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Displayed below are some selected recent viaLibri matches for books published in 1923

        Bambi: A Life in the Woods

      New York: Simon and Schuster. 1st Edition. Hardcover. Fine/Very Good. FIRST EDITION IN ENGLISH IN RARE DUST JACKET. Originally published in German in 1923, Bambi was first translated into English by the young Whittaker Chambers and became an immediate success in the English-speaking world. With foreword by John Galsworthy and delightful illustrations by Kurt Wiese. New York: Simon and Schuster, 1928. Octavo, original cloth, original dust jacket. Book fine, dust jacket with light, minor wear to spine extremities (with small half-inch closed tear to rear panel) and a few small ink spots on front panel. An excellent copy, rare in this condition.

      [Bookseller: The Manhattan Rare Book Company]
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        HORSES AND MEN. TALES, LONG AND SHORT, FROM OUR AMERICAN LIFE

      New York: B. W. Huebsch, Inc., 1923. First Edition. Hardcover. Fine in a close to Fine dustwrapper. Fine in light orange cloth with a perfect paper label. The dust jacket is bright and intact--with no chipping--but there is a small closed tear which has caused wrinkling on the lower front panel. This copy has been SIGNED by the author on the half-title page and there is a small notation in pencil on the front blank: "autograph by Anderson for F.W.S." This copy was previously owned by Frederick W. Skiff (noted Portland rare book collector and author of ADVENTURES IN AMERICANA) and then became part of the Estelle Doheny Collection of American Literature. Both the Skiff and Doheny bookplates are present. Signed copies of Anderson's books in fine condition are becoming very difficult to find, especially in dustwrappers.

      [Bookseller: Charles Agvent]
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        New Hampshire

      New York: Henry Holt, 1923.. First edition of the author's first Pulitzer Prize-winning collection. Octavo. Fine in a very good dust jacket with a chip to the front panel. Inscribed by the author, "But I have promises to keep Robert Frost For Herbert Kenney Breadloaf August 1956". One of Frost's most well-known works, one that includes "Stopping by the Woods on a Snowy Evening.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        NEW HAMPSHIRE. A POEM WITH NOTES AND GRACE NOTES

      New York: Henry Holt, 1923. First Edition. Hardcover. Light wear to the corners and faint dampstaining to the very edge of the boards and endpapers. Near Fine, lacking the dustwrapper. J. J. Lankes. Fourth Printing of this, one of Frost's most notable books and winner of his first Pulitzer Prize containing such poems as "Stopping by Woods on a Snowy Evening" and "Fire and Ice." Illustrated with woodcuts by J. J. Lankes. This copy is INSCRIBED "For Roger Williams" and SIGNED by the poet on the title page with one of his most famous first lines, from "Mending Wall" from his collection NORTH OF BOSTON: "Something there is that doesn't love a wall.

      [Bookseller: Charles Agvent]
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        An Extensive Archive of the German Documentary Film Producer, Paul Lieberenz, Containing Photographs, Passports, Original Film Typescripts, Copper Engraved Plates and Much More, from 1923 to 1954

      Lieberenz is Best Known for Wild Game Filming in Africa, and a Journey to Inner Asia with Sven Hedin Cinematography archive, the travels and works of Paul Lieberenz from 1923 to 1954, including some lesser known films and some that may have never seen production, features over 345 photographs including 2 large professional portraits, 4 passports and other identification, 11 dossiers containing innumerable letters and assorted documents, original film typescripts, 2 large binders of contracts with production studios and related material, 8 personalized steel and copper engraved plates, newspaper reviews, and 9 pocket sized day journals. Also includes some posthumous items relating to his death and a biography in his honour, up to 1970. Most text is in German, with a scant few documents in both German and English. Water damage to some passports, most likely occurring in the field, otherwise the lot in very good condition. Contained in acid free archival boxes for extra protection. Paul Lieberenz (1893-1954) was a German filmmaker and writer whose fame derived particularly from his expeditions and subsequent documentaries on wild game in Africa. He was one of the first German documentary film producer, and was equalled by few in his century. Between 1923 and 1939 he travelled several times to Africa. His work saw him to Abyssinia in 1923, Egypt in 1924, Cameroons in 1925, Belgian Congo and South Africa 1931, Portuguese Angola, and Liberia in 1947, the latter of which forms a large part of this archive. Prior to this, in 1927-28 Lieberenz undertook an expedition with Sven Hedin to Inner Mongolia and Lapland, the most elaborately equipped of Hedin's expeditions. This resulted in some spectacular footage at least one book. In filming of the journey from Beijing inland to Urumqi, through rock pierced plains and vast deserts, with a caravan counting over 300 camels, and numerous assistants, he filmed one especially dramatic sandstorm. His beautifully illustrated firsthand account was published in his book titled "Mit Sven Hedin durch Asiens Wüsten, nach dem Tagebuch des Filmoperateurs der Expedition, Paul Lieberenz" [With Sven Hedin Across the Deserts of Asia, from the Diary of the Expedition's Film Director, Paul Lieberenz]. Highlights from the archive include: Four German (4) Passports, two (2) international driver's licenses, and other forms of identification belonging to Paul Lieberenz. Passports span the years of 1923-1943, illustrating travels to Egypt in 1924, to the Cameroons in 1925, to the Belgian Congo and South Africa 1931, to Spain via France in 1937, and much more. The second passport, valid from 1927 to 1932 was issued by the German Embassy in Peking, 23 March 1927, whilst Lieberenz was accompanying Sven Hedin on his Sino-Swedish expedition to Mongolia. Interesting passports with numerous customs clearances and colour stamps, unusually replete with verbose annotations. Also included is a motor car registration (kraftfahrzeugschein). Two identification cards (Ausweis-karte) from 1946 and 1948 each also feature a portrait photograph. A European Union Card from 1951, the first year of its issue, features 19 green stamps. Six (6) steel print plates and two (2) copper print plates, for engraving the name and titles of "Paul Liberenz, Filmproduktion", for both Berlin-Temperlhof and berlin-Wilmersdorf. One plate prints his signature. The largest and heaviest weighs 436 grams. The life and works of Paul Lieberenz in over 325 photographs, with particular attention to travels to inner Asia with Sven Hedin in 1927-1928, and to Liberia in 1947. We find 145 images mounted to 29 folio black cardstock leafs, capture memorable scenes of the filmmaker's family, colleagues and actors, possibly other film producers, travels abroad, career highlights and celebrations. A substantial number of these are from travels with Sven Hedin, including enrapturing images of an Armenian village, impoverished nomadic people, never-ending mountain ranges, and Arabic communities. In itself a visual bibliography, other images are taken in Gemany, Kaffa province in Abyssinia, Liberia, Egypt, and Mongolia, and span most of his lifetime. Photographs vary in size, two are panoramic views, the majority measuring 12 x 17 cm, and three large ones measuring 29 x 33cm. A dossier contains 120 spectacular photographs taken in Liberia in 1947 for his 'Stroll Around the World' film released in 1949. Images from this collection reveal, in vivid form, indigenous custom of the Pepper Coast shortly after the country became a vocal critic of the South African apartheid regime. Together with two signed publicity photographs professionally printed and mounted by J.V. Tucholka of Berlin-Charlottenburg, each measuring 23 x 17 cm, with penciled signature to mount. Together with a small string-tied album of 54 photographs centered around Germany, but also featuring some views of Pillau (now Baltiysk, Kaliningrad Oblast, Russia), and a sojourn to East Prussia from 2 to 22 July 1934. Contracts between Lieberenz and film production companies, and extensive correspondence, mostly from the 1950s, representing Twentieth Century Fox, the Transocean Film Company, and many German producers of kulturfilm. Housed in two very large ring binders, we find obscure and little known short film scripts, some possibly never having been produced, such as one on the elephants in Liberia, dated 1947. Also inserted between the documents of legalese and many letters, are a few more photographs, a rare quarto sized portrait of Wilhelm Filchner looking aptly weathered after expedition through Tibet in 1905 being a curious highlight. Ten (10) separate filmography dossiers pertaining to the planning, licensing, and execution of Lieberenz films, some virtually bursting with documents, in and of themselves historically illuminating whole serving to demonstrate the immense work involved in film production. Five of the dossiers pertain to the 'First German Liberia Expedition' which took place in 1947. Two of these are working drafts for publishing, titled "Frohe Studen bei dunklen Menschen [Happy Times spent with Dark People]" one of which is a 344 page typed narrative, the other containing 120 captioned photographs with reference to page numbers in the text. The volume of photographs is especially endearing to the nation's people and their traditional ways, as the photographer was immersed into the community for some time, affording us unusually carefree images of tribal chiefs, kings and queens, and so much more. Boards are heavily chipped at extremities, and one front is detached, otherwise contents are in very good condition. Two other dossiers contain innumerable documents and correspondence, and the final item pertaining to this expedition is a formal printing of the 'Plan and Organization' in yellow wrappers, with text in both German and English, and including a folding map. In addition to the Liberia expedition, five further dossiers continue to record the tireless work of one German filmographer. One of these contains more text for later, as well as a script for "Der Ranger" and related correspondence with the Assoiated British Picture Corporation, a lesser known film dealing with diamond mines in South Africa's Kruger National Park. Another which is titled 'Der Weg in die Welt [The Road to the World]' deals with German colonial schools and includes two offprints printed in 1974 and 1975 with the same title, contains documents from 1958 to 1970. Another titled 'Lieberenz Unterlagen 1954 [Lieberenz Documents]' contains official documents such as licenses for his own productions, some from the British Information Control Commission, some multi page reports to the Military Government of Germany which outlines film income and assets, so forth. Paul Lieberenz died 31 August 1954. A collection of 34 condolence letters and 1 telegram, sent to his wife Gerti from film institutes, movie producers, and the like, features many with mourning borders, most signed in the original by some notables of the time. Finally, the latest folder memorializes his contribution to a book by Von Franz Born titled "Ehrenbürger von Berlin" with a 9 part serial extract of the work illustrated with Lieberenz photographs, printed in a German newspaper, September to November 1961. Together with 5 letters to Gerti Lieberenz, of Lieberenz Filmproduktion, in 1962, relating to the book. Two (2) newspaper published reviews of his most famous works, one pertaining to the 1927-1928 Sven Hedin expedition and Lieberenz' captivating imagery, offering a large camels in desert scene with the article. The other is an article on his travels into 'unknown Africa' with Hans Schomburgh [Der Weg ins Unbekannte Afrika] with a full page cover photo. Nine (9) Pocket Diaries (Taschenkalender), each representing a single year between 1930 and 1954, in which was logged important appointments and such. The 1941 volume is tooled in gilt to front, with an insignia of a Union dated 1807. All are pocket size with leather boards, except the 1946 which has paper wraps. Further groupings of photographs and photographic postcards (not included in the above count), one of the latter bearing Lieberenz' signature, brief printed texts, and newspaper clippings are thematically organized. .

      [Bookseller: Voyager Press Rare Books & Manuscripts, ]
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        Epipsychidion by Percy Bysshe Shelley

      (Montagnola: Officina Bodoni, 1923). Quarto. 40pp. One of 222 copies. Printed on hand-made Marais paper in black and blue. This is the fourth book to bear the Officina Bodoni imprint, all of which were printed in 16-point Bodoni Catania. It was Mardersteig's ambition, even at this early phase in the development of the press, "to give the greatest possible variety of forms of expression with a few types", in this case, a single, very personal poem. Extremely light foxing to pastedowns, else fine in full vellum with Officina Bodoni device in gilt on front cover, and with the rare orange slipcase with inset leather label on front panel. Slipcase lacks portion of bottom edge and shows slight wear and sunning. (Mardersteig 4).

      [Bookseller: Bromer Booksellers]
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        Horae Beatae Virginis Mariae. Juxta ritum sacri ordinis praedicatorum. Jussu editae

      Ditchling: Typographia S. Dominici [1923]. . Limited edition, one of 220 copies, 4to, (ii), 73, (2, 1 blank) pp. 12 wood engravings by Eric Gill. Not bound, held in a custom made folding box. “...the best example I have seen of English liturgical-music printing” (Stanley Morison). Taylor & Sewell A108. Evan Gill 384.

      [Bookseller: Bow Windows Bookshop]
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        Giselle - Théâtre Romantique Russe".

      - 11 gouaches, sur papier cartonné, sur papier cartonné (feuilles 49 x 30 cm, dessins 45 x 27 environ), deux dessins datés et signés, en bas à gauche, 1923, encadré. Léon ZACK (Nijni Novgorod, Russie - Paris, 1980) fuit la Russie avec sa femme et sa petite fille en 1920. Il s'installe à Paris où il rencontre PICASSO et LARIONOV. Il s'intègre dans la scène artistique et réalise deux ans plus tard les décors et costumes pour les ballets russes de Boris ROMANOFF à Berlin. Ses premières lithographies datent de la même année. Il évolue peu à peu vers un style abstrait dans les années 1950. Boris ROMANOFF est un danseur et chorégraphe russe. A partir de 1913, il travaille pour DIAGHILEV et met en scène les musiques de STRAVINSKI. Il quitte la Russie en 1920 et dirige depuis l'Allemagne la compagnie qu'il a créée, le "Théâtre Romantique Russe". Le théâtre étant un des champs d'expression privilégiée de l'émigration russe, il travaille ensuite avec sa femme Elena SMIRNOVA et Anna PAVLOVA, formées à l'école impériale russe ; et l'Opéra Russe de Paris et les Ballets Russes de Montecarlo. Léon ZACK représente tous les personnages du folklore russe : les princes, les tsars, les moujiks, les bergers, les dames de compagnie, les paysannes, les tsarines et les musiciens. La compagnie a monté cinq spectacles "Nuit Andalouse" (d'après L'Arlésienne de BIZET), "La Danseuse et la Larronne" (d'après MOZART), "Quatrocento" (ballet sur les nouvelles et peintures de la Renaissance italienne), "La Pâtisserie enchantée", et de nombreux ballets. Elle effectue des tournées en Autriche, Espagne, Etats Unis, Allemagne, France et Angleterre. Les gouaches sont des études préparatoires à "Giselle", le plus célèbre ballet de la compagnie (création originale de Adolphe Adam et Jules Henri Vernoy de Saint Georges pour l'Opéra de Paris en 1841) ; c'est l'archétype du ballet romantique où l'héroïne, par amour, danse jusqu'à en mourir. ROMANOV travaille d'après la chorégraphie de Marius PETIPA (créée en 1884 pour le théâtre de Saint Pétersbourg), mais toutes les danses classiques du premier acte sont remplacées par des danses de caractère. Giselle, intérprétée par Eléna SMIRNOVA, revêt le costume d'une petite paysanne. Il s'est inspiré d'un ballet de TAGLIONI, "Sylphide", dont l'action se situe en Ecosse : il y a transporté le thème du ballet. On peut voir dans la suite proposée un costume traditionnel écossais avec le kilt traditionnel, la cornemuse, et brodé sur les rubans des chausses, une des devises du Royaume-Uni ("Honni soit qui mal y pense"). Les danseurs, Elena KRUGER (La Princesse Bathilde), Boris ROMANOV (Hilarion, un garde chasse), Eléna SMIRNOVA (Giselle), et OBOUKHOV (Le Duc Albrecht) (in Nina TIKANOVA, "La Jeune fille en bleu, Pétersbourg-Paris-Berlin", Paris, L'Age d'Homme, pp. 65-67). Le ballet a été présenté aux Théâtres des Champs Elysées en 1923. Petites taches, déchirures, plis et légers manques de papiers. Oeuvre originale

      [Bookseller: Librairie Chretien]
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        Rivista (La) illustrata del "Popolo d'Italia". Bimensile, poi mensile. Fondatori: A. Mussolini, M. Morgagni (anche direttore). Anni I: NN. 1-3 (agosto-dicembre 1923); II: NN. 1-12 (ultimo doppio); III: NN. 1-12; IV: NN. 1-6; V-XV: NN. 1-12; XVI-XVII: NN. 2-12: non uscito il n. 1 (fasc. di gen. 1938) sostituito da un'edizione speciale per il 3-9 maggio: "Hitler nell'Italia di Mussolini"; XVIII-XX: NN. 1-12; XXI: NN. 1-7.

      - Milano, Tip. Alfieri & Lacroix, 1923-43, 20 annate complete + un semestre (tutto il pubblicato ad esclusione dei nn. 7-12 del 1926) raccolti in voll. 39, in-4, legature in mezza o tutta tela, da 56 a 246 pp. ciascuno. Tutti i fasc., tranne uno, conservano le belle copp. edit. (ant. e post.) illustrate a colori da Depero, Prampolini, Munari, Ram, Gambini, Tato, Dudovich, Sironi, Garretto, Mazza, Funi, Salietti, Sinopico, Pompei, Nizzoli, Damiani, Santambrogio, Mondaini, Marussig, Duse, Strada, Schawinsky, Bazzi, Buffoni, Negrin, P. Ponti, Carboni, Sassu, Broggini, Tavernari, Muratore, Rognoni e Gobbi. Illustrazioni fotografiche in b.n. (Castagneri, Bragaglia, Bricarelli, Quintavalle, Stefani, Moholi-Nagy, Boggeri.) e tavv. piegate; disegni e tavv. in b.n. e a colori di Sironi, Munari, Thayaht, Depero, R. Michaelles, Santi, Sto, Bernardini, Vellani Marchi, Bucci, Fabiano, Bompard, Damiani, Manzù, Buzzi, Birolli, Scabin, Manzù e Casorati; caricature di Garretto e Nino Za (G. Zanini). Scritti di L. Viani, F.T. Marinetti, A. D'Alba, B. Corra, A.G. Bragaglia, M. Bontempelli, G. Comisso, S. Gotta, M. Puccini, R. Bacchelli, A. Campanile, R. Papini, G. Zucca, I. Cappa, E. Bertarelli, R. Suster, L. Barzini. La più importante e bella rivista celebrativa del regime fascista e delle sue opere civili, militari, coloniali; con articoli sull'arte del '900 (Carrà, Funi, Casorati, Ponti.) di M. Sarfatti, M. Sironi sull'arte antica; musica (Malipiero, Zandonai, Respighi, Casella, Busoni, Mainardi, Balilla Pratella, Pizzetti, Petrassi); danza e teatro (Pirandello & Abba, Govi, Petrolini, Duse, Puccini); sport (fra cui frequenti articoli di A. Mecozzi su aviazione e imprese, De Pinedo, automobilismo e Nuvolari); moda (M. Barzini) e cinema (molto americano, fra cui i cartoni di "Topolino"). Alcune adesioni con perdite ai NN. 1 e 2/1924 e ai nn. 8-10/1941 (margini inf.); scoloriture alla coperta del 1928. Il N. 12/1937 privo di copertine e il 1943 con i fasc. legati al dorso senza copertura di protezione. Disponibile a richiesta un elenco dettagliato dei maggiori contributi sia grafici che letterari.

      [Bookseller: Libreria Oreste Gozzini snc]
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        III CONGRESO DE HISTORIA DE LA CORONA DE ARAGÓN : Dedicado al periodo comprendido entre la muerte de Jaime I y la proclamación del Rey Fernado de Antequera. (2 vols.)

      Valencia: Excma. Diputación Provincial y el Excmo. Ayuntamiento de Valencia, - 1923 - 2 v. (LXXXII p., 668 p., 1 ilustración en texto,1 plano y 5 láminas fuera de texto) (3 h., 766 p., 2 h., varias figuras en texto, 3 láminas fuera de texto); 27x19 cm. - Holandesa piel con puntas. Nervios, tejuelos y hierros dorados en lomo; hierros en puntas. En buen estado. historia España [Attributes: Hard Cover]

      [Bookseller: Auca, Llibres Antics]
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        The Famous Tragedy of the Queen of Cornwall at Tintagel in Lyonnesse. A New Version of an Old Story Arranged as a Play for Mummers, in One Act Requiring No Theatre or Scenery

      London: Macmillan, 1923. First edition. Top and bottom of spine very lightly rubbed, bookplate on front paste-down, dust jacket very lightly dust soiled, else an outstanding copy/dust jacket printed with illustration of first page from MSS. Octavo.

      [Bookseller: Randall House Rare Books]
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        Fisker Peder Bødcher-Jensen. (Klit Peder).

      Original akvarel og tuschtegning af Klit Peder i profil signeret Vald: A.- 5 Mar[t]s. Blokhus 1923. 55x46 cm

      [Bookseller: Peter Grosell's Antikvariat]
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        The Tomb of Tut-Ankh-Amen Discovered by the Late Earl of Carnarvon and Howard Carter

      London: Cassell and Company, 1923, 1927, 1933. First editions. Spines with very faint library numbers, rubber stamps on upper and lower edges; slight rubbing of edges, covers quite bright, gilt strong. Very slight brown spots on endpapers and some preliminary leaves, albeit a nice set. Quarto.

      [Bookseller: Randall House Rare Books]
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        ALBUM OF 85 SNAPSHOTS OF JAPAN 1916 - 1923, FUJIYAMA AND MORE

      1923. Very Good. [PHOTOGRAPHY - JAPAN] ALBUM OF 85 SNAPSHOTS OF JAPAN 1916 - 1923, FUJIYAMA AND MORE, PLUS SIX LOOSE PHOTOGRAPHS AND A PHOTO POSTCARD. 5 1/2 x 8 inch flexible black cloth covers, cord-bound, with "Photographs" in gilt on front cover. Black paper mounts, neatly captioned in white ink, mostly in English with some Japanese. Images are b/w, sepia or color (only two are in color) and range in size from 2 1/4 x 3 inches to 4 x 6 inches. The majority (63) are the smaller size. The album is in good condition as are the page mounts, and the photographs are in very good condition. The loose photographs range in size from 2 1/4 x 3 inches to 4 x 6 inches and are sepia or b/w. They are captioned in ink on the reverse. Most of the album photos depict expeditions to climb Fujiyama and various of the Japan Alps, with scenes along the way of people and places -ecstatic pilgrims, the Imperial bodyguard, women's groups, schoolchildren and the photographer and his many climbing companions, foreign and Japanese. The owner is not identified, although some of his companions are: Arnold Bauer, Charles W. Copp, Harry Collins, Professor Fujimura, McKinnon etc., along with a group of boys from Matsumoto High School and several others. Excellent and interesting group of photos of the breathtaking mountain scenery of Japan. Mountaineering was and is a defining interest of the Japanese - there are still gods in those mountains.

      [Bookseller: Boston Book Company ]
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        By Divers Paths: A Journey of Threescore Years and Ten, 1853-1923

      Typescript [Newport, R.I., 1923]. 3 p.l., 252 p., 28 cm. Carbon of a typescript "Copied by Mrs. Ellen H. Smith of the New York State Library 1924." Unpublished autobiography of Kathlyne Knickerbacker Viele, 1853-1924, daughter of General Egbert Ludovicus Viele, 1825-1902 (whose plan for Manhattan's Central Park was not accepted, but who was the engineer who executed Olmsted's scheme) and Teresa Griffin Viele, 1831-1906. Reveals much about her parents, especially "cette terrible Teresa", as a girl growing up on her father's military stations in Texas and Civil War-time occupied Norfolk, Virginia; her struggles with an overbearing mother; her life dedicated to charity work for children of the City and then, after 1900, genealogical research. There are revealing passages on Cornell University in its early decades, of Yonkers as a suburb, of study in Germany, travels to Egypt in 1914. NS. Stock#OB961. Vg; bound in half leather.

      [Bookseller: The Owl at the Bridge]
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        LA MORT D'HIPPOLYTE. Inscribed / avec envoi

      Paris: NRF, 1923 Lacretelle, Jacques de. [Marie Laurencin]. LA MORT D'HIPPOLYTE. Inscribed / avec envoi. Paris: NRF, 1923. Modern gilt-stamped red chevre, raised bands, suede quards, Montsé Buxò marbled papers for flyleaves, inlaid darker red stars. Matching custom rounded slipcase. Exemplaire No H. C. [1 of 35 copies] Original covers bound-in. Original title piece preserved & laid down. Signed by Marie Laurencin's under the title. Presentation copy / avec un envoi de Lacretelle / inscribed by the author: "à _____ / Amicale et sincère hommage, Jacques de Lacretelle". Edward Wasserman's copy with his famous Marie Laurencin bookplate [the only known ex-libris she ever designed] / Exemplaire enrichi exceptionnellement de l'ex-libris d'Edward Wasserman gravé par Marie Laurencin en 1932 à partir du quatrième état de l'une de ses eaux-fortes (seul ex-libris connu réalisé par l'artiste) preserved from the original covers & pasted to the front pastedown. Portrait de l’auteur en frontispice par Marie Laurencin. "Il a été tiré de cet ouvrage mille trente-cinq exemplaires sur vergé de Hollande (dont trente-cinq hors commerce, numérotés de I à XXXV, et mille numérotés de 1 à 1000), et vingt-cinq exemplaires sur japon impérial, marqués de A à Z, accompagnés d'une épreuve à grandes marges, sur apon à la forme, numérotés, signée par l'artiste." An exceptional example. . Signed by Author(s). First Edition.. Illus. by Marie Laurencin.

      [Bookseller: TBCL The Book Collector's Library]
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        The Novels

      Oxford: the Clarendon Press,, 1923. The text based on early collation of the early editions by R. W. Chapman. With notes indexes and illustrations from contemporary sources. 7 volumes, octavo. Recent tan morocco, double morocco labels burgundy and green, decoration to spines, single rules to boards, marbled endpapers, top edges gilt, others untrimmed. With colour frontispieces and further black and white illustrations throughout. An excellent set handsomely bound. First Clarendon Press edition. One of a limited edition of 1,000 sets on large paper.

      [Bookseller: Peter Harrington]
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        CRITICA FASCISTA, rassegna quindicinale diretta da BOTTAI e CASINI - 1923 - 1943 consistente parte di TUTTO IL PUBBLICATO - raccolta di 412 fascicoli sciolti. -, Roma, Editrice Il lavoro fascista, 1923

      formato 20 x 30, pagine 30-40 per fascicolo. Importante rivista politica , palestra di autorevoli interventi con tanti protagonisti coinvolti dall'abilità di Giuseppe Bottai il cui "grande progetto ammaliatore" era quello di LEGITTIMARE IL REGIME PERCORRENDO LA VIA DELLA CULTURA. La rivista nasce il 15 giugno 1923 e si conclude con l'ultimo numero 18 del 15 luglio 1943. Possediamo tutti fascicoli scolti in buone condizioni ANNO 1923 13 completo dal 15 giugno 1923 al 31 dicembre poi sempre da gennaio a dicembre ANNO 1924 18 ANNO 1925 4 ANNO 1926 24 completo ANNO 1927 23 ANNO 1928 24 completo ANNO 1929 23 ANNO 1930 24 completo ANNO 1931 7 ANNO 1932 24 completo ANNO 1933 24 completo ANNO 1934 20 completo annata finisce a ottobre e poi inizia il calendario fascista dal 1.11 al 15.10 ANNO 1934-1935 2 ANNO 1935-1936 24 completo ANNO 1936-1937 24 completo ANNO 1937-1938 24 completo ANNO 1938-1939 24 completo ANNO 1939.1940 24 completo ANNO 1940-1941 24 completo ANNO 1941-1942 24 completo ANNO 1942-1943 14 chiude con il n. 18 del 15 luglio 1943 TOTALE FASCICOLI 412 la estrema difficoltà di reperire la raccolta completa è testimoniato dalle consistenti lacune in quasi tutte le biblioteche italiane.. La raccolta che presentiamo (non divisibile) viene offerta a

      [Bookseller: Livres anciens et modernes Gilles Hassan]
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        The World Crisis, full set of six British first edition, first printings, inscribed before publication To Jack from Winston in the Gallipoli volume

      Here is a full set of six first edition, first printings. An important author's inscription in volume II is inked on the ffep in four lines, dated eight days prior to publication, and reads: "To Jack / from / Winston / 22 Oct 1923". Churchill was in a special position to write this history, having served both in the Cabinet and on the Front. First Lord of the Admiralty from 1911 until 1915, after the failure in the Dardanelles and the slaughter at Gallipoli Churchill was scapegoated and forced to resign. He spent his political exile as a lieutenant colonel leading a battalion in the trenches. Before war's end, Churchill was exonerated and rejoined the Government, but the stigma would linger. Churchill may have meant for his history of the First World War to clear his name, but his six volume masterwork far exceeds this purpose. We see a preponderance of sets with inscribed volumes from 1927. By then Churchill had returned to power and was serving as the powerful Chancellor of the Exchequer. Volumes inscribed in 1923 seem considerably more scarce; in 1923 Churchill's Liberal political party was in ruin and Churchill himself was without a seat in Parliament. Rarer still are volumes inscribed with only Churchill's first name, indicating that the recipient was family, a personal friend, or a close associate. The inscribed volume in this set is Volume II - the most important volume, since it provides Churchill's perspective on the Dardanelles offensive. By far the likeliest person to whom Churchill would have inscribed this book thus is Churchill's younger brother, John Strange "Jack" Spencer-Churchill. Jack and Winston were close. Jack served in the South African Light Horse alongside his war correspondent brother in the Boer War between 1899 and 1900. Most pertinent, Jack served with distinction in the First World War, including at Gallipoli. He was awarded the British Distinguished Service Order, as well as the French Croix de Guerre and the Légion d'Honneur. Jack and Winston remained close throughout Jack's life. During the Second World War, when Jack's house was destroyed in the Blitz, he lived at 10 Downing Street. Jack died of heart disease in 1947. What we can state definitively is that this is an inscription to someone close to the author in a pre-publication copy of the first printing of the most important volume of Churchill's history of the First World War. The inscribed 1915 volume is in very good condition. The binding is square, clean, and tight, with minor wear at the corners, spine ends, and hinges. The contents are bright and crisp. Spotting is mostly confined to the prelims and page edges, but unfortunately by far the most heavily spotted page is the inscribed ffep. Nonetheless, the inscription is excellent, with no fading or smudging. The remaining five volumes are a credit to the inscribed Volume II and make this a truly superior set. The exteriors are uniformly clean with only trivial shelf wear, bright gilt, and square corners. There are no inscriptions, bookplates, or previous ownership markings of any kind. Minor spotting is confined to the text block edges of the 1916-1918 and 1911-1914 volumes. The Eastern Front is an especially clean, tight copy. The Aftermath is almost equally fine, marred only by a slight vertical crease in the spine that looks to be a binding flaw. The two 1916-1918 volumes are remarkably clean, flawed only by a hint of spotting to the text block edges. Transfer browning to the endpapers testify that they possessed their original dust jackets for many years. The 1911-1914 volume has an immaculate exterior save for light wear at the head of the spine. Bibliographic reference: A69.2(I-VI).a, Woods/ICS A31(ab), Langworth p.105.

      [Bookseller: Churchill Book Collector]
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        Cane

      NY: Boni and Liveright, 1923. Hardcover. Very good. First Edition. Oh so slight spine lean, cloth a bit darkened, light wear to the extremities, otherwise a nicer than usual copy of this Harlem Renaissance high spot.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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        Burdigalen. Beatificationis et canonizationis servae Dei Mariae Theresiae Carolae de Lamourous, Fundatricis Instituti Sororum a Misericordia. Positio. Super Introductione Causae [ De la béatification et canonisation de la servante de Dieu Marie Thérèse Carole de Lamourous, fondatrice de l'Institut des Soeurs de la Miséricorde, Bordeaux ]

      Guerra et Miri 1923 1 vol. in-4 reliure demi-toile grise, Guerra et Miri, Romae, 1923, Informatio Super Dubio : 79 pp. ; Summarium Super Dubio : 403 pp. ; Summarium ex Offico : 12 pp. ; Litterae Postulatoriae : 118 pp. ; Animadversiones R. P. D. Promotoris Generalis Fidei Super DUbio : 26 pp. ; Responsio ad animadversiones : 25 pp. Texte en français (pour l'intégralité des pièces) et latin. Rare exemplaire des documents préparatoires relatifs à l'introduction de la cause de Mlle de Lamourous. Du plus haut intérêt pour l'histoire locale. Marie-Thérèse de Lamourous, née à Barsac en 1754, connaîtra les affres de la Révolution. En 1794, elle se retire au Pian-Médoc, puis, sur les conseils du Père Chaminade, se consacre aux anciennes prostituées, dans l'asile fondée par Jeanne Pichon de Longueville. Elle fondera une congrégation accueillant 14 religieuses à sa mort en 1836. Etat très satisfaisant (ancienne cote au dos en queue, bon état par ailleurs) Français

      [Bookseller: Librairie Du Cardinal]
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        Demian

      New York : Boni and Liveright , 1923 A nice collectible copy of this scarce first American edition of a literary classic. Pictorial cover boards are bright and clean with some bumping at extremities especially at one corner of the front board. Binding is solid. Text block and interior pages are clean and unmarked.

      [Bookseller: Boomerang Booksellers]
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        Poesie

      Officina Bodoni 1923 hardcover Stampato a Montagnola di Lugano nel mese di giugno. Prima pubblicazione di una scelta di poesie di Buonarroti da lui stesso destinata alla stampa. Tiratura a mano di 175 esemplari su carta velina, e 5 su pergamena (nostro stampato su carta) Carattere Bodo

      [Bookseller: Libreria Parnaso]
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        Les plus belles heures d'Amour de Casanova.

      Crés 1923 In 4° (mm. 260x185); pagg. (4), X, 177, (5). E' conservata la brossura originale illustrata. Testo entro cornice tipografica. Con 7 tavole a piena pagina illustrate da Barbier e numerose vignette e illustrazioni nel testo. Sguardie marezzate. Taglio superiore dorato. Mezza pelle marmorizzata con angoli, dorso a 5 nervi recante tassello in pelle nera con titolo impresso in oro. L'esemplare appartiene ad una tiratura di 1100 copie ed è la n° 425, impressa su "vélin pur fil Lafuma" . Le tavole sono incisioni in legno di G. Aubert su disegni di Barbier. Sono contenuti i racconti "Le roman de Bettine", "Le faux Bellino", "La religieuse de Murano", "La petite madame Baret", "Mademoiselle de Romans et les trois cousines", "La Charpillon". Ottimo esemplare con qualche fioritura, leggere tracce d'uso alla legatura.PLATON. Le banquet, illustrations de Georges Lepape. Parigi, Flammarion (Tip. Darantiere di Digione), 1953. ? 60In 12° (193x133) ; pagg. 213, (10, le ultime due bianche). Varie vignette nel testo, 10 illustrazioni a piena pagina di Lepape. Testo entro cornice tipografica. Brossura editoriale.L'esemplare appartiene ad un'edizione limitata di 4000 copie ed è stato stampato su "velina" della cartiera Navarre. I disegni di Lepape abbelliscono il celebre testo di Platone sull'amore, qui in traduzione di Emile Chambry.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        LETTRES A L'AMAZONE.

      Paris, André Plicque, 1923 1923 20.7x20.5 cm., 305 pp., édition illustrées de bois originaux de Paul Baudier et d'une lettre autographe de l'auteur, pages coupés avec différentes dimensions, relié demi-maroquin havane à coins, signée par Laurent Peeters - Anvers. Filet doré cernant les plats de pap., dos orné, dos à 4 nerfs et finnement fleuronnés dorés (décor floral), tête dorée, couverture imprimée d'éditeur. Tirage limité. Tirage de 750 exemplaires dont 30 sur papier hollande van gelder numérotés de 21 à 50.

      [Bookseller: Antiquariaat Erik Tonen]
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        Poems

      London, Constable, 1923. First Edition. Bound in publisher's original quarter tan cloth with brown paper boards. Maroon spine label stamped in gilt. Dust jacket in very good condition with some minor chipping at the extremities. Any paper losses can be covered with a quarter. Better than it sounds. The book itself is flawless. Image available on request. Book condition: Fine condition in very good dust jacket.

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
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        LES BIJOUX INDISCRETS. ( SAUVAGE ILLUSTRÉ).

      , Paris, Éditions René Kieffer, 1923. 1923 Relié, demi - maroquin (dos, coins), plats marbré, dos orné de fil. doré et de pièce de titre doré, page de garde marbré, tranches doré, 20,5x27cm, (1) couverture d' éditeur, 255pp(3), couverture d' éditeur, illustré en couleur. N° 235 de 600 exemplaires numéroté. Ouvrage orné avec 25 eaux-fortes coloriées de Sylvain Sauvage.

      [Bookseller: Antiquariaat Erik Tonen]
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        Salammbô, avec six hors-textes en couleurs et des ornements gravés sur bois par F.-L. Schmied

      Le Livre 1923 Un des 850 exemplaires sur vélin de pur chiffon des Papeteries de Voiron numéroté, 1 vol. in-8 br., sous couv. rempliée, Le Livre, Paris, 1923, 410 pp. Splendide exemplaire, sous sa sobre et élégante couverture brochée d'origine (dos passé, parfait état par ailleurs, magnifique état intérieur). Français

      [Bookseller: Librairie Du Cardinal]
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        Etchings And Drypoints By Frank W. Benson. Volume 3

      , Boston: Houghton Mifflin, 1923. First Edition. Compiled and arranged by Adam E. M. Paff. One of 525 numbered copies with an original etching signed by Benson, of which only 475 were for sale. Includes 76 illustrations in black-and-white from Benson's work during the years 1916-1923. Bound in publisher's original quarter cloth and blue paper boards with a paper label on the spine. Fine condition. Signed by the artist

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
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        The Waste Land

      Richmond Leonard & Virginia Woolf at the Hogarth Press 1923. G : in Good condition blue marbled slip case. Slight edge-wear and fade. Occasional light foxing. Unopened First English Edition Blue hardback marbled boards 230mm x 140mm (9" x 6"). 35pp.

      [Bookseller: Barter Books]
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        Hopi Patriarch (Su-pe-la)

      [1923]. Fine condition. Approximately 11-1/4 x 9-1/2 inches image area.

      [Bookseller: Randall House Rare Books ]
 31.   Check availability:     ABAA     Link/Print  


        The Waste Land

      Richmond: Leonard & Virginia Woolf at the Hogarth Press. G : in Good condition blue marbled slip case. Slight edge-wear and fade. Occasional light foxing. Unopened. 1923. First English Edition. Blue hardback marbled boards. 230mm x 140mm (9" x 6"). 35pp. .

      [Bookseller: Barter Books Ltd]
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        Kostbare Waffen aus der Dresdner Rüstkammer. Mit 82 Lichtdrucktafeln, davon 2 farbig. (Harnische: Tafel 1-25; Harnischteile und Schilde: Tafel 26-37; Handwaffen / Schwerter / Rapiere / Dolche: Tafel 38-67; Stangenwaffen: Tefel 68-70; Feuerwaffen und Zubehör: 73 - 74; Jagdwaffen: 75 - 79; Degentaschen: Tafel 80)

      VIII, 165,1 Seiten, 1 Bl. Or.-Halbpergamenteinband mit 2 RüSchi. Folio. (36x27cm) In diesem Werk wird zum ersten Male der Versuch gemacht, die hervorragendsten Stücke der Kursächsischen Rüstkammer nicht nur im Bilde darzustellen, sondern sie als Dokument ihrer Zeit aus dem Zusammenhang ihrer geschichtlichen und künstlerischen Entstehungsvorgänge und Werte sinnfällig und begreifbar zu machen. (Aus d. Vorrede) Firmenst. (Antiquitäten Pollak & Winternitz, Wien) im Vorsatz und a.d.Tbl. Rücken unten leicht mit einem roten Farbe- / Tintefleck (?); kleiner Kratzer auf dem vorgderen Buchdeckel. Sonst gut bis sehr gut.

      [Bookseller: Antiquariat Karel Marel]
 33.   Check availability:     antiquariat.de     Link/Print  


        KO-JI HO^-TEN

      1923. Paperback. WEBER, V.-F. "KO-JI HO-TEN" Dictionnaire a l'usage des amateurs et collectionneurs d'objets d'art japonais et chinois. Paris: Chez l'auteur, 1923. Limited edition: This copy is number 217, from an edition of 585, signed by Weber. Profusely illustrated - with over 2100 text illustrations and 75 plates, of which five are in color. Two folio volumes: 40 x 30 cm. (15 3/4 by 12 in.). V. 1: 512 pp. V. 2: 512 pp. + 138 pp. appendices, + 4 pp. 'Liste des corrections secondaires' laid-in. Bound in their original red-and-black-printed paper wrappers. Wrappers show occasional light soiling but are generally clean. Volume 2 has a closed tear at the crown. Both volumes are quite clean and crisp within, though occasionally over opened (- which isn't surprising given the size and weight of these volumes in relation to their paper bindings). Housed in matching blue and white patterned-cloth chitsu cases, lined with marbled paper, with cloth labels. The bright chitsu cases have darkened slightly along their top-edges and backs. An attractive copy of the rare signed limited edition of Weber's classic work on Japanese and Chinese culture, religion and art. It provides information about famous sites in both countries, as well as information about historical and legendary personages; describes manners and customs, festivals and religious practices; and provides biographies, signatures and other distinguishing marks of the painters, sculptors, engravers, ceramists, and other artists and craftsmen. It also offers summaries of the Japanese and Chinese tales and legends that have inspired the artists of the two countries in their works and in the ornamentation of furniture and other objects.

      [Bookseller: Boston Book Company ]
 34.   Check availability:     ABAA     Link/Print  


        Regeneration promotional brochure or pressbook

      Florida: The Norman Film Studios, 1923. No binding. Very Good. Folded multi-panel promotional brochure meant for mailing (folded size 11" long and 3 1/2" wide). Opens up to a size of 21 7/8" x 14". Recto lists all coming attractions, gives quotes on the film, and states`` The Norman Film Mfg, Co. is the only Company Making Colored Pictures that Owns and Operates its Own Studio and Laboratory.`` Verso has a full sheet orange and black poster with a photograph showing a scene from the movie with text as follows: This Is An Exact Reproduction Of Window Card. The Norman Film Mfg. Co. Presents Regeneration. Sensation Of The Year‹Romance in the Southern Seas Featuring Stella Mayo Sensational Colored Screen Beauty. Supported by M.C. Maxwell, Alfred Norcom, Charlie Gaines, Clarence Rucker, Dr. R. L. Brown and Steve Reynolds.. One Of The True Stories Of Living Colored Examples. All Colored Cast. Six Smashing Reels. , Regeneration was an "all colored cast" silent film produced in 1923. , "He (Norman) soon went into business for himself and by 1920 had made a number of short films as a traveling film producer. After 1920 Norman established himself and his company in Jacksonville, Florida, and began producing all black films. He made several of these "race" films in the 1920's and distributed them through the 1930's. Norman continued to be involved with the motion picture industry in one capacity or another until the mid 1950's. Among the films produced by Norman are Belle Starr (1912), The Man at the Throttle (1915), Sleepy Sam the Sleuth (1915), The Wrecker (1915), The Green Eyed Monster (1916 and 1920), Pro Patria (1916), The Love Bug (1920), The Crimson Skull (1921), The Bull Dogger (1921), Regeneration (1923), The Flying Ace (1926), and Black Gold (1928). quoted from Indiana University Archives, which holds the R.E. Norman papers,

      [Bookseller: Lord Durham Rare Books Inc. (IOBA)]
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        Harmonium

      Knopf, New York, 1923. First Edition. Hardcover. Very Good Condition/No Dust Jacket. First edition, first issue of Stevens' first book and a milestone in 20th century poetry. In the original tri color boards, blue cloth spine. Worn at the corners, but a very attractive copy, largely unopened. Size: Octavo (8vo). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 042923. .

      [Bookseller: Pazzo Books]
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