ca, 1920. Orig.-Farbradierung / orig. coloured etching. 44 x 55 cm. (Blattgr.); 32, 5 x 44, 5 cm. (Plattengr.). In ausgezeichnetem Zustand. Excellent condition. vgl. Thieme-B. XIX, 582f.; Schüttler, Wien 1944; Antiquitäten-Rundschau 23. Jg. 1925, Nr. 24 - Vom Künstler eigenhändig signiert. Signed by Kasimir. Place de la Bourse mit lebendiger Straßenszene und dem Café de la Bourse im Vordergrund.

WARD, LOCK & CO LIMITED. NEW YORK & MELBOURNE, 1920 CIRCA Illustrated by: : J. AMBROSE WALTON Published by WARD, LOCK & CO LIMITED Edition: FIRST ED Binding: HARD BACK BLUE Size: 5.5 X 8 279 Pages Overall Condition is: GOOD General shelf wear, rubbed/worn extremities, cracked hinges, frontispiece detached but present, age toned pages, bookplate on inner front board, shaken binding, else fine. This copy matches the cover of a first edition however, no copyright date present.

ca, 1920. Orig.-Farbradierung auf Japanpapier / orig. coloured etching. 53, 5 x 44 cm. (Blattgr.); 45 x 32 cm. (Plattengr.). In ausgezeichnetem Zustand. Excellent condition. vgl. Thieme-B. XIX, 582f.; Schüttler, Wien 1944; Antiquitäten-Rundschau 23. Jg. 1925, Nr. 24 - Vom Künstler eigenhändig signiert. Signed by Kasimir. Die Kirche Saint-Germain-des-Prés mit dem Café Les Deux Magots im Vordergrund.

ca, 1920. Orig.-Farbradierung auf Japanpapier / orig. coloured etching. 54 x 42 cm. (Blattgr.); 45 x 32, 5 cm. (Plattengr.). In ausgezeichnetem Zustand. Excellent condition. vgl. Thieme-B. XIX, 582f.; Schüttler, Wien 1944; Antiquitäten-Rundschau 23. Jg. 1925, Nr. 24 - Vom Künstler eigenh. signiert. Signed and titled by Kasimir.

1920. Periodically, technical problems arise with the payment of PayPal or restrictions for some states. This is not my fault! Support for eBay promised to fix errors, but problems remain. If you intend to buy this product, but there is a problem - write to me and we will find a way out! Free worldwide shipping. I guarantee quality packaging! I guarantee the correct execution of international postal documents for the successful sending of my goods from Russia! Sending parcels and letters is required with a postal identifier (I will provide a tracking number). All my products are in Moscow, Russia. Shipment of goods by Russian Post. The price of the goods in the customs declaration we agree with the buyer before shipment. I have more than 15 years of experience in international online trading (Russian sites and eBay). ORIGINAL. RARE. Only to the collection. Great quality illustrated album. The text in Russian.

Glasgow, 1920. Softcover. SIGNED AND INSCRIBED IN GERMAN BY VLADIMIR LENIN. CONDITION: Good. Front and rear wraps detached. Still in good overall condition. [Attributes: First Edition; Signed Copy; Soft Cover]

Various: German Political Parties, 1920. Hardcover. fair to vg. Various sizes. Original printed flyers on various papers and in various colors.An extraordinary mirror of the political climate in Bavaria two years after the end of W.W.I exhibited in 9 letter size and 4 smaller size election flyers. The tenor of all flyers reflects the extremely agitated atmosphere of the time warning the voters in drastic language to beware of corruption and profiteering of the Hoffmann government and its followers on one hand, and of the Jewish population, bolshevism and socialism as administered by the representatives of the Räterepublik on the other. The content of the flyers varies from patriotic to educational and propaganda bids to expose the true nature of the Räterepublik.Among the parties and institutions responsible for the distribution of the flyers are the Bayrische Mittelpartei claiming that no Jewish citizens are members and belaboring the failure of the current system, the Deutsche Demokratische Partei boldly announcing election fraud. Appeals by the Bayrische Volkspartei to vote for their candidates and the Deutsche Volkspartei calling for unity against Bolshevism and "Red Terror." A flyer by the NSDAP printed on both sides with an appeal to duplicate and distribute points out a "Times" exposure on the Jewish world program to enslave the peoples of the world under Jewish rule. The Bayrische Volkspartei addresses women and girls in warning against radical leftist elements, militias (Einwohnerwehr, Wachregiment and Reichswehr) attacking the Räterepublik, a … [Click Below for Full Description]

Mannheim: Buchdruckerei Hentschel. 1920 Gr. 8°. ca. 2500 S. 197 Hefte in 12 Bände (13 Jahrgänge kpl. einer Heft 1-8). Alle Bände in Privates Halbleinen gebunden, die ersten beiden Bände mit dem Vereinswappen vorne montiert, Jg. 1926-1935 mit goldgeprägtem Rückentitel. zahlr. Abb., Werbeseiten etc., SEHR SELTEN in dieserm Umfang noch nie angeboten ----- 1. Jg. 1920 (Heft 1-24, Nr. 9/10 Doppelnummer + Doppelblatt Inhaltsverzeichnis) + 2. Jg. 1921 beginnt am 1.1. mit Nr. 25 (statt Nr. 1) weiter dann Nr. 2, 3/4 (Doppelnummer bis Nr. 24) 2 kpl. Jahrgänge /// 3. Jg. 1922 (Nr. 1-18 kpl. Jg.) + 4. Jg. 1923 (Nr. 1-8) endet hier im August --- Ab 7. -16. Jg. (1926-1935) jeweils mit den Original-Titelblättern jeder Jahrgang mit 12 Heften (Kpl.) ---------- Der TSV Mannheim ist ein am 4. Januar 1846 gegründeter Sportverein, der größte und älteste in Mannheim und einer der größten in Baden-Württemberg ----------- Ein Fülle von Daten, Berichten für jeden Heimatforscher, Sportchronisten etc. Versand D: 5,00 EUR

1920. Berlin, Rowohlt, 1920. Folio. 97 S. Mit lithogr. Titel und 10 Lithographien von Bernhard Hasler. Orig.-Lederband mit Rücken- und Deckelvergoldung sowie Kopfgoldschnitt. Nr. 27 von 50 Exemplaren der Vorzugsausgabe, auf Holländischen Bütten, das Impressum vom Autor signiert und eine Lithographie mit Signatur vom Künstler. - Vorsätze stockfleckig. Einband berieben.

London: Constable and Company, LTD, 1920. 280pp. 8vo. Original cloth, in rare Dust Jacket! Bright red boards with Black text on front and spine. Front board also has a black boarder. The DJ does have staining along the spine that bleeds slightly along the front top. There is also a cut out at the front upper right corner . Spine slightly worn at the top and the inside of boards have browning. The browning was caused by included newspaper articles of the author. The Holiday Bookshop, New York is also placed on the inside of the back board. A very good copy. First edition. Kirkpatrick A4a. (Error numbering on p.13).

New York: Arnold Genthe, 1920. Silver gelatin print, 6 ¾ x 9 ¼ inches on larger mount. Signed by Genthe on the mount, inscribed by Marlowe as Marlowe Sothern on the mount as follows: "To Jean: our little comrade on our walks in Beautiful Stockbridge. In remembrance also of 'Sun Yat Sen' and Choo-Chio Chow. September. 1940. Julia Marlowe Sothern. Very Good. An uncommon image of the actress, feminist and suffrage advocate Julia Marlowe, who adopted the name - though never legally - Julia Marlowe Sothern after working with the Shakespearean actor E.H. Sothern. Ill health led Marlowe to retire from the stage in 1924 and she was seldom seen in public. This photograph, inscribed later in her life, is an uncommon relic from her reclusive later years. We can find no record of a Jean or the names mentioned. Arnold Genthe, who famously photographed the San Francisco Earthquake of 1906 from the site of his destroyed studio, moved to New York in 1911, where he became a portrait photographer. He most likely took this picture in his stint on the east coast. We find no other record of this specific portrait of Marlowe. Some silvering at margins, otherwise excellent, with some light normal tanning to mount.

Portefeuille de format grand in-8 Edité vers 1920 par Paul COTINAUD Exemplaire N° 227/275 signé par l'artiste Quelques serpentes froissées sinon BEL EXEMPLAIRE VOIR NOTRE BOUTIQUE EBAY.

shangai: 1920. Très Bon Etat des photographie Couverture abîmée avec manques. CHINA NORTH AND SOUTH / DONALD MENNIE 1922 "A serie of Vandyck photogravures illustrating the picturesque aspect of chinese life and surrounding" Second and revised edition / Photographs by D. Mennie Published by A. S. Watson & Co / Shangaï Album relié avec couverture rigide, 1 page de garde avec titre et 30 pages de photogravures collées avec titres Photos en très bon état, page de titre un peu sale et couverture abîmée avec manque Je peux fournir, sur demande, l'ensemble des photos contenues dans l'album Donald Mennie (1875/1876 - 1941) était un homme d'affaires écossais et photographe amateur. Il est arrivé à Pékin en 1899. Comment et pourquoi est malheureusement inconnu. Ce que l'on sait, c'est qu'il a d'abord travaillé comme assistant dans le cabinet Mactavish & Lehman & Co à Pékin. Après cela, il a rejoint la société A.S. Watson & Co à Shanghai et est finalement devenu le directeur général de l'entreprise. Dans ses photographies, Mennie semble avoir essayé de capturer une vision romantique de la «Chine antique», avec des caravanes poussiéreuses de chevaux ou de chameaux, de vieux palais et des scènes de rue authentiques, tout autour de Pékin. Entre 1914 et 1927, il a publié plusieurs livres couvrant son travail photographique, dont The Pageant of Peking (1920), Glimpses of China (1920), China, North and South (1922) et The Grandeur of the Gorges (1926). Grâce à ces publications, son travail est devenu plus connu et, après 1900, il a été proposé comme membre de la Royal Geographic Society and … [Click Below for Full Description]

PHILADELPHIA, 1920 Published by GEORGIE BARRIE & SONS Binding: HARD BACK YELLOW Size: 9 X 6 7/8 287 Pages Overall Condition is: GOOD Light to medium soiling to exterior.Foxing to pages. Volumes V, II, and IV have cracked bindings, with the IV volume having multiple cracked bindings. Black and white illustrations. Large Paper Library Edition: Two Hundred and Fifty Copies are Printed on Imperial Japan Paper No.124. Bumping to corners, as well as the top and bottom edge of spine. Paper Label on full buckram yellow cloth. POSTAGE EXTRA MAY BE REQUIRED. Postage weigt:15lb Original weight: 11 lb 12oz.

London: Macmillan & Co, 1920. FIRST EDITION. 195 x 122 mm. (7 3/4 x 4 3/4"). xii, 470, 2 (ads) pp. FIRST EDITION. CHARMING BLACK MOROCCO, GILT AND INLAID, BY F. C. AUSTIN (stamp-signed on rear turn-in), covers with central panel of green morocco decorated with gilt rules and sprays of clover leaves, a narrow panel of red morocco at its head and foot, large inlaid lozenge at center, that on upper cover blind-tooled with an image of Westminster, London, that on the lower cover with a pastoral scene, raised bands, spine with gilt tooling similar to that on covers and gilt lettering, turn-ins with gilt and blind rules, all edges gilt. Isolated minor marginal stains or thumbing, but a very fine copy, the text fresh and clean, and the binding in mint condition. Prepared for and exhibited at the 1939 Golden Gate International Exhibition in San Francisco, this is a thoughtful and pleasing binding by an artisan who had trained with and worked for some of the great names of modern English bookbinding. F. C. Austin studied bookbinding at the Camberwell School of Arts and Crafts in London, and won the City and Guilds of London Institute's prize for bookbinding in 1933. He was a finisher at the firm founded by Roger de Coverly (1831-1914) and operated by Roger's sons Edward, Arthur, and William. Arthur de Coverly exhibited three volumes at the San Francisco Exhibition that featured the present item and five other bindings by Austin. The British Library has two examples of Austin bindings, (shelfmarks c108g14 and c108e9), both of which employ panelling and gilt or pictorial decora … [Click Below for Full Description]

London: Constable & Company Ltd., 1920. Hardcover. Very Good. Ronald Balfour. First edition of the Rubaiyat featuring the illustrations of Ronald Balfour and the text of Fitzgerald's enduring translation. Balfour is a mysterious artist with a minuscule output. Yet these illustrations, done in his twenties are masterful. Reminiscent of Aubrey Beardsley's intricate lines, his drawings move from black and white, to the sophisticated addition of single colours, to explosions of colour. With 38 tipped in plates and numerous b/w drawings around the text. Printed on heavy paper stock. Bound in vellum style Japon paper with gilt titling and mounted image on cover. 4to. (260x200mm). Bumping to edges. Mild toning to covers. Tape residue marks to end-papers. A couple of small marks within otherwise clean and prim. Binding sound. Scarce in this state. Very good.

Gerlach & Wiedling, 1920. Jugendbücherei Nr. 34, Bilder von Norbertine Breßlern-Roth. Einige Flecken, Einband-Ecken bestoßen, Vorsatz einfärbig unbedruckt.

London: George Allen & Unwin, Ltd, 1920. London: George Allen & Unwin, Ltd,, 1920. Octavo. Original blue cloth, titles to front board and spine in black. With the dust jacket. Housed in a custom marbled slipcase. Spine sunned, cloth otherwise bright, a little offsetting to second blank. A near-fine copy, contents clean and unmarked, in a lovely example of the dust jacket, bright and entirely unfaded. First edition, first impression, first issue with the broken type on page 35, and with the scarce dust jacket. This memoir of the First World War is Dos Passos's first book, and was not published in the US until 1922.

This lot is an 1920 Original Hardback Wisden. In Good to Very Good Condition, I find this a hard year to find. This book is very nice, it has had some restoration to the spine gilt and the hinges but it has done the book well, the front baord is very nice with shiny, original gilt, light wear, the spine cloth is clean with new gilt. Internally the hinges are restored and strong, the pastedowns are the usual darker yellow , part of the front right is a bit darker than the rest but internally a wonderful book, with clean white pages, tightly bound and an excellent photoplate.

München, Phantasus, 1920. Erste Auflage, eines von 150 (gesamt 220) nummerierten und im Impressum von Mann und Nückel signierten Exemplaren!. 24,8:17,7 cm. Original-Halbpergament mit goldener Rückenprägung. Deckel mit Buntpapierbezug nach einem Entwurf von Nückel. Kopfgoldschnitt. Druck auf schwerem Bütten. Pergament am unteren Kapital mit kleiner Anschmutzung, Ecken wenig angestoßen. 8, 58 (+3) Seiten, 1 weißes Blatt. mit den 11 ganzseitigen Bleischnitten und 4 handkolorierten Initialen von Otto Nückel. Private handschriftliche Zueignung auf dem Vorsatz von 1946. Auf dem Innendeckel ein hübsches ExLibris Dr. Heinrich Bierwes. 3 kleine Fleckchen auf dem Vortitel, S.22-25 mit einem schwachen 1cm großen Fleck. Sonst sehr schön sauber, fest im Block. Gutes und dekoratives Exemplar. Vorliegend Nummer 198 von nur 220 signierten Exemplaren! FLUR [Attributes: First Edition; Signed Copy; Hard Cover]

Hi, This lot is a 1920 Original Hardback Wisden This Wisden, a hard one to find, is in Good to Very Good condition. The boards are good for the year with the odd small mark, there is a small amount of lightening to the spine cloth and the gilts to the front and spine are very bright. Very strong hinges, a touch of darkness to the first page with a name and comment to the top of the left hand side pastedown. Nice clean pages with an excellent photoplate, some marks to the base of the page block. [Attributes: Hard Cover]

1920. Near Fine. THE INGOLDSBY LEGENDS OR MIRTH & MARVELS THOMAS INGOLDSBY, ESQ. ILLUSTRATIONS BY ARTHUR RACKHAMMR. WILLIAM HEINEMANN LONDON 1920 Limited leather edition from Mr. William Heinemann; 1920 early printing. Large finely crafted volume in slip-case measures 8 x 10 1/4" x 2" and weighes over 4 1/2 lbs. Dark brown pebbled morocco (leather) boards, gilt accents and spine titles, light shelf wear. Spine features four raised hubs or bands w/gilt decoration, and five panels with gilt borders and titles in two. Varying crisp gilt decoration, vignettes, and borders to front and back boards. Gilt dentelle borders to perimeter of pastedowns. Pastel colored thick flourishing endpapers varying at front and back. Frontispiece mounted color plate adjacent to half-title page: "Hey ! up the chimney, lass ! Hey after you!" Rough-cut deckled heavy stock pages near fine; no writing. Smooth bright gilded top edge. Bind fine; accordian hinges intact. Bright red silk ribbon page marker. Includes rare slip case with dark brown leather to opening edges and cut to curve of volume's spine. Features two dozen richly detailed tipped-in illustrations mounted on greyish green thick matte paper; each with adjacent captioned page guards. Also graced with a dozen monochromatic, tinted full-page design of Arthur Rackham. Additional full and partial-page imagery, vignettes, and decoration throughout. This three series of tales, and miscellaneous poems, includes such tales as: The Witches' Frolic; The Ghost; Legend of Hamilton Tighe; The Merchant of Venice; The Ingoldsby Penance; The Dead Drummer; … [Click Below for Full Description]

1920. Drechslereiwerkstatt Kunstgewerbeschule. Original-Briefbogen mit dazugehörigem Briefumschlag, der vorderseitig mit dem Aufdruck des Absenders versehen ist. 1920er Jahre. Druck in Beige-Grau und Rot auf cremefarb. Papier mit Wasserzeichen. 29,8:21,2 cm und 11,5:16,2 cm. Ecken und am Rand mit geringen Knitterspuren. Stationary on watermarked paper with envelope. Der Typograf, Grafiker und Fotograf Georg Trump zählte in den 1920er und 1930er Jahren neben Tschichold und anderen zu den wichtigen Schriftgestaltern der Moderne. Er lehrte unter Paul Renner an der Meisterschule für Buchdrucker in Leipzig zusammen mit Jan Tschichold. Er entwarf die Schrifttype ?City? und gestaltete u.a den wichtigen Ausstellungskatalog über moderne Fotografie ?Das Deutsche Lichtbild? aus dem Jahr 1930. Auf Bitten von Paul Renner übernahm er von 1931 bis 1934 die Direktion der Höheren Grafischen Fachschule in Berlin. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!

ITEM DESCRIPTION The Seven Parsons and the Small Iguanodon Gerald H Thayer 1920 G.P. Putnam's Son$3,000.00 an extremely rare children's book and probably one of the earliest to include a dinosaur as a character in the story; illustrated by Norman Jacobsen; fine or better condition although faint moisture mark to lower edge of both book covers and the title page has some tears to lower edge, also an indent to front cover surface to the right of the boy; in searching the internet I cannot find a single copy of this for sale anywhere, no record of a copy being sold at past auction and even Google search for this EXACT title yields less than 20 results and most results are library related from the year 1920 (like Publisher's Weekly or a library receiving a copy at that time) ___________________________________________ COMBINED SHIPPING ? YES...I can do this but ONLY If you follow the below instructions.To be clear, "combined shipping" is when you buy 3 items, for example, each with a shipping charge of $8, but since I can ship all 3 in the same box, you get charged $10-12 instead of $24.I cannot "combine shipping" after you have already paid.1) DO NOT USE the cel phone app ! If you do, EBAY will force immediate payment and charge you full shipping on each item. I will not refund your money if this happens.2) You must log into EBAY with a browser (Chrome, Safari etc) on your phone, computer or laptop to avoid this.3) Put all items in your Cart and then, while in your Cart, click the "Request Total" linkBecause EBAY and PAYPAL have made partial refunds so complicated, I will no l … [Click Below for Full Description]

Bob et Bobette en ménage par André Salmon (1920). Edition originale. Un des rarissimes 10 exemplaires sur papier du Japon. Belle couverture en couleurs par Ciolkowski. André SALMON BOB ET BOBETTE EN MÉNAGE. Roman. Paris, Albin Michel éditeur, s.d. (1920) 1 volume in-18 (19 x 12,5 cm) de 254 pages, broché, couverture imprimée illustrée en couleurs d'une composition Art Déco par Ciolkowski sur le premier plat. Exemplaire neuf, non coupé, jamais lu. Petits manques de papier en haut du dos, petites fentes aux mors sans gravité. Couverture aux couleurs très fraîches. ÉDITION ORIGINALE. UN DES 10 EXEMPLAIRES SUR JAPON (avec 20 exemplaires sur Hollande, seuls grands papiers). André Salmon est né le 4 octobre 1881 à Paris et mort le 12 mars 1969 à Sanary-sur-Mer. Écrivain français, poète, romancier, journaliste, critique d'art. Il fut l'un des grands défenseurs du cubisme avec Guillaume Apollinaire et Maurice Raynal. "Quatre écrivains amis, unis encore par certaines formes de leur curiosité, acceptèrent la gageure d'écrire, chacun de son côté, un instant de la vie du couple : Bob et Bobette. Lorsque nous nous mîmes au travail, Francis Carco, Pierre Mac Orlan et moi revenions de la guerre : or Pierre Mac Orlan, pas encore rendu aux brumes dorées du Havre-de-Rêve où il a un jour "déclaré se retirer", devait encore servir et n'en n'avait pas fini de suivre la guerre. Comment s'étonner qu'il y ait mené à sa suite, jusqu"au bout ! - son Bob, notre Bob ? Pendant ce temps, trop éloigné de mon cher Pierre Mac Orlan, vous pensez bien que je choyais mon Bob, le sien, notre Bob ! Dans les hor … [Click Below for Full Description]

1920. Softcover. vg. 4to. Unpaginated (16pp). Original wraps illustrated in color, protected by modern mylar. Der blaue Vogel (The blue bird) was founded by the exile-Russian Jasha Jushny. In the early 1920's Jushny's Russian émigré theatre-cabaret was legendary in Berlin. Rare promotional brochure with a little bit of the history of the "Kleinkunstheater" as well as a list of the repertoire, verse translated from the Russian, etc. Illustrated with 6 reproductions of drawings in color of costume- and set-designs by Prof. E. Stern, W. Nowikow, Klement. Also with 3 photographic b/w reproductions of productions held at the Theater, as well as a portrait of Jushny, all plates tipped-in. One plate creased (that plate loose), minor staining on back wrapper. 4 advertisement pages, relating to the Theater, in rear. Text in German. Very good condition. Rare.

1920. état correct. BLOK (Alexandre), LARIONOV (Mikhail) Les Douze Paris, Éditions d'Art La Cible, 1920 In-4 br., couverture pourpre illustrée (40 pp.) Première édition française tirée à 510 ex., illustrée par 7 compositions hors-texte en noir contecollées de Mikhail Larionov Un des 500 ex. sur vergé d'Arches (non justifié) Quelques rousseurs sur le premier feuillet, mais bel exemplaire anciennement conservé dans un étui de relieur La fragile couverture est encore assez fraiche. Première édition française de ce poème en douze parties d'Alexandre Blok (1880-1921), publié en Russie en 1918 et considéré comme le premier poème lyrique sur la Révolution russe. Remise en mains propres gratuite sur Paris ou expédition sous emballage renforcé par Colissimo recommandé. [Attributes: First Edition; Soft Cover]

New York: Harper & Brothers Publishers, , [1920]. Contemporary New York binding 21 volumes, octavo (223 x 149 mm). Contemporary blue half morocco by Whitman Bennett of New York, bound for William Harrison with his name and rampant griffin device in gilt to covers, twin orange and red morocco lakes, spines tooled in gilt, red marbled sides and endpapers, top edges gilt. With photogravure frontispieces and plates throughout printed on china paper and with descriptive tissue guards. Spines lightly sunned, some bumping to tips, a few patches of rubbing and stripping to morocco skilfully retouched. A very good set. The Anniversary Edition, issued to celebrate Hardy's 80th birthday, out of series from an edition of 1,250 sets. From the library of the American intellectual Gore Vidal, unmarked as such, but with a certificate of provenance from the dealer to whom Vidal's library was sold. Purdy, p. 286.

Boston: Small, Maynard & Company, 1920. First American Edition. Original Blue Boards with paper label, 8vo, (4) , 149 pages. Includes facsimile of the original Russian title-page. According to this infamous text, a secret cabal of Jews seek to dominate world affairs. "The Protocols" emanated from the Czarist secret police and first appeared in 1905. In the aftermath of World War I, the "Protocols" was more broadly disseminated by various anti-Semitic groups, eager to pin blame on the Jews for a toppled world order. The text remains to this day a source of virulent hatred in certain parts of the world. See C. G. De Michelis, The Non-Existent Manuscript (2004) ; also EJ, Vol. VI cols. 581-Very Good Condition (AMR-51-3A) Amr6, holo15 xoo [Attributes: First Edition; Hard Cover]

La mort de Venise - Maurice Barres René Kieffer, Paris 1920 Première édition illustrée ornée de 22 eaux-fortes dont 11 en pleine page de G. Le Meilleur un des 180 exemplaires numérotés sur velin de cuve Reliure de l'époque demi-maroquin signé René Aussourd Bel exemplaire - Intérieur très frais Format: 27x21 cms D'autres photos sur demande Présentation livraison possible en Région Parisienne.

Paris: 1920. Splendide. 1/20 ex. Reliure luxe signée R. Kieffer. Dessin original signé Charles Jouas (Notre-Dame). J.-K. Huysmans. Charles Jouas (artiste). René Kieffer (relieur). Trois églises. La symbolique de Notre-Dame de Paris. Saint-Germain l'Auxerrois. Sain-Merry. Editions René Kieffer, 1920. Superbe exemplaire (1/20 ex.) avec trois états des eaux-fortes et une importante aquarelle originale. J.-K. Huysmans / Charles Jouas / René Kieffer Trois églises. La symbolique de Notre-Dame. Saint-Merry. Saint-Germain l'Auxerrois. Eaux-fortes de Ch. Jouas. Editions René Kieffer, relieur d'art, Paris, 1920 1 volume in-4 (29 x 20,5 cm) de 163-(4) pages. 21 compositions de Charles Jouas gravées à l'eau-forte. Reliure de luxe par le relieur-éditeur René Kieffer maroquin vert sombre, dos et plats entièrement ornés à froid de grandes plaques historiées, encadrement intérieur de maroquin (20 mm) avec fleurons dorés dans les angles et roulette dorée, doublures ornées d'un tirage sur soie d'une eau-forte de l'artiste (les deux doublures sont différentes), doubles-gardes de papier décoré et marbré, tête dorée, non rogné pour les autres tranches, couverture conservée (les deux plats et le dos). Reliure à l'état proche du neuf, parfaitement conservée. Intérieur d'une très grande fraîcheur. Tirage de luxe à 260 exemplaires seulement. Celui-ci, un des 20 exemplaires contenant trois états des eaux-fortes et une aquarelle originale de l'illustrateur. Tous les exemplaires ont été tirés sur grand vélin de cuve à l'exception des 10 exemplaires sur Japon ancien à la forme (exemplaires d'artiste). … [Click Below for Full Description]

CHICAGO, ILLINOIS, 1920 Published by AMERICAN ARTISAN Binding: PAPER BACK RED/WHITE Size: 8.75X12.25 Overall Condition is: FAIR volume 94 number 1-27 (1927), volume 88 number 1-26 (1924), volume 87 number 1-26 (1924), volume 79 numbers 1-10 and 16-26 (1920), ADDITIONAL POSTAGE REQUIRED 40 pounds shipped from atlantic city new jersey ADDITIONAL POSTAGE REQUIRED, spotting on pages and cover, pages and covers brittle and torn, stapled paperbacks, stamps on some covers, pages yellowing, black and white illustrations, some volumes water stained.

Ein Spiel vom wollüstigen Tod.Bln., A.R.Meyer, 1920. marm.Or.-Br.m.handschr.VDeckeltitel.14 nn.S., Titelzeichn.v.E.L.Kirchner.1.Ausg.[Lyr.Flugblätter].Lang 173; Raabe 53,8; ders., Ztschr.144,71; Josch D14.Auf Bütten gedruckt, hier in der besseren Ausstattung im vom Verleger beschrifteten Handeinband.Umschlagkanten leicht berieben.

Au Sans Pareil, collection Dada, 1920. broché, chemise étui Édition originale. Unique eunuque unique, décapé et décapant, sauvagement caviardé par un des maîtres de la peinturlulure montmartroise, Willette. Ce dernier, qui assurément ne porte pas Picabia dans son cœur, s'est ingénié à compléter les vers du dadaïste et à les illustrer irrespectueusement. Une soixantaine d'interventions à l'encre noire émaille le voluminet. On se marre bien. Picabia eut apprécié qui écrivait alors : Toute conviction est une maladie du fondement. A ce titre, le prémonitoire portrait de l'auteur par lui-même en devient troublant et se révèle sans équivoque. En voulant fustiger Dada et brocarder Unique eunuque, Willette n'aura fait qu'amplifier Picabia, rehaussant son Unique eunuque en un curieux objet dadaïste. Des coupures de presses relatives à tout ça, commentées et annotées par l'artiste, sont collées en tête et en fin de volume. Un foutu document. Premier plat détaché.

1920. Drechslereiwerkstatt Kunstgewerbeschule. Original-Briefbogen mit dazugehörigem Briefumschlag, der vorderseitig mit dem Aufdruck des Absenders versehen ist. 1920er Jahre. Druck in Beige-Grau und Rot auf cremefarb. Papier mit Wasserzeichen. 29,8:21,2 cm und 11,5:16,2 cm. Ecken und am Rand mit geringen Knitterspuren. Stationary on watermarked paper with envelope. Der Typograf, Grafiker und Fotograf Georg Trump zählte in den 1920er und 1930er Jahren neben Tschichold und anderen zu den wichtigen Schriftgestaltern der Moderne. Er lehrte unter Paul Renner an der Meisterschule für Buchdrucker in Leipzig zusammen mit Jan Tschichold. Er entwarf die Schrifttype ?City? und gestaltete u.a den wichtigen Ausstellungskatalog über moderne Fotografie ?Das Deutsche Lichtbild? aus dem Jahr 1930. Auf Bitten von Paul Renner übernahm er von 1931 bis 1934 die Direktion der Höheren Grafischen Fachschule in Berlin. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!

Peoria, Illinois: The Manual Arts Press, 1920. Very Good. Large portfolio (355 x 268 mm), COMPLETE with all 12 full-page illustrations, loosely inserted as issued. PORTFOLIO: wrappers with black taped spine, as issued, with an inner flap of the same material to hold the loose sheets (some wear and minor soiling, a few small marginal tears, small purple paint stain on back cover, fold of inner flap separating along bottom). Early typed title label affixed. With faults described certainly in much better condition than commonly found. ILLUSTRATIONS: some signs of use, light browning, and small tears along the top and bottom edges of 5, 6, 11 and 12. Stamp of The Lux School of Industrial Training on the front cover and on ten of the twelve illustrated sheets. Excellent copy, rarely found complete as here. Our copy comes from the Lux School of Industrial Training for Girls (see below).From a contemporary review: "The present portfolio contains twelve sheets of full-size patterns for nineteen different toys - mostly suitable for direct copying and reproduction, with the coping saw. The toys emphasize children's love for humor and interest in motion. They are suitable for reproduction in the school or the home shop and should find wide use." (Source: Industrial Arts & Vocational Education Professional Magazine, vol. 10, 1921). The patterns are arranged into groups, each sheet having an average of three patterns. Some of these groups are: jointed animals, animal rocker toys, wheeled platform toys, lever toys, string toys, and novelties. Michael C. Dank lived as an Instructor in … [Click Below for Full Description]

J. & J. Gray & Company, Edinburgh, 1920. First edition of the author's rare book on putting. Octavo, original cloth, top edge gilt, illustrated with plates from photographs. In very good condition, rebacked. First editions are rare. Willie Park was one of the top professional golfers of his era, winning The Open Championship twice. Park was also a successful golf equipment maker and golf writer, as one of the first professional players to write an instructors manual. In his later years, Park built a significant career as one of the world's best golf course architects. [Attributes: First Edition; Hard Cover]

Berlin, Verlag A. R. Meyer, 1920. 8° (19,2 x 13 cm). Unpaginiert = 8 Blatt mit Titel - Holzschnitt von Ernst Ludwig Kirchner. Original - Broschur mit Kordelheftung. Unbeschnitten. Etwas gebräunt, das erste Blatt leicht gewellt. Das empfindliche Werk wohlerhalten. W-G. I, 195, 9 / Josch D 14 / Kobbe Seite 72 / Raabe 144, 71. In kleiner Auflage auf Bütten erschienen. Erstausgabe der expressionistischen Erzählung. FL3999-317175 [5 Warenabbildungen bei antiquariat.de]

1920. 6 Black and White original photographs 19.5cm. x 24.5 cm (mounted 27.5 cm. x 35.5 cm.) Circ 1920. Provenance: all from Parkhurst's original copyright. Talcott Harmon Parkhurst (1883-1952) was a regional New mexican photographer. His negatives are archived at the Palace of the Govenors Museum in Sante Fe, New Mexico. Portraits include: ''Basket Maker'', ''Navajo Singer'', ''Chief'', ''Navajo Girl'', second ''Navajo Chief'', and an unknown lady in costume. Near fine condition. Scarce and collectable.

Au Sans Pareil, 1920. broché Édition originale sur papier ordinaire (après les 180 numérotés sur Chine, Hollande et Arches) portant la mention de 2eme édition sur la couverture. Envoi a. s. : (...) Il y a beaucoup de place dans Paris, surtout sur la rive gauche, et je songe à la petite famille du papier d'Arménie. André Breton 24 Juin 1920 (encre noire) - Philippe Soupault (encre violette). Le haut du feuillet à été raccourci sur toute sa longueur, le nom du destinataire a tout aussi proprement disparu... Dos défraîchi, quelques petits manques marginaux de papier de bois...

Condition: Collectible, Very Good. Various publishers, 1920-1925. List of articles available upon request. Stamps of JT Baldwin Jr. and Franz Schrader. First separate edition. Offprint. Original Wrappers. *.

Boston: Small, Maynard & Company, 1920. Boston: Small, Maynard & Company. 1920. Hardback. Amr6, holo15 xoo . First American Edition. Original Blue Boards with paper label, 8vo, (4) , 149 pages. Includes facsimile of the original Russian title-page. According to this infamous text, a secret cabal of Jews seek to dominate world affairs. "The Protocols" emanated from the Czarist secret police and first appeared in 1905. In the aftermath of World War I, the "Protocols" was more broadly disseminated by various anti-Semitic groups, eager to pin blame on the Jews for a toppled world order. The text remains to this day a source of virulent hatred in certain parts of the world. See C. G. De Michelis, The Non-Existent Manuscript (2004) ; also EJ, Vol. VI cols. 581-Very Good Condition (AMR-51-3A) .

1920. Heise, Carl Georg und Hans Mardersteig (Hrsg.): Genius. Bilder und Aufsätze zu alter und neuer Kunst. 2 Bände. Leipzig, Kurt Wolff Vlg., 1920. Ca. 34,5 x 26 cm. VIII S., 332 Seiten, mit 5 Originalgraphiken und zahlreichen Abbildungen und Illustrationen; VIII S., 356 Seiten, mit 5 Originalgraphiken und zahlreichen Abbildungen und Illustrationen. Originalleinenbände. Jentsch 72: "In einem Aufsatz über Hans Mardersteig berichtet ... Karl Georg Heise über die Gründung der Zeitschrift: "Kurz entschlossen fuhr ich nach Leipzig, um dem damals schon renommierten Verleger Kurt Wolff unsere Pläne zu entwickeln. ... Schließlich ließ er sich überreden, auch Mardersteig kennenzulernen, und oft hat er mir versichert, daß die Verbindung mit ihm die schönste und fruchtbarste seines Lebens geworden sei. ... Nun übernahm Mardersteig die Initiative für die Herstellungsarbeiten, gewann Emil Preetorius für die Schaffung des schönen Signets und hat ... auch die damals noch relativ seltenen, guten Farbreproduktionen auf das sorgsamste überwacht. ... Aus einer Jugendfreundschaft also ist der "Genius" hervorgegangen." Maßgebende künstlerisch-literarische Zeitschrift des Expressionismus. Insgesamt erschienen 3 Jahrgänge (bis 1921) in 6 Bänden. Hier der 2. Jahrgang. Mit den Original-Graphiken: Original-Holzschnitte von Erich Heckel: Mädchenkopf; Frans Masereel: Business-man; Max Kaus: Kopf; André Rouveyre: Kopf; Karl Schmidt-Rottluff: Lesender Mann; Original-Lithographien: Georg Ehrlich: Tröstung; Edwin Scharff: Die Brüder; Alexander Archipenko: Figürliche Komposition; Carl Hofer: Das Nest; Ale … [Click Below for Full Description]

1920. Rückenbeschriftung teils leicht abgeblättert. Vorsätze etwas fleckig. Papierbedingt leicht gebräunt. Sonst für das Alter sehr gut erhalten mit Schutzfolie. Meidner, Ludwig : Septemberschrei. Hymnen, Gebete, Lästerungen. Mit vierzehn Steindrucken. Berlin, Cassirer 1920. 75 S. OPappband. Erstausgabe. [Attributes: First Edition]

Mitchell Hughes and Clarke London, 1920. Book is in good condition, internally clean Some staining to book front and back covers. Scarce book , not many if any copies available in the Worldcat libraries. [Attributes: Hard Cover]

Kegan Paul,Trench,Trubner & Co.,Ltd, 1920. Phenomena of Materialisation, A Contribution to the Investigation of Mediumistic Teleplastics by Baron Von Schrenk-Notzing, Translated by E. E. Fournier d Albe, D.Sc., 1920, Published by Kegan Paul,Trench,Trubner and Co,Ltd, Printed by the Edinburgh Press, Hardback,has some fading to covers, has a couple of White marks to front cover and a small Brown stain/spot to back cover, All pages appear present, Pages are yellowing, Pages are hand-cut, All illustrations appear present, but no list to confer with, To Top of Preliminary title page there is a Previous owner Society name written in Blue Biro ink: Meersbrook Spiritualist Society(Church) [Attributes: Hard Cover]

1920. Trip to Rainbow Arch, A W D Sayle. First Edition; First Printing W. D. Sayle. Very Good with no dust jacket. 1920. First Edition; First Printing. Flexible cloth. Very good first edition in brown cloth covers. Inscribed by author: 'Dear Dr. Wood I hope this little narration will interest you W. D. Sayle Nov. 18 1920'. The cover is lightly worn around the edges. Binding is tight; this is one of the cleanest copies of this scarce Colorado Plateau title we've seen. More often than not, the flexible boards are curled and very chipped. The text and pictures are in very good shape. Follows the author's journey from Adamana, NM, throughout the southwest to Rainbow Arch (now Bridge). A fun journal of the exploration of a remote area of the American southwest, where few whites ha [Thumbnails Below] Trip to Rainbow Arch, A Author: Sayle, W. D. Publication: W. D. Sayle, 1920 Edition: First Edition; First Printing Signed: Inscribed by author: 'Dear Dr. Wood I hope this little narration will interest you W. D. Sayle Nov. 18 1920'. The cover is lightly worn around the edges. Binding: Flexible cloth Condition: Very Good with no dust jacket / Signed Description: W. D. Sayle. Very Good with no dust jacket. 1920. First Edition; First Printing. Flexible cloth. Very good first edition in brown cloth covers. Inscribed by author: 'Dear Dr. Wood I hope this little narration will interest you W. D. Sayle Nov. 18 1920'. The cover is lightly worn around the edges. Binding is tight; this is one of the cleanest copies of this scarce Colorado Plateau title we've seen. More often than not, the flex … [Click Below for Full Description]

London: Harrison & Sons, 1920. Original boards with some soiling, spines rebacked, ink stamp on title pages, all text and plates present and in very good condition. The Countries and Tribes of the Persian Gulf Samuel Barrett Miles 1919-1920.Condition: Very Good. Original boards, spines re-backed, text and plates in excellent condition,ink stamp at base of title pages. Published by London, Harrison and Sons, 1919, reprinted 1920. Large 8vo. 2 vols. (12), 264 pp. (4), 265-643, (1) pp. With frontispiece and 8 photo-plates. Original grey cloth. Includes chapters on the advent of Islam on the Gulf coast, the Portuguese era in Eastern Arabia, the Al-Bu-Said dynasty, a history of commerce in the Gulf, a description of the country and the pearl fisheries, as well as a chapter on the tribes of the Gulf, with an entry on the Al-Kowasim ("a powerful Maadic tribe occupying the sea ports on the Pirate coast") as well as on Beni Yas and their towns, "Abu Thabi and Debaye". The author's first appointment in Arabia was as Resident at Aden in 1867; he was later made Agent and Consul at Muscat before being promoted Consul General, first at Bagdad then at Zanzibar. This work was published posthumously by his widow from a remarkable archive of notes, "many of which were jotted down on odd bits of paper as he [Miles] rode through the desert on his camel". The book remains an authority on Omani history and provides a storehouse of knowledge for any reader interested in the Arabian Gulf. An very uncommon and desirable work. Rare. No other copies found available for sale worldwide. Please contact … [Click Below for Full Description]

Berlin, Cassirer, (1920). 4. vermehrte und verbesserte Auflage. 4°. 4 nn. Bl., 279 S., mit 5 Originalradierungen und 1 Originallithographie, sowie zahlreichen Abbildungen im Text. Originalpappband mit Deckel- und Rückenvergoldung, (gering beschabt, oberes Kapital leicht eingerissen). Die Radierungen von Max Liebermann (Amsterdamer Judengasse; Schiefler 73C), Edvard Munch (Landschaft; Schiefler 268b), Hermann Struck ( (Alter Jude aus Jaffa), Hans Meid (Der Maler in der Landschaft; Jentsch 298b), Paul Baum (Aus Sluis) und die Lithographie von Max Slevogt (Der Bildermann; Rümann 100). Deckelzeichnung von Karl Walser (Badorrek-H.B 79.3). - Hermann Struck, selbst Künstler, liefert einen bis heute grundlegenden Überblick über Technik und Werkzeug, künstlerische Entwicklung und herausragende Beispiele der Radierkunst. - Etwas stockfleckig. // With 5 original etchings and 1 original lithograph as well as numerous illustrations in text. Original boards with gilt cover and spine, (somewhat rubbed, top end of spine with some tears). Etchings by Max Liebermann (Amsterdamer Judengasse; Schiefler 73C), Edvard Munch (Landschaft; Schiefler 268b), Hermann Struck ( (Alter Jude aus Jaffa), Hans Meid (Der Maler in der Landschaft; Jentsch 298b), Paul Baum (Aus Sluis) and the lithography by Max Slevogt (Der Bildermann; Rümann 100). Drawing on front cover by Karl Walser (Badorrek-H.B 79.3). Hermann Struck, himself an artist, has written a basical description about technic and tools, artistical development and distinguished examples on the art of etching. - Partly foxed. [Attributes: Hard Cover]

Allemagne: 1920. Rare. Complet. Antonio Francesco (?) Liebesfreude (chère joie). Portfolio érotique publié en Allemagne en 1920. 15 compositions érotiques aquarellées au pochoir. Rare. Antonio Francesco [pseudonyme ?]. LIEBESFREUDE. [PLAISIR D'AMOUR]. 15 HANDKOLORIERTE BLATTER VON ANTONIO FRANCESCO. Für du freunde des künstlers als. Privat-Druck in einer einmaligen auflage von 240 exemplaren hergestellt. Nr. 1-40 sind vollständige original-arbeit des künstlers und von ihm handschriftlich signiert. Nr. 41-200 wurde auf graphischem wege vervielfältigt und mit der hand koloriert. [15 compositions coloriées à la main par Antonio Francesco. Pour les amis de l'artiste. Impression privée. Tirage à 240 exemplaires. N°1-40 signés par l'artiste. N°41-200 aquarellés à la main.]. Dieses exemplar trägt die nummer 129. S.l.n.n., 1920 Portfolio 43 x 30 contenant 1 feuillet de titre et justification et 15 feuillets de compositions érotiques aquarellées au pochoir (feuilles : 42 x 28,8 cm - 32 x 22,8 cm pour les compositions contrecollées sur carton gris). Les compositions sont tirées sur papier du Japon, ainsi que la page de titre. Portfolio avec quelques traces de manipulation, complet. Planches en excellent état. Tirage à 200 exemplaires (et non 240 comme indiqué par erreur). On ne sait rien de l'artiste "Antonio Francesco" qui est probablement un pseudonyme. Son style est caractéristique. Les formes sont esquissées, diffuses, les couleurs appliquées au pochoir viennent renforcer l'impression de légèreté et adoucir des scènes presque toutes très érotiques pour ne pas dire totalement expl … [Click Below for Full Description]