), following its sixteen years of service as a transatlantic ocean liner, and World War One hospital ship. This first cruise was commissioned by the American Express Travel Company, and aimed exclusively at the wealthy, with prohibitively costly ticket prices. Advertisements announced Mauretania would be diverted from her regular ports 'to make an epoch in cruising history.' Ads ran widely in magazines including Travel, National Geographic, Country Life, The Dial, Current Opinion, Literary Digest, and elsewhere. The cruise left the Port of New York on February 10, 1923 and returned the following April. At the time, Mauretania was the Blue Riband record holder for the fastest ship on the Atlantic, an honor it held for 20 years. Newspapers at the time reported the cruise was re-christened mid-voyage as 'The Hundred Million Dollar Ship” due to its moneyed patrons. The bespoke album contains 113 black-and-white photographs, 9-1/2 by 7-1/2 inches each, tipped-in recto only, one per page, with caption labels in varying fonts glued beneath. Includes two full images of the Mauretania herself, one in Corsica and one from the Grand Corniche Drive in the French Riviera, plus one of the bow taken aboard at the landing at Ponta Delgada in the Azores. The photos depict idyllic stops in Spain, Algiers, Monte Carlo, The French Riviera, Naples, Pompeii, Rome, Istanbul, Athens, Giza, Cairo and Portugal, and includes a smoking Mt. Vesuvius. Despite the opulence, the luxury tourists were shocked after landing in Turkey among desperate refugees. Three photos show refugees in a camp on the Bosphorus Strait, one with a child who died while the photo was taken, and other children who would die of starvation or diphtheria within hours or days. Most captions do not personally identify the people depicted, but one exception is a photograph of Judge Elbert H. Gary (who paid $25,000 for his suite on the ship) and his wife in Madeira. Gary was the founder of U. S. Steel, and for whom the city of Gary, Indiana was named. After the cruise Gary was quoted in American papers, 'I was shocked by the deplorable conditions at Constantinople, at Athens and in the Near East, where many thousands of starving refugees are huddled in rags and filth in wretched, insanitary hovels.' Fellow passenger H. A. Tallmadge, owner of the Toledo Blade newspaper, 'corroborated the steel maker's description of the horrible condition of the Christian refugees in the Near East, saying that Greece is unable to handle the situation and must have more medical aid or thousands will perish.' The London Illustrated Police News on April 12, 1923 noted the 'Ship Full of American Millionaires' was not only a costly affair but also 'one of the wettest voyages made by Americans since prohibition. Considerably more than £10,000 pounds worth of liquor was consumed.' Black leather covers over black pages bound with two heavy rivets. Title and original owner's name stamped with gilt on cover. Edges worn and outside hinges starting to crack. Missing 6 pages that were cut or torn out. Most photos fine, though a few are lightly scuffed. Former owner's printed address sticker on front blank reinforced with scotch tape. Scarce.

      [Bookseller: Eureka Books, ABAA]
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        THE WARES OF THE MING DYNASTY

      London, Benn Brothers Limited, 1923.. LIMITED EDITION, 256 COPIES THIS BEING NUMBER 71, SIGNED BY THE AUTHOR WITH EXTRA COLOUR PLATE. 4to, approximately 270 x 215 mm, 10½ x 8½ inches, 12 coloured illustrations, including frontispiece, on 10 plates, 49 monochrome plates, many with more than 1 image, numbered 10-59, all plates have captioned descriptive tissue guards, making a total of 128 images, pages: xvi, [1] -240, bound in full publisher's pigskin, gilt lettering to spine, gilt decoration to upper cover, gilt top edge, text pages untrimmed. Binding slightly rubbed, corners bumped and showing wear, shelf wear to edges, edges of untrimmed pages age-browned, very small chip to the lower margin of plate 28, some of the untrimmed pages have small nicks to the edges which are protruding, 2 small repairs to edges of first tissue guard, occasional small pale spot, otherwise a very good copy. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        The Golden Hind A Quarterly Magazine Of Art And Literature; October 1922 - July 1923

      London: Chapman and Hall, 1923. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Very good. Four issues. 48, 38, 40, 40 pages. 39 x 28 cm. The first volume complete. Literary contributions by Alec Waugh, Aldous Huxley, Laurence Houseman, Ford Madox Ford, Rabindranath Tagore, Joseph Hergesheimer, Havelock Ellis et al. Illustrations by Alastair, John Austen, John Nash, Robert Gibbings, Jack Yeats, Haldane Macfall, Frank Brangwyn (color drawing) et al. Private Subscribers list in first issue, adverts front and rear. Second issue with adverts, and last issue with four page insert from Clifford Bax announcing a smaller format for ensuing issues, and a subscription form. All four issues generally clean, modest cover dusting.

      [Bookseller: Royoung bookseller, Inc.]
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        2 autograph letters signed.

      [Cannes], April 10 and 23 1923. - 8vo. Altogether (½+½=) 1 p. on 4 ff. To one Monsieur Custot, apologizing for not being able "to meet" him "without delay", since "my health at present is not of the best" (April 10). "You must forgive me for not having acknowledged your kind letter and your study of the Eighteenth Century, which you were so good as to send me some days ago; but I confess that I have been merely enjoying this air and sunshine, and have done nothing whatever. He is an interesting scoundrel, your hero-adventurer, and, like all scoundrels, from the Chevalier Faublas to Casanova, he seems to be rewarded with all the good things of life. I do not find that just - - even in fiction [.]" (April 23). - Each letter with lithographed letterhead "Grand Hotel Californie | Cannes".

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        The Berkshire Kennet.

      London: Privately Printed for Holbrook Jackson at the Curwen Press,, 1923. Small duodecimo-sized pamphlet. Original patterned wrappers, title label to front. Fine. First edition, first impression, number 28 of 50 copies, printed on hand-made paper, this copy additionally inscribed on the limitation page, "Donald Friede from Richard Aldington". Donald S. Friede (1901-1965) was a significant American publisher of literary Modernists. The son of a Russian immigrant who had represented Ford in Tsarist Russia, Friede was expelled from three universities (Harvard, Yale, and Princeton) before finding his first footing in the book world working as a stock clerk for Alfred A. Knopf. He had only just joined Boni & Liveright in 1923, the year of this book's publication. He soon rose to become its Vice-President in 1925, and in 1928 co-founded Covici-Friede, Inc, publishing the likes of John Steinbeck, Ezra Pound, T. S. Eliot and E.E. Cummings. He later worked as a literary agent, and senior editor at Prentice-Hall and Doubleday, working with Ernest Hemingway and Theodore Dreiser. The Library of Congress holds his papers. This is an excellent association for one of the British Modernist's rarest publications, of which we can trace only one inscribed copy ever having appeared auction, in 1992. Aldington's long poem (which had appeared in To-Day, September 1923, and also appeared in the same year in the collection The Exile and Other Poems) communicates the spiritual salve of walks along the River Kennet in Berkshire, where he was recovering in Malthouse Cottage from the shock of his trench experiences, taking his friend T. S. Eliot (then flushed with fame after the publication of The Waste Land in 1922) as an occasional companion on his countryside rambles. Aldington's biographer described the pastoral poem as "a one man rear-guard action against Modernism... symptomatic of the fact that Aldington was uncertain of his position in relation to the new poetic" (Richard Aldington: A Biography).

      [Bookseller: Peter Harrington]
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        The Great Chalice of Antioch, on Which Are Depicted in Sculpture the Earliest Known Portraits of Christ, Apostles and Evangelists [By] Gustavus A. Eisen ... - Complete in Two Large Folio Volumes

      New York, Kouchakji Freres, 1923. First Edition. Sumptuously bound in gilt-blocked dark morocco over elaborately decorated buckram boards. Raised bands with gilt-tooled compartments. An exceptional copy and rare in such positive condition. Scans and additional information on request.; 0 pages; Description: 2 v. 60 pl. , diagrs. 47 cm. Fabulously illustrated with 60 plates each accompanied by leaf with descriptive letterpress. Book designed and decorated by Edward B. Edwards. (Limited to 1000 copies). Bibliography: v. 1, p. [187]-191. Subject: Antioch chalice. Christian Art and Symbolism.

      [Bookseller: MW Books Ltd.]
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        Tristan und Isolde.

      München, Drei Masken Verlag, 1923. - Ca. 37 x 28 cm. Titelblatt, 354 Seiten, 1 Seite Druckvermerk. Faksimile der Reinschrift der autographen Partitur. Eines von 410 arabisch numerierten Exemplaren. Aus dem Druckvermerk: "Das Autograph der vollständigen Partitur von Richard Wagners "Tristan und Isolde" wurde im Auftrag des Drei Masken Verlags in München im Laufe des Jahres 1923 erstmalig reproduziert. Das Originalmanuskript ist im Besitz des Hauses Wahnfried in Bayreuth. Der Druck dieser Faksimile-Ausgabe erfolgte durch Sinsel & Co. G.m.b.H. in Leipzig-Oetzsch. Die einmalige Auflage beträgt 530 Exemplare, von denen 500 in den Handel gelangen, und zwar 90 Exemplare numeriert von I bis XC und 410 Exemplare von 1-410." Ecken und Kanten etwas berieben, Ecken gering bestoßen, Vorderdeckel gering gebogen, vorderer Schnitt etwas fleckig. Insgesamt schönes Exemplar. Auberginefarbiger Original-Halblederband mit goldgeprägtem Rücken und Kopfgoldschnitt.

      [Bookseller: Antiquariat Rainer Schlicht]
 10.   Check availability:     IberLibro     Link/Print  


        Geschichte der Bayerischen Porzellan-Manufaktur Nymphenburg. (Bände 1 und 2 im unveränderten Nachdruck von 1923; Band 3 in erster Ausgabe). 3 Bände.

      Leipzig, Hiersemann, 1923. - circa 33,5 x 25 cm. 732 Seiten (durchpaginiert) mit etwa 450 Textabbildungen, 12 farbigen, 12 Autotypietafeln und 2 Markentafeln Rotes Original-Leder mit Rücken-, Deckel-, Steh- und Innenkantenvergoldung (mit den neutralen Umschlägen und Schubern) Das grosse und umfassende Standardwerk in hervorragender Ausstattung, hier auf schwerem Kunstdruckpapier und in der sehr seltenen Vorzugsausgabe in prachtvollen roten Ganzlederbänden. - Band I: Wirtschaftsgeschichte und Organisation. - II. Werkbetrieb und Personal. - III. Produktion und Verschleiss. Originalausgabe mit hervorragenden Abbildungen, Bände 1 und 2 im unveränderten Nachdruck von 1923; Band 3 in erster Ausgabe von 1923. "- Schönes, frisches Exemplar - prachtvoll gebunden. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        April Twilights and Other Poems

      Alfred A. Knopf, New York 1923 - First edition thus, a re-issue of Cather's first book, with additional poetry, some of it previously unpublished. Japanese vellum and papercovered boards. Copy 302 of 450 numbered copies Signed by the author. [Attributes: Signed Copy]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Men Like Gods

      London: Cassell and Company, 1923, 1923. First Edition, First Issue . Green Cloth. Near Fine/Near Fine Dustjacket. Viii, 304 Pp. Green Cloth, Gilt. First Edition, First Printing With Printer's Code F.200.123 On Page 304, This Example The Relatively Scarce First State Binding With The Publisher's Imprint At Base Of Spine In Gilt. Book Is Near Fine, Virtually Unworn, Slight Bumping At Head And Heel Of Spine, Slight Foxing To Endpapers, In A Near Fine Dust Wrapper With Slight Browning And A Little Loss Of Paper At The Corners And At The Edge Of The Spine, Spine Slightly Darkened, With A Custom Half-Leather Fully Enclosed Case And Sleeve With Gilt Title On Spine.

      [Bookseller: Arroyo Seco Books]
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        WELTUNTERGANG. DAS NEUE JERUSALEM

      Bad Oldesloe: Uranus-Verlag Max Duphorn, 1923.. Octavo, pp. [1-4] 5-158 [159] [160: blank], original pictorial cream boards printed in black, blue and gold with white linen spine panel printed in blue, brown endpapers. First edition. Geopolitical fantasy set in a technologically advanced utopian world in the year 2000. Bloch (2002) 1664. Brandt, Der deutsche Zukunftsroman 1918-1945, p. 361. Not in Lexikon 2 or Nagl. A clean, bright, nearly fine copy. (#139142)

      [Bookseller: L. W. Currey, Inc.]
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        Typhoon.

      Garden City, NY: Doubleday, Page & Company, 1923. First edition, later printing of this classic sea yarn by Conrad. Octavo, original blue cloth, gilt stamped to the front panel, gilt titles to the spine, frontispiece. Boldly inscribed by Joseph Conrad on the front free endpaper. In near fine condition with some light offsetting to the endpapers. Typhoon is most likely based upon Conrad's actual experience of seaman's life, and probably on a real incident aboard of the steamer John P. Best. The Typhoon describes how Captain MacWhirr sails the s/s Nan-Shan, a British-built steamer running under the Siamese flag, into a typhoon a mature tropical cyclone of the northwestern part of the Pacific Ocean. Other characters include the young Jukes most probably an alter ego of Conrad from the time he had sailed under captain John McWhirr and Solomon Rout, the chief engineer. The novella classically evokes the seafaring life at the turn of the century. While Macwhirr, who, according to Conrad, never walked on this Earth is emotionally estranged from his family and crew, and though he refuses to consider an alternate course to skirt the typhoon, his indomitable will in the face of a superior natural force elicits grudging admiration.

      [Bookseller: Raptis Rare Books ]
 15.   Check availability:     ABAA     Link/Print  


        ARCHITECTUUR, AANNEMER KONDOR, ABC Twee fotoalbums met - veelal grote, 18x24 cm-foto's van werken van het aannemersbedrijf N.V. De Kondor, gewapend betonbouw. Directeuren W.J. Wisselink c.i. en A. van Geluk. Gevestigd: Gebouw “De Roos”, Rokin 9-15 te Amsterdam (naam later ook: ABC, Algemene Beton Compagnie, ‘s-Gravenhage). Periode ca. 1920-1953.

      "Werken waarvan foto's in de albums: Rijnstroom A'dam (arch. van Gend); Peek en Cloppenburg A'dam; Tilburg (arch. De Beer); Benenten(?) Glas Mij. (arch. Postma); Huishoudschool Rotterdam (1923-1924); Ned. Ind. Handelsbank A'dam; Canisius Ziekenhuis Nijmegen; Van Nelle Rotterdam (1927 arch. Brinkman & Van der Vlugt); Bijenkorf Rotterdam (1930); Pieter de Hooghbrug Rotterdam (1931); 100 woningen voor gem. Coevorden (1947, arch. Zanstra c.s.); 200 woningen Geleen (194.?, arch. Dinger); woningen Alblasserdam (arch. Zanstra); 256 woningen Vlaardingen (arch. Zanstra); 120 woningen Onze Woning, Burg. v. Leeuwenl., A'dam (1953, arch. Zanstra); 72 woningen voor Patrimonium A'dam (arch. J.P. Kloos); foto architecten Merkelbach en Elling in groepsfoto (jubileum?), Geuzenveld A'dam. De meeste foto's tonen constructiewerkzaamheden, ruwe bouw en gereed pand.".m6944

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 16.   Check availability:     NVvA     Link/Print  


        A Sampler of Castile

      Richmond (London): Hogarth Press, 1923 - First Edition. One of 550 numbered copies. Quarter-sized stain on the front board; some rubbing; very good. [Attributes: First Edition]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        TOMB OF TUT ANKH AMEN, discovered by the Late Earl of Carnarvon and Howard Carter

      London, Cassell and Company, Toronto, Melbourne, Sydney, 1923, 1927, 1933,. 3 VOLUMES, COMPLETE SET, ALL FIRST EDITIONS, FIRST PRINTINGS, 1923,1927 & 1933. ALL IN DUSTWRAPPERS. 8vo, approximately 240 x 155 mm, 9½ x 6¼ inches, numerous photographic illustrations by Harry Burton (of the Metropolitan Museum of Art, New York), all present as listed in the plate lists, pages: xxxiii, 1-231; xxxiv, 1-277; xvi, 1-248, original publisher's cloth, gilt lettering to spines and upper covers, central gilt scarab on black background to upper covers, original decorated endpapers. Spines slightly bumped at head and tail, occasional pale foxing, Volume 1: slight lean, slight rubbing to head and tail of spine, slight crack to the rear inner paper hinge. Dustwrappers: a few repairs to edges on blank side to strengthen slight chipping, all volumes have a light handling vertical crease to spines, Volume 1: slight rubbing to centre of spine with tiny loss; Volume 3 has a small chip to head with slight loss, neatly repaired, the selling price on the spines of the first 2 volumes has been crossed out with pale blue ink, and to Volume 3 on the inner flap, otherwise a very good plus set. Volume 3 was issued 6 years after Volume 2 and the jacket is on slightly thinner paper with different lettering and colour. Dust wrappers now protected with transparent removable covering. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
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        A Visit to the Monastery of La Trappe, in 1817: With Notes, taken during a Tour through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Tocraine, Orleanois, and the Environs of Paris ... The Foourth edition.

      

      [Bookseller: Henry Sotheran Ltd.]
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        More Gems of Chinese Poetry, Translated into English Verse by W. J. B. Fletcher, with Comparative Passages from English Literature. Second Edition.

      

      [Bookseller: Henry Sotheran Ltd.]
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        Traité général de stéréoscopie

      Paris, J. de Francia, (1923), in-8, VII, (1bl), 228pp, broché, Nombreuses planches stéréoscopiques et 5 figures anaglyphiques à pleine page. PREMIERE EDITION

      [Bookseller: Librairie Alain Brieux]
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        The Tomb of Tut-Ankh-Amen

      George H. Doran, New York 1923 - Early reprint of the American edition. Volume One Only. A trifle rubbed, a very good copy in modestly chipped, near very good dustwrapper.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Die Sonette an Orpheus - Geschrieben als ein Grab-Mal für Wera Ouckama Knoop.

      Im. Insel-Verlag, Leipzig., 1923. First edition. Marbled paper boards with green title-label on upper cover lettered in gilt. One of the author's most celebrated works, this sequence of sonnets was written in the space of a month after a poetic silence of twelve years.Some light spotting, which seems to happen to this paper in all copies. Near fine in very scarce, near fine dustwrapper just a little nicked and faded at edges. Preserved in the publisher's original plain card slipcase, rubber-stamped "Rilke Sonette Pappbd.

      [Bookseller: Peter Ellis bookseller]
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        Selected Poems

      New York: Henry Holt. 1923. First. First edition. Bookplate on the front pastedown, gift inscription on the title page, corners a bit bumped and worn, still a bright and fresh, very good or better copy lacking the dustwrapper. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        BOOK OF LOVAT

      FRASER, LOVAT. (FRASER,CLAUD LOVAT) THE BOOK OF LOVAT by Haldane MacFall. London: Dent, 1923. 4to, cloth backed pictorial boards, light cover and edge wear, fine in slightly worn dust wrapper. An excellent reference work on the art and life of Claud Lovat Fraser, with many illustrations in color, black and white and from photos.

      [Bookseller: Aleph-Bet Books, Inc.]
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        Powder River Invasion War on the Rustlers in 1892

      Self Published 1923 - Small hardcover, no DJ. In good condition, moderate bumping to spine ends and corners, minor cover staining, front hinge is beginning to separate, pages are toning, text is clear and clean. This is a 1923 printing of the extremely rare 1894 book written by Asa Shinn Mercer. Even this 1923 edition is scarce. This is the story of the Johnson County, Wyoming, war pitting the settlers (rustlers) against the cattle barons of the day. A S Mercer was not originally on the side of the settlers, but he felt compelled to write the story (Banditti of the Plains, sub-titled The Crowning Infamy of the Ages) to tell of the tactics used by the cattle barons. Most of the original edition was destroyed under mysterious circumstances. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Faerie]
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        Lithographie - Kirche in Olpe im Sauerland -

      , , 1923 387 x 520 mm mm, Lithographie auf Btte im Format 387 x 520 mm (Motiv: 357 x 268 mm), mit dunkelgrauem Passepartout im Format 541 x 411 mm, Ausserhalb des Motives, im Randbereich des Blattes, schwache Schatten und vereinzelte Brunungsflecken. In gutem bis sehr gutem Zustand. Adolf Erbslh (* 27. Mai 1881 in New York ? 2. Mai 1947 in Irschenhausen). Zusammen mit Marianne von Werefkin und Alexej Jawlensky initiierte er die Grndung der Neuen Knstlervereinigung Mnchen (N.K.V.M.), aus der spter der ?Blaue Reiter? hervorging. - Unterhalb des Motives handschriftlich mit Bleistift datiert und signiert (Orig. Lith. 1923 (i) - Erbslh).

      [Bookseller: Versandantiquariat Werner Eichel]
 27.   Check availability:     booklooker.de     Link/Print  


        Men Like Gods

      London: Cassell and Company, 1923 - Viii, 304 Pp. Green Cloth, Gilt. First Edition, First Printing With Printer's Code F.200.123 On Page 304, This Example The Relatively Scarce First State Binding With The Publisher's Imprint At Base Of Spine In Gilt. Book Is Near Fine, Virtually Unworn, Slight Bumping At Head And Heel Of Spine, Slight Foxing To Endpapers, In A Near Fine Dust Wrapper With Slight Browning And A Little Loss Of Paper At The Corners And At The Edge Of The Spine, Spine Slightly Darkened, With A Custom Half-Leather Fully Enclosed Case And Sleeve With Gilt Title On Spine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Arroyo Seco Books, Pasadena, Member IOBA]
 28.   Check availability:     AbeBooks     Link/Print  


        Das Wielandslied der aelteren Edda in der Übersetzung von Karl Simrock. Holzschnitte von Gerhard Marcks. München-Weimar, Bauhaus-Verlag 1923. Folio. 10 monogrammierte, datierte und nummerierte Orig.-Holzschnitte auf chamoisfarbenem Japanbütten. Orig.-Halbpergamentmappe mit Deckeltitel.

      - In 110 Exemplaren 1923 im Bauhaus-Verlag erschienen. Die seltene Holzschnittfolge ist das erste Mappenwerk des damaligen Meisters am Bauhaus. Die einzelnen Titel der Folge: 1: Die drei Walküren. 2: Die drei Brüder. 3: Wieland. 4: Nidudrs Reiter I. 5: Der Überfall. 6: Wer fesselte den freien Mann. 7: Nidudrs Söhne. 8: Wieland. 9: Bödwild. 10: Lachend hob sich in die Luft Wölundr. Die Halbpergamentmappen fertigte Otto Dorfner. Sehr schönes Exemplar. - Lammek H 77.

      [Bookseller: Antiquariat Schmidt & Günther]
 29.   Check availability:     ZVAB     Link/Print  


        WORLD CRISIS

      London: Thornton Butterworth, 1923-31. 6 volumes. A complete set of first editions, all volumes being first printing. Illustrated throughout with numerous diagrams and maps, some of which are folding, and with a frontispiece portrait in the volume "Eastern Front". Tall 8vo, very handsomely bound by Bayntun of Bath in three-quarter red crushed morocco over red cloth. The wide backing and large corner pieces ruled in gilt, the spines with gilt framed panels within compartments separated by gilt-stippled raised bands ruled in blind, gilt lettering in three panels and at the foot, tips gilt hatched, fine marbled endpapers and t.e.g. Engraved bookplates and ex-libris embossed in blind on the free-flies. 529, index; 552, index; 292; 582, index; 466, index; 368. An especially fine and very handsome set, the text very clean and fresh and pristine, the bindings in excellent condition and very fine indeed. SCARCE FULL SET OF FIRST EDITIONS IN VERY FINE BINDINGS SIGNED BAYNTUN OF BATH. In Churchill's own words: "(in) the five volumes of the WORLD CRISIS and the AFTERMATH I have told the story of the War from the British standpoint, and particularly from those positions of authority which I held myself. The war at sea, the expedition to the Dardanelles, and the campaigns in France and Flanders filled the stage. It was only here and there that brief summaries of the struggles of Russia with Germany and Austria in the East could find a place. In (THE EASTERN FRONT) the proportions are reversed. The tale both of the events leading to the War and of its battles is told from the Eastern theatre, and only brief, indispensable references are made to British and French affairs. I have attempted to give a general account of the whole War upon the Eastern Front, and the distant cannonade in France breaks only fitfully upon the ear. The primary theme arises in Vienna and covers the agonies of Central Europe. The familiar events of the West are seen only in their reactions upon the Eastern Front" [preface to THE EASTERN FRONT).

      [Bookseller: Buddenbrooks, Inc.]
 30.   Check availability:     Biblio     Link/Print  


        Il Libro IV dell'Anabasi

      Società Editrice Dante Alighieri, Milano-Roma-Napoli 1923 - Raccolta di Autori Greci INTERLINGUE Volume n. LVIII della raccolta con note italiane. Seconda edizione riveduta e corretta. Con introduzione e note di F. Maurizio Chicco. Brossura editoriale con titolo al piatto, copertina morbida con segni di uso, tracce di fioritura e polvere, firma di appartenenza a matita al piatto anteriore che risulta parzialmente distaccato, pagine ingiallite con segni di fioritura, volume parzialmente intonso. Testo in italiano e in greco

      [Bookseller: Biblioteca di Babele]
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        LIFE OF ELEUTHERE IRENEE du PONT FROM CONTEMPORARY CORRESPONDENCE, 1778-1791 (12 Volumes)

      University of Delaware Press 1923 - Largely a collection of the correspondence of Eleuthere Irenee du Pont, the French-born American manufacturer. du Pont's father became acquainted with Thomas Jefferson when he was minister to France, a friendship which undoubtedly influenced the family decision to emigrate to the United States after the French Revolution. The 12 volumes in parchment backed boards. An attractive set, in an edition limited to 250 copies. There is a previous owner name on the endpaper of each volume. One volume has a small abrasion in the titling at the spine. The gilt top edges have some minor spotting, as do a couple of the parchment spines. Very Good binding. [Attributes: Hard Cover]

      [Bookseller: BLACK SWAN BOOKS, INC., ABAA, ILAB]
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        Merz 4. Banalitäten

      Merzverlag, Hannover 1923 - With several photographic illustrations throughout. First edition Printed on pink paper. In publisher's printed gray wrappers, typographic composition by Schwitters. 33-48 p. [=16 p.]. The fourth number of Kurt Schwitter's illustrated journal, the magazine of the Dada in Hannover. The 21 numbers of Merz was published between 1923 and 1932. The present 4th number, with the subtitle "Banalitäten", appeared in July 1923. This issue contains nine illustrations, among them by Picasso (Sacipos), Hans Arp, László Moholy-Nagy, Kurt Schwitters, Arthur Segall, Theo van Doesburg, and texts by Schwitters, Tzara, Bonset (d. i. Theo van Doesburg), Arp and others. Lower corner bumped. Trace of folding. Scratches on the front panel around letter "E" from the title. Stain to upper left corner of front cover and at the center of the rear panel. Light stain to lower edge of two leaves (pp. 35-36 and 45-46). Otherwise clean. Overall in very good condition. In publisher's printed gray wrappers, typographic composition by Schwitters [Attributes: First Edition; Soft Cover]

      [Bookseller: Földvári Books]
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        The Novels. The text based on early collation of the early editions by R. W. Chapman. With notes indexes and illustrations from contemporary sources.

      Oxford: The Clarendon Press, 1923 - 7 volumes, octavo. Recent burgundy morocco, centre tool to spines with crimson morocco labels, roll to boards, marbled endpapers, top edges gilt, others untrimmed. An excellent set handsomely bound. With colour frontispieces and further black and white illustrations throughout. First Clarendon press edition. One of a limited edition of 1,000 sets on large paper with the letters in 2 volumes.

      [Bookseller: Peter Harrington. ABA member]
 34.   Check availability:     IberLibro     Link/Print  


        Presagios. (Con una Visita de P. S. por Juan Ramón Jiménez).

      Madrid, Librería y Editorial Rivadeneyra, Biblioteca de Índice, 1923 - -13,5 x 20,5 cm.- , 89 págs. + 1 h. Enc. en tela editorial. Canto superior dorado. Dedicatoria autógrafa de 8 líneas de puño y letra de Pedro Salinas a Enrique Díez Canedo, fechada en mayo de 1924. 1.ª edición. (BUEN EJEMPLAR, muy buen estado.) [Attributes: Hard Cover]

      [Bookseller: Berceo (Libros Antiguos)]
 35.   Check availability:     IberLibro     Link/Print  


        THE ROVER [inscribed by Conrad]

      1923. Garden City NY: Doubleday, Page & Company, 1923. Original blue cloth, with dust jacket. First Trade Edition (preceded one day earlier by a 377-copy special edition), published before the English edition.~This volume is in fine condition, and the jacket is just about fine as well (very slightly tanned, as usual). Keating 179.~This copy's front free endpaper bears an almost-full-page signed presentation inscription, "Signed at the request of Walter Tittle for Miss Jean Campbell with best wishes by [signed] Joseph Conrad New Year's Day 1924". Sadly, this New Year's Day would be Conrad's last -- as he would die on August 3rd of the year just beginning. On 12 November 1922, Allan Wade (who was then trying to help Conrad get his dramatic version of THE SECRET AGENT onto the stage) had paid a visit to the Conrads' home, bringing with him the American portraitist Walter Tittle (1883-1966), whom Conrad admired; that day Tittle did an etching of Conrad, which would subsequently be selected as the frontispiece for Dent's Collected Edition of his works [1923].~Provenance: small "SJS" bookplate of Stanley J. Seeger -- see Sotheby's Seeger lot #363.

      [Bookseller: Sumner & Stillman]
 36.   Check availability:     Biblio     Link/Print  


        Les Petites Filles de Marie Laurencin chez Paul Rosenberg

      Daniel Jacomet et Cie sans date (1923), Paris - Album non paginé reproduisant au pochoir 19 aquarelles (et gouaches ?) : 16 de personnages et 3 de bouquets de fleurs, et d'une esquisse de dessin. Petit format in-16. Les personnages sont prénommés sur la page en vis-à-vis (= sur le verso d'une page, le recto étant vierge). Le verso des pages des aquarelles est vierge, ce qui donne à chaque fois 2 pages blanches en vis-à-vis. Sans date, reproduction en fac-similé par D. Jacomet. Selon les sources l'album sortit vers 1923. Cet album a été reproduit à 250 exemplaires numérotés, les 50 premiers étant accompagnés d'une eau-forte originale. Notre exemplaire est justifié N° 91 (2 fois, dont une étiquette, supposée étant celle de la Galerie, sur le 2ème plat de couverture). Le 3ème plat de couverture est estampillé « Daniel Jacomet et Cie, Paris ». Couverture rigide, cartonnage de papier, zébré (ou lignes courbées) bleu-violet, sans lettrage, tranches roses. Sous emboîtement assorti et portant une étiquette collée : « Les Petites Filles de Marie Laurencin chez Paul Rosenberg ». Etat : bon, état d'ancienneté. Emboîtement : bon, défraîchi, un peu fripé sur les tranches. Couverture et intérieur: Bon, fragilité, amorce de rupture de mors (à 3 endroits, vers le début, vers le milieu et à la fin de l'ouvrage). Le dessin est très pâle, peu visible, mais peut-être est-ce ainsi d'origine ? 10.5 x 10 x 1.5 cm 150g. [Attributes: Hard Cover]

      [Bookseller: ABC - Eric Girod]
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        Poems. [Selected and with a foreword by Sir H. Walford Davies; woodcut by R.A. Maynard]

      Gregynog: Gregynog Press 1923 - Cloth-backed patterned boards, printed paper label. Cloth slightly spotted, corners slightly rubbed, endpapers a little embrowned. Edition limited to 300 numbered copies; printed in red and black by Robert Ashwin Maynard ("Assistants: John Mason & John Hugh Jones"). The Gregynog Press's first publication, simple, unshowy, clean and pleasing. [Attributes: Hard Cover]

      [Bookseller: James Fergusson Books & Manuscripts]
 38.   Check availability:     AbeBooks     Link/Print  


        Bauhaus Karte Nr. 5: Bauhaus Ausstellung Juli - October 1923.

      Weimar, 1923. Orig. Postkarte [15 x 10,6 cm]. Vgl. bauhaus. drucksachen - typografie - reklame, S. 64-70. Mit dem Originalstempel der Ausstellungsdauer. Mehrfarbige Original - Lithographie auf leicht tonigem, glattem Karton mit rückseitigen Aufdruck. - Die Karte ist nicht gelaufen. - Tadellos Versand D: 7,00 EUR Ansichtskarten; Grafik; Kunst

      [Bookseller: Antiquariat Weinek]
 39.   Check availability:     buchfreund.de     Link/Print  


        Inom Baggemosa ägogränser - Bygdehistorier av Ville i Momåla

      Häftad bok. Nya Växjöbladets boktryckeri AB. 1923. 126 s. Häftad. Mycket gott skick. Skyddsomslag saknas. Originalupplagan i bästa skick av en mycket sällsynt bok därför att större delen av upplagan sänkte Moberg i en sjö. Detta exemplar har ägts av en av Mobergs vänner Amos Svensson i Alvesta.

      [Bookseller: NILSSON, INGE]
 40.   Check availability:     Bokbörsen     Link/Print  

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