London: G. Bell and Sons, Ltd, 1920-5. Together 6 volumes bound in 3, large quarto (313 x 251 mm). Contemporary orange morocco by Worrall of Birmingham, spines lettered in gilt and richly gilt to compartments, covers with concentric gilt ruled panels enclosing gilt crest and motto "Forte et Fidele", gilt turn-ins, marbled endpapers, top edge gilt, others untrimmed. Bookplate of Trevor Rostron to front pastedowns, bookseller's ticket of Thomas Heneage to front blank of vol. I. A few instances of light soiling to contents but generally clean. A fine copy. With 1,805 black and white illustrations, and a further 210 similar illustrations in the Cripps-Day volume. First edition of each volume of Laking's monumental survey of the history of European armour, profusely illustrated, and here handsomely bound, together with the supplementary volume, Cripps-Day's index of armour auction results. The antiquary Sir Guy Francis Laking (1875-1919) grew up under the shadow of royalty, with his father serving as physician to Queen Victoria and her two successors, and studied antiques and art from an early age. Initially an art advisor at Christie's, Laking became internationally recognized as a leading expert on arms and armour while still a young man, and in 1900 was appointed honourary inspector of the armouries at the Wallace Collection, then recently bequeathed to the nation. In 1902 Edward VII created the post of keeper of the king's armoury at Windsor especially for him. In 1911 he became the first keeper and secretary at the London Museum, the greatest holder of that office, and esse … [Click Below for Full Description]

ITEM DESCRIPTION The Seven Parsons and the Small Iguanodon Gerald H Thayer 1920 G.P. Putnam's Son$3,000.00 an extremely rare children's book and probably one of the earliest to include a dinosaur as a character in the story; illustrated by Norman Jacobsen; fine or better condition although faint moisture mark to lower edge of both book covers and the title page has some tears to lower edge, also an indent to front cover surface to the right of the boy; in searching the internet I cannot find a single copy of this for sale anywhere, no record of a copy being sold at past auction and even Google search for this EXACT title yields less than 20 results and most results are library related from the year 1920 (like Publisher's Weekly or a library receiving a copy at that time) ___________________________________________ COMBINED SHIPPING? YES...I can ship multiple purchases all in the same box (when realistic) for LESS $ than if you had had them all shipped separately. You MUST WAIT TO PAY when buying multiple items so I can invoice you. Otherwise EBAY will charge you the full amount for each item. MY PHOTOS- If more than 1 item is shown in a photo---then items are in SEPARATE listings (unless otherwise stated) ! Read description! PAYMENT-General Info PAYMENTS- USA I accept PAYPAL right now as my only electronic payment method. Contact me if you need another payment option. MISSOURI residents add 8.45% sales tax. PAYMENT-FOREIGN ORDERS I accept PAYPAL right now as my only electronic payment method. Contact me if you need another payment option. SHIPPING COST ?....see "SHIPPING CO … [Click Below for Full Description]

Los Angeles, 1920. Letters. Creases from mailing. Near Fine. Four AUTOGRAPH LETTERS SIGNED, totaling 9 pages, three of them to his good Hoosier friend and fellow socialist, Oliver M. Sayler. In the first letter, dated 9 January 1920, Dreiser suggests places Sayler could work in New York, mentioning many names including T. R. Smith of the Century Company, Henry Harper at Harper's, J. Jefferson Jones of the John Lane Company, Herbert Kauffmann at McCLURE'S, and Horace Liveright. In the second letter, dated 14 February 1920, Dreiser kindly answers Sayler's request for a letter of introduction to a paper named THE EVENING POST. He informs Sayler that most likely the letter would not do much help as it has "in so far as I can recall been anything but condemnatory -- or perhaps I had better say scornful of me & my opinions." He urges Sayler to go to other places such as the HERALD or TRIBUNE. The third letter, also dated 14 February 1920, is addressed to Mr. Scott at THE EVENING POST recommending Sayler for a position as dramatic critic there even though Dreiser is "very much aware that in so far as THE EVENING POST is concerned any recommendation I may choose to offer in behalf of another may prove more of a hindrance than an aid." Dreiser goes on to state that Sayler "is one of a very few in America or elsewhere who correctly interpret the modern theatre with all its delicate threads of experiment and theory." He says that he follows Sayler's recommendations "with a security which has not been misplaced. Also as an experimenter myself in the possibilities of the stage I have … [Click Below for Full Description]

TORONTO, 1920 Published by THE RYERSON PRESS Edition: CANADIAN Binding: HARD BACK red Size: 5X7 138 Pages Topic: Reference Overall Condition is: FAIR Circa 1920 pencil writings on front and back free end pages; with five diagrams and a portrait of the author; frontispiece of the author illustrated by Hermann Struck dated 1920; stained red cover board with water marks; shelfworn; spine sun-tanned with tears along top/bottom spine and corners; browning pages.

NY, 1920 Published by HOLT Edition: First american Binding: HARD BACK blue Size: 8 X 5.5 198PP Pages Overall Condition is: VERY GOOD 1st american ed. frontisport. SIGNED BY TWO PREVIOUS OWNERS signatures of Bentley Glass on front endpaper and I.R.Weeks U.S. Dept. of Agriculture. gold gilt on spine/cover. Tight binding. No bookplate. General wear and rubbed corners. This appears to have been two different owners signatures. The first owner was I R Weeks. the second was H. Bentley Glass. H. Bentley Glass was an American geneticist and noted columnist. he received his Ph.D. degree under the mentorship of geneticist Hermann Joseph Muller. He taught at Stephens College in Columbia, Missouri and at Goucher College in Maryland before joining the faculty at Johns Hopkins.

Berlin: Rudolf Mosse, 1920. Pappband (Hardcover). 21,3 x 14 x 2 cm - Oktav. mit starken Gebrauchsspuren - 2 Lagen lose, deutlich berieben und bestoßen mit Randläsuren, deutlich nachgedunkelt, - Mit Abbildungen - - intern464-763

1920. "Pablo Picasso par Christian Zervos," known by many simply as "the Zervos," remains the most trusted reference to the works of Picasso. "The Zervos" is an extensive catalogue of Picasso's paintings and drawings, presenting over 16,000 images in 33 volumes. Up for auction is a fine copy of Volume 4 and shows Pablo Picasso's works from 1920 - 1922. It is a fine copy in thick paperback binding with the original glassene wrapper. Printed in France in 1983. Text is in French. International bidders, please contact me for a shipping quote. Thanks for looking!

NEW YORK, 1920 Published by MACMILLAN Binding: HARD BACK BLUE Jacket: TORN DJ Size: 5X8 380 Pages Overall Condition is: GOOD EXTREMELY SCARCE DJ REISSUED SEPTEMBER 1926 reprint of the 1920 edition. Contains numerous black-and-white photographs. second American edition, 1926. Original blue cloth hard covers with gilt titling. DUSTJACKET has few closed tears around the edges, bottom of spine is torn, hard cover corners bumped, gold gilt lettering on spine clean and visible, book plate on front inner board, fore edges deckled, unmarked tanned text, good binding no maps.

[c. 1920]. One of a series of five photographs known as The Cottingley Fairy pictures -- one of the great photographic hoaxes. Two young girls cousins, Frances Griffiths and Elsie Wright, produced the five pictures (two in 1917 and three more in 1920) using the camera which belonged to Elsie's father and taking them while playing in the garden of Elsie's home in Cottingley. In 1919 Elsie's mother took the first two pictures to a meeting of the Theosophical Society where all assembled were enthralled. They came to the attention of one of leaders, Edward Gardner, at the society's annual conference, who had them "authenticated" by photographer Harold Snelling who declared them "genuine unfaked photographs of single exposure". The images began circulating among the English spiritualist community, which included Arthur Conan Doyle. It was Doyle who urged the girls to take more photographs in 1920 -- this image is from that group. Some years later Gardner published Fairies: The Cottingley Photographs and Their Sequel. He described this image #4 as taken August 1920. Camera: Cameo Quarter. He explains why Elsie does not seem to be looking directly at the fairy: "With fairy lovers the habit of looking at first a little sideways is common". The seriousness of this description underscores the importance of these photographs to spiritualists of the early 20th century, and the absurdity as well. The photographs are sometimes found on cardstock mounts with printed captions underneath. This silver gelatin print, with a darkened caption, we believe to be a bit later, and probably produced … [Click Below for Full Description]

J. & J. Gray & Company, Edinburgh, 1920. First edition of the author's rare book on putting. Octavo, original cloth, top edge gilt, illustrated with plates from photographs. Inscribed by the author on the title page, "To C.A.J. Ament Esq. With Compliments, Willie Park." Housed in a custom half morocco clamshell box. Rare signed an inscribed. Willie Park was one of the top professional golfers of his era, winning The Open Championship twice. Park was also a successful golf equipment maker and golf writer, as one of the first professional players to write an instructors manual. In his later years, Park built a significant career as one of the world's best golf course architects. [Attributes: First Edition; Signed Copy; Hard Cover]

J. & J. Gray & Company, Edinburgh, 1920. First edition of the author's rare book on putting. Octavo, original cloth, top edge gilt, illustrated with plates from photographs. In near fine condition with light rubbing. First editions are rare. Willie Park was one of the top professional golfers of his era, winning The Open Championship twice. Park was also a successful golf equipment maker and golf writer, as one of the first professional players to write an instructors manual. In his later years, Park built a significant career as one of the world's best golf course architects. [Attributes: First Edition; Signed Copy; Hard Cover]

Hutchinson & Company, London, 1920. First edition. Octavo, original green cloth. Near fine in a very good dust jacket with some chips to the spine. Illustrated with several folding plates from action-shot photographs. First editions in the original dust jackets are rare. Harry Vardon was the six time winner of the British Open who, "set the standard by which the golfing greats are measured." This work captures Vardon's style of play in six sequences of stop-action photographs displayed on six folding plates. [Attributes: First Edition; Hard Cover; In Dust Jacket]

1920. Zahlreiche, teils illustrierte, numerierte (Vorzugs-)Ausgaben des satirischen Romans 'Candide ou l'optimisme' und weiterer Voltaire-Werke.- Candide: 1. Paris, Porson, 1948. Mit 46 Lithogr. v. Clavé. 2. 2x Basel, Desch, 1958. Mit 62 Lithogr. v. Kriesch, sign. 3. Paris, Porson, 1952. Mit 46 Lithogr. v. Elsen. Mit separat beil. Suite m. weiteren Lithogr. 4. Paris, La Belle Page, 1945. Illustr. v. Patte. 5. Paris, Tallandier, (um 1920). Illustr. v. Moreau. Schöner Hldr. m. reicher RGoldpräg. 6. München, Wolff, 1920. Illustr. v. Paul Klee. 7. Berlin, Morawe & Scheffelt, 1920. Illustr. v. Divéky. OHPgt. 8. München, Müller, 1924. Mit 20 Rad. v. Sturtzkopf, sign. 9. Paris, Rombaldi, 1952. Mit farb. Illustr. v. van Moppès. HPgt. m. farb. RVign, Kopfgoldschn. Ca. 50 weitere Ausgaben .- La Princesse de Babylone: 1. Berne-Bümplitz, Les Belles Feuilles, 1952. Mit Radierungen v. Reiner. Mit separat beil. Suite, sign. 2. München, Schröder, 1922. Mit 20 Radierungen v. Heubner, sign. Goldgepr. OPgt. Za. Candide oder der Optimismus. Sammlung von 63 Werken. Verschiedene Einbände und Formate. von Voltaire, F.M. de. Autor(en) Voltaire, F.M. de.Verlag / Jahr 1920Sprache Gewicht ca. 500 gBestell-Nr 622Bemerkungen Zahlreiche, teils illustrierte, numerierte (Vorzugs-)Ausgaben des satirischen Romans 'Candide ou l'optimisme' und weiterer Voltaire-Werke.- Candide: 1. Paris, Porson, 1948. Mit 46 Lithogr. v. Clavé. 2. 2x Basel, Desch, 1958. Mit 62 Lithogr. v. Kriesch, sign. 3. Paris, Porson, 1952. Mit 46 Lithogr. v. Elsen. Mit separat beil. Suite m. weiteren Lithogr. 4. Paris, La Belle Page, 1945. … [Click Below for Full Description]

Hannover, Steegemann, 1920. illustr.Or.-Kt.22 nn.S.+ 4 S.Anz., Bandillustr.v.Verf.1.Ausg.(Die Silbergäule).Meyer 26; Raabe 8,2.Band gering berieben, Kopfsteg m.leichten Knickspuren, VDeckelrand u.einige nachfolgende Bl.mit Nadeleinstich.

, 1920 Binding: HARD BACK WHITE Size: 15X10.5 Overall Condition is: GOOD CIRCA 1920 12 full color plates, all titled images, spine damaged, disoloring, general wear.

Bob et Bobette en ménage par André Salmon (1920). Edition originale. Un des rarissimes 10 exemplaires sur papier du Japon. Belle couverture en couleurs par Ciolkowski. André SALMON BOB ET BOBETTE EN MÉNAGE. Roman. Paris, Albin Michel éditeur, s.d. (1920) 1 volume in-18 (19 x 12,5 cm) de 254 pages, broché, couverture imprimée illustrée en couleurs d'une composition Art Déco par Ciolkowski sur le premier plat. Exemplaire neuf, non coupé, jamais lu. Petits manques de papier en haut du dos, petites fentes aux mors sans gravité. Couverture aux couleurs très fraîches. ÉDITION ORIGINALE. UN DES 10 EXEMPLAIRES SUR JAPON (avec 20 exemplaires sur Hollande, seuls grands papiers). André Salmon est né le 4 octobre 1881 à Paris et mort le 12 mars 1969 à Sanary-sur-Mer. Écrivain français, poète, romancier, journaliste, critique d'art. Il fut l'un des grands défenseurs du cubisme avec Guillaume Apollinaire et Maurice Raynal. "Quatre écrivains amis, unis encore par certaines formes de leur curiosité, acceptèrent la gageure d'écrire, chacun de son côté, un instant de la vie du couple : Bob et Bobette. Lorsque nous nous mîmes au travail, Francis Carco, Pierre Mac Orlan et moi revenions de la guerre : or Pierre Mac Orlan, pas encore rendu aux brumes dorées du Havre-de-Rêve où il a un jour "déclaré se retirer", devait encore servir et n'en n'avait pas fini de suivre la guerre. Comment s'étonner qu'il y ait mené à sa suite, jusqu"au bout ! - son Bob, notre Bob ? Pendant ce temps, trop éloigné de mon cher Pierre Mac Orlan, vous pensez bien que je choyais mon Bob, le sien, notre Bob ! Dans les hor … [Click Below for Full Description]

New York: Heny Holt and Company. Relativity The Special & General Theory by ALBERT EINSTEIN ~ First Edition 1920. Shipped with USPS Media Mail. [Attributes: First Edition]

Frans Masereel-Die Sonne-Kurt Woolf / Verlag. 1st German Edition-1920-Of a total edition of 800 copies, this is one of 50 signed. Woodcuts printed directly off the blocks. Full green Morocco, all edges gilt. Leather worn, but still solid. Generally considered the very first graphic novel, and the book that inspired Lynd Ward. [Attributes: First Edition]

London: Raphael Tuck & Son. Raphael Tuck World's Circus Panorama Antique Movable Book, 1920 Scarce Father Tuck Circus Panorama [PANORAMA]. [Tuck, R.]. Father Tuck's World's Circus. Panorama with Movable Pictures. London/ Paris/ New York, Raphael Tuck & Sons Ltd., n.d. (Ca. 1920). Bound leporello consisting of colored lithograph title-page. and 4 full-page color lithographs, being the background for 14 color lithograph figures which may be inserted into slots, on verso (3)p. with text and monochrome illustrations, rear pocket for keeping the inserts in, original chromolithographs. stiff paper boards, oblong 4to. - One female figure lacks head; hinges splitting. Small tear in flap of backcover (w. printed instructions). = Edition "No. 8586". 30 Day Returns * REFUND POLICY: If your item is not as described you may return it within 30 days of receiving it for a full refund and my sincere apology. I try my best to describe every detail so you will not be disappointed when item arrives. *Every item will be nicely packaged in a box. I do not want it damaged just as much as you do not want it damaged. Weinstein Perez Rare Books and Art *ABOUT US: We specialize in rare and first edition books with over 20 years of experience. We have everything from Early Pop-Up Books to PMM, Fine Bindings and Fine Press, as well as Street and Pop Art among other scarcities. We are a combination of the new and the old, juxtaposed. If you have any items you wish to buy or sell, please don't hesitate to contact us. We look forward to hearing from you! *REFUND POLICY: If your item is not as described y … [Click Below for Full Description]

Berlin: Internationale Bibliothek, (1920). Leinen (Hardcover). 18 x 12 x 2 cm - Klein-Oktav. mit deutlichen Gebrauchsspuren - leicht berieben und bestoßen mit kleinen Randläsuren, leicht nachgedunkelt, ein Seiteneinriss weitere Mitwirkende: M. Max Fuchs (Reihenherausgeber) - intern109o-1120

1920. The "Don’t Spend It All" posters were part of an advertising campaign that ran during the early 1920’s which urged individuals to save more and deposit in their banks. Each design and respective message of these posters, while varied in their content, all reflect the purpose of the campaign as a whole: to make the general public feel that savings would help to improve their financial futures. This specific poster, painted by Arnold Lorne Hicks, features a pirate in the center of the image bolstering a wavering red flag. The pirate, and the thieves depicted in the left-hand corner signal the posters theme of saving "buried treasure." The bottom text of the poster reads "Buried Treasure draws no interest, put your money to work in this bank" telling consumers that by putting money in a bank account, the bank will pay interest on an individual’s savings. Arnold Lorne Hicks (1888 – 1970) was a Canadian painter, illustrator and cartoonist. After moving to New York, Lorne Hicks began attending classes at the Art Students League where he furthered his drawing technique as a commercial illustrator. Lorne Hicks illustrated for many children’s books in his early career but is best known for his contributions to the publication Classic Illustrated which featured comic book adaptations of literary classics such as Oliver Twist, The Prince and the Pauper and Dr. Jekyll and Mr. Hyde. This is an Original Vintage Poster. It is not a reproduction. This poster is linen backed and in excellent condition. We guarantee the authenticity of all our posters. Width: 20 Height: 30

LONDON, 1920 Published by LONGMANS GREEN AND CO Edition: FIRST Binding: HARD BACK BLUE Size: 6X9 340 Pages Topic: Illustrated Overall Condition is: GOOD 8 plates. numerous text figures. book covers show wear and rubbing to corners and spine.

Paris: 1920. Splendide. 1/20 ex. Reliure luxe signée R. Kieffer. Dessin original signé Charles Jouas (Notre-Dame). J.-K. Huysmans. Charles Jouas (artiste). René Kieffer (relieur). Trois églises. La symbolique de Notre-Dame de Paris. Saint-Germain l'Auxerrois. Sain-Merry. Editions René Kieffer, 1920. Superbe exemplaire (1/20 ex.) avec trois états des eaux-fortes et une importante aquarelle originale. J.-K. Huysmans / Charles Jouas / René Kieffer Trois églises. La symbolique de Notre-Dame. Saint-Merry. Saint-Germain l'Auxerrois. Eaux-fortes de Ch. Jouas. Editions René Kieffer, relieur d'art, Paris, 1920 1 volume in-4 (29 x 20,5 cm) de 163-(4) pages. 21 compositions de Charles Jouas gravées à l'eau-forte. Reliure de luxe par le relieur-éditeur René Kieffer maroquin vert sombre, dos et plats entièrement ornés à froid de grandes plaques historiées, encadrement intérieur de maroquin (20 mm) avec fleurons dorés dans les angles et roulette dorée, doublures ornées d'un tirage sur soie d'une eau-forte de l'artiste (les deux doublures sont différentes), doubles-gardes de papier décoré et marbré, tête dorée, non rogné pour les autres tranches, couverture conservée (les deux plats et le dos). Reliure à l'état proche du neuf, parfaitement conservée. Intérieur d'une très grande fraîcheur. Tirage de luxe à 260 exemplaires seulement. Celui-ci, un des 20 exemplaires contenant trois états des eaux-fortes et une aquarelle originale de l'illustrateur. Tous les exemplaires ont été tirés sur grand vélin de cuve à l'exception des 10 exemplaires sur Japon ancien à la forme (exemplaires d'artiste). … [Click Below for Full Description]

1920. Librairie Koegui 21, rue vieille boucherie 64100 Bayonne Tél. +33 5 59 59 78 74 MAGRE (Maurice) - La montée aux enfers. Poésies - 1920 - ill. par Edouard CHIMOT 1920 - Illustré par Edouard CHIMOT 34670 MAGRE (Maurice) Le livre du bibliophile - 1920 Reliure demi-maroquin rouge avec grands coins. Dos à nerfs avec titre doré. Tête dorée, non rogné, couverture et dos conservés. Reliure signée LAVAUX. Intérieur très frais.

VOGEL 1920 1Paris, Editions Lucien Vogel, 1920, in-8, en feuilles, sous portefeuille vert cartonné estampé d'un dessin argent d'une comédienne, gardes damassées d'un décor géométrique de losanges verts sur fond argent.Bel album de 21 planches en couleurs, coloriées au pochoir par Saudé avec rehauts d'argent, dans lesquelles on retrouve la finesse et la précision du dessin, l'esprit décoratif et le sens des couleurs de Georges LEPAPE. Cet album se compose de neuf planches illustrées et d'un décor (planches 2 à 11) pour "Le Coup manqué" ballet-pantomine de Rip créé au théâtre de l'Athénée en 1915 ; huit costumes ainsi que deux décors (planches 12 à 21) pour "L'Enfantement du mort" de Marcel L'Herbier créé au Théâtre Édouard VII en 1919. Préface d'Henry Bidou. Petites usures, un coin frotté, dos et plats insolés, rubans manquants, petite déchirure -sans manque- à la planche 21. Édition originale à tirage limité. (Georges Lepape ou l'élégance illustrée, éditions Herscher, page 121).

Rare early American skis from the 1920s or earlier measuring approximately 76 inches made by the C. A. Lund Company which was founded in Hastings, Minnesota by Norwegian-born Christian A. Lund back in 1911. Slight bend in one and wax residue with other minor blemishes as pictured. Thanks for looking. Height (mm): 101.6 Width (mm): 152.4 Length (mm): 228.6

Allemagne: 1920. Rare. Complet. Antonio Francesco (?) Liebesfreude (chère joie). Portfolio érotique publié en Allemagne en 1920. 15 compositions érotiques aquarellées au pochoir. Rare. Antonio Francesco [pseudonyme ?]. LIEBESFREUDE. [PLAISIR D'AMOUR]. 15 HANDKOLORIERTE BLATTER VON ANTONIO FRANCESCO. Für du freunde des künstlers als. Privat-Druck in einer einmaligen auflage von 240 exemplaren hergestellt. Nr. 1-40 sind vollständige original-arbeit des künstlers und von ihm handschriftlich signiert. Nr. 41-200 wurde auf graphischem wege vervielfältigt und mit der hand koloriert. [15 compositions coloriées à la main par Antonio Francesco. Pour les amis de l'artiste. Impression privée. Tirage à 240 exemplaires. N°1-40 signés par l'artiste. N°41-200 aquarellés à la main.]. Dieses exemplar trägt die nummer 129. S.l.n.n., 1920 Portfolio 43 x 30 contenant 1 feuillet de titre et justification et 15 feuillets de compositions érotiques aquarellées au pochoir (feuilles : 42 x 28,8 cm - 32 x 22,8 cm pour les compositions contrecollées sur carton gris). Les compositions sont tirées sur papier du Japon, ainsi que la page de titre. Portfolio avec quelques traces de manipulation, complet. Planches en excellent état. Tirage à 200 exemplaires (et non 240 comme indiqué par erreur). On ne sait rien de l'artiste "Antonio Francesco" qui est probablement un pseudonyme. Son style est caractéristique. Les formes sont esquissées, diffuses, les couleurs appliquées au pochoir viennent renforcer l'impression de légèreté et adoucir des scènes presque toutes très érotiques pour ne pas dire totalement expl … [Click Below for Full Description]

1920. This delightful Swiss poster depicts a family relaxing at the lakeside in the Valle’e de Joux next to Jura. It is a destination for family enjoyment and very well depicted by the Anonymous artist who created this image. It was commissioned to promote travel to the area for summer time leisure. The Vallée de Joux is a valley of the Jura Mountains mainly in the Swiss Canton of Vaud. The valley also continues into France (Jura département) at its higher, southwestern, end. Located 30 miles (48 km) north of Geneva and northwest of Lausanne, its mean elevation is over 3,300 feet (1,000 m). There are three Swiss lakes in the Vallée de Joux : the lac de Joux (around 6 miles (9.7 km) long), the lac Brenet and Lake Ter. The French border runs along the northern edge of the valley until, about 10 kilometres (6.2 mi) west of the lac de Joux, the base of the valley becomes French territory. The valley then continues to climb gently towards the Lac des Rousses and the ski resort of Les Rousses. This is an Original Vintage Poster; it is not a reproduction. This poster is conservation mounted, linen backed, and in excellent condition. We guarantee the authenticity of all of our posters. Width: 27.5 Height: 39.25

VOGEL. Paris, Editions Lucien Vogel, 1920, in-8, en feuilles, sous portefeuille vert cartonné estampé d'un dessin argent d'une comédienne, gardes damassées d'un décor géométrique de losanges verts sur fond argent. Bel album de 21 planches en couleurs, coloriées au pochoir par Saudé avec rehauts d'argent, dans lesquelles on retrouve la finesse et la précision du dessin, l'esprit décoratif et le sens des couleurs de Georges LEPAPE. Cet album se compose de neuf planches illustrées et d'un décor (planches 2 à 11) pour "Le Coup manqué" ballet-pantomine de Rip créé au théâtre de l'Athénée en 1915 ; huit costumes ainsi que deux décors (planches 12 à 21) pour "L'Enfantement du mort" de Marcel L'Herbier créé au Théâtre Édouard VII en 1919. Préface d'Henry Bidou. Petites usures, un coin frotté, dos et plats insolés, rubans manquants, petite déchirure -sans manque- à la planche 21. Édition originale à tirage limité. (Georges Lepape ou l'élégance illustrée, éditions Herscher, page 121). Livre [Attributes: First Edition]

This poster was created in Switzerland in the 1920's to promote various products made by the Maggi Company. They manufactured bouillon cubes and sauce preparation to be used in the finest kitchens as depicted in this vivid graphic by an anonymous artist. The company was founded in 1875 by Julius Maggi and later sold to Nestle' in 1947 and is still in existence. This is an Original Vintage Poster; it is not a reproduction. This poster is conservation mounted, linen backed, and in excellent condition. We guarantee the authenticity of all of our posters. Width: 35.5 Height: 25

1920. Zahlreiche, teils illustrierte, numerierte (Vorzugs-)Ausgaben des satirischen Romans 'Candide ou l'optimisme' und weiterer Voltaire-Werke.- Candide: 1. Paris, Porson, 1948. Mit 46 Lithogr. v. Clavé. 2. 2x Basel, Desch, 1958. Mit 62 Lithogr. v. Kriesch, sign. 3. Paris, Porson, 1952. Mit 46 Lithogr. v. Elsen. Mit separat beil. Suite m. weiteren Lithogr. 4. Paris, La Belle Page, 1945. Illustr. v. Patte. 5. Paris, Tallandier, (um 1920). Illustr. v. Moreau. Schöner Hldr. m. reicher RGoldpräg. 6. München, Wolff, 1920. Illustr. v. Paul Klee. 7. Berlin, Morawe & Scheffelt, 1920. Illustr. v. Divéky. OHPgt. 8. München, Müller, 1924. Mit 20 Rad. v. Sturtzkopf, sign. 9. Paris, Rombaldi, 1952. Mit farb. Illustr. v. van Moppès. HPgt. m. farb. RVign, Kopfgoldschn. Ca. 50 weitere Ausgaben .- La Princesse de Babylone: 1. Berne-Bümplitz, Les Belles Feuilles, 1952. Mit Radierungen v. Reiner. Mit separat beil. Suite, sign. 2. München, Schröder, 1922. Mit 20 Radierungen v. Heubner, sign. Goldgepr. OPgt. Zadig & L'Ingenu: 1. Paris, La Nouvelle France, 1952. Farb. illustr. v. Beuville. Schöner Ldr. 2. Paris, Limited Editions Club, 1952. Farb. illustr. v. Sauvage. 3. Paris, Médecins Bibliophiles, 1972. Mit Radierungen v. Lelièvre.- Und weitere. Gewicht in Gramm: 500 [Attributes: Hard Cover]

Holzschnitt, in Schwarz, auf feinem weißem Büttenpapier, 1920. Von Max Beckmann. Auflage 100 Exemplare. 30,2 x 15,0 cm (Darstellung / Druckbild) / 54 x 38 cm (Blatt). Hofmaier 171 III b. Gallwitz 143. Glaser 149. Rechts unten in Bleistift signiert. - Aus der für den Verlag Piper & Co. in München gedruckten Auflage von 100 auf Bütten (wie hier) und 50 auf Japan abgezogenen Exemplaren. - Originalrandiges Exemplar. In den seitlichen Blattkanten kaum merklich gedunkelt. Im äußeren Rand weit außerhalb der Darstellung schwach fleckig. Sonst tadellos. Insgesamt guter Zustand. Max Beckmann (1884 Leipzig - 1950 New York). Deutscher Maler, Grafiker und Bildhauer, führender Vertreter der Klassischen Moderne, der seine figurative Malerei als Gegenentwurf zur Abstraktion entwickelte. Ab 1901 Studium an der Großherzoglich-Sächsischen Kunstschule in Weimar bei Carl Frithjof Smith. 1903 in Paris Beeinflussung durch Cezanne. Nach Reisen in die Niederlande und die Schweiz ab 1905 Atelier in Berlin-Schöneberg. Zunächst Mitglied der Berliner Secession, 1914 aber Mitbegründung der Freien Secession. 1914/15 als Sanitäter im Ersten Weltkrieg. In der Weimarer Republik erreicht seine künstlerische wie soziale Anerkennung ihren Höhepunkt. Ab 1925 Meisteratelier an der Städel-Kunstschule in Frankfurt. 1932 richtete die Berliner Nationalgalerie einen Beckmann-Saal ein. 1933 Entlassung als Professor in Frankfurt und Umzug nach Berlin. 1937 Flucht nach Amsterdam. 1947 Übersiedlung in die USA, dort diverse Lehraufträge. Sprache: Deutsch [Attributes: Signed Copy]

LONDON, 1920 Published by METHUEN & CO Binding: HARD BACK RED Size: 5.25X7.75 128 Pages Overall Condition is: FAIR gilt on spine, text block unmarked, princeton antiques book plate on inside of front cover, 8 page publisher catalogue in rear, mildly shelf worn, light foxing.

Paris: 1920. Librairie Koegui 21, rue vieille boucherie 64100 Bayonne Tél. +33 5 59 59 78 74 VOGEL (Lucien) - Soieries marocaines. Les ceintures de Fès. - Non daté [vers 1920]. Non daté [vers 1920]. 43843 VOGEL (Lucien) Albert Lévy, Librairie centrale des Beaux-arts - Non daté [vers 1920]. Sous portfolio à rabats à rabats fermé par trois lacets. Dos muet en percaline violette. Gardes intérieures refaites à neuf.

London: George Newnes Limited., [1920]. First Edition, First Impression. Half Leather. Very good. Two Volumes, Quarto. The "Library Edition", bound up from the parts in half brown morocco over brown cloth boards, the spines with raised bands and gilt titles, marbled endpapers, top edges gilt. Original pictorial covers bound in at the rear of each volume. Volume One is BOLDLY SIGNED BY WELLS on a preliminary blank leaf. 780 pp (continuously paginated), Index at end of text in Vol. Two. Scuffing to leather, mostly on the spine of Volume One; small snags to the cloth, a very good set, internally near fine. The "HISTORY..." was first printed serially in 24 fortnightly parts by Newnes from Nov. 1919 - Nov. 1920. Volume One (Parts I-XII) was published in July 1920, Volume Two (Parts XIII-XXIV) in Nov. 1920. This edition - the "Library" edition, consists of the sheets of the parts bound together, contains some hundreds of photographic illustrations, many drawings, maps, and time-diagrams by J.F. Horrabin, and 47 coloured drawings by various artists.

Verlag A. R. Meyer, Berlin 1920. Erste Ausgabe. W-G. I, 195, 9 / Josch D 14 / Kobbe Seite 72 / Raabe 144, 71. In kleiner Auflage auf Bütten erschienen. Erstausgabe der expressionistischen Erzählung. Flur317175 ge Gewicht in Gramm: 30 8° (19,2 x 13 cm). Unpaginiert = 8 Blatt mit Titel - Holzschnitt von Ernst Ludwig Kirchner. Original - Broschur mit Kordelheftung. Unbeschnitten. Etwas gebräunt, das erste Blatt leicht gewellt. Das empfindliche Werk wohlerhalten. Softcover [Attributes: First Edition; Soft Cover]

München: Musarion, 1920. Broschur (Paperback). 16 x 10 x 1 cm - Klein-Oktav. mit deutlichen Gebrauchsspuren - deutlich berieben und bestoßen mit Randläsuren, deutlich nachgedunkelt, - Frakturschrift, - - intern78-1574

Mockba; Moscow: Chihi-Pikhi, 1920. Click here to see our other books! Avant-Garde Anthology Russia Konstantin Bal'mont, V Ivanov, B Pasternak et al 1920 Chihi-Pikhi : Mockba; Moscow 7" by 5" [2], 63pp SUMMARY A very scarce anthology of avant-garde, futurist writings from many noted Russian authors of this time period. The first edition of this work, which perfectly captures the sentiment of post revolutionary Russia's avant-garde movement. First Edition,Rebound,Very Scarce Overall Condition: Very Good This book weighs 0.5 KG when packed UK Postage: £ 3.99 US Postage: £ 19.99 EU Postage: £ 15.99 European Postage: £ 16.99 Asia Postage: £ 21.99 Worldwide Postage: £ 25.99 DESCRIPTION An important work in demonstrating Russian futurism, imaginism and symbolism. Contributors include Boris Pasternak, Konstantin Bal'mont, Vadim Sherschenevich, Inev, Ivanov, Kusikov, Nikulin, Pasternak, Rubanovich, Rukavishnikov, Tretyakov and Khlebnikov. Rebound, in a full maroon cloth binding with the original paper wraps bound in. The front wrap contains a vignette by dramatist Nikolai Erdman. The first edition. A very scarce example of this important Russian art movement. In the original Russian Cyrillic. CONDITION Rebound, in a full cloth binding. Original wraps are bound in. Externally, smart with light shelfwear to the extremities. Minor bumping to the extremities. Internally, firmly bound. Light tidemarks to the edges of the front wrap and endpaper, not affecting the text. '228' written to the top corner of the front wrap. With the stamp for a Russian bookseller to the verso of front wrap. S … [Click Below for Full Description]

Browne and Nolan, Limited, Dublin, 1920. From the 'Ignatius Library, 980 Park Avenue, New York City (The America Press)', with usual ex-lib markings. Rear inner hinge of first volume loosening but binding still very firm, head and tail of spines rather bumped o/w a clean set in good condition. Both volumes have b/w photo illustrations and ports. [Catholic Church - History - Diocese - Ireland]. m1027 [Attributes: Hard Cover]

Aix-en-Provence: 1920. COUBERTIN Pierre de - Histoire universelle COUBERTIN Pierre de Histoire universelle Société de l'Histoire universelle, Aix-en-Provence 1920, 16,5x25,5cm, 4 volumes brochés. Edition originale pour laquelle il n'a pas été tiré de grands papiers.Agréable et rare ensemble. *** [Please note that the English version might contain errors of translation, we apologize if the formulas are inaccurate. Contact us for any information!] Originalausgabe, für die er nicht groß Papiere gezeichnet.Schöne und seltene Set. [Attributes: First Edition]

- Edit. : OFFICE D'EDITION D'ART - 1920 - 42 pages, feuillet, 32 cm - Très bon état - Portfolio .contenant 8 chemises et 10 planches déclassées, soit 26 planches de photogravures représentant les travaux de ferronnerie de Subes, Magne, Pradelle, ainsi que 2 planches de vues des ateliers - Texte de présentation - Chemises : STYLE MODERNE, coin du hall - STYLE LOUIS XIV, grille du parc - STYLE LOUIS XV, sur la grand place - STYLE LOUIS XVI, l'escalier d'honneur - STYLE EMPIRE, relève de la garde - STYLE ROMAN, grille du cloitre - STYLE RENAISSANCE ET LOUIS13, sous le balcon - STYLE GOTHIQUE, parvis des pauvres - Dos renforcé

Paris: 1920. Librairie Koegui 21, rue vieille boucherie 64100 Bayonne Tél. +33 5 59 59 78 74 DRIEU LA ROCHELLE (Pierre) - Fond de cantine - 1920 - Edition Originale 1920 - Edition originale 51240 DRIEU LA ROCHELLE (Pierre) Éditions de la Nouvelle Revue Française - 1920 Couverture souple imprimée. Partiellement non coupé. [Attributes: First Edition]

1920. Grasse, the world’s perfume capital, is an idyllic town that sits on the French Riviera in the hills north of Cannes. The city is best known for its prospering perfume industry which began in the late 18th century. Grasse today houses the Musee International De La Perfume in its town center, with large perfumeries such as Fragonard, Molinard and Galimard offering tours of their production sites. Grasse, the "Cite du Calme, Des Fleurs et Des Parfumes" (city of calm, flowers and perfumes) appears as a lush garden, where an elegantly dressed woman and her accompanying dog can be observed enjoying a book amongst the floral environment. In the background, the city of Grasse quaintly sits on a blue mountainside, beautifully depicting both the luxury and simplicity that the town has to offer. This French travel poster was sponsored by the Societe Nationale des Chemins de Fer (French National Railway company). The Société Nationale des Chemins de Fer Français, SNCF, or the French National Railway Company is France's national state-owned railway company. The company was founded in 1938 and operates the rail traffic along Monaco, including the TGV, France’s high-speed railway. Its functions include operation of railway services for passengers and freight, and maintenance and signaling of rail infrastructure (Wikipedia). Charles-Jean Hallo, more famously known as ALO (1882–1969) was a French painter, draftsman, illustrator, and photographer. Hallo attended Saint-Ignace College, going on to continue his studies in the arts at the Dijon École des Beaux Arts in France. He is best k … [Click Below for Full Description]

1920. This China-Rossi poster is an Italian liqueur advertisement. In the center of the image, a woman is galloping on a horse, using a bottle of the sweet China- Rossi as her whip. The text Elixir, Tonico (Tonic) and Ricostituente (Medicine) illustrated on the poster indicate that the liqueur is a digestive and meant to have health benefits. The bottom half of the poster reads "Fratelli (Brothers) Rossi Asiago", the producer of the liqueur, and the text reading "Succursale in Piove di Sacco" can be translated to "the Piove di Sacco branch", which was the company’s Padova-based location where the distribution was likely handled for this product. China Rossi, is an Italian Liqueur produced by Rossi D’ Asiago. The Liqueur is known for its composition of various herbs and aromatic essences as well as its sweet taste. The term ‘China’ refers to a tree in South America called "China Calissaia", whose bark was an ingredient originally used by the Chinese as a digestive. Unfortunately, there is no information on the artist of this poster. This is an Original Vintage Poster. It is not a reproduction. This poster is conservation mounted, linen backed and in excellent condition. We guarantee the authenticity of all our posters. Width: 27.5 Height: 39

Leipzig : Insel, 1920. 219 S. ; 8 Erstausgabe in der seltenen broschierten Ausgabe. Broschiert, fadengeheftet. In Antiqua gesetzt. Einband stärker berieben oder leicht bestoßen, Randläsuren, Einrisse und Knickspuren, Kapitale geringf. eingerissen, Seitenränder nachgedunkelt und unfrisch, sonst sauber und in Ordnung. Keine Besitzvermerke. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Bestellungen aus dem Ausland nur gegen Vorkasse. Sprache: Deutsch Gewicht in Gramm: 550 [Attributes: First Edition; Soft Cover]

Kobenhavn, Gyldendal, 1920 - 1936. (2nd). Sewn. part of the spines and titleshields discoloured and a bit spotted, first 20 pages of volume 2 a slightly waterstained, some small waterstaining in the margins of the text of volume 3, frontcover volume 4 a bit spotted, spine volume 7 a bit damaged, otherwise good condition ¶ Volume 1: Enten - Eller. Et Livs-Fragment. Forste deel, Volume 2: Enten - Eller. Et Livs-Fragment. Anden deel, Volume 3: Atten opbyggelige Taler, Volume 4: Fire opbyggelige Taler, Volume 5: Forord, Volume 6: Stadier paa livets vei, Volume 7: Afsluttende uvidensabelig efterskrift til de philosophiske smuler, Volume 8: En literair Anmeldelse, Volume 9: Kjerlighedens gjerninger, Volume 10: Christelige Taler, Volume 11: Lilien paa marken og fuglen under himlen, Volume 12: Indovelse i Christendom, Volume 13: Bladartikler fra tiden for 'forfatterskabet', Volume 14: Bladartikler 1854-55. - Dette stal figes, saa vaere det da sagt. - hvad Christus dommer om officiel Christendom. - Suds uforanderlighed en tale. - Bieblittet nr. 1-10, Volume 15: Register til Soren Kierkegaards Samlede Vaerker. Sag og Forfatterregister. Terminologisk register.Books in Danish language

Kobenhavn, Gyldendal, 1920 - 1936. (2nd). Sewn. *part of the spines and titleshields discoloured and a bit spotted, first 20 pages of volume 2 a slightly waterstained, some small waterstaining in the margins of the text of volume 3, frontcover volume 4 a bit spotted, spine volume 7 a bit damaged, otherwise good condition*.Volume 1: Enten - Eller. Et Livs-Fragment. Forste deel, Volume 2: Enten - Eller. Et Livs-Fragment. Anden deel, Volume 3: Atten opbyggelige Taler, Volume 4: Fire opbyggelige Taler, Volume 5: Forord, Volume 6: Stadier paa livets vei, Volume 7: Afsluttende uvidensabelig efterskrift til de philosophiske smuler, Volume 8: En literair Anmeldelse, Volume 9: Kjerlighedens gjerninger, Volume 10: Christelige Taler, Volume 11: Lilien paa marken og fuglen under himlen, Volume 12: Indovelse iChristendom, Volume 13: Bladartikler fra tiden for 'forfatterskabet', Volume 14: Bladartikler 1854-55. - Dette stal figes, saa vaere det da sagt. - hvad Christus dommer om officiel Christendom. - Suds uforanderlighed en tale. - Bieblittet nr. 1-10, Volume 15: Register til Soren Kierkegaards Samlede Vaerker. Sag og Forfatterregister. Terminologisk register.Books in Danish language

Cloth hardcover original 1920 rare book. See photos In good condition for age except some of the glue is deteriorating. This is an original from1920. Historical book on the war with Russians or Bolsheviki. This is one book you will be hard pressed to find anywhere else. The original sales receipt is included. From the personal collection of Charles W Clawson, who was an avid gun & book collector and historian! Charles purchased this book over 20 years ago for $500.00. [Attributes: First Edition]

Cloth hardcover original 1920 rare book. See photos In good condition for age except some of the glue is deteriorating. This is an original from1920. Historical book on the war with Russians or Bolsheviki. This is one book you will be hard pressed to find anywhere else. The original sales receipt is included. From the personal collection of Charles W Clawson, who was an avid gun & book collector and historian! Charles purchased this book over 20 years ago for $500.00. [Attributes: First Edition]

1920. Bright and decorative Illustrated Autograph Letter Signed, "Stephen." "Where are you? Your Balm is so very nice new - you will be jealous - When will you come out here? Juliet.does not want to see my Roses. Love to you, Stephen." On pink printed address stationery, Tennant wrote to a neighbor who was a friend of photographer and designer Cecil Beaton. Beaton and Tennant belonged to an upper class social set of the 1920's and 30's called "Bright Young People," popularized in Evelyn Waugh's novel, "Brideshead Revisited." The 8 x 10 inch artwork is drawn with water color and outlined in ink. Tennant's floral decoration echoes the reference to the roses of his garden and is similar to his water color and ink drawing, "The Carthganian Rose." The letter measures 8 x 10 inches and floats on a dark gray mat overlaid with a white mat, framed in black satin finished wood, matted and framed in museum quality materials, framed in 5/8/inch black satin wood. Frame measures 15 ½ x 17 3/4. [Attributes: Signed Copy]